Teoría de la acción

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Theory of Action

 

Action and Agents

Acts

Action schemes. See Genres. Narrative. Action, agents. Action schemes.

 

 

Action and Agents

 

Anscombe, G. E. M. Intention. Oxford: Blackwell, 1957.

Arendt, Hannah. "Acción." In Arendt, La condición humana. Barcelona: Círculo de Lectores, 1999. 243-324.*

Aristotle (Aristóteles). "Libro tercero. Acciones voluntarias e involuntarias." Aristóteles. Ética Nicomaquea. Trans. and notes by Julio Pallí Bonet. In Aristóteles, Ética Nicomaquea. Política. (Grandes Pensadores Gredos; Aristóteles, III). Madrid: Gredos, 2011. Rpt. Barcelona: RBA Coleccionables, 2014. 53-76.*

Arrow, K. "Economic Theory and the Postulate of Rationality." In The New Palgrave Dictionary of Economics. Ed. J. Eatwell, M. Milgate, and P. Newman. Vol. 2. MacMillan, London: MacMillan, 1987. 69–75.

Atkinson, J. M., and J. Heritage, eds. Structures of Social Action. Cambridge: Cambridge UP, 1984.

Baddeley, A. "The Remembered Self and the Enacted Self." In The Remembering Self: Constructions and Accuracy in the Self-Narrative. Ed. U. Neisser and R. Fivush. Cambridge: Cambridge UP, 1994. 236-42.

Bakhtin, Mikhail M. "K filosofi postupka." ["Toward a Philosophy of the Act"] c. 1920. In Filosofiia i sotsiologiia nauki i tekhniki (1984-85). Moscow: Nauka, 1986.

Bartsch, Renate. Consciousness Emerging: The Dynamics of Perception, Imagination, Action, Memory, Thought, and Language. (Advances in Consciousness Research, series A, 39). Amsterdam: John Benjamins, 2002.

Beaugrande, Robert de, and Benjamin Colby. "Narrative Models of Action and Interaction." Cognitive Science 3 (1979): 46-66.

Bourdieu, Pierre. Outline of a Theory of Practice. 1972. Trans. Richard Nice. Cambridge: Cambridge UP, 1977. 1982. 1986.

_____. Raisons pratiques. (Points). Paris: Seuil, 1996.

_____. Razones prácticas. (Argumentos). Barcelona: Anagrama.

_____.  El sentido práctico.  Madrid: Taurus, 1991.

Bratman, M. "Shared Cooperative Activity." Philosophical Review 101.2 (1992): 327-41.

Brenner, M., ed. The Structure of Action. Oxford: Blackwell, 1980.

Bruce, Bertram C. "Plans and Social Actions." (Technical report 3550). Cambridge: BBN, 1977.

Burke, Kenneth. Permanence and Change: An Anatomy of Purpose. 1935. 1954. Berkeley: U of California P, 1984.

_____. A Grammar of Motives. Bekeley and Los Angeles: U of California P, 1945.

_____. A Grammar of Motives. New York: Prentice-Hall, 1945.

_____. A Grammar of Motives. Pbk. 1962.

_____. A Grammar of Motives. In Burke, A Grammar of Motives and A Rhetoric of Motives. Cleveland: World, 1962.

_____. A Grammar of Motives. Pbk. Berkeley: U of California P, 1969.

_____. A Rhetoric of Motives. 1950. Pbk 1962.

_____. A Rhetoric of Motives. New York: Prentice-Hall, 1953.

_____. A Rhetoric of Motives. New York: Braziller, 1955.

_____. A Rhetoric of Motives. In Burke, A Grammar of Motives and A Rhetoric of Motives. Cleveland: World, 1962.

_____. A Rhetoric of Motives. Berkeley and Los Angeles: U of California P, 1950. Pbk 1962. 

_____. A Rhetoric of Motives. Berkeley: U of California P, 1969.

_____. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of California P, 1966. 1973. 1976.

_____. (On symbolic action). In Twentieth Century Literary Theory.  Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 85-100.*

_____. "(Nonsymbolic) Motion/(Symbolic) Action." Critical Inquiry 4 (Summer 1978): 809-38.

Caserio, Robert L. "Story, Discourse, and Anglo-American Philosophy of Action." The Journal of Narrative Technique 17.1 (1987): 1-11.*

Castoriadis, Cornelius. "Done and To Be Done." 1989. In The Castoriadis Reader. Trans. and Ed. David Ames Curtis. New York: Blackwell, 1997. 361-417.

Charon, Joel M. "Human Action." In Charon, Symbolic Interactionism An Introduction, an Interpretation, an Integration. Upper Saddle River (NJ): Prentice-Hall; 7th ed. 2001. 124-48.*

Clark, Stephen H. "El texto vs. la acción en Ricœur." In Con Paul Ricœur: Indagaciones hermenéuticas. By Paul Ricœur, Wood, Clark, et al. Ed. Mario J. Valdés. 1998. Barcelona: Azul Editorial, 2000. 75-90.*

Cooper, Joel, Robert Mirabile and Steven J. Scher. "Actions and Attitudes: The Theory of Cognitive Dissonance." Ch. 4 of Persuasion: Psychological Insights and Perspectives. Ed. Timothy C. Brock and Melanie C. Green. Thousand Oaks, London, New Delhi: Sage, 2005. 63-79.*

Corredor, Cristina. "Acción comunicativa / Acción estratégica." In Compendio de Lógica, Argumentación y Retórica. Ed. Luis Vega Reñón and Paula Olmos Gómez. Madrid: Trotta, 2011. 3rd ed. 2016.*

Coulter, J. Mind in Action. London and Basingstoke: Macmillan, 1989.

Danto, Arthur C. "What Can We Do?" Journal of Philosophy 60 (1963): 435-45.

_____. "Basic Actions." American Philosophical Quarterly 2 (1965): 141-8. Rpt. in The Philosophy of Action. New York: Oxford UP, 1968. 43-58.

_____. Analytical Philosophy of Action.  Cambridge: Cambridge UP, 1973. 

Davidson, Donald. Essays on Actions and Events. Oxford: Clarendon, 1980.

Deleuze, Gilles. "2. Actif et réactif." In Deleuze, Nietzsche et la philosophie. Paris: PUF, 1962. 1967. 6th ed. 1983. 44-82.*

Dickenson, A., and D. Sanks. "Instrumental Action and Causal Representation." In Causal Cognition: A Multidisciplinary Debate. Ed. D. Sperber, D. Premack, and A. J. Premack. Oxford: Clarendon, 1995. 5-25.

Dijk, Teun A. van. "Action, Action Description, and Narrative." New Literary History 6.2 (1975): 273-94.

_____. "Philosophy of Action and Theory of Narrative." Poetics 5 (1976): 287-338.

Docherty, Thomas. "Agency and Understanding." In Docherty, Alterities. Oxford: Clarendon Press, 1996. 69-94.*

Dokic, Jérôme, and Joëlle Proust, eds. Simulation and Knowledge of Action. Amsterdam: John Benjamins, 2002.

Elbourne, P. Situations and Individuals. Cambridge (MA): MIT Press, Cambridge, 2005.

Escohotado, Antonio.  "Una teoría de la acción."  (Fichte, Hegel).  Los Cuadernos de la Gaya Ciencia I: Lectura y crítica.   Barcelona: La Gaya Ciencia, 1975. 41-72.*

Fazio, Russell H., and David R. Roskos-Ewoldsen. "Acting as We Feel." Ch. 3 of Persuasion: Psychological Insights and Perspectives. Ed. Timothy C. Brock and Melanie C. Green. Thousand Oaks, London, New Delhi: Sage, 2005. 41-62.*

Fisher, Walter R. Human Communication as Narration: Toward a Philosophy of Reason, Value and Action. Columbia (SC): U of South Carolina P, 1987.

Fried, C. "Reason and Action." Natural Law Forum 11 (1966): 13-35.

Fuentes Stipicevik, Verushka. "Reflexión sobre el componente ideológico discursivo en la estructura de los actos y hechos sociales." Investigación y desarrollo 23.1 (2015): 199-227.*

         http://rcientificas.uninorte.edu.co/index.php/investigacion/article/viewArticle/6556

         2015

García Landa, José Angel. "La competencia modal del narrador: Hacer." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 298-99.*

_____. "Procesos, representaciones, narraciones, narratologías." In García Landa, Vanity Fea 19 July 2007.

         http://garciala.blogia.com/2007/071903-procesos-representaciones-narraciones-narratologias.php

         2007-08-02

_____. "Teoría hegeliana de la apropiación (y de la vanidad de las obras)." In García Landa, Vanity Fea July 2009.*

         http://vanityfea.blogspot.com/2009/07/teoria-hegeliana-de-la-apropiacion-y-de.html

         2009

Garfinkel, Harold. Studies in Ethnomethodology. Englewood Cliffs (NJ): Prentice-Hall, 1967.

_____. Studies in Ethnomethodology. Cambridge (MA): Polity Press, 1984.

_____. "Le socle routinier des activités ordinaires ." In Garfinkel, Recherches en ethnométhodologie. Ed. M. Barthélemy and L. Quéré. Paris: PUF, 2007.

_____. Recherches en ethnométhodologie. Ed. M. Barthélemy and L. Quéré. Paris: PUF, 2007.

Gauld, A., and J. Shotter. Human Action and Its Psychological Investigation. London: Routledge and Kegan Paul, 1977.

Geach, Peter. Mental Acts: Their Content and Objects. London: Routledge, n. d.

Gergen, Kenneth J. "Correspondence versus Autonomy in the Language of Understanding Human Action." In Metatheory in Social Science: Pluralisms and Subjectivities. Ed. Donald W. Fiske and Richard A. Shweder. Chicago: U of Chicago P, 1986.

Giddens, A. Central Problems in Social Theory: Action, Structure and Contradiction in Social Analysis. London: Macmillan, 1979.

Goffman, Erving. "Where the Action Is."  In Goffman, Interaction Ritual  1967. New York: Random House-Pantheon, 1982. 149-270.*

_____. Interaction Ritual: Essays on Face-to-Face Behavior.  New York: Doubleday-Anchor, 1967. Rpt. New York: Random House-Pantheon, 1982.*

_____.  Interaction Ritual.   London: Lane, 1972.

_____. "Footing." In Goffman, Forms of Talk. Philadelphia: U of Pennsylvania Press, 1981. 124-59.*

Goldman, A. I. A Theory of Human Action. Englewood Cliffs (NJ): Prentice-Hall, 1970.

Greimas, Algirdas Julien. "Des accidents dans les sciences dites humaines: analyse d'un texte de Georges Dumézil." Introduction à l'analyse du discours en sciences sociales. By A. J. Greimas and E. Landowski. Paris: Hachette, 1979.

_____. "Des accidents dans les sciences dites humaines: analyse d'un texte de Georges Dumézil." In Greimas, Du Sens II. Paris: Seuil, 1983. 171-212.*

_____. "Le défi." Bulletin du groupe de recherches sémio-linguistiques (EHESS-CNRS) (1982).

_____. "Le défi." In Greimas, Du Sens II. Paris: Seuil, 1983. 213-23.*

Griffin, Leland. "10. A Dramatistic Theory of the Rhetoric of Movements." 1969. In Landmark Essays on Kenneth Burke. Ed. Barry Brummett. Davis (CA): Hermagoras Press, 1993. 199-220.*

Gusfield, Joseph R. "The Bridge over Separated Lands: Kenneth Burke's Significance for the Study of Social Action." In The Legacy of Kenneth Burke. Ed. Trevor Melia and Herbert Simons. Madison: U of Wisconsin P, 1989. 28-54.

Habermas, J. The Theory of Communicative Action: Reason and the Rationalization of Society. Boston (MA): Beacon P, 1984.

Hayek, F. A. "The Results of Human Action but not of Human Design." In Hayek, Studies in Philosophy, Politics and Economics London: Routledge and Kegan Paul, 1967. 96-105.

Hekman, S. "Action as a Text: Gadamer's Hermeneutics and the Social Scientific Analysis of Action." Journal for the Theory of Social Behaviour 14 (1984): 333-54.

Henderson, Greig E. Kenneth Burke: Literature and Language as Symbolic Action. Athens (GA) and London: U of Georgia P, 1988.

Hickok, Gregory. "Eight Problems for the Mirror Neuron Theory of Action Understanding in Monkeys and Humans." Journal of Cognitive Neuroscience 21.7 (2009): 1129-43. Online at National Center for Biotechnology Information.*

         doi: 10.1162/jocn.2009.21189

         http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2773693/

         2016

Holdcroft, David. Words and Deeds. Oxford: Clarendon, 1978.

Jones, E. E., and Richard E. Nisbett. The Actor and the Observer: Divergent Perceptions of the Causes of Behavior. New York: General Learning Press, 1971.

Kaplan, Mark. Decision Theory as Philosophy. Cambridge: Cambridge UP, 1999.

Kenny, Anthony. Action, Emotion and Will. London: Routledge and Kegan Paul; New York: Humanities Press, 1963.

Kim, J. Supervenience. Dartmouth: Ashgate, 2002.

Lahire, Bernard. L'Homme pluriel: Les ressorts de l'action. Paris: Nathan, 1998. Rpt. Hachette/Pluriel, 2006.

Landfield, A. W., ed. Nebraska Symposium on Motivation: Personal Constructs. Lincoln (NE): U of Nebraska P, 1977.

LaPiere, R. T. "Attitudes versus actions." Social Forces 3.2 (1934): 230–37.

Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network Theory. Oxford University Press, 2005.

LePore, Ernest, ed. Actions and Events: Perspectives on the Philosophy of Donald Davidson. Oxford: Blackwell, 1985.

Livingston, Paisley. Literature and Rationality: Ideas of Agency in Theory and Fiction. 1991.

Lock, Andrew, ed. Action, Gesture and Symbol: The Emergence of Language. London: Academic Press, 1978.

Lyotard, J.-F.  Peregrinations: Law, Form, Event. New York: Columbia UP, 1988.

Martin, Jack, and A. Gillespie. "A Neo-Meadian Approach to Human Agency: Relating the Social and the Psychological in the Ontogenesis of Perspective Coordinating Persons." Integrative Psychological and Behavioral Science 44 (2010): 252–72.

McAdams, Dan P. "9. From Actor to Agent to Author: Human Evolution and the Development of Personality." In Darwin's Bridge: Uniting the Humanities and Sciences. Ed. Joseph Carroll, Dan P. McAdams and E. O. Wilson. Oxford: Oxford UP, 2016. 145-64.*

McCarthy, Thomas. "La idea de una pragmática universal." In McCarthy, La teoría crítica de Jürgen Habermas. Madrid: Tecnos, 1988. 315-36.*

McGuirk, Bernard, ed. Redirections in Critical Theory: Truth, Self, Action, History. London: Routledge, 1994.*

McKeon, Richard. Thought, Action, and Passion. Chicago: U of Chicago P, 1954.

Mead, George Herbert. The Philosophy of the Act. 1938.

_____. La filosofía del acto. 1972.

_____. Sobre sicología social. 1964.

Mills, C. Wright. "Situated Actions and Vocabularies of Motive." American Sociological Review 5 (1940): 904-13.

Mises, Ludwig von. Human Action. Chicago: Henry Regnery, 1966. (Cooperation).

_____. La acción humana.

Montaigne, Michel de. "I.i. Por distintos medios llégase a igual fin." In Montaigne, Ensayos completos. Madrid: Cátedra, 2003. 2010. 51-53.*

_____. "I.xxiv. Distintos resultados de una misma decisión." In Montaigne, Ensayos completos. Madrid: Cátedra, 2003. 2010. 163-70.*

Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.*

Mosterín, Jesús. Racionalidad y acción humana. Madrid: Alinza, 1978.

Mougán Rivero, Juan Carlos. Acción y racionalidad: Actualidad de la obra de John Dewey. Cádiz: Servicio de Publicaciones de la Universidad de Cádiz, 2001.

Mukamel, Roy, Arne D. Ekstrom, Jonas Kaplan, Marco Iacoboni, and Itzhak Fried. "Single-Neuron Responses in Humans during Execution and Observation of Actions." Current Biology 20.8 April 2010.*

         http://www.cell.com/current-biology/abstract/S0960-9822%2810%2900233-2

         2010

Pearson, Giles, and M. Pakaluk. Moral Psychology and Human Action in Aristotle. Oxford: Oxford UP, 201.

Pink, Thomas. The Psychology of Freedom. Cambridge: Cambridge UP, c. 1997.

Polanyi, Michael. "The Determinants of Social Action." In Roads to Freedom: Essays in Honor of Friedrich A. von Hayek. Ed. Erich Streissler. London: Routledge & Kegan Paul. 165-179.

Redner, Harry. In the Beginning Was the Deed: Reflections on the Passage of Faust. U of California P, 1982.

Rescher, Nicolas.  The Logic of Decision and Action.  Pittsburgh: U ofPittsburgh P, 1966.

Richardson, Henry S. Practical Reasoning about Final Ends. Cambridge: Cambridge UP, 1999.

Ricoeur, Paul.  "Structure, Word, Event."  Trans. Robert D. Sweeny.  Philosophy Today 12 (1968): 62-75.

_____. "The Model of the Text: Meaningful Action Considered as a Text." Social Research 38.3 (1971): 529-62.

_____. "The Model of the Text: Meaningful Action Considered as a Text". New Literary History 5.1 (1973).

_____. "The Model of the Text: Meaningful Action Considered as Text." In Ricœur, Hermeneutics and the Human Sciences. Cambridge: Cambridge UP, 1981. 197-221.

_____. "The Model of the Text: Meaningful Action Considered as a Text." In Interpretive Social Science. Ed. Rabinow and Sullivan.

_____. "Le modèle du texte: L'action sensée considérée comme un texte." In Ricœur, Du texte à l'action. Paris: Seuil, 1986. Rpt. (Points). 1998. 205-36.*

_____. "Le Discours de l'action." In La Sémantique de l'action. By Paul Ricœur and the Centre de de Phénoménologie. Paris: CNRS, 1977. 3-137.

_____. El discurso de la acción. Trans. Pilar Calvo. (Teorema, Serie Menor). Madrid: Cátedra, 1981.

_____. "Expliquer et comprendre. Sur quelques connnexions remarquables entre la théorie du texte, la théorie de l'action et la théorie de l'histoire." Revue Philosophique de Louvain 75 (Feb. 1977): 126-47.

_____. "Expliquer et comprendre. Sur quelques connnexions remarquables entre la théorie du texte, la théorie de l'action et la théorie de l'histoire. In Ricœur, Du texte à l'action. Paris: Seuil, 1986. Rpt. (Points). 1998. 179-203.*

_____. "Explanation and Understanding: On Some Remarkable Connections among the Theory of the Text, Theory of Action, and Theory of History." In The Philosophy of Paul Ricœur: An Anthology of His Work. Ed. Charles E. Reagan and David Stewart. Boston, 1978.

_____. "La structure symbolique de l'action." In Symbolism. Acts of the 14th International Conference on Sociology of Religion. Strasbourg, 1977. Paris: CNRS, n. d. 31-50.

_____. Hermeneutics and the Human Sciences: Essays on Language, Action, and Interpretation. Trans. and ed. John B. Thompson. Cambridge: Cambridge UP; Paris: Editions de la maison des Sciences de l'Homme, 1981.

_____. "L'initiative." In Labyrinthe: Parcours éthiques. Ed. R. Celis. Bruxelles: Publications des Facultés universitaires Saint-Louis, 1986.

_____. "L'initiative." In Ricœur, Du texte à l'action. Paris: Seuil, 1986. Rpt. (Points). 1998. 288-307.*

_____. Du texte à l'action: Essais d'herméneutique II. (Esprit). Paris: Seuil, 1986. (Préface. De l'interprétation. I. Pour une phénoménologie herméneutique. II. De l'herméneutique des textes à l'herméneutique de l'action. III. Idéologie, utopie et politique).

_____. Du texte à l'action: Essais d'herméneutique II. (Points; Essais, 377). Paris: Seuil, 1998.*

_____. From Text to Action: Essays in Hermeneutics. 1991.

_____. El discurso de la acción. Madrid: Cátedra, 1988.

Rodríguez Suárez, Luisa Paz. "Acción y mundo en Hannah Arendt." In Actas del Congreso Internacional: La filosofía de A. Heller y su diálogo con H. Arendt. Murcia: Servicio de Publicaciones de la Universidad de Murcia / U.A.M., 2009.

Roe, Emery. Narrative Policy Analysis: Theory and Practice. Durham (NC): Duke UP, 1995.

Rottschaefer, William Andrew. The Biology and Psychology of Moral Agency. Cambridge: Cambridge UP, 1999.

Sánchez Ferlosio, Rafael. "Cuando la flecha está en el arco, tiene que partir." 1988. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 847-64.* (Action, intention).

Savoir, Faire, Espérer: Les limites de la raison. Brussels: Publications des Facultés Universitaires Saint-Louis, 1976.

Schank, R. C. and Robert P. Abelson. "Scripts, Plans and Knowledge." In Thinking: Readings in Cognitive Science. Ed. P. N. Johnson-Laird and P. C. Wason. Cambridge: Cambridge UP, 1977.

_____. Scripts, Plans, Goals and Understanding: An Inquiry into Human Knowledge Structures. Hillsdale (NJ): Erlbaum, 1977.

Schick, Frederick. Making Choices: A Recasting of Decision Theory. Cambridge: Cambridge UP, 1998.

Schopenhauer, Arthur. "Aforismos sobre la sabiduría de la vida." In Schopenhauer, Parerga y Paralipómena I. Madrid: Trotta, 2009. 329-510. (Ethics, action, identity, age).

Schueller, G. F. Reasons and Purposes: Human Rationality and the Teleological Explanations of Action. Oxford: Clarendon, 2003.

Schütz, Alfred. "Choosing Among Projects of Action." In Philosophy and Phenomenological Research 12 (1951): 161–84.

Schütz, Alfred, and Talcott Parsons.  Zur Theorie sozialen Handelns: e. Briefwechsel Alfred Schutz, Talcott Parsons. Ed. Walter M. Sprondel. Frankfurt am Main: Suhrkamp, 1977.

_____. The Theory of Social Action: The Correspondence of Alfred Schutz and Talcott Parsons. Ed. Richard Grathoff. Bloomington: Indiana UP, 1978.

Searle, John R. "Collective Intentions and Actions." In Intentions in Communication. Ed. P. Cohen, J. Morgan and M. E. Pollack. Cambridge (MA): MIT Press-Bradford Books, 1990.

_____. Razones para actuar: Una teoría del libre albedrío. Trans. and glossary by Luis M. Valdés Villanueva. (Colección Jovellanos de Ensayo, 21). Oviedo: Ediciones Nobel, 2000. (Premio Internacional de Ensayo Jovellanos 2000).*

_____. "Capítulo 2: La estructura básica de la intencionalidad: acción y significado." In Searle, Razones para actuar: Una teoría del libre albedrío. Oviedo: Ediciones Nobel, 2000. 51-79.*

Sedgwick, Eve Kosofsky. "Socratic Raptures, Socratic Ruptures: Notes Toward Queer Performativity."  In English Inside and Out: The Places of Literary Criticism. Ed. Susan Gubar and Jonathan Kamholtz. New York: Routledge, 1993. 122-26. (Pragmatics of lit., queer criticism).

Shen, Dan. "Diegesis." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 107-8.*

Shotter, John. "Action, Joint Action, and Intentionality." In The Structure of Action. Ed. M. Brenner. Oxford: Blackwell, 1980.

Smith, Adam. "Part I. Of the Propriety of Action." In Smith, The Theory of Moral Sentiments. Introd. Amartya Sen. Ed. and notes Ryan Patrick Hanley. New York and London: Penguin Books, 2009. 11-78.*

Steele, Meili. Theorizing Textual Subjects: Agency and Oppression. Cambridge: Cambridge UP, 1997.

Vernon, Richard. "Unintended Consequences." Political Theory 7 (1979): 57-74.

von Neumann, John, and Oskar Morgenstern. Theory of Games and Economic Behavior. Princeton: Princeton UP, 1944.  2nd ed. Princeton (NJ): Princeton UP, 1947.

Wagner, Valeria. "The Unbearable Lightness of Acts." In The Ethics in Literature. Ed. Andrew Hadfield, Dominic Rainsford and Tim Woods. Houndmills: Macmillan; New York: St. Martin's, 1999. 73-85.*

White, J., ed.  Filosofía de la acción.  México: FCE, 1968.

Wood, J. N., D. D. Glynn, B. Phillips, and M. D. Hauser. "The Perception of Rational, Goal-directed Action in Non-human Primates." Science 317 (2007): 1402.

Wright, Georg Henrik von.  An Essay in Deontic Logic and the General Theory of Action.  Amsterdam: North Holland, 1968.

 

 

 

Internet resources

 

 

"Actor-Network Theory." Wikipedia: The Free Encyclopedia.* (Bruno Latour)

         https://en.wikipedia.org/wiki/Actor%E2%80%93network_theory

         2018

 

 

 

 

 

Journals

 

 

 

Philosophy of Action eJournal

SSRN

Vol. 7.1 (23 Jan. 2014).*

http://www.ssrn.com/link/Philosophy-Action.html

2014

 

 

 

 

 

Literature

 

 

Highsmith, Patricia. "Where the Action Is." From Mermaids on the Golf Course. In The Selected Stories of Patricia Highsmith. New York and London: W. W. Norton, 2001. 592-605.*

 

 

 

 

 

Video

 

 

Harré, Rom. "The Ultimate Insight: A Moral Dimension for Social Psychology." Lecture at the Positioning Theory symposium, Bruges, 8 July 2015. Video. YouTube (United Nations Diversity -CRIS) 13 July 2015.* (Interaction; Roles, Rights, duties, action, resistance, conversations).

         https://youtu.be/CxmHTk7aYto

         2021

 

Lombo, José Angel. "Fenomenología de la atención y unidad del viviente." Video seminar, U de Navarra, 12 March 2013. YouTube (universidaddenavarra) 17 April 2013.*

         https://youtu.be/a2gAPZNLCek

         2015

 

Martín Jiménez, Luis Carlos. "Núcleo y síntesis del materialismo filosófico." Video lecture. (Los Ensayos materialistas de Gustavo Bueno, 50 años después XVIII Curso de Filosofía de la Universidad de la Rioja en Santo Domingo de la Calzada, lunes 18 al viernes 22 de julio de 2022). YouTube (fgbuenotv) 21 July 2022.* (Schools, Dialectics, Empires, Institutions, Religion, Action, Critical thinking, Conflicts, Christianity, Transcendence, Meaning of life, World, Reason).

https://youtu.be/9t35197jV-0

         2022

 

Rizzolatti, Giacomo. "Inhibition of Action by the Frontal Cortex." Video. GoCognitive 2016.*

         http://gocognitive.net/interviews/inhibition-action-frontal-cortex

         2016

 

Shotter, John. "Movements of Feeling and Moments of Judgement." Video lecture. YouTube (Grupo Campos Eliseos Mexico) 25 Jan. 2016.*

         https://youtu.be/6M_SSwM_gjE

         2016

 

 

 

 

See also Narrative theory: Action, agents; Events; Behaviour; Decision; Intention; Interaction; Plans; Social life and relationships; Pragmatics.

 

 

 

 

Acts

 

 

Gillespie, A. "G. H. Mead: Theorist of the Social Act." Journal for the Theory of Social Behaviour 35 (2005): 19–39.

 

 

Audio

 

Moltmann, Frederike. "Le produit cognitif comme artefact." Online audio at Savoirs ENS  5 April 2015.*

         http://savoirs.ens.fr//expose.php?id=2122

         2015

 

 

See also Events; Decision; Choice; Pragmatics; Speech acts; Motives.

 

Actores dramáticos

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Theatre Actors

 

Early works

Theatre actors and acting: general

Miscellaneous

On individual actors

 

 

 

Early works

 

The Actors' Remonstrance. Pamphlet. London, 1643.

Archer, William. Masks or Faces? A Study in the Psychology of Acting. London and New York: Longmans, Green, 1888. Online facsimile at the Internet Archive.*

         https://archive.org/details/MasksOrFacesAStudyInThePsychologyOfActing

         2017

Bharat Muni (Attr.). Natya Shastra. Ancient Sanskrit treatise on drama. (c. 200 BC-200 AD).

_____. The Natyasastra Ascribed to Bharata-Muni. Trans. Manomohan Ghosh, M.A., Ph.D. (Bibliotheca Indica: A Collection of Oriental Works; work no. 272, issue 1559). Calcutta: Asiatic Society of Bengal, 1951.*

_____. Natya Shastra. Trans. Manomohan Ghosh. 1951. Internet Archive.

         http://archive.org/details/NatyaShastra

         2013

Churchill, Charles. The Rosciad. Satire against actors. 1761.

Diderot, Denis. Paradoxe sur le comédien. Written 1773-6, pub. 1830.

_____. Paradoxe sur le comédien. In Diderot, Oeuvres esthétiques. Ed. Pierre Vernière. Paris: Garnier, 1988. 290-385.*

_____. Paradoxe sur le comédien précédé des Entretiens sur le fils naturel. Chronologie et préface par Raymond Laubreaux. Paris: Garnier-Flammarion, 1967.*

_____. The Paradox of Acting: Translated with Annotations from Diderot's 'Paradoxe sur le comédien'. Trans. Walter Herries Pollock. Prologue by Henry Irving. London: Chatto & Windus, 1883. Online facsimile at the Internet Archive.*

         https://archive.org/details/cu31924027175961/page/n91/mode/2up

         2022

_____. Paradoja acerca del comediante. Ed. and trans. Luis Hernández Alfonso. Madrid: Aguilar, 1964.

D'Israeli, I. "Tragic actors." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.366-70.*

Hazlitt, William. "On Actors and Acting." 1817.

_____. "Sobre los actores y la actuación." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 73-79.*

Heywood, Thomas. An Apology for Actors. London: Cartwright, 1612.

_____. An Apology for Actors. London: Shakespeare Society, 1841.

_____. An Apology for Actors. Select. in Literary Criticism from Plato to Dryden Literary Criticism: Plato to Dryden. Detroit: Wayne State UP, 1962.553-64. 

_____. An Apology for Actors. In The English Stage: Attack and Defense 1577-1730. New York and London, 1973.

Lamb, Charles.  "On Some of the Old Actors." In Lamb, The Essays of Elia. London: Dent, 1906. 154-65.*

Larra, Mariano José de. "Yo quiero ser cómico." In Larra, Artículos. Ed. José Ribalta y Ana Navarro. Madrid: Anaya, 1986. 103-12.*

_____. "Yo quiero ser cómico." In Larra, Artículos. Ed. Enrique Rubio. Madrid: Cátedra, 1992. 218-26.*

Lewes, G. H. On Actors and Acting. 1875.

Riccoboni, François. L'Art du Théâtre. Paris, 1750.

Riccoboni, Luigi. Dell' Arte rappresentativa: Capitoli sei. Poem. London, 1725. (On Acting).

Sainte-Albine, Pierre Rémond de. Le Comédien. 1747.

_____. Le Comédien. Nabu Press, 2011.

_____. The Actor: A Treatise on the Art of Playing. 1750. 2nd part 1755. (Anonymous English work based on Saint-Albine, with English examples added).

Sticotti, Antonio Fabio. Garrick, ou les Acteurs Anglois. 1769. (Based on the English translation of Saint-Albine).

Trapp, Joseph. The Players Turned Academics. 1703.

 

 

 

Theatre actors and acting: general

 

Billington, Michael. The Modern Actor.

Goldman, Michael. The Actor's Freedom: Toward a Theory of Drama. New York: Viking, 1975.

Krasner, David, ed. Method Acting Reconsidered: Theory, Practice, Future. Houndmills: Macmillan, 2000.

Mann, David. The Elizabethan Player: Contemporary Stage Representation. London: Routledge, 1991.

Pérez López, Héctor Julio. "Los tres cuerpos de la narración: Una poética cognitivista de la interpretación actoral." L'Atalante 19 (2015): 17-26. Online at Academia.*

         https://www.academia.edu/11723400/

         2020

Redgrave, Michael. The Actor's Ways and Means. Heinemann, 1953.

Stanislavski, Konstantin. (C. Stanislavski). An Actor Prepares. Trans. E. R. Hapgood. New York: Routledge, 1936.

_____. An Actor Prepares. Trans. E. R. Hapgood. Bles, 1936.

_____. Stanislavsky on the Art of the Stage. Introd. and trans. D. Magarshack. Faber, 1950.

_____. Creating a Role. Trans. E. R. Hapgood. London, 1968.

_____. Building a Character. Trans. E. R. Hapgood. New York: Theatre Art Books, 1949.

_____. (Constantin Stanislavski). Building a Character. Trans. Elizabeth Reynolds Hapgood. 1950. London and New York: Bloomsbury Academic, 2013.  Online at Google Books:

         https://books.google.es/books?id=3T9MAQAAQBAJ

         2022

_____. (Constantin Stanislavski).  La construcción del personaje. Trans. Bernardo Fernández. (El Libro de Bolsillo, 573). Madrid: Alianza, 1975. 1980. 1984. 1985.*

_____. Stanislavski on the Art of the Stage. Ed. D. Magarshack. London, 1967.

Sternberg, Joseph von. "Acting in Film and Theatre." In Focus on Film and Theatre. Ed. James Hurt. New Jersey, 1974. 80-98.

Thomson, Peter. On Actors and Acting. U of Exeter P, 2000.

 

 

 

 

Miscellaneous

 

Actor y técnica de representación del teatro clásico español. London: Tamesis Books Limited, 1989.

Aubrun, Charles V[incent]. La Comédie espagnole (1600-1680). Paris: PUF, 1966.

_____. La comedia española (1600-1680). Trans. Julio Lago Alonso. (Persiles, 36). Madrid: Taurus, 1968.* (Conventions, theatres, actors, authorship, Guillén de Castro, Lope de Vega, Juan Ruiz de Alarcón, Tirso de Molina, Antonio Mira de Amescua, Luis Vélez de Guevara, Juan Pérez de Montalbán, Antonio Hurtado de Mendoza, Francisco de Rojas Zorrilla, Agustín Moreto, Pedro Calderón de la Barca, Faith, social order, love, honour, justice).

Barfoot, Cedric C. "The Actress as Surrogate Author and Marginalized Woman in Mrs Humphry Ward's Miss Bretherton." In Stvdia Patriciae Shaw oblata. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 3.31-52.*

Braudy, Leo. From The World in a Frame ("Acting: Stage vs. Screen"). 1976. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999 419-25.*

Brecht, Bertolt. "A Short Description of a New Technique of the Art of Acting which Produces an Effect of Estrangement." Le Théâtre dans le Monde 4.1 (1954).

Brioso Sánchez, Máximo. "Notas sobre los actores y la actuación en el teatro griego antiguo." In Mvnvs qvaesitvm meritis: Homenaje a Carmen Codoñer. Ed. Gregorio Hinojo Andrés and José Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 2007. 111-19.*

Brockbank, Philip, ed. Players of Shakespeare 1: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company. Cambridge: Cambridge UP, 1988.

Brook, Peter. The Open Door: Thoughts on Acting and Theatre. 1993.

_____. La puerta abierta: Reflexiones sobre la interpretación y el teatro. Trans. Gema Moral Bartolomé. Sant Llorenç  d'Hortons (Barcelona): Alba Editorial, 1994. 2nd ed. 1996. 3rd ed. 1997. 4th ed. 1999. 5th ed. 2002. 6th ed. 2004. 7th ed. 2007. 8th ed. 2010.*

Castilla del Pino, Carlos. "Estructura y dinámica del actor." In Castilla del Pino, Dialéctica de la persona, dialéctica de la situación. Madrid: Ediciones Península, 1968. 205-16.*

_____. "Actor, autor y sociedad." In Castilla del Pino, Dialéctica de la persona, dialéctica de la situación. Madrid: Ediciones Península, 1968. 217-26.*

Cook, A. J. The Privileged Players of Shakespeare's London, 1576-1642.. Princeton: Princeton UP, 1981.

Dolan, Jill. "Gender Impersonation Onstage: Destroying or Maintaining the Mirror of Gender Roles." In Women and Performance 2.2 (1985).

Foakes, R. A. "Playhouses and Players." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. Cambridge: Cambridge UP, 1990. 1-52.

García Landa, José Ángel. "Acting Strange." In García Landa, Vanity Fea 24 May 2007.

         http://garciala.blogia.com/2007/052401-acting-strange.php

         2007-05-31

_____. "Somos teatreros: El sujeto, la interacción dialéctica y la estrategia de la representación según Goffman." iPaper at Academia.edu 30 May 2012.*

         http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/1670984/

         2012

_____. "Somos teatreros: El sujeto, la interacción dialéctica y la estrategia de la representación según Goffman (We Playact: The Subject, Dialectic Interaction and the Strategy of Representation according to Goffman). Online PDF at Social Science Research Network 30 May 2012.*

         http://ssrn.com/abstract=2070508

         2012

_____. "An Actor's Epitaph." In García Landa, Vanity Fea 21 Sept. 2012.* (Vitalis, c. 900).

         http://vanityfea.blogspot.com.es/2012/09/an-actors-epitaph.html

         2012

_____. "Garrick, Shakespeare, y la paradoja del comediante." In García Landa, Vanity Fea 19 Oct. 2013.*

         http://vanityfea.blogspot.com.es/2013/10/garrick-shakespeare-y-la-paradoja-del.html

         2013

_____. "Garrick, Shakespeare, y la paradoja del comediante." Academia 19 Dec. 2014.*

         https://www.academia.edu/9838396/Garrick_Shakespeare_y_la_paradoja_del_comediante

         2014

_____. "Garrick, Shakespeare, y la paradoja del comediante." Ibercampus (Vanity Fea) 3 Feb. 2015.*

         http://www.ibercampus.es/garrick-shakespeare-y-la-paradoja-del-comediante-29509.htm

         2015

_____. "Garrick, Shakespeare, y la paradoja del comediante." Social Science Research Network 13 May 2015.*

         http://papers.ssrn.com/abstract=2605043

         2015

         Psychological Anthropology eJournal 13 May 2015.*

         http://www.ssrn.com/link/Psychological-Anthropology.html

         2015

         Cultural Anthropology eJournal 13 May 2015.*

         http://www.ssrn.com/link/Cultural-Anthropology.html

         2015

         Cognition & the Arts eJournal 13 May 2015.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2015

         Literary Theory & Criticism eJournal 13 May 2015.*

         http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2015

_____. "Garrick, Shakespeare, y la paradoja del comediante." In García Landa, Vanity Fea 26 May 2015.*

         http://vanityfea.blogspot.com.es/2015/05/garrick-shakespeare-y-la-paradoja-del.html

         2015

_____. "Garrick, Shakespeare, y la paradoja del comediante." ResearchGate 24 Jan. 2016.*

         https://www.researchgate.net/publication/291697011

         2016

_____. "El teatro de las emociones: Garrick, Shakespeare y la paradoja del comediante." Paper presented at the conference "Representación y Hermenéutica de las Emociones" (Grupo HERAF). Universidad de Zaragoza, Facultad de Filosofía y Letras, 20 June 2017.*

_____. "Garrick, Shakespeare, y la paradoja del comediante." In García Landa, Vanity Fea 24 Jan. 2016.*

         http://vanityfea.blogspot.com.es/2016/01/garrick-shakespeare-y-la-paradoja-del.html

         2016

_____. "Garrick, Shakespeare, y la paradoja del comediante." Net Sight de José Angel García Landa 5 Jan. 2023.*

https://personal.unizar.es/garciala/publicaciones/GarrickShak.pdf

         2023

_____. "El teatro de las emociones: Garrick, Shakespeare y la paradoja del comediante." Paper presented at the conference "Representación y Hermenéutica de las Emociones" (Grupo HERAF). Universidad de Zaragoza, Facultad de Filosofía y Letras, 20 June 2017.*

_____. "The Theatre of Emotions: Garrick, Shakespeare, and the Paradox of Acting (Хосе Анхел Гарсиа Ланда [Сарагоса, Испания]). Театр эмоций: Гаррик, Шекспир и парадокс игры)." In «МЕРЫ НЕ ЗНАЛ Я, СМЕРТНЫХ ЛЮБЯ» К 90-ЛЕТИЮ РОССИЙСКОГО ФИЛОЛОГА ВЛАДИМИРА СЕРАФИМОВИЧА ВАХРУШЕВА (1932—2011). Редакторы-составители Людмила Комуцци и Павел Глушаков. Санкт-Петербург: Росток, 2022. 200-15.*

         https://philologist.livejournal.com/12422254.html?ysclid=lbwoloyjft546531573

         2022

García Lorenzo, Luciano, ed. Autoras y actrices en la historia del teatro español. Murcia: Servicio de Publicaciones de la Universidad de Murcia, 2001.

Gardner, Lyn. "Youth Should Not Be Valued over Experience in Theatre." The Guardian Theatre Blog 3 Aug. 2009.

Gilder, Rosamund. Enter the Actress: The First Women in the Theatre. Theatre Art Books, 1960.

Gómez Rodríguez, Amparo. Sobre actores y tramoyas. Sociology. 1992.

Gossett, Suzanne. "'Man-Maid, Begone!': Women in Masques." ELR 18.1 (1988).

Graves, T. S. "Women on the Pre-Restoration Stage." Studies in Philology 22 (1925): 184-97.

Gurr, Andrew. "The Players." In Gurr, The Shakespearean Stage, 1574-1642. 3rd ed. Cambridge: Cambridge UP, 1992. 80-114.*

Hagen, Uta. A Challenge for the Actor. New York: Scribner, 1991.

Hill, Errol. Shakespeare in Sable: A History of Black Shakespearean Actors. Amherst: UP of Massachusetts, 1984.

Howe, Elizabeth. The First English Actresses: Women and Drama, 1660-1700. Cambridge: Cambridge UP, 1992.

Hunter, G. K. "7. The Boy Actors and the New Dramaturgy." In English Drama 1586-1642: The Age of Shakespeare. Vol. VI of The Oxford History of English Literature. Oxford: Clarendon Press, 1997. 2008. 279-358.*

Jakobson, P. M., ed. Psykhologija stesnicheskikh chstv aktera. Moscow: Gosizdat, 1936.

Jones, Marion. "Actors and Repertory." In The Revels History of Drama in English. Ed. T. W. Craik and C. Leech. 8 vols. London, 1975-83. Vol. 5 (1976).

Joseph, Bertram. "The Elizabethan Stage and Acting." In The Age of Shakespeare. Ed. Boris Ford. Vol. 2 of The Pelican Guide to English Literature. Harmondsworth: Penguin-Pelican, 1955. 1971. 147-61.*

King, T. J. Casting Shakespeare's Plays: London Actors and Their Roles, 1590-1642. Cambridge: Cambridge UP, 1992.

López Pinciano, Alonso. "Epístola treze y vltima. De los actores y representantes." In López Pinciano, Philosophia antigua poetica. 1596. Madrid: CSIC, 1973. 3.259-97.

Magarshack, D., ed. Stanislavski on the Art of the Stage. London, 1967.

Marker, Frederick, and Lise-Lone Marker. "II.ii. Actors and their Repertory." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 95-144.* (Garrick, Kemble, etc.).

Marshall, David. "5. Moll Flanders: Portrait of the Artist as a Play-Actor." In Marshall, The Figure of Theater: Shaftesbury, Defoe, Adam Smith and George Eliot. New York: Columbia UP, 1986. 105-30.*

Maus, Katharine Eisaman. "'Playhouse Flesh and Blood': Sexual Ideology and the Restoration Actress." ELH 46 (1979).

Merlin, Bella. The Complete Stanislavsky Toolkit. 2007.

_____. "8. Acting Hare: The Permanent Way." In The Cambridge Companion to David Hare. Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 123-38.*

Moody, Jane, coed. Theatre and Celebrity in Britain, 1660-2000. Basingstoke: Palgrave Macmillan, 2005.

Mora, María José. "Type-Casting in the Restoration Theatre: Dryden's All for Love, 1677-1704." Atlantis 27.2 (Dec. 2005): 75-86.*

Murray, Peter B. Shakespeare's Imagined Persons: The Psychology of Role-Playing and Acting. Basingstoke: Macmillan, 1996. 

Oddey, Alison. Performing Women: Stand-ups, Strumpets and Itinerants. Houndmills: Macmillan, 1999.

Pérez Estanquero, Orestes. "Personas-performers (escénicos)." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

Pond, James B. Eccentricities of Genius: Memories of Famous men and Women of the Platform and Stage. New York: Dillingham, 1900.

Prynne, William. Histrio-Mastix, the Players Scourge, etc. 1633. Rpt. in The English Stage: Attack and Defense 1577-1740. Ed. Arthur Freeman. New York: Garland, 1974.

Rosenberg, M. "Elizabethan Actors: Men or Marionettes?" PMLA 69 (1954): 915-27.

Rosenthal, Laura J. "11. Entertaining Women: The Actress in Eighteenth-Century Theatre." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 159-74.*

Roth, Moira, ed. The Amazing Decade: Women and Performance Art 1970-1980. Astro Artz, 1982.

Sibony, Daniel. Le jeu et la passe. ("La passe", a play).

Sprague, A. C. Shakespeare and the Actors.

Styan, J. L. "5. The Behaviour of the Words on the Stage - Voice, Pause, and Meaning, Pygmalion; Voice and Verse, The Confidential Clerk; Gesture and Meaning, Arms and the Man, The Apple Cart; Words and Movement, King Lear." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960.* (Eliot, Shaw).

Trussler, Simon. "10. The Actors Ascendant 1707-1728." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 146-61.* (Actos and the disappearing apron. Disputes at Drury Lane, and the era of actor-management. The beginnings of theatre criticism. Wils, Booth, and the 'ranting school'. Pathetic tragedy, reformed comedy. The multiple bill, and the popularity of farce. John Rich at Lincoln's Inn Fields, and the birth of English pantomime. Patterns of performance. Theatre in the suburbs, the fairs, and the provinces. Shakespeare—for stage and for study).

_____. "13. From Manners to Melodrama 1776-1814." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 194-211.* (The Sheridan phenomenon. From mannered comedy to political spectacle. Enlargement of the patent houses. Minor theatres and the origins of melodrama. Naval drama, topical and gothic spectacle. Underclass as audience. Tableaux vivants. The 'compilation bill'. Philip Astley and Joe Grimaldi. The 'Kemble religion'. The point of 'points'. Significance of the OP Riots. Kean: the Anarchy of the Passion).

Tynan, Kenneth. Show People. London: Weidenfeld and Nicolson, 1980.

Quinn, Michael. "Celebrity and the Semiotics of Acting." New Theatre Quarterly 6.22 (1990).

Ríos Carratalá, J. A. Cómicos ante el espejo: Autobiografías de actores españoles. Alicante: Publicaciones de la Universidad de Alicante, 2001.

Rush, Christopher. "An Apology for Actors." From Will. In García Landa, Vanity Fea 3 Nov. 2013.*

         http://vanityfea.blogspot.com.es/2013/11/an-apology-for-actors.html

         2013

Sánchez Montes, María José. "El festival del actor. El II Festival Internacional de Teatro de Granada." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.  

Styan, J. L. "5. Characters in Search of an Actor: The Player and His Part." In Styan, Drama: A Guide to the Study of Plays. New York: Peter Lang, 2000. 2003. 2004. 51-64.*

Zeitlin, F. L. "Playing the Other: Theatre, Theatricality and the Feminine in Greek Drama." Representations 11 (1985): 63-94.

Thomson, Peter. "1. Acting and Actors from Garrick to Kean." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 3-20.*

Vygotsky, L. S. "K voprosu o psikhologii tvorchestva aktera." In Psykhologija stesnicheskikh chstv aktera. Ed. P. M. Jakobson. Moscow: Gosizdat, 1936. (The Psychology of Actors' Feelings on Stage).

Wasserman, Earl R. "The Sympathetic Imagination in Eighteenth-Century Theories of Acting." Journal of English and Germanic Philology 46 (July 1945): 264-72.

Wilde, Oscar. "Fantoches y actores: Carta abierta." Daily Telegraph 20 Feb. 1892. In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 1120-22.*

_____. "Fantoches y actores." In Ensayos. Artículos. Trans. Julio Gómez de la Serna. (Jorge Luis Borges: Biblioteca Personal, 3). Barcelona: Orbis, 1986. 280-83.*

Wiles, D. Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge UP, 1984.

Wilson, John Harold. All the King's Ladies. (Restoration actresses). Chicago, 1958.

 

 

 

 

Anthologies

 

Holland, Peter, ed. Great Shakespeareans, Volume II: Garrick, Kemble, Siddons, Kean. (Great Shakespeareans, set I). London: Bloomsbury, 2010.*

Jackson, Russell (U of Birmingham), ed. Great Shakespeareans, Volume XVI: Olivier, Ashcroft, Dench. (Great Shakespeareans, set IV). London: Bloomsbury, 2013.*

Schoch, Richard, ed. Great Shakespeareans, Vol. VI: Macready, Booth, Irving, Terry. (Great Shakespeareans, set II). London: Bloomsbury, 2011.*

 

 

 

Audio

 

Stanislavsky, Kostantin. An Actor Prepares. Audiobook. YouTube (Alex Kemper) 25 Oct. 2016.*

         https://youtu.be/auDMQ298whw

         2017

 

 

 

 

Dictionaries

 

 

Nungezer, Edwin. A Dictionary of Actors and of Other Persons Associated with the Public Presentation of Plays in England Before 1642. New Haven: Yale UP, 1929.

Van Lennep, William, Emmett L. Avery, Arthur H. Scouten, George Winchester Stone, Jr., and Charles Beecher Hogan, eds. Biographical Dictionary of Actors and Actresses. Forthcoming in 1967.

 

 

 

Films

 

 

Cradle Will Rock. Writer and dir. Tim Robbins. Cast: Hank Azaria, Rubén Blades, Joan Cusack, John Cusack, Cary Elwes, Philip Baker Hall, Cherry Jones, Angus Macfayden, Bill Murray, Vanessa Redgrave, Susan Sarandon, Jamey Sheridan, John Turturro, Emily Watson, Bob Balaban, Jack Black, Kyle Gass, Paul Giamatti. Photog. Jean-Yves Escoffier. Music by David Robbins. Prod. des. Richard Hoover. Ed. Geraldine Peroni. USA, 1999. 130'. (Spanish title: Abajo el telón).

Being Julia. Dir. István Szabó. Screenplay by Ronald Harwood, based on W. Somerset Maugham's novel Theatre. Cast: Annette Bening, Jeremy Irons, Bruce Greenwood, Juliet Stevenson, Lucy Punch, Miriam Margolyes, Maury Chaykin, Sheila McCarthy, Tom Sturridge, Michael Gambon. Costumes by John Bloomfield. Prod. des. Luciana Arrighi. Ed Susan Shipton. Music by Michael Danna. Exec. prod. Mark Milin, Marion Pilowsky. Coprod. Julia Rosenberg, Sandra Cunningham. Photog. Lajos Kolta. Prod. Robert Lantos. Myriad Pictures / Serendipity, c. 2004.* DVD. Barcelona: Filmax / SpeakUp, 2005.*

Birdman: Or (The Unexpected Virtue of Ignorance). Dir. Alejandro González Iñárritu. Written by Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo. Cast: Michael Keaton (Riggan), Emma Stone (Sam), Naomi Watts (Lesley), Edward Norton (Mike), Clark Middleton (Sydney), Amy Ryan (Sylvia). USA, 2014.*

A Double Life. Dir. George Cukor. Screenplay by Ruth Gordon and Garson Kanin. Cast: Ronald Colman, Signe Hasso, Edmond O'Brien, Shelley Winters, Ray Collins, Millard Mitchell. Music by Miklos Rozsa. USA, 1947. (Oscars for Coman and Rozsa).

The Imaginarium of Dr Parnassus. Dir. Terry Gilliam. Written by Terry Gilliam and Charles McKeown. Cast: Johnny Depp, Heath Ledger, Colin Farrell, Christopher Plummer, Jude Law, Lily Cole, Tom Waits, Andrew Garfield, Quinn Lord, Verne Troyer, Paloma Faith, Michael Eklund. Music by Jeff Danna and Mychael Danna. Cinematogr. Nicola Pecorini. Ed. Mick Audsley. Prod des. Anastasia Masaro. Art dir. Dan Hermansen and Denis Schnegg. Set decor. Carolin Smith, Shane Vieau. Costume des. Monique Prudhomme. Prod. Amy Gilliam, Terry Gilliam, Samuel Hadida. 2009.*

Jane Austen in Manhattan. Dir. James Ivory. Screenplay by Ruth Prawer Jhabvala. Cast: Anne Baxter, Robert Powell, Michael Wager, Sean Young. Music by Richard Robbins. Photog. Ernest Vincze and Larry Pizer. Assoc. Prod. Connie Kaiserman. Prod. Ismail Merchant. Merchant Ivory Productions / Polytel International, 1980. DVD prod. HanWay Films. Spanish DVD: Jane Austen en Manhattan.  (Colección Merchant-Ivory). Spain: Manga Films, 2008.*

Limelights. Dir. Charles Chaplin.

Little Men. Dir. Ira Sachs. USA, 2016.*

Present Laughter. Comedy by Noel Coward. Cast: Donald Sinden, Dinah Sheridan, Gwen Watford, Elizabeth Counsell, Julian Fellowes, Belinda Lang. Prod. Alan Strachan. Recorded by BBC TV from the Stage of the Vaudeville Theatre, London. 1981. Online at YouTube (E.W.R. Many) 9 Feb. 2013.*

         http://youtu.be/mMmRDTljAHs

         2014

Stage Beauty. Dir. Richard Eyre. Written by Jeffrey Hatcher, based on his play Compleat Female Stage Beauty. Cast: Billy Crudup (Ned Kynaston), Claire Danes (Maria Hughes), Rupert Everett (King Charles II), Hugh Bonneville (Samuel Pepys), Richard Griffiths (Sir Charles Sedley), Edward Fox (Sir Edward Hyde), Tom Hollander (Sir Peter Lely), Zoë Tapper (Nell Gwynn). Music by George Fenton. Cinematography by Andrew Dunn. Ed. Tariq Anwar. Prod. Des. Jim Clay. Art dir. Keith Slote, Jan Spoczynski. Set Decoration by Caroline Smith. Costume design by Tim Hatley.  Exec. Prod. Rachel Cohen, Richard Eyre, Michael Kuhn, Amir Malin, James D. Stern. Coprod. Michael Dreyer. Prod. Robert de Niro, Hardy Justice, Jane Rosenthal. Lions Gate Films / Qwerty Films, Tribeca Productions / N1 European Film Produktions / BBC Films, 2004.* (Spanish title: Belleza prohibida).

Ukigusa. Dir. Ozu. 1959. (Strolling players).

Die Unsichtbare. Dir. Christian Schwochow. 2011.

         http://www.imdb.com/title/tt1717152/

         2015

 

 

 

 

 

Internet resources

 

 

English Actors at the Turn of the Twentieth Century

         http://www.siue.edu/COSTUMES/actors/pics.html

         2012

 

"Masks or Faces?" Wikipedia: The Free Encyclopedia.*

         https://en.wikipedia.org/wiki/Masks_or_Faces

         2017

 

 

 

 

 

Journals

 

Women and Performance 2.2 (1985).

 

 

 

 

 

 

Literature

 

 

Chejov, Antón P. "Actor trágico a pesar suyo." Drama. In Antología de piezas cortas de teatro. Ed. Nicolás González Ruiz. Barcelona: Labor, 1965. 2.1253-55.*

Dumas, Alexandre (fils). Kean, ou désordre et génie. Drama. 1836. Adapted by Jean-Paul Sartre as Kean.

Griffiths, Trevor. Comedians. Drama. Premiere at Nottingham and London, 1975. (Art and commerce, art and authenticity).

Hatcher, Jeffrey. Complete Female Stage Beauty. Drama.

Hayes, Douglas. A Player's Hide. Fiction. London: Granada-Panther Books.

Highsmith, Patricia. "Chorus Girl's Absolutely Final Performance." From The Animal-Lover's Book of Beastly Murder. In The Selected Stories of Patricia Highsmith. New York and London: W. W. Norton, 2001. 3-11.*

Marivaux. Les Acteurs de bonne foi. La Dispute. L'Epreuve. (GF 166). Paris: Garnier-Flammarion.

Marston, John. Histrio-Mastix. Or, THE PLAYER whipt. London: Printed [by George Eld] for Th. Thorp., 1610. Online facsimile at the Internet Archive.*

         https://archive.org/details/histriomastixorp00mars

         2021

Maugham, W. Somerset. Theatre. Novel.

Osborne, John. The Entertainer. Drama. 1957. (Music-hall performer).

Sartre, J.-P. Kean. Drama. Paris: Gallimard, 1954.

Villiers, George (Earl of Buckingham). The Rehearsal. Drama. 1671.

Williams, Tennessee. The Two-Character Play, 1969. (On two deserted actors).

_____. Outcry. 1973. New version of The Two-Character Play.

Wood, Charles. Veterans. Drama. London, 1972. (Old actors).

 

 

 

 

Video

 

 

Ludwig, Adam, et al. "Acting and Mirror Neurons." Panel discussion at the Philoctetes Center. With Blair Brown, Vittorio Gallese, Joe Grifasi, Robert Landy, Adam Ludwig, and Tom Vasiliades. YouTube (philoctetesctr) 29 Nov. 2007.*

http://youtu.be/loB-Lg0X1qo

2013

 

Coward, Noël. "Noël Coward on Acting." Interviewed by Michael MacOwan.  YouTube (E. W. R. Many) 11 Feb. 2013.*

         http://youtu.be/kxQCupMdTQE

         2014

 

Hytner, Nicholas. "Stand and Unfold Yourself: How to Do Shakespeare." 2nd Annual Stanley Wells Lecture. YouTube (shakespeareatnd) 25 March 2013.*

         http://youtu.be/6olzcG2CF0U

         2014 

 

 

See also Film actors; Performance; World as Stage.

 

 

 

 

 

 

 

 

Individual actors

 

Marta Abba

 

Bini, Daniela. Pirandello and His Muse: The Plays for Marta Abba. (Crosscurrents: comparative studies in European Literature and Philosophy). Tallahassee: UP of Florida, 1998.

 

 

Edward Alleyn

Main actor of the Admiral's Men; son-in-law of John Donne.

 

Literature

 

Jonson, Ben. "To Edward Allen (Alleyne)." From Epigrammes, 1616 (lxxxix). In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 152.*

 

 

 

 

 

Robert Armin

 

Armin. Two Maides of Moreclacke. 1609.

 

 

Bradbrook, M. C. "Robert Armin and Twelfth Night." In Shakespeare: Twelfth Night. (Casebook series). Ed. D. J. Palmer. Houndmills: Macmillan, 1972. 222-44.

 

 

Peggy Ashcroft

 

Sisson, Rosemary Anne. "Glen Byam Shaw's Production with Peggy Ashcroft's Rosalind." 1957. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 235-38.*

 

Anthologies

 

Jackson, Russell, ed. Great Shakespeareans, Volume XVI: Olivier, Ashcroft, Dench. (Great Shakespeareans, set IV). London: Bloomsbury, 2013.*

 

 

 

Barker

 

Trussler, Simon. "17. Romance and Realism 1891-1914." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 260-77.* (From Victorian to Edwardian. The social and the intelelctual divide. The actor-managers and the vogue for romance. Actresses, the 'woman question', and the suffragette drama. The problem play and the nature of naturalism. The play-producing societies and the Vedrenne-Baker partnership. Playwrights and popularity. The self-fashioning of Bernard Shaw. Censorship, training, and organization. The repertory movement and the Irish renaissance. Approaches to Shakespeare: Tree, Benson, Poel, Barker—and Craig. Musical comedy and revue. Music hall and the arrival of cinema. From Burlesque to Revue).

 

 

 

 

 

 

Elizabeth Barry

 

Howe, Elizabeth. The First English Actresses: Women and Drama, 1660–1700. Cambridge, Cambridge University Press, 1992.

 

 

Films

 

The Libertine.

 

 

 

 

 

 

 

John Barrymore

 

Morrison, Michael A. John Barrymore: Shakespearean Actor. Cambridge: Cambridge UP.

 

 

 

 

 

F. R. Benson

 

Montague, Charles Edward. "F. R. Benson's Richard II." Manchester Guardian (1899). Online at Wikisource

         http://en.wikisource.org/wiki/F._R._Benson%27s_Richard_II

         2013

Trussler, Simon. "17. Romance and Realism 1891-1914." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 260-77.* (From Victorian to Edwardian. The social and the intelelctual divide. The actor-managers and the vogue for romance. Actresses, the 'woman question', and the suffragette drama. The problem play and the nature of naturalism. The play-producing societies and the Vedrenne-Baker partnership. Playwrights and popularity. The self-fashioning of Bernard Shaw. Censorship, training, and organization. The repertory movement and the Irish renaissance. Approaches to Shakespeare: Tree, Benson, Poel, Barker—and Craig. Musical comedy and revue. Music hall and the arrival of cinema. From Burlesque to Revue).

 

 

 

 

Sarah Bernhardt

 

Biography

 

Aston, Elaine. Sarah Bernhardt. 1989.

Life of Sarah Bernhardt. 1907.

Ramos-Gay, Ignacio. "'Partly American!' Sarah Bernhardt's Transnational Disability in the American Press (1915-1918)." Atlantis 40.2 (Dec. 2018): 63-80.*

         http://doi.org/10.28914/Atlantis-2018-40.2.04

         2019

Strachey, Lytton. "Sarah Bernhardt." The Nation and the Atheaneum 5 May 1923. In Strachey, Characters and Commentaries. London: Chatto and Windus, 1933. 273-78.*

Stokes, John, Michael R. Booth and Susan Bassnett. Bernhardt, Terry, Duse: The Actress in her Time. 1988.

 

 

Literature

 

Wilde, Oscar. "To Sarah Bernhardt." (="Phèdre"). Poem. The World 11 June 1879.

_____. "Phèdre." In The Works of Oscar Wilde. Ed. G. F. Maine. London and Glasgow: Collins, 1938. 1957. 765.*

 

 

 

 

 

Betterton

 

Trussler, Simon. "9. The Birth of a Bourgeois Theatre 1682-1707." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 134-45.* (The lean years of the United Company: plays, politics, audiences. Betterton defects to Lincoln's Inn. Attitudes to actresses, and the development of the benefit system. Formulating the 'rules' of acting. The rise of the younger generation, and the significance of Colley Cibber. The Collier controversy, the city, and the credit economy. George Farquhar, and 'hard' versus 'humane' comedy. The female wits. A new 'war of the theatres'. The companies reunited).

 

 

Films

 

Stage Beauty. Dir. Richard Eyre. Written by Jeffrey Hatcher, based on his play Compleat Female Stage Beauty. Cast: Billy Crudup (Ned Kynaston), Claire Danes (Maria Hughes), Rupert Everett (King Charles II), Hugh Bonneville (Samuel Pepys), Richard Griffiths (Sir Charles Sedley), Edward Fox (Sir Edward Hyde), Tom Hollander (Sir Peter Lely), Zoë Tapper (Nell Gwynn). Music by George Fenton. Cinematography by Andrew Dunn. Ed. Tariq Anwar. Prod. Des. Jim Clay. Art dir. Keith Slote, Jan Spoczynski. Set Decoration by Caroline Smith. Costume design by Tim Hatley.  Exec. Prod. Rachel Cohen, Richard Eyre, Michael Kuhn, Amir Malin, James D. Stern. Coprod. Michael Dreyer. Prod. Robert de Niro, Hardy Justice, Jane Rosenthal. Lions Gate Films / Qwerty Films, Tribeca Productions / N1 European Film Produktions / BBC Films, 2004.* (Spanish title: Belleza prohibida).

 

 

 

Booth

 

Anthologies

 

Schoch, Richard, ed. Great Shakespeareans, Vol. VI: Macready, Booth, Irving, Terry. (Great Shakespeareans, set II). London: Bloomsbury, 2011.*

 

 

 

 

Philip Bosco

 

Video

 

Bentley, Eric, and Philip Bosco. "Theater Talk: Life and Work of Playwright George Bernard Shaw." Interview. YouTube (cunytv75) 11 May 2011.*

         https://youtu.be/Ws-oNJaCxes

         2015

 

 

 

 

 

James Burbage

 

Documents

 

"Privy Seal of Queen Elizabeth, May 7, 1574, granting a Licence for Dramatic Performances to James Burbage and Others." In The English Drama and Stage under the Tudor and Stuart Princes, 1543-1664. Ed. William Carew Hazlitt. 1869. Rpt. New York, 1964. 25-26.

 

 

Internet resources

 

 

"James Burbage." Wikipedia: The Free Encyclopedia.*

         http://en.wikipedia.org/wiki/James_Burbage

         2013

 

 

 

 

 

 

 

 

Richard Burbage (c. 1569-1619).

 

 

 

 

Toni Cantó

 

Audio

 

Cárdenas, Josué, and David V. Castro. "La Burbuja 03/10/2022." Audio. Decisión Radio 3 Oct. 2022.* (Toni Cantó; Jesús Quintero; Sexual violence, Vox; Felipe VI).

https://www.spreaker.com/user/15370933/la-burbuja-03-10-2022

         2022

 

 

 

Video

 

Jiménez Losantos, Federico. "Federico Jiménez Losantos entrevista a Toni Cantó." YouTube (esRadiovideos) 17 March 2021.*

         https://youtu.be/EMvjLO272Hg

         2021

 

 

 

 

 

 

María Casares

 

Works

 

Camus, Albert, and María Casares. Correspondance 1955-1959. Paris: Gallimard.

 

 

 

Alberto Closas

 

Bravo, Julio. "Alberto Closas, un animal de teatro." ABC 12 July 2020.*

         https://www.abc.es/cultura/teatros/abci-alberto-closas-animal-teatro-202007120123_noticia.html

         2020

 

 

 

 

Coluche

 

Internet resources

 

"Coluche." Wikipédia: L'Encyclopédie libre.*

         https://fr.wikipedia.org/wiki/Coluche

         2015

 

 

 

Coquelin

 

Criticism

 

Strachey, Lytton. "Coquelin." (Actor). 1908. In Strachey, Spectatorial Essays. London: Chatto, 1964. 203-7.

 

 

 

 

Craig

 

Trussler, Simon. "17. Romance and Realism 1891-1914." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 260-77.* (From Victorian to Edwardian. The social and the intelelctual divide. The actor-managers and the vogue for romance. Actresses, the 'woman question', and the suffragette drama. The problem play and the nature of naturalism. The play-producing societies and the Vedrenne-Baker partnership. Playwrights and popularity. The self-fashioning of Bernard Shaw. Censorship, training, and organization. The repertory movement and the Irish renaissance. Approaches to Shakespeare: Tree, Benson, Poel, Barker—and Craig. Musical comedy and revue. Music hall and the arrival of cinema. From Burlesque to Revue).

 

 

 

Judi Dench

 

 

Thompson, Flora. Lark Rise to Candleford. Audio. (Penguin Audiobook). Read by Judi Dench. London: Penguin.

 

 

 

Anthologies

 

Jackson, Russell, ed. Great Shakespeareans, Volume XVI: Olivier, Ashcroft, Dench. (Great Shakespeareans, set IV). London: Bloomsbury, 2013.*

 

 

 

Films

 

 

A Performance of Macbeth, by William Shakespeare. TV prod. Royal Shakespeare Company, dir. Trevor Nunn. Cast: Ian McKellen, Judi Dench, John Woodvine and Bob Peck. YouTube (John Baxter) 17 Oct. 2019.*

https://youtu.be/7skhaOegpLA

         2020

 

 

 

 

 

 

 

 

 

Andrew Ducrow (1793-1848)

 

Manager of Astley's amphitheatre 1830-41.

 

 

Eleonora Duse

 

Biography

 

Stokes, John, Michael R. Booth and Susan Bassnett. Bernhardt, Terry, Duse: The Actress in her Time. 1988.

Weaver, William. Duse: Una biografía. Trans. Maribel de Juan. Madrid: Siruela.

 

 

 

Nuria Espert

 

Works

 

Bizet. Carmen. Dir. Zubin Mehta. Theatre dir. Nuria Espert. With Maria Ewing. Rec. London, 1991. YouTube 14 Aug. 2014.*

         https://youtu.be/tw_ccAPKUmM

         2015

García Lorca. Yerma. With Nuria Espert.

Shakespeare. La violación de Lucrecia. Monologue by Nuria Espert.

 

 

 

 

Criticism

 

Amorós, Andrés. "Nuria y los chicos." In Amorós, Diario cultural. Madrid: Espasa-Calpe, 1983. 133-41.* (Nuria Espert).

 

 

 

 

 

 

Gregorio Esteban Sánchez  (d. 2017 at 85)

 

(Spanish singer, comedian and humourist, a.k.a. "Chiquito de la Calzada")

 

 

 

 

Edith Evans

 

Criticism

 

"Edith Evans as Rosalind at the Old Vic and the New Theatre." 1936, 1937. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 233-34.*

 

 

 

 

 

Fechter

 

Criticism

 

Dickens, Charles. "A propósito del arte escénico del señor Fechter." In Dickens, Obras completas. Trans. and notes by José Méndez Herrera. Vol. IV. Madrid: Aguilar. Rpt. Madrid: Santillana Ediciones Generales, 2004. 968-72.*

 

 

 

 

Sir Johnston Forbes-Robertson (1853-1937)

 

(British actor, famous Hamlet)

 

Works: Writings

 

Forbes-Robertson, Johnston (Sir). A Player under Three Reigns. Memoirs. 1925. (Wilde, etc.).

 

Works: Films

 

Forbes-Robertson, Johnston (Sir), dir. Hamlet. 1913.

 

 

 

 

Juan Luis Galiardo

 

(Spanish actor, d. 2012)

 

 

 

 

Sir John Gielgud

 

Works: Writings

 

Gielgud, John. Stage Directions. (Staging). 1963.

_____. An Actor and His Time. London, 1979.

 

 

Works: Films

 

Gielgud, John, dir. Hamlet. Filmed drama based on a Broadway rehearsal. (= ¿ Hamlet. With Richard Burton. TV Film. Electronovision).

 

 

Criticism

 

Davies, Brenda. "Hamlet." Monthly Film Bulletin 39 (1972): 163. (Richard Burton/John Gielgud).

Ellis, Ruth. "Gielgud's Production at the Shakespeare Memorial Theatre." (Much Ado About Nothing." 1949. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 225.*

 

 

Audio

 

 

Shakespeare. William. King Lear. Radio play. (10 April 1994) - Starring Sir John Gielgud and Kenneth Branagh. The Renaissance Theatre Company / Glyn Dearman. BBC 3 radio drama. YouTube (Roman Styran) 15 June 2015.*

https://youtu.be/1JylxvHvdtA

2020

Sheridan, R. B. The School for Scandal. Audio. Dir. John Gielgud. John Gielgud (Joseph Surface), Ralph Richardson (Sir Peter Teazle), Geraldine McEwan (Lady Teazle), Gwen Ffrangcon-Davies (Mrs. Candour), Meriel Forbes, Laurence Naismith, Malcolm Keen, Richard Easton. Album, 1963. YouTube (Roman Styeran Audio Recording Collection) 3 July 2015.*

         https://youtu.be/EmqWX0jPFo4

         2015

Vaughan Williams, Ralph. "The Pilgrim's Progress: Vanity Fair and the Death of Faithful." The Pilgrim's Progress: Complete Radio-Play with Incidental Music (from the BBC Broadcast of 5th September, 1943). Granville Bantock. Two Choruses. John Gielgud as Christian. BBC Symphony Orchestra and BBC Chorus / Sir Adrian Boult. YouTube (Sir John Gielgud - Tema) 30 April 2016.*

         https://youtu.be/cmbrq0xi_SU

         2021

 

 

 

 

 

 

Charles Gilpin       (1878-1930)

 

(Black American actor and theatre manager, leader of all-black Lafayette company, Harlem)

 

 

 

Agustín González

 

Criticism

 

Martín Gaite, Carmen. "Elogio de un actor." ABC 23 Feb. 1961. In Martín Gaite, Tirando del hilo (artículos 1949-2000). Ed. José Teruel. Madrid: Siruela, 2006. 38-40.* (Agustín González).

 

 

 

 

 

Henry Goodman

 

Works

 

Cordner, Mike. "Performing Ben Jonson's Volpone: Explorations with Henry Goodman at the University of York." Video. YouTube (TFTI) 1 Oct. 2016.*

         https://youtu.be/dqDnzlpADz8

         2020

 

 

 

 

Thomas Greene

 

Works

 

Cooke, John. Greenes To quoque, or, The Cittie Gallant. As it hath beene divers times acted by the Queenes Maiesties Servants. Written by Io. Cooke Gent. Printed at London for John Trundle, 1614. (On THOMAS Greene, clown to Queen Anne's Men).

 

 

 

 

 

Nell Gwynn

 

Cunningham, Peter. Nell Gwyn, together with Mrs Jameson's Lives of the Duchess of Portsmouth and Cleveland. First pub. in Gentleman's Magazine. (Beaux and Belles of England). 1851.

Dasent, Arthur Irwin. Nell Gwynne. 1924. (Charles II, etc.).

Rodríguez-Loro, Nora. "Charles II's Mistresses and Patronesses of Drama: The Dedications Addressed to Cleveland, Gwyn, and Portsmouth." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 23-48.*

 

 

 

 

 

 

 

 

 

 

Hawtrey

 

Strachey, Lytton. "Mr Hawtrey." 1908. In Strachey, Spectatorial Essays. London: Chatto, 1964. 189-93.

 

 

 

Lola Herrera

 

Wikipedia. "Lola Herrera." Wikipedia: La enciclopedia libre.*

         https://es.wikipedia.org/wiki/Lola_Herrera

         2022

 

 

 

Maria Hughes

 

Criticism

 

Howe, Elizabeth. The First English Actresses: Women and Drama, 1660–1700. Cambridge, Cambridge University Press, 1992.

 

 

Films

 

Stage Beauty. Dir. Richard Eyre. Written by Jeffrey Hatcher, based on his play Compleat Female Stage Beauty. Cast: Billy Crudup (Ned Kynaston), Claire Danes (Maria Hughes), Rupert Everett (King Charles II), Hugh Bonneville (Samuel Pepys), Richard Griffiths (Sir Charles Sedley), Edward Fox (Sir Edward Hyde), Tom Hollander (Sir Peter Lely), Zoë Tapper (Nell Gwynn). Music by George Fenton. Cinematography by Andrew Dunn. Ed. Tariq Anwar. Prod. Des. Jim Clay. Art dir. Keith Slote, Jan Spoczynski. Set Decoration by Caroline Smith. Costume design by Tim Hatley.  Exec. Prod. Rachel Cohen, Richard Eyre, Michael Kuhn, Amir Malin, James D. Stern. Coprod. Michael Dreyer. Prod. Robert de Niro, Hardy Justice, Jane Rosenthal. Lions Gate Films / Qwerty Films, Tribeca Productions / N1 European Film Produktions / BBC Films, 2004.* (Spanish title: Belleza prohibida).

 

 

Literature

 

Hatcher, Jeffrey. Complete Female Stage Beauty. Drama.

 

 

 

 

 

 

 

Henry Irving

 

Writings

 

Diderot, Denis. The Paradox of Acting: Translated with Annotations from Diderot's 'Paradoxe sur le comédien'. Trans. Walter Herries Pollock. Prologue by Henry Irving. London: Chatto & Windus, 1883. Online facsimile at the Internet Archive.*

         https://archive.org/details/cu31924027175961/page/n91/mode/2up

         2022

 

 

 

Works: theatrical productions

 

Cymbeline. Staged by Henry Irving, with Irving and Ellen Terry. London: Lyceum Theatre, 1896.

 

 

 

Criticism

 

Archer, William, and Robert W. Lowe. (Anon.). The Fashionable Tragedian. Pamphlet. 1877. (Vs. Henry Irving).

Irving, Lawrence. Henry Irving.

Stoker, Bram. Personal Reminiscences of Henry Irving. 1906.

Wedmore, Frederick. "Irving as Benedick and Ellen Terry as Beatrice." 1882. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 222.*

Wilde, Oscar. "Hamlet at the Lyceum." The Dramatic  Review 9 May 1885. Rev. of Henry Irving's production.

_____. "Hamlet at the Lyceum." In Wilde, Selected Journalism. Ed. Anya Clayworth. (Oxford World's Classics). Oxford: Oxford UP, 2004. 47-50.*

_____. "Olivia at the Lyceum." Rev. of Olivia, by W. G. Wills, prod. Henry Irving, Lyceum Theatre. The Dramatic Review 30 May 1885.

_____. "Olivia at the Lyceum." In Wilde, Selected Journalism. Ed. Anya Clayworth. (Oxford World's Classics). Oxford: Oxford UP, 2004. 53-56.*

 

 

Anthologies

 

 

Schoch, Richard, ed. Great Shakespeareans, Vol. VI: Macready, Booth, Irving, Terry. (Great Shakespeareans, set II). London: Bloomsbury, 2011.*

 

 

 

 

 

Joseph Jefferson (US actor, 1829-1905)

 

 

Jordan

 

Tomalin, Claire. Mrs. Jordan's Profession: The Actress and the Prince. London: Viking, 1994.

 

 

 

 

 

Dagny Juel

 

Kott, Jan. "Dagny and Lulu." In Around the Absurd: Essays on Modern and Postmodern Drama. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 11-18.* (Wedekind, Dagny Juel, Strindberg).

 

 

 

Charles Kean

 

Kean, Charles, adapt. King Lear.  In King Lear. (Acting Versions of Shakespeare). Cornmarket Press, 1969.

 

Cole, J. W. The Theatrical Life and Times of Charles Kean, F. S. A. 1959.

Nilan, Mary M. "Shakespeare, Illustrated: Charles Kean's 1857 Production of The Tempest."Shakespeare Quarterly 26 (1975): 196-204.

_____. "Shakespeare, Illustrated: Charles Kean's 1857 Production of The Tempest." In Shakespeare in the Theatre. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 232-40.*

_____. "Shakespeare, Illlustrated  Charles Kean's 1857 Production of The Tempest." In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 330-40.*

 

 

Internet resources

 

"Charles Kean." Wikipedia: The Free Encyclopedia.*

         http://en.wikipedia.org/wiki/Charles_Kean

         2011

 

 

 

Edmund Kean

 

 

Trussler, Simon. "13. From Manners to Melodrama 1776-1814." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 194-211.* (The Sheridan phenomenon. From mannered comedy to political spectacle. Enlargement of the patent houses. Minor theatres and the origins of melodrama. Naval drama, topical and gothic spectacle. Underclass as audience. Tableaux vivants. The 'compilation bill'. Philip Astley and Joe Grimaldi. The 'Kemble religion'. The point of 'points'. Significance of the OP Riots. Kean: the Anarchy of the Passion).

 

Internet resources

 

 

"Edmund Kean." Wikipedia: The Free Encyclopedia.*

         http://en.wikipedia.org/wiki/Edmund_Kean

         2011

 

 

Literature

 

Dumas, Alexandre. Kean. Drama.

Sartre, J. P. Kean. Drama.

 

 

 

 

Keely

 

Goodman, Walter. The Keeleys on the Stage and at Home. 1895.

 

 

 

 

Charles Kemble

 

Criticism

 

Hazlitt. Rev. of Shakespeare's Measure for Measure. (Kemble et al.). The Examiner 11 Feb. 1816.

Marker, Frederick, and Lise-Lone Marker. "II.ii. Actors and their Repertory." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 95-144.* (Garrick, Kemble, etc.).

Marshall, Gail. ed. Great Shakespeareans, Volume VII: Jameson, Cowden Clarke, Kemble, Cushman. (Great Shakespeareans, set II). London: Bloomsbury, 2011.*

Trussler, Simon. "13. From Manners to Melodrama 1776-1814." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 194-211.* (The Sheridan phenomenon. From mannered comedy to political spectacle. Enlargement of the patent houses. Minor theatres and the origins of melodrama. Naval drama, topical and gothic spectacle. Underclass as audience. Tableaux vivants. The 'compilation bill'. Philip Astley and Joe Grimaldi. The 'Kemble religion'. The point of 'points'. Significance of the OP Riots. Kean: the Anarchy of the Passion).

 

Internet resources

 

"Charles Kemble." Wikipedia: The Free Encyclopedia.*

         http://en.wikipedia.org/wiki/Charles_Kemble

         2012

 

 

Will Kempe

 

Kempe, Will. Kemps Nine Daies Wonder Performed in a Morrice from London to Norwich. 1600.

_____. Nine Daies Wonder. In Henry Chettle, Kind-Hartes Dreame. Ed. G. B. Harrison. [With] William Kemp, Nine Daies Wonder (1600).  (Bodley Head Quarto 12). Bodley Head, 1923.

 

 

 

García Landa, José Ángel. "A Battle of Wills." Rev. of James Shapiro, 1599: A Year in the Life of William Shakespare. In García Landa, Vanity Fea 3 Jan. 2009.*

         http://garciala.blogia.com/2009/010301-a-battle-of-wills.php

         2009

 

 

 

Edward Kynaston         (1640-1712)

Restoration actor, began performing women's roles.

 

"Edward Kynaston." Wikipedia: The Free Encyclopedia.

         http://en.wikipedia.org/wiki/Edward_Kynaston

         2012

 

 

Films

 

Stage Beauty. Dir. Richard Eyre. Written by Jeffrey Hatcher, based on his play Compleat Female Stage Beauty. Cast: Billy Crudup (Ned Kynaston), Claire Danes (Maria Hughes), Rupert Everett (King Charles II), Hugh Bonneville (Samuel Pepys), Richard Griffiths (Sir Charles Sedley), Edward Fox (Sir Edward Hyde), Tom Hollander (Sir Peter Lely), Zoë Tapper (Nell Gwynn). Music by George Fenton. Cinematography by Andrew Dunn. Ed. Tariq Anwar. Prod. Des. Jim Clay. Art dir. Keith Slote, Jan Spoczynski. Set Decoration by Caroline Smith. Costume design by Tim Hatley.  Exec. Prod. Rachel Cohen, Richard Eyre, Michael Kuhn, Amir Malin, James D. Stern. Coprod. Michael Dreyer. Prod. Robert de Niro, Hardy Justice, Jane Rosenthal. Lions Gate Films / Qwerty Films, Tribeca Productions / N1 European Film Produktions / BBC Films, 2004.* (Spanish title: Belleza prohibida).

 

 

 

Literature

 

Hatcher, Jeffrey. Complete Female Stage Beauty. Drama.

 

 

 

Marie Lloyd

 

Eliot, T. S. "Marie Lloyd." In Eliot, Selected Essays.  3rd. ed. London: Faber, 1951. 456-9.*

 

 

 

Brian Logan

 

Cartoon de Salvo. Theatrical company, founded by actors Brian Logan and Alex Murdoch, 1997.

 

 

 

 

Michael Loughnan

 

Video

 

Thomas, David, et al. William Blake. Documentary. Ed. and presented by Melvyn Bragg. With Michael Loughnan, Peter Ackroyd. BBC, 1995. YouTube (Manufacturing Intellet) 11 July 2018.*

         https://youtu.be/wDAIzERYzcY

         2021

 

 

 

 

 

 

 

 

William Charles Macready        (1793-1873)

 

 

Criticism

 

Dickens, Charles. "Macready en el papel de Benedick." From Contributions to The Examiner. In Dickens, Obras completas XII. Madrid: Santillana-Aguilar, 2005. 782-85.*

Downer, Alan S. The Eminent Tragedian William Charles Macready. Cambridge (MA), 1966.

Marston, Westland. "Macready as Benedick." 1888. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 221.*

Trussler, Simon. "14. The End of the Monopoly 1814-1843." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 212-26.* (The theatre and political reform. Neighbourhood playhouses. Competition in the West End. The decline of the patent theatres. Innovations in theatre design. Style in comedy. Coming of the critics. Kinds of melodrama. Extravaganzas, burlesques, burlettas, and prehistory of the music hall. The Theatres Act—and the Riot Act. The Eminent Mr Macready).

 

 

Anthologies

 

 

Schoch, Richard, ed. Great Shakespeareans, Vol. VI: Macready, Booth, Irving, Terry. (Great Shakespeareans, set II). London: Bloomsbury, 2011.*

 

 

 

Lillah McCarthy

 

Internet resources

 

"Lillah McCarthy." Wikipedia: The Free Encyclopedia.*

         https://en.wikipedia.org/wiki/Lillah_McCarthy

       2015

 

 

Jack McGowran

 

McGowran, Jack. Beginning to End. One-man TV show, BBC, 1965.

 

 

 

Lillah McCarthy (1875-1960)

 

 

(Actress and manager, married and divorced Harley Granville Barker)

 

Twelfth Night. With Lillah McCarthy as Viola. Staged by Granville Barker at the Savoy, 1912.

 

 

Donald McGill

 

Orwell, George. "The Art of Donald McGill." 1941. A Collection of Essays. New York: Harcourt, 1953?* 104-16. (Humorist artist).

_____. "The Art of Donald McGill." In The Collected Essays, Journalism, and Letters of George Orwell. Ed. S. Orwell and I. Angus. New York: Harcourt, Brace and World, 1968. 2.155-65.

 

 

 

 

Sir Ian McKellen

 

McKellen, Ian, and Richard Loncraine. Richard III: A Screenplay. http://www.mckellen.com/cinema/richard/screenplay/

 

 

Video

 

A Performance of Macbeth, by William Shakespeare. TV prod. Royal Shakespeare Company, dir. Trevor Nunn. Cast: Ian McKellen, Judi Dench, John Woodvine and Bob Peck. YouTube (John Baxter) 17 Oct. 2019.*

https://youtu.be/7skhaOegpLA

         2020

McKellen, Ian. "All Macbeth Soliloquies." Video. From A Performance of Macbeth, 1978. YouTube ()

         https://youtu.be/FGYIJanZ6mc

         2019

 

 

 

 

 

 

 

 

Adah Isaacs Menken

 

(US actress, feminist, late 19th, worked in England)

 

Criticism

 

Dickson, Samuel. "Adah Isaacs Menken." Virtual Museum of the City of San Francisco.

         http://www.sfmuseum.org/bio/adah.html

         2012

Marías, Javier. Literatura y fantasma. Madrid: Siruela, 1993.*

 

 

 

 

 

 

Helen Mirren

 

Fenwick, Henry. "Mirren's Imogen." Radio Times 9-15 July 1983: 4.

 

 

 

Morano

 

Pérez de Ayala, Ramón. "El actor Morano." In Las máscaras. Essays on drama. 4th ed. In Obras selectas de Ramón Pérez de Ayala. Barcelona: AHR, 1957. 1320-30.*

 

 

José Luis Moreno

Spanish humourist, puppeteer and racketeer.

 

Works

 

Egea, Alfonso, and Luis Miguel Montero. "Los papeles de Moreno prueban estafas a bancos usando las empresas que él mismo gestionaba." OK Diario 5 Feb. 2022.* (José Luis Moreno).

         https://okdiario.com/investigacion/papeles-moreno-prueban-estafas-bancos-usando-empresas-que-mismo-gestionaba-8526330 

         2022

 

 

 

 

 

 

 

Alex Murdoch

 

Cartoon de Salvo. Theatrical company, founded by actors Brian Logan and Alex Murdoch, 1997.

 

 

 

 

 

Trevor Nunn.  See Film directors.

 

 

 

 

Seyi Omooba

 

BBC News. "Seyi Omooba: Actress Sacked Over Anti-Gay Post Loses Legal Fight." BBC News 17 Feb. 2020.*

         https://www.bbc.com/news/uk-england-leicestershire-56089759

         2021

 

 

 

 

 

 

 

 

Ángel Pavlovsky

 

Works

 

Amorós, Andrés. "Pavlovsky, artista." In Amorós, Diario cultural. Madrid: Espasa-Calpe, 1983. 207-10.*

 

 

 

 

David Payne

 

Payne, David. C. S. Lewis: My Life's Journey. Dramatic monologue. YouTube (University of California TV) 24 April 2008.*

         https://youtu.be/96uT-BvRi-k

         2018

 

 

 

 

José Luis Pellicena

 

Vidal, César. "Adiós a José Luis Pellicena." With an audio interview. La Voz 26 Nov. 2018.*

         https://cesarvidal.com/blog/actualidad/adios-jose-luis-pellicena

         2018

 

 

 

Francisco Piquer

 

 

 

Films

 

Miller, Arthur. Las Brujas de Salem. Dir. Pedro Amalio López. Cast: Francisco Piquer, Irene Gutiérrez Caba, Gemma Cuervo, Vicente Soler, Antonio Ferrandis, Tina Sainz, Lola Gaos, Pastor Serrador. Broadcast TVE (Estudio 1). YouTube (Ampareichon) 10 April 2014.*

         https://youtu.be/_uiO3YRVerU

         2015

Shakespeare, William. "La tragedia de Macbeth." (Estudio 1). Shakespeare's drama filmed for TV. Prod. TVE. With Francisco Piquer, José María Escuer, Margarita Esteban, Carola F. Gómez, Julia Lorente, Vicente Vega, Julio Núñez, José Sepúlveda, Irege Gutiérrez Caba, Tomás Blanco, Julio Navarro, Eduardo Moreno, Víctor Fuentes, Ricardo Merino, Rosario G. Ortega, Pilar Bienert, Félix Dafauce, Ramón Reparaz, José Luis Lespe. YouTube (Ampareichon1) 8 April 2013.*

         https://youtu.be/sX7SnFXbw7o

         2015

 

 

 

 

Joan Plowright     

 

(British actress, m. Laurence Olivier)

 

 

 

Christopher Plummer

 

Gates, David. "He's Every Inch a King." Newsweek 22 March 2004. 63. (Christopher Plummer as King Lear).

 

 

 

 

Poel

 

Trussler, Simon. "17. Romance and Realism 1891-1914." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 260-77.* (From Victorian to Edwardian. The social and the intelelctual divide. The actor-managers and the vogue for romance. Actresses, the 'woman question', and the suffragette drama. The problem play and the nature of naturalism. The play-producing societies and the Vedrenne-Baker partnership. Playwrights and popularity. The self-fashioning of Bernard Shaw. Censorship, training, and organization. The repertory movement and the Irish renaissance. Approaches to Shakespeare: Tree, Benson, Poel, Barker—and Craig. Musical comedy and revue. Music hall and the arrival of cinema. From Burlesque to Revue).

 

 

 

 

Madeleine Renaud

 

Renaud, Madeleine. "Beckett the Magnificant". In Calder, Beckett at 60 81-83.*

_____. "Laisser parler Beckett ou le sac de Winnie". In Chabert 171-174.*

 

Journals

 

Cahiers Renaud-Barrault 44 (Oct. 1963).

 

 

 

 

 

Ralph Richardson

 

 

Audio

 

Shakespeare. Richard III by William Shakespeare. Adapt. for radio drama. Cast: Laurence Olivier, Ralph Richardson, et al. Old Vic Theatre Company / CBS Columbia Workshop, 1946. Audio. YouTube (Roman Styran) 6 June 2015.*

         https://youtu.be/T-41gSAaj_w

         2020

Sheridan, R. B. The School for Scandal. Audio. Dir. John Gielgud. John Gielgud (Joseph Surface), Ralph Richardson (Sir Peter Teazle), Geraldine McEwan (Lady Teazle), Gwen Ffrangcon-Davies (Mrs. Candour), Meriel Forbes, Laurence Naismith, Malcolm Keen, Richard Easton. Album, 1963. YouTube (Roman Styeran Audio Recording Collection) 3 July 2015.*

         https://youtu.be/EmqWX0jPFo4

         2015

 

 

 

Adelaide Ristori    (b. Italy, 1821)

 

Ristori, Adelaide. Studies and Memoirs. Allen, 1888.

 

 

Criticism

 

Wilde, Oscar. "Literary and Other Notes III." The Woman's World (Jan. 1888). (Madame Ristori, Elizabeth Rachel Chapman, Lady Augusta Noel, Alice Corkan, Emily Pfeiffer, Robert Ellice Mack, Frederic E. Weatherly, Ernest Wilson and St Clair Simons, Dora Havers, Oliver Goldsmith).

_____. "Literary and Other Notes III." In Wilde, Selected Journalism. Ed. Anya Clayworth. (Oxford World's Classics). Oxford: Oxford UP, 2004. 107-19.*

 

 

 

Joan Rivers

 

Rivers, Joan. The Life and Hard Times of Heidi Abromowitz. Fiction. c. 1984.

 

Internet resources

 

"Joan Rivers." Wikipedia: The Free Encyclopedia.*

         https://en.wikipedia.org/wiki/Joan_Rivers

         2017

 

 

 

Paul Robeson       (1898-1976)

 

(Black American actor and singer, political activist, supported Communism)

 

Duberman, Martin. Paul Robeson. New York: Knopf, 1989.

Schloseer, A. I. "Paul Robeson, His Career in the Theatre, in Motion Pictures, and on the Concert Stage." Ph.D. diss. New York U, 1970.

 

 

 

 

Sharon Huff Robinson

 

Works

 

Shakespeare. Richard III - Actors Ensemble of Berkeley, dir. Sharon Huff Robinson. Video. YouTube (aeofberkeley) 1 May 2014.*

         https://youtu.be/BJCX9v_Ai5U

         2020

 

 

 

 

 

 

 

 

 

 

 

Roscius

 

(Quintus Roscius Gallus, Roman comic actor. d. 62 BC).

 

 

 

 

W. G. Ross             (d. 1876)

 

(Scottish actor, b. Glasgow, music-hall performer)

 

Ross, W. G. "Sam Hall." Song. (On an execution).

 

 

Enrique San Francisco

 

Video

 

Negre, Javier. "¿Qué piensan Bertrand Ndongo de VOX y Quiqu San Francisco de lo que ocurre en EE.UU. (Black Lives Matter riots)." Video. YouTube (Estado de Alarma) 7 June 2020.*

https://youtu.be/3ktAJspkmmQ

2020

 

 

 

 

Rosa María Sardá

 

(Spanish actress, d. 2020)

 

 

 

 

Fiona Shaw

 

 

Shaw, Fiona. Foreword to Shakespeare's Sonnets. By William Shakespere. Ed. Eric Rasmussen and Jonathan Bate. (The RSC Shakespeare). Houndmills: Palgrave Macmillan, 2010.

 

Goodman, Lizbeth. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. Ed. Marianne Novy. Urbana: U of Illinois P, 1993. 202-26. (Fiona Shaw, Tilda Swinton).

_____. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Shakespeare, Feminism, and Gender: Contemporary Critical Essays. Ed. Kate Chedgzoy. (New Casebooks). Houndmills: Palgrave, 2001. 70-92.*

 

 

 

 

Robert Stephens

 

Films

 

Julius Caesar. Cast: Robert Stephens, Edward Woodward, Maurice Denham, Frank Finlay. (Play of the Month). BBC, April 13, 1969. Online at YouTube (Corkon Lukd) 28 Nov. 2015.*

         https://youtu.be/9MQmfX3xuuI

         2019

 

 

 

 

Tilda Swinton

 

Goodman, Lizbeth. "Subverting Images of the Female: An Interview with Tilda Swinton." New Theatre Quarterly 6 (Aug. 1990).

_____."Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre."In Cross-Cultural Peformances: Differences in Women's Re-Visions of Shakespeare. Ed. Marianne Novy. Urbana: U of Illinois P, 1993. 202-26. (Fiona Shaw, Tilda Swinton, Monstrous Regiment, RSC's Women's Project, Women's Theatre Group).

_____. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Shakespeare, Feminism, and Gender: Contemporary Critical Essays. Ed. Kate Chedgzoy. (New Casebooks). Houndmills: Palgrave, 2001. 70-92.*

 

 

 

 

 

 

Richard Tarlton

 

Tarlton, Richard. Tarlton's Jests. 1600.

_____. Tarlton's Jests. Shakespeare Society, 1844.

 

 

Literature

 

Goodfellow, Robin (Ps.). Tarltons Newes out of Purgatorie. c. 1590.

 

 

 

Ellen Ternan

 

Tomalin, Claire. The Invisible Woman: The History of Nelly Ternan and Charles Dickens.  Harmondsworth: Penguin, 1991.

 

 

 

 

 

 

 

Ellen Terry

 

Terry, Ellen. Four Lectures on Shakespeare.

_____. Ellen Terry's Memoirs. 1933.

 

Auerbach, Nina. Ellen Terry, Player in Her Time.

Stokes, John, Michael R. Booth and Susan Bassnett. Bernhardt, Terry, Duse: The Actress in her Time. 1988.

Wedmore, Frederick. "Irving as Benedick and Ellen Terry as Beatrice." 1882. In Shakespeare: Much Ado about Nothing and As You Like It. Ed. John Russell Brown. (Casebooks series). Basingstoke: Macmillan, 1979. 222.*

 

 

 

Anthologies

 

 

Schoch, Richard, ed. Great Shakespeareans, Vol. VI: Macready, Booth, Irving, Terry. (Great Shakespeareans, set II). London: Bloomsbury, 2011.*

 

 

 

 

Literature

 

Wilde, Oscar. "Written at the Lyceum Theatre. (I. Portia. II. Queen Henrietta Maria)." In Wilde, The Complete Works. London: CWR Publishing, 2006. 280.* (To Ellen Terry).

_____. "Portia." Sonnet. (To Ellen Terry). In The Portable Oscar Wilde. Ed. Richard Aldington and Stanley Weintraub. Harmondsworth: Penguin, 1981. 666.*

_____. "Portia." In The Complete Illustrated Stories, Plays & Poems of Oscar Wilde. London: Chancellor Press, 1986. 768.*

_____. "Portia." Poem. The World (January 1880).

_____. "Portia." In The Works of Oscar Wilde. Ed. G. F. Maine. London and Glasgow: Collins, 1938. 1957. 766.*

_____. "Portia." In Wilde, De Profundis and Other Writings. Harmondsworth: Penguin, 1986. 222.*

 

 

 

 

 

 

La Veneno

 

Video

 

Parejo, Isaac. "La Veneno hoy sería de Vox." Video. YouTube (Infovlogger) 5 March 2023.*

https://youtu.be/G1Dcykw9FpQ

2023

 

 

 

Alberto Trifol Verdú

 

Biography

 

Royuela, Santiago. "El actor Alberto Trifol Verdú fue mandado asesinar por el Fiscal Mena Álvarez." Video. YouTube (Santiago Royuela Samit) 25 Dec. 2020.*

https://youtu.be/sfOr9F_-qms

         2020

 

 

 

 

 

 

 

 

Sir Herbert Beerbohm Tree  (1853-1917)

 

(British actor and director, manager of the Haymarket from 1887, then built Her Majesty's Theatre, his base 1897-1915)

 

 

Works: Writings

 

Tree, Beerbohm. Thoughts and Afterthoughts. London, 1915.

 

 

Works: Films

 

Tree, Herbert Beerbohm (theatrical dir.). King John. Promotional performance starring Beerbohm Tree. 1898.

_____. Henry VIII. Film. With Sir Herbert Beerbohm Tree. 1911.

 

Works: Theatre

 

Shakespeare. Much Ado about Nothing. Staged by Beerbohm Tree.

_____. Henry IV Part I. Staged by Beerbohm Tree, 1896.

_____. Julius Caesar. Staged by Beerbohm Tre. 1911.

Shaw. Pygmalion. Staged by Beerbohm Tree, 1914.

Trilby. Staged by Beerbohm Tree. Based on the novel by George du Maurier. 1895.

 

 

 

Criticism

 

"Advertisement" of Henry VIII, with Sir Herbert Tree (film). Bioscope 2 March 1911: 21.

Beerbohm, Max, ed. Herbert Beerbohm Tree. 1920.

Strachey, Lytton. "The Sicilians." In Strachey, Spectatorial Essays. London: Chatto, 1964.* (Beerbohm Tree).

Trussler, Simon. "17. Romance and Realism 1891-1914." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 260-77.* (From Victorian to Edwardian. The social and the intelelctual divide. The actor-managers and the vogue for romance. Actresses, the 'woman question', and the suffragette drama. The problem play and the nature of naturalism. The play-producing societies and the Vedrenne-Baker partnership. Playwrights and popularity. The self-fashioning of Bernard Shaw. Censorship, training, and organization. The repertory movement and the Irish renaissance. Approaches to Shakespeare: Tree, Benson, Poel, Barker—and Craig. Musical comedy and revue. Music hall and the arrival of cinema. From Burlesque to Revue).

 

 

 

Tom Tylor

 

Trussler, Simon. "15. Towards a Respectable Theatre 1843-1871." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 228-45.* (Class, cash, and theatre. The growth of the music hall. From stock to touring. The railway age. Effects of the long run. The quest for respectability. Boucicault and Tom Tylor. Vintage years of farce. West End and neighbourhood theatre. Phelps at Sadler's Wells. The quest of 'archaeological' accuracy. Cups and Saucers Realism at the Prince of Wales).

 

 

 

Vitalis    (fl. c. 900)

 

García Landa, José Angel. "An Actor's Epitaph." In García Landa, Vanity Fea 21 Sept. 2012.*

         http://vanityfea.blogspot.com.es/2012/09/an-actors-epitaph.html

         2012

 

 

 

 

Lewis Waller (1860-1915)

 

(British actor, famous for playing Dumas' The Three Musketeers and Booth Tarkington's Monsieur Beaucaire)

 

Internet resources

 

"Lewis Waller." (Actor). Wikipedia: The Free Encyclopedia

         http://en.wikipedia.org/wiki/Lewis_Waller

         2012

 

 

 

Frederick B.  Warde    

 

(British actor, b. 1851, w. in USA)

 

Works

 

Keane, James, dir. The Life and Death of Richard III. With Frederick B. Warde. Prod. M. B. Dudley. USA, 1912. (First surviving American feature film. Rediscovered 1996).

Warde, Ernest, dir. King Lear. Filmed performance. Cast: Frederick B. Warde, Lorraine Huling, Ernest Warde, Ina Hammer, Wayne Arey, Edith Diestal, Charles Brookes. Prod. Edwin Thanhouser. b/w, 43 m. USA, 1916.

 

 

Criticism

 

Woods, Alan. "Frederick B. Warde: America's Greatest Forgotten Tragedian." Educational Theatre Journal 29 (Oct. 1977): 333-44.

 

 

 

 

Billie Whitelaw   (1932-2014)

 

(Billie Honor Whitelaw, collaborated with Samuel Beckett for 25 years)

 

Video

 

Samuel Beckett. Ευτυχισμένες Μέρες. (HAPPY DAYS, Billie Whitelaw, Greek dubbing). YouTube  29 Jan. 2015.

         https://youtu.be/FhSl4EjU2O4

         2020

 

 

 

 

 

 

Whitman sisters

 

(4 black women, US touring company 1899-1942)

 

Works

 

George-Graves, Nadine. The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African-American Theater 1900-1940. Houndmills: Macmillan, 2000.

 

 

 

 

 

Nicol Williamson

 

Criticism

 

Alvarez, A. "Williamson: I Hate Intellectual Actors." New York Times 27 April 1969: 1D.

Greenspun, Roger. "Williamson as Hamlet: Richardson Film Based on Debated Version." New York Times 22 Dec. 1969: 143.

 

 

 

 

 

 

 

Wilson

 

Rimbault, E. F. Who Was Jack Wilson? 1846.

 

 

 

Margaret ("Peg") Woffington

 

            (Irish-born Georgian actress, lover of David Garrick and several aristocrats and gentlemen, collapsed from a stroke onstage)

 

Reade, Charles. Peg Woffington. Novel. 1853. New York: Dodd, 1897.

Reade, Charles, and Tom Taylor. Masks and Faces. 1852. (Play on Peg Woffington).

 

Internet resources

 

"Peg Woffington." Wikipedia: The Free Encyclopedia.*

         https://en.wikipedia.org/wiki/Peg_Woffington

         2017

 

 

 

 

 

Joanne Woodward

 

Films

 

"Broadway's Dreamers: The Legacy of the Group Theatre." With Joanne Woodward et al. (PBS American Masters, season 3, episode 8, 26 June 1989). Online at YouTube (Arbiter) 6 March 2017.* (Stanislavki's Method acting).

         https://youtu.be/VGAqGU-uv3A

         2017

 

 

 

 

 

Margarida Xirgu

 

Balcells, José María. "Cartas inéditas de Margarita Xirgu sobre Benavente." Universitas Tarraconensis 10 (1986): 39-48.