Plot (Bibliography)

 Retropost, 2014:

Plot by Bishal Ghosh

Argumento, intriga narrativa

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Plot

 

 

Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge UP, 2002.* (Cultural masterplots).

Aristotle. Poetics. Trans. S. H. Butcher. In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 47-66.*

Arp, Thomas R., and Greg Johnson. "Plot and Structure." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*

Bamberg, Michael. "Actions, Events, Scenes, Plots and the Drama: Language and the Constitution of Part-whole Relationships." Language Sciences 16 (1994): 39-79.

Baroni, Raphaël. La Tension narrative: Suspense, curiosité, surprise. (Poétique). Paris: Seuil, 2007.* (Plot, sequences, reading narrative, literary competence, transtextuality, Borges…)

_____. "Réticence de l’intrigue." In Narratologies contemporaines: Nouveaux paradigmes pour la théorie et l'analyse du récit. Ed. John Pier and Francis Berthelot. Paris: Editions des Archives Contemporaines, 2010. 199-214.

_____. "Plots in Life and Fiction: A Cognitive Reconceptualization." Književna Istorija 47.155 (2015): 41-56. Online at Academia.

         https://www.academia.edu/20215441/

         2019

_____. Les Rouages de l'intrigue: Les outils de la narratologie postclassique pour l'analyse des textes littéraires. Geneva: Slatkine, 2017. Online at Serval.*

         https://serval.unil.ch/fr/notice/serval:BIB_91F2FABBCF53

         2023

_____. I meccanismi dell'intreccio: Introduzione alla narratologia funzionale. (Humana scientia – Semeia). Effigi, 2020.*

         http://www.cpadver-effigi.com/blog/i-meccanismi-dell-intreccio-raphael-baroni/

         2021

Baxter, Charles. The Art of Subtext: Beyond Plot. St. Paul (MN): Graywolf, 2007.

Beer, Gillian. Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth Century Fiction. London: Routledge and Kegan Paul, 1983.

_____. Darwin's Plots. London: Ark, 1985.

Bennett, James R. "Plot Repetition: Theme and Variation of Narrative Micro-Episodes." Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 17.4 (1981): 405-20.

Berliner, Todd. "Expect the Expected: Aesthetics of Planting and Playoff." Narrative 28.2 (May 2020): 174-99.

         https://dx.doi.org/10.1353/nar.2020.0009

Online at Project Muse; online at Academia.*

         https://www.academia.edu/42825801/

         2020

Bharat Muni (Attr.). Natya Shastra. Ancient Sanskrit treatise on drama. (c. 200 BC-200 AD).

_____. The Natyasastra Ascribed to Bharata-Muni. Trans. Manomohan Ghosh, M.A., Ph.D. (Bibliotheca Indica: A Collection of Oriental Works; work no. 272, issue 1559). Calcutta: Asiatic Society of Bengal, 1951.*

_____. Natya Shastra. Trans. Manomohan Ghosh. 1951. Internet Archive.

         http://archive.org/details/NatyaShastra

         2013

Blackmur, R. P. "Plot in Poetry" 1941. In "Three Notes". In Blackmur, Language as Gesture. 1952. Westport (CT): Greenwood Press, 1977. 363-64.*

Boheemen, Christine van. "The Semiotics of Plot: Toward a Typology of Fictions." Poetics Today 3.4 (1982): 89-96.

Boyd, Brian. "Part 4: Phylogeny: The Odyssey." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 213-317.* (Attention, Character and Plot, Patterns, Intelligence, Immediacy, Cooperation, Punishment).

Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon Press; New York:  Alfred A. Knopf, 1984.* 

_____. Reading for the Plot. New York: Vintage, 1985.

_____. "Narrative Desire." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 130-37.*

Brower, Reuben A. "The Heresy of Plot." In English Institute Essays, 1951. New York, 1952.

Brown, M. "Plan vs. Plot: Chapter Symmetries and the Mission of Form." Stanford Literature Review 4 (1987): 103-36.

Bruns, John.  "Get Out of Gaol Free, or: How to Read a Comic Plot."  Journal of Narrative Theory 35.1 (Winter 2005): 25-59.

Bueler, Lois E. Clarissa's Plots. Newark (DE): Associated Ups,  1994.

Cameron, Allan. Modular Narratives in Contemporary Cinema. Palgrave Macmillan, 2008.

http://www.amazon.com/Modular-Narratives-Contemporary-Cinema-Cameron/dp/0230210414/ref=sr_1_1?ie=UTF8&s=books&qid=1281062616&sr=8-1

Case, Alison. Plotting Women. Charlottesville: UP of Virginia, 1999.

Caserio, Robert L. Plot, Story and the Novel: From Dickens and Poe to the Modern Period. Princeton (NJ): Princeton UP, 1979.

Chatman, Seymour. "2. Plot." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 20-57.* (Definition of Plot; Closed and Open Plots; Story-Time and Discourse-Time; Narrative Order and Duration: Carson McCullers, 'A Tree- A Rock - A Cloud'; Margaret Atwood, 'The Sin Eater'; Joyce Carol Oates, 'Four Summers').

Crane, R. S. "The Plot of Tom Jones." Journal of General Education 4 (1950): 112-30. Rpt. in Tom Jones: An Authoritative Text / Contemporary Reactions / Criticism. Ed. Sheridan Baker. New York: Norton, 1973. 844-68.*

_____. "The Concept of Plot and the Plot of Tom Jones."  In Critics and Criticism: Essays in Method. Ed. R. S. Crane. 1952. Abridged ed. Chicago: U of Chicago P, 1957. 62-93.*

_____. "The Concept of Plot." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 131-42.*

_____. "The Concept of Plot and the Plot of Tom Jones." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 94-101.*

_____. From "The Concept of Plot and the Plot of Tom Jones." In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 119-39.*

_____. "El concepto de argumento y el argumento de Tom Jones." In  Neoaristotélicos de Chicago. Ed. Javier García Rodríguez. Madrid: Arco/Libros, 2000. 173-220.*

Currie, Gregory. "6. Resistance." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford UP, 2010. 109-22.* (Kinds of Resistance - Abilities - The Evolution of Resistance - Confusing Framework and Content - Conclusion).

Culler, Jonathan. "Fabula and sjuzhet in the Analysis of Narrative." Poetics Today 1.3 (1980): 27-37.*

_____. "Fabula and Sjuzhet in the Analysis of Narrative: Some American Discussions." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 93-102.*

Dannenberg, Hilary P. "Ontological Plotting: Narrative as a Multiplicity of Temporal Dimensions." In The Dynamics of Narrative Form: Studies in Anglo-American Narratology. ·Ed. John Pier. (Narratologia: Contributions to Narrative Theory / Beiträge zur Erzähltheorie, 4). Berlin and New York: Walter de Gruyter, 2005. 159-89.*

_____. Coincidence and Counterfactuality: Plotting Space and Time in Narrative Fiction. Lincoln: U of Nebraska Press, 2008. (2009 Perkins Prize).

Dijk, T. A. van, and Walter Kintsch. "Cognitive Psychology and Discourse: Recalling and Summarizing Stories." In Current Trends in Text Linguistics. Ed. W. U. Dressler. Berlin: De Gruyter, 1978. 61-80.

Dipple, Elizabeth. Plot. (The Critical Idiom). London: Methuen, 1970.*

Essig García, D. "'The Happy Effect of My Writing': Richardson's Plotting and Epistolary Theory." Estudios Ingleses de la Universidad Complutense 20 (2012).

Faisal, Abdul Rehman. (عبدالرحمن فیصل). " پلاٹ: ارسطوئی تصور اور روسی ہئیت پسندوں کا تصور".  ("Plot: The Aristotelian concept and the Concept of Russian Formalists"). Me'yar معیار  14.2 (2022). Online at International Islamic University, Islamabad.*

         http://irigs.iiu.edu.pk:64447/ojs/index.php/meyar/article/view/2591

         2022

Forster, E. M. "Story and Plot." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 71-72.*

Friedman, Norman. "Forms of the Plot." Journal of General Education 8.4 (1955): 241-53.

García Landa, José Angel. "Modelos de la acción en la crítica anglonorteamericana: story / plot versus fabula / siuzhet." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 48-60.*

_____. "Tragedia y dinámica de fuerzas." In García Landa, Vanity Fea 21 May 2009.*

         http://vanityfea.blogspot.com/2009/05/tragedia-y-dinamica-de-fuerzas.html

         2009

_____. "Tragedia y dinámica de fuerzas." iPaper at Academia.edu 17 Nov. 2011.*

         http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/1151675/Tragedia_y_dinamica_de_fuerzas

         2011

_____. "Tragedy and Force Dynamics / Tragedia y dinámica de fuerzas." Online PDF at Social Science Research Network 17 Nov. 2011.*

         http://ssrn.com/abstract=1961202

         2011

Garrett, Peter K. The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980.*

Gebauer, Carolin. Making Time: World Construction in the Present-Tense Novel. (Narratologia, 77). Boston and Berlin: De Gruyter, 2021.* (I. Mapping the Research Field on Present-Tense narration; II. A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses and Functions of Present-Tense Narration in Contemporary Narrative Fiction; Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator, First-person narration, Figural narration, Focalization, Retrospection, Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot, Storyworld, Voice).

         https://www.degruyter.com/document/doi/10.1515/9783110708134/html

         2022

Gervás, Pablo, Belén Díaz-Agudo, Federico Peinado and Raquel Hervás. "Story Plot Generation based on CBR." Knowledge-Based Systems (Special issue: AI-2004) 18.4-5: 235-242. Elsevier Science, 2005.

http://dx.doi.org/10.1016/j.knosys.2004.10.011

_____. "Story Plot Generation based on CBR." 24th Annual International Conference of the British Computer Society's Specialist Group on Artificial Intelligence (SGAI). Applications and Innovations in Intelligent Systems, XII, 13th - 15th December, Cambridge, UK. Springer, WICS series, 2004. 36-46. (PDF in Federico Peinado's website,

http://www.fdi.ucm.es/profesor/fpeinado/).

Глушаков, Павел. "Наследники и фантомы: О литературных сюжетах от Пушкина до Тынянова." In «Меры не знал я, смертных любя»: к 90-летию российского филолога Владимира Серафимовича Вахрушева (1932—2011).  Редакторы-составители Людмила Комуцци и Павел Глушаков. Санкт-Петербург: Росток, 2022.  229-51.* ("Heirs and Phantoms: On Literary Plots from Pushkin to Tynyanov.")

Heller, Leonid. "La construction narrative et mouvement, Tchékhov et Zamiatine." Amsterdam International Electronic Journal for Cultural Narratology 1 (Spring 2005).

         http://cf.hum.uva.nl/narratology/s05_index.htm

2007-01-30

Hladkij, Steven. "Steven Hladkij's Theory of Narrative Emplotment and Synchronicity."

         http://www.largocanyon.org/pi/synchronicity/steves.htm

2007-11-26

Honeywell, J. Arthur. "Plot in the Modern Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 238-50.*

Horsdal, Marianne. Telling Lives: Exploring Dimensions of Narrative. London: Routledge, 2012.*

Hühn, Peter. "Mimetic Desire: An Attempt to Explain the Plot Structure of Detective Fiction." Literaturwissenschaftliches Jahrbuch 44 (2003):  337-352.

Hühn, Peter, and Jens Kiefer. "Approche descriptive de l'intrigue et de la construction de l'intrigue par la théorie des systèmes." In Théorie du récit: L'apport de la recherche allemande. Villeuneve d'Ascq: Presses Universitaires du Septentrion, 2007. 209-26.*

Isaacs, Neil D.  "Middlemarch:  Crescendo of Obligatory Drama."  Nineteenth-Century Fiction  18 (1963): 21-34.

Jameson, Fredric. "Metacommentary." PMLA 86 (1971).

Kafalenos, Emma. Narrative Causalities. Columbus: Ohio State UP, 2006.

Keen, Suzanne. "5. Plot and Causation: Related Events." In Keen, Narrative Form. Houndmills and New York: Palgrave Macmillan, 2003. 73-89.*

Knight, Andrew F. "Process of Relaying a Story Having a Unique Plot." Patent application. US Patent and Trademark Office 3 Nov. 2005.

http://appft1.uspto.gov/netacgi/nph-Parser?Sect1=PTO2&Sect2=HITOFF&p=1&u=/netahtml/PTO/search-bool.html&r=1&f=G&l=50&co1=AND&d=PG01&s1=knight.IN.&s2=plot&OS=IN/knight+AND+plot&RS=IN/knight+AND+plot

Knight, Kobold. Plot Digest. London, n. d.* [c. 1940]

Lehnert, W. G. "Plot Units and Summarization." Cognitive Science 4 (1981): 239-331.

Lehtimäki, Markku, Laura Karttunen and Maria Mäkelä,  eds. Narrative, Interrupted: The Plotless, the Disturbing and the Trivial in Literature. Google eBook, 2012.

         http://books.google.es/books?id=NKXualYUt3IC

         2014

Leondar, Barbara. "Hatching Plots: Genesis of a Storymaking." In The Arts and Cognition. Ed. David Perkins and Barbara Leondar. Baltimore: Johns Hopkins UP, 1977.

Levin, Richard. The Multiple Plot in English Renaissance Drama. Chicago and London: U of Chicago P, 1971.

Lotman, Iuri.  "The Origin of Plot in the Light of Typology." 1973. Trans. Julian Graffy. Poetics Today 1.1/2 (1979): 161-84.

Lowe, N. J. The Classical Plot and the Invention of Western Narrative. Cambridge UP, 2004.

May, C. E. Masterplots II. (Short Story Series). Pasadena (CA): Salem Press, 2004.

McKee, R. El guión: Sustancia, estructura, estilo y principios de la escritura de guiones. Barcelona: Alba, 2013.

Miller, Nancy K. "Emphasis Added: Plots and Plausibilities in Women's Fiction". PMLA 96 (1981).

_____. "Emphasis Added: Plots and Plausibilities in Women's Fiction." In The New Feminist Criticism. Ed. Elaine Showalter. New York: Pantheon, 1985. 339-360.*

_____. "Emphasis Added: Plots and Plausibilities in Women's Fiction." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 110-29.*

Morales Ortiz, Gracia. "'Nada que hacer': una aproximación a la noción de conflicto estático." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.  

Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.*

Mortimer, Armine Kotin. "Second Stories." In Short Story Theory at the Crossroads. Ed. Susan Lohafer and Jo Ellyn Clarey. Baton Rouge: Louisiana State UP, 1989.

Murphet, Julian. "4. Stories and Plots." In Helen Fulton et al., Narrative and Media. Cambridge: Cambridge UP, 2005. 47-59.* (In film).

Nischik, Reingard M. Einsträngigkeit und Mehrsträngigkeit der Handlungsführung in literarischen Texten. Tübingen: Narr, 1981.

Olson, Elder. "The Elements of Drama: Plot." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 284-302.*

Pavel, Thomas G. The Poetics of Plot: The Case of English Renaissance Drama. Minneapolis: U of Minnesota P, 1985.*

Peinado, Federico, and Pablo Gervás. "Creativity Issues in Plot Generation". In Workshop on Computational Creativity, Working Notes. 19th International Joint Conference on Artificial Intelligence, 45-52. 30th July - 5th August, Edinburgh, UK. Technical Report 5-05. Ed. Pablo Gervás, T. Veale and A. Pease. Madrid: Dpto. Sistemas Informáticos y Programación, Universidad Complutense de Madrid, 2005.

(PDF in Federico Peinado's website, http://www.fdi.ucm.es/profesor/fpeinado/).

Perry, Menakhem. "Literary Dynamics: How the Order of a Text Creates Its Meaning, with an Analysis of Faulkner's 'A Rose for Emily'." Poetics Today 1.1-2 (1979): 35-64, 311-61.

Phelan, James. Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative. Chicago: U of Chicago P, 1979. 1989.

_____. "Narrative Progression." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 211-16.*

Pier, John. "Narrative Configurations." In The Dynamics of Narrative Form: Studies in Anglo-American Narratology. Ed. John Pier. (Narratologia: Contributions to Narrative Theory / Beiträge zur Erzähltheorie, 4). Berlin and New York: Walter de Gruyter, 2005. 239-68.*

_____. "Configurations narratives." In Narratologies contemporaines: Nouveaux paradigmes pour la théorie et l'analyse du récit. Ed. John Pier and Francis Berthelot. Paris: Editions des Archives Contemporaines, 2010. 173-98.

Pitol, Sergio. Pasión por la trama. Essay.

Propp, Vladimir. Morfología del cuento. Madrid: Akal, 1985. 1998.

Rabkin, Eric S. "Spatial Form and Plot." Critical Inquiry 4.2 (1977): 253-70.

Rader, Ralph. "A Comparative Anatomy of Three 'Baggy Monsters': Bleak House,  Vanity Fair, Middlemarch." The Journal of Narrative Technique 19.1 (Winter 1989): 49-69.

Reagan, Andrew J., Lewis Mitchell, Dilan Kiley, Christopher M. Danforth, and Peter Sheridan Dodds. "The Emotional Arcs of Stories Are Dominated by Six Basic Shapes." EJP Data Science 5 (2016): art. 31.*

         https://doi.org/10.1140/epjds/s13688-016-0093-1

         https://epjdatascience.springeropen.com/articles/10.1140/epjds/s13688-016-0093-1

         2021

Reece, P. J. Story Structure to Die For. Online PDF at PJ Reece

         http://www.pjreece.ca/blog/wordpress/story-structure-to-die-for-pj-reece/

         2012

Revzin, I. I., and O. G. Revzina. "Toward a Formal Analysis of Plot Construction." In Semiotics and Structuralism: Readings from the Soviet Union. Ed. Henryk Baran. White Plains (NY): Arts and Sciences, 1976. 244-56.

Ricardou, Jean. "Text Generation." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 179-90.*

Richardson, Brian. "Plotting against Probability: Tom Stoppard, Bharati Mukherjee, Angela Carter, and the Structure of Coincidence in Postmodern Narrative." In Richardson, Unlikely Stories: Causality, Ideology, and Interpretation in Modern Narrative. Newark: U of Delaware Press; London: Associated University Presses, 1997. 157-81.*

_____. Unlikely Stories: Causality, Ideology, and Interpretation in Modern Narrative. Newark (NJ): U of Delaware Press, 1997.

_____. "Beyond the Poetics of Plot: Alternative Forms of Narrative Progression and the Multiple Trajectories of Ulysses." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 167-80.*

_____. A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives. (Theory and Interpretation of Narrative). Columbus (OH): Ohio State UP, 2019. Online at Oapen.*

         https://library.oapen.org/bitstream/handle/20.500.12657/22468/1/1007715.pdf

         2022

_____. A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives. 2019.

         https://www.researchgate.net/publication/336426192

         2020

_____, ed. Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. (The Theory and Interpretation of Narrative Series). Columbus: Ohio State UP, 2002.* (Part I: Time; Part II: Plot; Part III: Narrative Sequencing; Part IV: Beginnings and Ends; Part V: Narrative Frames).

Richter, David H. "Covert Plot in Isak Dinesen's 'Sorrow-Acre'." Journal of Narrative Technique 15.1 (1985): 82-90.

Ricœur, Paul. "La mise en intrigue: une lecture de la Poétique d'Aristote." In Temps et récit Tome I: L'intrigue et le récit historique. Paris: Seuil, 1983. Rpt. (Points) 2001. 66-104.*

_____. Time and Narrative, vol. 1. Trans. Kathleen McLaughlin and David Pellauer. Chicago: U of Chicago P, 1984.*

_____. Tiempo y Narración, vol. 1. Trans. Agustín Neiral. Madrid: Ediciones Cristiandad, 1987.

_____. Temps et récit II. La configuration dans le récit de fiction. Paris: Seuil, 1984.

_____. "Les métamorphoses de l'intrigue." In Ricœur, Temps et récit: Tome II: La configuration dans le récit de fiction. 1984. Paris: Seuil, 1991. 17-58.*

_____. Temps et récit: Tome II: La configuration dans le récit de fiction. (Points; Essais, 228). Paris: Seuil, 1991. 2001.*

_____. Time and Narrative, volume 2. Trans. Kathleen McLaughlin and David Pellauer. Chicago: U of Chicago P, 1986.*

_____. Tiempo y narración II: Configuración del tiempo en el relato de ficción. Madrid: Cristiandad, 1987.

Robbe-Grillet, Alain. "Sur quelques notions périmées." In Robbe-Grillet, Pour un nouveau roman. Paris: Minuit, 1963. 25-44.

Robinson, David. "Examining the Arc of 100,000 Stories: A Tidy Analysis." Variance Explained 26 April 2017.*

         http://varianceexplained.org/r/tidytext-plots/

         2021

Ronen, Ruth. "Paradigm Shift in Plot Models: An Outline of the History of Narratology." Poetics Today 11 (Winter 1990): 817-42.*

_____. "Fictional Events and the Intricacies of Plot." In Ronen, Possible Worlds in Literary Theory. Cambridge: Cambridge UP, 1994. 144-74.*

Ryan, Marie-Laure. "Cheap Plot Tricks, Plot Holes, and Narrative Design." Narrative 17.1 (Jan. 2009): 56-75.*

Sánchez-Escalonilla, A. Estrategias de guión cinematográfico. Madrid: Ariel, 2001.

_____. Guión de aventura y forja del héroe. Madrid: Ariel, 2002.

Sanz-Magallón, Ana. Cuéntalo bien: El sentido común aplicado a las historias. Plot Ediciones, 2007.

Shen, Dan. Style and Rhetoric of Short Narrative Fiction: Covert Progressions behind Overt Plots. Routledge, forthcoming 2013.

Shklovsky, Viktor. "On the Connection between the Devices of syuzhet Construction and General Stylistic Devices". In Russian Formalism. Ed. Bann and Bowlt. Edinburgh: Sottish Academic P, 1973. 48-72.

_____. "The Relationship between Devices of Plot Construction and General Devices of Style." In Shklovsky, Theory of Prose. Trans. B. Sher. Elmswood Park (IL): Dalkey Archive Press, 1990. 15-51.

_____. "La conexión de los procedimientos de la composición del siuzhet con los procedimientos generales del estilo." In Antología del formalismo ruso y el grupo de Bajtin. Ed. Emil Volek. Madrid: Fundamentos, 1992. 123-56.*

_____. "La conexión de los procedimientos de la composición del siuzhet con los procedimientos generales del estilo." In Antología del formalismo ruso y el grupo de Bajtin. Ed. Emil Volek. Madrid: Fundamentos, 1992. 123-56.*

Souriau, Etienne. Les 200.000 situations dramatiques. Paris: Larousse, 1950.

Stephen, James Fitzjames. "Little Dorrit." The Saturday Review (1857) (Dickens, Plot; Characterisation; Society; Morality)

Stevenson, Robert Louis. "A Humble Remonstrance." Longman's Magazine (December 1884). (Novel; Henry James; Characterisation; Emotion; Mimesis; Artifice)

_____. "A Humble Remonstrance." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 232-46.

_____. "A Humble Remonstrance." In Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985. 213-22.*

Sturgess, Philip J. M. "A Logic of Narrativity." New Literary History 20.3 (1989): 763-83.

_____. "Narrativity and Double Logics." Neophilologus 74 (1990): 161-77.

Todorov, Tzvetan. Grammaire du Décameron. The Hague: Mouton, 1969.

_____. Poétique de la prose. (Poétique). Paris: Seuil, 1971.

_____. Poétique de la prose (choix), suivi de Nouvelles Recherches sur le récit. (Points:  Littérature, 120). Paris: Seuil, 1978.*

_____. Poétique de la prose (choix) suivi de Nouvelles Recherches sur le récit. 1971, 1978. Online text:

         http://www.ae-lib.org.ua/texts/todorov__poetique_de_la_prose__fr.htm

         2010

_____. The Poetics of Prose. Trans. Richard Howard. Ithaca: Cornell UP; Oxford: Blackwell, 1977.

_____. "Les deux principes du récit." In Todorov, La Notion de littérature et autres essais. Paris: Seuil, 1987. 47-65.

_____. "The Two Principles of Narrative." Diacritics 1 (Fall 1971): 37-44.

Tomashevsky, Boris. "Story, Plot, and Motivation." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 164-78.*

Tornero, Angélica. "El tiempo, la trama y la identidad del personaje a partir de la teoría de Paul Ricœur." Revista de Humanidades: Tecnológico de Monterrey 24 (2008): 51-79.

         http://www.redalyc.org/articulo.oa=id=38402403

         Academia.*

         https://www.academia.edu/en/67885463/

         2022

Tristram, Hildegard L. C. "Aggregating versus Integrating Narrative: Original Prose in England from the Seventh to the Fifteenth Century." In Mündlichkeit und Schriftlichkeit im englischen Mittelalter. Ed. W. Erzgräber and S. Volk. Tübingen: Narr, 1988. 53-64.

Tynianov, Yuri. "Plot and Story-Line in the Cinema." Russian Poetics in Translation 5 (1978).

Uzzell, Thomas H. Narrative Technique: A Practical Course in Literary Psychology. In collab. with Camelia Waite Uzzell. New York: Harcourt, Brace, 1923. 2nd ed. 1929. 3rd ed. 1934.*

Van Boheemen-Saaf, Christine. Between Sacred and Profane: Narrative Design and the Logic of Myth from Chaucer to Coover. Humanities Press, 1987.

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Relato y estructura narrativa

 

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A Bibliography of Literary Theory, Criticism and Philology

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(University of Zaragoza, Spain)

 

 

 

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