Registro y estilo

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Register and style

 

 

Andersen, E. S. Speaking with Style: The Sociolinguistic Skills of Children. London: Routledge, 1990.

Auer, J. C. Peter. "A Conversation Analytic Approach to Code-Switching and Transfer." In  The Bilingualism Reader. Ed. Li Wei. London: Routledge, 2000. 2001. 166-87.*

Baugh, John. "A Dissection of Style-Shifting." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 109-18.*

Bell, Allan. "Language Style as Audience Design." In Sociolinguistics: A Reader and Coursebook. Ed. Nikolas Coupland and Adam Jaworski. Houndmills: Macmillan, 1997. Rpt. Palgrave. 240-50.*

Bex, Tony. "5. Cohesion, Coherence, and Register." In Bex, Variety in Written English: Texts in Society /Societies in Text. (Interface). London: Routledge, 1996. 90-112.*

Biber, Douglas. Variation across Speech and Writing. Cambridge: Cambridge UP, 1988.

_____. Dimensions of Register Variation: A Cross-Linguistic Comparison. Cambridge: Cambridge UP, 1995.

Biber, D., and E. Finegan, eds. Sociolinguistic Perspectives on Register. Oxford: Oxford UP, 1994.

Birch, David, and Michael O'Toole, eds. Functions of Style. London: Pinter, 1988.

Blom, Jan-Peter, and John J. Gumperz. "Social Meaning in Linguistic Structure: Code-Switching in Norway." In Directions in Sociolinguistics. Ed. John J. Gumperz and Dell H. Hymes. New York: Holt, 1972.

_____. "Social Meaning in Linguistic Structure: Code-Switching in Norway." In  The Bilingualism Reader. Ed. Li Wei. London: Routledge, 2000. 2001. 111-36.*

Carter, Ronald, and Sandra Cornbleet. The Language of Speech and Writing. (Intertext). London: Routledge, 2001.

Coupland, Nikolas. "Language, Situation, and the Relational Self: Theorizing Dialect-Style in Sociolinguistics." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 185-210.*

Eckert, Penelope. "Style and Social Meaning." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 119-26.*

Eckert, Penelope, and John R. Rickford, eds. Style and Sociolinguistic Variation. Cambridge: Cambridge UP, 2001.*

Eggins, Suzanne, and J. R. Martin. "Genres and Registers of Discourse." In Discourse as Structure and Process. Ed. T. van Dijk. London: Sage, 1997. 230-56.

_____. "Genres and Registers of Discourse." In Critical Discourse Analysis: Critical Concepts in Linguistics. Ed. Michael Toolan. London: Routledge, 2002. 3.274-302.*

Ervin-Tripp, Susan M. "Variety, Style-Shifting, and Ideology." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 44-56.

Fairclough, Norman. "Register, Power, and Socio-Semantic Change." In Functions of Style. Ed. D. Birch and M. O'Toole. London: Pinter, 1988. 111-25.

_____. "Register, Power, and Socio-Semantic Change." In Critical Discourse Analysis: Critical Concepts in Linguistics. Ed. Michael Toolan. London: Routledge, 2002. 1.304-20.*

_____. "Styles." In Fairclough, Analysing Discourse: Textual Analysis for Social Research. London: Routledge, 2003 159-63.*

Ferguson, Charles A. "Sports Announcer Talk: Syntactic Aspects of Register Variation." Language in Society 12 (1983): 153-72.

_____. "Editor's Introduction: Special Language Registers." Special issue of Discourse Processes 8 (1985): 391-94.

Finegan, Edward, and Douglas Biber. "Diachronic Relations among Speech-based and Written Registers in English." In To Explain the Present: Studies in the Changing English Language in Honour of Matti Rissanen. Ed. T. Nevalainen and L. Kahlas-Tarkka. (Mémoires de la Société Néophilologique 52). Helsinki: Société Néophilologique, 1997. 253-76.

_____. "Register Variation and Social Dialect Variation: The Register Axiom." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 235-67.*

Frank, Barbara. "'Convenientia' und Treueeid in ihrem soziokulturellen Kontext. Ein Fallbeispiel zum Textsortenwandel." In Texte-Konstitution, Verarbeitung, Typik. Ed. Susanne Michaelis and Doris Tophinke. Munich: Lincom Europa.

Ghadessy, Mohsen, ed. Registers of Written English: Situational Factors and Linguistic Features. London: Pinter, 1988.

_____, ed. Register Analysis: Theory and Practice. London: Pinter Publishers, 1993.

Giles, Howard, and Peter Powesland. "Accomodation Theory." In Sociolinguistics: A Reader and Coursebook. Ed. Nikolas Coupland and Adam Jaworski. Houndmills: Macmillan, 1997. Rpt. Palgrave. 232-40. (Stylistic variation).

Giménez-Moreno, Rosa. "Register Variation in Electronic Business Correspondence." In New and Further Approaches to ESP Discourse: Genre Study in Focus. Ed. Camino Rea-Rizzo and María Ángeles Orts-Llopis. Monograph issue of International Journal of English Studies 11.1 (2011). 15-34.*

Goatly, Andrew. "Register and the Redemption of Relevance Theory: The Case of Metaphor." Pragmatics 4.2 (1993): 139-81.

Goody, Jack. The Interface between the Written and the Oral. (Studies in Literacy, Family, Culture and the State). Cambridge: Cambridge UP, 1987. Rpt. 1988, 1989, 1991, 1993. Digitalized 1999.* (Oral poetry, writing, traditional societies, Bagre, Vai, register, style).

Hatim, Basil. "3. The Myth of the Single Register." In Hatim, Communication Across Cultures: Translation Theory and Contrastive Text Linguistics. Exeter: U of Exeter P, 1997. Rpt. 2000. 22-34.*

Hodge, Robert I. V., and Gunther Kress. Social Semiotics. Ithaca (NY): Cornell UP, 1988.

_____. "Social Semiotics, Style and Ideology." In Sociolinguistics: A Reader and Coursebook. Ed. Nikolas Coupland and Adam Jaworski. Houndmills: Macmillan, 1997. Rpt. Palgrave. 49-54.*

Irvine, Judith T. "'Style' as Distinctiveness: The Culture and Ideology of Linguistic Differentiation." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 21-43.*

Jago, Michael. Living Language: Language and Style. London: Hodder and Stoughton, 1999.

Labov, William. "The Anatomy of Style-Shifting." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 85-108.*

Lakoff, Robin Tolmach. "Stylistic Strategies within a Grammar of Style." Annals of the New York Academy of Sciences 327 (1979): 553-78.

_____. "Stylistic Strategies within a Grammar of Style." In Language, Sex, and Gender. Ed. Judith Orasanu, Mariam Slater, and Leonore Loeb Adler. (Annals of the New York Academy of Science, 327). 53-78.

_____. "Some of my Favourite Writers Are Literate: The Mingling of Oral and Literate Strategies in Communication." In Spoken and Written Language: Exploring Orality and Literacy. Ed. Deborah Tannen. Norwood (NJ): Ablex, 1982. 239-60.

Lázaro Carreter, Fernando. El dardo en la palabra. Barcelona: Galaxia Gutemberg-Círculo de Lectores, 1997. (Columns on the use of Spanish, 1975-96).

_____. El nuevo dardo en la palabra. Madrid: Aguilar, 2003.

Leeuwen, Theo van. "Style." In van Leeuwen, Introducing Social Semiotics. London: Routledge, 2005. 139-59.*

Martin, James R. "Language, Genre and Register." In Children Writing: Reader. Ed. Frances Christie. Deakin UP, 1984.

_____. "Language, Register and Genre." In Analysing English in a Global Context. Ed. Anne Burns and Caroline Coffin. London and New York: Routledge / Open U / Macquarie U, 2001. 149-66.*

Miguel, Amando de. La perversión del lenguaje. (Colección Austral; Pensamiento/Contemporáneos, A 356). Madrid: Espasa-Calpe, 1994.*

Montes Granado, Consuelo. "Sociolinguistics Bibliography on 'Code-Switching'." Revista Alicantina de Estudios Ingleses 8 (November 1995): 25-59.*

Painter, Clare. "Understanding Genre and Register: Implications for Language Teaching." In Analysing English in a Global Context. Ed. Anne Burns and Caroline Coffin. London and New York: Routledge / Open U / Macquarie U, 2001. 167-80.*

Preston, Dennis R. "Style and the Psycholinguistics of Sociolinguistics: The Logical Problem of Language Variation." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 279-304.*

Rickford, John R. "Style and Stylizing from the Perspective of a Non-Autonomous Sociolinguistics." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 220-32.*

Swann, Joan. "Style Shifting, Codeswitching." In English: History, Diversity and Change. Ed. David Graddol, Dick Leith and Joan Swann. London: Routledge / Open UP, 1996. 301-37.*

Tannen, Deborah. "Indirectness in Discourse: Ethnicity as Conversational Style." Discourse Processes 4.3 (1981): 221-38. Rev version: "Ethnic Style in Male-Female Conversation" in Language and Social Identity, ed. John Gumperz, Cambridge: Cambridge UP, 1982; and in Tannen, Gender and Discourse.

_____. "Ethnic Style in Male-Female Conversation." In Language and Social Identity. Ed. John J. Gumperz. Cambridge: Cambridge UP, 1982. 2002. 217-31.*

Traugott, Elizabeth Closs. "Zeroing in on Multifunctionality and Style." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 127-36.*

Vázquez, Ignacio. "Register, Genre, and Linguistic Choice." In Current Issues in Genre Theory. Ed. Ignacio Vázquez and Ana Hornero. Zaragoza: Mira, 1996. 29-49.*

Yaeger-Dror, Malcah. "Primitives of a System for 'Style' and 'Register'." In Style and Sociolinguistic Variation. Ed. Penelope Eckert and John R. Rickford. Cambridge: Cambridge UP, 2001. 170-84.*

 

 

 

 

Bibliography

 

 

García Landa, José Angel."Register and Style." From A Bibliography of Literary Theory, Criticism and Philology. Online at StudyLib.net.*

         http://studylib.net/doc/7486708/from-a-bibliography-of-literary-theory--criticism-and-phi...

         2016

 

 

 

 

 

See also Style (in literature and writing); Stylistics.

Estética y estilo en el cine

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Aesthetics and style in film

 

 

Arnheim, Rudolf. Film als Kunst. Berlin, 1932.

_____. Film as Art. Berkeley: U of California P, 1957.

_____. (Rudolph Arnheim). Film as Art. London, 1958.

_____. From Film as Art. ("The Complete Film"). 1933. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 212-15.*

_____. From Film as Art ("Film and Reality"). 1933. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 312-21. (Film and perception).

Balázs, Béla. Theory of the Film: Character and Growth of a New Art. London, 1952. 1953.

_____. From Theory of Film ("The Close-up"). 1945. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 304-11. (Face, perception, lyricism, gesture).

Bazin. From What Is Cinema? ("The Evolution of the Language of Cinema"). 1950-55. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 43-56.*

Bordwell, David. Narration in the Fiction Film. Madison: U of Wisconsin P, 1985.*

_____. "34. Convention, Construction, and Cinematic Vision." 1996, 2008. In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010. 416-32.*

_____. "Classical Hollywood Cinema: Narrational Principles and Procedures." In Narrative, Apparatus, Ideology. Ed. Philip Rosen. New York: Columbia UP, 1986.

_____. "El estilo clásico de Hollywood, 1917-1960." In El cine clásico de Hollywood: Estilo cinematográfico y modo de producción hasta 1960.  By David Bordwell, Janet Staiger and Kristin Thompson. Barcelona: Paidós, 1997. 3-96.

_____. On the History of Film Style. Cambridge (MA): Harvard UP, 1997. 1998.

_____. "From Stylistic History to Thematic Criticism." In Bordwell, On the History of Film Style. Cambridge: Cambridge UP, 1997. 75-82.

_____. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: U of California P, 2006.

_____. Poetics of Cinema. New York: Routledge, 2008.

Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Reading (MA), 1979.

_____. Film Art: An Introduction. 3rd ed. New York: McGraw-Hill, 1990.*

Bordwell, David, and Janet Steiger. "Implicaciones históricas del cine clásico de Hollywood." In El cine clásico de Hollywood: Estilo cinematográfico y modo de producción hasta 1960.  By David Bordwell, Janet Steiger and Kristin Thompson. Barcelona: Paidós, 1997. 411-32.

Casebier, Allan. Film and Phenomenology: Toward a Realist Theory of Cinematic Representation. Cambridge: Cambridge UP, 1991.

Deren, Maya. "Cinematography: The Creative Discourse of Reality." 1960. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 216-27.*

Echevarría, Julia. "Liquid Cinematography..." Academia (March 2016).*

         https://www.academia.edu/23643060/

         2016

Eisenstein, Sergei. Film Form. Ed. and trans. Jay Leyda. New York: Harcourt, 1949. 1977.

_____. The Film Sense. 1942. London, 1943.

_____. The Film Sense. Trans. Jay Leyda. New York: Harcourt, 1947. 1975.

Gance, Abel. "Le Temps de l'image est venu." L'Art cinématographique 2 (Paris, 1927).

García Landa, José Angel. "El momento fílmico (de Hamlet a Saraband)." In García Landa, Vanity Fea 20 Feb. 2012.*

         http://vanityfea.blogspot.com/2012/02/el-momento-filmico-de-hamlet-saraband.html

         2012

_____. "El momento fílmico." Ibercampus (Vanity Fea) 28 Feb. 2012.*

         http://www.ibercampus.es/articulos.asp?idarticulo=15235

         2012

_____. "El momento fílmico (de Hamlet a Saraband)." In García Landa, Vanity Fea 20 Feb. 2012.*

         http://vanityfea.blogspot.com/2012/02/el-momento-filmico-de-hamlet-saraband.html

         2012

_____. "El momento fílmico: de Hamlet a Saraband." Social Science Research Network 7 June 2015.*

         http://ssrn.com/abstract=2602490

         2015

         Cognition & the Arts eJournal 7 June 2015.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2015

         Literary Theory & Criticism eJournal 7 June 2015.*

         http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2015

         Aesthetics & Philosophy of Art eJournal 7 June 2015.*

         http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html

         2015

_____. "El momento fílmico: de Hamlet a Saraband." Academia 19 July 2015.*

         https://www.academia.edu/14107431/

         2015

_____. "El momento fílmico: De Hamlet a Saraband." In García Landa, Vanity Fea 16 July 2015.*

         http://vanityfea.blogspot.com.es/2015/07/el-momento-filmico-de-hamlet-saraband.html

         2015

Hill, J. "Film and Postmodernism." In The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. 96-105.

Hollows, Joanna, and Mark Jancovich, eds. Approaches to Popular Film. Manchester: Manchester UP, 1995.

Huerga, Pablo. La ventana indiscreta: La poética materialista del cine. Ed. Rema y vive, 2015.*

Lukács, Georg. "Gedanken zu einer Ästhetik des Kinos." 1913. In Schriften zur Literatursoziologie. Ed. P. Lutz. 2nd ed. Neuwied, 1963.

Lawson, John Howard. Film: The Creative Process. 2nd ed. New York, 1967.

Münsterberg, Hugo. The Film: A Psychological Study: The Silent Photoplay in 1916. New York: Dover, 1970.

_____. From The Film: A Psychological Study. ("The Means of the Photoplay").. In Film Theory and Criticism. Ed. Gerald Mast and Marshal Cohen. New York: Oxford UP, 1979. 239-48.

_____. From The Film: A Psychological Study ("The Means of the Photoplay"). 1916. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 401-7.*

Murray, Edward. The Cinematic Imagination. New York, 1972.

Panofsky, Erwin. "Style and Medium in the Motion Pictures." 1934, rev. 1947. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 279-292.*

_____. "El cine como estilo y como medio." 1934. Trans. in Cuadernos de la Gaya Ciencia 3 (1976): 73-98.*

Perkins, Victor. Film as Film. London, 1972.

Pinkas, Claudia. Der phantastische Film: Instabile Narrationen und die Narration der Instabilität. (Narratologia: Contributions to Narrative Theory, 25). Berlin and New York: De Gruyter, 2010.* (Perspective, narration, embedding, frame breaking).

Pudovkin, Vsevolod I. Film Technique. 1926.

_____. Filmregie und Filmmanuskript. Berlin, 1928.

_____. Film Technique and Film Acting. London, 1974.

_____. Film Technique and Film Acting. Trans. I. Montagu. 1954.

_____. Film Technique and Film Acting. London, 1974.

Salt, Barry. Film Style and Technology: History and Analysis. London: Starword, 1983.

Sparshott, F. E. "Basic Film Aesthetics." In Film Theory and Criticism. Ed. Gerald Mast and Marshall Cohen. New York, 1974. 209-32.

Stephenson, Ralph, and Jean R. Debrix. The Cinema as Art. 2nd ed. Baltimore (MD): Penguin, 1976.

Tarkovsky, Andrei. Sculpting in Time. (Essay on film). 1986.

Torre, Guillermo de. "Cinema." Revista de Occidente 146-7 (1993): 265-8.

Walker, George Graham. "Film as Fine Art." Sight and Sound 17 (Winter 1948): 173-4.

Whittock, Trevor. Metaphor and Film. Cambridge: Cambridge UP, 1990.

Wood, Robin. Personal View: Explorations in Film. London: Gordon Fraser, 1976.

Zavala, Lauro. "Cine clásico, moderno y posmoderno." Razón y Palabra

         http://www.razonypalabra.org.mx/anteriores/n46/lzavala.html

         2015

 

 

 

 

Video

 

 

Godard, Jean-Luc, and Fritz Lang. Le dinosaure et le bébé: Dialogue en huit parties entre Fritz Lang et Jean-Luc Godard / El dinosaurio y el bebé: Conversación entre Jean-Luc Godard y Fritz Lang. YouTube (Paco Titorelli) 8 Oct. 2012.*

         https://youtu.be/XcAZu3GkBwI

         2018

 

Huerga, Pablo, and Gustavo Bueno. "Poética materialista del cine." 25 May 2015. YouTube (fgbuenotv)

         https://youtu.be/hlDZJ2Bfrj0

         2015

 

 

 

 

 

See also Form in film; Genres; Semiotics of film.

 

Estilo literario

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Style

(in Literature and Writing)

 

 

General

Early works

Miscellaneous

 

 

 

 

General

 

Albalat, A. Le travail du style. Paris: Colin, 1903.

Alcina, J. Estilo. Barcelona: Vicens Vives, 1984.

Alonso, Amado. Materia y forma en poesía. Madrid: Gredos, 1977.

_____. "The Stylistic Interpretation of Literary Texts". Modern Language Notes 57 (1942): 489-96.

Alonso, Martín. Ciencia del Lenguaje y Arte del Estilo. 3rd ed. Madrid: Aguilar, 1953.* (I. Libro teórico - Parte preliminar: Trilogía del lenguaje; Parte primera: Fraseología; Parte segunda: Lexicología; Parte tercera: Estilística. II. Libro sinóptico.  III. Libro práctico)

_____. Ciencia del lenguaje y arte del estilo. Madrid: Aguilar, 1975.

Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Princeton (NJ): Princeton UP, 1953. Trans. of Mimesis. Berne: Francke, 1946.

Barthes, Roland. Le degré zéro de l'écriture. 1953. New ed. with Nouveaux essais critiques. Paris : Seuil, 1972.*

_____. Writing Degree Zero. Trans. Annette Lavers and Colin Smith. Boston: Beacon Press, 1967.

_____. El grado cero de la escritura. Buenos Aires: J. Alvarez, 1967.

_____. El grado cero de la escritura. Buenos Aires: Siglo XXI, 1973.

_____. El grado cero de la escritura. Nuevos ensayos críticos. Buenos Aires: Siglo XXI, 1973.

_____. "Le style et son image." 1971. In Barthes, Le Bruissement de la langue. Paris: Seuil, 1984. 141-151.*

_____. "Style and Its Image". In Literary Style. Ed. Seymour Chatman. Oxford: Oxford UP, 1971. 3-15.*

Beardsley, Monroe C. "Form in Literature." (14. Style: Semantic and Phonetic. 15. Literary Structure). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 220-66.*

Benet, Juan. "La inspiración y el estilo." 1966. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 700-06.*

Bennett, Arnold. "The Question of Style." In Bennett, Literary Taste: How to Form It. 1909. 5th ed. London: Hodder, 1913. 43-58.*

Birch, David, and Michael O'Toole, eds. Functions of Style. London: Pinter, 1987.

Brownell, W. C. The Genius of Style. 1924.

Callus, Ivan, James Corby and Gloria Lauri-Lucente, eds. Style in Theory: Between Literature and Philosophy. London: Bloomsbury, 2013.*

Chatman, Seymour. "On the Theory of Literary Style". Linguistics 27 (1966): 13-25.

_____. "Style: A Narrow View". College Composition and Communication 18 (1967): 72-76.

_____, ed. Literary Style: A Symposium. London: Oxford UP, 1971.

Clark, Matthew. A Matter of Style: On Writing and Technique. Canada: Oxford UP, 2002.

Compagnon, Antoine. "Le style." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 177-208.*

Cunningham, J. V., ed. The Problem of Style. Greenwich (CT): Fawcett World Library, 1966.

Freeman, Donald C. Essays in Modern Stylistics. London: Methuen, 1981.

_____, ed. Linguistics and Literary Style. New York: Holt, Rinehart, and Winston, 1970.

Genette, Gérard. "Style et signification." In Genette, Fiction et diction. Paris: Seuil, 1991. 95-151.

_____. Fiction et diction. (Poétique). Paris: Seuil, 1991.*

_____. Fiction and Diction. Trans. Catherine Porter. Ithaca (NY): Cornell UP, 1993.

_____. Ficción y dicción. Barcelona, 1993.

Goodman, Nelson. "The Status of Style." In Goodman, Ways of Worldmaking.

_____. "The Status of Style." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 254-66.*

_____. "On Being in Style." In Goodman, Of Mind and Other Matters.

Granger, Gilles-Gaston. Essai d'une philosophie du style. Paris: Armand Colin, 1968.

Hough, Graham. Style and Stylistics. London: Routledge, 1969.

Huemer, Wolfgang. "17. Literary Style." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.

Hulme, T. E. "Notes on Language and Style." In Selected Writings. Ed. Patrick McGuinness. Manchester: Carcanet.

Kayser, Wolfgang. Interpretación y análisis de la obra literaria. Madrid: Gredos, 1985.*

Lang, Berel, ed. The Concept of Style. Philadelphia: U of Pennsylvania P, 1979.

Lanham, Richard A. Style: An Anti-Textbook. New Haven: Yale UP, 1974.

Lanson, Gustave. L'Art de la prose. 1895-7. Paris: Nizet, 1968?*

Lee, Vernon. The Handling of Words. London: Bodley Head, 1923.

_____. The Handling of Words and Other Essays in Literary Psychology Lincoln: U of Nebraska P, 1968.

Lucas, F. L. Style. 1955.

Martín, J. L. Crítica estilística. Madríd: Gredos, 1973.

Meyer, T. A. Das Stilgesetz der Poesie. Leipzig, 1901.

Miles, Josephine. "Style as Style." In Chatman, Literary Style: A Symposium. Ed. Seymour Chatman. Oxford: Oxford UP, 1971. 24-28.*

Müller, Wolfgang G. Topik der Stilbegriffs. 1981.

Murry, John Middleton. The Problem of Style. 1922. Oxford: Oxford UP, 1960.*

_____. El estilo literario. México: F.C.E., 1956.

Quiller-Couch, Arthur (Sir). "On Style." In Quiller-Couch, On the Art of Writing. Cambridge: Cambridge UP, 1920. 232-47.*

Read, Herbert. English Prose Style. 1928.

Schapiro, Meyer. "Style." In Anthropology Today. Ed. A. L. Kroeber. Chicago: U of Chicago P, 1953.

Sebeok, Thomas, ed. Style in Language. Cambridge (MA): M. I. T. Press, 1960.

_____, ed. Estilo del lenguaje. Madrid: Cátedra, 1974.

Segre, Cesare. "Estilo." In Segre, Principios de análisis del texto literario. Barcelona: Crítica, 1985. 175-86.*

Simpson, Paul. Stylistics: A Resource Book for Students. 2nd ed. London: Routledge, 2014.

Sontag, Susan. "On Style." In Sontag, Against Interpretation.  London: Deutsch, 1987. 15-37.*

Strelka, J., ed. Patterns of Literary Style. University Park: Pennsylvania State UP, 1971.

Strunk, William, Jr., and E. B. White. The Elements of Style with Index. 3rd ed. Allyn and Bacon, 1979.

Todorov, Tzvetan. "Style." In Oswald Ducrot and Tzvetan Todorov, Dictionnaire encyclopédique des sciences du langage.  Paris: Seuil, 1972. 383-9.

Unamuno, Miguel de. Alrededor del estilo. Ed. Laureano Robles. (Biblioteca Unamuno, 20). Salamanca: Ediciones Universidad de Salamanca, 1998.* (Essay, style, individuality, metaphor, biography, Zorrilla, modernismo, character, objectivity, novel, Galdós, Basho, authorship, literary translation, Cervantes, Pedro Fernández de Saavedra, exile).

Verdonk, Peter. "The Concept of Style." In Verdonk, Stylistics. Oxford: Oxford UP, 2002. 3-10.*

_____. "Style in Literature." ." In Verdonk, Stylistics. Oxford: Oxford UP, 2002. 11-16.*

Vinogradov, Viktor. "Des tâches de la stylistique." Todorov, Théorie de la littérature 109-113. Trans. from Russkaja rec' 1 (1922): 286-293.

_____. "Itogi obsuzhdeniia voprosov stilistiki." Voprosy iazykoznaniia 1 (1955)

Vossler, Karl. Filosofía del lenguaje. Buenos Aires: Losada, 1978.

Watson, William. "The Mystery of Style." In Watson, Excursions in Criticism. London: Mathews, 1893. 104-12.*

Wellek, René, and Austin Warren. "Style and Stylistics." In Wellek and Warren, Theory of Literature. 1949. Harmondsworth: Penguin, 1963. 174-85.*

Williams, Joseph M. Style: Ten Lessons in Clarity and Grace. 6th ed. New York: Longman, 2000.

Wimsatt, W. K., Jr. "Style as Meaning." In Wimsatt, The Prose Style of Samuel Johnson. New Haven, 1941.

_____. "Verbal Style: Logical and Counterlogical." PMLA 65 (March 1950): 5-20.

_____. "Verbal Style: Logical and Counterlogical." Rev. version in Wimsatt, The Verbal Icon. 1954. New York: Noonday, 1958. 201-19.*

 

 

 

 

 

 

Early works

 

Aelfric. "Translating into Our Ordinary Speech." Preface to Book I of Catholic Homilies. (989). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

_____. "Pure and Plain Words." Preface to Book II of Catholic Homilies. (992). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

_____. "Translating into Idiomatic English." Preface to Genesis. (997?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Aristotle. Peri poietikés. Bilingual edition (Greek and English). In S. H. Butcher, Aristotle's Theory of Poetry and Fine Art. 1895. 4th. ed.: London: Macmillan, 1932. 1-111.

_____. Peri poietikés. Bilingual edition (Greek and Spanish). In Sobre lo Sublime. Poética. Ed. and trans. José Alsina Clota. Barcelona: Bosch, 1977. 208-327.

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 29-76.

_____. The Poetics. Trans. in Gilbert 69-124.

_____. Poetics. Trans. S. H. Butcher. In H. Adams 47-66.

_____. Poética. Trilingual edition (Greek, Latin and Spanish). Ed. Valentín García Yebra. Madrid: Gredos, 1972.

_____. La poétique. Ed. and trans. Rosalyne Dupont-Roc y Jean Lallot. Paris: Seuil, 1980.

_____. Poética. Ed. and trans. Juan David García Bacca. 4th. ed. Caracas: Universidad Central de Venezuela, Ediciones de la Biblioteca,1982.

_____. El arte poética. Trans. José Goya y Muniain. Madrid: Espasa-Calpe, 1948. 7th. ed., 1984. Trans. of Peri poietikés.

_____. The Poetics. Trans. W. Hamilton Fyfe. In Aristotle: The Poetics. "Longinus": On the Sublime. Demetrius: On Style. Cambridge (MA): Harvard UP, 1927.

Bacon, Francis (Sir). From The Advancement of Learning  [The Abuses of Language]. 1605. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1542-44.*

Bembo, Pietro. Lingue volgare. 1512.

_____. Prose scelte. Ed. Francesco Coster. Milano, 1880.

Buffon, Georges-Louis Leclerc, comte de. "Discours . . . prononcé à l'Académie française par M. de Buffon le jour de sa réception . . . le samedi 25 août 1753." ("Discours sur le style"). In Œuvres complètes de Buffon.  Paris: Delangle, 1874. 1.1-15.

_____. "Discourse on Style." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921.  277-87.

Condillac, Etienne Bonnot de. De l'art d'écrire.

De Quincey, Thomas. "Style as Organic and as Mechanic." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 295-301.

Demetrius. On Style. In Aristotle, The Poetics. ‘Longinus’. On the Sublime. Demetrius. On Style. (Loeb Classics). Cambridge (MA): Harvard UP, 1927.*

_____. (Demetrio). Sobre el estilo. 'Longino'. Sobre lo sublime. Introd., trans. and notes by José García López. (Biblioteca Clásica Gredos, 15). Madrid: Gredos.*

_____. Sobre el estilo. In Demetrio. Sobre el estilo. 'Longino'. Sobre lo sublime. Introd., trans. and notes by José García López. (Biblioteca Básica Gredos, 126). Madrid: Gredos, 2002.*

Diderot, Denis. "What Everyone Knows About Expression and Something Which All the World Does Not Know." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921.  187-92.

Dionysius of Halicarnassus. La composición literaria. In Dionysius, Tres ensayos de crítica literaria. Ed. and trans. Vicente Bécares Botas. Madrid: Alianza, 1992. 115-216.*

Donatus, Aelius. Ars Major or Secunda. (Style). 4th century.

Eco, Umberto. "Sobre el estilo." In Eco, Sobre literatura. Barcelona: RqueR editorial, 2002. 171-88.*

Erasmus of Rotterdam. De copia verborum. 1511.

_____. (Desiderio Erasmo de Rotterdam). Recursos de forma y de contenido para enriquecer un discurso. Ed. Eustaquio Sánchez Salor. (Letras Universales). Madrid: Cátedra, c. 2011.

_____. Ciceronianus. 1528.

_____. El Ciceroniano o Del Mejor estilo de oratoria. Ed. Fernando Romo Feito. (Letras Universales). Madrid: Cátedra, c. 2010.

Hazlitt, William. "On Familiar Style." In Hazlitt, Table-Talk. 1821.

_____. "On Familiar Style." In Brown, The Writer's Art 323-32.

_____. "On Familiar Style." In Hazlitt, Table-Talk. 1821. Rpt. in Hazlitt, Collected Writings. Ed. Ronald Blythe. Harmondsworth: Penguin, 1970.*

_____. "On Familiar Style." In Selected English Essays. Ed. W. Peacock. London: Oxford UP, 1903. 274-83.

_____. "Sobre el estilo familiar." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 109-18.*

_____. "On the Prose Style of Poets." 1822.

_____. "Sobre el estilo prosístico de los poetas." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 151-70.*

Horace. Epistola ad Pisones. Barcelona: Bosch, 1966.

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Gilbert 128-43.

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 77-96.

Hoskins, John. Directions for Speech and Style. c.1599. Ed. H. H. Hudson. Princeton (NJ): Princeton UP, 1935.

Hume, David. "Of Simplicity and Refinement in Writing." In Selected English Essays. Ed. W. Peacock. London: Humphrey Milford/ Oxford UP, 1903. 152-56.*

Jean de Meun. "Translating for Lay People." From the prologue to the Roman de la Rose. (c. 1280). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

_____. "Plainly Rendering the Sense." From the dedication to the translation of Boethius' Li Livres de Confort de Philosophie. (between 1285-1305). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Jonson, Ben. Timber: Or, Discoveries. Criticism. 1st ed. in Workes. Vol. 2. 1640.

_____. Discoveries. Ed. Maurice Castelain. Paris, 1906.

_____. Timber: Or, Discoveries. Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 212-21.*

_____. Discoveries. Ed. G. B. Harrison. (Bodley Head Quartos).

_____. Timber: Or, Discoveries. Ed. Ralph S. Walker. London: Greenwood Press, 1976.

_____. Timber, or, Discoveries. In Ben Jonson (The Oxford Authors) 521-94.*

_____. From Timber, or Discoveries. 1640-41. (Style). In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1616-18.*

Lamb, Charles. "The Genteel Style in Writing." In Lamb, The Essays of Elia. London: Dent, 1906. 233-7.*

(Pseudo-)Longinus (attr.). Peri hypsous. Anonymous treatise. 80 A. D.?

_____. Peri Hypsous. Ed. Robortelli. 1554.

_____. Peri Hypsous / On the Sublime. Bilingual edition. Ed. and trans. W. Hamilton Fyfe. In Aristotle, The Poetics. 'Longinus'. On the Sublime. Demetrius. On Style. (Loeb Classics). Cambridge (MA): Harvard UP, 1927. 119-254.*

_____. Longinus on the Sublime. Trans. W. R. Roberts. Cambridge: Cambridge UP, 1899.

_____. Longinus on the Sublime. Trans. A. O. Prickard. 1906.

_____. On the Sublime. Trans. W. Rhys Roberts. In The Great Critics. Ed. James Harry Smith and Edd Winfield Parks. New York: Norton, 1932. 39-85.*

_____. On the Sublime. Trans. W. R. Roberts. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 76-102.*

_____. Peri hypsous / Sobre lo sublime. Bilingual edition. In Anónimo, Sobre lo sublime. Aristóteles Poética. Barcelona: Bosch, 1977.*

_____. On the Sublime. Ed. and trans. Leonard Welsted. 1712.

_____. On the Sublime. (Select.). In Saintsbury, Loci Critici. 41-53.

_____. On Literary Excellence. In Gilbert 146-98. Trans. of Peri hypsous.

_____. On the Sublime. In Classical Literary Criticism. Trans. T. S. Dorsch.  Harmondsworth: Penguin, 1965. 97-158.*

_____ On the Sublime. Trans. W. Rhys Roberts. Online at Classic Persuasion.

         http://classicpersuasion.org/pw/longinus/

         2013

_____. De Sublime. Bilingual ed. Greek/French M. Labrègue. Paris: Les Belles Lettres, 1965.

_____. Sobre lo sublime. In Demetrio. Sobre el estilo. 'Longino'. Sobre lo sublime. Introd., trans. and notes by José García López. (Biblioteca Clásica Gredos, 15). Madrid: Gredos.*

_____. Sobre lo sublime. In Demetrio. Sobre el estilo. 'Longino'. Sobre lo sublime. Introd., trans. and notes by José García López. (Biblioteca Básica Gredos, 126). Madrid: Gredos, 2002.*

_____. On the Sublime. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 103-14.*

_____. From On Sublimity. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Lucian. "On Precious and Eccentric Style." In Saintsbury, Loci Critici. 39-40.*

Nietzsche, Friedrich. "Translating the Tempo of the Original." From Jenseits Gutes und Böses. 1886. In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Nizolius, M. Thesaurus Ciceronianus. 1535.

Norris, Frank. "Simplicity in Art." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 141-7.

Pallavicino, Sforza Trattato dello stile e del dialogo. Rome, 1622.

Pater, Walter. "Style." In Pater, Appreciations: With an essay on Style. 1889. London: Macmillan, 1918. 5-38.*

_____. From Appreciations (From "Style"). 1889. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1645-48.*

Peacham, H. Garden of Eloquence. 1577.

Ruskin, John. "Language and the Man." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 147-9.

_____. "The Morality of Style." From Lectures on Art. 1870. In The Literary Criticism of John Ruskin. New York: Doubleday, 1965. 335-37.

Scaliger, Julius Caesar. Pro M. Tullio Cicerone, contra D. Erasmum Roterodamum. 1531.

Schopenhauer, Arthur. "On Style." In Schopenhauer, The Art of Literature. London: Allen, 1891. 15-38.*

_____. "23. Sobre actividad literaria y estilo." In Schopenhauer, Parerga y Paralipómena II. Madrid: Trotta, 2009. 513-64.*

Spencer, Herbert. The Philosophy of Style. (Humboldt Library, 39). New York, 1882.

Stevenson, R. L. "On Style in Literature: Its Technical Elements." The Contemporary Review (1885). (Nature of literature; Nature of poetry; Nature of prose; Metre; Rhythm; Style)

_____. "On Some Technical Elements of Style in Literature." In Stevenson, Essays in the Art of Writing. London: Chatto, 1910. 3-46.*

_____. "Sobre algunos elementos técnicos del estilo literario." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.248-60.*

Swift, Jonathan. "On Style." In Selected English Essays. Ed. W. Peacock. London: Oxford UP, 1903. 56-61.*

Tacitus, Publius Cornelius. Dialogvs de oratoribvs. Barcelona: Bosch, 1976.* (Oratory; Poet; Style; Fame; Education; Morality)

_____. Dialogue on Orators. In Ancient Literary Criticism. Ed. D. A. Russell and M. Winterbottom. Oxford: Clarendon Press, 1972.

_____. Diálogo sobre los oradores. In Tacitus, Agrícola. Germania. Diálogo sobre los oradores. Introd., trans. and notes by J. M. Requejo. (Biblioteca Básica Gredos, 91). Madrid: Gredos, 2001.*

Thoreau, Henry David. "Thomas Carlyle and his Works." Graham's American Monthly Magazine of Literature and Art (1847).

_____. "The Sinews of Style." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 288-94.

Vives, Luis. De ratione dicendi.

Valla, Lorenzo. Elegantiae linguae latinae. c. 1435.

Wilson, Thomas The Arte of Rhetorique. 1553. 1560.

_____. The Arte of Rhetorique, for the use of all soche as are studious of Eloquence, ... by Thomas Wilson. London: Iohn Kingston, London, 1560.

_____. The Arte of Rhetorique, 1560. Ed. G. H. Mair. Oxford: Clarendon Press, 1909.

_____. The Art of Rhetoric. 1560. Ed. Peter E. Medine. University Park: Pennsylvania State UP, 1994.*

_____. The Arte of Rhetorique, 1560. Ed. G. H. Mair. Oxford: Clarendon Press, 1909.

Woodhouselee, Alexander Fraser Tytler (Lord). Essay on the Principles of Translation. Edinburgh: Printed for T. Cadell; and W. Creech, 1791.

Zymner, Rüdiger. "Stilwahrnehmung. Zur Beziehung von Stilistiken, Stil und Gestalts." Journal of Literary Theory 2.2 (2008): 305-20.*

         http://www.jltonline.de/index.php/articles/article/view/110/383

         2009

 

 

 

 

Miscellaneous

 

 

Adam, Jean-Michel. Le style dans la langue. Lausanne: Delachaux & Niestlé, 1997.

Adams, Martin. "Transparency and Opaqueness." Novel 7.3 (1974): 197-209.

Aguiar e Silva, Vítor Manuel de. "La estilística." In Aguiar e Silva, Teoría de la literatura. Trans. Valentín García Yebra. Madrid: Gredos, 1972. 434-59.*

Alonso, Dámaso. Poesía española: Ensayo de métodos y límites estilísticos. 1950. Madrid: Gredos, 1976.

Alonso, Dámaso, and Carlos Bousoño. Seis calas en la expresión literaria española. Madrid: Gredos, 1979.

Alvarez Amorós, José A. "Por una estilística textual." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 363-7.*

Balibar, Renée. Les Français fictifs: Le rapport des styles littéraires au français national. Paris: Hachette, 1974.

Bally, Charles. "Le style indirect libre en français moderne". Germanisch-Romanische Monatschrift 4 (1912): 549-56, 597-606.

_____. Traité de stylistique française. 1909. Paris: Klincksieck, 1951.

Baroja, Pío. "La intuición y el estilo." 1948. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 240-44.*

Benet, J. La inspiración y el estilo. Barcelona: Seix Barral, 1973.

Benford, Gregory. "Style, Substance, and Other Illusions." In Styles of Creation: Aesthetic Technique and the Creation of Fictional Worlds. Ed. George Slusser and Eric S. Rabkin. Athens (GA): U of Georgia P, 1992. 47-57.*

Benjamin, Andrew. Style and Time: Essays on the Politics of Appearance. Northwestern UP, 2006.

Bernhardsson, S., L. E. Correa da Rocha, and P. Minnhagen. "The meta book and size-dependent properties of written language." New Journal of Physics 11 (2009).

Blasco, Javier. "Atribuciones cervantinas desde la estilometría: El entremés de Los mirones"." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.  

Bousoño, Carlos. Teoría de la expresión poética. 2 vols. Madrid: Gredos, 1976.

Bridgman, Richard. The Colloquial Style in America. New York: Oxford UP, 1966.

Brown, Roger, and Albert Gilman. "The Pronouns of Power and Solidarity." In Sebeok 253-76.

Carter, R., ed. Language and Literature: An Introductory Reader in Stylistics. London: Allen and Unwin, 1982.

Carter, Ronald, and Michael N. Long. The Web of Words: Exploring Literature Through Language. Cambridge: Cambridge UP, 1987.

Carter, Ronald, and Walter Nash. Seeing Through Language: A Guide to Styles of English Writing. Oxford: Blackwell, 1990.

Carter, R., and P. Simpson, eds. Language, Discourse and Literature. An Introductory Reader in Discourse Stylistics. London: Unwin Hyman, 1989.

Chapman, R. Linguistics and Literature. London: Arnold, 1973.

Chatman, Seymour. The Later Style of Henry James. Oxford: Blackwell, 1972.

Chatman, Seymour, and Samuel R. Levin, eds. Essays on the Language of Literature. Boston: Houghton, 1967.

Cluysenaar, A. An Introduction to Literary Stylistics. London: Batsford, 1976.

Cohen, Milton A. "11. Styles." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 109-18.*

Coupland, Nicholas, ed. Styles of Discourse. London: Croom Helm, 1988.

Craig, Hugh. "Stylistic Analysis and Authorship Studies." In A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth, eds. Malden (MA): Blackwell, 2004. 273-88.*

Croce, Benedetto. Philosophy, Poetry, History. Oxford: Oxford UP, 1966.

Croll, Morris W. Style, Rhetoric and Rhythm. Ed. Max Patrick and Robert O. Evans. Princeton: Princeton UP, 1966.

Crystal, David, and Derek Davy. Investigating English Style. London: Longmans, 1969.

Derrida, Jacques. Eperons. Sporen. Spurs. Sproni. Venizia, Corbo e Fiore, 1976.

_____. Eperons: Les styles de Nietzsche. Preface by Stefano Agosti, "Coup sur coup". (Champs). Paris: Flammarion, 1978.*

_____. Spurs: Nietzsche's Styles. Trans. Barbara Harlow. Chicago: Chicago UP, 1979.*

Devito, Joseph A. "Style and Stylistics: An Attempt at Definition". Quarterly Journal of Speech 53 (1967): 248-55.

Dillon, G. Constructing Texts: Elements of a Theory of Composition and Style. Bloomington: Indiana UP, 1981.

Dolezel, Lubomír. "Vers la stylistique structurale." PTL 1 (1976): 257-66.

_____. "Literary Text, Its Word and its Style." In Identity of the Literary Text. ed. Mario J. Valdés and Owen Miller. Toronto: U of Toronto P, 1985.

Dolezel, Lubomir, and Richard W. Bailey, eds. Statistics and Style. New York: American Elsevier, 1969.

Enkvist, Nils Erik. Linguistic Stylistics. The Hague: Mouton, 1973.

_____. Lingüística y estilo. Madrid: Cátedra, 1974.

_____. "Stylistics and Text Linguistics". In Current Trends in Text Linguistics, ed. W. Dressler. Berlin: De Gruyter, 1978.

Enkvist, Nils Erik, John Spencer and Michael Gregory. Linguistics and Style. London: Oxford UP, 1948.

_____. Lingüística y estilo. Madrid: Cátedra, 1974.

Epstein, E. L. Language and Style. London, 1978.

Fairclough, Norman. Analysing Discourse: Textual Analysis for Social Research. Abingdon and New York: Routledge, 2003.* 2004. 2005.* (I. Social analysis, discourse analysis, text analysis; II. Genres and action; III. Discourses and representations; IV. Styles and identities).

_____. "9. Styles." In Fairclough, Analysing Discourse: Textual Analysis for Social Research. Abingdon and New York: Routledge, 2003. 159-63.*

Fehr, Bernard. "Substitutionary Narration and Description: A Chapter in Stylistics". English Studies 20 (1938): 97-107.

Fente, Rafael. Estilística del verbo en inglés y en español. Madrid: SGEL, 1971.

Fernández Pelayo, H. Estilística: Estilo, figuras estilísticas, tropos. México: Porrúa, 1974.

Fish, Stanley E. "Literature in the Reader: Affective Stylistics." New Literary History 2 (1970): 123-62. Rpt. in Reader-Response Criticism. Ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 70-100.

_____. "What Is Stylistics and Why Are :They Saying Such Terrible Things About It?" Part 1 in Approaches to Poetics. Ed. Seymour Chatman. New York: Columbia UP, 1973. 109-52. Part 2 in Boundary 2 8.1 (1979): 129-45. Rpt. in Fish, Is There a Text in This Class? Cambridge (MA): Harvard UP, 1980. 68-96, 246-67.

_____. "What Is Stylistics and Why Are They Saying Such Terrible Things about It?" 1973. In Issues in Contemporary Literary Theory. Ed. Peter Barry. Houndmills: Macmillan, 1987. 64-69.*

Fónagy, Ivan. "The Functions of Vocal Style." In Literary Style: A Symposium. Ed. Seymour Chatman. Oxford: Oxford UP, 1971.*

Fowler, Roger, "Linguistics, Stylistics; Criticism?" Lingua 16 (1966): 153-65.

_____. "The Structure of Criticism and the Languages of Poetry: An Approach through Language". In Contemporary Criticism. Ed. Malcolm Bradbury and Roy Palmer. London: Arnold, 1970. 172-194.

_____. The Languages of Literature. London: Routledge, 1971.

_____. Literature as Social Discourse. London, 1981.

_____. Linguistic Criticism. Oxford: Oxford UP, 1986.

_____, ed. Essays in Style and Language: Linguistic and Critical Approaches to Literary Style. London: Routledge, 1966. 1981.

_____, ed. Style and Structure in Literature: Essays in the New Stylistics. Ithaca: Cornell UP; Oxford: Blackwell, 1975.*

_____ and Peter Mercier. "Criticism and the Language of Literature: Some Traditions and Trends in Great Britain". Style 3 (1969): 45-72.

Freeborn, Dennis Style: Text Analysis and Linguistic Criticism. (Studies in English Language). Houndmills: Macmillan, 1996.

Gadamer, Hans-Georg. "Excursos." In Gadamer, Verdad y método: Fundamentos de una hermenéutica filosófica. Trans. Ana Agud Aparicio and Rafael de Agapito. (Trans. of 4th ed.). Salamanca: Sígueme, 1977.* (Style, unity, Nietzsche, Heidegger, expression)

Gage, John T. "Philosophies of Style and their Implications for Composition." College English 41 (1980).

Gibson, Walker. Persona: A Style Study for Readers and Writers. New York: Random House, 1969.

_____. Tough, Sweet and Stuffy: An Essay on Modern American Prose Styles.  Indiana UP, 1966. Rpt. Greenwood, 1984.

Giles, Howard, and Peter Powesland. "Accomodation Theory." In Sociolinguistics: A Reader and Coursebook. Ed. Nikolas Coupland and Adam Jaworski. Houndmills: Macmillan, 1997. Rpt. Palgrave. 232-40.* (Stylistic variation).

Ginzburg, Carlo. Occhiacci di legno: Nove rifelssioni sulla distanza. Milan: Feltrinelli, 1999.

Gómez Lara, Manuel J., and Juan A. Prieto Pablos. The Ways of the Word: An Advanced Course on Reading and the Analysis of Literary Texts. Huelva: Servicio de Publicaciones de la Universidad de Huelva, 1994.

_____, eds. Stylistica. Sevilla: Alfar, 1987.

Gosse, Edmund. "Euphuism." Encyclopaedia Britannica 11th ed.

Gourmont, Remy de. Le Problème du Style. 1902.

_____. "The Problem of Style." 1902. In Remy de Gourmont: Selections. Ed. and trans. Richard Aldington. London: Chatto and Windus,  1932.

Gray, Bennison. Style: The Problem and Its Solution. The Hague: Mouton, 1969.

Gueunier, N. "La pertinence de la notion d'écart en stylistique." Langue Française 3 (1969): 34-5.

Guillén, Jorge. Lenguaje y poesía. 1961. Madrid: Alianza, 1969. 3rd ed. 1983.*

Guiraud, Pierre. Essais de stylistique. Paris: Klincksieck, 1971.

_____. "Immanence and transitivity of stylistic criteria". In Chatman, Literary Style 16-20.

Guiraud, P., and P. Kuentz. La Stylistique: Lectures. Paris: Klincksieck, 1970.

Halliday, M. A. K. "Descriptive Linguistics in Literary Studies". English Studies Today sIII. Edinburgh, 1964. 25-39.

_____. "The Linguistic Study of Literary Texts". In Chatman and Levin 217-23.

_____. "Linguistic Function and Literary Style: An Inquiry into the Language of William Golding's The Inheritors." In Literary Style. Ed. Seymour Chatman. Oxford: Oxford UP, 1971. 330-365.*

_____. "Linguistic Function and Literary Style: An Inquiry into the Language of William Golding's The Inheritors." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*

_____. Spoken and Written Language. 2nd ed. Oxford: Oxford UP, 1989.

Hasan, Ruqaia. "Rime and Reason in Literature". In Chatman, Literary Style 299-326.*

Hatzfeld, Helmut A. Estudios de Estilística. Barcelona: Planeta, 1975.

Hayes, Curtis W. "A Transformational-Generative Approach to Style: Samuel Johnson and Edward Gibbon." Language and Style 1 (1968): 39-48.

Haynes, Johen. Introducing Stylistics. London: Routledge, 1993.

Hebdige, Dick. "A Report on the Western Front: Postmodernism and the 'Politics' of Style." Block12 (1986-7), 4-26.

Henderson, Charles. "Lexicon of Stylistic Terms Used in Roman Literary Criticism." Diss. U of North Carolina, 1955.

Hernández Álvarez, Vicenta. "El 'yo' en el texto: El estilo como posibilidad de un psicoanálisis textual." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno and Silvia Caporale. Barcelona: PPU, 1996. 133-43.*

Hess, Natalie. "Code Switching and Style Shifting as Markers of Liminality in Literature." Language and Literature (1996): 5-18.*

Hiatt, Mary P. "Women's Prose Styles: A Study of Contemporary Authors." Language and Style 13 (1980).

_____. The Way Women Write. New York, 1977.

Hickey, L., ed. The Pragmatics of Style. London: Routledge, 1989.

Hily-Mane, Geneviève. "Une théorie du style chez Hemingway." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 13-44.*

_____. "Une des parties cachées de l'iceberg: Hemingway et la communication verbale." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 45-73.*

_____. "Dy style à l'homme." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 75-79.*

_____. "Les différentes facettes du mot juste." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 83-106.*

_____. "L'expert ès lettres: Les citacions chez Hemingway." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 107-16.*

_____. "Le détail." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 117-36.*

_____. "Les images." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 137-59.*

_____. "Du mot à la phrase: manièrismes lexicaux, morphologiques et syntaxiques." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 163-97.*

_____. "Réseaux et rhythmes." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 199-221.*

_____. "Qui parle? Techniques de distanciation." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 225-45.*

_____. "Structure et point de vue dans 'The Short Happy Life of Francis Macomber'." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 247-79.*

_____. Le style de Ernest Hemingway: La plume et le masque. (Publications de l'Université de Rouen). Paris: PUF, 1983.* (I. Ce que l'auteur nous dit sur le style – II. Autour du mot juste – III. De l'axe du choix à l'axe des contrastes – IV. À la recherche du narrateur).

Hirsch, E. D. "Stylistics and Synonymity." In Hirsch, The Aims of Interpretation. Chicago: U of Chicago P, 1978. 50-73.

Hofmann, J. B., and A. Szantyr. Lateinische Syntax und Stylistik. Munich, 1965. Rev. ed. 1972.

_____. Stilistica latina. Ed. A. Traina. Trans. C. Neri. Updated by R. Oniga, rev. and index B. Pieri. Bologna, 2002. (Trans. of Lateinische Syntax und Stylistik).

Holland, Norman. "17. Individual Styles." In Holland, Literature and the Brain. Gainesville (FL): PsyArt Foundation, 2009. 211-27.*

_____. "18. Cultural Styles." In Holland, Literature and the Brain. Gainesville (FL): PsyArt Foundation, 2009. 228-34.*

Hoover, David L. Language and Style in The Inheritors. Lanham (MD) and Oxford: UP of America, 1999.

_____. "Altered Texts, Altered Worlds, Altered Styles." Language and Literature 13.2 (2004): 99-118.

Howell, A. C. "Res et Verba: Words and Things." Journal of English Literary History (1946).

Jacobs, Roderick A., and Peter S. Rosenbaum. Transformations, Style and Meaning. Waltham (MA): Xerox College Publishing, 1971.

Jakobson, Roman. "Deux aspects du langage et deux types d'aphasie." In Jakobson, Essais 43-67. Trans. of "Two Aspects of Language and Two Types of Aphasic Disturbance". In Roman Jakobson and Morris Halle, Fundamentals of Language. The Hague, 1956. 53-82.

_____. "Les embrayeurs, les catégories verbales et le verbe russe." In Jakobson, Essais, 176-196. Trans from Russian Language Project. Cambridge (MA): Department of Slavic Languages and Literatures, Harvard University.

_____. "Linguistics and Poetics." In Style in Language , ed. T. A. Sebeok. London: The M.I.T. Press, 1960.

_____. Lingüística y poética. Madrid: Cátedra, 1981.

_____. Essais de linguistique générale. Vol. 1. Paris: Minuit, 1963.

_____. "Poetry of Grammar and Grammar of Poetry". Lingua 21 (1968): 597-609.

_____. Questions de poétique. Paris, 1963.

_____. Essais de linguistique générale. Paris: Minuit, 1963.

_____. Language in Literature. Ed. Krystyna Pomorska and Stephen Rudy. Cambridge (MA): Harvard UP, 1987.

Jakobson, Roman, and Claude Lévi-Strauss. "Charles Baudelaire's 'Les Chats'". In Language in Literature 180-197. Trans. from L'Homme 2 (1962).

Kenneally, Michael, ed. Cultural Contexts and Literary Idioms. Gerrards Cross: Colin Smythe, 1988.

Klein, Sheldon. "Control of Style with a Generative Grammar." Language 41 (1965): 619-31.

Kuroda, S.-Y. "Where Epistemology, Style and Grammar Meet: A Case Study from the Japanese" In A Festschrift for Morris Halle. Ed. P. Kiparski and S. Anderson. New York: Holt, 1973. 377-91.

Lakoff, Robin Tolmach. "Stylistic Strategies within a Grammar of Style." In Language, Sex, and Gender. Ed. Judith Orasanu, Mariam Slater, and Leonore Loeba Adler. (Annals of the New York Academy of Science, 327). 53-78.

Lawler, John M. "Style Stands Still." University of Michigan (John M. Lawler).*

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Lawrence, Karen. The Odyssey of Style in Joyce's Ulysses. Princeton: Princeton UP, 1981.

Lázaro Carreter, Fernando. De poética y poéticas. Madrid: Cátedra, 1990.*

Lecercle, Jean-Jacques. The Violence of Language. London: Routledge, 1990.

_____. "The Current State of Stylistics." European English Messenger 2.1 (1993): 14-18.

_____. "Another Philosophy of Language: Style and Stuttering." In Lecercle, Deleuze and Language. Houndmills: Palgrave Macmillan, 2002. 218-46.*

Leech, Geoffrey N. A Linguistic Guide to English Poetry. London: Longman, 1969. 1988.

_____. Language in Literature: Style and Foregrounding. London: Routledge, 2008. Online ebook at Taylor and Francis, 2014.*

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Leech, Geoffrey N., and Michael H. Short. Style in Fiction: A Linguistic Introduction to English Fictional Prose. London: Longman, 1981.

Leed, Jacob, ed. The Computer and Literary Style. Kent (OH): KentState UP, 1966.

Lenguaje y estilo. Trans. Juan Martín Ruiz-Werner. Madrid: Aguilar, 1968.

Levin, Samuel R. Linguistic Structures in Poetry. the Hague, 1962.

_____. "Poetry and Grammaticalness." In Proceedings of the Ninth International Congress of Linguists. The Hague: Mouton, 1964. 308-314.

_____. "Internal and External Deviation in Poetry." Word 21 (1965): 225-37.

Lips, Marguerite. Le style indirect libre. Paris: Payot, 1926.

López Grigera, Luisa. "Teorías del estilo en el siglo de oro." In López Grigera, La retórica en la España del Siglo de Oro. Salamanca: Ediciones Universidad de Salamanca, 1994. 2nd ed. 1995. 95-106.*

Marichal, Juan. La voluntad de estilo: Teoría e historia del ensayismo hispánico. Barcelona: Seix Barral, 1957.

_____. La voluntad de estilo. Madrid: Revista de Occidente, 1971.

Miguel, Amando de. "Apéndice: Consejos a una joven universitaria en materia de estilo." In de Miguel, La perversión del lenguaje. Madrid: Espasa-Calpe, 1994. 191-242.*

Milic, Louis T. "Rhetorical Choice and Stylistic Option: The Conscious and Unconscious Poles". En Chatman, Literary Style 77-88.

Mills, Sara. Feminist Stylistics. (Interface). London: Routledge, 1995.*

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Molinié, G. La Stylistique. Paris: PUF, 1989.

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Montes, H. Ensayos estilísticos. Madrid: Gredos, 1975.

Morenberg, Max, and Jeff Sommers. With Donald A. Daiker and Andrew Kerek. The Writer's Options: Lessons in Style and Arrangement. 6th ed. New York: Addison Wesley Longman, 1999.

Nadler, Josef. "El problema de la historia del estilo." In Emil Ermatinger et al. Filosofía de la ciencia literaria. Trans. Carlos Silva. México: FCE, 1946. 1984. 401-26.

Nash, Walter. Language in Popular Fiction. London: Routledge, 1991.*

Nieto García, Jesús Manuel. "Construcción textual y componente retórico: una aplicación estilística." The Grove: Working Papers on English Studies. Publicaciones de la Universidad de Jaén, 1996. 107-23.*

Nischik, Reingard M. Mentalstilistik: Ein Beitrag zur Stiltheorie und Narrativik. Tübingen: Narr, 1991.

Ohmann, Richard. "Prolegomena to the Analysis of Prose Style." In Style in Prose Fiction: English Institute Essays, 1958. New York: Columbia UP, 1959. 1-24.

_____. "Generative Grammars and the Concept of Literary Style". Word 20 (1964): 423-39.

_____. "Literature as Sentences." College English 27 (1966): 261-67.

_____. "Modes of Order." In Freeman 209-42.

_____. "Speech, Action, and Style." In Literary Style: A Symposium. Ed. Seymour Chatman. Oxford: Oxford UP, 1971.  241-254.*

_____. "Instrumental Style: Notes on the Theory of Speech as Action." In Current Trends in Stylistics. Ed. Braj Kachru and Herbert Stahlke. Edmonton: Linguistic Research, 1972. 115-41.

Orwell, George. "Politics and the English Language." 1946. In Orwell, A Collection of Essays 156-71.*

_____. "Politics and the English Language." (Style). Horizon 1946. Rpt. in Shooting an Elephant and Other Essays. 1950. Rpt. in The Norton Reader. 8th ed. New York: Norton, 1992. 264-75.*

Patrick, J. Max, and Robert O Evans, eds. Style, Rhetoric and Rhythm. 1966.

Penas Ibáñez, Beatriz. "The Signifiers of Self: A Sociopragmatic Account of Linguistic Diversity and the Discursive Construction of Identities." In Interculturalism: Between Identity and Diversity. Ed. Beatriz Penas Ibáñez and Mª Carmen López Sáenz. Bern: Peter Lang, 2006. 227-46.*

_____. "Sociopragmática de la diversidad lingüística y de la construcción discursiva de las identidades: El estilo como significante del sujeto." In Paradojas de la interculturalidad: Filosofía, lenguaje y discurso. Ed. Mª Carmen López Sáenz and Beatriz Penas Ibáñez. (Razón y Sociedad, 74). Madrid: Biblioteca Nueva, 2008. 203-23.*

Penas Ibáñez, María Azucena. "Rigidez gramatical y flexibilidad estilística." Analecta Malacitana 19.2 (1996): 469-82.*

_____. Cambio semántico y competencia gramatical. (Lingüística Iberoamericana, 33). Madrid: Iberoamericana; Frankfurt a/M: Vervuert, 2009.*

Pilkington, Adrian. "Introduction: Relevance Theory and Literary Style." Language and Literature 5.3 (1996) 157-62.

Pliego Sánchez, Isidro. "Translating the Style: Word Order." Revista Española de Lingüística Aplicada 11 (1996): 185-94.*

Poetica e stile. Quaderni del Circolo Filo-linguistico Padovano 8 (1976).

Raban, Jonathan. The Technique of Modern Fiction: Essays in Practical Criticism. London: Arnold, 1968.*

Rabatel, Alain, and A. Petitjean, eds. Questions de style. Monograph issue of Pratiques no. 135-146. Metz, 2007.

Raigbom, Håkan, ed. Style and Text: Studies Presented to Nils Erik Enkvist Stockholm: Språkförlaget Skriptor AB - Åbo Akademi, 1975.

Reis, Carlos. "Análisis estilístico." In Reis, Fundamentos y técnicas del análisis literario. Madrid: Gredos, 1981. 125-98.*

Riffaterre, Michael. "The Stylistic Approach to Literary History." New Literary History 2 (1970).

_____. Essais de stylistique structurale. Paris: Flammarion, 1971.

_____. Ensayos de estilística estructural. Barcelona: Seix-Barral, 1976.

Ringbom, Håkan, ed. Style and Text: Studies Presented to Nils Erik Enkvist.Stockholm: Skriptor, 1975.. 

Rozental', Ditmar El'iashevich. Prakticheskaia stilistika russkogo iazyka. Moskva: Vysshaia shkola, 1977.*

Shklovsky, Victor. "Art as Technique" 1917. In Russian Formalist Criticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965.*

_____. "On the Connection between the Devices of syuzhet Construction and General Stylistic Devices". In Russian Formalism. Ed. Bann and Bowlt. Edinburgh: Sottish Academic P, 1973. 48-72.

_____. "The Relationship between Devices of Plot Construction and General Devices of Style." In Shklovsky, Theory of Prose. Trans. B. Sher. Elmswood Park (IL): Dalkey Archive Press, 1990. 15-51.

_____. "La conexión de los procedimientos de la composición del siuzhet con los procedimientos generales del estilo." In Antología del formalismo ruso y el grupo de Bajtin. Ed. Emil Volek. Madrid: Fundamentos, 1992. 123-56.*

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Spencer, John, and Michael J. Gregory. "Analysing Style." 1964. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 51-56.*

Spillner, B. "Das Interesse der Linguistik an Rhetorik." In Rhetorik: Kritische Positionen zum Stand der Forschung. Ed. H. F. Plett. München: Fink, 1977. 93-108.

_____. Lingüística y literatura: Investigación del estilo, retórica, lingüística del texto. 1974. Madrid: Gredos, 1979.

Spitzer, Leo. Stilstudien . Munich: Hueber, 1928.

_____. Etudes de style. Paris: Gallimard, 1970.

_____. Linguistics and Literary History. Princeton, 1948.

_____. Lingüística e historia literaria. Madrid: Gredos, 1968.

_____. "Les études de style et les différents pays." In Spitzer, Langue et littérature. Paris: Les Belles Lettres, 1961.

_____. Essays on English and American Literature. Princeton, 1962.

Stauffer, Donald Barlow. "Style and Meaning in 'Ligeia' and 'William Wilson'." Studies in Short Fiction 2 (1965): 316-18, 321-30. In Twentieth Century Interpretations of Poe's Tales. Ed. William L. Howarth. Englewood Cliffs (NJ): Prentice-Hall, 1971. 78-86.*

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_____. "Poetry, Stylistics, and Imaginary Grammars." Journal of Linguistics 5 (1969): 147-50.

_____. "Generative Grammars and Stylistic Analysis." In New Horizons in Linguistics. Ed. John Lyons. Harmondsworth: Penguin, 1970. 185-97.*

Todorov, Tzvetan. "Rhétorique et stylistique." In Oswald Ducrot and Tzvetan Todorov, Dictionnaire encyclopédique des sciences du langage.  Paris: Seuil, 1972. 99-106.*

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Traugott, Elizabeth Closs, and Suzanne Romaine. "Some Questions for the Definition of 'Style' in Socio-Historical Linguistics." Folia Linguistica Historica 6 (1985): 7-39.

Turner, G. W. Stylistics.  Harmondsworth: Penguin, 1973.

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_____. Style in the French Novel. 1957. Oxford: Blackwell, 1964.

Valente, José Ángel. "Tendencia y estilo." In Las palabras de la tribu. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 47-50.*

_____. "Vicente Risco o el estilo como virtud." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1118-20.*

Vargas Llosa, Mario. "IV. El estilo." In Vargas Llosa, Cartas a un joven novelista. 1997. Madrid: Alfaguara, 2012. 45-56.*

Vázquez Medel, Manuel Angel. Historia y crítica de la reflexión estilística. Sevilla: Alfar, 1987.

Webber, Joan. The Eloquent 'I': Style and Self in Seventeenth-Century Prose. Madison: U of Wisconsin P, 1968.

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_____. Practical Stylistics. Oxford: Oxford UP, 1992.*

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Wright, Laura, and Jonathan Hope. Stylistics: A Practical Coursebook. London: Routledge, 1996.*

Zedong, Mao. (Mao Tsé-Toung). "Du style littéraire." 1955. In Zedong, Sur la littérature et l'art. Pekin: Editions en langues étrangères, 1965. 148-50.*

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Bibliography

 

 

Hatzfeld, Helmut A. Critical Bibliography of the New Stylistics Applied to the Romance Literatures, 1900-52. New York: Johnson Reprint, 1953.

Hatzfeld, Helmut A., and Yves Le Hir. Essai de bibliographie critique de stylistique française et romane, 1955-60. Paris: PUF, 1961.

 

 

 

Dictionaries

 

 

Wales, Katie. Dictionary of Stylistics. London: Longman, 1990.

 

 

 

 

 

 

Journals

 

 

Language and Literaturre 4.1 (1995): 64-7.

 

Language and Style 23.4 (1994 for 1990).

 

Style

Department of English

Northern Illinois University

DeKalb, Illinois 60115-2863

USA

Style 28.3 (1994).

 

Stylistica 1 (Sevilla, 1995).

 

 

 

 

 

 

Series

 

 

(Language and Style series, 11). Oxford: Blackwell, 1972.

 

 

 

 

 

 

See also: Stylistics; Rhetoric; Register and style; Idiolects.