Poesía y lenguaje - Lenguaje poético

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Poetic language / Language of Poetry

 

 

Adams, J. N., and R. G. Mayer. Aspects of the Language of Latin Poetry. (Proceedings of the British Academy, 93). Oxford: Oxford UP / British Academy, 1999.

Barfield, Owen. Poetic Diction: A Study in Meaning. London: Faber and Gwyer, 1928.

_____. "Legal Fiction and Poetic Diction." In The Importance of Language. Ed. Max Black. Englewood Cliffs (NJ): Prentice-Hall, 1962. 51-71.

Beaugrande, Robert de. "Semantic Evaluation of Grammar in Poetry." PTL 3 (1979): 315-25.

Blackmur, R. P. "Art and Manufacture." 1935. In "Three Notes". In Blackmur, Language as Gesture. 1952. Westport (CT): Greenwood Press, 1977. 364.*

_____. "Vocabulary in Poetry." 1939. In "Three Notes". In Blackmur, Language as Gesture. 1952. Westport (CT): Greenwood Press, 1977. 364.*

_____. "Language as Gesture." 1942. In Blackmur, Language as Gesture. 1952. Westport (CT): Greenwood Press, 1977. 3-24.*

_____. "Lord Tennyson's Scissors: 1912-1950." 1951. In Blackmur, Language as Gesture. 1952. Westport (CT): Greenwood Press, 1977. 422-40.*

Blank, Paula. "5. Languages of Early Modern Literature." In The Cambridge History of Early Modern English Literature. (1. Modes and Means of Literary Production). Ed. David Loewenstein and Janel Mueller. Cambridge: Cambridge UP, 2002. 2004. 141-69.*

Bradford, Richard. A Linguistic History of English Poetry. London: Routledge, 1993.

Bridges, Robert. "Poetic Diction in English." The Forum (May 1923). Rpt. in English Critical Essays: Twentieth Century. 1st. series. Ed. Phyllis M. Jones. London: Oxford UP, 1933. 1-9.*

Brik, Ossip. "Ritm i sintaksis." Novyi lef 3-6 (1927).

_____. "Contributions to the Study of Verse Language." (Excerpt from "Ritm i sintaksis"). In Readings in Russian Poetics. Ed. L. Matejka and K. Pomorska. Cambridge (MA): MIT Press, 1971. 117-25.

_____. "Rhythme et syntaxe." In Todorov, Théorie 143-153. Trans. from Novyi Lef (1927): 3-6.

_____. "Ritmo y sintaxis (Materiales para el estudio del discurso del verso)." In Antología del formalismo ruso y el grupo de Bajtín. Vol. II: Semiótica del discurso y posformalismo bajtiniano. Ed. Emil Volek. Madrid: Fundamentos, 1995. 19-36.*

Brooks, Cleanth. "The Poem as Organism: Modern Critical Procedure." In English Institute Annual, 1940. 1941.

_____. "The Language of Paradox." In Brooks, The Well-Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, Brace, 1947.

_____. "The Language of Paradox." (Donne). In Brooks, The Well-Wrought Urn. London: Methuen, 1968. 1-16.*

_____. "The Language of Paradox." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 292-304.*

_____. "The Language of Paradox," In Brooks, The Well-Wrought Urn (Expanded ed.). New York: Harcourt, 1975.

_____. "The Language of Paradox." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

_____. "The Heresy of Paraphrase." In Brooks, The Well-Wrought Urn. 1947. London: Methuen, 1968. 157-76.*

_____. "The Heresy of Paraphrase." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 259-63.*

_____. From The Well-Wrought Urn (Ch. 6, "The Heresy of Paraphrase"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.

_____. "Metaphor and the Function of Criticism." In Spiritual Problems in Contemporary Literature. Ed. S. R. Hopper. 1952.

_____. "Metaphor, Paradox, and Stereotype in Poetic Language." British Journal of Aesthetics  5 (1965).

_____. "The Language of Poetry: Some Problem Cases." Archiv für das Studium der Neueren Sprachen und Literaturen  203 (1967).

_____. The Poetry of Tension. 1972.

Burnside, John. "Strong Words." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 259-61.*

Constantine, David. "Common and Peculiar." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 226-28.*

Cowl, R. P. "Style and Diction." In Cowl, The Theory of Poetry in England. London: Macmillan, 1914. 187-223.

Dante Alighieri. De vulgari eloquentia. Ed. Aristide Marigo. Florence: Le Monnier, 1938.

_____. De vulgari eloquentia. Ed. A. Marigo and P. Ricci. Florence: Le Monnier, 1957.

_____. De vulgari eloquentia. Trans. A. G. Ferrers Howell and Philip H. Wicksteed. In Hardison 145-186.

_____. On Eloquence in the Vernacular. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989.147-56.*

Dolezel, Lubomír. "The Idea of Poetic Language: Wordsworth, Coleridge, Frege." In Dolezel, Occidental Poetics. Lincoln: U of Nebraska P, 1990. 78-95.

_____. "El concepto de lenguaje poético: Wordsworth, Coleridge y Frege." In DoleΩel, Historia breve de la poética. Madrid: Síntesis, 1997. 117-40.*

Empson, William. Seven Types of Ambiguity. London: Chatto and Windus, 1930. 2nd ed. 1953.

_____. Seven Types of Ambiguity. London: Hogarth, 1984.*

Ferry, Anne. The 'Inward' Language: Sonnets of Wyatt, Sidney, Shakespeare, Donne. Berkeley, 1976.

_____. The 'Inward' Language: Sonnets of Wyatt, Sidney, Shakespeare, Donne. Chicago: U of Chicago P, 1983.

Fonagy, I. "Le Langage poétique." In Benveniste et al. 1965.

Fraser, G. S. Home Town Elegy. Poems.

Fraser, G. S. "Some Notes on Poetic Diction." Penguin New Writing 37 (1949).

García Berrio, Antonio, and Teresa Hernández Fernández. "Teoría del lenguaje poético." In García Berrio and Hernández, La Poética: Tradición y modernidad. Madrid: Síntesis, 1992. 67-116.*

Genette, Gérard. "Langage poétique, poétique du langage." In Genette, Figures II. (Points). Paris: Seuil, 1969. 101-22.

_____. Mimologiques. Paris: Seuil, 1976.*

_____. Mimologics.Trans. Thaïs Morgan. Foreword by Gerald Prince. U of Nebraska P, 1995.*

Ghil, René. Traité du Verbe. Foreword by Stéphane Mallarmé. Paris: Giraud, 1886.*

Givler, R. C. The Psycho-Physiological Effect of the Elements of Speech in Relation to Poetry. Princeton, 1915.

Green, Keith. "Deixis and the Poetic Persona." Langage and Literature 1.2 (1992): 121-33.

_____. "Deixis and the Poetic Persona." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*

Guillén, Jorge. Language and Poetry. Cambridge (MA): Harvard UP, 1961.

_____. Lenguaje y poesía.  Madrid: Revista de Occidente, 1962.

_____. Lenguaje y poesía. Madrid: Alianza, 1969. 3ª ed. 1983.

_____. "Lenguaje poético: Góngora." In Guillén, Lenguaje y poesía.   Madrid: Alianza, 1983. 31-72.*

_____."Lenguaje de poema: una generación." 1962. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 669-76.*

Haley, M. C. The Semeiosis of Poetic Metaphor. Bloomington: Indiana UP, 1988.

Hierro, José. "Valores semánticos." In Historia, lenguaje, sociedad: Homenaje a Emilio Lledó. Ed. M. Cruz, M. A. Granada and A. Papiol. Barcelona: Crítica, 1989. 297-302.*

Hill, Geoffrey. The Enemy's Country: Words, Contexture, and other Circumstances of Language. Oxford: Oxford UP, 1991.

Hough, Graham. "Poetic Diction." In Hough, An Essay on Criticism. London: Duckworth, 1966. 105-10.

Hughes, Ted. "Words and Experience." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 152-57.*

Iakubinskii, Lev. "O zvukakh stikhotvornogo iazyka." In Poetika: Sborniki po teorii poetichskogo iazyka. Petrograd, 1916. 37-49.

_____. "Skopleniye odinakovykh plavnykh v prakticheskom i poetischeskom iazykakh." Sborniki 2 (1917): 13-21. ("On the Accumulation of Identical Liquids in Practical and Poetic Language").

Jakobson, Roman. "Closing Statement: Linguistics and Poetics." In Style in Language. Ed. Thomas A. Sebeok. London: M.I.T. Press, 1960. 350-77.*

_____ . "Linguistics and Poetics." In The Structuralists: From Marx to Lévi-Strauss. Ed. Richard and Fernande de George. Garden City (NJ): Doubleday, 1972.

_____. "Linguistics and Poetics." In Jakobson, Selected Writings, volume III: Poetry of Grammar and Grammar of Poetry. The Hague: Mouton, 1981. 18-51.

_____. "Linguistics and Poetics." In Language in Literature. Ed. Krystyna Pomorska and Stephen Rudy. Cambridge (MA): Harvard UP, 1987.

_____. "Linguistics and Poetics." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 119-24.

_____. "Linguistics and Poetics." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 31-56.*

_____. "Linguistics and Poetics." In The Discourse Reader. Ed. Adam Jaworski and Nikolas Coupland. London: Routledge, 1999. 54-62.*

_____. "Linguistics and Poetics." In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002. Vol. 1.

_____. Lingüística y poética. Trans. Ana Mª Gutiérrez-Cabello. Madrid: Cátedra, 1981.*

_____. Questions de poétique. Paris: Seuil, 1973.

_____. Huit Questions de poétique. Paris: Seuil (Points).

_____.  Writings, volume III: Poetry of Grammar and Grammar of Poetry. The Hague: Mouton, 1981.

Johnson, Barbara. Défigurations du langage poétique. Paris: Flammarion, 1979.

_____. "Disfiguring Poetic Language." 1983. In Johnson, A World of Difference. 1987. Baltimore: Johns Hopkins UP, 1989. 100-15.

Jones, Tom. Poetic Language: Theory and Practice from the Renaissance to the Present. Edinburgh: Edinburgh UP, 2012. (Ralegh, Milton, Cowper, Wordsworth, Hopkins, Stevens, Pound, Frank O'Hara, Robert Creeley, W. S. Graham, Tom Raworth, Denise Riley, Thomas A. Clark).

Kibédi-Varga, A. Les Constants du poème: Analyse du langage poétique.  Paris: Picard, 1977.

Kristeva, Julia. La Révolution du langage poétique: L'avant-garde à la fin du dix-neuvième siècle: Lautréamont et Mallarmé. Paris: Seuil, 1974.*

_____. Revolution in Poetic Language. Abridged version trans. by Margaret Waller. Introd. Leon S. Roudiez. New York: Columbia UP, 1984.

_____. "Revolution in Poetic Language." In The Kristeva Reader. Ed. Toril Moi. Oxford: Blackwell, 1986. 89-134.*

Lázaro Carreter, F. "Comunicación y lenguaje poéticos." Boletín informativo de la Fundación Juan March 114 (1982): 33-8.

Lenerz, Jürgen. "On Poetic Compounds and the Nature of 'Poetic Language'." In Literature and Linguistics: Approaches, Models and Applications: Studies in Honour of Jon Erickson. Ed. Marion Gymnich, Ansgar Nünning and Vera Nünning. Trier: Wissenschaftlicher Verlag Trier, 2002. 157-68.*

Levin, S. R. "Internal and External Deviation in Poetry." Word 21 (1965): 225-37.

Lipski, J. M. "Poetic Deviance and Generative Grammar." PTL 2.2 (1977).

López Pinciano, Alonso. "Epístola sexta. Del poético lenguaje." In López Pinciano, Philosophia antigua poetica. 1596. Madrid: CSIC, 1973. 2.107-216.

Lotman, Iuri M. Struktura khudozhestvennogo teksta. Moscow: Iskusstvo, 1970.

_____. The Structure of the Artistic Text. Ann Arbor: Michigan UP, 1977.

_____. Estructura del texto artístico. Trans. Victoriano Imbert. 2ª ed. Madrid: Istmo, 1982.

Maeder, Beverly. Wallace Stevens' Experimental Language. Houndmills: Macmillan, 2000.

Mallarmé, Stéphane. "Avant-Dire." In Traité du Verbe. By René Ghil. Paris: Giraud, 1886.*

_____. "Crise de vers." 1896. In Mallarmé, Œuvres complètes. Paris: Gallimard, 1945.

_____. "Crise de vers." 1896. In Poésies. Anecdotes ou poèmes. Pages diverses. Ed. Daniel Leuwers. Paris: LGF, 1977. 195-208.*

_____. "Crisis in Verse." In Symbolism: An Anthology. Ed. T. G. West. London: Methuen, 1980. 1-12.*

_____. "Crisis in Poetry." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Marks, Emerson R. Taming the Chaos: English Poetic Diction Theory since the Renaissance. Detroit: Wayne State UP, dist. Eurospan, c. 1998.

Martínez García, J. A. Propiedades del lenguaje poético. Oviedo: Universidad de Oviedo, 1975.*

McRae, John. The Language of Poetry. (Routledge Intertext). London: Routledge, 1998. 1999.*

Mukarovsky, Jan. "L'art comme fait sémiologique." Actes du huitième congrès international de philosophie à Prague 1934. Prague, 1936. 1065-1072.

_____. "Art as semiotic fact." Trans. I. R. Titunik. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 3-10.

_____. "Dénomination poétique et la fonction esthétique de la langue." Actes du Congrès international de linguistes (1936). Copenhaguen, 1938. 98-104.

_____. "Poetic Reference." Trans. S. Janecek. (Trans. of "Dénomination poétique..."). In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 156-63.

_____. "La dénomination poétique et la fonction esthétique de la langue". In Actes du IVe Congrès International des Linguistes. Copenhaguen, 1938. 98-104.

_____."Standard Language and Poetic Language." In A Prague School Reader on Esthetics, Literary Structure, and Style. Ed. and trans. Paul L. Garvin. Washington, D. C.: Georgetown UP, 1964.17-30.*

_____. "Lenguaje standard y lenguaje poético." In Escritos de estética y semiótica del arte. Barcelona: Gustavo Gili, 1977. 314-33.

_____. On Poetic Language. 1940. Lisse, 1976.

_____. "On Poetic Language." In Mukarovsky, The Word and Verbal Art:. New Haven: Yale UP, 1977. 1-64.*

Nowottny, Winifred. "Poetic Syntax." 1962. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 71-75.*

Olney, James. The Language(s) of Poetry: Walt Whitman, Emily Dickinson, Gerald Manley Hopkins. Athens: U of Georgia P, 1993. Rev. English Literature in Transition 37.2 (1994).

Olson, Elder. "William Empson: Contemporary Criticism and Poetic Diction." Modern Philology (May 1950). Rpt. in Critics and Criticism. Ed. R. S. Crane. Chicago: U of Chicago P, 1952.

_____. "William Empson, Contemporary Criticism, and Poetic Diction." In Critics and Criticism: Essays in Method. Ed. R. S. Crane. 1952. Abridged ed. Chicago: U of Chicago P, 1957. 24-61.*

Paz, Octavio. "El lenguaje." In Paz, El arco y la lira. Barcelona: Círculo de Lectores, 1999. 51-72.*

_____. "El verbo desencarnado." In Paz, El arco y la lira. Barcelona: Círculo de Lectores, 1999. 269-92.*

_____. "Epílogo: los signos en rotación." In Paz, El arco y la lira. Barcelona: Círculo de Lectores, 1999. 293-330.*

Perloff, Marjorie. Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary. Chicago: U of Chicago P, 1996.*

Pilkington, Adrian. "Poetic Effects: A Relevance Theory Perspective." In Literary Pragmatics. Ed. Roger Sell. London: Routledge, 1991. 44-46.

_____. "Introduction: Relevance Theory and Literary Style." Language and Literature 5.3 (1996) 157-62.

Poetika: Sborniki po teorii poeticheskogo iazyka. Petrograd, 1919.

Pogodin, Aleksandr. Iazyk, kak tvorchestvo. Kharkov, 1913. (Language as Art).

Potebnia, Alexander. Iz lektsy po teorii slovesnosti. Kharkov, 1914. (Lectures on the Theory of Language).

Pottle, Frederick A. The Idiom of Poetry. 1941. Rev. ed. 1946. Ithaca, 1951.

Pozuelo Yvancos, José María. Teoría del lenguaje literario.  Madrid: Cátedra, 1988.

Prado, Javier del. Teoría y práctica de la función poética: Poesía del siglo XX. Madrid, 1993.

Raine, Craig. "Babylonish Dialects." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 177-80.*

Richards, I. A. Principles of Literary Criticism.  1924. London: Routledge, 1967.

_____. "Sound, Sense, and Interpretation." 1924. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 59-60.

_____. The Philosophy of Rhetoric. 1936. Oxford: Oxford UP, 1965.

_____. Practical Criticism: A Study of Literary Judgment. 1929. London: Routledge, 1964.

_____. "Emotive Language Still." Yale Review 39 (1949): 108-18.

Ricks, Christopher. Allusion to the Poets. Oxford: Oxford UP, 2002. pbk 2004. (Allusion).

Riddel, Joseph N. "From Heidegger to Derrida to Chance: Doubling and (Poetic) Language." Boundary 2 4 (1976). Rpt. in Spanos, Martin Heidegger and the Question of Literature.

Rodríguez García, José Luis, and Luisa Paz Rodríguez Suárez, eds. El pensamiento de los poetas. Pamplona: Eclipsados, 2009.

Ruwet, Nicolas. "Parallelism and Deviation in Poetry." In French Literary Theory Today: A Reader. Ed. Tzvetan Todorov. Cambridge: Cambridge UP; Paris: Editions de la Maison des Sciences de l'Homme, 1982. 92-124.

Ruwet, N. Introduction à la grammaire générative. Paris: Plon, 1968.

Rylands, George H. W. Words and Poetry. Introd. Lytton Strachey. London: Hogarth Press, 1928.

Sborniki po teoriii poeticheskogo iazyka I. Saint Petersburg, 1916.

Sborniki po teorii poeticheskogo iazyka II. Saint Petersburg, 1917.

Schwab, Gabriele. "Genesis of the Subject, Imaginary Functions and Poetic Language." New Literary History 15.3 (1984).

Shapiro, Michael. Asymmetry: An Inquiry into the Linguistic Structure of Poetry. Amsterdam: North Holland, 1976.

_____. "Dialogism and Poetic Discourse." In Shapiro, The Sense of Form in Literature and Language. Houndmills: Macmillan, 1998. 97-116.*

_____. (Michael and and Marianne Shapiro). "Dialogism and Poetic Discourse." In The Sense of Form in Literature and Language. 2nd ed. by Michael and Marianne Shapiro. California: Scotts Valley, 2009. 195-222.*

Shapiro, M., with Marianne Shapiro. Figuration in Verbal Art. Princeton (NJ): Princeton UP, 1988.

Shen, Yeshayahu. "Cognitive Constraints on Verbal Creativity: The Use of Figurative Language in Poetic Discourse." In Cognitive Stylistics. Ed. Elena Semino and Jonathan Culpeper. Amsterdam: Benjamins, 2002. 211-30.*

Shklovski, Viktor. "The Resurrection of the Word". 1914. In Russian Formalism. Ed. Stephen Bann and John E. Bowlt. Edinburgh: Scottish Academic Press, 1973. 41-7.

_____. Poetika. (Poetic language). Petrograd, 1919.

Silliman, Ron. The New Sentence. 1987.

Sparrow, John. Sense and Poetry. 1934.

Spence, Joseph. An Essay On Pope's Odyssey: In which Some particular Beauties and Blemishes of that Work are consider'd. Oxford: S. Wilmot, 1726.

Stein, Gertrude. (1874-1946). "Explaining 'a Rose is a Rose is a Rose." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 54-55.*

Stempel, W. D., ed. Texte der russischen Formalisten, II: Texte zur Theorie des Verses und der poetischen Sprache. Munich, 1972.

Stevens, Wallace. "The Noble Rider and the Sound of Words." 1942. In Stevens, The Necessary Angel. London: Faber and Faber, 1960. (Language of poetry; Imagination and fancy; Poet; Denotation / Connotation; Nature of poetry)

Strachey, Lytton. "Words and Poetry." Introd. to Words and Poetry. By George H. W. Rylands. London: Hogarth Press, 1928. In Strachey, Characters and Commentaries. London: Chatto and Windus, 1933. 303-7.*

Tickell, Thomas. The Guardian No. 23 (Tuesday April 7, 1714) (Pastoral poetry; Poetic language)

Tillotson, Geoffrey. "Eighteenth-Century Poetic Diction." Essays and Studies by Members of the English Ass'n, 1939. 25 (1940): 59-80.

_____. "Eighteenth-Century Poetic Diction (I and II)." In Tillotson, Essays in Criticism and Research. Cambridge: Cambridge UP, 1942. 53-85.*

_____. "Eighteenth-Century Poetic Diction." In Eighteenth-Century English Literature. Ed. James L. Clifford. New York: Oxford UP, 1959. 212-32.*

Tillyard, E. M. W. Poetry Direct and Oblique. London: Chatto and Windus.

Trapp, Joseph. Lectures on Poetry. (In Latin, 1711, 1715, 1719; English trans. 1742). (Nature of poetry; Poetic language; Genre; Poetic drama; Sublime; Classical literature)

_____. Lectures on Poetry; Read in the Schools of Natural Philosophy At Oxford. By Joseph Trapp. Translated from the Latin, with additional Notes. London: Printed for C. Hitch and C. Davis, 1742.

_____. Lectures on Poetry Read in the Schools of Natural Philosophy at Oxford. 1742. London: Routledge, 1994.

Tynianov, Iuri. Problema stikhotvornogo iazyka. Leningrad, 1924.

_____. The Problem of Verse Language. Ann Arbor: Ardis, 1981.

_____. Il problema del linguaggio poetico. Milan: Mondadori, 1968.

_____. "La semántica de la palabra en el verso." In Antología del formalismo ruso y el grupo de Bajtín. Vol. II: Semiótica del discurso y posformalismo bajtiniano. Ed. Emil Volek. Madrid: Fundamentos, 1995. 87-98.*

Valente, José Ángel. "Tendencia y estilo." In Las palabras de la tribu. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 47-50.*

_____. "Sobre la operación de las palabras sustanciales." From La piedra y el centro. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 300-07.* (Creation, cognition and language).

_____. "[Tres notas: La propuesta de la esfinge, Poema, lugar de la palabra, Sentido y pre-sentido]." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1206-7.*

Valverde, José María. Estudios sobre la palabra poética. 1952.

Veselovsky, A. N.  "I.6. Tres capítulos de poética histórica." 1899. In Veselovsky, Poética histórica. Madrid: Akal, 2014. 265-473.* (I. El sincretismo de la poesía antigua y los orígenes de la diferenciación de los géneros poéticos; II. Del cantor al poeta. El desgajamiento de la idea de poesía; III. La lengua de la poesía y la lengua de la prosa).

Voloshinov, V. N. "Discourse in Life and Discourse in Poetry: Questions of Sociological Poetics." 1926. Trans. John Richmond. In Russian Poetics in Translation. Ed. Ann Shukman and L. M. O'Toole. Oxford: RTP Publications, 1983. 5-29.

Wilson, Katharine M. Sound and Meaning in English Poetry.

Wordsworth, William. "Preface to the second edition of several of the foregoing poems, published, with an additional volume, under the title of 'Lyrical Ballads'." In The Poetical Works 934-42.

_____. Preface to the 2nd. ed. of the Lyrical Ballads. 1800. (rev. 1850). In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 433-443.*

_____. Appendix on Poetic Diction. In The Poetical Works 942-44.

_____. "Essay, Supplementary to the Preface." In The Poetical Works 944-53.

_____. The Poetical Works of William Wordsworth. Ed. Thomas Hutchinson. London: Oxford UP, 1923.

White, D. A. Heidegger and the Language of Poetry. Lincoln: U of Nebraska P, 1978.

Williams, Hugo. W.na"Leaping Versus Blabbing." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 229-32.*

Wimsatt, W. K., Jr. "One Relation of Rhyme to Reason." Modern Language Quarterly 5 (September, 1944). Rev. version in Wimsatt, The Verbal Icon. 153-68.*

_____. "Poetic Diction: Wordsworth and Coleridge." In Wimsatt and Brooks, Literary Criticism: A Short History. New York: Knopf, 1957. 339-62.*

Wordsworth, William. "Preface to Lyrical Ballads." 1800. In Wordsworth's Literary Criticism. Ed. Nowell C. Smith. London: Humphrey Milford, 1905. 11-41.*

_____. Preface to 1800-1802 eds. of Lyrical Ballads. In The Personal Note. Ed. H. J. C. Grierson and S. Wason. London: Chatto, 1946. 101-7.*

_____. Preface to Lyrical Ballads. 1800. In The Prose Works of William Wordsworth. Oxford: Clarendon Press, 1974.

_____. "Preface to Lyrical Ballads." 1802. In Wordsworth, The Poetical Works. Ed. E. de Selincourt. Oxford: Clarendon Press, 1950. 734-41.

_____. "Preface to Lyrical Ballads." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 458-72.*

_____. "Upon Epitaphs." 1810. In Wordsworth's Literary Criticism. London: Humphrey Milford, 1905. 79-144.*

_____. "Essay upon Epitaphs." In The Prose Works of William Wordsworth. ed. W. J. B. Owen and Jane Worthington Smyser. Oxford, 1974. Vol. 2.

Wright, George T. "The Play of Phrase and Line." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*

Yeats, W. B. "The Symbolism of Poetry." 1899. In W. B. Yeats, Essays and Introductions. London: Macmillan, 1961. 153-164. (Symbolism; Emotion; Mysticism; Nature of poetry; Rhythm; Criticism)

_____. "The Symbolism of Poetry." In Critical Since Plato. Ed. Hazard Adams. San Dieto: Harcourt, 1971. 722-725.*

_____. "The Symbolism of Poetry." 1899. In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 28-34.*

_____. "The Symbolism of Poetry." In Symbolism: An Anthology. Ed. T. G. West. London: Methuen, 1980. 14-24.*

 

 

 

 

 

 

 

Blogs

 

 

 

Poetry and Language. Course blog, 2008. (Natalia Cecire, UC Berkeley).

         http://poetry-and-language.blogspot.com

         2022

 

 

 

 

 

 

 

 

Video

 

 

Bonnefoy, Yves. "La parole poétique." Lecture at L'Université de Tous les Savoirs, 17 Nov. 2001. YouTube (Arthur Yasmine) 8 April 2016.*

         https://youtu.be/bNhUKsTxAEc

         2017

 

 

 

 

 

Estilo literario

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Style

(in Literature and Writing)

 

 

General

Early works

Miscellaneous

 

 

 

 

General

 

Albalat, A. Le travail du style. Paris: Colin, 1903.

Alcina, J. Estilo. Barcelona: Vicens Vives, 1984.

Alonso, Amado. Materia y forma en poesía. Madrid: Gredos, 1977.

_____. "The Stylistic Interpretation of Literary Texts". Modern Language Notes 57 (1942): 489-96.

Alonso, Martín. Ciencia del Lenguaje y Arte del Estilo. 3rd ed. Madrid: Aguilar, 1953.* (I. Libro teórico - Parte preliminar: Trilogía del lenguaje; Parte primera: Fraseología; Parte segunda: Lexicología; Parte tercera: Estilística. II. Libro sinóptico.  III. Libro práctico)

_____. Ciencia del lenguaje y arte del estilo. Madrid: Aguilar, 1975.

Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Princeton (NJ): Princeton UP, 1953. Trans. of Mimesis. Berne: Francke, 1946.

Barthes, Roland. Le degré zéro de l'écriture. 1953. New ed. with Nouveaux essais critiques. Paris : Seuil, 1972.*

_____. Writing Degree Zero. Trans. Annette Lavers and Colin Smith. Boston: Beacon Press, 1967.

_____. El grado cero de la escritura. Buenos Aires: J. Alvarez, 1967.

_____. El grado cero de la escritura. Buenos Aires: Siglo XXI, 1973.

_____. El grado cero de la escritura. Nuevos ensayos críticos. Buenos Aires: Siglo XXI, 1973.

_____. "Le style et son image." 1971. In Barthes, Le Bruissement de la langue. Paris: Seuil, 1984. 141-151.*

_____. "Style and Its Image". In Literary Style. Ed. Seymour Chatman. Oxford: Oxford UP, 1971. 3-15.*

Beardsley, Monroe C. "Form in Literature." (14. Style: Semantic and Phonetic. 15. Literary Structure). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 220-66.*

Benet, Juan. "La inspiración y el estilo." 1966. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 700-06.*

Bennett, Arnold. "The Question of Style." In Bennett, Literary Taste: How to Form It. 1909. 5th ed. London: Hodder, 1913. 43-58.*

Birch, David, and Michael O'Toole, eds. Functions of Style. London: Pinter, 1987.

Brownell, W. C. The Genius of Style. 1924.

Callus, Ivan, James Corby and Gloria Lauri-Lucente, eds. Style in Theory: Between Literature and Philosophy. London: Bloomsbury, 2013.*

Chatman, Seymour. "On the Theory of Literary Style". Linguistics 27 (1966): 13-25.

_____. "Style: A Narrow View". College Composition and Communication 18 (1967): 72-76.

_____, ed. Literary Style: A Symposium. London: Oxford UP, 1971.

Clark, Matthew. A Matter of Style: On Writing and Technique. Canada: Oxford UP, 2002.

Compagnon, Antoine. "Le style." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 177-208.*

Cunningham, J. V., ed. The Problem of Style. Greenwich (CT): Fawcett World Library, 1966.

Freeman, Donald C. Essays in Modern Stylistics. London: Methuen, 1981.

_____, ed. Linguistics and Literary Style. New York: Holt, Rinehart, and Winston, 1970.

Genette, Gérard. "Style et signification." In Genette, Fiction et diction. Paris: Seuil, 1991. 95-151.

_____. Fiction et diction. (Poétique). Paris: Seuil, 1991.*

_____. Fiction and Diction. Trans. Catherine Porter. Ithaca (NY): Cornell UP, 1993.

_____. Ficción y dicción. Barcelona, 1993.

Goodman, Nelson. "The Status of Style." In Goodman, Ways of Worldmaking.

_____. "The Status of Style." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 254-66.*

_____. "On Being in Style." In Goodman, Of Mind and Other Matters.

Granger, Gilles-Gaston. Essai d'une philosophie du style. Paris: Armand Colin, 1968.

Hough, Graham. Style and Stylistics. London: Routledge, 1969.

Huemer, Wolfgang. "17. Literary Style." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.

Hulme, T. E. "Notes on Language and Style." In Selected Writings. Ed. Patrick McGuinness. Manchester: Carcanet.

Kayser, Wolfgang. Interpretación y análisis de la obra literaria. Madrid: Gredos, 1985.*

Lang, Berel, ed. The Concept of Style. Philadelphia: U of Pennsylvania P, 1979.

Lanham, Richard A. Style: An Anti-Textbook. New Haven: Yale UP, 1974.

Lanson, Gustave. L'Art de la prose. 1895-7. Paris: Nizet, 1968?*

Lee, Vernon. The Handling of Words. London: Bodley Head, 1923.

_____. The Handling of Words and Other Essays in Literary Psychology Lincoln: U of Nebraska P, 1968.

Lucas, F. L. Style. 1955.

Martín, J. L. Crítica estilística. Madríd: Gredos, 1973.

Meyer, T. A. Das Stilgesetz der Poesie. Leipzig, 1901.

Miles, Josephine. "Style as Style." In Chatman, Literary Style: A Symposium. Ed. Seymour Chatman. Oxford: Oxford UP, 1971. 24-28.*

Müller, Wolfgang G. Topik der Stilbegriffs. 1981.

Murry, John Middleton. The Problem of Style. 1922. Oxford: Oxford UP, 1960.*

_____. El estilo literario. México: F.C.E., 1956.

Quiller-Couch, Arthur (Sir). "On Style." In Quiller-Couch, On the Art of Writing. Cambridge: Cambridge UP, 1920. 232-47.*

Read, Herbert. English Prose Style. 1928.

Schapiro, Meyer. "Style." In Anthropology Today. Ed. A. L. Kroeber. Chicago: U of Chicago P, 1953.

Sebeok, Thomas, ed. Style in Language. Cambridge (MA): M. I. T. Press, 1960.

_____, ed. Estilo del lenguaje. Madrid: Cátedra, 1974.

Segre, Cesare. "Estilo." In Segre, Principios de análisis del texto literario. Barcelona: Crítica, 1985. 175-86.*

Simpson, Paul. Stylistics: A Resource Book for Students. 2nd ed. London: Routledge, 2014.

Sontag, Susan. "On Style." In Sontag, Against Interpretation.  London: Deutsch, 1987. 15-37.*

Strelka, J., ed. Patterns of Literary Style. University Park: Pennsylvania State UP, 1971.

Strunk, William, Jr., and E. B. White. The Elements of Style with Index. 3rd ed. Allyn and Bacon, 1979.

Todorov, Tzvetan. "Style." In Oswald Ducrot and Tzvetan Todorov, Dictionnaire encyclopédique des sciences du langage.  Paris: Seuil, 1972. 383-9.

Unamuno, Miguel de. Alrededor del estilo. Ed. Laureano Robles. (Biblioteca Unamuno, 20). Salamanca: Ediciones Universidad de Salamanca, 1998.* (Essay, style, individuality, metaphor, biography, Zorrilla, modernismo, character, objectivity, novel, Galdós, Basho, authorship, literary translation, Cervantes, Pedro Fernández de Saavedra, exile).

Verdonk, Peter. "The Concept of Style." In Verdonk, Stylistics. Oxford: Oxford UP, 2002. 3-10.*

_____. "Style in Literature." ." In Verdonk, Stylistics. Oxford: Oxford UP, 2002. 11-16.*

Vinogradov, Viktor. "Des tâches de la stylistique." Todorov, Théorie de la littérature 109-113. Trans. from Russkaja rec' 1 (1922): 286-293.

_____. "Itogi obsuzhdeniia voprosov stilistiki." Voprosy iazykoznaniia 1 (1955)

Vossler, Karl. Filosofía del lenguaje. Buenos Aires: Losada, 1978.

Watson, William. "The Mystery of Style." In Watson, Excursions in Criticism. London: Mathews, 1893. 104-12.*

Wellek, René, and Austin Warren. "Style and Stylistics." In Wellek and Warren, Theory of Literature. 1949. Harmondsworth: Penguin, 1963. 174-85.*

Williams, Joseph M. Style: Ten Lessons in Clarity and Grace. 6th ed. New York: Longman, 2000.

Wimsatt, W. K., Jr. "Style as Meaning." In Wimsatt, The Prose Style of Samuel Johnson. New Haven, 1941.

_____. "Verbal Style: Logical and Counterlogical." PMLA 65 (March 1950): 5-20.

_____. "Verbal Style: Logical and Counterlogical." Rev. version in Wimsatt, The Verbal Icon. 1954. New York: Noonday, 1958. 201-19.*

 

 

 

 

 

 

Early works

 

Aelfric. "Translating into Our Ordinary Speech." Preface to Book I of Catholic Homilies. (989). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

_____. "Pure and Plain Words." Preface to Book II of Catholic Homilies. (992). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

_____. "Translating into Idiomatic English." Preface to Genesis. (997?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Aristotle. Peri poietikés. Bilingual edition (Greek and English). In S. H. Butcher, Aristotle's Theory of Poetry and Fine Art. 1895. 4th. ed.: London: Macmillan, 1932. 1-111.

_____. Peri poietikés. Bilingual edition (Greek and Spanish). In Sobre lo Sublime. Poética. Ed. and trans. José Alsina Clota. Barcelona: Bosch, 1977. 208-327.

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 29-76.

_____. The Poetics. Trans. in Gilbert 69-124.

_____. Poetics. Trans. S. H. Butcher. In H. Adams 47-66.

_____. Poética. Trilingual edition (Greek, Latin and Spanish). Ed. Valentín García Yebra. Madrid: Gredos, 1972.

_____. La poétique. Ed. and trans. Rosalyne Dupont-Roc y Jean Lallot. Paris: Seuil, 1980.

_____. Poética. Ed. and trans. Juan David García Bacca. 4th. ed. Caracas: Universidad Central de Venezuela, Ediciones de la Biblioteca,1982.

_____. El arte poética. Trans. José Goya y Muniain. Madrid: Espasa-Calpe, 1948. 7th. ed., 1984. Trans. of Peri poietikés.

_____. The Poetics. Trans. W. Hamilton Fyfe. In Aristotle: The Poetics. "Longinus": On the Sublime. Demetrius: On Style. Cambridge (MA): Harvard UP, 1927.

Bacon, Francis (Sir). From The Advancement of Learning  [The Abuses of Language]. 1605. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1542-44.*

Bembo, Pietro. Lingue volgare. 1512.

_____. Prose scelte. Ed. Francesco Coster. Milano, 1880.

Buffon, Georges-Louis Leclerc, comte de. "Discours . . . prononcé à l'Académie française par M. de Buffon le jour de sa réception . . . le samedi 25 août 1753." ("Discours sur le style"). In Œuvres complètes de Buffon.  Paris: Delangle, 1874. 1.1-15.

_____. "Discourse on Style." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921.  277-87.

Condillac, Etienne Bonnot de. De l'art d'écrire.

De Quincey, Thomas. "Style as Organic and as Mechanic." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 295-301.

Demetrius. On Style. In Aristotle, The Poetics. ‘Longinus’. On the Sublime. Demetrius. On Style. (Loeb Classics). Cambridge (MA): Harvard UP, 1927.*

_____. (Demetrio). Sobre el estilo. 'Longino'. Sobre lo sublime. Introd., trans. and notes by José García López. (Biblioteca Clásica Gredos, 15). Madrid: Gredos.*

_____. Sobre el estilo. In Demetrio. Sobre el estilo. 'Longino'. Sobre lo sublime. Introd., trans. and notes by José García López. (Biblioteca Básica Gredos, 126). Madrid: Gredos, 2002.*

Diderot, Denis. "What Everyone Knows About Expression and Something Which All the World Does Not Know." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921.  187-92.

Dionysius of Halicarnassus. La composición literaria. In Dionysius, Tres ensayos de crítica literaria. Ed. and trans. Vicente Bécares Botas. Madrid: Alianza, 1992. 115-216.*

Donatus, Aelius. Ars Major or Secunda. (Style). 4th century.

Eco, Umberto. "Sobre el estilo." In Eco, Sobre literatura. Barcelona: RqueR editorial, 2002. 171-88.*

Erasmus of Rotterdam. De copia verborum. 1511.

_____. (Desiderio Erasmo de Rotterdam). Recursos de forma y de contenido para enriquecer un discurso. Ed. Eustaquio Sánchez Salor. (Letras Universales). Madrid: Cátedra, c. 2011.

_____. Ciceronianus. 1528.

_____. El Ciceroniano o Del Mejor estilo de oratoria. Ed. Fernando Romo Feito. (Letras Universales). Madrid: Cátedra, c. 2010.

Hazlitt, William. "On Familiar Style." In Hazlitt, Table-Talk. 1821.

_____. "On Familiar Style." In Brown, The Writer's Art 323-32.

_____. "On Familiar Style." In Hazlitt, Table-Talk. 1821. Rpt. in Hazlitt, Collected Writings. Ed. Ronald Blythe. Harmondsworth: Penguin, 1970.*

_____. "On Familiar Style." In Selected English Essays. Ed. W. Peacock. London: Oxford UP, 1903. 274-83.

_____. "Sobre el estilo familiar." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 109-18.*

_____. "On the Prose Style of Poets." 1822.

_____. "Sobre el estilo prosístico de los poetas." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 151-70.*

Horace. Epistola ad Pisones. Barcelona: Bosch, 1966.

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Gilbert 128-43.

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 77-96.

Hoskins, John. Directions for Speech and Style. c.1599. Ed. H. H. Hudson. Princeton (NJ): Princeton UP, 1935.

Hume, David. "Of Simplicity and Refinement in Writing." In Selected English Essays. Ed. W. Peacock. London: Humphrey Milford/ Oxford UP, 1903. 152-56.*

Jean de Meun. "Translating for Lay People." From the prologue to the Roman de la Rose. (c. 1280). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

_____. "Plainly Rendering the Sense." From the dedication to the translation of Boethius' Li Livres de Confort de Philosophie. (between 1285-1305). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Jonson, Ben. Timber: Or, Discoveries. Criticism. 1st ed. in Workes. Vol. 2. 1640.

_____. Discoveries. Ed. Maurice Castelain. Paris, 1906.

_____. Timber: Or, Discoveries. Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 212-21.*

_____. Discoveries. Ed. G. B. Harrison. (Bodley Head Quartos).

_____. Timber: Or, Discoveries. Ed. Ralph S. Walker. London: Greenwood Press, 1976.

_____. Timber, or, Discoveries. In Ben Jonson (The Oxford Authors) 521-94.*

_____. From Timber, or Discoveries. 1640-41. (Style). In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1616-18.*

Lamb, Charles. "The Genteel Style in Writing." In Lamb, The Essays of Elia. London: Dent, 1906. 233-7.*

(Pseudo-)Longinus (attr.). Peri hypsous. Anonymous treatise. 80 A. D.?

_____. Peri Hypsous. Ed. Robortelli. 1554.

_____. Peri Hypsous / On the Sublime. Bilingual edition. Ed. and trans. W. Hamilton Fyfe. In Aristotle, The Poetics. 'Longinus'. On the Sublime. Demetrius. On Style. (Loeb Classics). Cambridge (MA): Harvard UP, 1927. 119-254.*

_____. Longinus on the Sublime. Trans. W. R. Roberts. Cambridge: Cambridge UP, 1899.

_____. Longinus on the Sublime. Trans. A. O. Prickard. 1906.

_____. On the Sublime. Trans. W. Rhys Roberts. In The Great Critics. Ed. James Harry Smith and Edd Winfield Parks. New York: Norton, 1932. 39-85.*

_____. On the Sublime. Trans. W. R. Roberts. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 76-102.*

_____. Peri hypsous / Sobre lo sublime. Bilingual edition. In Anónimo, Sobre lo sublime. Aristóteles Poética. Barcelona: Bosch, 1977.*

_____. On the Sublime. Ed. and trans. Leonard Welsted. 1712.

_____. On the Sublime. (Select.). In Saintsbury, Loci Critici. 41-53.

_____. On Literary Excellence. In Gilbert 146-98. Trans. of Peri hypsous.

_____. On the Sublime. In Classical Literary Criticism. Trans. T. S. Dorsch.  Harmondsworth: Penguin, 1965. 97-158.*

_____ On the Sublime. Trans. W. Rhys Roberts. Online at Classic Persuasion.

         http://classicpersuasion.org/pw/longinus/

         2013

_____. De Sublime. Bilingual ed. Greek/French M. Labrègue. Paris: Les Belles Lettres, 1965.

_____. Sobre lo sublime. In Demetrio. Sobre el estilo. 'Longino'. Sobre lo sublime. Introd., trans. and notes by José García López. (Biblioteca Clásica Gredos, 15). Madrid: Gredos.*

_____. Sobre lo sublime. In Demetrio. Sobre el estilo. 'Longino'. Sobre lo sublime. Introd., trans. and notes by José García López. (Biblioteca Básica Gredos, 126). Madrid: Gredos, 2002.*

_____. On the Sublime. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 103-14.*

_____. From On Sublimity. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Lucian. "On Precious and Eccentric Style." In Saintsbury, Loci Critici. 39-40.*

Nietzsche, Friedrich. "Translating the Tempo of the Original." From Jenseits Gutes und Böses. 1886. In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Nizolius, M. Thesaurus Ciceronianus. 1535.

Norris, Frank. "Simplicity in Art." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 141-7.

Pallavicino, Sforza Trattato dello stile e del dialogo. Rome, 1622.

Pater, Walter. "Style." In Pater, Appreciations: With an essay on Style. 1889. London: Macmillan, 1918. 5-38.*

_____. From Appreciations (From "Style"). 1889. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1645-48.*

Peacham, H. Garden of Eloquence. 1577.

Ruskin, John. "Language and the Man." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 147-9.

_____. "The Morality of Style." From Lectures on Art. 1870. In The Literary Criticism of John Ruskin. New York: Doubleday, 1965. 335-37.

Scaliger, Julius Caesar. Pro M. Tullio Cicerone, contra D. Erasmum Roterodamum. 1531.

Schopenhauer, Arthur. "On Style." In Schopenhauer, The Art of Literature. London: Allen, 1891. 15-38.*

_____. "23. Sobre actividad literaria y estilo." In Schopenhauer, Parerga y Paralipómena II. Madrid: Trotta, 2009. 513-64.*

Spencer, Herbert. The Philosophy of Style. (Humboldt Library, 39). New York, 1882.

Stevenson, R. L. "On Style in Literature: Its Technical Elements." The Contemporary Review (1885). (Nature of literature; Nature of poetry; Nature of prose; Metre; Rhythm; Style)

_____. "On Some Technical Elements of Style in Literature." In Stevenson, Essays in the Art of Writing. London: Chatto, 1910. 3-46.*

_____. "Sobre algunos elementos técnicos del estilo literario." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.248-60.*

Swift, Jonathan. "On Style." In Selected English Essays. Ed. W. Peacock. London: Oxford UP, 1903. 56-61.*

Tacitus, Publius Cornelius. Dialogvs de oratoribvs. Barcelona: Bosch, 1976.* (Oratory; Poet; Style; Fame; Education; Morality)

_____. Dialogue on Orators. In Ancient Literary Criticism. Ed. D. A. Russell and M. Winterbottom. Oxford: Clarendon Press, 1972.

_____. Diálogo sobre los oradores. In Tacitus, Agrícola. Germania. Diálogo sobre los oradores. Introd., trans. and notes by J. M. Requejo. (Biblioteca Básica Gredos, 91). Madrid: Gredos, 2001.*

Thoreau, Henry David. "Thomas Carlyle and his Works." Graham's American Monthly Magazine of Literature and Art (1847).

_____. "The Sinews of Style." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 288-94.

Vives, Luis. De ratione dicendi.

Valla, Lorenzo. Elegantiae linguae latinae. c. 1435.

Wilson, Thomas The Arte of Rhetorique. 1553. 1560.

_____. The Arte of Rhetorique, for the use of all soche as are studious of Eloquence, ... by Thomas Wilson. London: Iohn Kingston, London, 1560.

_____. The Arte of Rhetorique, 1560. Ed. G. H. Mair. Oxford: Clarendon Press, 1909.

_____. The Art of Rhetoric. 1560. Ed. Peter E. Medine. University Park: Pennsylvania State UP, 1994.*

_____. The Arte of Rhetorique, 1560. Ed. G. H. Mair. Oxford: Clarendon Press, 1909.

Woodhouselee, Alexander Fraser Tytler (Lord). Essay on the Principles of Translation. Edinburgh: Printed for T. Cadell; and W. Creech, 1791.

Zymner, Rüdiger. "Stilwahrnehmung. Zur Beziehung von Stilistiken, Stil und Gestalts." Journal of Literary Theory 2.2 (2008): 305-20.*

         http://www.jltonline.de/index.php/articles/article/view/110/383

         2009

 

 

 

 

Miscellaneous

 

 

Adam, Jean-Michel. Le style dans la langue. Lausanne: Delachaux & Niestlé, 1997.

Adams, Martin. "Transparency and Opaqueness." Novel 7.3 (1974): 197-209.

Aguiar e Silva, Vítor Manuel de. "La estilística." In Aguiar e Silva, Teoría de la literatura. Trans. Valentín García Yebra. Madrid: Gredos, 1972. 434-59.*

Alonso, Dámaso. Poesía española: Ensayo de métodos y límites estilísticos. 1950. Madrid: Gredos, 1976.

Alonso, Dámaso, and Carlos Bousoño. Seis calas en la expresión literaria española. Madrid: Gredos, 1979.

Alvarez Amorós, José A. "Por una estilística textual." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 363-7.*

Balibar, Renée. Les Français fictifs: Le rapport des styles littéraires au français national. Paris: Hachette, 1974.

Bally, Charles. "Le style indirect libre en français moderne". Germanisch-Romanische Monatschrift 4 (1912): 549-56, 597-606.

_____. Traité de stylistique française. 1909. Paris: Klincksieck, 1951.

Baroja, Pío. "La intuición y el estilo." 1948. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 240-44.*

Benet, J. La inspiración y el estilo. Barcelona: Seix Barral, 1973.

Benford, Gregory. "Style, Substance, and Other Illusions." In Styles of Creation: Aesthetic Technique and the Creation of Fictional Worlds. Ed. George Slusser and Eric S. Rabkin. Athens (GA): U of Georgia P, 1992. 47-57.*

Benjamin, Andrew. Style and Time: Essays on the Politics of Appearance. Northwestern UP, 2006.

Bernhardsson, S., L. E. Correa da Rocha, and P. Minnhagen. "The meta book and size-dependent properties of written language." New Journal of Physics 11 (2009).

Blasco, Javier. "Atribuciones cervantinas desde la estilometría: El entremés de Los mirones"." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.  

Bousoño, Carlos. Teoría de la expresión poética. 2 vols. Madrid: Gredos, 1976.

Bridgman, Richard. The Colloquial Style in America. New York: Oxford UP, 1966.

Brown, Roger, and Albert Gilman. "The Pronouns of Power and Solidarity." In Sebeok 253-76.

Carter, R., ed. Language and Literature: An Introductory Reader in Stylistics. London: Allen and Unwin, 1982.

Carter, Ronald, and Michael N. Long. The Web of Words: Exploring Literature Through Language. Cambridge: Cambridge UP, 1987.

Carter, Ronald, and Walter Nash. Seeing Through Language: A Guide to Styles of English Writing. Oxford: Blackwell, 1990.

Carter, R., and P. Simpson, eds. Language, Discourse and Literature. An Introductory Reader in Discourse Stylistics. London: Unwin Hyman, 1989.

Chapman, R. Linguistics and Literature. London: Arnold, 1973.

Chatman, Seymour. The Later Style of Henry James. Oxford: Blackwell, 1972.

Chatman, Seymour, and Samuel R. Levin, eds. Essays on the Language of Literature. Boston: Houghton, 1967.

Cluysenaar, A. An Introduction to Literary Stylistics. London: Batsford, 1976.

Cohen, Milton A. "11. Styles." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 109-18.*

Coupland, Nicholas, ed. Styles of Discourse. London: Croom Helm, 1988.

Craig, Hugh. "Stylistic Analysis and Authorship Studies." In A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth, eds. Malden (MA): Blackwell, 2004. 273-88.*

Croce, Benedetto. Philosophy, Poetry, History. Oxford: Oxford UP, 1966.

Croll, Morris W. Style, Rhetoric and Rhythm. Ed. Max Patrick and Robert O. Evans. Princeton: Princeton UP, 1966.

Crystal, David, and Derek Davy. Investigating English Style. London: Longmans, 1969.

Derrida, Jacques. Eperons. Sporen. Spurs. Sproni. Venizia, Corbo e Fiore, 1976.

_____. Eperons: Les styles de Nietzsche. Preface by Stefano Agosti, "Coup sur coup". (Champs). Paris: Flammarion, 1978.*

_____. Spurs: Nietzsche's Styles. Trans. Barbara Harlow. Chicago: Chicago UP, 1979.*

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Hernández Álvarez, Vicenta. "El 'yo' en el texto: El estilo como posibilidad de un psicoanálisis textual." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno and Silvia Caporale. Barcelona: PPU, 1996. 133-43.*

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Dictionaries

 

 

Wales, Katie. Dictionary of Stylistics. London: Longman, 1990.

 

 

 

 

 

 

Journals

 

 

Language and Literaturre 4.1 (1995): 64-7.

 

Language and Style 23.4 (1994 for 1990).

 

Style

Department of English

Northern Illinois University

DeKalb, Illinois 60115-2863

USA

Style 28.3 (1994).

 

Stylistica 1 (Sevilla, 1995).

 

 

 

 

 

 

Series

 

 

(Language and Style series, 11). Oxford: Blackwell, 1972.

 

 

 

 

 

 

See also: Stylistics; Rhetoric; Register and style; Idiolects.