from
A Bibliography of Literary Theory, Criticism and
Philology
http://bit.ly/abibliog
by José Ángel García Landa
(University of Zaragoza, Spain)
Literature and Film
Literature
and film: general
Early
works (to 1960)
Miscellaneous
Adaptation
Drama
and film
Novel
and film
Poetry
and film
Literature and Film:
General
Badelli, P. El cine y la obra literaria. Buenos Aires: Galerna, 1970.
Beja, Morris. Film and Literature:
An Introduction.
New York: Longman, 1979. (Shakespeare, etc.).
Bluestone,
George. Novels into Films: The Metamorphoses
of Fiction into Cinema. Berkeley: U of California
P, 1957. 1973.
Company, J. M. El trazo de la letra en la imagen: Texto literario y texto fílmico.
Madrid: Cátedra, 1987.
Reynolds,
Peter. Novel Images: Literature in
Performance. London: Routledge, 1993.
Stam,
Robert. Literature Through Film: Realism,
Magic, and the Art of Adaptation. Oxford: Blackwell, 2004.
Stam,
Robert, and Alessandra Raengo. A
Companion to Literature and Film. (Blackwell Companions in Cultural
Studies). Oxford: Blackwell, 2004.
Urrutia, J.
Imago litterae: Cine, literatura. Sevilla: Alfar, 1984.
Utrera, R. Literatura cinematográfica: cinematografía literaria. Sevilla: Alfar, 1987.
Early works
Bazin,
André. Qu'est-ce que le cinéma? 4
vols. Paris: Editions du Cerf, 1958-65.
_____. From
What Is Cinema? ("Theater and
Cinema"). 1951. In Film Theory and
Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall
Cohen. New York: Oxford UP, 1999. 408-18.*
_____.
"Adaptation, or the Cinema as Digest." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers
UP, 2000. 19-27.*
Benedek,
Laszlo. "Play into Picture." Sight
and Sound 22 (Autumn 1952): 82-4, 96.
Bluestone,
George. Novels into Films: The
Metamorphoses of Fiction into Cinema. Berkeley: U of California P,
1957. 1973.
Eichenbaum,
Boris. "Literature and Cinema." Trans. T. L. Aman. Twentieth Century Studies 8 (1972).
Eisenstein,
S. M. "Dickens, Griffith, and the Film Today." In Eisenstein, Film Form: Essays in Film Theory. Trans.
Jay Leyda. New York: Harcourt, 1949.
Knight,
Arthur. "Three Problems in Film Adaptation." Saturday Review 18 Dec. 1954.
Magny,
Claude-Edmonde. L'Age du roman américain.
Paris: Seuil, 1948. 1968.
_____. The Age of the American Novel: The Film
Aesthetic of Fiction Between the Two Wars. Trans. Eleanor Hochman. New
York: Ungar, 1972.
Nicol,
Allardyce. Film and Theatre. London,
1936.
_____. Film and Theatre. Arno Press, 1972.
Shklovski,
Viktor. "Literatur und Kinematograph." 1923. In Formalismus, Strukturalismus und Geschichte. Kronberg: Scriptor,
1974. 22-41.
Shelley,
Frank. Stage and Screen. (Film
Quarterly Series). London, 1946.
Sternberg,
Joseph von. "Acting in Film and Theatre." In Focus on Film and Theatre. Ed. James Hurt. New Jersey, 1974. 80-98.
Vardac,
Nicholas. Stage to Screen. New York,
1968.
Vardac, A.
N. Stage to Screen. Cambridge (MA),
1949.
Williams,
W. E. "Film and Literature." Sight
and Sound 4 (Winter 1935): 164-5.
Miscellaneous
Alvar, Carlos. "Cardenio y Luscinda en el cine mudo:
Algunas reflexiones a partir del Quijote
(I, XXIII-XXVII)." In Cartografía
literaria: En homenaje al profesor José Romera Castillo. Ed. G. Laín Corona
and R. Santiago Nogales. Madrid: Visor, 2018. 1.1031-52. Online at Academia.*
https://www.academia.edu/41019749/
2019
Bienstock,
Beverly Gray. "Focus Pocus: Film Imagery in Bend Sinister." In Nabokov's
Fifth Arc: Nabokov and Others on His Life's Work. Ed. J. E. Rivers and
Charles Nicol. Austin: U of Texas P, 1982. 125-38.*
Bravo, J. M. "La importancia de la
literatura como punto de partida del arte cinematográfico." In La Literatura en lengua inglesa y el Cine.
Ed. J. M. Bravo. Valladolid: ICE Universidad de Valladolid, 1993. 11-28.
_____, ed. La Literatura en lengua inglesa y el Cine. Valladolid: ICE
Universidad de Valladolid, 1993.
Cartmell,
Deborah, I. Q. Hunter, Heidi Kaye and Imelda Wheelan, eds. Pulping Fictions: Consuming Culture across the Literature/Media Divide.
London: Pluto Press, 1996.
Cattrysse,
P. "Film (Adaptation) as Translation: Some Methodological Proposals."
Target 4.1 (1992): 53-70.
_____.
"The Study of Film Adaptation: A State of the Art and Some New Functional
Proposals." In Transvases culturales: Literatura, cine, traducción. Ed. F. Eguíluz
et al. Vitoria: U del
País Vasco, 1994. 37-51.
Denisoff, Dennis. Sexual Visuality from Literature to Film 1850-1950. (Palgrave
Studies in Nineteenth-Century Writing and Culture). Oxford: Oxford UP, 2004.
Eidsvik,
Charles. "Soft Edges: The Art of Literature and the Medium of Film." Literature Film Quarterly 2.1 (1974): 16-21.
Los
escritores frente al cine. Madrid: Fundamentos,
1981.
Gómez López,
Encarnación. "Cine y literatura: interrelaciones y nuevas
perspectivas." Actas de la IX Semana
de Estudios Germánicos. Madrid: Ediciones Clásicas, 1999.
Hostkotte, Silke. "Seeing or Speaking: Visual
Narratology and Focalization, Literature to Film." In Narratology in the Age of Cross-Disciplinary Narrative Research.
Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009.
170-92.* (Kafka, Haneke, Walser, Stephen and Timothy Quay, Institute Benjamenta or This Dream People Call Human Life).
Khouri-Saliba,
May. "Texte et cinéma: un croisement interactif." In Le Texte Cendrarsien: Actes du Colloque
International de Grenoble. Grenoble: Centre de création littéraire de
Grenoble / CCL Éditions, 1988. 247-52.*
Martín, Sara. "Writers on the Screen: The
Literary Oscars." In Proceedings of
the 22nd International Conference of AEDEAN (Asociación Española de Estudios
Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and
Enric Llurda. Lleida: Edicions de la Universitat de
Lleida, 2000. 293-96.*
_____, ed. Word and Screen. Special issue of Links and Letters 6 (April 1999).
Paz Gago, José María.
"Cine y literatura en el ámbito comparativo." In Liceus.com: E-Excellence
http://www.liceus.com/cgi-bin/aco/lit_comp/temas.asp
2005-05-05
Peña Ardid, Carmen. "Estudio de las
relaciones entre cine y literatura: la influencia cinematográfica en la novela
española de postguerra." Ph.D.
diss. Universidad de Zaragoza, 1990.
_____. Literatura y cine: Una aproximación comparativa. Madrid: Cátedra, 1992.
Perez,
Gilberto. "Landscape and Fiction: A
Day in the Country." In Film
Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000.
129-53.* (Renoir).
Ray, Robert
B. "The Field of 'Literature and Film'." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers
UP, 2000. 38-53.*
Ross, T.
J., ed. Film and the Liberal Arts.
New York, 1970.
Ruhe,
Edward . "Film: The Literary Approach." Literature/Film Quarterly 1.1 (1973): 76-83.
Saalbach, M. "La literatura en
versión cinematográfica: posibilidades y límites de la transposición." In Transvases culturales: Literatura, cine,
traducción. Ed. F. Eguíluz et al. Vitoria: U del País Vasco, 1994. 417-23.
Santamaría, José Miguel, et al., eds. Transvases culturales: Literatura, cine y
traducción. Vitoria: U del País Vasco, 1997.
Urrutia, Jorge. La literatura española en el cine: Bases para un estudio. 1972.
Vondrak,
Amy. "'The Sequence of Motion and Fact': Cubist Collage and Filmic Montage
in Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY):
Boydell & Brewer-Camden House, 2004. 257-79.*
Warhol,
Robyn R. "Neonarrative; or, How to Render the Unnarratable in Realist
Fiction and Contemporary Film." In A
Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz.
Malden (MA): Blackwell, 2005. 220-31.*
Anthologies
Stam,
Robert, and Alessandra Raengo, eds. Literature
and Film: A Reader. Oxford: Blackwell, 2004.
Blogs
Cine y literatura
http://cine-y-literatur.blogspot.com/
2011
Journals
Fotocinema: Revista científica de cine y literatura 16 (2018). Universidad de Málaga-UMA Editorial, 2018.*
http://www.revistas.uma.es/index.php/fotocinema/article/view/4093/3808
2018
Literature / Film Quarterly
Salisbury
State College
Salisbury, Maryland 21801
USA
Vol. 24.3 (1996).*
Video
Gutiérrez Aragón, Manuel. "En busca
de la escritura fílmica." (Ingreso Manuel Gutiérrez Aragón). YouTube (RAEInforma) 27 Jan. 2016.*
https://youtu.be/yf_cbF1khwA
2016
Villanueva, Darío. "El Quijote antes
del cinema." Inaugural
discourse at the Real Academia Española, 8 June 2008. YouTube (RAEinforma) 28 April 2013.*
https://youtu.be/unK4TG1ieW4
2015
Adaptation
Abbott, H.
Porter. The Cambridge Introduction to
Narrative. Cambridge: Cambridge UP, 2002.* (Intermedia adaptation).
Andrew, Dudley. From Concepts in Film Theory ("Adaptation"). 1984. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo
Braudy and Marshall Cohen. New York: Oxford UP, 1999. 452-60.*
_____.
"Adaptation." In Film
Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000.
28-37.*
Aragay,
Mireia. "Reflection to Refraction: Adaptation Studies Then and Now." In
Books in Motion: Adaptation,
Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York:
Rodopi, 2005. 11-34.*
_____, ed. Books in Motion: Adaptation,
Intertextuality, Authorship. (Contemporary Cinema, 2). Amsterdam and New
York: Rodopi, 2005.*
http://www.rodopi.nl/functions/search.asp?BookId=COCI+2
2005-12-13
_____, ed.
Books in Motion. Online
texts at Net Sight de José Angel García
Landa (Google Preview Wizard). 2008.*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/booksinmotion.html
2008
http://personal.unizar.es/garciala/publicaciones/booksinmotion.html
2019
Aragay,
Mireia, and Gemma López. "Inf(l)ecting Pride
and Prejudice: Dialogism, Intertextuality, and Adaptation." In Books in Motion: Adaptation,
Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York:
Rodopi, 2005. 201-19.*
Bacchilega,
Cristina. Fairy Tales Transformed?
Twenty-First-Century Adaptations and the Politics of Wonder. Michigan:
Wayne State UP, 2013.
Bazin,
André. "Adaptation, or the Cinema as Digest." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers
UP, 2000. 19-27.*
Bernstein,
Matthew. "High and Low: Art
Cinema and Pulp Fiction in Yokohama." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers
UP, 2000. 172-89.* (Kurosawa, 1963).
Berthelot, Francis. "Narratologie
thématique et narratologie discursive: le cas des transfictions." In Narratologies contemporaines: Nouveaux
paradigmes pour la théorie et l'analyse du récit. Ed. John Pier
and Francis Berthelot. Paris: Editions des Archives Contemporaines, 2010. 75-90.
Bluestone,
George. Novels into Films: The
Metamorphoses of Fiction into Cinema. Berkeley: U of California P,
1957. 1971. 1973.
Brown,
Lathleen L. Teaching Literary Theory
Using Film Adaptations. 2009.
Cañuelo Sarrión, Susana "Adaptación
cinematográfica y traducción: En busca de normas de transferencia en el ámbito
hispano-alemán." In Trasvases
culturales: Literatura – Cine – Traducción. Ed. Raquel Merino, J. M.
Santamaría, and Eterio Pajares. Bilbao: Servicio editorial de la Universidad
del País Vasco, 2005. 39-54.*
Cartmell, Deborah. "Introduction" (to Part
II, "From Screen to Text and Multiple Adaptations"). In Adaptations: From Text to Screen, Screen to
Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999.
143-45.*
_____.
"Introduction." (to Part II, "From Text to Screen"). In Adaptations: From Text to Screen, Screen to
Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999.
23-28.*
Cartmell,
Deborah, and Imelda Whelehan. "Harry Potter and the Fidelity Debate."
In Books in Motion: Adaptation,
Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York:
Rodopi, 2005. 37-49.*
_____, eds.
Adaptations: From Text to Screen, Screen
to Text. London: Routledge, 1999.*
Conditto, Kerry L. Problèmes de l'adaptation filmique d'un texte littéraire: Études
comparées de Madame Bovary de
Gustave Flaubert et du Colonel Chabert
d'Honoré de Balzac. MA diss. U of North Texas, 1998. Online at UNT Digital Library.*
https://digital.library.unt.edu/ark:/67531/metadc279118/m1/1/
2017
DeBona,
Guerric, O.S.B. "Dickens, the Depression, and MGM's David Copperfield. In Film
Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000.
106-28.*
Diehl,
Karen. "Once upon an Adaptation: Traces of the Authorial on Film." In
Books in Motion: Adaptation,
Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York:
Rodopi, 2005. 89-106.*
Elleström,
Lars. "Adaptation and Intermediality." From The Oxford Handbook of Adaptation Studies. Oxford: Oxford UP.
Online at Academia. 2017.*
https://www.academia.edu/31802295/Adaptation_and_Intermediality
2017
Elliott,
Kamilla. "Literary Film Adaptation and the Form/Content Dilemma." In Narrative across Media: The Languages of
Storytelling. Ed. Marie-Laure Ryan. Lincoln: U of
Nebraska P, 2004. 220-43.*
Fernández Nistal, P. "Tipología de
las adaptaciones cinematográficas de obras literarias inglesas." In La Literatura en lengua inglesa y el Cine.
Ed. J. M. Bravo. Valladolid:
ICE Universidad de Valladolid, 1993. 29-40.
García Landa, José Ángel. "Adaptation,
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Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay.
(Contemporary Cinema, 2). Amsterdam and New York: Rodopi, 2005. 181-99.*
http://www.rodopi.nl/functions/search.asp?BookId=COCI+2
Online PDF:
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2005
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2019
_____.
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2008
_____.
"Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Zaguán 6 Feb. 2009.*
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2009
_____.
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2014
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2023
_____.
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2010
Cognition
& the Arts eJournal 5 June 2010.*
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2013
Cognition
& Culture: Culture, Communication, Design, Ethics, Morality, Religion,
Rheotirc & Semiotics eJournal 5 June 2010.*
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2013
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Theory and Criticism eJournal 5 June 2010.*
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2012
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Literature eJournal
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"Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." ResearchGate 29 Sept. 2012.*
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_____. "Film Adaptation, ed. James
Naremore." In García Landa, Vanity
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2006-11-01
Geraghty,
Christine. Now
a Major Motion Picture: Film Adaptations of Literature and Drama. 2007.
Hutcheon,
Linda. "Metamorphing: Intertextuality, Adaptation, and Cultural
Types." In Symbolism Vol. 5 (2005) – ("Special Focus:
Intertextuality"). Brooklyn (NY): AMS Press, 2005. 61-75.*
_____. A Theory of Adaptation. Abingdon: Routledge, 2006.
Jividen, Jill. "8. Cinema
and Adaptations." In Ernest
Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo.
Cambridge: Cambridge UP, 2013. 76-85.*
Kidnie,
Margaret Jane. Shakespeare and the
Problem of Adaptation: Forms of Possibility. Abingdon:
Routledge, 2009.
Knight,
Arthur. "Three Problems in Film Adaptation." Saturday Review 18 Dec. 1954.
Leitch,
Thomas. "Twelve Fallacies in Adaptation Theory." Criticism 45.2 (2003): 149-171. (Vs.
Chatman).
_____.
"The Adapter as Auteur: Hitchcock, Kubrick, Disney." In Books in Motion: Adaptation,
Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York:
Rodopi, 2005. 107-24.*
Lothe,
Jakob. "James Joyce's 'The Dead' and John Huston's The Dead." In Lothe, Narrative
in Fiction and Film: An Introduction. Oxford: Oxford UP, 2000. 127-56.*
_____.
"Joseph Conrad's Heart of Darkness
and Francis Ford Coppola's Apocalypse
Now." In Lothe, Narrative in
Fiction and Film: An Introduction. Oxford: Oxford UP, 2000. 157-96.*
Maltby,
Richard. "'To Prevent the Prevalent Type of Book': Censorship and
Adaptation in Hollywood, 1924-1934." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers
UP, 2000. 79-105.*
Martín Alegre, Sara,
María Elena Rodríguez Martín and Gerardo Rodríguez Salas. "El relato corto
en inglés y en el cine." In AEDEAN
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McCarthy,
Margaret. "Adaptation and Autobiographical Auteurism: A Look at
Filmmaker/Writer Doris Dörrie." In Books
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Amsterdam and New York: Rodopi, 2005. 125-42.*
McFarlane,
Brian. Novel to Film: An Introduction to
the Theory of Adaptation. Oxford: Clarendon, 1996.*
Milton, John. "Between
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Naremore,
James, "Introduction: Film and the Reign of Adaptation." In Film Adaptation. Ed. James Naremore. New
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_____, ed. Film Adaptation. (Rutgers Dept of Field Series). New Brunswick
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Nicol,
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_____. Film and Theatre. Arno Press, 1972.
Nowaira,
Amira. "Text and Pretext: Reading Cultural and Ideological Paradigms in
the Hollywood and Egyptian Movie Adaptations of Tolstoy's Anna Karenina." In Semiotic
Encounters: Text, Image and Trans-Nation. Ed. Sarah Säckel et al. Amsterdam
and New York: Rodopi, 2009. 239-46.*
Ortega, Dolors. "Deterritorialising Patriarchal
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Film Adaptations." Ph.D. diss. U de Barcelona, 2012. Online at Dipòsit Digital Universitat de Barcelona.*
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Paul,
Joanna. "Homer and Cinema: Translation and Adaptation in Le Mépris." In Translation and the Classic: Identity as Change in the History of
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Redondo
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Richardson,
Robert. Literature into Film.
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Rosenbaum,
Jonathan. "Two Forms of Adaptation: Housekeeping
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Sadlier,
Darlene J. "The Politics of Adaptation: How Tasty Was My Little Frenchman." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers
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Sadoff, Dianne F. Victorian
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Stam,
Robert. "Beyond Fidelity: The Dialogics of Adaptation." In Film Adaptation. Ed. James Naremore. New
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_____. Literature Through Film: Realism, Magic, and
the Art of Adaptation. Oxford: Blackwell, 2004.
Stern,
Lesley. "Emma in Los Angeles:
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Trivedi,
Harish. "Anglophone Transnation, Postcolonial Translation: The Book and
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Sun, Weiwei.
"Narrativa literaria y narrativa cinematográfica: Sorgo Rojo de Mo
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Vidal,
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Wells,
Paul. "'Thou Art Translated': Analysing Animated Adaptation." In Adaptations: From Text to Screen, Screen to
Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999.
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Whelehan,
Imelda. "Adaptations: The Contemporary Dilemma." In Adaptations: From Text to Screen, Screen to
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3-18.*
Zatlin, Phyllis. Theatrical Transition and Film Adaptation: A
Practitioner's View. Clevedon: Multilingual Matters, 2005.
Films
Adaptation (The Orchid Thief). Dir. Spike Jonze. Written by
Charlie Kaufman and Donald Kaufman. Story by Charlie Kaufman (partly based on
the book The Orchid Thief, by Susan
Orlean). Cast: Nicolas Cage, Meryl Streep, Chris Cooper. DVD. Spain: Lauren
Films / Intermedia, 2003.*
Journals
Journal of Adaptation in Film and Performance
Vol. 5.1
(2012).
See also
Drama and Film; Literature and Film; Novel and film; Shakespeare and film; Intertextuality
(Other intertextual modes. Adaptation).
Drama and Film
Alpert,
Hollis. "Movies Are Better than the Stage." Saturday Review 23 July 1955: 5-6, 31-32.
Anderegg,
Michael. "Welles/Shakespeare/Film: An Overview." In Film Adaptation. Ed. James Naremore. New
Brunswick (NJ): Rutgers UP, 2000. 154-71.*
Bazin,
André. Qu'est-ce que le cinéma? 4
vols. Paris: Editions du Cerf, 1958-65.
_____. From
What Is Cinema? ("Theater and
Cinema"). 1951. In Film Theory and
Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall
Cohen. New York: Oxford UP, 1999. 408-18.*
Benedek,
Laszlo. "Play into Picture." Sight
and Sound 22 (Autumn 1952): 82-4, 96.
Brandt,
George. "Cinematic Structure in the Work of Tennessee Williams." In American Theatre. Ed. John Russell Brown and Bernard Harris.
(Stratford-upon-Avon Studies 10). London: Edward Arnold, 1967. 163-87.
Brewster,
Benjamin, and Lea Jacobs. Theatre to
Cinema: Stage Pictorialism and the Early Feature Film. Oxford: Clarendon
Press, 1997.
Brown, John
Russell, ed. Drama and the Theatre, with
Radio, Film and Television. London, 1968.
Davies,
Anthony. Filming Shakespeare's Plays: The Adaptations of Laurence Olivier, Orson
Welles, Peter Brook and Akira Kurosawa.
Cambridge: Cambridge UP, 1988.*
Davies,
Anthony, and Stanley Wells, eds. Shakespeare
and the Moving Image: The Plays on Film and Television. Cambridge:
Cambridge UP, 1994.
Gerdes,
Peter R. "Film and/or Theatre: Some Introductory Comments." Australian Journal of Screen Theory 7
(1980): 4-17.
Godfrey,
Lionel. "It Wasn't Like That in the Play." Films and Filming (August 1967): 4-8.
Henderson,
Diana E. Uneasy Collaborations: Rewriting
Early Modern Drama across Time and Media. Forthcoming 1999.
Holderness,
Graham. "Radical Potentiality and Institutional Closure: Shakespeare in
Film and Television." In Political
Shakespeare. Ed. Jonathan Dollimore and Alan Sinfield. Manchester, 1985.
Hurt,
James, ed. Focus on Film and Theatre.
New Jersey, 1974.
Jackson,
Russell. "From Play-Script to Screenplay." In The Cambridge Companion to Shakespeare on Film. Ed. Russell
Jackson. Cambridge: Cambridge UP, 2000. 2004. 15-34.*
Kauffmann,
Stanley. "Notes on Theatre and Film." In Focus on Film and Theatre. Ed. James Hurt. New Jersey, 1974. 67-77.
Kracauer,
Siegfried. "The Theatrical Story." In Kracauer, Theory of Film. Princeton (NJ): Princeton UP, 1997. 215-31.*
Manvell,
Roger. Theater and Film. London,
1979.
McCready,
Marsha. "Henry V on Stage and
Film." Literature/Film Quarterly
5 (1977).
Nicol,
Allardyce. Film and Theatre. London,
1936.
_____. Film and Theatre. Arno Press, 1972.
_____.
"Film Reality: The Cinema and the Theatre." In Focus on Film and Theatre. Ed. James Hurt. Englewood Cliffs (NJ):
Prentice Hall, 1974. 29-50.
Ornstein,
Robert. "Interpreting Shakespeare: The Dramatic Text and the Film." University of Daytona Review 14 (1979):
55-61.
Potter,
Henry C., George Roy Hill and Gene Saks. "Stage to Film." Action 3.5 (1968): 12-14.
Reddington,
John. "Film, Play and Idea." Literature/Film
Quarterly 1.4 (1973): 367-71.
Shelley,
Frank. Stage and Screen. (Film
Quarterly Series). London, 1946.
Skoller,
Donald. "Problems of Transformation in the Adaptation of Shakespeare's
Tragedies from Play-Script to Cinema." Ph.D. diss. New York U, 1968.
Sontag,
Susan. "Film and Theatre." In Film
Theory and Criticism. Ed. Gerald Mast and Marshall Cohen. New York, 1974.
209-32.
Sternberg,
Joseph von. "Acting in Film and Theatre." In Focus on Film and Theatre. Ed. James Hurt. New Jersey, 1974. 80-98.
Styan, J.
L. "Sight and Space: The Perception of Shakespeare on Stage and
Screen." In Shakespeare: Pattern of
Excelling Nature. Ed. D. Bevington and J. L. Halio. Newark, 1978. 198-209.
Vardac,
Nicholas. Stage to Screen. New York,
1968.
Vardac, A.
N. Stage to Screen. Cambridge (MA),
1949.
Novel and Film
Bazin,
André. "In Defense of Mixed Cinema." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon.
Baltimore: Johns Hopkins UP, 2000. 719-32.*
Bluestone,
George. Novels into Films: The
Metamorphoses of Fiction into Cinema. Berkeley: U
of California P, 1957. 1973.
Cabrera Infante, G. "Scenario o de
la novela al cine sin pasar por la pantalla". Revista de Occidente (1984).
Calvino,
Italo. "Cinema and the Novel: Problems of Narrative." In Calvino, The Literature Machine. Trans. Patrick
Creagh. London: Pan/Secker & Warburg, 1987. 74-80.*
Chatman,
Seymour. Story and Discourse: Narrative
Structure in Fiction and Film. Ithaca: Cornell UP, 1978.*
_____.
"What Novels Can Do That Films Can't (and Vice Versa)." In On Narrative . Ed. W. J. T. Mitchell.
Chicago: U of Chicago P, 1981.*
Cohen,
Keith. Film and Fiction: The Dynamics of
Exchange. New Haven: Yale UP, 1979.
_____.
From Film and Fiction: The Dynamics of
Exchange. In Theory of the Novel: A
Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000.
696-718.*
Cornut-Gentille
d'Arcy, Chantal. "Iconography and Ideology in Twentieth Century Film
Adaptations of Dickens's Novels." In Memory,
Imagination and Desire in Contemporary Anglo-American Literature and Film.
Ed. Constanza del Río-Álvaro and Luis Miguel
García-Mainar. Heidelberg: Winter, 2004. 145-60.*
Eisenstein,
S. M. "Dickens, Griffith, and the Film Today." In Eisenstein, Film Form: Essays in Film Theory. Trans.
Jay Leyda. New York: Harcourt, 1949.
Elliott,
Kamilla. Rethinking the Novel/Film
Debate. 2009.
Fell, J. J. El filme y la tradición narrativa. Buenos Aires: Tres tiempos,
1977.
Fulton, Helen. "8. Novel to
Film." In Helen Fulton et al., Narrative and Media. Cambridge: Cambridge UP,
2005. 96-107.*
Giddings,
Robert, Keith Selby and Chris Wensley. Screening
the Novel: the Theory and Practice of Literary Dramatization. London:
Macmillan, 1990.
Giddings, R., and Erica Sheen, eds. The Classic Novel: From Page to Screen.
Manchester: Manchester UP, 2000.
Hurt,
James, ed. Focus on Films and Theatre.
New Jersey, 1974.
Jay, H.
"Hollywood and American Literature: The American Novel on the
Screen." English Journal (Jan.
1977): 82-86.
Kracauer,
Siegfried. "Interlude: Film and Novel." In Kracauer, Theory of Film. Princeton (NJ):
Princeton UP, 1997. 232-44.*
Magny,
Claude-Edmonde. L'Age du roman américain.
Paris: Seuil, 1948. 1968.
_____. The Age of the American Novel: The Film
Aesthetic of Fiction Between the Two Wars. Trans.
Eleanor Hochman. New York: Ungar, 1972.
Martín Alegre, Sara. Siete relatos góticos: Del papel a la pantalla. Madrid: La Barca de Caronte -
Jaguar, 2006.
McFarlane,
Brian. Novel to Film: An Introduction to
the Theory of Adaptation. Oxford: Clarendon, 1996.*
Morrissette,
Bruce. Novel and Film: Essays in Two
Genres. Chicago: U of Chicago P, 1985.
Mínguez Arranz, Norberto. La novela y el cine: Análisis comparado de
dos discursos narrativos. Valencia: Ediciones de la Mirada, 1998.
Reynolds, Peter, ed. Novel Images: Literature in Performance. London: Routledge, 1993.
Sheen, Erica.
"Introduction". In The Classic
Novel: From Page to Screen. Eds. R. Giddings and E. Sheen. Manchester:
Manchester UP, 2000.
Shinn,
Thelma J. "Gender Images and Patterns from Novel to Film." In Gender, I-deology: Essays on Theory, Fiction
and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa.
Amsterdam: Rodopi, 1996. 451-59.*
Sontag,
Susan. "A Note on Novels and Films." In Sontag, Against Interpretation. London: Deutsch, 1987. 242-7.
Vayone, F. Récit écrit. Récit filmique. Paris:
Nathan, 1991.
Wagner, G.
A. The Novel and the Cinema. New
Jersey: Farleigh Dickinson UP, 1975.
Journals
Cartmell,
Deborah, coed. Film/Fiction. Annual. 1996-.
See also
Literature and Film; Adaptation.
Poetry and film
Deren,
Maya. "Poetry and the Film: A Symposium." In Film Culture Reader. Ed. P. Adams Sitney. New York, 1970.
Gubern,
Román. Proyector de luna: La Generación del 27 y el cine. Barcelona:
Anagrama, 1999.
Pasolini,
P. P. "The Cinema of Poetry." Cahiers
du Cinéma in English 6 (1966): 34-43.
Paul,
Joanna. Film and the Classical Epic
Tradition. Ph.D. U of Bristol, forthcoming Oxford UP 2008.
