Mostrando entradas con la etiqueta Dobles. Mostrar todas las entradas
Mostrando entradas con la etiqueta Dobles. Mostrar todas las entradas

martes, 28 de abril de 2026

Dobles

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Doubles

 

 

Alter, Robert. "Playing host to the Doppelgänger." TLS 24 September 1986: 1190.*

Amaltea Issue 3 (2011): "The Mythic Double."

         http://www.ucm.es/info/amaltea/revista/eng/num3.html

         2012-11-18

Asals, Frederick. "The Double." In Modern Critical Views: Flannery O'Connor. Ed. Harold Bloom. New York: Chelsea House, 1986. 93-109.jh

Babener, Liahna Klenman. "The Shadow's Shadow. The motif of the Double in Edgar Allan Poe's 'The Purloined Letter'." In The Purloined Poe: Lacan, Derrida, and Psychoanalytic Reading. Ed. John P. Muller and William J. Richardson. Baltimore: Johns Hopkins UP, 1988. 323-34.*

Ballesteros González, Antonio. Narciso y el doble en la literatura fantástica victoriana. Cuenca: Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 1998.

Barreras, Asunción. "Nabokov's Use of the Doppelgänger." In Amor, odio y violencia en la literatura norteamericana. Ed. José Antonio Gurpegui. Alcalá de Henares: Universidad, 1994. 27-40.*

Borges, Jorge Luis. "My Double and I, de Nicolai Gubsky." El Hogar 21 April 1939. Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 1061-62.*

Butor, Michel. Histoire extraordinaire: Essai sur un rêve de Baudelaire. 1961. (Essais, 87). Paris: Gallimard-Folio, 1988.*

Coates, Paul. The Double and the Other: Identity and Ideology in Post-Romantic Fiction. Montreal: Macmillan, 1988.

Connolly, J. W. Madness and Doubling, from Dostoevski's Dvoinik (The Double) to Nabokov's Soglyadatai (The eye). Charlottesville: University of Virginia, 1990.

El doble. Monograph issue of Amaltea: Revista de Mitocrítica 3 (2011).

         http://www.ucm.es/info/amaltea/revista/eng/current.html

         2011

Domergue, Sonya. "Vladimir Nabokov: Mixed Doubles." Canadian American Slavic Studies 19.3 (1985): 282-94.

"Doppelgänger." Encyclopaedia Britannica.

         https://www.britannica.com/art/doppelganger

         2018

Dryden, Linda. The Modern Gothic and Literary Doubles: Stevenson, Wilde and Wells. Foreword by Laurence Davies. Oxford: Oxford UP, 2003.

Freud, Sigmund. "Das Unheimliche." Imago 5.5/6 (1919): 297-324.

_____. "The 'Uncanny'." In The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol 17. London: Hogarth Press / Institute of Psycho-Analysis, 1955.

_____. "The 'Uncanny'." In Studies in Parapsychology. Ed. Philip Rieff. New York: Collier, 1963.

_____. "The 'Uncanny'." In Freud, Art and Literature: Jensen's GRADIVA, Leonardo Da Vinci and Other Works. Trans. James Strachey et al. Ed. Albert Dickson. (Pelican Freud Library). London: Penguin-Pelican, 1985. Rpt. (Penguin Freud Library, 14). London: Penguin, 1990. 335-76.*

_____. "The 'Uncanny'." In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 76-87.*

_____. Extract from "The Uncanny." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 50.*

_____. L'Inquiétante étrangeté. Paris: Gallimard, 1985.

_____. Lo siniestro. Buenos Aires: Ed. Americana, 1943.

_____. "Lo siniestro." In Obras Completas. Madrid: Biblioteca Nueva, 1974. 7.2483-2505.

_____. "Lo siniestro." In Freud, Obras completas. Madrid: Orbis, 1988. 13.2483-2506.*

García Landa, José Ángel. "El hombre duplicado." In García Landa, Vanity Fea 11 July 2009.*

http://vanityfea.blogspot.com/2009/07/el-hombre-duplicado.html

         2009

Gibbons, Brian. "Doubles and Likenesses-with-difference: The Comedy of Errors and The Winter's Tale." Connotations 6.1 (1996-97): 19-40.*

Herdman, John. The Double in Nineteenth-Century Fiction. Basingstoke: Macmillan, 1990.

Jackson, Rosemary. "Narcissism and Beyond: A Psychoanalytic Reading of Frankenstein and Fantasies of the Double." In Aspects of Fantasy. Ed. William Coyle. Wesptort (CT): Greenwood, 1986. 43-53.

Klein, Naomi. Doppelganger: A Trip into the Mirror World. London: Allen Lane, 2023. (Naomi Wolf, conspiranoids, Bannon, mass psychosis, PsyOps, sectarianism, anti-Vaxxers).

_____. "Naomi Klein on Following Her Doppelganger Down the Conspiracy Rabbit Hole—And Why Millions of People Have Entered an Alternative Political Reality." The Guardian 26 Aug. 2023.*

         https://www.theguardian.com/books/2023/aug/26/naomi-klein-naomi-wolf-conspiracy-theories

         2023

Kofman, Sarah. "The Double Is/and the Devil. The Uncanniness of The Sandman (Der Sandmann)." In Kofman, Freud and Fiction. Oxford: Polity Press, 1991.*

Lévy-Bruhl, Lucien. "V. Dualité et bi-présence de l'individu." In Lévy-Bruhl, L'Âme primitive, in Primitifs. Paris: Analet, 2007. 585-614.* (Lycanthropy, Sorcerers, Duality, Totems).

Lojacono, Florence. "Le double mimétique dans la robinsonnade ontologique: L'Île d'un autre et L'isola del giorno prima." Cuadernos de Investigación Filológica 35-36 (2009-2010): 185-96.* (Jacques Perry, L'Île d'un autre, 1979, Umberto Eco, L'Isola del giorno prima).

Meehan, Paul. The Ghost of One's Self: Doppelgangers in Mystery, Horror and Science Fiction Films. Jefferson: McFarland & Co., 2017.

Miller, Karl. Doubles: Studies in Literary History. Oxford: Oxford UP, 1985.

Mishara, Aaron L. "Kafka, Paranoic Doubles and the Brain: Hypnagogic vs. Hyper-reflexive Models of Disrupted Self in Neuropsychiatric Disorders and Anomalous Conscious States." Philosophy, Ethics, and Humanities in Medicine 5.13 (2010).*

         http://www.peh-med.com/content/5/1/13

         2010

Mix Toro, Rolando. "El doble." "Espéculo." "Espejismo." "Fototipo." "Remorderte." "Incomunicación." Poems. In Benno Hübner, filósofo y amigo: Itinerario de un pensamiento. Ed. Mª Clara Ubieto Artur and Daniel F. Hübner. Zaragoza: Anubar, 1999. 22-23. 210-18.*

Nielsen, Henrik Skov. "Telling Doubles and Literal Minded Reading in Bret Easton Ellis' Glamorama." In Novels of The Contemporary Extreme. Ed. Naomi Mandel and Alain-Philippe Durand. London and New York: Continuum, 2006. (On terrorism).

Pizer, John. Ego-Alter Ego: Double and as/Other in the Age of German Poetic Realism. (U of North Carolina Studies in the Germanic Languages and Literatures). U of North Carolina P, 1998.

Rank, Otto. "Der Doppelgänger." Imago 3 (1914). (H. H. Ewers).

Rollason, Christopher. "Edgar Allan Poe, Julio Cortázar and Paris: A Study in Doubling." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 80-85.*

Roth, Phyllis A. "Lunatics, Lovers, and a Poet: A Study of Doubling and the Doppelgänger in the Novels of Nabokov." Ph.D. U of Connecticut, 1972.

Shapiro, Michael, and Marianne Shapiro. "Rereading Dostoevsky's The Double." In The Sense of Form in Literature and Language. 2nd ed. by Michael and Marianne Shapiro. California: Scotts Valley, 2009. 51-106.*

Stacconi, Monica. "The Double and the Construction of the 'Other' in Single White Female." In El cine: otra dimensión del discurso artístico. Ed. Carmen Escobedo de Tapia, Jorge Luis Bueno Alonso, and José Luis Caramés Lage. 1999. 2.419-431.

Szalai, Jennifer. "When your 'Doppelganger' Becomes a Conspiracy Theorist." New York Times 30 Aug. 2023.* (Naomi Klein, Naomi Wolf).

         https://www.nytimes.com/2023/08/30/magazine/naomi-klein-doppelganger.html?

         2023

Webber, Andrew J. The Doppelgänger: Double Visions in German Literature. Oxford: Clarendon Press, 1996.

Ziolkowski, Theodor. Imágenes desencantadas.  Madrid: Taurus, 1980.

 

 

 

 

Films

 

 

Body Double. Dir. Brian de Palma. 1984.

Dead Ringers. Dir. David Cronenberg.

A través del espejo. Dir. Robert Siodmak. Written by Nunnally Johnson on a plot by Vladimir Pozner. Cast: Olivia de Havilland, Lew Ayres, Thomas Mitchell. Music by Dmitri Tiomkin. Photog. Milton R. Krasner. Ed. Ernest J. Nims. Prod. des. Duncan Cramer. Prod. Nunnally Johnson.USA, 1946. Spanish DVD. (Cine negro).  Madrid: Vértice Cine, 2012.*

 

 

 

 

Literature

 

Blish, James, and R. W. Lowndes. The Duplicated Man. 1959.

Conrad, Joseph. "The Secret Sharer." Story. 1910. In Conrad, Selected Novels and Stories 657-86.

_____. The Secret Sharer. (Penguin 60s Classics). Harmondsworth: Penguin.

_____. "The Secret Sharer." In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 245-76.*

_____. The Secret Sharer. Ed. Daniel R. Schwarz. (Case Studies in Contemporary Criticism). Houndmills: Macmillan, 1998.

_____. "The Secret Sharer." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993. 388-415.*

Dostoevsky, Fyodor. The Double. 1846.

_____. El doble (Poema petersburgués). Trans. Lidia Kúper de Velasco. In Dostoievski, Obras Completas. Gen. ed. Augusto Vidal. (Biblioteca Autores de Siempre). Barcelona: Vergara, 1969. 1.323-489.*

Gubsky, Nicolai. My Double and I. c. 1939.

Heard, H. F. (Ps. of Gerald Heard). Doppelgangers. Novel. New York, 1947.

Hope, Anthony. The Prisoner of Zenda. Novel. 1884.

_____. The Prisoner of Zenda. Ed. Tony Watkins. Oxford: Oxford UP.

_____. (Antonio Hope). El prisionero de Zenda. (Biblioteca Sopena, 410). Barcelona: Sopena, 1959. 1973.*

Nabokov, Vladimir. Otchayanie. [Despair]. Novel. Berlin: Petropolis, 1936.

_____. Despair. Trans. Vladimir Nabokov. London: John Long, 1937. Trans. of Otchayanie.

_____. Despair. Trans. Vladimir Nabokov. Revised version. New York: Putnam, 1966.

_____. Despair. St. Albans: Panther, 1966.

_____. Despair. Harmondsworth: Penguin, 1981.

_____. Despair. New York: Random House-Vintage International [c. 1989?].

_____. La Méprise. Paris: Gallimard, 1939. 1959. Trans. of Despair.

_____. Desesperación. Trans. (from Despair) Ramón Margalef Llambrich. (Colección Gigante). Barcelona: Caralt, 1969.*

_____. The Real Life of Sebastian Knight. English novel. Norfolk (CT) and London: New Directions, 1941.

_____. The Real Life of Sebastian Knight. Introd. Conrad Brenner. Norfolk (CT): New Directions, 1959.

_____. The Real Life of Sebastian Knight. London: Weidenfeld and Nicolson, 1960.

_____. The Real Life of Sebastian Knight. Harmondsworth: Penguin, 1964.

_____. The Real Life of Sebastian Knight. Afterword by John Lanchester. Harmondsworth: Penguin, 1995.*

_____. The Real Life of Sebastian Knight. New York: Random House-Vintage International [c. 1990?].

_____. La Vraie Vie de Sebastian Knight. Trans. Yvonne Davert. Paris: Albin Michel, 1951.

_____. La Vraie vie de Sebastian Knight. Paris: Gallimard, 1962.

_____. La verdadera vida de Sebastian Knight. In Nabokov, Obras Completas III: Novelas (1941-1957). Prologue by Juan Bonilla. Notes by Brian Boyd. Ed. Antoni Munné. Trans. Enrique Pezzoni, Vicente Campos, Francesc Roca, Enrique Murillo. (Opera Mundi). Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2006.* (La verdadera vida de Sebastian Knight. Barra siniestra. Lolita. Pnin. Lolita: Un guión).

Poe, Edgar Allan. "William Wilson." Short story. Burton's Gentlemen's Magazine (1839).

_____. "William Wilson." In The Complete Tales and Poems of Edgar Allan Poe. (The Modern Library). New York: Random House, 1938. 626-41.*

_____. "William Wilson." In Poe, Selected Tales. Oxford: Oxford UP, 1980.

_____. "William Wilson." Short story. In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 158-78.*

_____. "William Wilson." In Poe, Obras completas. Ed. and trans. Julio Cortázar. Madrid: Aguilar. Rpt. RBA Coleccionables, 2004. 1.175-90.*

_____. "William Wilson." In Poe, The Fall of the House of Usher. Ms. Found in a Bottle. William Wilson. The Cask of Amontillado. Cáceres: Universidad de Extremadura.*

Rose, Edward. The Prisoner of Zenda. Drama based on Anthony Hope's novel. Staged at St. James's Theatre, 1896.

Saramago, José. El hombre duplicado. Novel. 2002.

Twain, Mark. The Prince and the Pauper. Historical novel. 1882.

_____. Príncipe y Mendigo. (Universo Literario – Sarpe). Barcelona: Onix de Comunicaciones, 1992.*

_____. The Tragedy of Pudd'nhead Wilson. Detective story. 1894. (Miscegenation and doubles).

_____. Pudd'nhead Wilson and Those Extraordinary Twins. Ed. Sidney E. Berger. (Norton Critical Edition). New York: Norton, 1980. 2nd ed. New York: Norton, 2004.

_____. Pudd'nhead Wilson and Other Tales. Ed. R. D. Gooder. Oxford: Oxford UP.

 

 

Music

 

Schubert, Franz. "Der Doppelgänger." Lied from Heinrich Heine. In Canto del cisne. Dieter Fischer-Dieskau, baritone. Gerald Moore, piano. Rec. 1963.  Prod. EMI 1997. CD. (Grandes Voces). Barcelona: Altaya / EMI Odeón, 1998.*

 

 

See also Alter Ego; Twins; Split personality; Schizophrenia.

 

domingo, 5 de octubre de 2025

Alter Egos

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Alter Egos

 

 

Adelman, Janet. "Iago's Alter Ego: Race as Projection in Othello." Shakespeare Quarterly 48.2: 125-144.*

_____. "Iago's Alter Ego: Race as Projection in Othello." In Political Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 111-30.*

García Landa, José Ángel. "El hombre duplicado." In García Landa, Vanity Fea 11 July 2009.*

http://vanityfea.blogspot.com/2009/07/el-hombre-duplicado.html

         2009

_____. "Dr Faustus and Mr Marlowe." In García Landa, Vanity Fea 8 Nov. 2012.*

         http://vanityfea.blogspot.com.es/2012/11/dr-marlowe-and-mr-faustus.html

         2012

_____. "Dr Faustus and Mr Marlowe." Net  Sight de José Angel García Landa 10 Nov. 2022.*

http://personal.unizar.es/garciala/publicaciones/drFaustus.html

         2022

Geduld, Harry M. The Definitive Dr Jekyll and Mr Hyde Companion. New York and London: Garland, 1983.

Kerby, Anthony Paul. "The Subject" ("He Who Says 'Ego'," "Signs of Derrida", "The Alter Ego," "Narrative and Truth," "The Cogito," "The Semiotic Subject"). In Kerby, Narrative and the Self. Bloomington: Indiana UP, 1991. 65-108.*

Lévy-Bruhl, Lucien. "V. Dualité et bi-présence de l'individu." In Lévy-Bruhl, L'Âme primitive, in Primitifs. Paris: Analet, 2007. 585-614.* (Lycanthropy, Sorcerers, Duality, Totems).

Pizer, John. Ego-Alter Ego: Double and as/Other in the Age of German Poetic Realism. (U of North Carolina Studies in the Germanic Languages and Literatures). U of North Carolina P, 1998.

Schütz, Alfred. "Scheler's Theory of Intersubjectivity & the General Thesis of the Alter Ego." Philosophy and Phenomenological Research 2 (1942): 323–47.

_____. "Sartre's Theory of Alter Ego." Philosophy and Phenomenological Research 9 (1948): 181–99.

 

 

 

Films

 

Hulk. Dir. Ang Lee. Based on the Marvel comic-book. 2003.

_____. Hulk. Dir. Ang Lee. Spanish DVD. Universal, 2003.*

 

 

 

 

Literature

 

 

Beckett, Samuel. Molloy. many editions.

Borges, Jorge Luis. El libro de arena. Stories. 1975. ("El otro").

_____. El libro de arena. Madrid: Alianza, 1977.

_____. El libro de arena. In Borges, Obras completas. Barcelona: Círculo de Lectores. Vol. 3.

_____. El libro de arena. In Borges, Obras Completas II. Barcelona: RBA / Instituto Cervantes, 2005. 9- 74.*

_____. The Book of Sand. Trans. Norman Thomas di Giovanni. New York: Dutton, 1978.

_____. Le Livre de sable. Paris: Gallimard, 1978.

Conrad, Joseph."The Secret Sharer." Story. 1910. In Conrad, Selected Novels and Stories 657-86.

_____. The Secret Sharer. (Penguin 60s Classics). Harmondsworth: Penguin.

_____. "The Secret Sharer." In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 245-76.*

_____. The Secret Sharer. Ed. Daniel R. Schwarz. (Case Studies in Contemporary Criticism). Houndmills: Macmillan, 1998.

_____. "The Secret Sharer." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993.*

Hue-King, Tsao. "Sueño infinito de Pao Yu." In Antología de la Literatura Fantástica. Ed. Jorge Luis Borges, Silvina Ocampo and Adolfo Bioy Casares. 1965. Barcelona: Edhasa, 1983. 1989. 1991. 407-8.* (Alter ego).

James, Henry. "The Jolly Corner." Story. In James, The Ghostly Tales.

_____. "The Jolly Corner." In James, Complete Stories (V) 1898-1910. (The Library of America). New York: Literary Classics of the United States, c. 1999.

_____. "El rincón feliz." In Antología del cuento norteamericano. Ed. Richard Ford. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2002. 150-95.*

_____. "The Two Faces." In James, Complete Stories (V) 1898-1910. (The Library of America). New York: Literary Classics of the United States, c. 1999.

McCabe, Brian. "The Host." Story. In Damage land: New Scottish Gothic Fiction. Ed Alan Bissett. Edinburgh: Polygon, 2001. 9-19.*

Nabokov, Vladimir. The Real Life of Sebastian Knight. English novel. Norfolk (CT) and London: New Directions, 1941.

_____. The Real Life of Sebastian Knight. Introd. Conrad Brenner. Norfolk (CT): New Directions, 1959.

_____. The Real Life of Sebastian Knight. London: Weidenfeld and Nicolson, 1960.

_____. The Real Life of Sebastian Knight. Harmondsworth: Penguin, 1964.

_____. The Real Life of Sebastian Knight. Afterword by John Lanchester. Harmondsworth: Penguin, 1995.*

_____. The Real Life of Sebastian Knight. New York: Random House-Vintage International [c. 1990?].

_____. La Vraie Vie de Sebastian Knight. Trans. Yvonne Davert. Paris: Albin Michel, 1951.

_____. La Vraie vie de Sebastian Knight. Paris: Gallimard, 1962.

_____. La verdadera vida de Sebastian Knight. In Nabokov, Obras Completas III: Novelas (1941-1957). Prologue by Juan Bonilla. Notes by Brian Boyd. Ed. Antoni Munné. Trans. Enrique Pezzoni, Vicente Campos, Francesc Roca, Enrique Murillo. (Opera Mundi). Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2006.* (La verdadera vida de Sebastian Knight. Barra siniestra. Lolita. Pnin. Lolita: Un guión).

Saramago, José. O Homem Duplicado Novel. Lisbon: Caminho, 2002.

_____. El hombre duplicado. Trans. Pilar del Río. Madrid: Santillana-Alfaguara, 2003.*

Sheldon, Sidney. A Stranger in the Mirror. Fiction. c. 1976.

Stevenson, R. L. The Strange Case of Dr Jekyll and Mr Hyde. Novel. 1886.

_____. The Strange Case of Dr. Jekyll and Mr Hyde, and Other Stories. Ed. Jenni Calder. Harmondsworth: Penguin, 1979.

_____. Dr Jekyll and Mr Hyde. (Penguin 60s Classics). Harmondsworth: Penguin.

_____. Dr Jekyll and Mr Hyde. Ware: Wordsworth.

_____. The Strange Case of Dr Jekyll and Mr Hyde and Other Stories. Ed. Jenni Calder. (Penguin Classics). Harmondsworth: Penguin, 1979.*

_____. The Strange Case of Dr Jekyll and Mr Hyde and Other Stories. Ed. Claire Harman. London: Dent; Rutland (VT): Tuttle, 1992. 1998.*

_____. The Annotated Dr Jekyll and Mr Hyde. Ed. Richard Dury. Milan: Guarini Studio, 1993.

_____. Strange Case of Dr. Jekyll and Mr. Hyde. Ed. Katherine B. Linehan, Oberlin College. (Norton Critical Edition). New York: Norton, 2003.

Twain, Mark. Príncipe y Mendigo. (Universo Literario – Sarpe). Barcelona: Onix de Comunicaciones, 1992.*

Tryon, Thomas. The Other. Fiction. c. 1971.

_____. El Otro. Thriller. Trans. Olalla García. Madrid: Impedimenta, 2019.

 

 

 

 

 

Films

 

 

 

D'Après une histoire vraie. Dir. Roman Polanski. Written by Olivier Assayas and Roman Polanski, based on the novel by Delphine de Vigan. Cast: Emmanuelle Seigner, Eva Green, Vincent Perez. Music by Alexandre Desplat. Cinemat. Pawel Edelman. Ed. Margot Meiner. 2017. Online at Netflix.*

 

 

 

 

 

See also Doubles; Multiple personality; Otherness; Intersubjectivity.

 

 

 

 

 

Herejes y Herejías

            from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel Ga...