sábado, 9 de noviembre de 2024

Inspiración

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Inspiration

 

 

Alexander, William (Sir). Anacrisis: or a Censure of some Poets Ancient and Modern. c. 1634. 1st pub. in the Works of William Drummond of Hawthornden. Edinburgh: Printed by James Watson, 1711. (Renaissance Poetry; Classical literature; Genius; Inspiration; Fiction; Epic poetry; Tragedy; Sidney)

_____. Anacrisis. In Rogers, Memorials of the Earl of Stirling. Edinburgh, 1877.

_____. Anacrisis. In Critical Essays of the Seventeenth Century. Ed. Joel Elias Spingarn. Oxford: Clarendon, 1908-9.

Benet, Juan. "La inspiración y el estilo." 1966. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 700-06.*

Blanchot, Maurice. "L'Inspiration." In Blanchot, L'Espace littéraire. Paris: Gallimard, 1955. 211-48.

Bruno, Giordano. De gli Eroici Furori. London, 1585.

_____. Los Heroicos Furores. Ed. and trans. Mª Rosario González Prada. Madrid: Tecnos, 1987.

Clark, Timothy. The Theory of Inspiration: Composition as a Crisis of Subjectivity in Romantic and Post-Romantic Writing. Manchester: Manchester UP, 1997.*

_____. "Infinite Inspiration: Hölderlin and Schelling." In Clark, The Theory of Inspiration: Composition as a Crisis of Subjectivity in Romantic and Post-Romantic Writing. Manchester: Manchester UP, 1997. 115-42.*

_____. "Inspiration and the Romantic Body: Nietzsche and H. D." In Clark, The Theory of Inspiration: Composition as a Crisis of Subjectivity in Romantic and Post-Romantic Writing. Manchester: Manchester UP, 1997. 170-90.*

_____. "Surrealism, Inspiration and the Mediations of Chance in André Breton." In Clark, The Theory of Inspiration: Composition as a Crisis of Subjectivity in Romantic and Post-Romantic Writing. Manchester: Manchester UP, 1997. 191-221.*

_____. "Octavio Paz and Renga: The Dispersal of Inspiration?" In Clark, The Theory of Inspiration: Composition as a Crisis of Subjectivity in Romantic and Post-Romantic Writing. Manchester: Manchester UP, 1997. 22-37.*

Dubovsky, P., and J.-P. Sonnet, eds. Ogni scrittura è ispirata: Nuove prospettive sull'ispirazione biblica, Lectio 5. Rome: Cinisello Balsamo – Gregorian & Biblical Press, 2013.

Frachetta, G. Dialogo del furore poetico. 1581.

Ghitti, Jean-Marc. La Parole et le lieu: Topique de l'inspiration. (Paradoxe). Paris: Minuit.

Gil, L. Los antiguos y la inspiración poética. Madrid, 1967.

Hobbes, Thomas. "Of the Signification, of Spirit, Angell, and Inspiration in the Books of Holy Scripture." In Hobbes, Leviathan. London: Dent; New York: Dutton (Everyman), 1914. 210-19.*

_____. "34. Del significado de espíritu, ángel e inspiración en los libros de Sagrada Escritura." In Hobbes, Leviatán. Madrid: Gredos, 2012. Rpt. Barcelona: RBA Coleccionables, 2015. 317-28.*

Marías, Javier. "Inspiración y artificio." Lecture at the Universidad Complutense de Madrid, Revista de la Universidad Complutense 135 (1983). In JavierMarias.es 27 feb. 2008.

         http://www.javiermarias.es/blog.html

         2008

Nabokov, Vladimir. "On Inspiration." 1972. Saturday Review of the Arts 6 Jan. 1973: 30, 32.

_____. "Inspiration." Rpt. in Nabokov, Strong Opinions. New York: Random House-Vintage International, 1990. 308-14.*

Plato. Ion. 388 BC? Trans. in Adams 12-19.

_____. The Ion. Trans. in Gilbert 8-23.

_____. Ion. Ed. Monique Canto. Paris: Flammarion, 1989.

_____. (Platón). Ion. Trans. and notes by Emilio Lledó Íñigo. In Plato, Diálogos. (Grandes Pensadores Gredos; Platón, I). Barcelona: RBA, 2010. 69-86.*

_____. Fedro, o de la belleza. Trans. María Araujo. Introd. Antonio Rodríguez Huéscar. In Obras completas. Madrid: Aguilar, 1977.

_____. Fedro, o de la belleza. Trans. María Araujo. Introd. Antonio Rodríguez Huéscar. Madrid: Aguilar, 1989.

Ruskin, John. "Natural Inspiration." From Modern Painters IV. 1856. In The Literary Criticism of John Ruskin. New York: Doubleday, 1965. 120-35.

Shelley, Percy Bysshe. A Defence of Poetry. 1821, pub. 1840. In Shelley, Essays, Letters from Abroad, Translations and Fragments. London: Edward Moxon, 1840. (Romanticism; Nature of poetry; Poet; Classical literature; Imagination and fancy; Morality)

_____. A Defence of Poetry. (Select.). In Loci Critici. Ed. George Saintsbury. Boston: Ginn, 1903. 396-409.*

_____. A Defence of Poetry. In. English Critical Essays (Nineteenth Century). Ed. Edmund D. Jones. London: Oxford UP, 1916. 120-63.*

_____. A Defence of Poetry. In Critical Theory Since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 499-513.

_____. A Defence of Poetry and a Letter to Lord Ellenborough. Folcroft (PA): Folcroft Library, 1973.

_____. A Defence of Poetry. In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 478-508.*

_____. A Defence of Poetry. In The Selected Poetry and Prose of Shelley. Ed. Harold Bloom. New York, 1978.

_____. A Defence of Poetry. In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 216-42.*

_____. A Defense of Poetry. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 473-82.*

_____. "On the Symposium, or Preface to the Banquet of Plato. A Fragment." In Essays, Letters from Abroad, Translations and Fragments, by Percy Bysshe Shelley. Edited by Mrs. Shelley. London: Edward Moxon, 1840. (Plato; Philosophy; Inspiration)

Sonnet, Jean-Pierre. "Elementi per una teoria narrative dell'inspirazione nella Bibbia ebraica." Ch. 9 of Ogni scrittura è ispirata: Nuove prospettive sull'ispirazione biblica, Lectio 5. Ed. P. Dubovsky and J.-P. Sonnet. Rome: Cinisello Balsamo – Gregorian & Biblical Press, 2013. 155-84.*

         https://www.academia.edu/12178707/

         2020

Stanco, Michele. "'Madness' and 'Technique': Psychological Theories of Beauty and Linguistic Theories of Art." In Inspiration and Technique: Ancient to Modern Views on Beauty and Art. Ed. John Roe and Michele Stanco. Bern: Peter Lang, 2007. 49-81.

Valente, José Ángel. "La necesidad y la musa." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 158-65.*

 

 

 

Anthologies

 

 

Roe, John, and Michele Stanco, eds. Inspiration and Technique. Ancient to Modern Views on Beauty and Art. Bern: Peter Lang, 2007.

 

 

 

 

 

Images

 

 

Fragonard. L'Inspiration. Painting. Musée du Louvre, Paris.

 

 

 

 

 

Internet resources

 

 

USI (Unexpected Sources of Inspiration) YouTube channel.

         https://www.youtube.com/channel/UCIhgggPw5xfIpFf-Fxqpmxw

         2016

 

 

 

 

 

 

Literature

 

 

Dixon, Sarah. "To the Muse." In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015. 319-21.*

Jonson, Ben. "Ode (to himself)." ('Come leave the loathed stage'). From The New Inn, 1631. In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 179-80.*

_____. "Ode to Himself." 1631, 1640-41. 

_____. "Ode to Himself." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1416-18.*

_____. "An Ode to Himself." Luminarium

         http://www.luminarium.org/sevenlit/jonson/odetohimself.htm

         2012

_____. "Ode (To Himself)." The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. 179-180.

_____. "Ode (To Himself)." Luminarium.*

         http://www.luminarium.org/sevenlit/jonson/odetohimself2.htm

         2011

_____. "An Ode to Himself." In The Songs and Poems of Ben Jonson. London: Philip Allan & Co., 1924. 59-60.

_____. "An Ode. To himselfe ('Where do'st thou carelesse lie'). From Underwoods, 1641. In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 169-70.*

Kipling, Rudyard. "El cuento más hermoso del mundo." From Kipling, Many Inventions. 1893. In Antología de la Literatura Fantástica. Ed. Jorge Luis Borges, Silvina Ocampo and Adolfo Bioy Casares. 1965. Barcelona: Edhasa, 1983. 1989. 1991. 241-72.*

_____. "El cuento más hermoso del mundo." From Many Inventions. 1893.  Trans. Jorge Luis Borges, Adolfo Bioy Casares and Silvina Ocampo. In Antología de la literatura fantástica. Buenos Aires: Sudamericana, 1965. Rpt. in Cuentos memorables según Jorge Luis Borges. © María Kodama. Madrid: Alfaguara, 2003. 229-64.*

Milton, John. From Paradise Lost. 1674. In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 505-33." (Satan and the Fallen Angels - Satan and his Host - Hell - Light - The Atonement - Heaven - New Worlds - Satan's Soliloquy - Paradise - Wedded Love - Invocation to Urania - The Subject of Heroic Song - Eve - Eve Penitent - The Banishment).

Spenser, Edmund. "October. Aegloga decima." In Spenser, The Shepheardes Calender Conteyning tvvelve Aeglogues proportionable to the twelve monethes. London: Hugh Singleton, 1579.

Watts, Isaac. "The Adventurous Muse." In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015. 17-19.*

_____. (On Milton). From "The Adventurous Muse." Poem. 1706. In Watts, Horae Lyricae. 1789. 188-9. In Milton: The Critical Heritage. Ed. John T. Shawcross. London: Routledge, 1970. 139-40.*

 

 

 

 

Paintings

 

 

Poussin, Nicolas. The Poet's inspiration. Musée du Louvre, Paris.

 

 

 

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