from
A Bibliography of Literary Theory, Criticism and Philology
http://bit.ly/abibliog
by José Ángel García Landa
(University
of Zaragoza, Spain)
Creation,
Imagination
General
Early works
Creativity
Creativity (in art)
Creativity (in language). Linguistics. Other linguistic categories.
Miscellaneous
General
Abrams, M.
H. The Mirror and the Lamp: Romantic
Theory and the Critical Tradition. 1953. Oxford: Oxford UP, 1971.*
Aladro
Vico, Eva. (Chair of Information Theory, U Complutense, Madrid). "¿Qué hacen los artistas cuando crean?" The Conversation 27 Sept. 2022.*
https://theconversation.com/que-hacen-los-artistas-cuando-crean-190676
2022
Alter,
Robert. "A Readiness to Be Surprised: The Recovery of Open-Mindedness and
the Revival of the Literary Imagination." Presidential Address to the
Association of Literary Scholars and Critics, November 1997. TLS 23 Jan. 1998: 15-16.*
Aparicio Maydeu, Javier. La
imaginación es una jaula: Razones y estrategias de la creación coartada.
Madrid: Cátedra. (El Artista en sus
Laberintos).
_____. El artista en sus laberintos:
Una tetralogía de la creación contemporánea.
Arieti,
Silvano. Creativity: The Magic Synthesis.
Attridge,
Derek. The Singularity of Literature.
London: Routledge, 2004.
Barth,
Robert. The Symbolic Imagination. Princeton:
Princeton UP, 1977.
Beaugrande,
Robert de. "Toward a General Theory of Creativity." Poetics 8 (1979): 269-306.
Beltrán Almería, Luis.
"Ontología, teoría de la imaginación e historia literaria." Rilce 31.2 (Jul.-Dec. 2015).*
https://www.academia.edu/10071395/Ontolog%C3%ADa_teor%C3%ADa_de_la_imaginaci%C3%B3n_e_historia_literaria
2015
Benet, J. La inspiración y el estilo. Barcelona: Seix Barral, 1973.
Biedma, José. El poder de la imaginación y la fecundidad del entendimiento en el Examen de Ingenios para las ciencias de
Juan Huarte de San Juan (Sobre el origen hispano de la filosofía moderna). Online ed. in Biedma, Renacimiento Español.
http://cibernous.com/autores/biedma/teoria/filrenac/huarte.htm2017
2017
Carey, J.
(On Marvell's imagination). In Approaches
to Marvell: The York Tercentenary Lectures. Ed. C. A. Patrides. London,
1978.
Casey,
Edward S. Imagining: A Phenomenological
Study. Bloomington: Indiana UP, 1976. 2000.*
Castoriadis,
Cornelius. "The Discovery of the Imagination." In Castoriadis, World in Fragments: Writings on Politics,
Society, Psychoanalysis, and the Imagination. Introd. and trans. David Ames
Curtis. (Meridian: Crossing Aesthetics). Stanford, CA: Stanford University
Press, 1997. 213-45.
_____. (On Kant on imagination). In
Castoriadis, Philosophy, Politics,
Autonomy: Essays in Political Philosophy. Trans. and Ed. David Ames Curtis.
Oxford: Oxford UP, 1991. 81-123.
Collingwood,
R. G. El arte y la imaginación. Ed.
and trans. Ricardo Miguel Alfonso.
Madrid: Casimiro Libros, 2016.*
Craig,
Cairns. "Doubtful Imaginings." In Craig, The Modern Scottish Novel: Narrative and the National Imagination.
Edinburgh: Edinburgh UP, 1999. 200-35.*
Carter,
Ronald. Language and Creativity: The Art
of Common Talk. London: Routledge, 2004.*
Casey,
Edward S. Imagining: A Phenomenological
Study. Bloomington: Indiana UP.
Cocking, J.
M. Imagination: A Study in the History of
Ideas. Ed. Penelope Murray. London: Routledge, 1992.
Currie,
Gregory, and Ian Ravenscroft. Recreative
Minds: Imagination in Philosophy and Psychology. Oxford: Oxford UP, 2002.
Davenport,
Edward A. "Literature as Thought Experiment (On Aiding and Abetting the
Muse)." Philosophy of the Social
Sciences 13.3 (September 1983).
Donner, Christophe. Contra la
imaginación. (Espasa Hoy). Madrid: Espasa, c.
2000.
Easthope,
Antony. Poetry and Phantasy. Cambridge
and New York, 1989.
Engell,
James. The Creative Imagination:
Enlightenment to Romanticism. Cambridge (MA): Harvard UP, 1981.
Fauconnier,
Gilles, and Mark Turner. The Way We
Think: Conceptual Blending and the Mind's Hidden Complexities. New York:
Perseus Books-Basic Books, 2002.* (Imagination, causality, Relations, Analogy,
Origin of Language, Fiction, Fantasy, Meaning, experience, events,
proto-narrative, attention, memory, children's narrative, narrative competence,
narrative interviews, life stories, cultural identity, personal identity,
citizenship).
http://markturner.org/wwt.html).
Gardner, Howard. Creating
Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein,
Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books,
1993.
Gómez de Liaño, Ignacio. El idioma de la imaginación. Essay. Madrid:
Taurus, 1983.
Grant, Johnson. "Reverie; considered as
connected with Literature." Nicholson's
Journal of Natural Philosophy, Chemistry, and the Arts 15 (October 1806):
108-26.
Gregoire, Carolyn. "18 Things Highly
Creative People Do Differently." Huffington
Post (The Third Metric) 4 March 2014.*
http://www.huffingtonpost.com/2014/03/04/creativity-habits_n_4859769.html
2014
Gubar, Susan. "'The Blank Page' and the Issues of Female
Creativity." Critical Inquiry 8
(Winter 1981): 243-63.
_____.
"'The Blank Page' and the Issues of Female Creativity." In The
New Feminist Criticism. Ed. Elaine Showalter. London: Virago, 1986.
292-313.*
Harari,
Yuval Noah. "Why Fiction Trumps Truth." New York Times 24 May 2019.*
https://www.nytimes.com/2019/05/24/opinion/why-fiction-trumps-truth.html
2019
Heinich,
Nathalie, and Jean-Marie Schaeffer. Art,
Création, Fiction. Éditions Jacqueline Chambon, 2004.
Iser,
Wolfgang. "The Imaginary." In Iser, The Fictive and the Imaginary. Baltimore: Johns Hopkins UP, 1993.
171-246.*
_____. Das Fiktive und das Imaginäre: Perspektiven
literarischer Anthropologie. Frankfurt a/M: Suhrkamp, 1991.
_____. The Fictive and the Imaginary: Charting
Literary Anthropology. Baltimore: Johns Hopkins UP, 1993.
Langer,
Susanne K. "Poetic Creation." In Langer, Problems of Art: Ten Philosophical Lectures. London: Routledge and
Kegan Paul, 1957. 140-62.*
Lepore,
Ernest, and Matthew Stone. "28. The Poetic Imagination." In The Routledge Companion to Philosophy of Literature. Ed. Noël
Carroll and John Gibson. London: Routledge, 2015.
Levi,
Albert William. Literature, Philosophy,
and the Imagination. Bloomington: Indiana UP,
1962.
López Quintás, Alfonso. Estética de la creatividad. Madrid:
Cátedra, 1978.
Marina, José Antonio. Teoría de la inteligencia creadora.
New,
Christopher. "Imagination." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999.
69-80.*
Ovejero,
Félix. El compromiso del creador.
Parker,
Robert Dale. "Tradition, Invention, and Aesthetics." In Literary Theory: An Anthology. Ed. Julie
Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
Raphael, D.
D. "2. Sympathy and Imagination." In Raphael, The Impartial Spectator: Adam Smith's Moral Philosophy. Oxford:
Clarendon Press, 2007. 12-20.*
Richards,
I. A. "The Imagination." In Richards, Principles of Literary Criticism. 1924. London: Routledge, 1967.
188-99.*
Ruitenbeek,
H. M., ed. Creative Imagination.
Chicago: Quadrangle, 1965.
Ryle,
Gilbert. "Imagination." In Ryle, The
Concept of Mind. 1949. Harmondsworth: Penguin, 1963. 232-63.
Sallis,
John. Force of Imagination.
Bloomington: Indiana UP, 2000.
Sarbin, T. R. "The Quixotic
Principle: A Belletristic Approach to the Psychological Study of Meanings and
Imaginings." In The Social Context
of Conduct: Psychological Writings of Theodore Sarbin. Ed. V. L. Allen and
K. E. Scheibe. New York: Praeger, 1982.
Sartre,
Jean-Paul. The Psychology of Imagination.
Philosophical Library, Inc., 1948.
_____. Psychology of Imagination. New York:
Citadel, 1961.
_____. Imagination. Trans. Forrest Williams.
Ann Arbor: U of Michigan P, 1962.
_____. The Psychology of Imagination. Trans.
Bernard Frechtman. New York: Washington Square Press, 1966.*
_____. La imaginación. Buenos Aires: Sudamericana, 1970.
Turner,
Mark. Introduction to The Origin of Ideas
at http://markturner.org
_____.
"The Origin of Ideas." Lecture at Case Western Reserve University. YouTube (case) 10 May 2013.*
http://youtu.be/Zv_Vu-eaZu0
2013
_____. The Origin of Ideas: Blending, Creativity,
& the Human Spark. Oxford: Oxford UP, 2014.
_____, ed. The Artful Mind. New York: Oxford UP, 2006.
http://theartfulmind.stanford.edu
Védrine, Hélène. Les Grandes Conceptions de l'Imaginaire. Paris: Le Livre de Poche.
Early works
Addison,
Joseph. "On the Pleasures of Imagination." The Spectator 411, 416, 418 (1712). Rpt. in Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt
Brace Jovanovich, 1971. 288-294.
_____.
"Pleasures of the Imagination." (Spectator
412, 416, 418). In Literary Criticism and
Theory. Ed. R. C. Davis and L. Finke. London:
Longman, 1989.*
_____. Los Placeres de la Imaginación y otros ensayos de The Spectator. Ed. and trans. Tonia Raquejo. Madrid: Visor,
1991.*
_____.
"True and False Wit." In Addison, Critical
Essays from the Spectator: With Four Essays by Richard Steele. Ed. Donald
F. Bond. Oxford: Oxford UP, 1970. 1-25.
_____.
"True and False Wit." (Spectator
62). In Literary Criticism and Theory.
Ed. R. C. Davis and L. Finke. London: Longman, 1989. 341-44.*
_____. (On
imagination and Paradise Lost.). From
Spectator 417 28 June 1712. In Milton: The Critical Heritage. Ed. John
T. Shawcross. London: Routledge, 1970. 221.*
Akenside,
Mark. The Pleasures of the Imagination:
Poem in Three Books. London: Dodsley 1744.
_____. The Pleasures of the Imagination. Rpt.
in Dodsley's Collection.
_____. The Pleasures of the Imagination and other
Poems. Dodsley, 1788.
_____.
"The Pleasures of Imagination." (Book One). In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David
Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015.
395-411.*
Cicero,
Marcus Tullius. De inventione.
Bilingual ed., trans. H. M. Hubbell. Cambridge (MA): Harvard UP, 1976.
Coleridge,
Samuel Taylor. Biographia Literaria : Or
Biographical Sketches of My Literary Life and Opinions. 1817.
_____. Biographia Literaria. Ed. John
Shawcross. 2 vols. London: Oxford UP, 1907. 1968.
_____. Biographia Literaria. Selection. In The Great Critics. Ed. J. H. Smith and
E. W. Parks. New York: Norton, 1932. 458-74.*
_____. Biographia Literaria : Or Biographical
Sketches of My Literary Life and Opinions. Ed. George Watson. London: Dent,
1975.
_____. Biographia Literaria. Ed. James Engell and
W. Jackson Bate. Vol. 7 of The Collected
Works of Samuel Taylor Coleridge. Princeton: Princeton UP-Bollingen, 1983.
_____. Biographia Literaria. Selection from
Chapters IV and V. In Literary Criticism
and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 446-57.*
_____. Biographia Literaria. Ed. Nigel Leask.
London: Everyman, 1997.
_____. From
Biographia Literaria. (From Chapters
1, 4, 13, 14, 17). In The Norton
Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen
Greenblatt. Vol. 2. New York: Norton, 1999. 467-86.* (Bowles, Wordsworth,
imagination).
_____.
"Fantasía e imaginación." In Ensayistas ingleses. Ed. Ricardo Baeza.
Barcelona: Exito, 1968. 135-36.*
_____. "The Specific Symptoms of Poetic Power
Elucidated in a Critical Analysis of Shakspeare's 'Venus and Adonis', and
'Lucrece'." Ch. XV of Biographia
Literaria. 1817.
_____.
"The Specific Symptoms of the Poetic Power Elucidated in a Critical
Analysis of Shakespeare's Venus and
Adonis and Lucrece." Ch. XV
of Coleridge, Biographia Literaria: Or
Biographical Sketches of My Literary Life and Opinions. Ed. George Watson.
London: Dent, 1975.*
_____.
"The Specific Symptoms of Poetic Power Elucidated in a Critical Analysis
of Shakspeare's 'Venus and Adonis', and 'Lucrece'." In Shakespeare Criticism: A Selection
1623-1840. Ed. David Nichol Smith. London: Oxford UP, 1946. 213-20.*
_____. From
Biographia Literaria (From I.1, I.4,
I.13 and II.14). In The Norton Anthology
of Theory and Criticism. Ed. Vincent B. Leitch et
al. New York: Norton, 2001.*
_____. "Los síntomas específicos de
la aptitud poética, dilucidados en un análisis crítico de las obras 'Venus y
Adonis' y 'El rapto de Lucrecia', de Shakespeare." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968.
142-50.*
Dryden, John. "The Proper Wit of Poetry: An Account of
the Ensuing Poem, Annus Mirabilis: The
Year of Wonders, 1666, in a Letter to the Honourable Sir Robert
Howard." In Dryden's Essays. London:
Dent; New York: Dutton, 1912. 189-96.*
Duff,
William. An Essay on Original Genius, and
Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in
Poetry. London, 1767.
_____. An Essay on Original Genius, and Its Various
Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London:
Routledge, 1994.
Emerson,
Ralph Waldo. "The Poet." In Emerson, Essays. London: Dent; New York: Dutton, 1906. 204-27.*
Fienum, Tho. De viribus
imaginationis.
Hartley,
David. Observations on Man, His Frame,
His Duty and His Expectations. 2 vols. London: Leake & Frederick, 1749.
Hobbes,
Thomas. "Of Imagination." In Hobbes, Leviathan. London: Dent; New York: Dutton (Everyman), 1914. 4-7.*
_____ "2. De la imaginación."
In Hobbes, Leviatán. Madrid: Gredos,
2012. Rpt. Barcelona: RBA Coleccionables, 2015. 14-20.*
_____.
"Of the Consequences or Train of Imaginations." In Hobbes, Leviathan. London: Dent; New York:
Dutton (Everyman), 1914. 8-12.*
Hunt,
Leigh. "On the Realities of the Imagination." In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge
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_____.
"On the Realities of Imagination." In Hunt, Essays. London: Walter Scott, n. d. 67-73.
_____. Imagination and Fancy. 1844. New York:
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Keats,
John. Letters. (To Benjamin Bailey, on imagination, 1817; To George and Thomas
Keats, on negative capability, 1817). In The
Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen
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Lionardi,
A. Dialogi della Inventione Poetica.
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Liu, Alan.
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Liu Hsieh.
"The Literary Mind and Its Carving of Dragons." c. 502. Appended to Lu Chi's
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_____. "La mentalidad
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Racionero. Madrid: Alianza. 218-21.*
Longinus. Pery hypsous / On the sublime. 80 A. D.?
Bilingual edition. Ed. and trans. W. Hamilton Fyfe. In Aristotle, The poetics. 'Longinus'. On the Sublime. Demetrius. On Style. 119-254.
_____. Peri hypsous / Sobre lo sublime. Bilingual edition. InAnónimo, Sobre lo sublime. Aristóteles Poética. Barcelona: Bosch, 1977.
_____. On Literary Excellence. In Gilbert
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_____. On the Sublime. Trans. T. S. Dorsch. In Classical Literary Criticism. 97-158.
Mildorf,
Jarmila. "Pictures into Sound: Aural World-Making in Art Gallery Audio
Guides." In Audionarratology:
Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 239-56.*
Montaigne, Michel de. "I.xxi. De la
fuerza de la imaginación." In Montaigne, Ensayos completos. Madrid: Cátedra, 2003. 2010. 139-47.*
Philostratus.
"On Imagination." In Saintsbury, Loci
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Poe, Edgar
Allan. "The Philosophy of Composition." 1846. In The American Tradition in Literature, ed. Sculley Bradley, Richmond
Croom Beatty, E. Hudson Long. New York: Norton, 1962. 871-881.*
_____.
"Fancy and Imagination." In Poe, Poems
and Essays. London: Dent, 1987. 280-90.*
_____.
"On Imagination." In Selected
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_____.
"Imagination." In Poe, Poems
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Richter,
Jean Paul. "Gradación de las facultades
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_____.
"Sur le trait d'esprit (Witz)."
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Ruskin,
John. Modern Painters II. In The Literary Criticism of John Ruskin.
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_____.
"Invention." From Modern
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Shelley,
Percy Bysshe. A Defence of Poetry. 1821,
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fancy; Morality)
_____. A Defence of Poetry. (Select.). In Loci Critici. Ed. George Saintsbury.
Boston: Ginn, 1903. 396-409.*
_____. A Defence of Poetry. In. English Critical Essays (Nineteenth
Century). Ed. Edmund D. Jones. London:
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_____. A Defence of Poetry. In Critical Theory Since Plato. Ed. Hazard
Adams. San Diego: Harcourt, 1971. 499-513.
_____. A Defence of Poetry and a Letter to Lord
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_____. A Defence of Poetry. In Shelley's Poetry and Prose. Ed. Donald
H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton,
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_____. A Defence of Poetry. In The Selected Poetry and Prose of Shelley.
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_____. A Defence of Poetry. In Romantic Critical Essays. Ed. David
Bromwich. Cambridge: Cambridge UP, 1987. 216-42.*
_____. A Defense of Poetry. Selection. In Literary Criticism and Theory. Ed. R. C.
Davis and L. Finke. London: Longman, 1989. 473-82.*
_____. From
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789-802.*
_____.
"On Life." In Shelley, Essays,
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_____.
"On Life." In Shelley's Poetry and Prose. Ed. Donald H.
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Stewart, Dugald. Elements of the Philosophy of the Human Mind. 1792. Edinburgh:
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Vico,
Giambattista. Ciencia
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_____.
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_____.
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_____.
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_____.
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_____.
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_____.
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_____.
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_____. "La decadencia de la
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_____.
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_____.
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_____.
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Audio
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aceptación del Premio Cervantes de Ana María Matute." RTVE (Asunto del día en R5) 27 April 2011.* (Creation,
imagination).
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2021
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Films
The Imaginarium of Dr Parnassus. Dir. Terry Gilliam. Written by
Terry Gilliam and Charles McKeown. Cast: Johnny Depp, Heath Ledger, Colin
Farrell, Christopher Plummer, Jude Law, Lily Cole, Tom Waits, Andrew Garfield,
Quinn Lord, Verne Troyer, Paloma Faith, Michael Eklund. Music by Jeff Danna and
Mychael Danna. Cinematogr. Nicola Pecorini. Ed. Mick Audsley. Prod des.
Anastasia Masaro. Art dir. Dan Hermansen and Denis Schnegg. Set decor. Carolin
Smith, Shane Vieau. Costume des. Monique Prudhomme. Prod. Amy Gilliam, Terry
Gilliam, Samuel Hadida. 2009.*
Internet
resources
Philoctetes Center: The Multidisciplinary Study
of Imagination / YouTube
http://www.youtube.com/user/philoctetesctr
2011
Journals
L'Esprit Créateur 17.4 (1977).
Studies in the Literary Imagination 24.1 (1991).
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Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 419-20.*
Highsmith,
Patricia. "The Man Who Wrote Books in His Head." From Slowly, Slowly in the Wind. In The Selected Stories of Patricia Highsmith.
New York and London: W. W. Norton, 2001. 223-28.*
Montero, Rosa. La loca de la casa. Madrid: Alfaguara, 2003.
Nabokov, Vladimir. Dar. [= The Gift]. Novel. 1936. Pub. serially. Sovremennye Zapiski 1937-38.
_____. Dar. New York: Chekhov, 1952.
_____. The Gift. Trans. Michael Scammell and
Dmitri Nabokov with Vladimir Nabokov. New York: Putnam's, 1963.
_____. The Gift. Popular Library, 1963.
_____. The Gift. 1938. Harmondsworth: Penguin,
1981.
_____. The Gift. London: Granada.
_____. The Gift. New York:
Random House-Vintage International [c. 1990?].
_____. Le Don. Paris: Gallimard, 1967.
Stevens,
Wallace. "Notes toward a Supreme Fiction." 1942.
Music
Pérez Cruz, Silvia, and Javier
Colina Trio. En la imaginación. CD.
Madrid: Contrabaix, 2011.*
Related
Works
Hart, Ray
L. "Imagination and the Scale of Mental Acts." Continuum 3 (1965): 3-21.
_____. Unfinished Man and the Imagination. New
York: Herder and Herder, 1968.
McKellar,
Peter. Imagination and Thinking: A
Psychological Analysis. New York: Basic Books, 1957.
Rugg,
Harold. Imagination. New York:
Harper, 1963.
Video
Johnson,
Steven. "Where Good Ideas Come From." Animated video lecture. YouTube-Riverheadbooks 17 Sept. 2010.*
http://www.youtube.com/watch?v=NugRZGDbPFU&NR=1&feature=endscreen
2012
"Mark
Turner at ASC." Vimeo-National
Humanities Center. 2008.
http://vimeo.com/2828103
2011
Pagel,
Mark. "The Evolution of Creativity | Gifford Lectures 2019." (Gifford
Lectures Autumn 2019: Wired for Culture: The Origins of the Human Social Mind,
or Why Humans Occupied the World).
Video. YouTube (University of
Glasgow) 6 Oct. 2020.*
https://youtu.be/IYpV5uj_CY4
2021
See also
Fantasy.
