El Poeta

 

        from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Poetry: Authorship. Poets.

 

 

Early works

Miscellaneous

 

 

 

 

Early works

 

Dilthey, Wilhelm. "The Imagination of the Poet: Elements for a Poetics." 1887. Trans. Louis Agosta and Rudolf A. Makkreel. In Dilthey, Poetry and Experience. Vol. 5 of Selected Works. Ed. Rudolf A. Makkreel and Frithjof Rodi. Princeton (NJ): Princeton UP, 1985. 29-174.*

Emerson, Ralph Waldo. "The Poet." 1843. In Emerson, Essays. London: Dent; New York: Dutton, 1906. 204-27.*

_____. "The Poet." From Essays, 2nd series. In Emerson, The Selected Writings of Ralph Waldo Emerson. New York: Modern Library, c. 1950. 319-41.*

_____. "The Poet." 1843. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 545-554.*

_____. "The Poet." Online at Digital Emerson.*

         http://digitalemerson.wsulibs.wsu.edu/exhibits/show/text/second-series/the-poet

         2017

_____. From "The Poet." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "El poeta." In Emerson, Escritos de estética y poética. Ed. and trans. Ricardo Miguel Alfonso. Málaga: Universidad de Málaga, 2000. 73-90.*

_____. "El poeta." In Emerson, Ensayos. Ed. and trans. Ricardo Miguel Alfonso. Madrid: Espasa-Calpe, 2001. 275-302.*

Keats, John. Letters. (To Richard Woodhouse, a poet has no identity, 1818; to George and Georgiana Keats, the vale of soul-making, 1819). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999.*

Sesdigitus, Volcacius. De poetis. 2nd century poem.

Shelley, Percy Bysshe. A Defence of Poetry. 1821, pub. 1840. In Shelley, Essays, Letters from Abroad, Translations and Fragments. London: Edward Moxon, 1840. (Romanticism; Nature of poetry; Poet; Classical literature; Imagination and fancy; Morality)

_____. A Defence of Poetry. (Select.). In Loci Critici. Ed. George Saintsbury. Boston: Ginn, 1903. 396-409.*

_____. A Defence of Poetry. In. English Critical Essays (Nineteenth Century). Ed. Edmund D. Jones. London: Oxford UP, 1916. 120-63.*

_____. A Defence of Poetry. In Critical Theory Since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 499-513.

_____. A Defence of Poetry and a Letter to Lord Ellenborough. Folcroft (PA): Folcroft Library, 1973.

_____. A Defence of Poetry. In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 478-508.*

_____. A Defence of Poetry. In The Selected Poetry and Prose of Shelley. Ed. Harold Bloom. New York, 1978.

_____. A Defence of Poetry. In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 216-42.*

_____. A Defense of Poetry. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 473-82.*

_____. From A Defence of Poetry. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 789-802.*

_____. "On Life." In Shelley, Essays, Letters from Abroad, Translations and Fragments. London Edward Moxon, 1840.

_____. "On Life." In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 474-7.*

Sidney, Philip (Sir). An Apologie for Poetry or The Defence of Poetry. Discourse. Written 1579-80, 1st pub. 1595. (History; Philosophy; Ethics; Genre; Nature of poetry; Poet)

_____. The Defence of Poesie. London: Printed for William Ponsorby, 1595.

_____. An Apologie for Poetrie. 1595.

_____. The Defense of Poesy. Ed. A. S. Cook. Boston, 1890.

_____. An Apology for Poetry. In Elizabethan Critical Essays. Ed. G. Gregory Smith. London: Oxford UP, 1904. Vol. 1.

_____. An Apology for Poetrie. Ed. Evelyn S. Shuckburgh. Cambridge: Cambridge UP, 1912.

_____. An Apologie for Poetrie. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 143-87.*

_____. A Defence of Poetry. Ed. J. A. Van Dorsten. Oxford: Oxford UP, 1956. 1966. 1989.

_____. The Defense of Poesie. In Literary Criticism: Plato to Dryden. Ed. Gilbert. 406-62.

_____. An Apology for Poetry or The Defense of Poesy. Ed. Geoffrey Shepherd. London: Nelson, 1965. Rpt. Manchester: Manchester UP, 1973.*

_____. The Defence of Poetry. In Miscellaneous Prose of Sir Philip Sidney. Ed. K. Duncan-Jones and Jan Van Dorsten. Oxford: Clarendon, 1973.

_____. An Apology for Poetry. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 197-227.*

_____. From The Defense of Poesy. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.933-54.*

Skelton, John. A Ryght Delectable Tratyse vpon a Goodly Garlande or Chapelet of Laurell by mayster Skelton ... Inprynted by ... Richard Fankes. London, 1523.

Thoreau, Henry David. "Homer. Ossian. Chaucer." The Dial 4 (1844). (Homer; Ossianism; Macpherson; Chaucer Geoffrey; Nature of poetry; Poet)

Veselovsky, A. N.  "I.6. Tres capítulos de poética histórica." 1899. In Veselovsky, Poética histórica. Madrid: Akal, 2014. 265-473.* (I. El sincretismo de la poesía antigua y los orígenes de la diferenciación de los géneros poéticos; II. Del cantor al poeta. El desgajamiento de la idea de poesía; III. La lengua de la poesía y la lengua de la prosa).

Whitman, Walt. "Preface." In Whitman, Leaves of Grass. New York, 1855.

 

 

 

Miscellaneous

 

Abercrombie, Lascelles. "Poetic Personality: The Poet Himself." In Abercrombie, The Idea of Great Poetry. London: Secker, 1925.

Aldington, Richard. "The Poet and His Age." In Aldington, Literary Studies and Reviews. London: Allen, 1924.

Arnheim, Rudolf, et al. Poets at Work. New York, 1947.

Balmaseda Maestu, Enrique. "Borges: El poeta y la poesía en sus versos." Cuadernos de Investigación Filológica 18 (1992): 159-80.*

Baroja, Pío. "Vates calenturientos." In Pío Baroja: Obras Completas XVI: Obra dispersa y epistolario: Textos dispersos - Páginas de autocrítica - Prólogo a textos ajenos - Artículos - Epistolario selecto. Ed. José-Carlos Mainer. Rev. Juan Carlos Ara Torralba.  Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2000. 595-97.

Bartlett, Phyllis. Poems in Process. New York, 1951.

Berryman, John.The Freedom of the Poet. New York: Farrar, 1976.

Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. 1973. London: Oxford UP, 1975.*

_____. "The Primal Scene of Instruction." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 41-62.*

Burckhardt, Sigurd. "The Poet as Fool and Priest." ELH 23 (1956): 279-98.

Camon, Ferdinando. Il mestiere del poeta. Milano: Lerici, 1965.

Cano, José Luis. "La autonominación en la poesía (Cienfuegos, Unamuno, Dámaso Alonso, Luis Rosales)." Cuadernos Hispanoamericanos 257-258 (May-June 1971 [Homage to Luis Rosales on his 60^th birthday; issued 1972]): 570-83.*

Crane, Hart. "The Poet." Essay.

Crawford, Robert. Identifying Poets. c. 1995.

_____. The Modern Poet: Poetry, Academia, and Knowledge since the 1750s. Oxford: Oxford UP, 2004.

Crewe, Jonathan. Trials of Authorship: Anterior Forms and Poetic Reconstruction from Wyatt to Shakespeare. Berkeley: U of California P, 1990.

Dickey, James. "The Poet Turns on Himself." In Contemporary American Poetry. Ed. Howard Nemerov. Washington: Voice of America, 1965. 283-99.*

Duff, William. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. 1767. London: Routledge, 1994.

Eliot, T. S. "Tradition and the Individual Talent." The Egoist (1919). Rpt. in The Sacred Wood. 1920.

_____. "Tradition and the Individual Talent." 1919. In Eliot, The Sacred Wood. 1921. London: Methuen, 1986.

_____. "Tradition and the Individual Talent." In Eliot, Selected Essays. 1932. 3rd ed. London: Faber and Faber, 1951. 13-22.*

_____. "Tradition and the Individual Talent." In Eliot, Selected Essays. New York: Harcourt, Brace, 1950.

_____. "Tradition and the Individual Talent." In Selected Essays. New ed. New York: Harcourt, Brace & World, 1960.

_____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1971.

_____. "Tradition and the Individual Talent." In The Modern Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 162-68.*

_____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1963.

_____. "Tradition and the Individual Talent." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 71-77.*

_____. "Tradition and the Individual Talent." In Debating Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 6-11.*

_____. "Tradition and the Individual Talent." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 145-51.*

_____. "Tradition and the Individual Talent." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 587-92.*

_____. "Tradition and the Individual Talent." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 27-33.*

_____. "Tradition and the Individual Talent." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 31-38.*

_____. "Tradition and the Individual Talent." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "Tradition and the Individual Talent / La tradición y el talento individual." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 217-40.*

_____. "Tradition and the Individual Talent." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2395-2401.*

Ellis, Jonathan, ed. Letter Writing among Poets: From William Wordsworth to Elizabeth Bishop. Edinburgh: Edinburgh UP, 2015.

Eymar, Carlos. El funcionario poeta: Elementos para una estética de la burocracia. Madrid: Tecnos, 1995.

Farwell, Marilyn R. "Feminist Criticism and the Concept of the Poetic Persona." In Women, Literature, Criticism. Ed. Harry R. Garvin. Lewisburg, 1978. 139-56.

Fernández Urtasun, Rosa. "Autobiografías y Poéticas: confluencia de géneros narrativos." Rilce 16.3 (2000): 537-56.*

Fineman, Joel. Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets. Berkeley: U of California P, 1986.*

_____. Shakespeare's Perjured Eye. Online at Google Books.*

         https://books.google.es/books?id=E0-Ad972vx0C

         2016

Freeman, Margaret H. (Myrifield Institute for Cognition and the Arts). "Authorial Presence in Poetry: Some Cognitive Reappraisals." Poetics Today 36.3 (Sept. 2015): 201-31.*

         DOI 10.1215/03335372-3160733

         Online at Academia.*

         https://www.academia.edu/24445605/

         2020

Fry, Paul. The Poet's Calling in the English Ode. New Haven: Yale UP, 1980.

García Landa, José Ángel. "'The Enthusiastick Fit': The Function and Fate of the Poet in Samuel Johnson's Rasselas." Cuadernos de Investigación Filológica 17.1 (1991): 103-26.*

_____. "'The Enthusiastick Fit': The Function and Fate of the Poet in Samuel Johnson's Rasselas." Online at Net Sight de José Angel García Landa (2004):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/enthusiastick.html 

_____. "'The Enthusiastick Fit': The Function and Fate of the Poet in Samuel Johnson's Rasselas." Online PDF at Dialnet

         http://dialnet.unirioja.es/servlet/oaiart?codigo=69021

         2008-02-12

_____. "'The Enthusiastick Fit': The Function and Fate of the Poet in Samuel Johnson's Rasselas." Online PDF at Zaguán 21 Jan. 2009.

         http://zaguan.unizar.es/record/1962

         2009

_____. "'The Enthusiastick Fit': The Function and Fate of the Poet in Samuel Johnson's Rasselas." Online PDF at Academia 14 April 2009.

         https://www.academia.edu/177981/

         2015

_____. "'The Enthusiastick Fit': The Function and Fate of the Poet in Samuel Johnson's Rasselas." Online PDF at Social Science Research Network 23 April 2010.*

         http://ssrn.com/abstract=1594863

         2010

English & Commonwealth Literature eJournal 23 April 2010.*

http://www.ssrn.com/link/English-Commonwealth-Lit.html

2012

_____. "'The Enthusiastick Fit': The Function and Fate of the Poet in Samuel Johnson's Rasselas." ResearchGate 19 August 2012.*

https://www.researchgate.net/publication/33419598

2012

García Martín, José Luis. Cómo tratar y maltratar a los poetas. Gijón: Universos, 1996.

Gravil, Richard. Wordsworth's Bardic Vocation, 1787-1842. Oxford: Oxford UP, 2003.

Gunn, Thom. "Writing a Poem." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 143-44.*

Harrison, Tony. "Poetry Is All I Write." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 161-62.*

Heidegger, Martin. "Wozu Dichter..." 1946. In Holzwege. Frankfurt am Main, 1950. 265-316.

_____. "Pourquoi des poètes?" 1946. In Heidegger, Chemins qui ne mènent nulle part. Paris: Gallimard, 1986. 323-86.*

_____. "What Are Poets For?" Trans. Albert Hofstadger. In Heidegger, Poetry, Language, Thought. 89-142.

Herbert, W. N., and Matthew Hollis, eds. Strong Words: Modern Poets on Modern Poetry. Tarset (Northumberland): Bloodaxe Books, 2000.* (Introd., "Writing into the Dark", 11-16).

Housman, A. E. The Name and Nature of Poetry. c. 1933.

Hühn, Peter. "Wirklichkeit und Bedeutung im Gedicht: Die Dichtergestalt als Medium der Realitätsvermittlung bei Carew und Gray." In Literarische Ansichten der Wirklichkeit: Studien zur Wirklichkeitskonstitution in englischsprachiger Literatur: To honour Johannes Kleinstück. Ed. H. H. Freitag and P. Hühn. Frankfurt/Main: P. Lang, 1980. 89-122.

_____. "5. Lamenting the Death of Poets." In Facing Loss and Death: Narrative and Eventfulness in Lyric Poetry. By Peter Hühn, with contributions by Britta Goerke, Heilna du Plooy, and Stefan Schenk-Haupt. (Narratologia, 55). Berlin and Boston: Walter de Gruyter, 2016. 191-226.*

Jiménez, Juan Ramón. El trabajo gustoso. Lectures. México: Aguilar, 1961.

Levertov, Denise. "I Believe Poets Are Instruments." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 102.*

López Eire, Antonio. "Poema, poesía y poeta." In López Eire, Orígenes de la poética. Salamanca: Ediciones Universidad de Salamanca, 1980. 181-90.*

Matthews, Samantha. Poetical Remains: Poets' Graves, Bodies, and Books in the Nineteenth Century. Oxford: Oxford UP, 2004.

Miller, Vassar. "What Is a Poet." In Contemporary American Poetry. Ed. Howard Nemerov. Washington: Voice of America, 1965. 147-68.*

Mills, Ralph T., ed. On the Poet and His Craft. Seattle, 1965.

Morand, Paul. "Permanence du poète." In Morand, Monplaisir ... en littérature. Paris: Gallimard, 1967. 323-7.*

Mukarovksy, Jan. "The Poet." In Mukarovsky, The Word and Verbal Art:. New Haven: Yale UP, 1977. 143-60.*

Nemerov, Howard. "Attentiveness and Obedience." In Contemporary American Poetry. Ed. Howard Nemerov. Washington: Voice of America, 1965. 299-311.*

O'Neill, Michael. "'The Mind Which Feeds This Verse': Shelley (I)."  In O'Neill, Romanticism and the Self-Conscious Poem. Oxford: Clarendon Press, 1997. 119-54.*

Orr, Peter, ed. The Poet Speaks: Interviews with Contemporary Poets. London: Routledge, 1966.

Patea, Viorica. "The Power of the Poet and the Power of the Word: Emerson and Whitman's Mythologies of Power." Atlantic Literary Review, 2.3 (2001): 15-37.

_____. "The Poet and the Scientist in Emerson, Whitman and Hawthorne." In Critical Essays on the Myth of the American Adam. Ed. Viorica Patea and M. Díaz. Salamanca: Ediciones Universidad de Salamanca, 2001. 99-124.

_____. "The Power of the Poet and the Power of the Word: Emerson and Whitman's Mythologies of Power." In New Perspectives on American Literature. Ed. Ishteyaque Shams. New Delhi: Atlantic Publishers, 2004, 75-101.

Peck, John. How to Study a Poet. (How to Study series). Houndmills: Macmillan, 1988.

Pòrtulas, Jaume. "Vida y muerte del poeta." Mito y literatura. Revista de Occidente 158-159 (1994): 59-70.

Quiller-Couch, A. T. "The Popular Conception of a Poet." In Quiller-Couch, Adventures in Criticism. London: Cassell, 1896. 246-56.*

_____. "Poets on Their Own Art." In Quiller-Couch, Adventures in Criticism 257-65.*

Reed, Jeremy. Madness: The Price of Poetry. 1989.

Riley, Denise, ed. Poets on Writing. Houndmills: Macmillan, 1992.

Robinson, Peter. In the Circumstances: About Poems and Poets. Oxford: Oxford UP, 1991.

_____. Poetry, Poets, Readers: Making Things Happen. Oxford: Oxford UP, 2002.

Ruiz de Torres, Juan P. "Bases de datos de poetas." In Literatura y Multimedia. Ed. J. Romera Castillo et al. Madrid: Visor, 1997. 313-27.*

Sedgwick, E. K. "A Poem Is Being Written." Representations 17 (Winter, 1987): 745-57.

Skelton, Robin. The Practice of Poetry. London: Heinemann, 1971.

Spenser, Edmund. "October. Aegloga decima." In Spenser, The Shepheardes Calender Conteyning tvvelve Aeglogues proportionable to the twelve monethes. London: Hugh Singleton, 1579.

Srivastava, Narsingh. "T. S. Eliot's Theory of Poetic Personality and Belief: A Study in Reconciliation." Language Forum 14 (1988): 94-104.*

Stauffer, Donald A, ed. Poets at Work. New York: Harcourt, 1948.

Stevens, Wallace. "The Noble Rider and the Sound of Words." 1942. In Stevens, The Necessary Angel. London: Faber and Faber, 1960. (Language of poetry; Imagination and fancy; Poet; Denotation / Connotation; Nature of poetry)

Tillyard, E. W. M., and C. S. Lewis. The Personal Heresy: A Controversy. 1939. London: Oxford UP, 1965.*

Tylee, Claire. "What Is a War-Poet? A Case-Study in Literary Cultural History." In Actas del X Congreso Nacional AEDEAN. Zaragoza: AEDEAN, 1988. 485-96.*

Weber, Jean-Paul. Genèse de l'œuvre poétique. Paris: Gallimard, 1960.

 

 

 

 

 

Bibliography

 

 

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Literature

 

 

Baudelaire, Charles. "L'Albatros / The Albatross." Fleurs du Mal.org

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Borges, Jorge Luis. La rosa profunda. Poems. 1975. ("Browning resuelve ser poeta"; "Quince monedas [Un poeta oriental, Un poeta menor).

Browne, William. From "Britannias Pastorals" (1616, text 1625) - Praise of Poets. In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 331-34.*

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Clare, John. "The Peasant Poet." Poem. 1842-64, pub. 1920. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 810.*

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_____. Pale Fire. London: Weidenfeld and Nicolson, 1962.

_____. Pale Fire. Lancer Books, 1963.

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_____. Pale Fire. New York: Perigee Books 1980.

_____. Pale Fire. Introd. Mary McCarthy. Harmondsworth: Penguin, 1991.*

_____. Pale Fire. New York: Random House-Vintage International [c. 1989?].

_____. Feu pâle. Trans. Raymond Girard and Maurice Edgar Coindreau. Paris: Gallimard, 1965.

Oldham, John. "A Satyr Dissuading from Poetry." 1682. In Restoration Verse. Ed. H. Love. Harmondsworth: Penguin, 1979. 290-93.

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_____. The Prelude. Ed. E. de Selincourt. 1926.

_____. The Prelude, or Growth of a Poet's Mind. (Text of 1805). Ed. Ernest de Selincourt. Rev. Stephen Gill. Oxford: Oxford UP, 1970.

_____. The Prelude, 1799, 1805, 1850. Ed. Jonathan Wordsworth, M. H. Abrams and Stephen Gill. (Norton Critical Edition). New York: Norton, 1979.

_____. From The Prelude. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Hodder Headline-Arnold, 1997. 682-95.*

_____. From The Prelude, or Growth of a Poet's Mind. (Book First: Introduction, Childhood and School-time; Book Second: School-time continued; from Book Third: Residence at Cambridge; from Book Fourth: Summer Vacation; from Book Fifth: Books; from Book Sixth: Cambridge, and the Alps; from Book Seventh: Residence in London; from Book Eighth: Retrospect, Love of Nature Leading to Love of Man; from Book Ninth: Residence in France; from Book Tenth: France Continued; from Book Eleventh: France, concluded; Book Twelfth: Imagination and Taste, how impaired and restored; from Book Thirteenth: Subject concluded; from Book Fourteenth: Conclusion). 1798-1839, pub. 1850. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 303-83.*

 

 

 

 

Music

 

Gottschalk, Louis Moreau. The Dying Poet, Meditation. In Gottschalk, Piano Music. Cecile Licad. EC: HNH-Naxos, 2003.*

Meyerbeer, Giacomo. Le Poète mourant. Song, based on a poem by Charles Hubert Millevoye. 1836.

_____. Le Poète mourant. In Cherubini and Meyerbeer. Mélodies. CD. Paris: Opus 111, 1995.*

 

 

 

 

Paintings

 

 

Spitzweg, Carl. Le Pauvre Poète. Oil on canvas, 1849. Nationalgaleries (SMPK), Berlin.

 

 

 

 

Series

 

(Bloom's Major Poets). Ed. Harold Bloom. Pennsylvania: Chelsea House, 1999.

 

 

 

Imitación

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Imitation (in art and literature)

 

 

Ben-Porat, Z. "Represented Reality and Literary Models." Poetics Today 7.1 (1986): 29-58.

Braga Riera, Jorge. Classical Spanish Drama in Restoration English (1660-1700). Amsterdam and Philadelphia: John Benjamins, 2009.

Brooks, Harold F. "The 'Imitation' in English Poetry, Especially in Formal Satire, before the Age of Pope." Review of English Studies 25 (1949): 124-40.

Camarero Arribas, Jesús. "Tradición y poligénesis. Influencia, imitación y paralelismos. La intertextualidad." In Liceus.com: E-Excellence

http://www.liceus.com/cgi-bin/aco/lit_comp/temas.asp

2005-05-05

Cowl, R. P. "Imitation." In Cowl, The Theory of Poetry in England. London: Macmillan, 1914. 127-43.

Dionysius of Halicarnassus. La imitación. In Dionysius, Tres ensayos de crítica literaria. Ed. and trans. Vicente Bécares Botas. Madrid: Alianza, 1992. 217-32.

D'Israeli, I. "Imitators." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.97-101.*

Esposito, Elena. "Originality through Imitation: The Rationality of Fashion."  Organization Studies 32.5 (2011): 603-13.

Fisk, George C. Lucilius and Horace: A Study. Madison, 1920.

_____. Lucilius and Horace: A Study of the Classical Theory of Imitation. 1966.

Genette, Gérard. Palimpsestes: la littérature au second degré. Paris: Seuil, 1982.*

_____. Palimpsestos: La literatura en segundo grado. Trans. Celia Fernández Prieto. Madrid: Taurus, 1989.*

Gordon, G. S. English Literature and the Classics. Oxford, 1912.

Goyet, Francis. "Imitatio et intertextualité (Riffaterre revisited)." Poétique 71 (1987): 313-20.

Hazlitt, William. "On Imitation." 1817.

_____."On Imitation." In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 92-96.*

_____. "Sobre la imitación." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004.47-54.*

Horace. Epistola ad Pisones. Barcelona: Bosch, 1966.

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Gilbert 128-43.

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 77-96.

_____. (Quintus Horatius Flaccus). "Imitating in Your Own Words." From Ars Poetica (20 B.C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Hurd, Richard. Dissertation on Poetical Imitation. Added to Epistle to Augustus. By Horace. 1751.

_____. On the Marks of Imitation. Dissertation. 1757.

Marías Martínez, Clara. "Translation and Imitation in Renaissance Spanish Poetry: A Case Study of Petrarch's Sonnet, 'S'amor non è'." In The Limits of Literary Translation: Expanding Frontiers in Iberian Languages. Ed. Javier Muñoz-Basols et al. Kassel: Edition Reichenberger, 2012. 124-64.*

McLaughlin, Martin L. Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in Italy from Dante to Bembo. Oxford: Clarendon Press, 1996.

Moss, Ann. "Literary Imitation in the Sixteenth Century: Writers and Readers, Latin and French." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 107-18.*

Muckelbauer, J. "Imitation and Invention in Antiquity: A Historical-Theoretical Revision." Rhetorica 21 (2003): 61-88.

Ogilvie, John. Philosophical and Critical Observations on the Nature, Characters, and Various Species of Composition. London, 1774.

Partenio, B. Della imitatione poetica. 1560.

Pliny the Younger (Gaius Plinius Caecilius Secundus). "Imitation of the Best Models." Letter to Fuscus Salinator (85 C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Quin, D., M. M. Ferguson, G. W. Pigman III and W. A. Rebhorn, eds. Creative Imitation: New Essays on Renaissance Literature in Honor of Thomas M. Greene. (Medieval and Renaissance Texts and Studies, 95). Binghampton (NY): SUNY Press, 1992.

Rigoliosi, Mariangela. "Nihil crescit sola imitatione. Il rapporto di Lorenzo Valla con la tradizione." In Mvnvs qvaesitvm meritis: Homenaje a Carmen Codoñer. Ed. Gregorio Hinojo Andrés and José Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 2007. 765-73.*

Sassone, Felipe. "Alacranismo teatral. Plagios, imitaciones y préstamos." ABC 27 March 1930: 11. Rpt in Teoría y práctica de la traducción en la prensa periódica española (1900-1965). By Antonio Raúl de Toro Santos and Pablo Cancelo López. (Vertere: Monográficos de la revista Hermeneus, 10). Soria: Hermeneus / Diputación Provincial de Soria, 2008.*

Simpson, Richard. "Secondary Art." 1867. In Richard Simpson as Critic. Ed. David Carroll. London: Routledge, 1977. 342-8. (Myth, imitation).

Stack, Frank. Pope and Horace: Studies in Imitation. 1985.

Sturm, J. De imitatione. 1574.

Valente, José Ángel. "La formación del escritor como profesional." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1036-48.* (I. La educación humanística y el sentido de la tradición. II. Tradición e imitación).

Victorinus. Variae lectiones. 1553.

Waugh, Linda R. "Against Arbitrariness: Imitation and Motivation Revived." Diacritics 23.2 (193): 71-87.

Weinbrot, Howard D. The Formal Strain: Studies in Augustan Imitation and Satire. Chicago: U of Chicago P, 1969.

Weinsheimer, Joel. Imitation. London: Routledge, 1984.

Wittkower, R. "Imitation, Electicism, and Genius." In Aspects of the Eighteenth Century. Ed. Earl R. Wasserman. Baltimore, 1965.

 

Autor, autoría y escritura

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Authorship, Writing

 

Top Ten

Early works

Miscellaneous

Author's rights

Revising

Writer's Block

 

 

Top Ten

 

Barthes, Roland. "The Death of the Author." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 166-72.*

Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field. Trans. Susan Emanuel. Stanford (CA): Stanford UP, 1996.

Compagnon, Antoine.  "L'auteur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 47-100.* (Intention).

Docherty, Thomas. On Modern Authority: The Theory and Condition of Writing, 1500 to the Present Day. Brighton: Harvester; New York: St. Martin's, 1987.*

During, Simon. Foucault and Literature: Towards a Genealogy of Writing. London: Routledge, 1992.*

Eliot, T. S. "Tradition and the Individual Talent." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 27-33.*

Emerson, Ralph Waldo. "The Poet." 1843. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 545-554.*

Foucault, Michel. "What Is an Author?" In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 196-210.*

Horace. "Art of Poetry." Trans. E. C. Wickham. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971.*

Macherey, Pierre. A Theory of Literary Production. Trans. Geoffrey Wall. London: Routledge, 1978.*

 

 

 

 

 

Early works

 

Addison, Joseph. "On Authors and Writing." In Addison, Critical Essays from the Spectator: With Four Essays by Richard Steele. Ed. Donald F. Bond. Oxford: Oxford UP, 1970. 247-9.

Börne, Ludwig. (El arte de llegar a ser un escritor original en tres dias).(In German). 1823. Rpt. in Börne, (Complete Works) (In German). 1862.

Carlyle, Thomas. "The Hero as Poet: Dante, Shakespeare." In Carlyle, On Heroes, Hero-Worship and the Heroic in History. Philadelphia: Altemus, 1894. 106-54.*

_____. "The Hero as Man of Letters: Johnson, Rousseau, Burns." In Carlyle, On Heroes, Hero-Worship and the Heroic in History. Philadelphia: Altemus, 1894. 206-60.*

D'Israeli, I. Curiosities of Literature. London: Moxon, 1834.

Feijoo, Benito Jerónimo (Fray). "Desagravio de la profesión literaria." From Teatro Crítico Universal, vol. 1.  In Feijoo, Antología popular. Ed. Eduardo Blanco-Amor. Buenos Aires: Ediciones Galicia, 1966. 23-26.*

_____. "Nuevo caso de conciencia." From Teatro Crítico Universal, vol. 4. In Feijoo, Antología popular. Ed. Eduardo Blanco-Amor. Buenos Aires: Ediciones Galicia, 1966. 93-94.* (Authorship).

_____. "Autores envidiados y envidiosos." From Cartas eruditas y curiosas. In Feijoo, Antología popular. Ed. Eduardo Blanco-Amor. Buenos Aires: Ediciones Galicia, 1966. 215-16.*

Hazlitt, William. "On the Difference Between Writing and Speaking." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 14-31.*

Hobbes, Thomas. "Of Persons, Authors, and Things Personated." In Hobbes, Leviathan. London: Dent; New York: Dutton (Everyman), 1914. 83-86.*

_____. "16. De las personas, autores y cosas personificadas." In Hobbes, Leviatán. Madrid: Gredos, 2012. Rpt. Barcelona: RBA Coleccionables, 2015. 132-36.*

Horace. Epistola ad Pisones. Barcelona: Bosch, 1966.*

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Gilbert 128-43.*

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 77-96.*

_____. "Art of Poetry." Trans. E. C. Wickham. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971.*

James, Henry. "The Private Life." New York ed. Rpt. in The Figure in the Carpet and Other Stories. Ed. Frank Kermode. Harmondsworth: Penguin, 1986. 189-232.*

Jerome (Saint). De viris Illustribus. 392-93. (130 biographies of Christian writers; theory of authorship).

_____. De viris illustribus. Ed. E. C. Richardson.  Leipzig, 1896.

_____.  "Sobre personajes ilustres."  In Biografías literarias latinas.  Ed. Yolanda García et al.  Madrid: Gredos,1985.   219-96.*

Johnson, Samuel. "An Author's Writing and Conversation Contrasted." The Rambler (14). 1750-2. London: Dent; New York: Dutton, 1953.

_____. (On authorship). Rambler 14 (5 May 1750). In Essays form the Rambler, adventurer and Idler. Ed. W. J. Bate. Cambridge (MA): Harvard UP, 1968.

_____. "Anxieties of Literature." The Rambler (21). 1750-2. London: Dent; New York: Dutton, 1953.

_____. "Vanity of an Author's Expectations." Rambler 106.

_____. "Literary Courage." Rambler 137.

_____. "An Author in Quest of his Own Character." Rambler 146.

Lu Chi. Lu Chi's "Wen Fu", A. D. 302: A Translation and Comparative Study. By E. R. Hughes. With a forenote by I. A. Richards. (Bollingen Series 29). New York: Bollingen Foundation / Pantheon Books, 1951.*

_____. "Ensayo sobre la literatura."  3rd century.  In Racionero, Textos de estética taoísta  204-17.

_____. (Lu Ji). Wen Fu: Prosopoema del arte de la escritura. Ed. Pilar González España. (Letras Universales). Madrid: Cátedra, 2010.

Minturno, Antonio. De poeta. 1559.

Plato. Fedro, o de la belleza. Trans. María Araujo. Introd. Antonio Rodríguez Huéscar. Madrid: Aguilar, 1989.

Pliny the Younger. (Gaius Plinius Caecilius Secundus). "Imitation of the Best Models." Letter to Fuscus Salinator (85 C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Poe, Edgar Allan. "The Philosophy of Composition." Graham's Magazine (1846).

_____. "The Philosophy of Composition." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 114-29.*

_____. "The Philosophy of Composition." In The American Tradition in Literature, ed. Sculley Bradley, Richmond Croom Beatty, E. Hudson Long. New York: Norton, 1962. 871-881.*

_____.  "The Philosophy of Composition." In Great Short Works of Edgar Allan Poe. Ed. G. R. Thompson. New York, 1970.

_____. "The Philosophy of Composition." In Poe, Poems and Essays 163-77.*

_____. "The Philosophy of Composition." In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 480-92.*

_____. "The Philosophy of Composition." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 27-36.*

_____. "The Philosophy of Composition." 1846. Online ed. 1999.

http://www.eapoe.org/works/essays/philcomp.htm

25 May 2007-07-14

_____. "Filosofía de la composición." In Poe, Obras completas II. Barcelona: RBA, 2004. 9-18.*

_____. "The Philosophy of Composition." 1846. Available online at Bob's Byway, ed. Robert G. Shubinski.

         http://www.poeticbyway.com/philo.htm

         2011

_____. Método poético y narrativo. Ellago Ediciones, 2001.

Quintilian (Marcus Fabius Quintilianus). "On What We Should Employ Ourselves When We Write."  From Institutiones Oratoriae (96 C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Rousseau, Jean-Jacques. "Idée de la méthode dans la composition d'un livre." Ed. Charly Guyot. In Rousseau, Œuvres complètes II: La Nouvelle Héloïse - Théâtre - Poésies - Essais littéraires. Ed. Bernard Gagnebin and Marcel Raymond. (NRF - Bibliothèque de la Pléiade). Paris: Gallimard, 1964. 1242-47.*

Saavedra Fajardo, Diego de. República literaria. 1612. Ed. José Carlos de Torres. Barcelona: Plaza y Janés, 1985.

_____. República literaria. Ed. Vicente García de Diego. Madrid: Espasa-Calpe.

_____. República literaria. Ed. Jorge García López. Barcelona: Crítica, 2006.

Sainte-Beuve. Letter on authorship. Moniteur 20 February 1860. Rpt. in Sainte-Beuve, Pour la critique. Paris: Gallimard, 1992. 251-64.

Schopenhauer, Arthur. "23. Sobre actividad literaria y estilo." In Schopenhauer, Parerga y Paralipómena II. Madrid: Trotta, 2009. 513-64.*

Shaftesbury (Anthony Ashley Cooper, 3rd Earl of). Soliloquy, or Advice to an Author. London: John Morphew, 1710.  (Aesthetics; Morality; Introspection; Dialogue; Criticism; Taste)

_____. "Treatise III. viz. Soliloquy: or Advice to an Author." In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times, In Three Volumes. London, 1711.

Sidney, Philip (Sir). "To my dear Lady and Sister the Countess of Pembroke"; "Nota"; and, "Discussion of Metre" In Sidney, The Countess of Pembroke's Arcadia (The Old Arcadia). 1581. Ed. Jean Robertson. Oxford: Clarendon, 1973.

Skelton, John. A Ryght Delectable Tratyse vpon a Goodly Garlande or Chapelet of Laurell by mayster Skelton ... Inprynted by ... Richard Fankes. London, 1523.

Stevenson, R. L. "The Morality of the Profession of Letters."  The Fortnightly Review (1881) (Morality; Education; Commerce; Sympathy; Journalism; Author)

_____. "The Morality of the Profession of Letters." In Stevenson, Essays in the Art of Writing. London: Chatto, 1910. 47-76.*

_____. "The Morality of the Profession of Letters." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 150-63.*

_____. "La moral de la profesión de las letras." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.261-68.*

_____. "On Style in Literature: Its Technical Elements." The Contemporary Review (1885). (Nature of literature; Nature of poetry; Nature of prose; Metre; Rhythm; Style)

_____. "On Some Technical Elements of Style in Literature." In Stevenson, Essays in the Art of Writing. London: Chatto, 1910. 3-46.*

_____. "Sobre algunos elementos técnicos del estilo literario." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.248-60.*

_____. Essays in the Art of Writing. London: Chatto, 1910.*

_____. Essais sur l'art de la fiction. Ed. Michel Le Bris. Paris: La Table Ronde, 1988.

Tacitus, Publius Cornelius. Dialogvs de oratoribvs. Barcelona: Bosch, 1976.* (Oratory; Poet; Style; Fame; Education; Morality)

_____. Dialogue on Orators. In Ancient Literary Criticism. Ed. D. A. Russell and M. Winterbottom. Oxford: Clarendon Press, 1972.

Voltaire. "Vigésima carta. Sobre los señores que cultivan las letras." In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 91-93.*

_____. "Vigesimotercera carta. Sobre la consideración debida a las gentes de letras." In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 102-5.*

_____. "Letras, Hombres de letras o Letrados." From Diccionario Filosófico. In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 262-63.*

Vives, Juan Luis. "Practice in Writing." From De Tradendis Disciplinis. 1531. In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Young, Edward. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." 1759. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 338-347.*

 

 

 

 

Miscellaneous

 

Abel, Elizabeth. Writing and Sexual Difference. Chicago: U of Chicago P, 1980.

Abrams, M. H. "Literature as a Revelation of Personality." Extract. In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 17-21.*

Adair, Gilbert. "Writers, Rites, and Rituals." In Adair, The Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 192-95.*

Aguiar e Silva, Vítor Manuel de. "La creación poética." In Aguiar e Silva, Teoría de la literatura. Trans. Valentín García Yebra. Madrid: Gredos, 1972. 103-58.*

Alcorn, Marshall W., Jr. "Political Ties and Libidinal Ruptures: Narcissism as the Origin and End of Textual Production." In Alcorn, Narcissism and the Literary Libido. New York: New York UP, 1994. 1-28.*

Alvarez, A. The Writer's Voice. London: Bloomsbury, 2005. Pbk. 2006.* (Sylvia Plath, Jean Rhys, William Shakespeare, John Donne, W. B. Yeats, Coleridge).

Amat, Nuria. El libro mudo: Las aventuras del escritor entre la pluma y el ordenador. Madrid, 1994.

Arce Álvarez, María Laura. "Inside the Locked Room: The Concept of Space and Author in Paul Auster's Travels in the Scriptorium." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 421-26.*

Aronowitz, Stanley. Dead Artists, Live Theories and Other Cultural Problems. London: Routledge, 1994.

Arozamena, Jesús Mª. La Sociedad General de Autores de España. Lecture. Madrid: SGAE, 1961.

Attridge, Derek, et al. eds. The Linguistics of Writing. Manchester: Manchester UP, 1987.

Auden, W. H. Poets at Work. New York: Harcourt, 1948.

_____. "Writing." From The Dyer's Hand. In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 636-45.*

_____. "Escribir." In Auden, Los señores del límite: Selección de poemas y ensayos (1927-1973). Ed. and trans. Jordi Doce. Barcelona: Círculo de Lectores – Galaxia Gutenberg, 2007. 374-92.*

_____. The Dyer's Hand and Other Essays. New York, 1962.

_____. The Dyer's Hand and other essays. London: Faber and Faber, 1963. 1987.

_____. The Dyer's Hand and Other Essays. New York: Vintage, 1968.

_____. The Dyer's Hand. (Vintage International). New York: Random House-Vintage, c. 1989.

Ayala, Francisco. El escritor en la sociedad de masas.

_____. El escritor y su imagen. Barcelona: Guadarrama.

_____. La estructura narrativa y otras experiencias literarias. Barcelona: Crítica, 1984.*

Azorín. El escritor. 1942.

Baelo Allué, Sonia. "The Role of the Celebrity Author in the Marketplace of Culture: the Case of Bret Easton Ellis." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 35-45.*

Bakhtin, Mikhail M. ("Art and Answerability.") Den' iskusstva. (Nevel) 13 sept. 1919.

_____. "Art and Answerability." In Art and Answerability: Early Philosophical Essays by M. M. Bakhtin. Ed. Michael Holquist and Vadim Liapunov. Trans. Vadim Liapunov and Kenneth Brostrom. Austin: U of Texas P, 1990.

_____. "Avtor i geroi v èsteticheskoi deiatel'nosti." ("Author and hero in aesthetic activity"). c. 1922-24. In Bakhtin, Èstetika slovesnogo tvorchestva. Moscow, 1979. 7-180.

_____. "Problema avtora." Extract from "Avtor i geroi..." Voprosy filosofii 7 (1977).

_____. "Problema otnosheniia avtora k geroiu" ("Problem of the relationship of author to hero"). Extract from "Avtor i geroi..." Voprosy Literatury 12 (1978).

Bal, Mieke. "Lots of Writing" Poetics Today 15.2 (1994): 89-114.*

Balaguer Pascual, Enric. "Los límites del autor en la narrativa catalana de postguerra (A propósito de 'La mort de l'auteur' de Roland Barthes)." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 359-67.*

Baroja, Pío. "Figurines literarios." In Pío Baroja: Obras Completas XVI: Obra dispersa y epistolario: Textos dispersos - Páginas de autocrítica - Prólogo a textos ajenos - Artículos - Epistolario selecto. Ed. José-Carlos Mainer. Rev. Juan Carlos Ara Torralba.  Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2000. 840-42.

_____. "El oficio de escritor de libros no puede subsistir en España." In Pío Baroja: Obras Completas XVI: Obra dispersa y epistolario: Textos dispersos - Páginas de autocrítica - Prólogo a textos ajenos - Artículos - Epistolario selecto. Ed. José-Carlos Mainer. Rev. Juan Carlos Ara Torralba.  Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2000. 1590.

Baroudy, Ismail. "Process Writing: Successful and Unsuccessful Writers; Discovering Writing Behaviours." In Academic Writing: The Role of Different Rhetorical Traditions. Ed. Rafael Monroy-Casas. Monograph issue of  IJES 8.2 (2008): 43-63.* (Process and product writing, Paradigm shift, Writing behaviour, Competent and incompetent writers).

Barthes, Roland. Le degré zéro de l'écriture. 1953. New ed. with Nouveaux essais critiques. Paris : Seuil, 1972.*

_____. Writing Degree Zero. Trans. A. Lavers and C. Smith. London: Cape, 1967.

_____. Writing Degree Zero. Trans. Annette Lavers and Colin Smith. Boston: Beacon Press, 1967. 1970.

_____. El grado cero de la escritura. Buenos Aires: J. Alvarez, 1967.

_____. El grado cero de la escritura. Buenos Aires: Siglo XXI, 1973.

_____. El grado cero de la escritura. Nuevos ensayos críticos. Buenos Aires: Siglo XXI, 1973.

_____. "Writing and the Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 143-51.*

_____. "Ecrivains et écrivants." In Barthes, Essais critiques. 1964. Paris: Seuil, 1971. 147-54.*

_____. "Ecrire, verbe intransitif?" 1966. In Barthes, Le Bruissement de la langue. Paris: Seuil, 1984. 21-32.*

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_____. "Autor textual; Obra; Lector textual (Acción, Relato, Discurso, 3.3). Academia 28 May 2015.*

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_____. "Autor y lector." Section 3.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 427-68.*

_____. "Autor y lector." Section 3.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.*

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_____. "Autor y lector." Section 3.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 427-68.*

_____. "Autor y lector." Section 3.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.*

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_____. "Autor y lector - Conclusión." Sections 3.4 and 4 of Acción, Relato, Discurso: Estructura de la ficción narrativa. In García Landa, Vanity Fea 28 March 2014.*

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_____. "Autor y lector - Conclusión." Sections 3.4 and 4 of Acción, Relato, Discurso: Estructura de la ficción narrativa. Social Science Research Network 18 March 2014.*

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_____. "Autor y lector. Conclusión (Acción, Relato, Discurso; 3.4, 4). Academia 9 Oct. 2015.*

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_____. "Autores espectaculares." In García Landa, Vanity Fea 3 March 2008. (D. Lodge, Qin Dai).

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_____. "Author, Death of the." In García Landa, Vanity Fea 3 April 2008.

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_____."Autores ilusos, estafados o semimuertos." In García Landa, Vanity Fea 7 April 2008.

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_____. "Sueños de soñadores." In García Landa, Vanity Fea 15 April 2008. (Authorship, publishing, vanity).

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_____. "Torbellinos de éxito y dinero." In García Landa, Vanity Fea 16 April 2008. (Literature; Best-sellers; Success; Chance; Statistics).

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_____. "Author, Author, Author (Dencombe, James, Lodge, and Others) / Autor, autor, autor (Dencombe, James, Lodge y otros)." Online PDF at Social Science Research Network 21 Dec. 2010.*

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_____. "Autor, autor, autor (Dencombe, James, Lodge)." Online PDF at Zaguán 3 Dec. 2011.*

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_____. "Hiperreligiosidad, Hiperconectividad, Hipergrafia y Apofenia." In García Landa, Vanity Fea 5 June 2012.* (E. O. Wilson).

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Nelles, William. "1. Historical and Implied Authors and Readers." In Nelles, Frameworks. New York: Peter Lang, 1997. 9-44.*

Nünning, Ansgar. "Renaissance eines anthropomorphisierten Passepartouts oder Nachruf auf ein literaturkritisches Phantom? Überlegungen und Alternativen zum Konzept des 'implied author'" Deutsche Vierteljahrsschrift 67.1 (1993): 1-25.

_____. "Deconstructing and Reconceptualizing the Implied Author. The Implied Author: Still a Subject of Debate." Anglistik 8.2 (September 1997): 95-116.*

Nylander, Lars. "Literature In and Out of Time: Temporality in Theory, Narrative and Authorship." Literature and Psychology: A Journal of Psychoanalytic and Cultural Criticism (Rhode Island College, Providence) 47.4 (2001.4): 1-. In Literature Online.* http://lion.chadwyck.co.uk

         5/7/04

Oates, Joyce Carol. The Faith of A Writer: Life, Craft, Art. Essays. 2003.

Old, Hermon, ed. Writers in Freedom: A Symposium. London: Hutchinson, 1942.

Orwell, George. "Why I Write." 1946. In Orwell, A Collection of Essays. New York: Harcourt, 1953? 309-16.

_____. "Why I Write." 1946. Available at Gutenberg Australia:

http://gutenberg.net.au/ebooks03/0300011h.html#part47

2012

Oudart, Jean-Pierre. "The Absent Field of the Author." In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 261-70.*

Packer, George. "The Struggling Writer: Gissing Had It Right." New York Times Book Review  13 October 1991: 29.

Page, Adrian, ed. The Death of the Author? Modern Drama and Literary Theory. Basingstoke: Macmillan, 1992.

Paraíso, Isabel. Psicoanálisis de la experiencia literaria. Madrid: Cátedra, 1994.*

Pardo Jiménez, Pedro. "El autor en el texto narrativo: una presencia conflictiva." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 113-22.*

Pask, Kevin. The Emergence of the English Author: Scripting the Life of the Poet in Early Modern England. (Cambridge Studies in Renaissance Literature and Culture 12). Cambridge: Cambridge UP, 1996.

Parks, Tim. "The Writer's Job." New York Review of Books Blog 28 Feb. 2012.*

         http://www.nybooks.com/blogs/nyrblog/2012/feb/28/writers-job/

         2012

Paternain Miranda, Beatriz. "Teorías que avalan el concepto del autor en el hipertexto." In Literatura y Multimedia. Ed. J. Romera Castillo et al. Madrid: Visor, 1997. 297-302.*

Pease, Donald E. "Author." In Critical Terms for Literary Study. Ed. Frank Lentricchia and Thomas McLaughlin. Chicago: U of Chicago P, 1990. 105-17.

Pérez-Llantada, Mª Carmen. "Native and Nonnative Speakers Publishing Research Internationally: A Small-scale Study on Authorial (In)Visibility." Journal of Applied Linguistics 5 (2008).

Percy, Walker. The Message in the Bottle. New York: Farrar, 1975. (Literature).

Perl, Sondra, ed. Landmark Essays on Writing Process. (Landmark Essays Series 7). London: Erlbaum-Hermagoras Press, 1994.

Picazo González, María Dolores. "Las marcas enunciativas del yo en el texto." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 165-77.*

Picon, Gaétan. L'Ecrivain et son ombre. Paris: Gallimard.

Plimpton, George, ed. Writers at Work: The Partisan Review Interviews, Second Series. 1963.

_____, ed. Writers at Work, Fourth Series. Harmondsworth: Penguin, 1982.

Pollin, Burton R. "The Word 'Authorial' in Poe's Criticism: History and Implications". Poe Studies 10 (1977): 15-18.

Porter, Katherine Ann. "Notes on Writing." In New Directions 1940. Ed. James Laughlin. New York: New Directions.

Prado Biezma, Javier del. "La muerte del autor: un problema: ¿Qué hacemos con el falso cadáver?" In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 23-47.*

Préneron Vinches, Paula. "Gustave Flaubert ou la disparition d'un auteur coincé entre la censure et l'autocensure." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 267-77.*

Prescott, Sarah. Women, Authority and Literary Culture 1690-1740. Basingstoke: Palgrave Macmillan, 2003.

Quiller-Couch, Arthur. On the Art of Writing. 1916. Cambridge: Cambridge UP, 1920.*

Quirk, Tom. "Authors, Intentions, and Texts." In Quirk, Nothing Abstract: Investigations in the American Literary Imagination. Columbia (MO): U of Missouri P, 2001. 32-49.*

_____. "The Trying Out of Genetic Inquiry." In Quirk, Nothing Abstract: Investigations in the American Literary Imagination. Columbia (MO): U of Missouri P, 2001. 213-19.*

Rabatel, Alain, and F. Grossmann, eds. Figures de l'auteur en didactique. Monograph issue of Lidil no. 35. Grenoble: Université Stendhal-Grenoble 3, 2007.

Raeburn, John. Fame Became of Him: Hemingway as Public Writer. Bloomington: Indiana UP, 1984.*

Raillard, Georges. "Esquisse pour un portrait-robot de l'écrivain du XXe siècle d'après les manuels de littérature." Littérature 7 (October 1972).

Railton, Stephen. Authorship and Audience: Literary Performance in the American Renaissance. Princeton (NJ): Princeton UP, 1991.*

Raleigh, Walter. "On Writing and Composition." In Raleigh, On Writing and Writers. London: Arnold, 1926. 13-34.*

Rank, Otto. Art and Artist: Creative Urge and Personality Development. New York, 1932.

Read, Herbert. The Cult of Sincerity. 1958.

Regás, Rosa. "¿Para quién escribo?" Revista de Occidente 179 (Abril 1996): 125-33.*

Reichler, Claire. La Diabolie: La séduction, la renardie, l'écriture. Paris: Minuit.

Reyes, Alfonso. La experiencia literaria: Ensayos sobre experiencia, exégesis y teoría de la literatura. Barcelona: Bruguera, 1986.*

Rich, Adrienne. "When We Dead Awaken: Writing as Re-Vision." 1972. In Rich, On Lies, Secrets, and Silence. New York, 1979. 33-49.

_____. "When We Dead Awaken: Writing as Re-Vision." 1971. In Gelpi and Gelpi 1975: 90-98.

Richardson, Brian. "7. Implied Authors, Historical Authors, and the Transparent Narration. Toward a new Model of the Narrative Transaction." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 114-33.*

Richmond, Hugh P. "Personal Identity and Literary Personae: A Study in Historical Psychology." PMLA 90 (1975): 209-21.

Risset, Jacqueline. "Questions sur les règles du jeu." (Writing). In Tel Quel: Théorie d'ensemble. Paris: Seuil, 1968. 266-9.

Ruttenburg, Nancy. Democratic Personality: Popular Voice and the Trial of American Authorship. c. 1999.

Sábato, Ernesto. El escritor y sus fantasmas. Barcelona: Seix Barral, 1979.

Saccamaro, Neil. "Authority and Publication: The Works of 'Swift'." The Eighteenth Century 25.3 (1984): 241-62.

Salinero Cascante, Mª Jesús. "Consideraciones sobre el concepto de autoría en la Edad Media: el autor, su presencia y sus límites." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 247-58.*

Sampedro, José Luis, with Olga Lucas. Escribir es vivir. Barcelona: Random House Mondadori, 2005. (From the lectures at the Universidad Menéndez Pelayo, 2003).

Sánchez Ferlosio, Rafael. "La forja de un plumífero." Archipiélago 31 (Winter 1998). In Sánchez Ferlosio, QWERTYUIOP: Ensayos IV - Sobre enseñanza, deportes, televisión, publicidad, trabajo y ocio. Ed. Ignacio Echevarría. Barcelona: Penguin Random House - Debate, 2017. 559-76.*

Sánchez-Pardo González, Esther. "Roland Barthes: Los cuerpos de la escritura." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno and Silvia Caporale. Barcelona: PPU, 1996. 228-43.*

Sartre, Jean-Paul. "Qu'est-ce que la littérature?" In Sartre, Situations, II Paris: Gallimard, 1948. 55-330.

_____. What is Literature? Trans. Bernard Frechtman. New York: Harper, 1949. Trans. of Situations II.

_____. What is Literature? Trans. Bernard Frechtman. London: Methuen, 1950. 1967.

_____. Qué es la literatura? Trans. Aurora Bernárdez. 6th ed. Buenos Aires: Losada, 1976. Trans. of "Qu'est-ce que la littérature?". Situations 2.

_____. ¿Qué es la literatura? . Buenos Aires: Losada, 1976.

_____. From "What Is Literature?" In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.

_____. "Why Write?" In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 371-85.*

_____. "Why Write?" In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.

_____. El escritor y su lenguaje. Buenos Aires: S. A. de Ediciones, 1982.

Saunders, David. Authorship and Copyright. London: Routledge, 1992.

Schabert, Ina. "The Authorial Mind and the Question of Gender." In Telling Stories: Studies in Honour of Ulrich Broich on the Occasion of his 60th Birthday. Ed. Elmar Lehmann and Bernd Lenz. Amsterdam: Grüner, 1992. 312-28.

Schnitker, Jan "'I Write Really for Someone who's Like Myself': An Interview with Alain de Botton." In "Do You Consider Yourself a Postmodern Author?": Interviews with Contemporary English Writers. Ed. Rudolf Freiburg and Jan Schnitker. Münster: Lit Verlag, 1999. 67-84.

Schönert, Jörg. "Author." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 1-13.*

Schonhorn, Manuel. "9. The Writer as Hero from Jonson to Fielding." In Defoe's Footprints: Essays in Honour of Maximillian E. Nowak. Ed. R. M. Maniquis and Carl Fisher. Toronto, 2009. 189-205.* Online at Google Books:

         https://books.google.es/books?id=q-WK2qGTxb4C

         2016

Sell, Roger D. "The Drama of Fictionalized Author and Reader: a Formalist Obstacle to Literary Pragmatics." REAL: Yearbook of Research in English and American Literature 4 (1986): 291‑316. 

Semprún, Jorge. L'Écriture ou la vie. Paris: Gallimard – Jeunesse, 1995.

_____. La escritura o la vida. Trans. Thomas Kauf. Barcelona: Tusquets, 1995.

Schmid, Wolf. "Implied Author." In NarrPort (Forschergruppe Narratologie, Universität Hamburg) 20 Sept. 2006.

         http://www.icn.uni-hamburg.de/index.php?option=com_content&task=view&id=134&Itemid=73

         2006-12-05

Schoenbaum, Samuel. Internal Evidence and Elizabethan Dramatic Authorship: An Essay in Literary History and Method. London: Edward Arnold, 1966

Scholes, Robert, and Nancy Comley. The Practice of Writing. 2nd ed. New York: St Martin's 1986.

Schopenhauer, Arthur. "On Authorship." In Schopenhauer, The Art of Literature. London: Allen, 1891. 1-14.

Scott-James, R. A. The Making of Literature. London, 1936.

Seeger, Giseli. "A presença do autor em Finisterra, de Carlos de Oliveira." Navegaçôes 12.2 (July-Dec. 2019).*

         https://www.academia.edu/42323211/

         2020

Sempere Gongost, José. "El seudónimo en la literatura española." In Estudios literarios dedicados al profesor Mariano Baquero Goyanes. Murcia, 1974. 487-94.*

Senner, W. M., ed. The Origins of Writing. Lincoln: U of Nebraska P, 1989.

_____, ed. Los orígenes de la escritura. México, 1992.

Serafini, Mª Teresa. Cómo se escribe. Barcelona, 1994.

Shaftesbury (Earl of). "Soliloquy, or, Advice to an Author." 1710. In Shaftesbury, Characteristicks. 1727.

Shapiro, Gavriel. "Setting His Myriad Faces in the Text: Nabokov's Authorial Presence Revisited." In Nabokov and His Fiction. Ed. Julian W. Connolly. Cambridge: Cambriddge UP, 1999. 15-35.

Sharples, Mike. How We Write: Writing as Creative Design. London: Routledge, 1998.

Sheavyn (Mrs.). "Authors and Official Censors." In The Literary Profession in the Elizabethan Age.

Shenker, Israel. Words and Their Masters. Interviews. Garden City (NY): Doubleday, 1974.

Sherman, Sandra. "Trembling Texts: Margaret Cavendish and the Dialectic of Authorship." English Literary Renaissance 24 (1994).

Simion, Eugen. The Return of the Author. Evanston (IL): Northwestern UP, 1996.

Simpson, Lewis P. Man of Letters in New England and the South. Baton Rouge: Louisiana State UP, 1973.

Sinfield, Alan. "Poetaster, The Author, and the Perils of Cultural Production." In Sinfield, Shakespeare, Authority, Sexuality: Unfinished Business in Cultural Materialism. London and New York: Routledge, 2006. 40-52.* (Jonson).

Sirvent, Ángeles, Josefina Bueno and Silvia Caporale, eds. Autor y texto: Fragmentos de una presencia. (Papers from the conference "Homenaje a Roland Barthes. Perspectivas a los 25 años de la publicación de 'La Mort de l'Auteur'. Los límites del Yo en el texto"; U de Alicante, 8-10 March 1994). Barcelona: PPU, 1996.*

Solana Vilamón, Andrea. "The Author as Thief and the Thief as Author: The Struggle for Authorship in Peter Carey's Jack Maggs." TFG Dpto. de Filología Inglesa y Alemana, U de Zaragoza, 2016.

Solzhenitsyn, Aleksandr. Les Droits de l`écrivain. (Points). Paris: Seuil.

Sontag, Susan. "The Artist as Exemplary Sufferer." In Sontag, Against Interpretation. 1961. London: Deutsch, 1987. 39-48.*

Spacks, Patricia Meyer. The Female Imagination: A Literary and Psychological Investigation of Women's Writing. London: Allen, 1976.

Sparshott, F. E. "The Case of the Unreliable Author." Philosophy and Literature 10.2 (1986): 145-67.

Stein, Daniel. (Göttingen). "Superhero Comics and the Authorizing Functions of the Comic Book Paratext." In From Comic Strips to Graphic Novels. Ed. Daniel Stein and Jan-Noël Thon. Berlin and Boston: Walter de Gruyter, 2013. 155-89.*

Stein, Gertrude. How to Write.  1931.

Stoll, Pamela. "La relación entre el autor y su lectora en el género de la 'revista femenina'." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 429-34.*

Suárez, Juan A. "La muerte del autor en la literatura de minorías: Roland Barthes y la escritura gay." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 339-50.*

Sukenick, Ronald. "Twelve Digressions Toward a Study of Composition." New Literary History 6 (1975).

Sutherland, John. Literary Lives. Oxford: Oxford UP, 2002.

Taller de guión de Gabriel García Márquez. Cómo se cuenta un cuento. (Biblioteca Gabriel García Márquez). N. p.: Random House Mondadori / RBA Coleccionables, 2004.*

_____. Me alquilo para soñar. 1995. (Biblioteca Gabriel García Márquez). N.p.: Random House Mondadori / RBA Coleccionables, 2004.*

_____. La bendita manía de contar. 1998. Ollero & Ramos, 1998.

_____. La bendita manía de contar. (Biblioteca García Márquez). N.p.: Random House Mondadori / RBA Coleccionables, 2004.*

Tanselle, G. Thomas. "The Editorial Problem of Final Authorial Intention." In Studies in Bibliography. Ed.. Fredson Bowers. Charlottesville: UP of Virginia, for The Bibliographical Society of Virgina, 1976. (Textual editing; Textual criticism; Intention; Author; Copytext; Bibliography; Substantives/accidentals)

Thomas, Francis-Noël. (Truman College, Chicago). The Writer Writing. Foreword by Wayne C. Booth. Princeton (NJ): Princeton UP, 1992.*

Turner, Barry "How to Make a Living while Trying to Establish Yourself as an Author." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.

_____. "The State of the Market and How to Get Published." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.

_____, ed. The Writer's Handbook 2009. Foreword by Ion Trewin. Houndmills: Palgrave Macmillan, 2009. (Publishers, magazines, literary agents, newspapers, broadcasting, theatre producers, writers' courses, fellowships, societies, services, libraries, press cutting agencies, consultants, festivals, prizes….)

Turner, Cheryl. Living by the Pen: Women Writers in the Eighteenth Century. London: Routledge, 1994.

Unamuno, Miguel de. Alrededor del estilo. Ed. Laureano Robles. (Biblioteca Unamuno, 20). Salamanca: Ediciones Universidad de Salamanca, 1998.*

Updike, John. "On Meeting Writers." In Updike, Picked-up Pieces. Greenwich (CT): Fawcett, 1966.

Valente, José Ángel. "La formación del escritor como profesional." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1036-48.* (I. La educación humanística y el sentido de la tradición. II. Tradición e imitación).

_____. "Obra, autor, y público." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1279.*

_____. "La escritura y el cuerpo." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1575-76.*

Vargas Llosa, Mario. A Writer's Reality. 1991. (Lectures at Syracuse U).

Vessillier-Ressi, Michèle. Le Métier d'auteur. Paris: Dunod, 1982.

Viala, Alain. Naissance de l'écrivain. Paris: Minuit, 1985.

Vicente Gómez, Francisco. "El concepto de 'autor' en Mijail Bajtín." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 218-28.*

Vidal, Gore. "Cómo hago lo que hago. Pero no por qué." In Vidal, Ensayos 1982-1988. Barcelona: Edhasa, 1991. 344-65.

Vinogradov, Viktor. (Das Problem des Autorbildes in der Literatur.)

Walker, Cheryl. "Persona Criticism and the Death of the Author." In Contesting the Subject: Essays in the Postmodern Theory and Practice of Biography and Biographical Criticism. Ed. William Epstein. West Lafayette: Purdue UP, 1991. 109-21.

Walker, Jill. "The Peril of Fiction." jill/txt (on Author function)

         http://huminf.uib.no/~jill/talks/Nov04-perils-of-fiction.htm

         2005-04-28

Waller, Philip. Writers, Readers, & Reputations: Literary Life in Britain 1870-1918. 2006.

Wandor, Michelene, ed. On Gender and Writing. London: Pandora, 1983.

Warneker, B. J. "Abriss einer Analyse literarischer Produktion." Das Argument 72 (1972): 27-232.

Watson, Nicholas. Richard Rolle and the Invention of Authority. (Cambridge Studies in Medieval Literature, 13). Cambridge: Cambridge UP,  1991.

Weber, Jean-Paul. Genèse de l'œuvre poétique. Paris: Gallimard, 1960.

Weimann, Robert. "Text, Author-Function and Society: Toward a Sociology of Representation and Appropriation in Modern Narrative." In Literary Theory Today. Ed. Peter Collier and Helga Geyer-Ryan. Ithaca: Cornell UP, 1990.

Welty, Eudora. "One Writer's Beginnings." 1983. From One Writer's Beginnings.  1984. In The Norton Reader. 8th ed. New York: Norton, 1992. 648-54.

West, Rebecca. That Strange Necessity. 1928.

Weston, Carol. "Finding Your Voice." In Con/Texts of Persuasion. Ed. Beatriz Penas et al. Kassel: Edition Reichenberger, 2011. 1-14.*

Williams, Raymond. "The Multiplicity of Writing." In Debating Texts. Ed. Rick Rylance. 217-21. Fom Marxism and Literature.

Wilson, Edmund. The Wound and the Bow. 1941.

Wimsatt, W. K., Jr., and Monroe C. Beardsley.  "The Intentional Fallacy." Sewanee Review 54 (Summer 1946). Rev. version in Wimsatt, The Verbal Icon. 3-20.

_____. "The Affective Fallacy." Sewanee Review 57 (Winter 1949). Rev. version in Wimsatt, The Verbal Icon. 1954. New York: Noonday, 1958. 21-40.

Wittkamp, Robert F. "Writing and Reflections on Fictionality in Old Japanese Literature." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 108-22.*

         https://doi.org/10.1515/9783110722031-008

         2021

Woodmansee, Martha, and Peter Jaszi, eds. The Construction of Authorship: Textual Appropriation in Law and Literature.

Woolf, Virginia. "The Patron and the Crocus." (Writing). Nation and Athenaeum 12 April 1924. Rev. version in The Common Reader. Rpt. in Woolf, A Woman's Essays. London: Penguin, 1992. 65-8.

_____. "The Leaning Tower." (Writing). Folios of New Writing (Autumn 1940). Rpt. in Woolf, A Woman's Essays. London: Penguin, 1992. 159-78.

The Writer's Dilemma. Ed. The Times. London: Oxford UP, 1961.

Zambrano, María. "Por qué se escribe." Revista de Occidente 146-7 (1993): 83-90.*

_____. "Por qué se escribe." In Zambrano, Hacia un saber sobre el alma. Barcelona: Planeta DeAgostini, 2011. 31-38.*

Zeller, Hans. "A New Approach to the Critical Constitution of Literary Texts." Studies in Bibliography 28 (1975): 231-63.

_____."A New Approach to the Critical Constitution of Literary Texts." In Studies in Bibliography. Ed. Fredson Bowers. Charlottesville: Bibliographical Society of the University of Virginia / Virginia UP, 1975) (Textual editing; Textual criticism; Copytext; Author; Intention; Bibliography).

 

 

 

Anthologies

 

Brown, Rollo Walter, ed. The Writer's Art: By Those Who Have Practiced It.  Cambridge (MA): Harvard UP, 1921.*

Caughie, John, ed. Theories of Authorship: A Reader. London: Routledge, 1981.* (Film authorship).

Robertson, Robin, ed. Hontes: Confessions impudiques mises en scène par les auteurs. Joëlle Lossfeld, c. 2006.

 

 

 

 

 

Audio

 

 

Carrère, Emmanuel. "Emmanuel Carrère: Le parcours d'écriture 1/5 (Hors-Champ)." Interview by Laure Adler at France Culture. YouTube (Le Sémaphore) 8 Nov. 2014.*

         https://youtu.be/6EjVBQ1zjq4

         2018

 

Cercas, Javier. "Novela y ficción." Online audio. Lecture at Fundación Juan March 22 Oct. 2013.*

         http://www.march.es/conferencias/anteriores/voz.aspx?p1=22968

         2017

 

Marías, Javier. "La pérdida paulatina de la irresponsabilidad." Lecture at Fundación Juan March 30 Sept. 2008.*

         http://www.march.es/conferencias/anteriores/voz.aspx?id=2538

         2012

 

Woolf, Virginia. "Craftmanship." Radio talk, 9 April 1937. Online selection ("Rare Recording of Virginia Woolf").*

         http://www.bbc.com/news/entertainment-arts-28231055

         2016

 

 

 

 

Blogs

 

 

The Narrator. Blog of the New York Writers' Coalition.

         http://narrator.nywriterscoalition.org/

         2012

 

Writer Unboxed

         http://writerunboxed.com/

         2013

 

 

 

 

 

Dictionaries

 

 

Cousin, John William. A Short Biographical Dictionary of English Literature. London: Dent; New York: Dutton, 1910. Online at Wikisource:

         http://en.wikisource.org/wiki/A_Short_Biographical_Dictionary_of_English_Literature

         2010

Cox, Michael. Who Wrote What? A Dictionary of Writers and Their Works. Oxford: Oxford UP, 2002.

 

 

 

 

Films

 

 

Dans la maison. Dir. François Ozon. Screenplay by Juan Mayorga and François Ozon. Fabrice Luchini (Germain), Ernst Umhauer(Claude), Kristin Scott Thomas (Jeanne), Emmanuelle Seigner (Esther), Denis Ménochet (Rapha père), Bastien Ughetto (Rapha fils), Jean-François Balmer (directeur), Yolande Moreau (jumelles). France, 2012.*

Lila, Lila. Dir. Alain Gsponer. Written by Alex Buresch, based on the novel by Martin Suter. Cast: Daniel Brühl, Hannah Herzsprung, Henry Hübchen. Germany, 2009.*

Martin Eden. Dir. Pietro Marcello. Based on Jack London's novel. Cast: Luca Marinelli, Carlo Cecchi, Jessica Cressy, Denise Sardisco, Vincenzo Nemolato, Carmen Pommella, Autilia Ranieri, Marco Leonardi, Savino Paparella, Elisabetta Valgoi, Pietro Ragusa, Giustiniano Alpi, Anna Patierno, Vincenza Modica, Gaetano Bruno. Italy/France, 2019.*

http://redaragon.elperiodicodearagon.com/ocio/cine/pelicula.asp?id=35560#trailer

         2020

"Michel Chaillou - Le métier de la langue - Entretien sur l’écriture." Interview by Renate Lance-Otterbein.  Film by Pierre Samson. Prod. La Maison des Écrivains - ITEM/CNRS. (Voix des Écrivains). Video. YouTube (Michele Chaillou) 13 Nov. 2017.*

         https://youtu.be/8z95KbM40Js

         2022

The Prize. Dir. Mark Robson. Written by Ernest Lehman, based on the novel by Irving Wallace. Cast: Paul Newman, Elke Sommer, Edward G. Robinson, Diane Baker, Micheline Presele, Gerard Oury, Sergio Fantoni. Prod. Pandro S. Berman. USA: Metro Goldwyn Mayer, 1963. (Nobel Prize and spies).

 

 

 

Internet resources

 

 

 

Author Tracker

         http://www.AuthorTracker.co.uk

         2019

 

Une Vie, une Œuvre (France Culture).*

         https://www.youtube.com/playlist?list=PLagEsBu5pFhGf8L4FlFS1sYW93xRMYdLo

         2021

 

 

 

 

 

 

Journals

 

 

Scripsi 3.2-3 (1985).

 

 

 

 

 

 

 

 

Literature

 

 

Barber, Mary. "To a Lady, who commanded me to send her an Account in Verse, how I succeeded in my Subscription." In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015. 324-28.*

Boileau-Despréaux, Nicolas. Le Lutrin.  Satire. 1674.

_____. (Lutrin). English trans. Nicholas Rowe. 1708.

Chamadoira, Fátima. Una obra maestra. Novel. (Miscelánea). Barcelona: Carena, 2017.*

Chekhov, Anton. (Antón P. Chéjov). "Consejos para autores noveles." 1885. In Chéjov, Cuentos completos (1880-1885). Ed. Paul Viejo. 3rd ed. Madrid: Páginas de Espuma, 2014. 1045-48.*

Coppard, A. E. "Fifty Pounds." In The Oxford Book of English Love Stories. Ed. John Sutherland. Oxford: Oxford UP, 1997. 201-15.*

Dicker, Joël. La Vérité sur l'Affaire Harry Quebert. Novel. Paris: Ed. de Fallois / L'Âge d'Homme, 2012.* (Prix Goncourt des Lycéens, Grand Prix de roman de l'Académie Française, Prix Lire au meilleur roman en langue française).

_____. La verdad sobre el caso Harry Quebert. Trans. Juan Carlos Durán Romero. Madrid: Prisa-Alfaguara, 2013.*

Fitzgerald, F. Scott. "Afternoon of an Author." 1937.

_____. "La tarde de un autor." In Fitzgerald, El curioso caso de Benjamin Button. Trans. Carlos Milla Soler. Barcelona: Lumen, 2009. 257-65.*

Galsworthy, John. "El escritor." La hora XXV 12 (1958): 45-48, 51-52.*

Goldsmith, Oliver. "Description of an Author's Bedchamber." Poem.

Heywood, Thomas. "The Author to his Booke." From An Apology for Actors, 1612. In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 182-3.*

Horace. "Exegi monumentum aere perennium."

_____. "This Monument Will Outlast"—from Horace. Trans. Ezra Pound. In The Translations of Ezra Pound. London: Faber and Faber, 1970. 407.*

Jaramillo Agudelo, Darío. La voz interior. Novel. Valencia: Pre-Textos, 2006.*

James, Henry. "The Lesson of the Master." In James, Complete Stories 1884-1891. (The Library of America). New York: Literary Classics of the United States, 1999. 544-606.*

_____. Stories of Writers and Artists. Ed. F. O. Matthiessen. 1943.

_____. "The Author of Beltraffio." Story. English Illustrated Magazine (June/July 1884).

_____. "The Author of Beltraffio." New York ed. Rpt. in The Figure in the Carpet and Other Stories. Ed. Frank Kermode. Harmondsworth: Penguin, 1986. 57-112.*

_____. "The Author of 'Beltraffio'." In James, Complete Stories (II) 1874-1884. (The Library of America). New York: Literary Classics of the United States, c. 1999.

_____. The Figure in the Carpet and Other Stories. Introd. Frank Kermode. Harmondsworth: Penguin, 1986.

Johnson, Pamela Hansford. The Unspeakable Skipton. 1959. ("Dorothy Merlin" trilogy, satire on literary life).

_____. Night and Silence, Who Is Here. Novel. 1962. ("Dorothy Merlin" trilogy).

_____. Cork Street, Next to the Hatter's. Novel. 1965. ("Dorothy Merlin" trilogy).

Jonson, Ben. "To My Book." From Epigrams. 1616. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. Vol. 1.*

Jonson, Ben. "Ode to Himself." 1631, 1640-41. 

_____. "Ode (To Himself)." The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. 179-180.

_____. "An Ode to Himself." In The Songs and Poems of Ben Jonson. London: Philip Allan & Co., 1924. 59-60.

_____. "Ode to Himself." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1416-18.*

_____. "An Ode to Himself." Luminarium

         http://www.luminarium.org/sevenlit/jonson/odetohimself.htm

         2012

Lago, Eduardo. Llámame Brooklyn. Novel. (Áncora y Delfín, 1050). Barcelona: Destino, 2006.* (Premio Nadal 2006).

Lodge, David. Author, Author: A Novel. London: Random House-Secker & Warburg, 2004.*

London, Jack. Martin Eden. Novel. 1908.

_____. Martin Eden. Editions Phébus, 2001.

_____. Martin Eden. Spanish trans. Ediciones de Bolsillo.

McEwan, Ian. Sweet Tooth. Novel. London: Jonathan Cape, 2012.

_____. Sweet Tooth. London: Random House-Vintage, 2013.*

_____. Operación Dulce. (Panorama de Narrativas, 844). Barcelona: Anagrama.

Nabokov, Vladimir. "A Forgotten Poet." Story (English). Atlantic Monthly (1944). Rpt. In "Nine Stories" and Nabokov's Dozen.*

_____. "A Forgotten Poet." In The Stories of Vladimir Nabokov. London: Weidenfeld and Nicolson, 1996. 569-79.*

Pitol, Sergio. Domar a la divina garza. Novel. In Pitol, Obras reunidas. México: FCE, 2003.

Pope, Alexander. The Dunciad. books I-III. 1728.

_____. The New Dunciad. (Book 4). 1742.

_____. The Dunciad in Four Books. (With Cibber as hero). 1743.

_____. The Dunciad Variorum. Facsimile ed. Robert K. Root. Princeton, 1929.

_____. The Dunciad. Electronic edition. 18th-century Studies Group, CMU. http://eserver.org/18th/

Sartre, Jean-Paul. Les Mots. Autobiography. Paris, 1964.

_____. Les Mots. Ed. David Nott. London: Routledge, 1981.

_____. The Words. Trans. Irène Cleophane. London, 1964.

_____. The Words. New York: Vintage, 1981.

_____. Las palabras. Trans. Javier Albiñana. Introd. Celia Amorós. (Biblioteca Universal; Ensayo Contemporáneo). Barcelona: Círculo de Lectores, 1999.*

Valle-Inclán, Ramón María del. Luces de Bohemia. Drama.

_____. Luces de Bohemia. Ed. Francisco Caudet. (Letras Hispánicas). Madrid: Cátedra, 2017.

Wilbur, Richard. "The Writer." Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 822-23.*

Winterson, Jeanette. The.PowerBook. Fiction. London: Jonathan Cape, 2000.*

 

 

 

Music

 

Belle and Sebastian. Storytelling. CD. UK: Jeepster Recordings, 2002.*

 

 

 

Series

 

 

(Blackwell Critical Biographies). Oxford: Blackwell, c. 2004.

 

(Dictionary of Literary Biography, 286). Detroit: Gale, 2003.

 

(Ecrivains de toujours). Paris: Seuil,  c.1975.*

 

(Literary Lives). Houndmills: Macmillan, c. 2000.

 

(Présence Littéraire - Univers des Lettres, 804). Paris and Montréal: Bordas, 1972.*

 

(Profiles in Literature). London: Routledge and Kegan Paul, c. 1968.*

 

(Western Writers Series, 158). Boise (Idaho): Boise State UP, 2003.

 

 

 

Societies

 

International Confederation of Societies of Authors and Composers

www.cisac.org

 

 

 

 

 

 

Video

 

 

Cercas, Javier. "En el corazón de toda novela hay una pregunta." Video. Lecture at Fundación Juan March 24 Oct. 2013.*

         http://www.march.es/videos/?p0=420&l=1

         2017

 

Ferrer, Daniel. "Narratologie - Accident et (récit de)." Video lecture. YouTube (CRAL) 17 March 2020.* (Intention, authorship, textual scholarship, accidents, writing).

https://youtu.be/qVwLYB2k6Ww

         2020

 

Houellebecq, Michel. "Le livre ou la vie." Interview by Agathe Novak-Lechevalier. Seminar on Michel Houellebecq, 2 Dec. 2021. YouTube (Faculté des Lettres de Sorbonne Université) 10 Dec. 2021.*

https://youtu.be/a6LPvPFHqfY

         2021

 

Ishiguro, Kazuo. "Nobel Lecture: Kazuo Ishiguro, Nobel Prize in Literature 2017." YouTube (Nobel Prize) 7 Dec. 2017.*

         https://youtu.be/ZW_5Y6ekUEw

         2018

 

Marías, Javier. "Discurso de ingreso en la RAE de Javier Marías ('Sobre la dificultad de contar')." Inaugural discourse at the Real Academia Española, 27 April 2008. Online video. YouTube (Canal de RAEinforma) 20 April 2013.*

         http://youtu.be/6yuOZ1Rbb7Q

         2014

 

Matheus López, Carlos. "Literatura, Espiritualidad y Pandemia - Primera Parte." Video interview with Fernando Sánchez Dragó. YouTube (Carlos Matheus López) 11 July 2020.*

https://youtu.be/hEZ1Vxa_7wI

         2020

 

 

 

 

See also Writing (Written language).

 

 

 

 

Revising

 

Litt, Toby. "The Curse of the Cursor." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 45-46.* (Word processing).

 

 

 

Video

 

 

Ferrer, Daniel. "Narratologie - Accident et (récit de)." Video lecture. YouTube (CRAL) 17 March 2020.* (Intention, authorship, textual scholarship, accidents, writing).

https://youtu.be/qVwLYB2k6Ww

         2020

 

 

 

 

 

 

 

Author's rights  / Royalties

 

 

 

Durham, Alan L. "Copyright and Information Theory: Toward an Alternative Model of Authorship." BYU Law Review, 2004. Available at Social Science Research Network.*

https://ssrn.com/abstract=487562

         2020

Flood, Alison. "Authors to Earn Royalties on Secondhand Books for First Time." The Guardian 1 June 2021.*

         https://www.theguardian.com/books/2021/jun/01/authors-to-earn-royalties-on-secondhand-books-for-first-time

         2021

 

 

 

Intenet resources

 

"Author's Rights" In Wikipedia: The Free Encyclopedia.

         http://en.wikipedia.org/wiki/Authors%27_rights

         2008

 

 

 

See also Copyright.

 

 

 

 

 

Writer's Block

 

Losada Goya, José Manuel. "El drama de la impotencia creadora." Cuadernos de Investigación Filológica 21-22 (1995-1996): 7-27.*

Martín Gaite, Carmen. "Ponerse a escribir." Diario 16 21 Feb. 1977. Rpt. in Martín Gaite, Tirando del hilo (artículos 1949-2000). Ed. José Teruel. Madrid: Siruela, 2006. 77-78.*

Molina Martínez, Julián. La creación imposible: Poética de las ficciones sobre el fracaso artístico desde la modernidad. MA diss. U Pompeu Fabra, 2011. Online at e-Repositori UPF.*

         http://hdl.handle.net/10230/12806

         2014

 

 

Films

 

 

Stuck in Love. Dir. Josh Boone. Cast: Greg Kinnear, Jennifer Connelly, Lily Collins, Nat Wolff, Kristen Bell, Logan Leman, Liana Liberato. Music by Mike Mogis and Nate Walcott. Cinemat. Tim Orr. Ed. Robb Sullivan. Prod. Judy Cairo. USA, 2012.* (Spanish title: Un invierno en la playa). IMDb: http://www.imdb.com/title/tt2205697/

         2015

 

 

Literature

 

Barthelme, Donald. "The Dolt." Story. In Barthelme, Unspeakable Practices, Unnatural Acts. New York: Farrar, Straus and Giroux, 1968.

_____. "The Dolt." In Barthelme, Sixty Stories. New York: Penguin, 1993. 91-96.*

Lowry, Malcolm. Dark as the Grave Wherein My Friend Is Laid. Unfinished, ed. Margery Bonner Lowry and Douglas Day. Harmondsworth: Penguin. (Alcoholism, writer's block).

_____. Oscuro como la tumba en la que yace mi amigo. (Andanzas, 329). Barcelona: Tusquets.

Morgan, Edwin. "Out of the Cage." Poem.

Sidney, Philip (Sir). Astrophil and Stella. (Sonnet 1).

 

 

 

 

 

Societies and Institutions

 

 

SADE, Sociedad Argentina de Escritores

 

 

 

 

 

 

 

Video

 

 

Goytisolo, Juan. "Pájaro que ensucia su propio nido. Sobre el papel del escritor." Lecture at Monterrey, Mexico, 21 Nov. 2000. YouTube (Cátedra Alfonso Reyes) 3 Dec. 2013.*

         https://youtu.be/3MzRJy9GLGU

         2017

 

Heinich, Nathalie. "La question de l'écriture en sciences sociales." Video, lecture at the Centre George Simmel. 13 June 2017. YouTube (CRAL) 21 Nov. 2017.*

         https://youtu.be/kqjT2vmG5XM

         2018

 

Montero, Rosa. "Contra la muerte." Spinoza lecture at Amsterdam, 2013. Video: YouTube (Producciones Media Naranja) 18 Oct. 2013.*

         https://youtu.be/Bk2nU0jpUFo

         2016

 

Sánchez Dragó, Fernando. "#96 | Fernando Sánchez Dragó sobre Escritura, Longevidad y Libertad." Video interview. YouTube (Spanish Libertarian) 4 July 2019.*

https://youtu.be/6gn_wU1Z-00

         2019

 

Vargas Llosa, Mario. "The Time of the Hero." Video. (Berlin Family Lectures, U of Chicago). YouTube (UChicago Division of the Humanities) 27 April 2017.*

         https://youtu.be/jNEg19C9lMY

         2017