from
A Bibliography of Literary Theory, Criticism and
Philology
http://bit.ly/abibliog
by José
Ángel García Landa
(University of Zaragoza, Spain)
Narrators / Narration
Narrator and narration: general
First-person, second-person narration. See Person (narrative)
Omniscient narration. See Narrative theory. Text/Voice. Person. Omniscient narration.
Storytellers,
Storytelling
Unreliable narrator/narration – Narrative
Reliability
Witness narrators. See Person (narrative).
Narrator and narration
Abbott, H.
Porter. The Cambridge Introduction to
Narrative. Cambridge: Cambridge UP, 2002.* (Narration).
Abel,
Julia. "Konstruktionen 'authentischer' Stimmen. Zum Verhältnis von
'Stimme' und Identität in Feridun Zaimoglus Kanak
Sprak." In Stimme(n) im Text:
Narratologische Positionsbestimmungen. Ed. Andreas Blödorn, Daniela Langer
and Michael Scheffel. Berlin and New York: Walter de Gruyter, 2006. 297-320.*
Adorno, T.
W. "La situation du narrateur dans le roman contemporain." In Adorno,
Notes sur la littérature. 1958.
Trans. Sybille Muller. Paris: Flammarion, 1984. 37-45.*
Alber, Jan,
and Monika Fludernik. "Mediacy and Narrative Mediation." In Handbook of Narratology. Ed. Peter Hühn
et al. Berlin and New York: Walter de Gruyter, 2009. 174-89.*
Allen,
Walter. "Narrative Distance, Tone and Character." In Halperin 323-37.
Andersson, Greger. "Narrating Selves and the
Literary in the Bible." Partial Answers:
Journal of Literature and the History of Ideas 17.1 (2019): 87-105.*
Online
at Project Muse: https://muse.jhu.edu/article/714513
DOI: 10.1353/pan.2019.0005
http://oru.diva-portal.org/smash/record.jsf?pid=diva2%3A1285817&dswid=2380
2019
Arias-García, Elisa. "La figura del
narrador en la ficción radiofónica seriada: El caso de Taxi Key." Index Comunicación 9.2 (2019): 101-34.*
https://www.academia.edu/39735875/
2019
Online at Academia.*
https://www.academia.edu/68069712/
2022
Audet, René. "Le récit en régime de diffraction. Dispersion discursive et
autorité." In La transmission
narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier
and Andrée Mercier. Canada: Nota Bene, 2011. 49-62.*
Baker,
Sheridan. "Narration: The Writer's Essential Mimesis." Journal of Narrative Technique 11.3
(1981): 155-65.
Bal, Mieke.
"Narration et focalisation: pour une théorie des instances du récit."
Poétique 29 (1977): 107-27.*
_____.
"The Narrating and the Focalizing: A Theory of the Agents in
Narrative." Style 17.2 (1983):
234-69.
_____.
"Narration and Focalization." From Style 17.2 (1983): 234-69. In Structuralism:
Critical Concepts in Literary and Cultural Studies. Ed. Jonathan Culler.
London: Routledge, 2006. Vol. 2.
_____. "3. Text:
Words." In Bal, Narratology.
Toronto: U of Toronto P, 1985. 119-153.* (The Narrator, Non-narrative comments,
Description, Levels of narration).
Balkin,
Sarah. "Strindberg's Vampiric Narrators." Genre 46.1 (Spring 2013): 1-31.*
https://www.academia.edu/2174671/
2019
Banfield,
Ann. Unspeakable
Sentences: Narration and Representation in the Language of Fiction. Boston:
Routledge, 1982.
_____.
"No-Narrator Theory." Routledge
Encyclopedia of Narrative Theory. Ed by David Herman, Manfred Jahn and
Marie-Laure Ryan. New York: Routledge, 2005. 396-397.
Beck, Hamilton H. H. The Elusive 'I' in the Novel: Hippel,
Sterne, Diderot, Kant. (American University Studies in Germanic Languages
and Literature 46). New York: Peter Lant, 1987.
Benjamin,
Walter. "The Storyteller." In Benjamin, Illuminations. Trans. Harry Zohn. New York: Schocken Books, 1969.
83-110.*
Berendsen,
Marjet. "The Teller and the Observer: G. Genette's and M. Bal's Theories
on Narration and Focalization Examined." Preprint. Hertoegenbosch, 1979.
_____.
"The Teller and the Observer: Narration and Focalization in Narrative
Texts." Style 18.2 (1984): 140-156.
Bermúdez, Steven. "La enunciación
narrativa en la cuentística venezolana: La mutación del narrador." Jitanjáfora 1 (2002).
http://www.temple.edu/spanpor/jitanjafora/primero/bermudez.html
Bernaerts, Lars, Marco Caracciolo, Luc
Herman and Bart Verbaeck. "The Storied Lives of Non-Human Narrators." Narrative 22.1 (2014): 68-93.*
Bewernick,
Hanne. The Storyteller's Memory Palace: A
Method of Interpretation Based on the Function of Memory Systems in Literature:
Geoffey Chaucer, William Langland, Salman Rushdie, Angela Carter, Thomas
Pynchon and Paul Auster. (European University Studies; Series XIV:
Anglo-Saxon Language and Literature, 485). Berlin:
Peter Lang, 2008.*
Booth, Wayne C. La retórica de la ficción. Ed. and trans. Santiago Gubern Garriga-Nogues.
Barcelona: Bosch, 1978.*
_____.
"Types of Narration." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel
García Landa. London: Longman, 1996. 145-54.*
_____.
"The Struggle to Tell the Story of the Struggle to Get the Story
Told." Narrative 5.1 (1997):
50-59.
Brenkman, John. "On
Voice." Novel 33.3 (Summer
2000): 281-306.
_____. "On Voice." In Literature Online.*
http://lion.chadwyck.co.uk
5/7/04
Broich,
Ulrich. "Gibt es eine 'neutrale Erzählsituation'?" Germanisch-Romanische Monatsschrift 33
(1983): 129-45.
Bronzwaer,
W. J. M. "Implied Author, Extradiegetic Narrator and Public
Reader...". Neophilologus 62
(1978): 1-18.
Byram,
Katra. Ethics and the Dynamic Observer
Narrator: Reckoning with Past and Present in German Literature. Columbus:
The Ohio State UP, 2015.
Caracciolo, Marco. Strange Narrators in Contemporary Fiction. 2016.
Case,
Alison. "Tasting the Original Apple: Gender and the Struggle for Narrative
Authority in Dracula." Narrative 1.3
(1993): 223-243.*
Cederborg, Ann-Christin, and Karin
Aronson. "Conarration and Voice in Family Therapy: Voicing, Devoicing and
Orchestration." Text 14 (1994):
345-70.
Chambers, Ross. "Narratorial Authority and 'The Purloined
Letter'." In The Purloined Poe:
Lacan, Derrida, and Psychoanalytic Reading. Ed. John P. Muller and William
J. Richardson. Baltimore: Johns Hopkins UP, 1988. 285-306.*
Chatman,
Seymour. "Narration and Point of View in Fiction and the Cinema." Poetica 1 (1974).
_____.
"Characters and Narrators: Filter, Center, Slant, and
Interest-Focus." Poetics Today 7
(1986): 189-204.
_____.
"Discourse: Nonnarrated Stories." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and
Patrick D. Murphy. Durham (NC): Duke UP, 1988. 366-79.*
_____.
"Discourse: Covert versus Overt Narrators." From Story and Discourse. In The
Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale.
Blackwell, 2006. 219-28.*
_____.
"How Loose Can Narrators Get? (And How Vulnerable Can Narratees
Be?)." Narrative 3.3: 303-306.*
_____. "4. Narration: Narrator and
Narratee." In Chatman, Reading
Narrative Fiction. New York: Macmillan, 1993. 90-129.* (Telling: Internal
and External Narrators; Showing: Impersonal Narration; Omniscience and
Limitation; The Narratee: Elizaberth Jolley, 'Wednesdays and Fridays'; Anton
Chekhov, 'The Darling'; Sarah Orne Jewett, ' A White Heron'; Tillie Olsen, 'I
Stand Here Ironing'")
_____.
"5. Point of View: Character's Filter and Narrator's Slant." In
Chatman, Reading Narrative Fiction.
New York: Macmillan, 1993. 130-85* (Character's Filter; The Filter Character Is
Not the Narrator; narrator's Slant; The Grammar of Filter; Filter in Internal
Narration: James Joyce, 'A Little Cloud'; James Baldwin, 'The Rockpile'; Nadine
Gordimer, 'Town and Country Lovers'; V. S. Naipaul, 'The Thing Without a Name';
Mary McCarthy, "C.Y.E.")
_____.
"Narrative Irony." In Chatman, Reading
Narrative Fiction. New York: Macmillan, 1993. 186-239.* (Definitions of Situational and Verbal Irony;
Situational and Verbal Irony in Narrative Fiction; Fallible Filters; Unreliable
Narration).
Coste,
Didier. "Who's Who and Who Does What in the Tale Told." Coste, Narrative as Communication. Minneapolis:
U of Minnesota P, 1989. 134-63.*
Creese, Richard. "Abstracting and Recording
Narration in The Good Soldier and The End of the Affair." Journal of Narrative Technique 16.1
(Winter 1986): 1-14.
Currie,
Gregory. Narratives and Narrators: A
Philosophy of Stories. Oxford: Oxford UP, 2010.*
_____.
"4. Authors and Narrators." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford
UP, 2010. 65-85.* (A Distinction without a Difference? - Implied and Second
Authors - A Concession - A Note on Non-Fiction - Should there be a Presumption
in Favour of the Internal Narrator?)
de Jong,
Irene J. F. "2 Narrators and
Narratees." In de Jong, Narratology and Classics: A Practical Guide.
Oxford: Oxford UP, 2014. 17-46.*
Delazari,
Ivan. "Voicing the Split Narrator: Readers' Chores in Toni Morrison's
'Recitatif'." In Audionarratology:
Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel.
Berlin and Boston: Walter de Gruyter, 2016. 199-216.*
Delasanta,
Rodney. The Epic Voice. The Hague: Mouton, 1967.
Díaz Arenas, Angel. Las perspectivas narrativas: Teoría y metodología. Kassel: Reichenberger, 1988.*
Diengott,
Nilly. "The Mimetic Language Game and Two Typologies of Narrators." Modern Fiction Studies 33.3 (1987):
523-34.
Dolezel,
Lubomir. "The Typology of the Narrator: Point of View in Fiction." In
To Honor Roman Jakobson. The Hague:
Mouton, 1967. 1.541-52.
du Plessis,
Rachel Blau. Writing Beyond the Ending:
Narrative Strategies of Twentieth Century Women Writers. Bloomington (IN): Indiana UP, 1985.
Duce García, Jesús. "La búsqueda del
lector competente: Sobre la voz narrativa y el autor ficticio en el Quijote de 1615." In Cervantes en el espejo del tiempo. Ed.
Mª Carmen Marín Pina. Zaragoza: Prensas Universitarias de Zaragoza, 2010.
135-46.*
Eikhenbaum, Boris M. "Die Illusion
des skaz." 1918. In Russischer Formalismus: Texte zur allemeinen Literaturtheorie und zur
Theorie der Prosa. Ed. J. Striedter. 1969. Munich: Fink, 1971. 161-67.
El Saffar,
Ruth Snodgrass. "The function of the Fictional Narrator in Don Quixote." Modern Language Notes 83 (1968): 164-77.
_____. "La función del narrador
ficticio en Don Quijote." In El Quijote
de Cervantes. Ed.
George Haley. Madrid: Taurus, 1984. 288-300.*
Ewen,
Joseph. "Writer, Narrator and Implied Author." Ha-Sifrut 18-19 (1974): 137-73.
Fleischman,
Suzanne. "Evaluation in Narrative: The Present Tense in Medieval Performed
Stories." Yale French Studies 70
(1986): 199-251.
Fludernik,
Monika. "Subversive Irony: Reflectorization, Trustworthy Narration and
Dead-Pan Narrative in The Mill on the
Floss." Yearbook of Research in English and American Literature (REAL)
8: (1992): 159-85.
_____.
"Reflectorization and Figuralization: The Malleability of Language."
In Fludernik, Towards a 'Natural'
Narratology. London: Routledge, 1996. 2001. 178-221.* (Point of view,
Lawrence, Weldon, K. Mansfield, reflectors, narrators).
_____.
"The Genderization of Narrative." In Recent Trends in Narratological Research. Ed. John Pier. (GRAAT
21). Tours: Groupes de Recherches Anglo-Américaines de l'Université François
Rabelais de Tours, 1999. 153-76.*
Foster,
Dennis A. Confession and Complicity in
Narrative. Cambridge: Cambridge UP, 1987.*
Fowler,
Roger. "The Referential Code and Narrative Authority." Language and Style 10 (Summer 1977):
129-61.
_____.
"The Referential code and narrative authority." In Fowler, Literature as Social Discourse: The Practice
of Linguistic Criticism. Bloomington: Indiana UP, 1981. 96-128.*
_____.
"The Referential Code and Narrative Authority." In Critical Discourse Analysis: Critical
Concepts in Linguistics. Ed. Michael Toolan. London: Routledge, 2002.
1.202-37.*
Friedemann,
Käte. Die Rolle des Erzählers in der
Epik. Leipzig: Haessel, 1910.
_____. Die Rolle des Erzählers in der Epik. Berlin,
1910. Rpt. Darmstadt: Wissenschaftliche Buchgesellschaft, 1965.
Futre Pinheiro, Marília P. "Thoughts on diegema (narratio) in Ancient Rhetoric and in Modern Critical Theory." In
Literary Currents and Romantic Forms:
Essays in Memory of Bryan Reardon. Ed. Kathryn Chew, J. R. Morgan and
Stephen R. Trzaskoma. (Ancient Narrative,
Supplement 26). Groningen: Barkhuis /
Groningen U Library, 2018. 19-32.*
https://www.academia.edu/42321012/
2020
Galván, Luis. "Acción y narración: Problemas
y orientaciones para la fundamentación de la narratología." From Teoría y comparatismo: Tradición y nuevos
espacios. (Actas del I Congreso Internacional de ASETEL). Ed. Domingo
Sánchez-Mesa, José Manuel Ruiz Martínez, and Azucena González Blanco. Granada:
Universidad de Granada, 2014. Online at Academia.*
https://www.academia.edu/12138505/
2017
García Landa, José Angel. "El
narrador autorial y las otras voces narrativas (Samuel Beckett y la narración reflexiva, 5)." ResearchGate 30 July 2015.*
https://www.researchgate.net/publication/280564927
2015
_____.
"Narrative Discourse: Narrators and Narrative Positions." In García Landa, Narrative Theory. 1990. Internet edition (2005):
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2005-04-16
_____.
"Narrative Discourse: Narrators and Narrative Positions (Narrative Theory,
6)." Social Science Research Network
25 Feb. 2016.*
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2016
Cognition & the Arts eJournal 25
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http://www.ssrn.com/link/Cognition-Arts.html
2016
Literary
Theory & Criticism eJournal 25 Feb. 2016.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2016
_____. "Narrative Discourse: Narrators and
Narrative Positions." In García Landa, Vanity
Fea 2 March 2016.*
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2016
_____.
"Narrative Discourse: Narrators and Narrative Positions (Narrative Theory,
6)." Academia 4 July 2017.*
https://www.academia.edu/33763269/
2017
_____.
"Narrative Discourse: Narrators and Narrative Positions (Narrative Theory,
6)." ResearchGate 5 July 2017.*
https://www.researchgate.net/publication/318216458
2017
_____. "Enunciación, ficción y niveles semióticos en el texto
narrativo." Miscelánea 15 (1994): 263-300.*
http://155.210.60.15/MISCELANEA/MISCELANEA.HTML New Internet edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/niveles.htm
_____. "Nivel narrativo, status, persona y tipología de las
narraciones." Miscelánea 17 (1996): 91-121.*
http://155.210.60.15/MISCELANEA/MISCELANEA.HTML
Discontinued. New Internet edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/nivel.html
_____. "Sobre la competencia del
narrador en la ficción." Atlantis 19.2 (December 1997 [issued December 1998]):
77-102.* New Online edition (2004):
http://www.atlantisjournal.org/HTML%20Files/Tables%20of%20contents/19.2%20(1997).htm
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_____. "Sobre la
competencia del narrador en la ficción." PDF in Dialnet
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_____. "Sobre la
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_____. "Sobre la competencia del
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http://docs.google.com/viewer?a=v&pid=explorer&chrome=true&srcid=1vSbGDAdGehHMPYHvmR0jP-lLLlxoJV2auuWd-1j5ct4tK0LX5tor5E0db4lV&hl=en
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_____. "Sobre la competencia del
narrador en la ficción." ResearchGate 22 June 2012.*
http://www.researchgate.net/publication/28049884_Sobre_la_competencia_del_narrador_en_la_ficcin
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_____.
"Sobre la competencia del narrador en la ficción." Academia 26 Sept. 2013.*
http://www.academia.edu/176322/
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_____. "Pragmática y
narración." In García Landa, Acción, Relato, Discurso: Estructura de la
ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998.
257-64.* (La narratología. El narrar como acto de habla. La narración natural.
Narración y ficción [status narrativo]).
_____. "Narrador, narración y
narratario." Section 3.2. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa.
Salamanca: Ediciones Universidad de Salamanca, 1998. 279-390.*
_____. "Narrador, narración y
narratario." Section 3.2. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.
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_____. "Narrador, Narración y Narratario (Acción, Relato, Discurso, 3.2)
(Narrator, Narration, and Narratee (Action, Story, Discourse, 3.2)" Social Science Research Network 13 March
2014.*
http://papers.ssrn.com/abstract=2407894
2014
Cognition & the Arts eJournal 13
March 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
Literary Theory & Criticism eJournal
13 March 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
Continental Philosophy eJournal 13 March
2014.*
http://www.ssrn.com/link/Continental-Philosophy.html
2014
_____. "Narrador, Narración y
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_____. "Narrador, Narración y
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_____. "El narrador." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa.
Salamanca: Ediciones Universidad de Salamanca, 1998. 279-321.* (Historia del
concepto. La autonomía del nivel de la narración. La competencia modal del
narrador [Deber, Poder, Saber, Querer, Hacer, Ser]. Niveles narrativos. Los
relatos intradiegéticos. Rupturas de marco. Persona. El narrador autodiegético.
El narrador testigo. El narrador-autor. El autor-narrador).
_____. "El narrador."
"Narración." Acción, Relato,
Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones
Universidad de Salamanca, 1998. 279-321, 322-385.*
_____. "La motivación realista de la
narración literaria." In García
Landa, Acción, Relato, Discurso:
Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de
Salamanca, 1998.
_____. "El autor textual." In
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Salamanca, 1998. 392-405.* (Autor textual y autor real. ¿Es necesario el autor
textual? Autor textual y narrador).
Gargano, James W. "The Question of Poe's
Narrators." From College English 25 (Dec. 1963): 177-81.
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Garrido Domínguez, Antonio. "El
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Gebauer,
Carolin. Making Time: World Construction
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Gruyter, 2021.* (I. Mapping the Research Field on Present-Tense narration; II.
A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses
and Functions of Present-Tense Narration in Contemporary Narrative Fiction;
Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator,
First-person narration, Figural narration, Focalization, Retrospection,
Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot,
Storyworld, Voice).
https://www.degruyter.com/document/doi/10.1515/9783110708134/html
2022
_____.
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2021
_____.
"14. Concluding Remarks, or: The Future of Research on Present-Tense
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Genette,
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_____. Narrative Discourse. Trans. Jane E.
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_____.
"5. Voice." In Genette, Narrative
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_____.
"Voice." Selection. In Narratology:
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_____. Nouveau discours du récit. Paris: Seuil,
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_____. Narrative Discourse Revisited. Trans.
Jane E. Lewin. Ithaca: Cornell UP, 1988.*
Gonçalves
Rodrigues, Antonio J. "Reflections on Faulkner's Narrative
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González Requena, Jesús.
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Graesser,
Arthur C., Cheryl Bowers, Ute J. Bayen, and Xiangen Hu. "Who Said What?
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Granados Garnica, Víctor Manuel.
(Facultad de Estudios Superiores Acatlán). "La frontera del
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Gruzdev,
Il'ja. "Über die Maske als literarisches Verfahren." Ed. and trans.
Christine Gölz. In Russische
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kommentierten Übersetzungen. Ed. Wolf Schmid. Berlin and New York: Walter
de Gruyter, 2009. 179-93.*
Gullón, Germán. El narrador en la novela del siglo XIX. Madrid: Taurus, 1976.
Haley,
George. "The Narrator in Don
Quijote: Maese Pedro's Puppet Show." Modern Language Notes
80 (1965): 145-65.
_____. "El narrador en Don Quijote: el retablo de Maese
Pedro." In El Quijote de Cervantes. Ed. George Haley. Madrid: Taurus,
1984. 269-87.*
Hardy,
Donald E. Narrating Knowledge in Flannery
O'Connor's Fiction. Columbia (SC): U of South Carolina P, 2003.
Harris,
Ray. "The Narrative Technique in the Novels of Anthony Powell." In Actas del IV Congreso de
la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al
21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984.
71-81.*
Harweg, Roland.
"Präsuppositionen und Rekonstruktion. Zur Erzählsituation in Thomas Manns Tristan aus textlinguistischer
Sicht." In Textgrammatik. Ed.
Schecker and Wunderli. Tübingen, 1965. 166-185.
Hennaut, Benoît. "4. Narrator on Stage: Not a
Condition but a Component for a Postdramatic Narrative Discourse." In Contemporary French and Francophone
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Columbus: Ohio State UP, 2020. 70-91.*
Herman, David, et al., eds. "Homodiegetic
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Flynn, Gillian. Gone Girl.
Nabokov, Vladimir. Lolita.
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HarperCollins, 2017.
Poe, Edgar Allan. "The
Tell-Tale Heart."
See also Narration;
Irony; Omniscient narration; Disinformation.
