Showing posts with label Autores. Show all posts
Showing posts with label Autores. Show all posts

Thursday, February 29, 2024

Novelistas - Autores de ficción narrativa

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Authorship in fiction

Novelists and fiction writers

 

 

Agnes, Gerebn. "The Writer's 'Ego' in the Composition of Cycles of Short Stories" Essays in Poetics 9 (1986).

Aguilar Osuna, Juan Jesús. "The Making of the Woman Novelist in the British Post-War Novel Written by Women: Jean Rhys, Penelope Lively and A. S. Byatt." In AEDEAN: Proceedings of the 23rd International Conference (León, 16-18 de diciembre, 1999). CD-ROM. León: AEDEAN, 2003.*

Allott, Miriam, ed. Novelists on the Novel. New York: Columbia UP, 1959.

_____, ed. Novelists on the Novel. London: Routledge, 1968.

_____, ed. Los novelistas y la novela.  Barcelona: Seix-Barral, 1965.

Alonso, Pilar. "A Cognitive Approach to Short Story Writing." In Short Story Theories: A Twenty-First-Century Perspective. Ed. Viorica Patea. Amsterdam and New York: Rodopi, 2012.

Barthes, Roland. "Writing and the Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 143-51.*

Eberle-Sinatra, Michael. "Gender, Authorship and Male Domination: Mary Shelley's Limited Freedom in Frankenstein and The Last Man." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 95-108.*

Eco, Umberto. Confesiones de un joven novelista.

Franco, Jean. "Narrador, autor, superestrella: la narrativa latinoamericana en  la epoca de cultura de masas." Trans. John Beverley and Eliseo Colon. Revista Iberoamericana 47.114-115 (January-June 1981).

García Landa, José Ángel. "El mapa y el territorio." In García Landa, Vanity Fea 17 Jan. 2011.* (Rev. of Michel Houellebecq's La Carte et le territoire).

         http://vanityfea.blogspot.com/2011/01/el-mapa-y-el-territorio.html

         2011

_____. "El mapa y el territorio." Ibercampus (Vanity Fea) 18 Jan. 2011.*

         http://www.ibercampus.es/articulos.asp?idarticulo=14517

         2013

_____. "El mapa y el territorio: Espectáculo de autor." Academia 14 Feb. 2021.*

         https://www.academia.edu/45118374/

         2021

_____. "El mapa y el territorio: Espectáculo de autor." SSRN 14 March 2021.*

         https://papers.ssrn.com/abstract=3772201

         2021

         Cultural Anthropology eJournal 14 March 2021.*

         https://www.ssrn.com/link/Cultural-Anthropology.html

         2021

         Literary Theory eJournal 14 March 2021.*

         https://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2021

         Film, Media & TV Studies eJournal 14 March 2021.
        
https://www.ssrn.com/link/Film-Media-TV-Studies.html

         2021

_____. "El Mapa y el Territorio: Espectáculo de autor." In García Landa, Vanity Fea 19 April 2021.*

         https://vanityfea.blogspot.com/2021/04/el-mapa-y-el-territorio-espectaculo-de.html

         2021

Haffenden, John. Novelists in Interview. London: Methuen, 1985.*

         http://books.google.es/books?id=_18OAAAAQAAJ

         2010

James, Edward, coed. The Profession of Science Fiction. 1992.

Jannidis, Fotis. "Author." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 33-34.*

King, Stephen. On Writing (A Memoir of the Craft). London: Hodder and Stoughton.

Leavis, Q. D. "Author and Reader." In Leavis, Fiction and the Reading Public. 1932. London: Bellew, 1990. 33-81.*

Mann, Thomas. The Story of a Novel: The Genesis of Doktor Faustus. Trans. Richard and Clara Winston. New York: Knopf, 1961.

Noguez, Dominique. Houellebecq, en fait. Paris: Fayard, 2003.

Parks, Tim. "Leave Novelists Out of Fiction." New York Review of Books 22 Oct. 2017.* (Rev. of Jo Baker's A Country Road, A Tree).

         http://www.nybooks.com/daily/2017/10/21/leave-novelists-out-of-fiction/

         2017

Pérez Martín, Mª Jesús. "La novela y el novelista." ES 13 (1983): 7-34.*

Scott, Walter. "Authorship [Introduction to Chronicles of the Canongate." 1827. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 409-27.

Vargas Llosa, Mario. Historia secreta de una novela. 1971.

_____. Cartas a un joven novelista. 1997. (Biblioteca Vargas Llosa). Madrid: Alfaguara, 2012.*

Thibadeau, Jean. "Le roman comme autobiographie." In Tel Quel: Théorie d'ensemble.  Paris: Seuil, 1968. 212-20.*

Torrente Ballester, Gonzalo. "Acerca del novelista y su arte." In Torrente, Ensayos críticos. Barcelona: Destino, 1982. 116-42.*

 

 

 

 

 

Films

 

El Autor. Dir. Manuel Martín Cuenca. Based on a story by Javier Cercas. Cast: Javier Gutiérrez, María León, Antonio de la Torre, Adriana Paz, Tenoch Huerta, Adelfa Calvo, Rafael Téllez, Craig Stevenson, Miguel Ángel Luque, Carmelo Muñoz Adame, Domi del Postigo. Spain, 2017.*

D'Après une histoire vraie. Dir. Roman Polanski. Written by Olivier Assayas and Roman Polanski, based on the novel by Delphine de Vigan. Cast: Emmanuelle Seigner, Eva Green, Vincent Perez. Music by Alexandre Desplat. Cinemat. Pawel Edelman. Ed. Margot Meiner. 2017. Online at Netflix.*

Swimming Pool. Dir. François Ozon. 2003.

 

 

 

 

Literature

 

 

Amis, Martin. The Information. Novel. London: HarperCollins-Flamingo, 1995.*

_____. La información. Trans. Benito Gómez Ibáñez. (Panorama de narrativas, 350). Barcelona: Anagrama, 1996.

Dickens, Charles. David Copperfield (La Historia personal de David Copperfield). Trans. Marta Salís. Illus. H. K. Browne, 'Phiz'. (Alba Minus, 22). Barcelona: Alba, 2012. 2nd ed. 2012.*

Gide, André. Les Faux-monnayeurs. Novel. Paris: Gallimard, 1925. 1969.

_____. Les Faux-monnayeurs. (Folio). Paris: Gallimard, 1972. 1984.*

_____. The Counterfeiters. Trans. Dorothy Bussy. New York: Knopf. (1920s).

_____. The Counterfeiters. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. Los monederos falsos. Barcelona: Seix Barral, 1984.

_____. Journal des Faux-monnayeurs. Paris: Eos, 1926.

_____. Journal des Faux-Monnayeurs. Paris: Gallimard, 1927. 1971.*

Gómez de la Serna, Ramón. El novelista. 1923.

Greer, Andrew Sean. Less. 2017. (Pulitzer Prize 2018)

_____. Less. Trans. Miguel Marqués. (ADN – Alianza de Novelas) Madrid: Alianza Editorial, 2019.*

Highsmith, Patricia. "The Female Novelist." From Little Tales of Misogyny. In The Selected Stories of Patricia Highsmith. New York and London: W. W. Norton, 2001. 167-68.*

James, Henry. "The Middle Years." Story. Scribner's (May 1893).

_____. "The Middle Years." In James, Terminations. 1895.

_____. "The Middle Years." In James, New York Edition (1909). Online at The Henry James Scholar Guide to Web Sites.*

         https://www2.newpaltz.edu/~hathawar/middleyears.html

         2021

_____. "The Middle Years." New York ed. Rpt. in The Figure in the Carpet and Other Stories. Ed. Frank Kermode. Harmondsworth: Penguin, 1986. 233-58.*

_____. "The Middle Years." In James, Complete Stories (IV) 1892-1898. (The Library of America). New York: Literary Classics of the United States, c. 1999.

_____. "The Middle Years." Online at Story of the Week.*

         https://storyoftheweek.loa.org/2014/07/the-middle-years.html

         2021

_____. Los papeles de Aspern y otros relatos sobre escritores. Ed. and trans. Juan Antonio Molina Foix. (Letras Universales). Madrid: Cátedra, 2017. ("The Aspern Papers"; "The Lesson of the Master"; "The Private Life"; "The Abasement of the Northmores"; The Birthplace").

King, Stephen. Misery.

_____. Lisey's Story: A Novel. New York: Scribner, 2006.

_____. La historia de Lisey. Trans. Bettina Blanch Tyroller. (BestSeller). Barcelona: Random House Mondadori – DeBols!llo, 2008.*

Michener, James A.  The Novel.  Novel.  London: Secker, 1991.

_____.  The Novel.  London: Mandarin, 1992.*

Wells, H. G. (Ps. "Reginald Bliss"). Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump. Being a First Selection from the Literary Remains of George Boon, Appropriate to the Times. Prepared for Publication by Reginald Bliss, Author of  'The Cousins of Charlotte Brontë', 'A Child's History of the Crystal Palace', 'Firelight Rambles', 'Edible Fungi', 'Whales in Captivity' and Other Works. With an Ambiguous Introduction by H. G. Wells. London: Unwin,  1915. (Novel on novelists, caricature of Henry James).

Woolf, Virginia. "An Unwritten Novel." Short story. 1920. In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 27-40.*

 

 

 

 

 

Video

 

 

Montero, Rosa. "Contra la muerte." Spinoza lecture at Amsterdam, 2013. Video: YouTube (Producciones Media Naranja) 18 Oct. 2013.*

         https://youtu.be/Bk2nU0jpUFo

         2016

 

Rushdie, Salman. "On Storytelling." Interview with Steve Paikin. Video. YouTube (The Agenda with Steve Paikin) 2011.*

         https://youtu.be/ud5Wu_D2kVE

         2022

 

Vargas Llosa, Mario. "The Time of the Hero." Video. (Berlin Family Lectures, U of Chicago). YouTube (UChicago Division of the Humanities) 27 April 2017.*

         https://youtu.be/jNEg19C9lMY

         2017

 

 

 

 

See also Authorship, Writing.

 

 

 

Friday, November 3, 2023

Autoría en el cine

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Authorship / Auteurship (in film)

 

 

Aragay, Mireia, ed. Books in Motion: Adaptation, Intertextuality, Authorship. Amsterdam and New York: Rodopi, 2005.*

http://www.rodopi.nl/functions/search.asp?BookId=COCI+2

2005-12-13

Booth, Wayne. "Is There an 'Implied Author' in Every Film?" College Literature 29.2 (Spring 2002): 124.31. In Literature Online.* http://lion.chadwyck.co.uk

         5/7/04

Branigan, Edward. "Diegesis and Authorship in Film." Iris 7 (1986): 37-54.

Caughie, John, ed. Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995.*

Crofts, Stephen. "Authorship and Hollywood." Wide Angle 5 (1983): 16-22.

Diehl, Karen. "Once upon an Adaptation: Traces of the Authorial on Film." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 89-106.*

García Mainar, Luis Miguel. "Genre, Auteur and Identity in Contemporary Hollywood Cinema: Clint Eastwood's White Hunter, Black Heart." Miscelánea 26 (2002, issued Feb. 2004): 21-38.*

         http://fyl.unizar.es/miscelanea/miscelanea.html

- - -. Clint Eastwood, de actor a autor. Barcelona: Paidós, 2006.

- - -. "Authorship and Identity in the Cinema of Clint Eastwood." Atlantis 29.2 (Dec. 2007): 27-37.*

Leitch, Thomas. "The Adapter as Auteur: Hitchcock, Kubrick, Disney." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 107-24.*

McCarthy, Margaret. "Adaptation and Autobiographical Auteurism: A Look at Filmmaker/Writer Doris Dörrie." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 125-42.*

Oudart, Jean-Pierre. "The Absent Field of the Author." In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 261-70.*

Sarris, Andrew. "Notes on the Auteur Theory in 1962." 1962. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 515-18.*

- - -. "The Searchers." (Ford). In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 78-82.*

Wood, Robin. "Ideology, Genre, auteur." In Film Genre Reader. Ed. Barry Keith Grant. U of Texas P, 1986.

Wollen, Peter. Signs and Meaning in the Cinema. Bloomington (IN), 1969.

- - -. Signs and Meaning in the Cinema. 2nd ed. London: Secker, 1972.

- - -. From Signs and Meaning in the Cinema ("The Auteur Theory"). 1969, 1972. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 519-35.

- - -. "The auteur Theory." Extract. In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 138-51.*

 

 

 

See also Directors.

 

 

 

 

Tuesday, September 12, 2023

Dramaturgos, Autores teatrales

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Authorship in drama/Playwrights/Dramatists

 

 

Aubrun, Charles V[incent]. La Comédie espagnole (1600-1680). Paris: PUF, 1966.

_____. La comedia española (1600-1680). Trans. Julio Lago Alonso. (Persiles, 36). Madrid: Taurus, 1968.* (Conventions, theatres, actors, authorship, Guillén de Castro, Lope de Vega, Juan Ruiz de Alarcón, Tirso de Molina, Antonio Mira de Amescua, Luis Vélez de Guevara, Juan Pérez de Montalbán, Antonio Hurtado de Mendoza, Francisco de Rojas Zorrilla, Agustín Moreto, Pedro Calderón de la Barca, Faith, social order, love, honour, justice).

Berney, K. A., et al., eds. Contemporary British Dramatists. Londres, Detroit, Washington, D.C.: St. James Press, 1994.

Bicât, Tina, and Chris Baldwin. Devised and Collaborative Theatre: A Practical Guide. Marlborough: Crowood, 2002.

Bigsby, Christopher W. E. Contemporary American Playwrights. Cambridge: Cambridge UP, 1999.

Billingham, Peter. At the Sharp End. London: A&C Black, 2007. (Interviews with British dramatists).

Braunmuller, A. R. "2. The Arts of the Dramatist." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003. 53-92.*

Castilla del Pino, Carlos. "Actor, autor y sociedad." In Castilla del Pino, Dialéctica de la persona, dialéctica de la situación. Madrid: Ediciones Península, 1968. 217-26.*

Davies, Robertson. "III. Playwrights and Plays." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 145-270.*

Dromgoole, Dominic. The Full Room: An A-Z of Contemporary Playwriting. London: Methuen, 2001. (British playwrights).

Edgar, David. State of Play: Playwrights on Playwriting. London: Faber and Faber, 1999.

_____. "Unsteady States: Theories of Contemporary New Writing." Contemporary Theatre Review 15.3 (2005): 297-308.

_____. "The Playwright's Still the Thing." The Guardian (Comment Is Free) 29 Jan. 2015.*

         http://www.theguardian.com/commentisfree/2015/jan/29/playwright-death-british-dramatist-exaggerated-surge-new-plays

         2015

Edgar, David, et al. "Is the Playwright Dead?" University of Oxford - Podcasts  (2015).*

         http://podcasts.ox.ac.uk/series/playwright-dead

         2015

Fisher, Amanda Stuart. "The Playwright in Residence: A Community's Storyteller." The Drama Review 48.3 (2004): 135-49.

Gardner, Lyn. "Writing as Collaboration: Experiments in Form." In The Skeleton Key. Cheshire: Action Transport Theatre Company, 2007. 9-11.

Gómez Torres, Ana. "El concepto de dramaturgo y sus límites en El público de Federico García Lorca." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 381-86.*

Giannachi, Gabriella. "From the 'Infinity of the Unsaid': Instances of Authorial Silence in Modern Drama." In Anatomies of Silence. Ed. Ann R. Cacoullos and Maria Sifianou. Athens: U of Athens, 1998. 46-53.*

Gómez Torres, Ana. "El concepto de dramaturgo y sus límites en El Público de Federico García Lorca." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno and Silvia Caporale. Barcelona: PPU, 1996. 381-86.*

Hunka, George. "Playwrights Writing: Procedure and Polemic." PAJ: A Journal of Performance and Art 87 (2007): 119-23.

Kewes, Paulina. Authorship and Appropriation: Writing for the Stage in England, 1660-1710. (Oxford English Monographs). Oxford: Clarendon Press, 1998.

Klein, Hilde. "The Dramatist Can Help to Create a New Theatre by the Way He Writes." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 325-30.*

Lane, David. "Chapter 3: Writing and Devising—The Call for Collaboration." In Lane, Contemporary British Drama. Edinburgh UP, 2010.* (David Eldridge, Bryony Lavery, Hidden City Festival, Cartoon de Salvo).

López Mozo, Jerónimo. "Cuando el autor también es personaje (El escenario como espejo del creador)." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

Mardock, James. Our Scene Is London: Ben Jonson's London and the Space of the Author. London: Routledge, 2006.

Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship and Sexualities in Renaissance Drama. Cambridge: Cambridge UP, 1997.

Oddey, Alison. Devising Theatre: A Practical and Theoretical Handbook. London: Routledge, 1996.

Page, Adrian, ed. The Death of the Author? Modern Drama and Literary Theory. Basingstoke: Macmillan, 1992.

Pinter, Harold. "Between the Lines." Speech to the Seventh National Student Drama Festival in Bristol. The Sunday Times 4 March 1962.

_____. "Writing for the Theatre." Rev. version of "Between the Lines." in The New British Drama. New York: Grove Press, 1964.

_____. "Writing for the Theatre." In Pinter, Plays: One. London: Methuen, 1986. 9-16.*

Powell, Lucy. "Whose Lines Are They Anyway?" The Times 13 March 2006.

Richardson, Brian. "Point of View in the Drama: Diegetic Monologue, Unreliable Narrators, and the Author's Voice on Stage." Comparative Drama 22.3 (1988): 193-214.

Sanders, Wilbur. The Dramatist and the Received Idea. Cambridge: Cambridge UP, 1968.

Sierz, Aleks, Martin Middeke and Peter Paul Schnierer, eds. The Methuen Drama, 2011.

Shapiro, James. Rival Playwrights.

Sierz, Aleks. "Beyond Timidity? The State of British New Writing." PAJ: A Journal of Performance and Art 81 (2005). 55-61.

Sierz, Aleks, Martin Middeke and Peter Paul Schnierer, eds. The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama, 2011.

Stephens, John Russell. The Profession of the Playwright: British Theatre, 1800-1900. 1992.

Wu, Duncan. Making Plays: Interviews with Contemporary British Dramatists and Directors. Houndmills: Macmillan, 2000.

 

 

 

 

Films

 

 

Dolor y gloria. Dir. Pedro Almodóvar. Spain, 2019.

 

 

 

 

 

 

 

Literature

 

Buckingham. The Rehearsal.

García Lorca, Federico. El público.

Jonson, Ben. "On Playwright." Quatrain. Poetry Foundation.*

         https://www.poetryfoundation.org/poems/50669/on-playwright

         2017

 

 

See also Drama: Ages, Areas.

 

 

 

 

Wednesday, May 31, 2023

Clásicos y Canon Literario

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

The Literary Canon / the Classics

 

 

The literary canon

Non-canonical literature

 

 

The canon

 

Ackroyd, Peter. Rev. of The Western Canon. By Harold Bloom. The Times 26 Jan. 1995. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 269-72.*

Adams, Hazard. "Canons: Literary Criteria / Power Criteria." Critical Inquiry 14.4 (1988): 748-64.

Aliaga Lavrijsen, Jessica. Rev. of A Scottish National Canon? Process of Literary Canon Formation in Scotland. By Stefanie Preuss. Miscelánea 50 (2014): 161-66.* Online:

         http://www.miscelaneajournal.net/index.php/misc/article/view/189

         2015

Alter, R. Canon and Creativity: Modern Writing and the Authority of Scripture. New Haven (CT): Yale UP, 2000.

Altieri, Charles. "An Idea and Ideal of a Literary Canon." Critical Inquiry 10.1 (1983): 37-70.

_____. Canons and Consequences: Reflections on the Ethical Force of Imaginative Ideals. Evanston (IL): Northwest UP, 1991.

Argullol, Rafael. "Canon y caos." In Argullol, Territorio del nómada.   Barcelona: Destino, 1993. 85-99.*

Arnold, Matthew. "The Study of Poetry." 1880. In Arnold, Essays in Criticism: Second Series. 1888. London: Macmillan, 1918. 1-55.*

_____. "The Study of Poetry." In English Literature and Irish Politics. Vol 9 of The Complete Prose Works. Ed. R. H. Super. Ann Arbor, 1973.

_____. "The Study of Poetry." In Arnold, Poetry and Criticism 306-27.

_____. "The Study of Poetry." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 387-510.*

_____. From "The Study of Poetry." 1880. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1534-45.*

_____. On the Classical Tradition: The Complete Prose Works of Matthew Arnold, vol. I. Ed. R. H. Super. Ann Arbor: U of Michigan P, 1960.

Azorín. Los valores literarios. 1914.

Bak, Hans, ed. Multiculturalism and the Canon of American Literature. Amsterdam: VU UP, 1993.

Baker, Houston. "The Promised Body: Reflections on Canon in an Afro-American Context." Poetics Today 9.2 (1988): 339-356.

Bell, Ian, ed. Contests in the Canon of English Literature. (Studies in Twentieth Century Literature). Harlow: Addison Wesley Longman, 1999.

Belsey, Catherine. "Re-Reading the Great Tradition." In Re-Reading English. Ed. Peter Widdowson.  London: Methuen, 1980. 121-35.

Bloom, Harold. "An Elegy for the Canon." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 15-42.*

_____. The Western Canon: The Books and School of the Ages. New York: Harcourt, 1994.

_____. The Western Canon: The Books and School of the Ages. London: Macmillan, 1994.*

_____. El canon occidental. Trans. Damián Alou. Barcelona: Anagrama, 1995.

"Books of the Century." Daily Mail 21 July 1998: 8.

Bou, Enric. "Cànon i canó: perspectives sobre liteatura catalana." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 155-80.*

Bowlby, Rachel. "'But She Would Learn Something from Lady Chatterley': The Obscene Side of the Canon." In Decolonizing Tradition: New Views of Twentieth-Century "British" Literary Canons.  Ed. Karen R. Lawrence. Urbana: U of Illinois P, 1992. 113-35.*

Boxall, Peter, and José-Carlos Mainer. 1.001 libros que hay que leer antes de morir. Barcelona: Grijalbo, 2006.

Broch, Álex. "Cànon i literatura catalana: escriptors i crítica." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 277-84.*

Cabanilles, Antònia. "La literatura de les dones i el cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 227-50.*

Calvino, Italo. Pourquoi lire les classiques. Paris: Seuil, 1996.

_____. Por qué leer los clásicos. Trans. Aurora Bernárdez. Barcelona: Tusquets, 1992.

Campo, Soledad. "El (casi) imposible canon literario de Occidente." Heraldo de Aragón 25 June 2013.*

         http://prensa.unizar.es/noticias/1306/130625_z0_carlos.pdf

         2013

Canons.  Critical Inquiry  10 (Sept. 1983). 

Carbonell, Neus. "Cànon i valor: Dels uns als altres." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 251-56.*

Chambers, R. "Irony and the Canon." In Profession 90. MLA, 1990. 18-24.

Compagnon, Antoine.  "La valeur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 241-74.* (Valuation, canon, classics).

Culler, Jonathan. "The Authority of the Classics." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 11-28.*

Darias Beautell, Eva, and María Jesús Hernáez Lerena, eds. Canon Disorders: Gendered Perspectives on Literature and Film in Canada and the United States. Logroño: U de La Rioja / U de La Laguna, 2007.

Dibdin, T. F. The Library Companion: Or, The Young Man's Guide and the Old Man's Comfort, in the Choice of a Library. London,  1824.

Dobson, Michael. The making of the national poet: Shakespeare, adaptation and authorship, 1660-1769. Oxford: Clarendon Press, 1992.

Easthope, Antony. "The Silence of the Lambs: How the Canon Tried to Kill Popular Culture." In Anatomies of Silence. Ed. Ann R. Cacoullos and Maria Sifianou. Athens: U of Athens, 1998. 1-11.*

Engell, James. "Kinds, Canons, and Readers." In Engell, Forming the Critical Mind: Dryden to Coleridge.  Cambridge (MA): Harvard UP, 1989. 151-72.*

Ezell, Margaret J. M. "The Myth of Judith Shakespeare: Creating the Canon of Women's Literature." New Literary History 21.3 (1990): 579-92.

Felperin, Howard.The Uses of the Canon: Elizabethan Literature and Contemporary Theory. Oxford: Clarendon Press, 1992.

Fiedler, Leslie. "The Canon and the Classroom: A Caveat."  In English Inside and Out: The Places of Literary Criticism. Ed. Susan Gubar and Jonathan Kamholtz. New York: Routledge, 1993. 29-36.*

Fite, David. "Kenner/Bloom: Canonmaking and the Resources of Rhetoric." Boundary 2 15.3 (Spring/Fall 1988).

Fowler, Alastair. "Genre and the Literary Canon." New Literary History 11.1 (1979): 97-118.

Furbank, P. N., and W. R. Owens. The Canonisation of Daniel Defoe. New Haven: Yale UP, 1988.

García Berrio, Antonio. "Necesidad y jerarquía de la estética: la polémica americana sobre el canon literario." Revista de Occidente 173 (October 1995): 101-115.*

García Gual, Carlos. "Sobre el 'canon' de los clásicos antiguos." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 199-205.

García Landa, José Ángel. "Most Important Books of the 20th Century." In García Landa, Vanity Fea 14 Dec. 2011.*

         http://vanityfea.blogspot.com/2011/12/most-important-books-of-20th-century.html

         2011

_____. "Mapa de la literatura mundial." Ibercampus (Vanity Fea) 7 Jan. 2017.*

         http://www.ibercampus.es/mapa-de-la-literatura-mundial-34247.htm

         2016

Gardiner, Judith Kegan. "The First English Novel: Aphra Behn's Love Letters, The Canon, and Women's Tastes." Tulsa Studies in Women's Literature 8.2 (1989): 201-21.

Gates, Henry Louis. "The Master's Pieces: On Canon Formation and the Afro-American Tradition." In The Bounds of Race: Perspeectives on Hegemony and Resistance. Ed. D. LaCapra. Ithaca (NY): Cornell UP, 1991.

_____. Loose Canons: Notes on the Culture Wars.

Geertsema, Johan. "Between Homage and Critique: Coetzee, Translation, and the Classic." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 110-27.*

Gentz, Joachim. Keywords Re-Oriented. (InterKultur: European-Chinese Intercultural Studies, 4). With Ella Chmiellewska, Hannah Sommerseth and Jack Burton. Göttingen: Universitätsdrucke Göttingen, 2009.* (Culture, Orientalism, Occidentalism, Postmodernism, Historiography, Literary Field, Discourse, Intertextuality, Canon, Body, Gender, Text, Art, Representation, Reality). Online at Academia.*

         https://www.academia.edu/41792098/

         2020

Gilbert, Sandra M., and Susan M. Gubar. Masterpiece Theatre: An Academic Melodrama. Satire.

González de la Aleja, M. "El problema del canon literario: Cuatro razones para leer y estudiar basura."  In Estudios de literatura en lengua inglesa del siglo XX, 3.  Ed. P. Abad, J. M. Barrio and J. M. Ruiz.  1996.

Grabes, Herbert. "The Canon Pro and Contra: 'The Canon Is Dead: Long Live Pick-and-Mix'." Miscelánea 29 (2004): 35-50.*

Guillory, John. "The Ideology of Canon-Formation: T. S. Eliot and Cleanth Brooks." Critical Inquiry 10.1 (1983): 173-98.*

_____. Cultural Capital: The Problem of Literary Canon Formation. Chicago: U of Chicago P, 1993. 

Hallberg, Robert von, ed. Canons. 1984.

Hopkins, Chris. "Registering War: Modernism, Realism, and the Can[n]on."  Focus on Robert Graves and His Contemporaries 2.2 (1994): 39-43.*

_____. Thinking about Texts. Houndmills: Macmillan, 2000. (Definition of literature, canon, authorship, genre, lit. and history, lit. and ideology).

Horno Delgado, Asunción. "Las literaturas de género y el canon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 139-55.*

Howe, Irving. "The Value of the Canon." New Republic (18 Feb. 1991): 40-47.

Hube, Christoph, Frank Fischer, et al. "World Literature According to Wikipedia." ArXiv 4 Jan. 2017.*

         https://arxiv.org/abs/1701.00991

         2017

Imbert, Patrick. "The Evolution of Canonical Circuits." Poetics Today  12.4 (1991): 697-712.*

Jay, Gregory S. American Literature and the Culture Wars. Madison: U of Wisconsin P, 1996.

_____. ¿American Literature and the Culture Wars. Ithaca (NY): Cornell UP, 1997.

Johnson, David, ed. The Popular and the Canonical: Debating Twentieth-Century Literature, 1940-2000. (Twentieth-Century Literature: Texts and Debates). London: Routledge, 2004.* (Du Maurier, Rebecca; the poetry of Ginsberg and O'Hara; Dick's Do Androids Dream of Electric Sheep?; Puig's Kiss of the Spider Woman; Beckett's Waiting for Godot; .S. Heaney; Gurna's Paradise; Barker's The Ghost Road).

Joyce, Joyce A. "The Black Canon: Reconstructing Black American Literary Criticism." New Literary History 18.2 (1987): 335-44.

Kermode, Frank. "Institutional Control of Interpretation." Salmagundi 43 (Winter 1979): 72-86. (Canons).

_____.  "The Future of the English Literary Canon." In English Studies in Transition: Papers from the ESSE Inaugural Conference. Ed. Robert Clark and Piero Boitani. London: Routledge, 1993.

Kilcup, Karen L. Soft Canons: American Women Writers & Masculine Tradition. Iowa City: U of Iowa P, 1999.

Knox, Bernard.  The Oldest Dead White European Males and Other Reflections on the Classics. New York: Norton, 1993.

Kramnick, J. B. Making the English Canon: Print-Capitalism and the Cultural Past, 1700-1770. 1999.

Landow, George P. "Hypertext, Metatext, and the Electronic Canon." In Literacy Online. Ed. Myron C. Tuman. Pittsburgh: U of Pittsburgh P, 1992. 67-94.*

Lauter, Paul. "Caste, Class, and Canon." 1981/87. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 129-50.*

_____. Canons and Contexts. New York: Oxford UP, 1991.

Lawrence, Karen, ed.  Decolonizing Tradition: New Views of Twentieth Century "British" Literary Canons.  Urbana: U of Illinois P, 1992.*

Leavis, F. R. "The 'Great Books' and a Liberal Education." Commentary 16.3 (1953). In The Critic as Anti-Philosopher. London: Chatto, 1982.156-71.

Lecercle, Jean-Jacques. "(Why) Do We Need a Canon?"  EJES  1 (April 1997).

Lefevere, André. Translation, Rewriting and the Manipulation of Literary Fame. London: Routledge, 1992.

_____. Traducción, reescritura y la manipulación del canon literario. Trans. M. Carmen África Vidal and Román Álvarez. Salamanca: Ediciones Colegio de España, 1997.

Lotman, Iuri M. "El arte canónico como paradoja informacional." In Lotman, La Semiosfera, I: Semiótica de la cultura y del texto. Madrid: Cátedra / Universitat de València, 1996. 182-89.*

Manzanas, Ana, and Jesús Benito. "El canon literario y la enseñanza de la literatura norteamericana." Atlantis 23.1 (June 2001): 91-104.

Marí, Antoni. "La tradició del cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 181-94.*

Martí-Olivella, Jaume. "Del cànon i de la crítica." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 257-64.*

Martínez Lorente, Joaquín. "Studying the Canon and Harold Bloom's The Western Canon: Differences, Contradictions, and Missing Distinctions." Proceedings of the XIXth International Conference of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo: Departamento de Filoloxía Inglesa e Alemana da Universidade de Vigo, 1996. 391-96.*

McCracken, T. "Triple-Voicing: The Multicultural Canon." Typescript. 1991.

McKay, Nellie. "Reflections on Black Women Writers: Revising the Literary Canon." 1987. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 151-63.*

Mignolo, Walter D. "Canons A(nd)Cross-Cultural Boundaries (Or, Whose Canon Are We Talking About?)." Poetics Today  12.1 (1991): 1-28.*

Miralles, Carles. "Canonitzacions, cànons i crisis." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 95-106.*

Mosas, Joaquim. "Necessitat i raons d'una proposta." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 129-38.*

Nabokov, Vladimir. Lectures on Literature. Ed. Fredson Bowers. Introd. John Updike. New York: Harcourt/Bruccoli Clark, 1980. 1982.

_____. Littératures I. Paris: Fayard, 1983.

_____. Littératures, 1. (English and French). Paris: Le Livre de Poche.

_____. Curso de literatura europea. Barcelona: Bruguera, 1983. Trans. of Lectures on Literature.*

_____. Curso de literatura europea. Trans. Francisco Torres Oliver. Barcelona: Ediciones B, 1987.

Navajas, Gonzalo  "El canon en la literatura." Tropelías 7/8 (1996/97 [Issued 1999]): 275-83.*

Nelson, Theodor Holm. "How Hypertext (Un)Does the Canon." Address to the MLA, Chicago, 28 Dec. 1990.

Nemoianu, Virgil, and Robert Royal, eds. The  Hospitable Canon: Essays on Literary Play, Scholarly Choice, and Popular Pressures. Rev. in Poetics Today 14.1 (1993): 213-216.

Ohmann, Richard.  "The Shaping of a Canon: U. S. Fiction, 1960-1975." Critical Inquiry  10.1 (1983): 199-223..

Olsen, Stein Haugom. "13. Canon and Tradition." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.

Onega, Susana, and Christian Gutleben, eds. Refracting the Canon in Contemporary Literature and Film. (Postmodern Studies Series, 35). Amsterdam: Rodopi, 2004.

Owens, W. R., and Lizbeth Goodman, eds. Shakespeare, Aphra Behn and the Canon. (Approaching Literature Series). London: Routledge / Open U, 1996. (Henry V, Othello, As You Like It, The Rover).

Paulson, William. "The Literary Canon in the Age of Its Technological Obsolescence." In Reading Matters: Narrative in the New Media Ecology. Ed. Joseph Tabbi and Michael Wutz. Ithaca (NY): Cornell UP, 1997. 227-49.*

Pérez Montaner, Jaume. "Una aproximació al cànon de Harold Bloom." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 197-204.*

Pi y Margall, Francisco. Joyas literarias. 1876.

Piera, Carlos. "Ausencias del canon." Fin de siglo y futuro de las artes. Revista de Occidente 181 (1996): 89-98.*

Pont, Jaume. "Cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 291-94.*

Pont, Jaume, and Josep M. Sala-Valldaura, eds. Cànon literari: Ordre i subversió. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998.*

Pozuelo Yvancos, J. M. "El canon en las teorías sistémicas." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 65-94.*

Preuss, Stefanie. A Scottish National Canon? Process of Literary Canon Formation in Scotland. Heidelberg: Universitätsverlag, 2012.

Richardson, Brian. "Re-Mapping the Present: The Master Narrative of Modern Literary History and the Lost Forms of Twentieth-Century Fiction." Twentieth-Century Literature 43 (1997): 291-309.

Riera, Carme. "Los clásicos del Siglo de Oro y la construcción del canon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 107-28.*

Robinson, Lillian S.  "Treason Our Text: The Feminist Challenges to the Literary Canon."  1983. In The New Feminist Criticism.  Ed. Elaine Showalter.  London: Virago, 1986.  105-21.*

_____. "Treason Our Text: Feminist Challenges to the Literary Canon." In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahassee: UPs of Florida / Florida State UP, 1986. 1990. 572-85.*

_____. "Treason Our Text: Feminist Challenges to the Literary Canon." In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 115-28.*

_____. "Canon Fathers and Myth Universe." In Decolonizing Tradition: New Views of Twentieth-Century "British" Literary Canons.  Ed. Karen R. Lawrence. Urbana: U of Illinois P, 1992. 23-36.*

Rodríguez Nuero, Salvador. "The Politics of Theory: The Aesthetic and Its Politically Incorrect Pleasures." Actas del XXI Congreso AEDEAN. Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 303-8.*

Rodríguez Palomero, Luisa Fernanda "Intertextuality and the Literary Canon in William Golding." In Intertextuality / Intertextualidad. Ed. Mercedes Bengoechea and Ricardo Sola. Alcalá de Henares: Servicio de Publicaciones Universidad de Alcalá, 1997. 185-98.*

Romero López, Dolores. "El canon en los estudios comparados."

In Liceus.com: E-Excellence

http://www.liceus.com/cgi-bin/aco/lit_comp/temas.asp

2005-05-05

Romero Tobar, Leonardo. "Las Historias de la literatura y la fabricación del canon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 47-64.*

Ross, Trevor. "The Emergence of 'Literature': Making and Reading the English Canon in the Eighteenth Century." ELH 63.2 (Summer 1996): 397-422.*

Rothstein, Edward. "Roll Over Beethoven." (Canon). New Republic (4 Feb. 1991): 29-34.

Sauerberg, Lars Ole. Versions of the Past:—Visions of the Future: The Canonical in the Criticism of T. S. Eliot, F. R. Leavis, Northrop Frye and Harold Bloom. Basingstoke: Macmillan, 1996.

Segarra, Marta "Notes entorn del cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 217-24.*

Sheffy, Rakefet. "The Concept of Canocicity in Polysystem Theory." Poetics Today  11.3 (1990): 511-522.*

Sinaiko, Herman L. Reclaiming the Canon: Essays on Philosophy, Poetry, and History. New Haven: Yale UP, 1998.*

Skelton, John. A Ryght Delectable Tratyse vpon a Goodly Garlande or Chapelet of Laurell by mayster Skelton ... Inprynted by ... Richard Fankes. London, 1523. 

Slemon, Stephen. "'Carnival' and the Canon." ARIEL: A Review of International English Literature 19.3 (1988): 59-75.

Smith, Bruce R. "Reading Lists of Plays, Early Modern, Modernist, Postmodern." Shakespeare Quarterly 42 (1991): 127-44. (Lists, popular culture).

_____. "Reading Lists of Plays, Early Modern, Modernist, Postmodern." In Postmodern Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 47-65.*

Stimpson, Catherine R. "Reading for Love: Canons, Para-Canons, and Whistling Jo March." New Literary History 21.4 (1990): 957-76.

Tragedia, comedia y canon. Special issue of Theatralia. Ed. Jesús G. Maestro. (2000).

Valente, José Ángel. "Del canon arbitrario a la incierta profecía." In Valente, La experiencia abisal. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2004. 156-59.* (Bloom).

_____. "Del canon arbitrario a la incierta profecía." From La experiencia abisal. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 716-19.* (Bloom).

_____. "Corrección política y corrección canónica." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1506-7.*

Venuti, Lawrence. "Translation, Interpretation, Canon Formation." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 27-51.*

Verhoeven, W. M., ed.  Rewriting the Dream: Reflections on the Changing American Literary Canon. Amsterdam: Rodopi, 1992.

Vilaseca, David. "La literatura de les dones i el cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 265-76.*

Webbe, William. A Discourse of English Poetrie. London: R. Walley, 1586.

Weinstein, Randy F. Lives of Works that Matter. Southfield (MA): privately printed, 1989.

Zambrano Carballo, Pablo. "El canon europeo en la teoría cultural de T. S. Eliot." In Teoría y análisis de los discursos literarios: Estudios en homenaje al profesor Ricardo Senabre Sempere. Ed. S. Crespo et al. Salamanca: U de Extremadura / Ediciones U de Salamanca, 2009. 473-79.*

Zetzel, James E. G. "Re-Creating the Canon: Augustan Poetry and the Alexandrian Past." Critical Inquiry 10.1 (1983): 83-106.

Zschirnt, Christiane. Bücher: Alles, was man lesen muss. 2002.

_____. Libros: Todo lo que hay que leer. Prólogo de Dietrich Schwanitz. Trans. Irene Pérez Michael. (Taurus Pensamiento). Madrid: Santillana-Taurus, 2004.*

 

 

 

 

Audio

 

 

Noya, Mario, et al. "LD Libros, 23/06/18." EsRadio 23 June 2018.* (Los 100 mejores libros / La Leyenda Negra).

         https://esradio.libertaddigital.com/fonoteca/2018-06-23/ld-libros-230618-125797.html

         2018

 

 

 

Internet resources

 

 

ClassicReader.com

http://www.classicreader.com/read.php/sid.6/bookid.567/

 

 

 

 

Journals

 

Critical Inquiry 10 (Sept. 1983). (On the canon).

 

 

 

Series

 

 

(Agora: Les classiques). Series ed. François Laurent. Paris: Pocket, c. 2000.

 

(Alba Clásica). Ed. Luis Magrinyà. Barcelona: Alba, c. 2006.

 

(Alba Minus, 22). Barcelona: Alba, 2012. 2nd ed. 2012.*

 

(American Century Series). New York: Hill and Wang,  c. 1960.

 

(Antología Literaria). Barcelona: Planeta, c. 1985.*

 

(El autor y su obra). Barcelona: Barcanova, c. 1981.

 

(Biblioteca Austral). Barcelona: Espasa-Calpe / Planeta-DeAgostini, 2001.*

 

(Biblioteca Autores de Siempre). Barcelona: Vergara, c. 1969.*

 

(Biblioteca Básica Gredos, 55). Madrid: Gredos, 2000.* (Biblioteca Básica Gredos, 91). Madrid: Gredos, 2001.*

 

(Biblioteca Clásica). Series ed. Francisco Rico. Barcelona: Galaxia Gutenberg-Círculo de Lectores.

 

(Biblioteca Clásica Castalia). Madrid: Castalia, c. 2001.*

 

(Biblioteca de Autores Extranjeros, 5). Madrid: Trieste, 1988.

 

(Biblioteca de los grandes pensadores). Barcelona: RBA, c. 2004.*

 

(Biblioteca Emecé de Obras Universales). Buenos Aires: Emecé, 1945.

 

(Biblioteca Fundamental de Nuestro Tiempo; Literatura, 15). Madrid: Alianza Editorial / Club Internacional del Libro, 1984.*

 

(Biblioteca personal Jorge Luis Borges, 6). Barcelona: Hyspamérica / Orbis, 1986.*

 

(Biblioteca Universal; Maestros Modernos Europeos). Series ed. Mario Vargas Llosa. Barcelona: Círculo de Lectores, c. 2004.*

 

 (Bibliothèque Lattès). Paris: Éditions Jean-Claude Lattès, c. 1988.*

 

(Bouquins). Series ed. Guy Schoeller. Paris: Robert Laffont, c. 1989.*

 

(British Classics). Rivington, c. 1824.

 

(Bruguera Libro Clásico). Barcelona: Brugera, c. 1968.

 

(Chandos Classics). Warne, c. 1890.

 

(Clásica Mayor) Alba, c. 2019.

 

(Clásicos Afluentes). Barcelona: Ediciones B, c. 2000.*

 

(Clásicos Alfaguara). Madrid: Alfaguara, c. 1979.

 

(Clásicos de la Cultura, 34). Madrid: Trotta, 2006. 2nd ed. 2009. 2014.*

 

(Clásicos de la Literatura). Madrid: Akal, c. 2020.

 

(Clásicos de la Literatura Universal, 3). Córdoba: Servicio de Publicaciones, Universidad de Córdoba, 1993.*

 

(Clásicos Emecé). Buenos Aires: Emecé, c. 1948.

 

(Clásicos Selección). Madrid: Edimat, c. 2004.*

 

(Clásicos Universales Planeta, 72). Ed. Gabriel Oliver. Barcelona: Planeta, 1984.*

 

(Classiques Garnier). Paris: Garnier, c.1956.

 

(Les Classiques Hatier). Series ed. Georges Chappon. Paris, Hatier, c. 1957.

 

(Colección Austral, 1546). Madrid: Espasa-Calpe, 1973.*

 

(Colección Crisol, 341). Madrid: Aguilar, 1951.

 

(Colección Cultura, 108). Barcelona: Edicomunicación, 2001.*

 

(Colección Obras Maestras, Fondo Nacional de las Artes). Buenos Aires: Sudamericana, c. 1970.

 

(Colección Universal, 958-960). Madrid: Calpe, 1924.

 

(Colección Voces / Literatura, 190). Madrid: Páginas de Espuma, 2013.*

 

(Dell Contemporary Classics). New York: Dell, 1970.

 

(Ecrivains de toujours). Paris: Seuil, c. 1957.*

 

(English Men of Letters). London: Macmillan, c. 1902.

 

(Everyman's Library, 770). London: Dent; New York: Dutton, 1925.*

 

(Folio, 1331). Paris: Gallimard, 1981.*

 

(Folio Classique, 4952). Paris: Gallimard, 2009.*

 

(GF 787). Paris: Garnier-Flammarion, c. 2000.

 

(Grandes clásicos Mondadori). Barcelona: Random House Mondadori, c. 2005.*

 

(Grandes Genios de la Literatura Universal, 21). Madrid: Club Internacional del Libro, 1983.*

 

(Grandes Escritores / La Maison de l'Ecriture). Navarra: Altaya, c. 2005.*

 

(Grandes Obras de la Cultura).  Barcelona: RBA Coleccionables, c. 2009.*

 

(Grandes Obras). Barcelona: Ediciones Petronio, 1972.*

 

(Les Grands Écrivains, Hier, Aujourd'hui). Paris: Hachette, c. 1954.

 

(Les Grands Textes). Paris: PUF.

 

(Great Books of the Western World, 56). Oxford: Oxford UP, 1990.

 

 (The Harvard Classics, ed. Charles W. Eliot LL D – "Dr Eliot's Five-Foot Shelf of Books"). New York: P F Collier, c. 1909.

 

(Icon Reader's Guides). Cambridge: Icon, c. 2000.*

 

(King's Classics). De la More, c. 1905.

(King's Classics). London: Chatto, c. 1907.

 

(Könemann Classics). Köln: Könemann, c. 1998.*

 

(Landmarks of World Literature). Cambridge: Cambridge UP, c. 1989.

 

(Letras Universales, 366). Madrid: Cátedra, 2004.*

 

(Library of English Classics). Macmillan, 1908.

 

(El libro de bolsillo; Literatura, 102). Madrid: Alianza, 1967.

 

(Longman Annotated Texts). Harlow: Addison Wesley Longman, c. 1999.

 

(La Maison de l'Ecriture; Grandes Escritores). Barcelona: Altaya, c. 2006.

 

(Libro Clásico). Barcelona, Bogotá, Buenos Aires, Caracas, México, Rio de Janeiro: Bruguera, c. 1969.*

 

(Methuen's English Classics). London, Toronto, Sydney, Wellington, New York: Methuen Educational, c. 1965. 

 

(The Modern Library). New York: Random House, c. 1938.*

 

(Modern Library College Editions). New York: Modern Library, c. 1950.

 

(Nonesuch Library). London: Bodley Head, c. 1929.*

 

(Norton Critical Editions). New York: Norton, c. 1970.

 

(NRF - Bibliothèque de la Pléiade). Paris: Gallimard, c. 1970.

 

(Nuestros Clásicos, 43). Ed. Julio Rodríguez Puértolas. Tres Cantos (Madrid): Akal, 2007.

 

(Obras Maestras de la Literatura Universal). Zaragoza: Aneto, c. 2007.*

 

(Opera Mundi / Biblioteca Universal del Círculo de Lectores). Barcelona: Círculo de Lectores. (Includes as sub-series: Clásicos Griegos, Clásicos Latinos, Clásicos Franceses, Clásicos Ingleses, Clásicos Italianos, Clásicos españoles, Clásicos alemanes, Maestros Modernos Hispánicos; Maestros Modernos Anglosajones, Maestros Modernos Europeos, Literatura Juvenil, Literaturas Orientales, Poesía Universal, Teatro Universal, Filosofía, Ciencia, Ensayo Contemporáneo, Arte).

_____. (Opera Mundi / Biblioteca Universal: Maestros Modernos Europeos). Series ed. Mario Vargas Llosa. Barcelona: Círculo de Lectores, c. 2004.*

 

(Oxford Standard Authors). London: Oxford UP, c. 1974.

 

(Past Masters). Oxford: Oxford UP, c. 1980.

 

(Penguin Classics). Harmondsworth: Penguin, c. 1998.

 

(Penguin Modern Classics). Harmondsworth: Penguin,

 

(Penguin Twentieth-Century Classics). Harmondsworth: Penguin, c. 1989.*

 

(Petite Biblio Payot - Classiques). Paris: Payot & Rivages, c. 2016.*

 

(Re-Reading the Canon). University Park: Pennsylvania State UP, c. 1998.

 

(Standard Authors). Oxford UP, c. 1951.

 

(Todolibro, 1664/72). Barcelona: Bruguera, 1981.*

 

(Universo Literario Sarpe).  Series ed. Miguel A. Ballabriga. Barcelona: Onix de Comunicaciones, 1992.*

 

(World's Classics, 452). London: Oxford UP, 1938.*

 

(The World's Great Classics). Series ed. Timothy Dwight, DD. LL.D., Richard Henry Stoddard, Arthur Richmond Marsh, A.B., Paul van Dyke, D.D., Albert Ellery Bergh.  New York: The Colonial Press, c. 1899.

 

(Wordsworth Classics series). Ed. Marcus Clapham and Clive Reynard. Ware: Wordsworth, 1993-.

 

 

 

 

Video

 

 

Bloom, Harold. "Interview on The Western Canon." Video. 1994. YouTube (Manufacturing Intellect) 6 Juen 2016.*

https://youtu.be/S9ieF7LVbyI

         2019

 

"Katherine Hayles, ASC." Vimeo-National Humanities Center. 2008.*

         http://vimeo.com/2828067

         2011

 

 

 

 

 

 

See also Classicism.

 

 

 

 

 

 

Non-canonic literature

 

Deleuze, G. "What is a Minor Literature?" Out There: Marginalization and Contemporary Cultures. Ed. New Museum of Contemporary Arts.  Massachussets: MIT Press, 1990.

 

 

See also Paraliterature; Best sellers; Literature and popular culture.

Hipnosis, Hipnotismo

       from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García Lan...