Hipermedios

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Hypermedia / Hypermediation

 

 

Alonso, Jaime, and Lourdes Martínez. "Medios interactivos: Caracterización y contenidos." In Manual de redacción ciberperiodística. Ed. Javier Díaz Noci and Ramón Salaverría. Barcelona: Ariel, 2003.

Bailo Falo, Mercedes, et al. "El proyecto Hipermedia." In Innovación docente, tecnologías de la información y la Comunicación e Investigación Educativa en la Universidad de Zaragoza. Ed. Antonio Herrera Marteache et al. Booklet/CD-ROM. Universidad de Zaragoza, 2007.*

Barrett, Edward, ed. The Society of Text: Hypertext, Hypermedia, and the Social Construction of Information. Cambridge (MA): MIT Press, 1989.

_____, ed. Sociomedia: Multimedia, Hypermedia, and the Social Construction of Knowledge. Cambridge (MA): MIT Press, 1992.

Bearman, David, ed. Hypermedia and Interactivity in Museums: Proceedings of an International Conference. Pittsburgh: Archives and Museum Informatics, 1991.

Beerman, William O., Kenneth T. Anderson, Gail Bader, James Larkin, Anne P. McClard, Patrick McQuillan and Mark Shields. Intermedia: A Case Study of Innovation in Higher Education. Report to the Annenberg / CPB Project. Providence (RI): Brown U, IRIS, 1988.

Berk, Emily, and Joe Devlin, eds. The Hypertext/Hypermedia Handbook. New York: McGraw-Hill, 1991.

Bettetini, G., and F. Colombo. Las nuevas tecnologías de la comunicación. Barcelona: Paidós, 1995.

Bettetini, Gianfranco, et al. I nuovi strumenti del comunicari. Milan: RCS Libri, 2001.

Bolter, Jay David, and Richard Grusin. "Immediacy, Hypermediacy, and Remediation." In Bolter and Grusin, Remediation: Understanding New Media. Cambridge (MA): MIT Press, 1999. 2000. 20-51.*

Brown, P. J. "Turning Ideas into Products: The Guide System." In Conference on Hypertext and Hypermedia (Chapel Hill, NC, 1987). ACM Press, 33-40.

Burka, Lauren P. "A Hypertext History of Multi-User Dimensions." MUD History. 

http://www.ccs.neu.edu/home/lpb/mud-history.html

(5 Dec. 1994).

Chiappe, Doménico. Hipermedismo: Narrativa para la virtualidad. DEA dissertation, U Carlos III, 2005. Online:

         http://www.domenicochiappe.com/pg_d_3i.html

         2015

Crane, Gregory. "Challenging the Individual: The Tradition of Hypermedia Databases." Academic Computing 4 (Jan. 1990): 22-26, 31-32, 34-38.

Delany, Paul, and George P. Landow, eds. Hypermedia and Literary Studies. Cambridge (MA): MIT Press, 1991.

Duffy, Thomas M., and Randy A. Knuth. "Hypermedia and Instruction: Where Is the Match?" In Designing Hypermedia for Learning. Ed. David H. Jonassen and Heinz Mandl. Berlin: Springer, 1990.

Evenson, Shelley, John Rheinfrank, and Wendle Wulff. "Towards a Design Language for Representing Hypermedia Cues." Hypertext  `89. New York: Association for Computing Machinery, 1989.

Fischer, Peter Michael, and Heinz Mandl. "Towards a Psychophysics of Hypermedia."  In Designing Hypermedia for Learning. Ed. David H. Jonassen and Heinz Mandl. Berlin: Springer, 1990.

Haan, Bernard J., Paul Khan, Victor A. Riley, James H. Coombs, and Norman K. Meyrowitz. "IRIS Hypermedia Services." Communications of the ACM 35 (Jan. 1992): 36-51.

Hayles, N. Katherine. "Deeper into the Machine: Learning to Speak Digital." Computers and Composition 19 (2002): 371-386; reprinted in revised form with images in Culture Machine 5 (Feb. 2003) http://culturemachine.tees.ac.uk/frm_f1.htm and in State of the Arts: The Proceedings of the Electronic Literature Organization's 2002 State of the Arts Symposium, ed. Scott Rettberg. Los Angeles: Electronic Literature Organization. 13-38.

Irish, Peggy M., and Randall H. Trigg. "Supporting Collaboration in Hypermedia: Issues and Experiences." In The Society of Text. Ed. Edward Barrett. Cambridge (MA): MIT Press, 1989.

Jenkins, Henry. Convergence Culture. 2006.

Jonassen, David H., and R. Scott Grabinger. "Problems and Issues in Designing Hypertext/Hypermedia for Learning." In Designing Hypermedia for Learning. Ed. David H. Jonassen and Heinz Mandl. Berlin: Springer, 1990.

Jonassen, David H., and Heinz Mandl, eds. Designing Hypermedia for Learning. Berlin: Springer, 1990.

Lemke, Jay L. "Travels in hypermodality." Visual Communication 1.3 (2002): 299-325.

Lister, Martin, Jon Dovey, Iain Grant, Seth Giddings and Kieran Kelly. (All U of the West of England). New Media: A Critical Introduction. Abingdon and New York: 2003. 2nd ed. 2009.* (Virtual reality, ICT, Internet, Social networks, Everyday life, Cyberculture).

         https://is.muni.cz/el/1423/podzim2013/SAN236/um/Lister_a_spol_New_Media_A_Critical_Introducion.pdf

         2019

Lunenfeld, Peter, ed. The Digital Dialectic: New Essays on New Media. Cambridge (MA): MIT Press, 1999.

Machado, Arlindo. "Hypermedia: The Labyrinth as Metaphor." In Literatura y Multimedia. Ed. J. Romera Castillo et al. Madrid: Visor, 1997. 259-68.*

Malcolm, Kathryn, Steven Poltrock, and Douglas Schuler. "Industrial-Strength Hypermedia: Requirements for a Large Engineering Enterprise." In Hypertext  '91. Ed. P. Stotts and R. Furuta. New York: Association for Computing Technology, 1991.

Martínez Fernández, José Enrique. "Paréntesis final abierto hacia el futuro: Hipertexto electrónico, hipermedia e intertextualidad." In Martínez Fernández, La intertextualidad literaria. Madrid: Cátedra, 2001. 193-96.*

Mayans i Planells, Joan. "Metáforas Ciborg. Narrativas y fábulas de las nuevas tecnologías como espacio de reflexión social." In Tecnología, ética y futuro: Actas del I Congreso Internacional de Tecnoética. Bilbao: Desdée, 2002. 521-34. Online ed. in Cibersociedad

http://www.cibersociedad.net/archivo/articulo.php?art=24

2006-04-19

Miles, Adrian. "A Vision for Genuinely Rich Media Blogging." In Uses of Blogs. Ed. Axel Bruns and Joanne Jacobs. New York: Peter Lang, 2006. 213-22.*

_____. "Media Rich versus Rich Media (or Why Video in a blog Is Not the Same as a Video Blog)." Blogtalk Downunder. Sydney, 2005.

         http://incsub.org/blogtalk/?page_id=74

         2005

Morton, Timothy. Hyperobjects: Philosophy and Ecology after the End of the World. Minneapolis: U of Minnesota P, 2013.

Moulthrop, Stuart. "You Say You Want a Revolution? Hypertext and the Laws of Media." Postmodern Culture 1 (May 1991).

Nielsen, Jakob. Hypertext and Hypermedia. London: Academic Press, 1990.

Nünning, Vera, and Ansgar Nünning. "6. An Introduction to the Analysis of Media Genres." In Nünning and Nünning, An Introduction to the Study of English and American Literature. Trans. Jane Dewhurst. (Uni-Wissen: Anglistik-Amerikanistik). Stuttgart: Klett, 2004. 131-51.*

Parunak, H. Van Dyke. "Toward Industrial-Strenght Hypermedia." In Hypertext/Hypermedia Handbook. Ed. E. Berk and J. Devlin. New York: McGraw-Hill, 1991. 381-89.

Proceedings of the Ninth ACM Conference on Hypertext and Hypermedia. Pittsburgh: ACM Press, 1998.

Proceedings of the Tenth ACM Conference on Hypertext and Hypermedia: Returning to Our Diverse Roots. 1999.

Proceedings of the 12th ACM Conference on Hypertext and Hypermedia. Aarhus, 2001

Proceedings of the Fifteenth ACM Conference on Hypertext and Hypermedia (Santa Cruz, CA, USA, 2004). ACM Press.

Richatz, Martin, and Tom D. Rüdebusch. "Collaboration in Hypermedia Environments." In Designing Hypermedia for Learning. Ed. David H. Jonassen and Heinz Mandl. Berlin: Springer, 1990.

Romiszowski, Alexander J. "The Hypertext/Hypermedia Solution—But What Exactly Is the Problem?"  In Designing Hypermedia for Learning. Ed. David H. Jonassen and Heinz Mandl. Berlin: Springer, 1990.

Salaverría, R., ed. Cibermedios. CSEP, 2005.

Trigg, Randall H., and Peggy M. Irish. "Supporting Collaboration in Hypermedia: Issues and Experiences." In The Society of Text. Ed. Edward Barrett. Cambridge (MA): MIT Press, 1989.

Ulmer, Gregory. "Grammatology Hypermedia." Postmodern Culture 1.2 (Jan. 1991): 1-19.

_____. "Grammatology (in the Stacks) of Hypermedia: A Simulation." In Literacy Online. Ed. Myron C. Tuman. Pittsburgh: U of Pittsburgh P, 1992. 139-58.*

Wardrip-Fruin, N., and P. Harrigan, eds. First Person: New Media as Story, Performance, and Game. Cambridge (MA): MIT Press.

 

 

 

 

Blogs

 

 

Miles, Adrian. Dr Adrian Miles

         http://vogmae.net.au/

         2017

_____. "BlogTalk Prototype 1." Vlog 3.0 22 April 2005.

         http://hypertext.rmit.edu.au/vlog/archives/2005/05/04/blogtalk-prototype-3-small/

         2005

 

 

 

 

Images

 

 

García Landa, José Angel. "Las Chicas Me Ignoran." In García Landa, Vanity Fea 22 Dec. 2012.*

         http://vanityfea.blogspot.com.es/2012/12/las-chicas-me-ignoran.html

         2012

 

 

Journals

 

frAme: Journal of Culture & Technology (2003):

         http://trace.ntu.ac.uk/frame

 

Journal of Educational Multimedia and Hypermedia 1 (1992).*

 

 

 

See also Media; Information and Communication Technology; Computers; Computers and literature; Cyberspace; Internet; Virtual reality; Hypertext.

 

 

Representación (semiótica - texto, arte, medios)

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Representation  (semiotic - in text, art, media)

 

 

Atack, Margaret. May 68 in French Fiction and Film: Rethinking Society, Rethinking Representation. Oxford: Oxford UP.

Auerbach, Erich. Mimesis. Bern: Francke, 1946.

_____.  Mimesis.  Berne: Francke, 1946.

_____. Mimesis: The Representation of Reality in Western Literature. Trans. Willard Trask. Princeton (NJ): Princeton UP, 1953. 1991.

_____. Mimesis: The Representation of Reality in Western Literature. Trans. Willard Trask. Garden City (NY): Doubleday-Anchor, 1957.*

_____. Mímesis: La representación de la realidad en la literatura occidental. México: FCE, 1979.

Ayala, Francisco. Histrionismo y representación.

Banfield, Ann. The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism. (Representation).

Bareis, J. Alexander, and Lene Nordrum. How to Make Believe: The Fictional Truths of the Representational Arts. (Narratologia, 49). Berlin and Boston: De Gruyter, 2015.* (Introduction, 1-12; 1. Theory; 2. Literature and Film; 3. Theatre and Music; 4. Games).

Bergson, Henri. Matière et mémoire: Essai sur la relation du corps à l'esprit. 1896. Paris: P.U.F., 1939. Rpt. (Quadrige, 29). 1999.*

_____. Matter and Memory. Garden City (NY): Doubleday-Anchor, 1959.

_____. Matter and Memory. Trans. Nancy Margaret Paul. New York: Zone Books, 1988.

Bobrow, Daniel G., and Alan M. Collins, eds. Representation and Understanding. New York: Academic Press, 1975.

Bode, Frauke, ed. 23-F: Mediatizations and Memories of Spain's Failed coup d'état - Journal of Romance Studies 16.3 (2017).

Borg, Emma, ed. Meaning and Representation. (Ratio Special issues). Oxford: Blackwell, forthcoming 2002.

Brockelman, Thomas P. The Frame and the Mirror. 2001.

Bühler, Karl. Sprachtheorie: Die Darstellungsfunktion der Sprache. Jena: Gustav Fischer, 1934.

_____. Theory of Language: The representational function of language, Amsterdam and Philadelphia: Benjamins, 1990.

_____. Teoría del lenguaje. Madrid: Revista de Occidente, 1950. 1967.*

_____. Teoría del lenguaje. Madrid: Alianza, 1979.

_____. "L'onomatopée et la fonction représentative du langage." In Essais sur le langage. Ed. Jean-Claude Pariente. Paris: Minuit, 1969. 111-33.

Carroll, Joseph. "The Deep Structure of Literary Representations." Evolution and Human Behavior 20 (1999): 159-73.*

         http://www.umsl.edu/%7Ecarrolljc/Documents%20linked%20to%20indiex/IN_LIT_DAR/the_deep_structures_of_literary_representation.pdf

         2020

Castro Borrego, Silvia del Pilar (coord.), Beatriz Domínguez García, María Isabel Romero Ruiz. "Identity and the Construction of Agency in Contemporary Representations of Sexualities and Gender Identities." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 210-213.*

http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AEDEAN35_portada.pdf

         2012

Cummins, Robert, ed. The World in the Head. Oxford: Oxford UP, 2010.*

Currie, Gregory. "1. Representation." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford UP, 2010. 1-26.* (Artefactual Functions - Narrative and Story Content - Implicit and Explicit - Nature's Narratives? - Implied Authors - Looking Ahead).

Derrida, Jacques. Mal d'archive. Paris: Galilée, 1995.

_____. Archive Fever: A Freudian Impression. Trans. Eric Prenowitz. Chicago: U of Chicago P, 1996.

_____. Archive Fever: A Freudian Impression. Online at Scribd.*

         http://es.scribd.com/doc/32922360/Derrida-Archive-Fever-1995

         2013

Forkel, Robert. Erfahrung aus Narration: Erinnerungskulturelle Funktionen der Enkelliteratur. (Narratologia: Contributions to Narrative Theory, 72). Berlin and Boston: de Gruyter, 2020.* (Diss. Martin-Luther Universität Halle-Wittenberg, 2019). (Inferences, Situations, Simulation, Mental representation, Experience, Grandchildren, Narrativity)

         https://doi.org/10.1515/9783110673968-202

         2020

_____. "2. Experientialität." Erfahrung aus Narration: Erinnerungskulturelle Funktionen der Enkelliteratur.  Berlin and Boston: de Gruyter, 2020. 23-94.* (Narrativity, Representation, mental models, scripts, memory).

         https://doi.org/10.1515/97831106773968-002

         2020

Fried, Michael. "Art and Objecthood." In Minimal Art: A Critical Anthology. Ed. Gregory Battcock. New York: Dutton, 1968.

Fugazza, Claudia, et al. "Mental Representation and Episodic-like Memory of Own Actions in Dogs." Scientific Reports 10 (2020): no. 10.449.*

         https://www.nature.com/articles/s41598-020-67302-0#Sec5

         2020

Gaillard, F. "The Great Illusion of Realism, or the Real as Representation." Poetics Today 5.4 (1984): 753-66.

García Landa, José Ángel. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 1-54.*

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity."  In García Landa, Vanity Fea 15 Oct. 2008. (Links to online texts from Gender, I-deology).

         http://garciala.blogia.com/2008/101502-gender-i-deology.php

         2008

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In Gender, I-deology: Essays on Theory, Fiction and Film. Online iPaper at Academia.edu 29 Oct. 2009.*

         https://www.academia.edu/194356/

2014

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." Online PDF at Social Science Research Network 15 April 2010.*

         http://ssrn.com/abstract=1590382

         2011

         Women, Gender and Literature eJournal ((2010):

         http://www.ssrn.com/link/English-Women-Gender-Literature.html

         2013

         Feminist Theory eJournal (2010):

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalBrowse&journal_id=950867

         2013

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." Online PDF at Zaguán 8 March 2011.*

         http://zaguan.unizar.es/record/5708

         2011

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." ResearchGate 3 May 2013.*

         https://www.researchgate.net/publication/228174458

         2013

_____. ""Gender, I-deology and Addictive Representation: The Film of Familiarity." Online at Google Books.*

         http://books.google.es/books/reader?id=G2rZlvYeRRsC

         2013

_____. "La realidad flojea." In García Landa, Vanity Fea 7 Dec. 2005:

         http://garciala.blogia.com/2005/120702-la-realidad-flojea.php

         2005-12-29

_____. "El mundo social como presentación y re-presentación." In García Landa, Vanity Fea 19 October 2009.* (Goffman, dramatism).

         http://vanityfea.blogspot.com/2009/10/el-mundo-social-como-presentacion-y-re.html

         2009

_____. "El mundo social como presentación y re-presentación." Ibercampus (Vanity Fea) 29 Sept. 2020.*

         https://www.ibercampus.es/el-mundo-social-como-presentacion-y-representacion-40147.htm

         2020

_____. "Alrededor de la representación." In García Landa, Vanity Fea 8 April 2011.*

         http://vanityfea.blogspot.com/2011/04/alrededor-de-la-representacion.html

         2011

_____. "Stuart Hall on Representation and Race." In García Landa, Vanity Fea 10 April 2013.*

         http://vanityfea.blogspot.com.es/2013/04/stuart-hall-on-representation.html

         2013

_____. "La falacia modélica (y su origen) según Bergson." Academia 24 Oct. 2017.*

         http://www.academia.edu/34940295/falaciabergson.pdf

         2017

_____. "La falacia modélica (y su origen) según Bergson." ResearchGate 26 Oct. 2017.*

         https://www.researchgate.net/publication/320618522    

         2017

_____. "La falacia modélica (y su origen) según Bergson." 5 Metros de Poemas 24 Oct. 2017.*

         http://5metrosdepoemas.com/index.php/noticias/21-usa-europa/547-la-falacia-modelica-y-su-origen-segun-bergson

         2018

Gavaldà Roca, Josep, and Carmen Gregori Signes, eds. Modes de representació i estratègies discursives. (Quaderns de Filologia – Estudis de Comunicació, vol. 1). Valencia: U de Valencia, 2002.*

Gavins, Joanna, and Ernestine Lahey, eds. World Building: Discourse in the Mind. (Advances in Stylistics). London, Oxford, New York, New Delhi, Sydney: Bloomsbury Academic, 2016. 9-164. Online preview at Google Books.*

         https://books.google.es/books?id=Wmw6DAAAQBAJ

         2018

Gelley, Alexander. "The Represented World: Towards a Phenomenological Theory of Description in the Novel." Journal of Aesthetics and Art Criticism 37 (1979): 415-22.

Gentz, Joachim. Keywords Re-Oriented. (InterKultur: European-Chinese Intercultural Studies, 4). With Ella Chmiellewska, Hannah Sommerseth and Jack Burton. Göttingen: Universitätsdrucke Göttingen, 2009.* (Culture, Orientalism, Occidentalism, Postmodernism, Historiography, Literary Field, Discourse, Intertextuality, Canon, Body, Gender, Text, Art, Representation, Reality). Online at Academia.*

         https://www.academia.edu/41792098/

         2020

Gómez Tarín, F. J. "Ficcionalización y naturalización: caminos equívocos en la supuesta representación de la realidad." In El documental, carcoma de la ficción. Ed. P. Poyato. Consejería de Cultura y Filmoteca de Andalucía, 2004.

Goody, Jack. La Peur des représentations: L'ambivalence à l'égard des images, du théâtre, de la fiction, des reliques et de la sexualité. Trans. Pierre-Emmanuel Dauzat. (La Découverte Poche). Paris: La Découverte, c. 2010.

Hacking, Ian.  "Break: Reals and Representations." In Hacking, Representing and Intervening: Introductory Topics in the Philosophy of Natural Science. Cambridge: Cambridge UP, 1983. 130-49.*

_____. Representing and Intervening: Introductory Topics in the Philosophy of Natural Science. Cambridge: Cambridge UP, 1983.*

Kress, Gunther. "Representational Resources and the Production of Subjectivity: Questions for the Theoretical Development of Critical Discourse Analysis in a Multicultural Society." In Texts and Practices: Readings in Critical Discourse Analysis. Ed. Carmen Rosa Caldas-Coulthard and Malcolm Coulthard. London: Routledge, 1995. 15-31.

_____. "Representational Resources and the Production of Subjectivity: Questions for the Theoretical Development of Critical Discourse Analysis in a Multicultural Society." In Critical Discourse Analysis: Critical Concepts in Linguistics. Ed. Michael Toolan. London: Routledge, 2002. 2.285-301.*

LaCapra, Dominick. Representing the Holocaust: History, Theory, Trauma. Ithaca (NY), 1994.

Lash, Scott. "Cine: de la representación a la realidad." In Lash, Sociología del posmodernismo. Buenos Aires, Amorrortu, 1990. 232-241.

Levine, G., ed. Realism and Representation: Essays on the Problem of Realism in Relation to Science, Literature, and Culture. Madison: U of Wisconsin P, 1993.

Linke, Gabrielle, and Holger Rossow, eds. Rhetoric and Representation: The British at War. Heidelberg: Winter, 2007.

         http://www.winter-verlag.de/en/detail/978-3-8253-5390-2/Linke_Rossow_Eds_Rhetoric_and_Representation/

         2014

Lotman, Iuri M. "La cultura como sujeto y objeto para sí misma." In Lotman, La Semiosfera, II: Semiótica de la cultura del texto, de la conducta y del espacio. Madrid: Cátedra / Universitat de València, 1998. 140-51.*

Mahler, Andreas, ed. Stadt-Bilder: Allegorie- Mimesis - Imagination. Heidelberg, 1999.

Marcus, Steven. Representations: Essays in Literature and Society. New York: Random House, 1975.

Marin, Louis. Jean-Charles Blais: Du figurable en peinture. Blusson, 1988.

_____. Opacité de la peinture: Essais sur la représentation au Quattrocento. Usher, 1989.

_____. "Introduction: L'Être de l'image et son efficace." In Marin, Des Pouvoirs de l'Image: Gloses. Paris: Seuil, 1993. 9-22.*

Morin, Edgar. Le Cinéma ou l'Homme imaginaire. Paris: Minuit, 1956.

Murawska, Magdalena. "Figures, Grounds and Containers. Patient Presentation in Medical Case Reports." Miscelánea 41 (2010):  77-92.*

Nichols, B. La representación de la realidad: Cuestiones y conceptos sobre el documental. Barcelona: Paidós, 1997.

O'Hara, Robert J. "Mapping the Space of Time: Temporal Representation in the Historical Sciences." In New Perspectives on the History of Life: Systematic Biology as Historical Narrative. Ed. M. T. Ghiselin and G. Pinna. (Memoirs of the California Academy of Sciences, 20). 1996. 7-17. Online at Social Science Research Network 5 Feb. 2015.*

         http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2559427

         2015

Oliveira Ribeiro, Cléa Regina de. "Merleau-Ponty y Cézanne: Visión primordial y figura humana." In Congreso Fenomenología y Ciencias Humanas: Santiago de Compostela, 24-28 de Septiembre de 1996. Ed. Mª Luz Pintos Peñaranda and José Luis González López. Santiago de Compostela: U de Santiago de Compostela, 1998. 415-22.*

Paricio Royo, Javier. "Algunas reflexiones sobre el proceso interpretativo de una representación." Typescript, U of Zaragoza, 2004.*

Paulet Dubois, Françoise. (U  de Almería; pauletfranc@yahoo.fr). "'Ceci n'est pas une pipe': Réalite et représentation chez Yourcenar et Pamuk." Thélème: Revista complutense de estudios franceses 25 (2010): 211-20. Online at Semantic Scholar.*

         https://www.semanticscholar.org/paper/%22This-is-not-a-pipe%22%3A-reality-and-representation-in-Dubois/0a2715ae0aa08acafd9d77a4925878c4c43a985d

         https://pdfs.semanticscholar.org/0a27/15ae0aa08acafd9d77a4925878c4c43a985d.pdf

         2020

_____. "'Ceci n'est pas une pipe': Réalité et représentation chez Yourcenar et Pamuk." Thélème: Revista Complutense de Estudios Franceses 25 (2010): 211-20.* Online PDF at Dialnet

         http://dialnet.unirioja.es/servlet/articulo?codigo=3355777&orden=0&info=link

         2014

Penas Ibáñez, Beatriz. "Masters Writing on Language and Representation: T. E. Hulme's Subtext in Death in the Afternoon." North Dakota Quarterly 73.1-2 (Winter / Spring 2006): 120-34.*

Perlman, M. Conceptual Flux: Mental Representation, Misrepresentation, and Concept Change. Dordrecht: Kluwer, 2000.

Perner, Josef. Understanding the Representational Mind. Cambridge (MA): MIT Press, 1991.

Plato. From Republic. Trans. B. Jowett. Selection from books II, III and X. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 19-41.*

Putnam, Hilary. Representation and Reality. Cambridge (MA): MIT Press, 1988.

_____. Representación y realidad. Trans. Gabriela Ventureira. Barcelona: Gedisa, 1990.

Rodríguez Serrano, A. "Verdad e imagen: la edición en las representaciones fílmicas del Holocausto." Ámbitos  26 (2014): 31-40.

Rorty, Richard. "'We Anti-Representationalists'." In Postmodern Debates. Ed. Simon Malpas. (Readers in Cultural Criticism). Houndmills: Palgrave, 2001. 93-100.*

Rose, Gillian. Mourning Becomes the Law: Philosophy and Representation. Cambridge, 1996.

Rossini Favretti, Rema, ed. Frames, Corpora, and Knowledge Representation. Bologna: Bologna UP, 2008.

Schmid, Wolf. "The Selection and Concretization of Elements in Verbal and Filmic Narration." In Beyond Classical Narration: Transmedial and Unnatural Challenges. Ed. Jan Alber and Per Krogh Hansen. Berlin and Boston: De Gruyter, 2014. 15-24.*

Schopenhauer, Arthur. El mundo como voluntad y representación. Introd. E. Friedrich Sauer. Trans. E. Ovejero y Maury. México: Porrúa, 1987.

_____. El mundo como voluntad y representación. Introd. Ignasi Roviró Alemany. Barcelona: RBA, 2004.

_____. Die Welt als Wille und Vorstellung. Band II. 1844.

_____. Die Welt als Wille und Vorstellung. Ed. Arthur Hübscher. Mannheim: Brockhaus, 1988.

_____. El Mundo como Voluntad y Representación (Volumen Segundo). 1844. Trans. Rafael-José Díaz Fernández and Mª Montserrat Armas Concepción; rev. Joaquín Chamorro Mielke. (Grandes Pensadores Gredos; Schopenhauer, II). Madrid: Gredos, 2010. Rpt. Barcelona: RBA Coleccionables, 2014.* ("Volumen II: Que contiene los complementos a los cuatro libros del primer volumen").

_____. II.1.1. "Complementos al libro primero (1) La doctrina de la  representación intuitiva." In Schopenhauer, El Mundo como Voluntad y Representación (Volumen Segundo). Barcelona: RBA Coleccionables, 2014. 11-68.* (Idealism; Epistemology; Understanding, Senses, a priori knowledge).

_____. "Complementos al libro primero (2) La doctrina de la representación abstracta, o del pensamiento." In Schopenhauer, El Mundo como Voluntad y Representación (Volumen Segundo). Barcelona: RBA Coleccionables, 2014. 69-210*

_____. Theorie des gesammten Vorstellens, Denkens und Erkennens.

Синебрюхов, Ю. Б. "Quis custodiet ipsos custodes? Набросок реальности." In Science and Education: A New Dimension—Humanities and Social Sciences 8.37 (Issue 223, Feb. 2020): 41-44.*

http://www.seanewdim.com

http://seanewdim.com/uploads/3/4/5/1/34511564/hum_viii_223_37.pdf

https://seanewdim.com/uploads/3/4/5/1/34511564/httpsdoi.org10.31174send-hs2020-223viii37-10.pdf

https://doi.org/10.31174/SEND-HS2020-223VIII37-10

Online at Academia.*

https://www.academia.edu/42243977/

2021

Simpson, Paul. Language, Ideology and Point of View. (Interface). London: Routledge, 1993.*

Sperber, Dan. "Anthropology and Psychology: Towards an Epidemiology of Representations." Man 20 (1985): 73–89.

_____. "3. Anthropology and Psychology: Towards an Epidemiology of Representations." In Sperber, Explaining Culture: A Naturalistic Approach. London: Blackwell, 1996. 56-76.*

_____. "2. Interpreting and Explaining Cultural Representations." In Sperber, Explaining Culture: A Naturalistic Approach. London: Blackwell, 1996. 32-55.*

_____. "An Epidemiology of Representations." Edge 26 July 2005.*

         https://www.edge.org/conversation/dan_sperber-an-epidemiology-of-representations?utm_content=buffer12606

         2016

Storey, Robert. Mimesis and the Human Animal: On the Biogenetic Foundations of Literary Representation. Evanston (IL): Northwestern UP, 1996.

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. London: Macmillan, 1988.

Tamul, Daniel J., and Jessica C. Hotter. "Exploring Mechanisms of Narrative Persuasion in a News Context: The Role of Narrative Structure, Perceived Similarity, Stigma, and Affect in Changing Attitudes." Collabra: Psychology 5.1 (2019): 51.*

         https://doi.org/10.1525/collabra.172

         https://online.ucpress.edu/collabra/article/5/1/51/112960/

         2020

         Online at Academia.*

         https://www.academia.edu/112704449/

         2023

Tomasello, Michael. "4. Linguistic Communication and Symbolic Representation." In Tomasello, The Cultural Origins of Human Cognition. Cambridge (MA) and London: Harvard UP, 1999. 94-133.*

Tracy, Karen, and Jessica S. Robles. Everyday Talk: Building and Reflecting Identities. 2^nd ed. Guilford Press, 2013.

Turner, Mark. The Blending website. 2003-2009

         http://blending.stanford.edu

         2009

_____. "The Art of Compression." In The Artful Mind. Ed. Mark Turner. New York: Oxford UP, 2006. See

         http://theartfulmind.stanford.edu

_____. "Compression and Representation." Language and Literature 15.1 (2006): Special issue: Blending. 17-27.*

_____. "Frame Blending." 2007. In Frames, Corpora, and Knowledge Representation. Ed. Rema Rossini Favretti. Bologna: Bologna UP, 2008. 13-32. Online PDF at SSRN.*

         http://ssrn.com/abstract=1321302

         2009

Tyupa, Valerii Igorevich. "Что такое нарративная картина мира?" OpeNarratology 25 Jan. 2016.*

         http://www.opennar.com/#!???-?????-???????????-???????-????/cmbz/56a66d7d0cf215a9bb95ff89

         2016

Walton, Kendall L. Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge (MA): Harvard UP, 1990.  1993.

 

 

 

Audio

 

 

Laclau, Ernesto. "The Discursive Construction of Social Antagonisms." Lecture at Birkbeck College, London, 31 Jan. 2014. Backdoor Broadcasting Company

         http://backdoorbroadcasting.net/2014/01/ernesto-laclau-masterclass-the-discursive-construction-of-social-antagonisms/

         2014

 

 

 

 

 

Films

 

 

How Art Made the World. Documentary film series. Episode 1: More Human than Human. Dir. and prod. Nick Murphy. Presented by Nigel Spivey. Exec. Prod. Kim Thomas. Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005. Online at DailyMotion (2022).*

https://dai.ly/x8f2xww

         2023

_____. How Art Made the World, 2: The Art of Persuasion. Prod. and dir. Francis Whately. Presented by Nigel Spivey. Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005. Online at DailyMotion (2022).

         https://dai.ly/x8f40oe

         2023

_____. How Art Made the World: The Day Pictures Were Born. ("BBC Documentary - How Art Made The World 2 of 5 - The Day Pictures Were Born."). Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005. YouTube (Ryou Boniface) 20 July 2015.*

https://youtu.be/eQWKpKbvc9M

         2023

_____. How Art Made the World: Once upon a Time. Prod. and dir. Francis Whately. Presented by Nigel Spivey. Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005.  Online at DailyMotion  (2022, mistitled as "The Art of Persuasion").*

         https://dai.ly/x8f59l7

         2023

_____. How Art Made the World: To Death and Back. Prod. and dir. Ben McPherson. Presented by Nigel Spivey. Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005.   Online at DailyMotion (Educational Documentaries) (2022).*

https://dai.ly/x8f7z44

         2023

 

 

 

 

 

Journals

 

 

 

Cultura, Lenguaje y Representación.

Departamento de Filología Inglesa y Románica

Campus Riu Sec

Universitat Jaume I

12071 Castellon

http://www.clr.uji.es

2008

 

 

 

 

 

 

 

Video

 

 

Hall, Stuart. "Representation & the Media: Featuring Stuart Hall." YouTube (ChallengingMedia) 4 Oct. 2006.*

         http://youtu.be/aTzMsPqssOY

         2013

 

Lurz, Robert. "Consciousness and the Representational Theory of Mind: An Overview of the Philosophical Debate." Video. Lecture at the Asian Ameircan / Asian Research Institute, City U of New York, 23 Sept. 2005. YouTube (aaricuny) 29 Jan. 2013.*

         https://youtu.be/RtHDKyDEkvQ

         2016

 

Sanz, Rosalía. "Los mapas mienten." YouTube (Pleyadianos de Luz) 18 Feb. 2020.*

https://youtu.be/Gg-83j84yLY

         2020

 

Strawson, Galen. "Galen Strawson on perception." Video lecture. YouTube (Brad Younger) 15 Nov. 2014.* (Realism, perception, mind, representation, experience, subject/object).

         http://youtu.be/Ct3C62FmL_k

         2015

 

Williams, Rowan. (Lord Williams of Oystermouth). "Making Representations: Religious Faith and the Habits of Language." (Gifford Lectures, U of Edinburgh). YouTube (The University of Edinburgh) 7 Nov. 2013.*

         http://youtu.be/_ib-HOy3vtA?list=UUZv8UXOfXHaQaalmp7AMLwg

         2014

 

 

 

 

 

Series

 

 

(Sociétés & représentations). Paris, Publications de la Sorbonne, c. 2015.

 

 

 

 

 

 

 

Video

 

 

Bueno, Gustavo. "Democracia representativa." Video lecture. YouTube (fgbuenotv) 30 May 2011.*

https://youtu.be/xPEhpxATa4Y

2022

 

Dehaene, Stanislas. "Quel code neural pour les représentations mentales?  / Vector Codes and the Geometry of Mental Representation – (1): Cellules grand-mère ou vecteurs neuronaux: Les représentations mentales sont-elles localisées ou distribuées?" YouTube (Sciences de la Vie - Collège de France) 10 Jan. 2023.* (Cyborgs, Neuroelectronics, Neuralink)

https://youtu.be/SP6Gxz7gmWE

         2023

 

 

 

 

 

See also Semiotics: General; Signs; Mimesis.