from
A Bibliography of Literary Theory, Criticism and
Philology
http://bit.ly/abibliog
by José Ángel García Landa
(University
of Zaragoza, Spain)
Form,
Structure and Content in Literature
Bakhtin,
Mikhail. "Problema soderzhaniia, materiala i formy v slovesnom
khudozhestvennom tvorchestve." ("The Problem of content, Material and
Form in Verbal Artistic Creation"). In Bakhtin, Voprosy literatury i èstetiki. Moscow: Khudozhestvennaia
literatura, 1975. 6-71.
_____.
"Material and Device as Components of the Poetic Construction." In Bakhtinian Thought: An Introductory Reader.
Ed. Simon Dentith. (Critical Readers in Theory and Practice). London:
Routledge, 1994.
_____.
"Le problème du contenu, du matériau et de la forme dans l'œuvre
littéraire." In Bakhtin, Esthétique
et théorie du roman. Paris: Gallimard, 1978. 24-82.
Beardsley, Monroe C. "Form in Literature." (14. Style: Semantic
and Phonetic. 15. Literary Structure). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed.
Indianapolis: Hackett, 1981. 220-66.*
Benzon,
William L. "Literary Morphology: Nine Propositions in a Naturalist Theory
of Form." Psyart: An Online Journal
for the Psychological Study of the Arts. (August 2006).
http://www.clas.ufl.edu/ipsa/journal/2006_benzon01.shtml
2007
Brady,
Frank, John Palmer and Martin Price, eds. Literary
Theory and Structure: Essays in Honor of W. K. Wimsatt. New Haven: Yale UP,
1973.
Brecht. Sinn und Form. Potsdam, 1954.
Burke,
Kenneth. Counter-Statement. New York,
1931. Rpt. Berkeley: U of California
P, 1968.
_____. The Philosophy of Literary Form: Studies in
Symbolic Action. 1941.
_____. The Philosophy
of Literary Form: Studies in Logology. 1950. Berkeley: U of California P,
1969.
_____. Philosophy of Literary Form: Studies in
Symbolic Action. Abridged pbk. New York: Vintage, 1957.
_____. The Philosophy of Literary Form. Rev.
ed. 1967.
_____. The Philosophy of Literary Form: Studies in
Symbolic Action. 3rd ed. Berkeley: U of California P, 1973.
_____.
"Psychology and Form." In Perspectives
on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP,
1968. 91-102.*
Chatman,
Seymour. "On Defining 'Form'." New
Literary History 2 (1971).
Crane, R.
S. The Languages of Criticism and the
Structure of Poetry. Toronto: U of Toronto P, 1953. 1970.*
De Quincey,
Thomas. "Style as Organic and as Mechanic." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter
Brown. Cambridge (MA): Harvard UP, 1921. 295-301.
Depretto,
Catherine. "Formalisme et poétique: Boris Tomashevskij, le formaliste
oublié." Communications 103
(2018): Le formalisme russe cent ans
aprés. Ed. Catherine Depretto, John Pier and Philippe Roussin. Paris:
Seuil, 2018. 107-18.*
Derrida,
Jacques. "Form and Meaning: A Note on the Phenomenology of Language."
In Derrida, Margins of Philosophy.
Trans. Alan Bass. Chicago: U of Chicago P, 1982. 155-74.*
Eagleton,
Terry. "Form and Content." In Eagleton, Marxism and Literary Criticism. Berkeley: U of California P, 1976.
20-36.
_____.
"Ideology and Literary Form." In Eagleton, Criticism and Ideology. London: Verso,
1978. 102-61.
Eco, Umberto. Opera aperta: forma e indeterminazione nelle poetiche contemporanee.
Milano: Bompiani, 1962.
2nd ed. 1967.
_____. The Open Work. New York: Hutchinson,
1989.
_____. The Open Work. Trans. Anna Cangogni. Cambridge (MA): Harvard UP,
1989.
_____. L'Œuvre ouverte. Paris: Seuil (Points).
_____. Obra abierta.
Barcelona: Ariel, 1979.
_____. Obra abierta. Barcelona: Planeta, 1984.*
_____. "Las suciedades de la
forma." In Eco, Sobre literatura.
Barcelona: RqueR editorial, 2002. 211-22.* (Pareyson, form).
Elliott, Kamilla. "Literary Film
Adaptation and the Form/Content Dilemma." In Narrative across Media: The Languages of Storytelling. Ed.
Marie-Laure Ryan. Lincoln: U of Nebraska P, 2004. 220-43.*
Fabb, Nigel. Language and Literary Structure. Cambridge: Cambridge UP, 2002.
_____. "Form as Fiction." BELL ns 2 (2004): 63-74.
"Form." Encyclopaedia Britannica 11th ed.
Frye, Northrop. "Design as a
Creative Principle in the Arts." 1966. In Frye, The Stubborn Structure. London: Methuen, 1970. 56-65.
Gadamer, Hans-Georg. "5.
Conclusiones estéticas y hermenéuticas." In Gadamer, Verdad y método: Fundamentos de una hermenéutica filosófica. Trans.
Ana Agud Aparicio and Rafael de Agapito. (Trans. of 4th ed.). Salamanca:
Sígueme, 1977.* (La violencia óntica de la imagen. El fundamento ontológico de
lo ocasional y lo decorativo. La posición límite de la literatura. La
reconstrucción y la integración como tareas hermenéuticas).
Gombrich, E. H. "Meditations on a
Hobby Horse or the Roots of Artistic Form." In Aspects of Form. Ed. Lancelot Law Whyte. London: Lund Humphries,
1951.
Guillén Kahen, Claudio. "De la forma
a la estructura: fusiones y confusiones." In Guillén, Teorías de la historia literaria: Ensayos de teoría. Madrid:
Espasa-Calpe, 1989. 139-76.
Hamlyn, Cyrus. Hermeneutics of Form: Romantic Poetics in Theory and Practice. New
Haven (CT): Schwab, 1998.
Hasan, Ruqaia. "Rime and Reason in
Literature". In Literary Style: A
Symposium. Ed. Seymour Chatman. Oxford: Oxford UP, 1971. 299-326.
Holland, Norman. "13. Form and Control." In Holland, Literature and the Brain. Gainesville
(FL): PsyArt Foundation, 2009. 153-63.*
_____. "15. The Content Fallacy." In Holland, Literature and the Brain. Gainesville
(FL): PsyArt Foundation, 2009. 171-86.*
Hough, Graham. "Formal Theory."
In Hough, An Essay on Criticism.
London: Duckworth, 1966. 16-25.
_____. "Organic Form: A
Metaphor." In Hough, An Essay on
Criticism. 157-62.
Hrushovski, Benjamin. "The Structure
of Semiotic Objects: A Three-Dimensional Model." Poetics Today 1.1-2 (1979): 365-76.
Ingarden, Roman. Das Literarische Kunstwerk: Eine Untersuchung aus dem Grenzgebiet der
Ontologie, Logik und Literaturwissenschaft. Halle/Saale: Niemeyer, 1931.
3rd. ed.: Tübingen: Niemeyer, 1965.
_____.
The Literary Work of Art: An Investigation on the Borderlines of Ontology,
Logic, and Theory of Literature. Evanston: Northwestern UP, 1973.*
_____. L'œuvre d'art
littéraire. Trans. Philibert Secretan with N. Lüchinger and B. Schwegler.
(Slavica). Lausanne: L'Age d'Homme, 1983.*
Jameson, Fredric. Marxism and Form: Twentieth-Century Dialectical Theories of Literature.
Princeton: Princeton UP, 1974.
Jenny, Laurent. "La stratégie de la
forme." Poétique 27 (1976): 257-81.
_____. "The Strategy of Form."
Trans. R. Carter. In French Literary
Theory Today: A Reader. Ed. Tzvetan Todorov. Cambridge: Cambridge UP;
Paris: Editions de la Maison des Sciences de l'Homme, 1982. 34-63.
Keen, Suzanne. Narrative
Form. Houndmills and New York: Palgrave Macmillan, 2003.*
Lotman, Iuri. Struktura khudozhestvennogo teksta. Moscow: Iskusstvo, 1970.
_____. The Structure of the Artistic Text. Trans. Ronald Vroon. Ann Arbor:
Michigan Slavic Contributions, 1977.
_____. La Structure du texte artistique. Paris: Gallimard, 1973.
_____. La struttura del testo poetico. Milan: Mursia, 1973.
_____. Estructura del texto artístico. Trans. Victoriano Imbert. 2ª ed.
Madrid: Istmo, 1982.*
_____. The Structure of the Artistic Text.
Trans. Ronald Vroon. Ann Arbor, 1977.
Lukács, Georg. Die Seele und die Formen. Berlin: Fleischel, 1911.
Macherey, Pierre. "Literary
Analysis: The Tomb of Structures." Extract. In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film
Studies). London: Routledge, 1981. 1995. 191-96.*
Maestro, Jesús G. Los materiales literarios: La reconstrucción de la literatura tras la
esterilidad de la «teoría literaria» posmoderna. Vigo: Editorial Academia
del Hispanismo, 2007, (Author, text, reader).
Mulhern, Francis. "'Ideology and
Literary Form'--A Comment." New Left
Review 91 (1975): 80-7.
Olson, Greta, and Sarah Copland.
"The Politics of Form." EJES
20.3 (2016).
Peterson, R. G. "Critical
Calculations: Measure and Symmetry in Literature." PMLA 91 (1976): 367-75.
Ricœur, Paul. "Structure et
herméneutique." Esprit (november
1963).
_____.
"La mise en intrigue: une lecture de la Poétique d'Aristote." In Temps
et récit Tome I: L'intrigue et le récit historique. Paris: Seuil, 1983.
Rpt. (Points) 2001. 66-104.* (Narrative configuration).
_____. Time and Narrative, vol. 1. Trans. Kathleen McLaughlin and David
Pellauer. Chicago: U of Chicago P, 1984.*
_____. Tiempo y Narración, vol. 1. Trans.
Agustín Neiral. Madrid: Ediciones Cristiandad, 1987.
_____. Temps et récit II. La configuration dans le récit de fiction. Paris: Seuil, 1984.
_____. Temps et récit: Tome II: La configuration dans le récit de fiction.
(Points; Essais, 228). Paris: Seuil, 1991. 2001.*
_____. Time and Narrative, volume 2. Trans. Kathleen McLaughlin and David
Pellauer. Chicago: U of Chicago P, 1986.*
_____. Tiempo y narración II: Configuración del tiempo en el relato de
ficción. Madrid: Cristiandad, 1987.
Riehl. "Bemerkungen zu dem Problem
der Form in der Dichtkunst." Vierteljahrsschrift
für wissenschaftliche Philologie 22.
Rousset, Jean. "Introduction: Pour
une lecture des formes." In Rousset, Forme
et signification. Paris: José Corti, 1963. 1992. i-xxvi.
Roussin, Philippe. "Qu'est-ce qu'une
forme littéraire?" Communications 103
(2018): Le formalisme russe cent ans
aprés. Ed. Catherine Depretto, John Pier and Philippe Roussin. Paris:
Seuil, 2018. 73-88.*
Schorer, Mark. "Technique as
Discovery." Hudson Review 1
(1948): 67-87.
_____. "Technique as
Discovery." In The Critical
Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood
Cliffs (NJ): Prentice-Hall, 1962. 70-83.*
_____. "Technique as
Discovery." Rpt. in Forms of Modern
Fiction. Ed. Wiliam Van O'Connor. Minneapolis: U of Minnesota P, 1948. Rpt.
Bloomington: Indiana UP, 1959.
_____. "Technique as
Discovery." In 20th Century Literary
Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 387-400.*
_____. "Technique as
Discovery." In Essentials of the
Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham
(NC): Duke UP, 1988. 101-14.*
Shapiro, Michael. The Sense of Form in Literature and Language. (Semaphores and
Signs). Houndmills: Macmillan, 1998.*
Shklovsky, Viktor. "Isskustvo kak
priem." In Sborniki po teorii
poeticheskogo iazyka II. Petrograd, 1917. 3-14. (Literariness; Tropes; Imagery;
Foregrounding; Defamiliarization)
_____. "Art as Technique."
1917. In Russian Formalist Crtiticism:
Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P,
1965. 3-24.*
_____.
"Art as Technique." In Modern
Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988.
15-30.*
_____. "Art as Technique."
Selection. in Debating Texts. Ed.
Rick Rylance. 48-56.*
_____. "Art as Technique."
Select. in Twentieth-Century Literary
Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.*
_____. "Art as Technique." In Contemporary Literary Criticism: Literary
and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed.
White Plains (NY): Longman, 1994. 260-72.*
_____. From "Art as Technique."
In Modern Literary Theory: A Reader.
Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*
_____. "Art as Technique." In Literary Theory: An Anthology. Ed. Julie
Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
_____. "L'art comme procédé."
In Théorie de la littérature: Textes des
formalistes russes. Ed. Tzvetan
Todorov. (Tel Quel). Paris: Seuil, 1965. 76-97.*
Surdulescu, Radu. Form, Structure, and Structurality in Critical Theory. Editura
Universitati din Bucuresti, 2000.
http://www.unibuc.ro/eBooks/lls/RaduSurdulescu-FormStructuality/Prima%20Pagina.htm
2006-03-09
Tatarkiewicz, Wladislaw. Historia de seis ideas: Arte, belleza,
forma, creatividad, mímesis, experiencia estética. Trans. Francisco
Rodríguez Marín. Madrid: Tecnos, 1987. Trans. of Dzieje szesciu pojec. Warsaw: Panstwowe Wydawnictwo Naukowe, 1975.
Toker, Leona. Nabokov: The Mystery of Literary Structures. Ithaca: Cornell UP,
1989.*
Tynianov, Iuri. "La notion de construction."
In Todorov, Théorie de la littérature 114-119. Trans. from Problema
stikhotvornogo iazyka. Leningrad, 1924. 7-11.*
Wellek, René. "Concepts of Form and
Structure in Twentieth-Century Criticism." In Wellek, Concepts of Criticism. New Haven: Yale UP, 1963. 54-68.*
West, Alick. "Form." "Form
and Content." In West, Crisis and
Criticism. London: Lawrence and Wishart, 1937. 111-34.
White, Hayden. The Content of the Form. Baltimore: Johns Hopkins UP, 1987.
Whyte, Lancelot Law, ed. Aspects of Form. London: Lund Humphries,
1951.
Bibliography
García Landa, José Angel. "Form,
Structure, and Content in Literature." From A Bibliography of Literary Theory, Criticism, and Philology. Online
at Scribd (Diego C. Améndolla) 16
March 2011:
http://es.scribd.com/doc/50898673/Form-Structure-Content
2013
_____. "Form, Structure, and Content
in Literature." From A Bibliography
of Literary Theory, Criticism, and Philology. Online at esdocs 10 Feb. 2013.*
http://esdocs.org/docs/index-54585.html
2015
See also Aesthetics, Russian Formalism,
Structuralism; Narrative theory; Poetic structure; Dramatic structure; Style.
