Semiótica del arte

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Semiotics of Art

 

 

Barry, Jackson. Art, Culture and the Semiotics of Meaning: Culture's Changing Signs of Life in Poetry, Drama, Painting and Sculpture. Houndmills: Macmillan, 1999.

Foster, Hal. "Signs Taken for Wonders." Art in America 74.6 (June 1986).

García Landa, José Ángel. "Todo contexto y ritual." In García Landa, Vanity Fea 13 April 2007.

         http://garciala.blogia.com/2007/041304-todo-contexto-y-ritual.php

         2007-05-04

Genette, Gérard. L'Œuvre de l'art, I: Immanence et Transcendance. (Poétique). Paris: Seuil, 1996.

_____. La obra del arte: Inmanencia y trascendencia. Trans. Carlos Manzano. (Palabra Crítica 23). Barcelona: Lumen, 1997.*

_____. L'Œuvre de l'art, II: La relation esthétique. (Poétique). Paris: Seuil, 1997.* (1. L'attention esthétique. 2. L'appréciation esthétique. 3. La fonction artistique).

Matejka, L., and I. R. Titunik, eds. Semiotics of Art: Prague School Contributions. Cambridge (MA): MIT Press, 1976.

Morris, Charles W. "Esthetics and the Theory of Signs." Journal of Unified Science 8 (1939): 131-50.

_____. "Esthetics and the Theory of Signs." In Morris, Writings on the General Theory of Signs. The Hague: Mouton, 1971. 415-33.

Mukarovsky, Jan. "L'art comme fait sémiologique." Actes du huitième congrès international de philosophie à Prague 1934. Prague, 1936. 1065-1072.

_____. "Art as semiotic fact." Trans. I. R. Titunik. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 3-10.

_____. Escritos de estética y semiótica del arte. Barcelona: Gili, 1977.

O'Toole, Michael. The Language of Displayed Art. London: Leicester UP, 1994.

Rossi-Landi, Ferruccio.  Semiótica e ideologia. Milan: Bompiani, 1972.

_____. Semiótica y estética. Trans. Juan Antonio Vasco and R. Graciela Manzini. (Colección de Semiología y Epistemología). Buenos Aires: Nueva Visión, 1976.* Select. from Semiotica e ideologia.

Talens, Jenaro. "Práctica artística y producción significante: Notas para una discusión." In Elementos para una semiótica del texto artístico. By Jenaro Talens et al. 4th ed. Madrid: Cátedra, 1988. 17-62. *

Wolf, Werner, ed. The Metareferential Turn: Forms, Functions, Attempts at Explanation. Amsterdam and New York: Rodopi, 2011.

 

 

 

 

Journals

 

Ars Semeiotica 4/5.1 (1982).

 

 

Mujeres y Arte

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Women and Art

 

 

Adkins, Patricia. La mujeres en la música. (Alianza Música). Madrid: Alianza, 1995.

Alpers, Svetlana. "Art History and Its Exclusions." In Feminism and Art History: Questioning the Litany. New York: Harper & Row, 1982.

Battersby, C. Gender and Genius: Towards a Feminist Aesthetics. London: Women's Press, 1989.

Beauvoir, Simone de. "7. Women and Creativity." Introd. Ursula Tidd (149-54). In Beauvoir, Feminist Writings. Urbana, Chicago, and Springfield: U of Illinois P, 2015. 155-70.*

Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester UP, 1992.

Casey, Britiany. (Women) Artists and the Gender Gap (Museum): An Analysis of Inequality, Invisibility and Underrepresentation, a Case Study at the Joslyn Art Museum in Omaha, Nebraska. MA diss. U of Nebraska at Omaha, 2016.* Online at ProQuest:

         http://search.proquest.com/docview/1845307176

         2017

_____. (Women) Artists and the Gender Gap (Museum). Online at Academia.*

         https://www.academia.edu/36388765/

         2021

Caso, Ángeles.  Las olvidadas: Una historia de mujeres creadoras. Barcelona: Planeta 2005.

_____. Las olvidadas: Una historia de mujeres creadoras. Barcelona: Círculo de Lectores, 2005.*

Donovan, Josephine. "Feminism and aesthetics." Critical Inquiry 3 (1977): 605-8.

Ecker, Gisela, ed. Feminist Aesthetics. Boston: Beacon Press, 1985.

Goldstein, Judith L. "The Female Aesthetic Community." Poetics Today 14.1 (1993): 143-164.*

Gómez Reus, Teresa, comp. Aracnologías: Reflexiones sobre el espacio estético femenino: 100%. Sevilla: Junta de Andalucía, Consejería de Cultura y Medio Ambiente, 1993. Rev. in Atlantis 16 (1994).

Huyssen, Andreas. "3. Mass Culture as Woman: Modernism's Other." In Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 44-62.*

Kavaler-Adler, Susan. The Compulsion to Create: A Psychonalytical Study of Women Artists. London: Routledge, 1994.

Keene, Donald. "Feminine Sensibility in the Heian Era." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 109-24.*

Lauter, Estella. Women as Mythmakers: Poetry and Visual Art by Twentieth-Century Women. Indiana UP, 1984.

Lippard, Lucy R. From the Center: Feminist Essays on Women's Art. New York, 1976.

Lomba, Concha. Bajo el eclipse: Pintoras en España, 1880-1939. (Biblioteca de Historia del Arte). CSIC, 2020.

Luque Rodrigo, Laura. "Lo que el arte nos enseña sobre la igualdad de género." The Conversation 2-3 July 2020.*

         https://theconversation.com/lo-que-el-arte-nos-ensena-sobre-la-igualdad-de-genero-141257

         2022

Marías, Javier. "Más daño que beneficio." El País (La zona fantasma) 26 June 2017.* (Women artists).

         http://elpaissemanal.elpais.com/columna/javier-marias-dano/

         2017

Montejo, Julia. Todas esas chicas de zapatos rojos: Sexo, género y creatividad.

Nead, Lynda. The Female Nude: Art, Obscenity and Sexuality. London: Routledge, 1992.

_____.  Myths of Sexuality: Representations of Women in Victorian Britain.

Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. New Haven: Yale UP, 1990.

_____. Sex, Art and American Culture: Essays. New York: Vintage, 1992.

Piñero Gil, Eulalia, and Cecilia Piñero Gil, eds. Arte y Mujer: Visiones de cambio y desarrollo social. Madrid: Horas y Horas, 2010.

Pollock, Griselda. Vision and Difference: Femininity, Feminism, and Histories of Art. London: Routledge, 1988.

Raven, Arlene, et al., eds. Feminist Art Criticism: An Anthology. Ann Arbor: UMI Research Press, 1988.

Rosemont, Penelope, ed. Surrealist Women. London: Athlone, 1998.

Roth, Moira, ed. The Amazing Decade: Women and Performance Art 1970-1980. Astro Artz, 1982.

Serrano de Haro, Amparo. "6. Representaciones de la mujer en la historia de la pintura." In El sustrato cultural de la violencia de género: Literatura, arte, cine y videojuegos. Ed. Ángeles de la Concha. (Perspectiva feminista). Madrid: Síntesis, 2010.

Stoneley, Peter. Mark Twain and the Feminine Aesthetic. (Cambridge Studies in American Literature and Culture, 54). Cambridge: Cambridge UP, 1992.

Trigo, Iván. "María Gimeno: 'El arte sigue firmándose en masculino': La artista escenificó su performance Queridas viejas en el Paraninfo de Zaragoza." El Periódico de Aragón 20 Nov. 2018: 56.*

         http://prensa.unizar.es/noticias/1811/181120_z0_p56.pdf

         2018

Waugh, Patricia. "Stalemates? Feminists, Postmodernists and Unfinished Issues in Modern Aesthetics." 1991. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 322-40.*

Woodman, M. From "'Taking It Like a Man: Abandonment in the Creative Woman." In. Psychoanalysis and Woman: A Reader. Ed. Shelley Saguaro. Houndmills: Macmillan, 2000.

Zamorano, Ana. "Las políticas del cuerpo en la creación artística femenina: la dimensión hermafrodita del andrógino." In Autoras y Protagonistas. Ed. Pilar Pérez Cantó and Elena Postigo Castellanos. Madrid: Universidad Autónoma de Madrid, 2000: 505-511.

 

 

 

 

Journals

 

 

Aphra Behn Online:

Interactive Journal for Women in the Arts 1640-1830.

University of Southern Florida.

http://www.aphrabehn.org/aphraonline/

2011

 

 

 

 

 

Artes visuales

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

Visual arts

 

 

Bal, Mieke. Looking In: The Art of Viewing. Introd. Norman Bryson. Amsterdam: G & B Arts International, 2001.

Barthes, Roland. "Rhetoric of the Image." In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002. Vol. 3.

Baudrillard, Jean. "Is an Image not Fundamentally Amoral?" In Baudrillard Live: Selected Interviews. Ed. Mike Gane. London: Routledge, 1993. 67-71.*

_____. "The Evil Demon of Images." In Baudrillard Live: Selected Interviews. Ed. Mike Gane. London: Routledge, 1993. 136-44.*

Beardsley, Monroe C. "The Categories of Critical Analysis." (6. Parts and Wholes. 7. The Analysis of a Visual Design. 7. The Analysis of a Musical Composition). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 15-113.*

_____. "Artistic Form." (11. Structure and Texture in Visual Design. 12. Structure and Texture in Music. 13. Unity and Related Concepts). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 165-219.*

_____. "Representation in the Visual Arts." (16. Representation and Abstraction. 17. The Relation of Design to Subject). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 267-317.*

Brooks, Peter. "The Body in the Field of Vision." In Brooks, Body Work. Cambridge (MA): Harvard UP, 1993. 88-122.*

Bryson, Norman. Looking at the Overlooked: Four Essays on Still Life Painting. (Essays in Art and Culture). London: Reaktion Books.

_____. Vision and Painting: The Logic of the Gaze. New Haven: Yale UP, 1983.

_____. Word and Image. Cambridge: Cambridge UP, 1983.

Eco, Umberto. "Sémiologie des messages visuels." Communications 15 (1970).

_____. Vers une sémiotique des codes visuels. In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002. Vol. 3.

Galván, Fernando, Julio Cañero and José Santiago Fernández, eds. Culture and Power: Music, Media and Visual Arts. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2003.

Gregory, R. L. "The Confounded Eye." In Illusion in Nature and Art. Ed. R. L. Gregory and E. H. Gombrich. New York: Scribner's, 1973.

Gombrich, E. H. Art and Illusion. New York: Pantheon, 1961.

_____. "The visual image." Scientific American (1972).

Halverson, John. "The First Pictures: Perceptual Foundations of Paleolithic Art." Perception 21 (1992): 389-404.

Helm, June, ed. Essays on the Verbal and Visual Arts: Proceedings of the 1966 Annual Spring Meeting of the American Ethnologic Society, Seattle: U of Washington P, 1967.

Metz, Ch. "Au delà de l'analogie, l'image." Communications 15 (1970).

Mitchell, W. J. T., ed.The Language of Images. Chicago: U of Chicago P, 1980.

Mukarovsky, Jan. "Podstata vÿtvarnych um¢ní." 1944 lecture. In Studie z estetiky. Prague, 1966. 188-95.

_____. "The Essence of the Visual Arts." Trans. J. Burbank and P. Steiner. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976.229-45.

Mulvey, L. Visual and Other Pleasures. Bloomington: Indiana UP, 1989.

Ramonet, Ignacio. La golosina visual.

Rose, Jacqueline. Sexuality in the Field of Vision. London: Verso, 1986.

_____. "Sexuality in the Field of Vision." In. Psychoanalysis and Woman: A Reader. Ed. Shelley Saguaro. Houndmills: Macmillan, 2000.

Villafañe, Justo. Introducción a la teoría de la imagen. Madrid: Pirámide, 1985.

 

 

 

 

 

Bibliography

 

 

García Landa, José Angel. "Visual Arts." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (damnscribed) 29 Jan. 2015.*

         https://es.scribd.com/doc/254049479/

         2015

 

 

 

Journals

 

 

Revista de Estudios Visuales 4.35-56 (Jan. 2007).

         http://rev.estudiosvisuales.net

 

Visual Communication 1.3 (2002).

 

 

 

See also Painting; Sculpture; Images; Engravings; Photography; Film.

Historiografía y crítica del arte

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Art criticism / Art Historiography

 

 

Abrams, M. H. "Art-as-Such: The Sociology of Modern Aesthetics." In Abrams, Doing Things with Texts: Essays in Criticism and Critical Theory. Ed. Michael Fischer. New York: Norton, 1989. 1991. 135-58.

Aladro Vico, Eva. "Los animales de las pinturas rupestres nos hablan de arte y empatía a través de los milenios." The Conversation (2022).*

         https://theconversation.com/los-animales-de-las-pinturas-rupestres-nos-hablan-de-arte-y-empatia-a-traves-de-los-milenios-162774

         2022

Azéma, Marc. La Préhistoire du cinéma: Origines paléolithiques de la narration graphique et du cinématographe. Book  + DVD. Editions Errance, 2011.*

Blunt, Anthony. Artistic Theory in Italy 1450-1600. 1940. Oxford: Oxford UP, 1962.

Boehmer, Konrad. "La miseria de la crítica musical alemana." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971. Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 103-11.

Bonafoux, Pascal. "Paradoxes de la critique d'art." Magazine littéraire 288 (1991): 59-61.

Calle, Román de la. "Las fronteras lábiles de la Estética: Estética y Crítica de arte." Analecta Malacitana 18.2 (1995): 361-80.*

Carroll, Noël. "Philosophical Resistance to Mass Art: The Majority Tradition." In Carroll, A Philosophy of Mass Art. Oxford: Clarendon, 1998. 15-109.*

______. "Philosophical Celebrations of Mass Art: The Minority Tradition." In Carroll, A Philosophy of Mass Art. Oxford: Clarendon, 1998. 110-71.* (Benjamin, McLuhan).

Carroll, David, ed. The States of "Theory": History, Art, and Critical Discourse. New York: Columbia UP, 1990.

D'Ors, Eugenio. Tres Horas en el Museo del Prado seguido de Avisos al Visitante de las Exposiciones de Pintura.

_____. Introducción a la crítica de arte.

_____. Las Ideas y las Formas.

_____. Menester del crítico de arte. Madrid: Aguilar, 1967.* (Selection from Arte de Entreguerras).

Dorfles, Gillo. Il divenire della critica. Torino: Einaudi, 1976.

______. El devenir de la crítica. Trans. Cristina Peri Rossi. Madrid: Espasa-Calpe, 1979.

Easthope, Antony. "Art History." In Easthope, British Post-Structuralism since 1968. 1988. London: Routledge, 1991. 114-23.*

Greenhalgh, Michael. "Art History." In A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth, eds. Malden (MA): Blackwell, 2004.  31-45.*

Harris, Rebecca. "Textuality, Forms of 'Reading' and the Encounter of Art." MPhil diss. Goldsmiths U of London, 2017.* (Gerhard Richter).

         https://research.gold.ac.uk/id/eprint/20628/1/ART_MPhilThesis_HarrisRM_2017.pdf

         2022

Hohendahl, Peter Uwe. "The Politicization of Aesthetic Theory: The Debate in Aesthetics since 1965." In Hohendahl, Reappraisals: Shifting Alignments in Postwar Critical Theory. Ithaca: Cornell UP, 1991. 156-97.*

Iden, Peter-Klaus. "¿Hasta cuándo? Acerca de la crítica del arte." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971.* Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 139-42.

MacLeod, Katy. "The Teaching 'Subject': Reviewing Art History within Postmodernism." In Postmodern Subjects / Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 117-26.*

Mandelbaum, Maurice. "Family Resemblances and Generalization Concerning the Arts." Rpt. in Aesthetics: A Critical Anthology. Ed. George Dickie and Richard Sclafani. New York: St Martin's, 1977.

Moreno, Braulio. "Esto explica por qué tus fotografías dicen mucho de ti." ABC (Bienestar) 7 Dec. 2019.*

https://www.abc.es/bienestar/psicologia-sexo/psicologia/abci-esto-explica-fotografias-dicen-mucho-201912070149_noticia.html

         2019

Mukulak, Bill. "Mickey Meets Mondrian: Cartoons Enter the Museum of Modern Art." Cinema Journal 36.3 (Spring 1997):  56-72.*

O'Toole, Michael. The Language of Displayed Art. London: Leicester UP, 1994.

Ohff, Heinz. "Tres tareas de la crítica del arte." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971. Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 135-8.*

Ortega y Gasset, José. "[Sobre la crítica de arte.]" In Ortega, La deshumanización del arte y otros ensayos de estética. Madrid: Espasa-Calpe, 1987. 195-201.*

Ordiñana Rodríguez, Victoria. "La cerámica medieval de Ategua (Córdoba)." In Resúmenes de Tesinas: Curso 83-84. Zaragoza: Universidad de Zaragoza, Secretariado de Publicaciones, 1986. 437-46.*

Pano Gracia, J. L. (U de Zaragoza), Mª Isabel Álvaro Zamora, and C. Lomba Serrano, eds. Estudios de Historia del Arte: Libro homenaje a Gonzalo M. Borrás Gualis. (IFC, 3221). Zaragoza: Institución Fernando el Católico, 2013.*

         https://ifc.dpz.es/publicaciones/ebooks/id/3298

         2019

Pollock, Griselda. "Beholding Art History: Vision, Place and Power." InVision and Textuality. Ed. Stephen Melville and Bill Readings. Houndmills: Macmillan, 1995. 38-66.*

Rábanos Faci, Carmen. "San Lucas de Bardallur: Un retablo aragonés de la época del Renacimiento." In Francisco Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 183-94.*

Rosenberg, Wolf. "La crítica musical acrítica." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971. Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 85-93.

Shrum, Wesley Monroe. Fringe and Fortune: The Role of Critics in High and Popular Art. Princeton (NJ): Princeton UP, 1996.

Soukopova, Jitka. Round Heads: The Earliest Rock Paintings in the Sahara. 1990s.

Trimarco, Angelo. Confluencias de arte y crítica en la postmodernidad. Madrid: Instituto de Estética y Teoría de las Artes, 1991.

Ward, J. "The Editorial Methods of Venegas de Henestrosa." Musica Disciplina 6 (1952): 105-13.

_____. "The Use of Borrowed Material in 16th-Century Instrumental Music." JAMS 5 (1952): 88-98.

_____. "The vihuela de mano and Its Music (1537-76)." Diss. New York U, 1953.

Wilde, Oscar. "The Critic as Artist." 1890.

______. "The Critic as Artist." In Wilde, Intentions. 1891.

______. "The Critic as Artist." In Complete Works of Oscar Wilde. London: Collins, 1966. 1009-59.*

______. "The Critic as Artist." In Wilde, Literary Criticism.

______. The Critic as Artist. In Wilde, Plays, Prose Writings and Poems. Introd. Isobel Murray. London: Dent; Rutland (VT): Tuttle, 1975. 1-60.*

 

 

 

Bibliography

 

 

Perrault, Anna H., and Elizabeth S. Aversa. Information Resources in the Humanities and the Arts. With Cynthia Miller and Sonia Ramirez Wolmuth. (Library and Information Science Text Series). Santa Barbara, Denver, and Oxford: ABC-Clio - Libraries Unlimited, 2013. (Named "6th ed.". Prior eds. titled Humanities: A Selective Guide to Information Sources. 1st and 2nd ed. A. Robert Rogers; 3rd-5th eds. Ron Blazek and Elizabeth Aversa). Online at Google Books:

         https://books.google.es/books?id=xZNxDwAAQBAJ

         2019

 

 

 

 

 

 

 

Internet resources

 

Kunstkritikk.no. Norwegian blog on art criticism.

         http://kunstkritikk.no/kk/weblogg.php?id=C0_63_1

         2005-06-06

 

 

 

 

 

Journals

 

 

 

Aisthesis: Pratiche, linguaggi e saperi dell'estetico

Vol. 8.1 (2015)

Firenze University Press

http://www.fupress.net/index.php/aisthesis/issue/current

2015

 

 

Art Criticism 3.3 (1987).

 

Journal of Aesthetics and Art Criticism 47.4 (Fall 1989).

 

 

 

 

See also Aesthetics.

Imitación

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Imitation (in art and literature)

 

 

Ben-Porat, Z. "Represented Reality and Literary Models." Poetics Today 7.1 (1986): 29-58.

Braga Riera, Jorge. Classical Spanish Drama in Restoration English (1660-1700). Amsterdam and Philadelphia: John Benjamins, 2009.

Brooks, Harold F. "The 'Imitation' in English Poetry, Especially in Formal Satire, before the Age of Pope." Review of English Studies 25 (1949): 124-40.

Camarero Arribas, Jesús. "Tradición y poligénesis. Influencia, imitación y paralelismos. La intertextualidad." In Liceus.com: E-Excellence

http://www.liceus.com/cgi-bin/aco/lit_comp/temas.asp

2005-05-05

Cowl, R. P. "Imitation." In Cowl, The Theory of Poetry in England. London: Macmillan, 1914. 127-43.

Dionysius of Halicarnassus. La imitación. In Dionysius, Tres ensayos de crítica literaria. Ed. and trans. Vicente Bécares Botas. Madrid: Alianza, 1992. 217-32.

D'Israeli, I. "Imitators." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.97-101.*

Esposito, Elena. "Originality through Imitation: The Rationality of Fashion."  Organization Studies 32.5 (2011): 603-13.

Fisk, George C. Lucilius and Horace: A Study. Madison, 1920.

_____. Lucilius and Horace: A Study of the Classical Theory of Imitation. 1966.

Genette, Gérard. Palimpsestes: la littérature au second degré. Paris: Seuil, 1982.*

_____. Palimpsestos: La literatura en segundo grado. Trans. Celia Fernández Prieto. Madrid: Taurus, 1989.*

Gordon, G. S. English Literature and the Classics. Oxford, 1912.

Goyet, Francis. "Imitatio et intertextualité (Riffaterre revisited)." Poétique 71 (1987): 313-20.

Hazlitt, William. "On Imitation." 1817.

_____."On Imitation." In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 92-96.*

_____. "Sobre la imitación." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004.47-54.*

Horace. Epistola ad Pisones. Barcelona: Bosch, 1966.

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Gilbert 128-43.

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 77-96.

_____. (Quintus Horatius Flaccus). "Imitating in Your Own Words." From Ars Poetica (20 B.C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Hurd, Richard. Dissertation on Poetical Imitation. Added to Epistle to Augustus. By Horace. 1751.

_____. On the Marks of Imitation. Dissertation. 1757.

Marías Martínez, Clara. "Translation and Imitation in Renaissance Spanish Poetry: A Case Study of Petrarch's Sonnet, 'S'amor non è'." In The Limits of Literary Translation: Expanding Frontiers in Iberian Languages. Ed. Javier Muñoz-Basols et al. Kassel: Edition Reichenberger, 2012. 124-64.*

McLaughlin, Martin L. Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in Italy from Dante to Bembo. Oxford: Clarendon Press, 1996.

Moss, Ann. "Literary Imitation in the Sixteenth Century: Writers and Readers, Latin and French." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 107-18.*

Muckelbauer, J. "Imitation and Invention in Antiquity: A Historical-Theoretical Revision." Rhetorica 21 (2003): 61-88.

Ogilvie, John. Philosophical and Critical Observations on the Nature, Characters, and Various Species of Composition. London, 1774.

Partenio, B. Della imitatione poetica. 1560.

Pliny the Younger (Gaius Plinius Caecilius Secundus). "Imitation of the Best Models." Letter to Fuscus Salinator (85 C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Quin, D., M. M. Ferguson, G. W. Pigman III and W. A. Rebhorn, eds. Creative Imitation: New Essays on Renaissance Literature in Honor of Thomas M. Greene. (Medieval and Renaissance Texts and Studies, 95). Binghampton (NY): SUNY Press, 1992.

Rigoliosi, Mariangela. "Nihil crescit sola imitatione. Il rapporto di Lorenzo Valla con la tradizione." In Mvnvs qvaesitvm meritis: Homenaje a Carmen Codoñer. Ed. Gregorio Hinojo Andrés and José Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 2007. 765-73.*

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