A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Narrative Modes
Telling / Showing;
Narrative Distance and dramatization
Bonheim, Helmut. The Narrative Modes: Techniques of the Short Story. Cambridge: Brewer, 1982.*
Booth, Wayne C. "Distance and Point-of-View: An Essay in Classification." Essays in Criticism 11 (1961): 60-79. Rpt. in Robert Murray Davis.
_____. "Distance and Point-of-View: An Essay in Classification." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 170-89.*
_____. "Distance and Point-of-View: An Essay in Classification." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 269-84.*
_____. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.*
_____. "Distance et point de vue: Essai de classification." Poétique 4 (1970).
_____. "Distance et point de vue: Essai de classification." In Barthes et al., Poétique du récit. Paris: Seuil, 1977. 85-113.*
Caracciolo, Marco. "Perspectives on Narrative and Mood." In How to Do Things with Narrative: Cognitive and Diachronic Perspectives. Ed. Jan Alber and Greta Olson. Berlin and Boston: de Gruyter, 2017. 15-27.*
DOI 10.1515/9783110569957-002
Chatman, Seymour. "4. Narration: Narrator and Narratee." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 90-129.* (Telling: Internal and External Narrators; Showing: Impersonal Narration; Omniscience and Limitation; The Narratee: Elizabeth Jolley, 'Wednesdays and Fridays'; Anton Chekhov, 'The Darling'; Sarah Orne Jewett, ' A White Heron'; Tillie Olsen, 'I Stand Here Ironing'")
Courtney, Krystyna Kujawinska. "Antony and Cleopatra: The Agon of Mimesis and Diegesis." In On Page and Stage: Shakespeare in Polish and World Culture. Ed. Krystyna Kujawinska Courtney. Krakow: Universitas, 2000. 277-308.*
Cresswell, M. J. "Presuppositions and Point of View." Linguistics and Philosophy 2 (1978): 1-41.
Dolezel, Lubomír. "Narrative Modalities." Journal of Literary Semantics 5.1 (1976): 5-14.
Fludernik, Monika. "Games with Tellers, Telling and Told." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 269-310.* (Telling and showing, experimental narrative).
_____. "Genres, Text Types, or Discourse Modes? Narrative Modalities and Generic Categorization." Style 34.2 (Summer 2000): 274-92. In Literature Online.* http://lion.chadwyck.co.uk
5/7/04
Friedemann, Käte. Die Rolle des Erzählers in der Epik. Berlin, 1910. Rpt. Darmstadt: Wissenschaftliche Buchgesellschaft, 1965.
Galbraith, Mary. "Deictic Shift Theory and the Poetics of Involvement in Narrative." In Deixis in Narrative: A Cognitive Science Perspective. Ed. J. F. Duchan, G. A. Bruder and L. E. Hewitt. Hillsdale (NJ): Erlbaum, 1995. 19-59.
García Landa, José Angel. "El modo del género narrativo: diversas interpretaciones." Typescript, U of Zaragoza, 1985. (Rev. version later incorporated in García Landa, Acción, Relato, Discurso). Online at Net Sight de José Angel García Landa. 2004.*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/modo.html
2014 DISCONTINUED 2020 – Online at the Internet Archive:
2020
https://personal.unizar.es/garciala/publicaciones/modo.html
2020
_____. "El modo del género narrativo: diversas interpretaciones." Typescript, U of Zaragoza, 1985. (Rev. version later incorporated in García Landa, Acción, Relato, Discurso). Online at Net Sight de José Angel García Landa. 2004.*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/modo.html
2014 DISCONTINUED 2020 – Online at the Internet Archive:
2020
https://personal.unizar.es/garciala/publicaciones/modo.html
2020
_____. "El modo del género narrativo: diversas interpretaciones." iPaper at Academia.edu 8 March 2011.*
https://www.academia.edu/466533/
2014
_____. "Narrative Mode: Diverse Interpretations." Online PDF at Social Science Research Network 8 March 2011.*
http://ssrn.com/abstract=1780927
2014
_____. "El modo del género narrativo: diversas interpretaciones." Online PDF at ResearchGate 24 Sept. 2011.*
2011
_____. "El modo del género narrativo: diversas interpretaciones." iPaper at Scribd (José Angel García Landa) 18 May 2012.*
http://es.scribd.com/doc/94031682/El-modo-del-genero-narrativo-diversas-interpretaciones
2012
_____. "El modo del género narrativo." In García Landa, Vanity Fea 20 Jan. 2013.*
http://vanityfea.blogspot.com.es/2013/01/el-modo-del-genero-narrativo.html
2013
_____. "El modo del género narrativo: Diversas interpretaciones." Humanities Commons 22 Dec. 2017.*
https://hcommons.org/deposits/item/hc:17143/
http://dx.doi.org/10.17613/M6MP0M
2017
_____. "El modo del género narrativo: Diversas interpretaciones." In García Landa, Vanity Fea 22 Dec. 2017.*
https://vanityfea.blogspot.com.es/2017/12/el-modo-del-genero-narrativo-diversas.html
2018
_____. "El modo del género narrativo: Diversas interpretaciones." Semantic Scholar.*
2019
_____. "Story: Distance and Dramatization (Henry James on the Art of Fiction)." In García Landa, Narrative Theory. 1990. Online at Net Sight de José Angel García Landa (2005):
2005 DISCONTINUED 2021- Online at the Internet Archive:
2022
http://personal.unizar.es/garciala/publicaciones/narrativetheory/4.Distance.htm
2022
_____. "Distance and Dramatization: Henry James on the Art of Fiction (Narrative Theory, 4). Social Science Research Network 15 Feb. 2016.*
http://dx.doi.org/10.2139/ssrn.2732338
http://ssrn.com/abstract=27332338
2016
Cognition & the Arts eJournal 15 Feb. 2016.*
http://www.ssrn.com/link/Cognition-Arts.html
2016
Literary Theory & Criticism eJournal
15 Feb. 2016.
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2016
_____. "Distance and Dramatization: Henry James on the Art of Fiction (Narrative Theory, 4)." In García Landa, Vanity Fea 29 Feb. 2016.*
http://vanityfea.blogspot.com.es/2016/02/distance-and-dramatization-henry-james.html
2016
_____. "Distance and Dramatization: Henry James on the Art of Fiction (Narrative Theory, 4)." Academia 2 July 2017.*
https://www.academia.edu/33742193/
2017
https://www.academia.edu/86981414/
2022
_____. "Distance and Dramatization: Henry James on the Art of Fiction (Narrative Theory, 4)." ResearchGate 3 July 2017.*
https://www.researchgate.net/publication/314645141
2017
_____. "Distance and Dramatization: Henry James on the Art of Fiction (Narrative Theory, 4)." Humanities Commons 10 June 2018.*
http://dx.doi.org/10.17613/M6FF3KZ9Q
https://hcommons.org/deposits/item/hc:19641/
2018
_____. "Movimientos narrativos (Samuel Beckett y la narración reflexiva, 4) (Narrative Movements (Samuel Beckett and Reflexive Narrative, 4))." 1992. Social Science Research Network 17 Oct. 2014.*
http://ssrn.com/abstract=2510225
2014
Cognitive Linguistics: Cognition, Language, Gesture eJournal 17 Oct. 2014.*
http://www.ssrn.com/link/Cognitive-Linguistics.html
2014
Cognition & the Arts eJournal 17 Oct. 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
English & Commonwealth Literature eJournal 17 Oct. 2014.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2014
_____. "Movimientos narrativos." In García Landa, Vanity Fea 2 Nov. 2014.*
http://vanityfea.blogspot.com.es/2014/11/movimientos-narrativos.html
2014
_____. "Movimientos narrativos (Samuel Beckett y la narración reflexiva, 4). Academia 9 May 2015.*
https://www.academia.edu/12306315/
2015
_____. "Movimientos narrativos (Samuel Beckett y la narración reflexiva, 4). ResearchGate 28 July 2015.*
DOI: 10.13140/RG.2.1.2643.1849
https://www.researchgate.net/publication/280527480
2015
_____. "Nivel narrativo, status, persona y tipología de las narraciones." Miscelánea 17 (1996): 91-121.*
http://www.miscelaneajournal.net/images/stories/articulos/vol17/GarciaLanda17.pdf
_____. "Nivel narrativo, status, persona y tipología de las narraciones." Html edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/nivel.html
_____. "Nivel narrativo, status, persona y tipología de las narraciones." Online PDF in Zaguán 18 Nov. 2009.*
http://zaguan.unizar.es/record/4326
2009
_____. "Modo del relato." Section 2.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. Online ed. 2009.
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/2.4.Relato.html
2009
_____. "Modo del relato: Distancia." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 173-84.* (Distancia: mostrar – decir; Perspectiva: Definición – perspectiva y gramática – Teorías de la perspectiva).
_____. "Modo del relato." Section 2.4. of García Landa, Acción, Relato, Discurso. Online ed. 2009.
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/2.4.Relato.html
2009
_____. "Modo del Relato (Acción, Relato, Discurso, 2.4) (Narrative Mood (Action, Story, Discourse, 2.4)). Preprint at Social Science Research Network 7 March 2014.*
http://papers.ssrn.com/abstract=2405430
2014
Cognitive Linguistics: Cognition, Language, Gesture eJournal 7 March 2014.*
http://www.ssrn.com/link/Cognitive-Linguistics.html
2014
Cognition & the Arts eJournal 7 March 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
Literary Theory & Criticism eJournal 7 March 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
_____. "Modo del relato." Section 2.4. of García Landa, Acción, Relato, Discurso. Preprint at Academia 27 Jan. 2015.*
https://www.academia.edu/10353476/
2015
_____. "Modo del relato." Section 2.4. of García Landa, Acción, Relato, Discurso. Preprint at ResearchGate 27 Jan. 2014.*
DOI: 10.13140/2.1.3647.0089
https://www.researchgate.net/publication/271445248
2015
_____. "Story: Distance and Dramatization (Henry James on the Art of Fiction)." In García Landa, Narrative Theory. 1990. Internet edition (2005):
2005-04-16
_____. "Showing and Telling." In García Landa, Vanity Fea 8 Dec. 2007.
http://garciala.blogia.com/2007/120801-showing-and-telling.php
2007
_____. "Cómo mostrar cosas con palabras." In García Landa, Vanity Fea 17 Sept. 2010.* (Rev. of Rui Linhares-Días, How to Show Things with Words).
http://vanityfea.blogspot.com/2010/09/como-mostrar-cosas-con-palabras.html
2010
_____. "Cómo mostrar cosas con palabras." Ibercampus (Vanity Fea) 6 Oct. 2010.*
http://www.ibercampus.es/articulos.asp?idarticulo=13386
2010
_____. "Cómo mostrar cosas con palabras." iPaper at Academia.edu 5 Jan. 2011.*
2011
_____. "Review of How to Show Things with Words / 'Cómo mostrar cosas con palabras'." Online PDF at Social Science Research Network 28 Nov. 2010.*
http://ssrn.com/abstract=1716210
2010
_____. "Cómo mostrar cosas con palabras." PDF en red en Zaguán 29 Oct. 2011.*
http://zaguan.unizar.es/record/6557
2011
_____. "Notes on The Narrative Modes." In García Landa, Vanity Fea 7 May 2021.*
https://vanityfea.blogspot.com/2021/05/notes-on-narrative-modes.html
2021
Genette, Gérard. Figures III. Paris: Seuil, 1972.
_____. "Discours du récit." In Gérard Genette, Figures III . 71-273.
_____. Narrative Discourse. Trans. Jane E. Lewin. Ithaca: Cornell UP, 1980.
_____. "4. Mood." In Genette, Narrative Discourse. Ithaca (NY): Cornell UP, 1980. 1995. 161-211.*
_____. Nouveau discours du récit. Paris: Seuil, 1983.
_____. Narrative Discourse Revisited. Trans. Jane E. Lewin. Ithaca: Cornell UP, 1988.
Gülich, Elisabeth, and Lorenza Mondada. "Mündliches Erzählen: Narrative und szenische Rekonstruktion." In Gülich, Mündliches Erzählen: Verfahren narrativer Rekonstruktion im Gespräch. Berlin and Boston: De Gruyter, 2020. 47-74.*
Hopper, Paul J. "Some Observations on the Typology of Focus and Aspect in Narrative Language." Studies in Language 3.1 (1979): 37-64.
Jackson, Selwyn. "Distance and the Communication Model " The Journal of Narrative Technique 17.2 (1987): 225-233.*
Klebanov, Michael. "Изучая нарративы Хармса : От Жаккара к Ямпольскому" ("Studying Kharmsian modes of Narration: From Jaccard to Iampolsky"). Amsterdam International Electronic Journal for Cultural Narratology 1 (Spring 2005).
http://cf.hum.uva.nl/narratology/s05_index.htm
2007-01-30
Klauk, Tobias, and Tilmann Köppe. "Distance in Fiction." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 77-94.*
Konigsberg, Ira. Samuel Richardson and the Dramatic Novel. Lexington: U of Kentucky P, 1968.
Krausova, Nora. "K teorii sujetu." In Problémy sujetu. Ed. N. Krausova, J. Stevcek and F. Miko. (Litteraria, 12). Bratislava: SA, 1971. 5-35.
Krausova, Nora, J. Stevcek and F. Miko, eds. Problémy sujetu. (Litteraria, 12). Bratislava: SA, 1971. 5-35.
Linhares-Dias, Rui. How to Show Things with Words: A Study on Logic, Language and Literature. (Trends in Linguistics: Studies and Monographs, 155). Berlin/New York: Mouton de Gruyter, 2006.*
http://www.sa.uac.pt/rdias/index.pdf
Lodge, David. "Mimesis and Diegesis in Modern Fiction.' In Contemporary Approaches to Narrative. Ed. Andrew Mortimer. (Swiss Papers in English Language and Literature, 1). Tübingen: Narr, 1984. 89-108.
Lubbock, Percy. The Craft of Fiction. London: Jonathan Cape, 1921. New ed. 1923. 1926.*
_____. The Craft of Fiction. New York, 1947.
_____. The Craft of Fiction. New York: Viking, 1957.
Ludwig, Otto. "Formen der Erzählung." In Otto Ludwigs gessamelte Schriften. Ed. A. Stern. Leipzig: Grunow, 1891. 6: 202-206.
Martínez Lorente, Joaquín. "Blurring Focalization: Psychological Expansions of Point of View and Modality." Revista Alicantina de Estudios Ingleses 9 (1996): 63-89.* (Graham Greene, "I Spy.").
http://rua.ua.es/dspace/bitstream/10045/5384/1/RAEI_09_05.pdf
2009
McGaw, William. "Narrative Modes and the Problem of Identity in Russell Soaba's Wanpis." In Autobiographical and Biographical Writing in the Commonwealth. Ed. Doireann MacDermott. Sabadell: AUSA, 1984. 143-46.*
Metz, Christian. "History/Discourse: A Note on Two Voyeurisms." In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 225-31.*
Morrow, Daniel. "Situation Models and Point of View in Narrative Understanding." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001. 225-39.
Nørgaard, Nina. "Modality. Commitment, Truth Value and Reality Claims Across Modes in Multimodal Novels." JLT 4.1 (2010): 63–80.
Patron, Sylvie. "Unspeakable Sentences: Narration and Representation in Benedetti's 'Five Years of Life'." Narrative 21.2 (May 2013): 243-62.*
Pettersson, Bo. "4. The Shaping of Literary Worlds." In Pettersson, How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination. Berlin and Boston: Walter de Gruyter, 2016. 110-49.* (World-making, Imagination, Modes, Themes).
Phelan, James. "Voice, Distance, Temporal Perspective, and the Dynamics of A Farewell to Arms." In Phelan, Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996. 59-84.*
_____. "Distance." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 119.*
Rabatel, Alain. "Chapitre 12: Évidences perceptuelles et argumentation indirecte." In Rabatel, Homo narrans: Pour une analyse énonciative et interactionnelle du récit. Tome 2: Dialogisme et Polyphonie dans le récit. Limoges: Lambert-Lucas, 2009. 613-32.*
Ruin, Inger. "Narrative Modes and Linguistic Form: A Case Study in Fictional Discourse." Stockholm Papers in English Language and Literature 3 (1982): 18-53.
Ryan, Marie-Laure. "The Pragmatics of Personal and Impersonal Fiction." Poetics 10.5 (1981): 17-39
_____. "The Modes of Narrative and Their Visual Metaphors." Style 26.3 (1992): 368-87.
Stanzel, F. K. "A New Approach to the Definition of the Narrative Situations." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 161-71.*
Tjupa, V. I.. "Shto takoe narrativnaia modal'ost'?" OpeNarratology 27 March 2016.*
http://www.opennar.com/#!???-?????-???????????-???????????/cmbz/56f7e6480cf25fa81f648bbe
2016
Ventola, Eija, and A. Jesús Moya Guijarro, eds. The World Told and the World Shown: Multisemiotic Issues. Hampshire: Palgrave Macmilan, 2009.
