viernes, 3 de noviembre de 2023

Autoría en el cine

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Authorship / Auteurship (in film)

 

 

Aragay, Mireia, ed. Books in Motion: Adaptation, Intertextuality, Authorship. Amsterdam and New York: Rodopi, 2005.*

http://www.rodopi.nl/functions/search.asp?BookId=COCI+2

2005-12-13

Booth, Wayne. "Is There an 'Implied Author' in Every Film?" College Literature 29.2 (Spring 2002): 124.31. In Literature Online.* http://lion.chadwyck.co.uk

         5/7/04

Branigan, Edward. "Diegesis and Authorship in Film." Iris 7 (1986): 37-54.

Caughie, John, ed. Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995.*

Crofts, Stephen. "Authorship and Hollywood." Wide Angle 5 (1983): 16-22.

Diehl, Karen. "Once upon an Adaptation: Traces of the Authorial on Film." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 89-106.*

García Mainar, Luis Miguel. "Genre, Auteur and Identity in Contemporary Hollywood Cinema: Clint Eastwood's White Hunter, Black Heart." Miscelánea 26 (2002, issued Feb. 2004): 21-38.*

         http://fyl.unizar.es/miscelanea/miscelanea.html

- - -. Clint Eastwood, de actor a autor. Barcelona: Paidós, 2006.

- - -. "Authorship and Identity in the Cinema of Clint Eastwood." Atlantis 29.2 (Dec. 2007): 27-37.*

Leitch, Thomas. "The Adapter as Auteur: Hitchcock, Kubrick, Disney." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 107-24.*

McCarthy, Margaret. "Adaptation and Autobiographical Auteurism: A Look at Filmmaker/Writer Doris Dörrie." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 125-42.*

Oudart, Jean-Pierre. "The Absent Field of the Author." In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 261-70.*

Sarris, Andrew. "Notes on the Auteur Theory in 1962." 1962. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 515-18.*

- - -. "The Searchers." (Ford). In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 78-82.*

Wood, Robin. "Ideology, Genre, auteur." In Film Genre Reader. Ed. Barry Keith Grant. U of Texas P, 1986.

Wollen, Peter. Signs and Meaning in the Cinema. Bloomington (IN), 1969.

- - -. Signs and Meaning in the Cinema. 2nd ed. London: Secker, 1972.

- - -. From Signs and Meaning in the Cinema ("The Auteur Theory"). 1969, 1972. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 519-35.

- - -. "The auteur Theory." Extract. In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 138-51.*

 

 

 

See also Directors.

 

 

 

 

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Ideología

      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...