from
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Women and Art
Adkins, Patricia. La mujeres en la música. (Alianza Música). Madrid: Alianza, 1995.
Alpers, Svetlana. "Art History and Its Exclusions." In Feminism and Art History: Questioning the Litany. New York: Harper & Row, 1982.
Battersby, C. Gender and Genius: Towards a Feminist Aesthetics. London: Women's Press, 1989.
Beauvoir, Simone de. "7. Women and Creativity." Introd. Ursula Tidd (149-54). In Beauvoir, Feminist Writings. Urbana, Chicago, and Springfield: U of Illinois P, 2015. 155-70.*
Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester UP, 1992.
Casey, Britiany. (Women) Artists and the Gender Gap (Museum): An Analysis of Inequality, Invisibility and Underrepresentation, a Case Study at the Joslyn Art Museum in Omaha, Nebraska. MA diss. U of Nebraska at Omaha, 2016.* Online at ProQuest:
http://search.proquest.com/docview/1845307176
2017
_____. (Women) Artists and the Gender Gap (Museum). Online at Academia.*
https://www.academia.edu/36388765/
2021
Caso, Ángeles. Las olvidadas: Una historia de mujeres creadoras. Barcelona: Planeta 2005.
_____. Las olvidadas: Una historia de mujeres creadoras. Barcelona: Círculo de Lectores, 2005.*
Donovan, Josephine. "Feminism and aesthetics." Critical Inquiry 3 (1977): 605-8.
Ecker, Gisela, ed. Feminist Aesthetics. Boston: Beacon Press, 1985.
Goldstein, Judith L. "The Female Aesthetic Community." Poetics Today 14.1 (1993): 143-164.*
Gómez Reus, Teresa, comp. Aracnologías: Reflexiones sobre el espacio estético femenino: 100%. Sevilla: Junta de Andalucía, Consejería de Cultura y Medio Ambiente, 1993. Rev. in Atlantis 16 (1994).
Huyssen, Andreas. "3. Mass Culture as Woman: Modernism's Other." In Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 44-62.*
Kavaler-Adler, Susan. The Compulsion to Create: A Psychonalytical Study of Women Artists. London: Routledge, 1994.
Keene, Donald. "Feminine Sensibility in the Heian Era." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 109-24.*
Lauter, Estella. Women as Mythmakers: Poetry and Visual Art by Twentieth-Century Women. Indiana UP, 1984.
Lippard, Lucy R. From the Center: Feminist Essays on Women's Art. New York, 1976.
Lomba, Concha. Bajo el eclipse: Pintoras en España, 1880-1939. (Biblioteca de Historia del Arte). CSIC, 2020.
Luque Rodrigo, Laura. "Lo que el arte nos enseña sobre la igualdad de género." The Conversation 2-3 July 2020.*
https://theconversation.com/lo-que-el-arte-nos-ensena-sobre-la-igualdad-de-genero-141257
2022
Marías, Javier. "Más daño que beneficio." El País (La zona fantasma) 26 June 2017.* (Women artists).
http://elpaissemanal.elpais.com/columna/javier-marias-dano/
2017
Montejo, Julia. Todas esas chicas de zapatos rojos: Sexo, género y creatividad.
Nead, Lynda. The Female Nude: Art, Obscenity and Sexuality. London: Routledge, 1992.
_____. Myths of Sexuality: Representations of Women in Victorian Britain.
Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. New Haven: Yale UP, 1990.
_____. Sex, Art and American Culture: Essays. New York: Vintage, 1992.
Piñero Gil, Eulalia, and Cecilia Piñero Gil, eds. Arte y Mujer: Visiones de cambio y desarrollo social. Madrid: Horas y Horas, 2010.
Pollock, Griselda. Vision and Difference: Femininity, Feminism, and Histories of Art. London: Routledge, 1988.
Raven, Arlene, et al., eds. Feminist Art Criticism: An Anthology. Ann Arbor: UMI Research Press, 1988.
Rosemont, Penelope, ed. Surrealist Women. London: Athlone, 1998.
Roth, Moira, ed. The Amazing Decade: Women and Performance Art 1970-1980. Astro Artz, 1982.
Serrano de Haro, Amparo. "6. Representaciones de la mujer en la historia de la pintura." In El sustrato cultural de la violencia de género: Literatura, arte, cine y videojuegos. Ed. Ángeles de la Concha. (Perspectiva feminista). Madrid: Síntesis, 2010.
Stoneley, Peter. Mark Twain and the Feminine Aesthetic. (Cambridge Studies in American Literature and Culture, 54). Cambridge: Cambridge UP, 1992.
Trigo, Iván. "María Gimeno: 'El arte sigue firmándose en masculino': La artista escenificó su performance Queridas viejas en el Paraninfo de Zaragoza." El Periódico de Aragón 20 Nov. 2018: 56.*
http://prensa.unizar.es/noticias/1811/181120_z0_p56.pdf
2018
Waugh, Patricia. "Stalemates? Feminists, Postmodernists and Unfinished Issues in Modern Aesthetics." 1991. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 322-40.*
Woodman, M. From "'Taking It Like a Man: Abandonment in the Creative Woman." In. Psychoanalysis and Woman: A Reader. Ed. Shelley Saguaro. Houndmills: Macmillan, 2000.
Zamorano, Ana. "Las políticas del cuerpo en la creación artística femenina: la dimensión hermafrodita del andrógino." In Autoras y Protagonistas. Ed. Pilar Pérez Cantó and Elena Postigo Castellanos. Madrid: Universidad Autónoma de Madrid, 2000: 505-511.
Journals
Aphra Behn Online:
Interactive Journal for Women in the Arts 1640-1830.
University of Southern Florida.
http://www.aphrabehn.org/aphraonline/
2011
