A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Doubles
Alter, Robert. "Playing host to the Doppelgänger." TLS 24 September 1986: 1190.*
Amaltea Issue 3 (2011): "The Mythic Double."
http://www.ucm.es/info/amaltea/revista/eng/num3.html
2012-11-18
Asals, Frederick. "The Double." In Modern Critical Views: Flannery O'Connor. Ed. Harold Bloom. New York: Chelsea House, 1986. 93-109.jh
Babener, Liahna Klenman. "The Shadow's Shadow. The motif of the Double in Edgar Allan Poe's 'The Purloined Letter'." In The Purloined Poe: Lacan, Derrida, and Psychoanalytic Reading. Ed. John P. Muller and William J. Richardson. Baltimore: Johns Hopkins UP, 1988. 323-34.*
Ballesteros González, Antonio. Narciso y el doble en la literatura fantástica victoriana. Cuenca: Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 1998.
Barreras, Asunción. "Nabokov's Use of the Doppelgänger." In Amor, odio y violencia en la literatura norteamericana. Ed. José Antonio Gurpegui. Alcalá de Henares: Universidad, 1994. 27-40.*
Borges, Jorge Luis. "My Double and I, de Nicolai Gubsky." El Hogar 21 April 1939. Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 1061-62.*
Butor, Michel. Histoire extraordinaire: Essai sur un rêve de Baudelaire. 1961. (Essais, 87). Paris: Gallimard-Folio, 1988.*
Coates, Paul. The Double and the Other: Identity and Ideology in Post-Romantic Fiction. Montreal: Macmillan, 1988.
Connolly, J. W. Madness and Doubling, from Dostoevski's Dvoinik (The Double) to Nabokov's Soglyadatai (The eye). Charlottesville: University of Virginia, 1990.
El doble. Monograph issue of Amaltea: Revista de Mitocrítica 3 (2011).
http://www.ucm.es/info/amaltea/revista/eng/current.html
2011
Domergue, Sonya. "Vladimir Nabokov: Mixed Doubles." Canadian American Slavic Studies 19.3 (1985): 282-94.
"Doppelgänger." Encyclopaedia Britannica.
https://www.britannica.com/art/doppelganger
2018
Dryden, Linda. The Modern Gothic and Literary Doubles: Stevenson, Wilde and Wells. Foreword by Laurence Davies. Oxford: Oxford UP, 2003.
Freud, Sigmund. "Das Unheimliche." Imago 5.5/6 (1919): 297-324.
_____. "The 'Uncanny'." In The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol 17. London: Hogarth Press / Institute of Psycho-Analysis, 1955.
_____. "The 'Uncanny'." In Studies in Parapsychology. Ed. Philip Rieff. New York: Collier, 1963.
_____. "The 'Uncanny'." In Freud, Art and Literature: Jensen's GRADIVA, Leonardo Da Vinci and Other Works. Trans. James Strachey et al. Ed. Albert Dickson. (Pelican Freud Library). London: Penguin-Pelican, 1985. Rpt. (Penguin Freud Library, 14). London: Penguin, 1990. 335-76.*
_____. "The 'Uncanny'." In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 76-87.*
_____. Extract from "The Uncanny." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 50.*
_____. L'Inquiétante étrangeté. Paris: Gallimard, 1985.
_____. Lo siniestro. Buenos Aires: Ed. Americana, 1943.
_____. "Lo siniestro." In Obras Completas. Madrid: Biblioteca Nueva, 1974. 7.2483-2505.
_____. "Lo siniestro." In Freud, Obras completas. Madrid: Orbis, 1988. 13.2483-2506.*
García Landa, José Ángel. "El hombre duplicado." In García Landa, Vanity Fea 11 July 2009.*
http://vanityfea.blogspot.com/2009/07/el-hombre-duplicado.html
2009
Gibbons, Brian. "Doubles and Likenesses-with-difference: The Comedy of Errors and The Winter's Tale." Connotations 6.1 (1996-97): 19-40.*
Herdman, John. The Double in Nineteenth-Century Fiction. Basingstoke: Macmillan, 1990.
Jackson, Rosemary. "Narcissism and Beyond: A Psychoanalytic Reading of Frankenstein and Fantasies of the Double." In Aspects of Fantasy. Ed. William Coyle. Wesptort (CT): Greenwood, 1986. 43-53.
Klein, Naomi. Doppelganger: A Trip into the Mirror World. London: Allen Lane, 2023. (Naomi Wolf, conspiranoids, Bannon, mass psychosis, PsyOps, sectarianism, anti-Vaxxers).
_____. "Naomi Klein on Following Her Doppelganger Down the Conspiracy Rabbit Hole—And Why Millions of People Have Entered an Alternative Political Reality." The Guardian 26 Aug. 2023.*
https://www.theguardian.com/books/2023/aug/26/naomi-klein-naomi-wolf-conspiracy-theories
2023
Kofman, Sarah. "The Double Is/and the Devil. The Uncanniness of The Sandman (Der Sandmann)." In Kofman, Freud and Fiction. Oxford: Polity Press, 1991.*
Lévy-Bruhl, Lucien. "V. Dualité et bi-présence de l'individu." In Lévy-Bruhl, L'Âme primitive, in Primitifs. Paris: Analet, 2007. 585-614.* (Lycanthropy, Sorcerers, Duality, Totems).
Lojacono, Florence. "Le double mimétique dans la robinsonnade ontologique: L'Île d'un autre et L'isola del giorno prima." Cuadernos de Investigación Filológica 35-36 (2009-2010): 185-96.* (Jacques Perry, L'Île d'un autre, 1979, Umberto Eco, L'Isola del giorno prima).
Meehan, Paul. The Ghost of One's Self: Doppelgangers in Mystery, Horror and Science Fiction Films. Jefferson: McFarland & Co., 2017.
Miller, Karl. Doubles: Studies in Literary History. Oxford: Oxford UP, 1985.
Mishara, Aaron L. "Kafka, Paranoic Doubles and the Brain: Hypnagogic vs. Hyper-reflexive Models of Disrupted Self in Neuropsychiatric Disorders and Anomalous Conscious States." Philosophy, Ethics, and Humanities in Medicine 5.13 (2010).*
http://www.peh-med.com/content/5/1/13
2010
Mix Toro, Rolando. "El doble." "Espéculo." "Espejismo." "Fototipo." "Remorderte." "Incomunicación." Poems. In Benno Hübner, filósofo y amigo: Itinerario de un pensamiento. Ed. Mª Clara Ubieto Artur and Daniel F. Hübner. Zaragoza: Anubar, 1999. 22-23. 210-18.*
Nielsen, Henrik Skov. "Telling Doubles and Literal Minded Reading in Bret Easton Ellis' Glamorama." In Novels of The Contemporary Extreme. Ed. Naomi Mandel and Alain-Philippe Durand. London and New York: Continuum, 2006. (On terrorism).
Pizer, John. Ego-Alter Ego: Double and as/Other in the Age of German Poetic Realism. (U of North Carolina Studies in the Germanic Languages and Literatures). U of North Carolina P, 1998.
Rank, Otto. "Der Doppelgänger." Imago 3 (1914). (H. H. Ewers).
Rollason, Christopher. "Edgar Allan Poe, Julio Cortázar and Paris: A Study in Doubling." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 80-85.*
Roth, Phyllis A. "Lunatics, Lovers, and a Poet: A Study of Doubling and the Doppelgänger in the Novels of Nabokov." Ph.D. U of Connecticut, 1972.
Shapiro, Michael, and Marianne Shapiro. "Rereading Dostoevsky's The Double." In The Sense of Form in Literature and Language. 2nd ed. by Michael and Marianne Shapiro. California: Scotts Valley, 2009. 51-106.*
Stacconi, Monica. "The Double and the Construction of the 'Other' in Single White Female." In El cine: otra dimensión del discurso artístico. Ed. Carmen Escobedo de Tapia, Jorge Luis Bueno Alonso, and José Luis Caramés Lage. 1999. 2.419-431.
Szalai, Jennifer. "When your 'Doppelganger' Becomes a Conspiracy Theorist." New York Times 30 Aug. 2023.* (Naomi Klein, Naomi Wolf).
https://www.nytimes.com/2023/08/30/magazine/naomi-klein-doppelganger.html?
2023
Webber, Andrew J. The Doppelgänger: Double Visions in German Literature. Oxford: Clarendon Press, 1996.
Ziolkowski, Theodor. Imágenes desencantadas. Madrid: Taurus, 1980.
Films
Body Double. Dir. Brian de Palma. 1984.
Dead Ringers. Dir. David Cronenberg.
A través del espejo. Dir. Robert Siodmak. Written by Nunnally Johnson on a plot by Vladimir Pozner. Cast: Olivia de Havilland, Lew Ayres, Thomas Mitchell. Music by Dmitri Tiomkin. Photog. Milton R. Krasner. Ed. Ernest J. Nims. Prod. des. Duncan Cramer. Prod. Nunnally Johnson.USA, 1946. Spanish DVD. (Cine negro). Madrid: Vértice Cine, 2012.*
Literature
Blish, James, and R. W. Lowndes. The Duplicated Man. 1959.
Conrad, Joseph. "The Secret Sharer." Story. 1910. In Conrad, Selected Novels and Stories 657-86.
_____. The Secret Sharer. (Penguin 60s Classics). Harmondsworth: Penguin.
_____. "The Secret Sharer." In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 245-76.*
_____. The Secret Sharer. Ed. Daniel R. Schwarz. (Case Studies in Contemporary Criticism). Houndmills: Macmillan, 1998.
_____. "The Secret Sharer." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993. 388-415.*
Dostoevsky, Fyodor. The Double. 1846.
_____. El doble (Poema petersburgués). Trans. Lidia Kúper de Velasco. In Dostoievski, Obras Completas. Gen. ed. Augusto Vidal. (Biblioteca Autores de Siempre). Barcelona: Vergara, 1969. 1.323-489.*
Gubsky, Nicolai. My Double and I. c. 1939.
Heard, H. F. (Ps. of Gerald Heard). Doppelgangers. Novel. New York, 1947.
Hope, Anthony. The Prisoner of Zenda. Novel. 1884.
_____. The Prisoner of Zenda. Ed. Tony Watkins. Oxford: Oxford UP.
_____. (Antonio Hope). El prisionero de Zenda. (Biblioteca Sopena, 410). Barcelona: Sopena, 1959. 1973.*
Nabokov, Vladimir. Otchayanie. [Despair]. Novel. Berlin: Petropolis, 1936.
_____. Despair. Trans. Vladimir Nabokov. London: John Long, 1937. Trans. of Otchayanie.
_____. Despair. Trans. Vladimir Nabokov. Revised version. New York: Putnam, 1966.
_____. Despair. St. Albans: Panther, 1966.
_____. Despair. Harmondsworth: Penguin, 1981.
_____. Despair. New York: Random House-Vintage International [c. 1989?].
_____. La Méprise. Paris: Gallimard, 1939. 1959. Trans. of Despair.
_____. Desesperación. Trans. (from Despair) Ramón Margalef Llambrich. (Colección Gigante). Barcelona: Caralt, 1969.*
_____. The Real Life of Sebastian Knight. English novel. Norfolk (CT) and London: New Directions, 1941.
_____. The Real Life of Sebastian Knight. Introd. Conrad Brenner. Norfolk (CT): New Directions, 1959.
_____. The Real Life of Sebastian Knight. London: Weidenfeld and Nicolson, 1960.
_____. The Real Life of Sebastian Knight. Harmondsworth: Penguin, 1964.
_____. The Real Life of Sebastian Knight. Afterword by John Lanchester. Harmondsworth: Penguin, 1995.*
_____. The Real Life of Sebastian Knight. New York: Random House-Vintage International [c. 1990?].
_____. La Vraie Vie de Sebastian Knight. Trans. Yvonne Davert. Paris: Albin Michel, 1951.
_____. La Vraie vie de Sebastian Knight. Paris: Gallimard, 1962.
_____. La verdadera vida de Sebastian Knight. In Nabokov, Obras Completas III: Novelas (1941-1957). Prologue by Juan Bonilla. Notes by Brian Boyd. Ed. Antoni Munné. Trans. Enrique Pezzoni, Vicente Campos, Francesc Roca, Enrique Murillo. (Opera Mundi). Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2006.* (La verdadera vida de Sebastian Knight. Barra siniestra. Lolita. Pnin. Lolita: Un guión).
Poe, Edgar Allan. "William Wilson." Short story. Burton's Gentlemen's Magazine (1839).
_____. "William Wilson." In The Complete Tales and Poems of Edgar Allan Poe. (The Modern Library). New York: Random House, 1938. 626-41.*
_____. "William Wilson." In Poe, Selected Tales. Oxford: Oxford UP, 1980.
_____. "William Wilson." Short story. In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 158-78.*
_____. "William Wilson." In Poe, Obras completas. Ed. and trans. Julio Cortázar. Madrid: Aguilar. Rpt. RBA Coleccionables, 2004. 1.175-90.*
_____. "William Wilson." In Poe, The Fall of the House of Usher. Ms. Found in a Bottle. William Wilson. The Cask of Amontillado. Cáceres: Universidad de Extremadura.*
Rose, Edward. The Prisoner of Zenda. Drama based on Anthony Hope's novel. Staged at St. James's Theatre, 1896.
Saramago, José. El hombre duplicado. Novel. 2002.
Twain, Mark. The Prince and the Pauper. Historical novel. 1882.
_____. Príncipe y Mendigo. (Universo Literario – Sarpe). Barcelona: Onix de Comunicaciones, 1992.*
_____. The Tragedy of Pudd'nhead Wilson. Detective story. 1894. (Miscegenation and doubles).
_____. Pudd'nhead Wilson and Those Extraordinary Twins. Ed. Sidney E. Berger. (Norton Critical Edition). New York: Norton, 1980. 2nd ed. New York: Norton, 2004.
_____. Pudd'nhead Wilson and Other Tales. Ed. R. D. Gooder. Oxford: Oxford UP.
Music
Schubert, Franz. "Der Doppelgänger." Lied from Heinrich Heine. In Canto del cisne. Dieter Fischer-Dieskau, baritone. Gerald Moore, piano. Rec. 1963. Prod. EMI 1997. CD. (Grandes Voces). Barcelona: Altaya / EMI Odeón, 1998.*
See also Alter Ego; Twins; Split personality; Schizophrenia.
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