A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Visual arts
Bal, Mieke. Looking In: The Art of Viewing. Introd. Norman Bryson. Amsterdam: G & B Arts International, 2001.
Barthes, Roland. "Rhetoric of the Image." In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002. Vol. 3.
Baudrillard, Jean. "Is an Image not Fundamentally Amoral?" In Baudrillard Live: Selected Interviews. Ed. Mike Gane. London: Routledge, 1993. 67-71.*
_____. "The Evil Demon of Images." In Baudrillard Live: Selected Interviews. Ed. Mike Gane. London: Routledge, 1993. 136-44.*
Beardsley, Monroe C. "The Categories of Critical Analysis." (6. Parts and Wholes. 7. The Analysis of a Visual Design. 7. The Analysis of a Musical Composition). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 15-113.*
_____. "Artistic Form." (11. Structure and Texture in Visual Design. 12. Structure and Texture in Music. 13. Unity and Related Concepts). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 165-219.*
_____. "Representation in the Visual Arts." (16. Representation and Abstraction. 17. The Relation of Design to Subject). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 267-317.*
Brooks, Peter. "The Body in the Field of Vision." In Brooks, Body Work. Cambridge (MA): Harvard UP, 1993. 88-122.*
Bryson, Norman. Looking at the Overlooked: Four Essays on Still Life Painting. (Essays in Art and Culture). London: Reaktion Books.
_____. Vision and Painting: The Logic of the Gaze. New Haven: Yale UP, 1983.
_____. Word and Image. Cambridge: Cambridge UP, 1983.
Eco, Umberto. "Sémiologie des messages visuels." Communications 15 (1970).
_____. Vers une sémiotique des codes visuels. In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002. Vol. 3.
Galván, Fernando, Julio Cañero and José Santiago Fernández, eds. Culture and Power: Music, Media and Visual Arts. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2003.
Gregory, R. L. "The Confounded Eye." In Illusion in Nature and Art. Ed. R. L. Gregory and E. H. Gombrich. New York: Scribner's, 1973.
Gombrich, E. H. Art and Illusion. New York: Pantheon, 1961.
_____. "The visual image." Scientific American (1972).
Halverson, John. "The First Pictures: Perceptual Foundations of Paleolithic Art." Perception 21 (1992): 389-404.
Helm, June, ed. Essays on the Verbal and Visual Arts: Proceedings of the 1966 Annual Spring Meeting of the American Ethnologic Society, Seattle: U of Washington P, 1967.
Metz, Ch. "Au delà de l'analogie, l'image." Communications 15 (1970).
Mitchell, W. J. T., ed.The Language of Images. Chicago: U of Chicago P, 1980.
Mukarovsky, Jan. "Podstata vÿtvarnych um¢ní." 1944 lecture. In Studie z estetiky. Prague, 1966. 188-95.
_____. "The Essence of the Visual Arts." Trans. J. Burbank and P. Steiner. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976.229-45.
Mulvey, L. Visual and Other Pleasures. Bloomington: Indiana UP, 1989.
Ramonet, Ignacio. La golosina visual.
Rose, Jacqueline. Sexuality in the Field of Vision. London: Verso, 1986.
_____. "Sexuality in the Field of Vision." In. Psychoanalysis and Woman: A Reader. Ed. Shelley Saguaro. Houndmills: Macmillan, 2000.
Villafañe, Justo. Introducción a la teoría de la imagen. Madrid: Pirámide, 1985.
Bibliography
García Landa, José Angel. "Visual Arts." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (damnscribed) 29 Jan. 2015.*
https://es.scribd.com/doc/254049479/
2015
Journals
Revista de Estudios Visuales 4.35-56 (Jan. 2007).
http://rev.estudiosvisuales.net
Visual Communication 1.3 (2002).
See also Painting; Sculpture; Images; Engravings; Photography; Film.
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