from
A Bibliography of Literary Theory, Criticism and
Philology
http://bit.ly/abibliog
by José
Ángel García Landa
(University of Zaragoza, Spain)
Parody
Abastado, Claude. "Situation de la
parodie." Cahiers du XXe siècle (1976).
Adair,
Gilbert. "Lookalikes." In Adair, The
Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 91-94.*
(Parody).
Axelrod,
Max. "The Poetics of (P)ostmode(r)n(e) Parody in Austen's Northanger Abbey." In Axelrod, The Poetics of Novels: Fiction and Its
Execution. Houndmills: Macmillan, 1999. Rpt. Palgrave, c. 2001.
28-54.*
Ballesteros
González, Antonio. "Digression and Intertextual Parody in Nashe, Sterne
and Joyce." In Laurence Sterne in
Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd.
Amsterdam: Rodopi, 1996. 55-64.*
Behrens, R. R. "Making History: The Art of
Mock-Documentation." North American
Review (March 1982): 37-40.
Ben Porat, Z. "Method in Madness: Notes on the Structure of
Parody, Based on Mad TV Satires."
Poetics Today 1 (1979): 1-2: 245-72.
Bennett,
David. "Parody, Postmodernism, and the Politics of Reading." Critical Quarterly 27.4 (Winter 1985):
27-43.
Bonheim,
Helmut. Literary Systematics.
Cambridge: Brewer, 1990.*
Broich, Ulrich. The Eighteenth-Century
Mock-Heroic Poem. Trans. David Henry Wilson. (European Studies in English
Literature). 1990.
Browne,
Thomas (Sir). "Upon Reading Hudibras." In The Works of Sir Thomas Browne. Ed.
Charles Sayle. Edinburgh: John Grant, 1927. 3.438.*
Crespo Matellán, Salvador. "De Juan José a Pepito: Parodia, Metateatro e Intertextualidad." In Teoría y análisis de los discursos
literarios: Estudios en homenaje al profesor Ricardo Senabre Sempere. Ed.
S. Crespo et al. Salamanca: U de Extremadura / Ediciones U de Salamanca, 2009.
85-93.* (Joaquín Dicenta; Celso Lucio and Antonio Palomero).
Culler, Jonathan. "On Parody." 1975. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 75-77.*
Delapierre, Octave. Essai sur la parodie chez les Grecs, les Romains et les modernes. Londres, 1870.
Deleyto,
Celestino. "'It's a Strange World': The Use of Parody in Blue Velvet." Actas del XV Congreso de
AEDEAN. Logroño: Colegio Universitario de La
Rioja, 1993. 445-53.*
Dentith,
Simon. Parody. (The New Critical
Idiom). London: Routledge, 2000.*
Díaz Bild,
Aída. "Intertextualidad y parodia en Nice Work, de David Lodge." Atlantis 13
(1991): 143-58.
Duisit, L. Satire, Parodie, Calembour. Stanford UP,
1978.
Ermath,
Elizabeth Deeds. "Parody as a Practice for Postmodernity." In Recent Trends in Narratological Research.
Ed. John Pier. (GRAAT 21). Tours: Groupes de
Recherches Anglo-Américaines de l'Université François Rabelais de Tours, 1999.
177-90.*
Fernández Delgado,
José Antonio, and Francisca Pordomingo. "La párodos de Nubes: ¿Lírica seria, lírica hueca o
parodia lírica?" In Mvnvs qvaesitvm
meritis: Homenaje a Carmen Codoñer. Ed. Gregorio Hinojo Andrés and José
Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 2007. 321-35.*
Fineman,
Daniel D. "The Parodic and Production: Criticism and Labor." Minnesota Review 18 (Spring 1982).
Frosch,
Thomas R. "Parody and Authenticity in Lolita."
In Nabokov's Fifth Arc: Nabokov and
Others on His Life's Work. Ed. J. E. Rivers and Charles Nicol. Austin: U of
Texas P, 1982. 171-87.*
Galván, Fernando, Aída Díaz Bild, Tomás
Monterrey and Manuel Brito. Ensayos sobre
metaficción inglesa. Universidad de La Laguna: Secretariado de
Publicaciones, 1994.
Gates, Henry Louis, Jr. "The 'Blackness of Blackness':
A Critique of the Sign and the Signifying Monkey." Critical Inquiry 9 (June 1983): 685-723.
_____.
"The Blackness of Blackness: A Critique of the Sign and the Signifying
Monkey." In Literary Theory: An
Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell,
2004.
_____. The Signifying Monkey: A Theory of
Afro-American Literary Criticism. New York: Oxford UP, 1990.*
Genette,
Gérard. Palimpsestes: la littérature au
second degré. Paris: Seuil, 1982.
_____. Palimpsestos: La literatura en segundo grado. Trans. Celia
Fernández Prieto. Madrid: Taurus, 1989.
_____. Palimpsests: Literature in the Second
Degree. Trans. Channa Newman and Claude Doubinsky. Nebraska UP, 1997.
Goulimari, Pelagia. "12. Poststructuralist
Deviations: Mimicry, Resignification, Contrapuntal Reading, the Subaltern,
Signifyin(g), Hybridity." In
Goulimari, Literary Criticism and Theory:
From Plato to Postcolonialism. London and New York: Routledge, 2015.
310-39.*
Hempel,
Wido. "Parodie, Travesti, und Pastiche." Germanische Romanische Monatschrift (1965).
Hutcheon, Linda. "Ironie et parodie: stratégie et structure." Poétique 36 (1978): 467-77.
_____.
"Parody without Ridicule: Observations on Modern Literary Parody." Canadian Review of Contemporary Literature
5.2 (1978): 201-11.
_____. "Ironie, satire, parodie: une approche pragmatique de
l'ironie." Poétique 46 (1981):
140-55.
_____. A
Theory of Parody: The Teachings of 20th-Century Art Forms. London:
Routledge, 1985.
_____. Uma teoria da parodia. Lisbon: Ediçoes,
1990.
_____.
"The Politics of Postmodern Parody." In Intertextuality. Ed. Heinrich F. Plett. Berlin: de Gruyter, 1991.
225-36.*
Idt, G.
"La parodie: rhétorique ou lecture?" In Idt, Le Discours et le Sujet. Nanterre, 1972-3.
Kiremidjian,
G. D. "The Aesthetics of Parody." Journal
of Aesthetics and Art Criticism 18 (1969).
Kohler,
Herman. "Die Parodie." Glotta
35 (1956).
Kuester,
Martin. Framing Truths: Parodic
Structures in Contemporary English-Canadian Historical Novels. Toronto: U
of Toronto P, 1992.*
L'immagine riflessiva. Special issue on parody, 1992.
Lyons, Beauvais. "The Art of the Trickster." Archaeology 47.2 (1994): 72. (Parody,
hoax).
Markiewicz,
H. "On the Definition of Literary Parody." In To Honor R. Jakobson. The
Hague: Mouton, 1967.
Mitchell-Kernan, C. "Signifying." In Mother Wit from the Laughing Barrell: Readings in the Interpretation of
Afro-American Folklore. Englewood Hills (NJ): Prentice-Hall, 1973.
Novak,
Maximillian E. "Defoe's Shortest Way
with the Dissenters: Hoax, Parody, Paradox, Fiction, Irony, and
Satire." Modern Language Quarterly
27 (1966): 402-17.
Petr, Pavel, David Roberts and Philip Thomson, eds. Comic Relations: Studies in the Comic, Satire and Parody. (ASPACLS
Conference Nov. 26-28, "Satire and Modes of the Comic") Frankfurt
a/M: Peter Lang, 1985.*
Petrina, Alessandra, and Mario
Melchionda, eds. Moderni: L'eroe tra
apoteosi e parodia. Padova:
Unipress, 2002.
Poirier, Richard. "The Politics of Self-Parody." In Critical Essays on Jorge Luis Borges.
Ed. Jaime Alazraki. Boston: G. K. Hall, 1987.
Postmodern Parody. EJES
3.2 (1999).
Pottle,
Russ. "The Monkey Before The Whale: 'Signifyin(g)' and Melville's Mardi." Journal of Narrative Technique 23.3 (1993): 136-153.**
Ramos Ramos, Mª del Rocío. "La
parodia romántica: parodiando a los románticos o los románticos parodian."
2003. In Actas del XXVII Congreso Internacional de
AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro
Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa
(Universidad de Salamanca) / Asociación Española de Estudios
Anglo-Norteamericanos, 2004.*
Rose,
Margaret A. Parody / Meta-Fiction: An
Analysis of Parody as a Critical Mirror to the Writing and Reception of
Fiction. London: Croom Helm, 1979.*
_____. Parody: Ancient, Modern, and Post-Modern.
Cambridge: Cambridge UP, 1993.*
Sánchez Salor, Eustaquio. "Parodia
gramatical en la poesía de goliardos del siglo XII." In Otivm cvm dignitate: Estudios en homenaje al
profesor José Javier Iso Echegoyen. Ed. J. A. Beltrán et al. (Monografías
de Filología Latina, 16). Zaragoza: Universidad de Zaragoza, 2013. 597-608.*
(Peter of Blois, Walter de Châtillon).
Stuart,
Dabney. Nabokov: The Dimensions of
Parody. Baton Rouge: Louisiana State UP, 1978.
Tutt, Ralph. "Stingo's Complaint: Styron
and the Politics of Self-Parody." Modern
Fiction Studies 34.4 (Winter 1988): 575-86.
Tynianov,
Iuri. "Destruction, parodie." 1919. Change 2 (1969).
_____.
"Tesis sobre la parodia." In Antología del formalismo ruso y el grupo de
Bajtin. Ed. Emil Volek. Madrid: Fundamentos, 1992. 169-70.*
_____. Dostoevskii i Gogol': k teorii parodii. Petrograd, 1921.
_____.
"Dostoevskij und Gogol (Zur Theorie der Parodie)." In Russischer Formalismus. Ed. and trans.
Jurij Striedter. Munich: Fink, 1971. 301-71.
Walsh, John K. "Juan Ruiz and the Mester de Clerezía: Lost Context and
Lost Parody in the Libro de Buen
Amor." Romance Philology 33 (1979-80): 62-86.
_____. "Juan Ruiz y el 'Mester de
Clerezía'." From Walsh, "Juan Ruiz and the Mester de Clerezía: Lost Context and Lost Parody in the Libro de Buen Amor," Romance Philology
33 (1979-80): 62-86. In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura
Española, gen. ed. Francisco
Rico. Barcelona: Crítica, 1991. 198-203.*
Waugh,
Patricia. "Literary Evolution: The Place of Parody." In Waugh, Metafiction: The Theory and Practice of
Self-Conscious Fiction. London: Routledge, 1984. 63-86.*
White,
Edmund. "Nabokov: Beyond Parody." In The Achievements of Vladimir Nabokov: Essays, Studies, Reminiscences
and Stories. Ed. George Gibian and Stephen Jan Parker. Ithaca: Cornell
University Center for International Studies, 1984. 5-28.*
Bibliography
García Landa, José Angel.
"Parody." From A Bibliography
of Literary Theory, Criticism and Philology. Online
at eBookBrowse 11 Dec 2010.*
http://ebookbrowsee.net/parody-doc-d24078167
2014
