Representación (semiótica - texto, arte, medios)

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Representation  (semiotic - in text, art, media)

 

 

Atack, Margaret. May 68 in French Fiction and Film: Rethinking Society, Rethinking Representation. Oxford: Oxford UP.

Auerbach, Erich. Mimesis. Bern: Francke, 1946.

_____.  Mimesis.  Berne: Francke, 1946.

_____. Mimesis: The Representation of Reality in Western Literature. Trans. Willard Trask. Princeton (NJ): Princeton UP, 1953. 1991.

_____. Mimesis: The Representation of Reality in Western Literature. Trans. Willard Trask. Garden City (NY): Doubleday-Anchor, 1957.*

_____. Mímesis: La representación de la realidad en la literatura occidental. México: FCE, 1979.

Ayala, Francisco. Histrionismo y representación.

Banfield, Ann. The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism. (Representation).

Bareis, J. Alexander, and Lene Nordrum. How to Make Believe: The Fictional Truths of the Representational Arts. (Narratologia, 49). Berlin and Boston: De Gruyter, 2015.* (Introduction, 1-12; 1. Theory; 2. Literature and Film; 3. Theatre and Music; 4. Games).

Bergson, Henri. Matière et mémoire: Essai sur la relation du corps à l'esprit. 1896. Paris: P.U.F., 1939. Rpt. (Quadrige, 29). 1999.*

_____. Matter and Memory. Garden City (NY): Doubleday-Anchor, 1959.

_____. Matter and Memory. Trans. Nancy Margaret Paul. New York: Zone Books, 1988.

Bobrow, Daniel G., and Alan M. Collins, eds. Representation and Understanding. New York: Academic Press, 1975.

Bode, Frauke, ed. 23-F: Mediatizations and Memories of Spain's Failed coup d'état - Journal of Romance Studies 16.3 (2017).

Borg, Emma, ed. Meaning and Representation. (Ratio Special issues). Oxford: Blackwell, forthcoming 2002.

Brockelman, Thomas P. The Frame and the Mirror. 2001.

Bühler, Karl. Sprachtheorie: Die Darstellungsfunktion der Sprache. Jena: Gustav Fischer, 1934.

_____. Theory of Language: The representational function of language, Amsterdam and Philadelphia: Benjamins, 1990.

_____. Teoría del lenguaje. Madrid: Revista de Occidente, 1950. 1967.*

_____. Teoría del lenguaje. Madrid: Alianza, 1979.

_____. "L'onomatopée et la fonction représentative du langage." In Essais sur le langage. Ed. Jean-Claude Pariente. Paris: Minuit, 1969. 111-33.

Carroll, Joseph. "The Deep Structure of Literary Representations." Evolution and Human Behavior 20 (1999): 159-73.*

         http://www.umsl.edu/%7Ecarrolljc/Documents%20linked%20to%20indiex/IN_LIT_DAR/the_deep_structures_of_literary_representation.pdf

         2020

Castro Borrego, Silvia del Pilar (coord.), Beatriz Domínguez García, María Isabel Romero Ruiz. "Identity and the Construction of Agency in Contemporary Representations of Sexualities and Gender Identities." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 210-213.*

http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AEDEAN35_portada.pdf

         2012

Cummins, Robert, ed. The World in the Head. Oxford: Oxford UP, 2010.*

Currie, Gregory. "1. Representation." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford UP, 2010. 1-26.* (Artefactual Functions - Narrative and Story Content - Implicit and Explicit - Nature's Narratives? - Implied Authors - Looking Ahead).

Derrida, Jacques. Mal d'archive. Paris: Galilée, 1995.

_____. Archive Fever: A Freudian Impression. Trans. Eric Prenowitz. Chicago: U of Chicago P, 1996.

_____. Archive Fever: A Freudian Impression. Online at Scribd.*

         http://es.scribd.com/doc/32922360/Derrida-Archive-Fever-1995

         2013

Forkel, Robert. Erfahrung aus Narration: Erinnerungskulturelle Funktionen der Enkelliteratur. (Narratologia: Contributions to Narrative Theory, 72). Berlin and Boston: de Gruyter, 2020.* (Diss. Martin-Luther Universität Halle-Wittenberg, 2019). (Inferences, Situations, Simulation, Mental representation, Experience, Grandchildren, Narrativity)

         https://doi.org/10.1515/9783110673968-202

         2020

_____. "2. Experientialität." Erfahrung aus Narration: Erinnerungskulturelle Funktionen der Enkelliteratur.  Berlin and Boston: de Gruyter, 2020. 23-94.* (Narrativity, Representation, mental models, scripts, memory).

         https://doi.org/10.1515/97831106773968-002

         2020

Fried, Michael. "Art and Objecthood." In Minimal Art: A Critical Anthology. Ed. Gregory Battcock. New York: Dutton, 1968.

Fugazza, Claudia, et al. "Mental Representation and Episodic-like Memory of Own Actions in Dogs." Scientific Reports 10 (2020): no. 10.449.*

         https://www.nature.com/articles/s41598-020-67302-0#Sec5

         2020

Gaillard, F. "The Great Illusion of Realism, or the Real as Representation." Poetics Today 5.4 (1984): 753-66.

García Landa, José Ángel. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 1-54.*

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity."  In García Landa, Vanity Fea 15 Oct. 2008. (Links to online texts from Gender, I-deology).

         http://garciala.blogia.com/2008/101502-gender-i-deology.php

         2008

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In Gender, I-deology: Essays on Theory, Fiction and Film. Online iPaper at Academia.edu 29 Oct. 2009.*

         https://www.academia.edu/194356/

2014

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." Online PDF at Social Science Research Network 15 April 2010.*

         http://ssrn.com/abstract=1590382

         2011

         Women, Gender and Literature eJournal ((2010):

         http://www.ssrn.com/link/English-Women-Gender-Literature.html

         2013

         Feminist Theory eJournal (2010):

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalBrowse&journal_id=950867

         2013

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." Online PDF at Zaguán 8 March 2011.*

         http://zaguan.unizar.es/record/5708

         2011

_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." ResearchGate 3 May 2013.*

         https://www.researchgate.net/publication/228174458

         2013

_____. ""Gender, I-deology and Addictive Representation: The Film of Familiarity." Online at Google Books.*

         http://books.google.es/books/reader?id=G2rZlvYeRRsC

         2013

_____. "La realidad flojea." In García Landa, Vanity Fea 7 Dec. 2005:

         http://garciala.blogia.com/2005/120702-la-realidad-flojea.php

         2005-12-29

_____. "El mundo social como presentación y re-presentación." In García Landa, Vanity Fea 19 October 2009.* (Goffman, dramatism).

         http://vanityfea.blogspot.com/2009/10/el-mundo-social-como-presentacion-y-re.html

         2009

_____. "El mundo social como presentación y re-presentación." Ibercampus (Vanity Fea) 29 Sept. 2020.*

         https://www.ibercampus.es/el-mundo-social-como-presentacion-y-representacion-40147.htm

         2020

_____. "Alrededor de la representación." In García Landa, Vanity Fea 8 April 2011.*

         http://vanityfea.blogspot.com/2011/04/alrededor-de-la-representacion.html

         2011

_____. "Stuart Hall on Representation and Race." In García Landa, Vanity Fea 10 April 2013.*

         http://vanityfea.blogspot.com.es/2013/04/stuart-hall-on-representation.html

         2013

_____. "La falacia modélica (y su origen) según Bergson." Academia 24 Oct. 2017.*

         http://www.academia.edu/34940295/falaciabergson.pdf

         2017

_____. "La falacia modélica (y su origen) según Bergson." ResearchGate 26 Oct. 2017.*

         https://www.researchgate.net/publication/320618522    

         2017

_____. "La falacia modélica (y su origen) según Bergson." 5 Metros de Poemas 24 Oct. 2017.*

         http://5metrosdepoemas.com/index.php/noticias/21-usa-europa/547-la-falacia-modelica-y-su-origen-segun-bergson

         2018

Gavaldà Roca, Josep, and Carmen Gregori Signes, eds. Modes de representació i estratègies discursives. (Quaderns de Filologia – Estudis de Comunicació, vol. 1). Valencia: U de Valencia, 2002.*

Gavins, Joanna, and Ernestine Lahey, eds. World Building: Discourse in the Mind. (Advances in Stylistics). London, Oxford, New York, New Delhi, Sydney: Bloomsbury Academic, 2016. 9-164. Online preview at Google Books.*

         https://books.google.es/books?id=Wmw6DAAAQBAJ

         2018

Gelley, Alexander. "The Represented World: Towards a Phenomenological Theory of Description in the Novel." Journal of Aesthetics and Art Criticism 37 (1979): 415-22.

Gentz, Joachim. Keywords Re-Oriented. (InterKultur: European-Chinese Intercultural Studies, 4). With Ella Chmiellewska, Hannah Sommerseth and Jack Burton. Göttingen: Universitätsdrucke Göttingen, 2009.* (Culture, Orientalism, Occidentalism, Postmodernism, Historiography, Literary Field, Discourse, Intertextuality, Canon, Body, Gender, Text, Art, Representation, Reality). Online at Academia.*

         https://www.academia.edu/41792098/

         2020

Gómez Tarín, F. J. "Ficcionalización y naturalización: caminos equívocos en la supuesta representación de la realidad." In El documental, carcoma de la ficción. Ed. P. Poyato. Consejería de Cultura y Filmoteca de Andalucía, 2004.

Goody, Jack. La Peur des représentations: L'ambivalence à l'égard des images, du théâtre, de la fiction, des reliques et de la sexualité. Trans. Pierre-Emmanuel Dauzat. (La Découverte Poche). Paris: La Découverte, c. 2010.

Hacking, Ian.  "Break: Reals and Representations." In Hacking, Representing and Intervening: Introductory Topics in the Philosophy of Natural Science. Cambridge: Cambridge UP, 1983. 130-49.*

_____. Representing and Intervening: Introductory Topics in the Philosophy of Natural Science. Cambridge: Cambridge UP, 1983.*

Kress, Gunther. "Representational Resources and the Production of Subjectivity: Questions for the Theoretical Development of Critical Discourse Analysis in a Multicultural Society." In Texts and Practices: Readings in Critical Discourse Analysis. Ed. Carmen Rosa Caldas-Coulthard and Malcolm Coulthard. London: Routledge, 1995. 15-31.

_____. "Representational Resources and the Production of Subjectivity: Questions for the Theoretical Development of Critical Discourse Analysis in a Multicultural Society." In Critical Discourse Analysis: Critical Concepts in Linguistics. Ed. Michael Toolan. London: Routledge, 2002. 2.285-301.*

LaCapra, Dominick. Representing the Holocaust: History, Theory, Trauma. Ithaca (NY), 1994.

Lash, Scott. "Cine: de la representación a la realidad." In Lash, Sociología del posmodernismo. Buenos Aires, Amorrortu, 1990. 232-241.

Levine, G., ed. Realism and Representation: Essays on the Problem of Realism in Relation to Science, Literature, and Culture. Madison: U of Wisconsin P, 1993.

Linke, Gabrielle, and Holger Rossow, eds. Rhetoric and Representation: The British at War. Heidelberg: Winter, 2007.

         http://www.winter-verlag.de/en/detail/978-3-8253-5390-2/Linke_Rossow_Eds_Rhetoric_and_Representation/

         2014

Lotman, Iuri M. "La cultura como sujeto y objeto para sí misma." In Lotman, La Semiosfera, II: Semiótica de la cultura del texto, de la conducta y del espacio. Madrid: Cátedra / Universitat de València, 1998. 140-51.*

Mahler, Andreas, ed. Stadt-Bilder: Allegorie- Mimesis - Imagination. Heidelberg, 1999.

Marcus, Steven. Representations: Essays in Literature and Society. New York: Random House, 1975.

Marin, Louis. Jean-Charles Blais: Du figurable en peinture. Blusson, 1988.

_____. Opacité de la peinture: Essais sur la représentation au Quattrocento. Usher, 1989.

_____. "Introduction: L'Être de l'image et son efficace." In Marin, Des Pouvoirs de l'Image: Gloses. Paris: Seuil, 1993. 9-22.*

Morin, Edgar. Le Cinéma ou l'Homme imaginaire. Paris: Minuit, 1956.

Murawska, Magdalena. "Figures, Grounds and Containers. Patient Presentation in Medical Case Reports." Miscelánea 41 (2010):  77-92.*

Nichols, B. La representación de la realidad: Cuestiones y conceptos sobre el documental. Barcelona: Paidós, 1997.

O'Hara, Robert J. "Mapping the Space of Time: Temporal Representation in the Historical Sciences." In New Perspectives on the History of Life: Systematic Biology as Historical Narrative. Ed. M. T. Ghiselin and G. Pinna. (Memoirs of the California Academy of Sciences, 20). 1996. 7-17. Online at Social Science Research Network 5 Feb. 2015.*

         http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2559427

         2015

Oliveira Ribeiro, Cléa Regina de. "Merleau-Ponty y Cézanne: Visión primordial y figura humana." In Congreso Fenomenología y Ciencias Humanas: Santiago de Compostela, 24-28 de Septiembre de 1996. Ed. Mª Luz Pintos Peñaranda and José Luis González López. Santiago de Compostela: U de Santiago de Compostela, 1998. 415-22.*

Paricio Royo, Javier. "Algunas reflexiones sobre el proceso interpretativo de una representación." Typescript, U of Zaragoza, 2004.*

Paulet Dubois, Françoise. (U  de Almería; pauletfranc@yahoo.fr). "'Ceci n'est pas une pipe': Réalite et représentation chez Yourcenar et Pamuk." Thélème: Revista complutense de estudios franceses 25 (2010): 211-20. Online at Semantic Scholar.*

         https://www.semanticscholar.org/paper/%22This-is-not-a-pipe%22%3A-reality-and-representation-in-Dubois/0a2715ae0aa08acafd9d77a4925878c4c43a985d

         https://pdfs.semanticscholar.org/0a27/15ae0aa08acafd9d77a4925878c4c43a985d.pdf

         2020

_____. "'Ceci n'est pas une pipe': Réalité et représentation chez Yourcenar et Pamuk." Thélème: Revista Complutense de Estudios Franceses 25 (2010): 211-20.* Online PDF at Dialnet

         http://dialnet.unirioja.es/servlet/articulo?codigo=3355777&orden=0&info=link

         2014

Penas Ibáñez, Beatriz. "Masters Writing on Language and Representation: T. E. Hulme's Subtext in Death in the Afternoon." North Dakota Quarterly 73.1-2 (Winter / Spring 2006): 120-34.*

Perlman, M. Conceptual Flux: Mental Representation, Misrepresentation, and Concept Change. Dordrecht: Kluwer, 2000.

Perner, Josef. Understanding the Representational Mind. Cambridge (MA): MIT Press, 1991.

Plato. From Republic. Trans. B. Jowett. Selection from books II, III and X. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 19-41.*

Putnam, Hilary. Representation and Reality. Cambridge (MA): MIT Press, 1988.

_____. Representación y realidad. Trans. Gabriela Ventureira. Barcelona: Gedisa, 1990.

Rodríguez Serrano, A. "Verdad e imagen: la edición en las representaciones fílmicas del Holocausto." Ámbitos  26 (2014): 31-40.

Rorty, Richard. "'We Anti-Representationalists'." In Postmodern Debates. Ed. Simon Malpas. (Readers in Cultural Criticism). Houndmills: Palgrave, 2001. 93-100.*

Rose, Gillian. Mourning Becomes the Law: Philosophy and Representation. Cambridge, 1996.

Rossini Favretti, Rema, ed. Frames, Corpora, and Knowledge Representation. Bologna: Bologna UP, 2008.

Schmid, Wolf. "The Selection and Concretization of Elements in Verbal and Filmic Narration." In Beyond Classical Narration: Transmedial and Unnatural Challenges. Ed. Jan Alber and Per Krogh Hansen. Berlin and Boston: De Gruyter, 2014. 15-24.*

Schopenhauer, Arthur. El mundo como voluntad y representación. Introd. E. Friedrich Sauer. Trans. E. Ovejero y Maury. México: Porrúa, 1987.

_____. El mundo como voluntad y representación. Introd. Ignasi Roviró Alemany. Barcelona: RBA, 2004.

_____. Die Welt als Wille und Vorstellung. Band II. 1844.

_____. Die Welt als Wille und Vorstellung. Ed. Arthur Hübscher. Mannheim: Brockhaus, 1988.

_____. El Mundo como Voluntad y Representación (Volumen Segundo). 1844. Trans. Rafael-José Díaz Fernández and Mª Montserrat Armas Concepción; rev. Joaquín Chamorro Mielke. (Grandes Pensadores Gredos; Schopenhauer, II). Madrid: Gredos, 2010. Rpt. Barcelona: RBA Coleccionables, 2014.* ("Volumen II: Que contiene los complementos a los cuatro libros del primer volumen").

_____. II.1.1. "Complementos al libro primero (1) La doctrina de la  representación intuitiva." In Schopenhauer, El Mundo como Voluntad y Representación (Volumen Segundo). Barcelona: RBA Coleccionables, 2014. 11-68.* (Idealism; Epistemology; Understanding, Senses, a priori knowledge).

_____. "Complementos al libro primero (2) La doctrina de la representación abstracta, o del pensamiento." In Schopenhauer, El Mundo como Voluntad y Representación (Volumen Segundo). Barcelona: RBA Coleccionables, 2014. 69-210*

_____. Theorie des gesammten Vorstellens, Denkens und Erkennens.

Синебрюхов, Ю. Б. "Quis custodiet ipsos custodes? Набросок реальности." In Science and Education: A New Dimension—Humanities and Social Sciences 8.37 (Issue 223, Feb. 2020): 41-44.*

http://www.seanewdim.com

http://seanewdim.com/uploads/3/4/5/1/34511564/hum_viii_223_37.pdf

https://seanewdim.com/uploads/3/4/5/1/34511564/httpsdoi.org10.31174send-hs2020-223viii37-10.pdf

https://doi.org/10.31174/SEND-HS2020-223VIII37-10

Online at Academia.*

https://www.academia.edu/42243977/

2021

Simpson, Paul. Language, Ideology and Point of View. (Interface). London: Routledge, 1993.*

Sperber, Dan. "Anthropology and Psychology: Towards an Epidemiology of Representations." Man 20 (1985): 73–89.

_____. "3. Anthropology and Psychology: Towards an Epidemiology of Representations." In Sperber, Explaining Culture: A Naturalistic Approach. London: Blackwell, 1996. 56-76.*

_____. "2. Interpreting and Explaining Cultural Representations." In Sperber, Explaining Culture: A Naturalistic Approach. London: Blackwell, 1996. 32-55.*

_____. "An Epidemiology of Representations." Edge 26 July 2005.*

         https://www.edge.org/conversation/dan_sperber-an-epidemiology-of-representations?utm_content=buffer12606

         2016

Storey, Robert. Mimesis and the Human Animal: On the Biogenetic Foundations of Literary Representation. Evanston (IL): Northwestern UP, 1996.

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. London: Macmillan, 1988.

Tamul, Daniel J., and Jessica C. Hotter. "Exploring Mechanisms of Narrative Persuasion in a News Context: The Role of Narrative Structure, Perceived Similarity, Stigma, and Affect in Changing Attitudes." Collabra: Psychology 5.1 (2019): 51.*

         https://doi.org/10.1525/collabra.172

         https://online.ucpress.edu/collabra/article/5/1/51/112960/

         2020

         Online at Academia.*

         https://www.academia.edu/112704449/

         2023

Tomasello, Michael. "4. Linguistic Communication and Symbolic Representation." In Tomasello, The Cultural Origins of Human Cognition. Cambridge (MA) and London: Harvard UP, 1999. 94-133.*

Tracy, Karen, and Jessica S. Robles. Everyday Talk: Building and Reflecting Identities. 2^nd ed. Guilford Press, 2013.

Turner, Mark. The Blending website. 2003-2009

         http://blending.stanford.edu

         2009

_____. "The Art of Compression." In The Artful Mind. Ed. Mark Turner. New York: Oxford UP, 2006. See

         http://theartfulmind.stanford.edu

_____. "Compression and Representation." Language and Literature 15.1 (2006): Special issue: Blending. 17-27.*

_____. "Frame Blending." 2007. In Frames, Corpora, and Knowledge Representation. Ed. Rema Rossini Favretti. Bologna: Bologna UP, 2008. 13-32. Online PDF at SSRN.*

         http://ssrn.com/abstract=1321302

         2009

Tyupa, Valerii Igorevich. "Что такое нарративная картина мира?" OpeNarratology 25 Jan. 2016.*

         http://www.opennar.com/#!???-?????-???????????-???????-????/cmbz/56a66d7d0cf215a9bb95ff89

         2016

Walton, Kendall L. Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge (MA): Harvard UP, 1990.  1993.

 

 

 

Audio

 

 

Laclau, Ernesto. "The Discursive Construction of Social Antagonisms." Lecture at Birkbeck College, London, 31 Jan. 2014. Backdoor Broadcasting Company

         http://backdoorbroadcasting.net/2014/01/ernesto-laclau-masterclass-the-discursive-construction-of-social-antagonisms/

         2014

 

 

 

 

 

Films

 

 

How Art Made the World. Documentary film series. Episode 1: More Human than Human. Dir. and prod. Nick Murphy. Presented by Nigel Spivey. Exec. Prod. Kim Thomas. Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005. Online at DailyMotion (2022).*

https://dai.ly/x8f2xww

         2023

_____. How Art Made the World, 2: The Art of Persuasion. Prod. and dir. Francis Whately. Presented by Nigel Spivey. Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005. Online at DailyMotion (2022).

         https://dai.ly/x8f40oe

         2023

_____. How Art Made the World: The Day Pictures Were Born. ("BBC Documentary - How Art Made The World 2 of 5 - The Day Pictures Were Born."). Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005. YouTube (Ryou Boniface) 20 July 2015.*

https://youtu.be/eQWKpKbvc9M

         2023

_____. How Art Made the World: Once upon a Time. Prod. and dir. Francis Whately. Presented by Nigel Spivey. Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005.  Online at DailyMotion  (2022, mistitled as "The Art of Persuasion").*

         https://dai.ly/x8f59l7

         2023

_____. How Art Made the World: To Death and Back. Prod. and dir. Ben McPherson. Presented by Nigel Spivey. Series prod. Mark Hedgecoe. BBC / KCET Hollywood, 2005.   Online at DailyMotion (Educational Documentaries) (2022).*

https://dai.ly/x8f7z44

         2023

 

 

 

 

 

Journals

 

 

 

Cultura, Lenguaje y Representación.

Departamento de Filología Inglesa y Románica

Campus Riu Sec

Universitat Jaume I

12071 Castellon

http://www.clr.uji.es

2008

 

 

 

 

 

 

 

Video

 

 

Hall, Stuart. "Representation & the Media: Featuring Stuart Hall." YouTube (ChallengingMedia) 4 Oct. 2006.*

         http://youtu.be/aTzMsPqssOY

         2013

 

Lurz, Robert. "Consciousness and the Representational Theory of Mind: An Overview of the Philosophical Debate." Video. Lecture at the Asian Ameircan / Asian Research Institute, City U of New York, 23 Sept. 2005. YouTube (aaricuny) 29 Jan. 2013.*

         https://youtu.be/RtHDKyDEkvQ

         2016

 

Sanz, Rosalía. "Los mapas mienten." YouTube (Pleyadianos de Luz) 18 Feb. 2020.*

https://youtu.be/Gg-83j84yLY

         2020

 

Strawson, Galen. "Galen Strawson on perception." Video lecture. YouTube (Brad Younger) 15 Nov. 2014.* (Realism, perception, mind, representation, experience, subject/object).

         http://youtu.be/Ct3C62FmL_k

         2015

 

Williams, Rowan. (Lord Williams of Oystermouth). "Making Representations: Religious Faith and the Habits of Language." (Gifford Lectures, U of Edinburgh). YouTube (The University of Edinburgh) 7 Nov. 2013.*

         http://youtu.be/_ib-HOy3vtA?list=UUZv8UXOfXHaQaalmp7AMLwg

         2014

 

 

 

 

 

Series

 

 

(Sociétés & représentations). Paris, Publications de la Sorbonne, c. 2015.

 

 

 

 

 

 

 

Video

 

 

Bueno, Gustavo. "Democracia representativa." Video lecture. YouTube (fgbuenotv) 30 May 2011.*

https://youtu.be/xPEhpxATa4Y

2022

 

Dehaene, Stanislas. "Quel code neural pour les représentations mentales?  / Vector Codes and the Geometry of Mental Representation – (1): Cellules grand-mère ou vecteurs neuronaux: Les représentations mentales sont-elles localisées ou distribuées?" YouTube (Sciences de la Vie - Collège de France) 10 Jan. 2023.* (Cyborgs, Neuroelectronics, Neuralink)

https://youtu.be/SP6Gxz7gmWE

         2023

 

 

 

 

 

See also Semiotics: General; Signs; Mimesis.

 

 

 

 

Mímesis y Representación

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Representation, Mimesis

 

Early works

Miscellaneous

 

 

 

 

Early works

 

Aristotle. Poetics. many editions

Arteaga, Esteban de. Investigaciones filosóficas sobre la belleza ideal considerada como objeto de todas las artes de imitación. Madrid: Antonio de Sancha, 1789. In Obra completa castellana: La belleza Ideal. Escritos Menores. Ed. Miguel Battlori. 3rd ed. Madrid: Espasa-Calpe, 1972. 3-156.*

Batteux (Abbé). Traité des beaux-arts réduits à un même principe. Paris, 1747.

Jones, William (Sir). "Essay on the Arts Commonly Called Imitative." In Jones, Poems Consisting Chiefly of Translations from the Asiatick Languages. London, 1772.

Lessing, Gotthold Ephraim. Laokoon. 1766. In Lessing, Schriften über antike Kunst. Vol. 4 of Lessings Werke. 6 vols. Ed. R. Riemann. Leipzig: Philipp Reklam [n.d.]. 7-161.

_____. Laokoon. Ed. W. G. Howard. New York, 1910.

_____. Laocoon. Trans. Sir Robert Phillimore. Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 420-26.*

_____. Laocoön: An Essay on the Limits of Poetry and Painting. Trans. Edward Allen McCormick. Baltimore: Johns Hopkins UP, 1984.

_____. From Laocoön (From Preface; Chs. 1-3, 9, 10, 12, 15, 16-18, 21). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Laocoonte, o sobre los límites de la poesía y la pintura. Trans. Enrique Palau. Barcelona: Orbis, 1985.*

_____. Laocoonte. Trans. E. Barjau. Madrid: Editora Nacional, 1984.

Plato. Ion. Ed. and trans. Monique Canto. Paris: Flammarion, 1989.

_____. From Republic. Trans. B. Jowett. Selection from books II, III and X. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 19-41.*

_____. The Republic. Selection from Book II.9. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 44-59.*

_____. From Republic. (From Books II, III, VII; Book X). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Shelley, Percy Bysshe. "Preface" In Prometheus Unbound. London: C. and J. Ollier, 1820.

Smith, Adam. "Of the Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts." Lecture, 1772. Pub. with an appendix on the affinity between music, dance and poetry, in Essays on Philosophical Subjects. With a Life by Dugald Stewart. 1795.

_____. "Of the Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts." In Smith, Essays Philosophical and Literary. London, n.d.

_____. "De la naturaleza de la imitación que tiene lugar en las llamadas artes imitativas." In Smith, Ensayos filosóficos. Madrid: Pirámide, 1998. 173-212.*

_____. Essays on Philosophical Subjects. With a Life by Dugald Stewart. 1795.

_____. Essays: On Moral Sentiments, Astronomical Inquiries, Formation of Languages, Ancient Physics and Logic, Imitative Arts, etc. Murray, 1872.

Twardowski, Kasimir. Zur Lehre vom Inhalt und Gegenstand der Vorstellungen: Eine Psychologische Untersuchungen. 1894. Munich and Vienna: Philosophia Verlag, 1977.

_____. On the Content and Object of Presentations. Trans. R. Grossmann. The Hague: Martinus Nijhoff, 1977.

Twining, Thomas. Aristotle's Treatise on Poetry. Two Dissertations on Poetic and Numerical Imitation. London, 1789.

Wilde, Oscar. "The Decay of Lying." The Nineteenth Century (January 1889). (Aestheticism; Decadence; Mimesis; Nature; Realism; Imagination and fancy)

_____. "The Decay of Lying." In Wilde, Intentions. London: James R. Osgood McIlvaine & Co, London, 1891.

_____. "The Decay of Lying." In The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948. 970-1016.

_____. "The Decay of Lying." In Complete Works of Oscar Wilde. London: Collins, 1966. 970-92.*

_____. "The Decay of Lying." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 673-686.*

_____. "The Decay of Lying." In Wilde, De Profundis and Other Writings. Harmondsworth: Penguin, 1986. 55-88.*

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Young, Edward. Conjectures on Original Composition in a Letter to the Author of Sir Charles Grandison. London: Printed for A. Millar and R. and J. Dodsley, 1759. (Originality; Mimesis; Classical literature; Genius; Rhyme; Addison)

_____. Conjectures on Original Composition. Ed. M. W. Steinke. Philadelphia, 1917.

_____. Conjectures on Original Composition. Ed. Edith J. Morley. Manchester, 1918.

_____. "Conjectures on Original Composition." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 353-88.*

_____. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 338-347.*

 

 

 

 

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Auerbach, Erich. Mimesis. Bern: Francke, 1946.

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_____. Mimesis. Princeton: Princeton UP, 1991.

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_____. Mimologiques: Voyage en Cratylie. (Points; Essais, 386). Paris: Seuil, 1999.

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_____. "10. Do You Love Him Because I Do? The Pastoral Genre in As You Like It." In Girard, A Theatre of Envy: William Shakespeare. 1991. 2nd ed. (Odéon). Leominster and New Malden: Gracewing / Inigo, 2000. 92-99.*

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_____. Celui par qui le scandale arrive.

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_____. "Recent Developments in Feminist Criticism." 1978. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 251-72.

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_____. "Representation and Misrepresentation." Critical Inquiry 11 (1984): 195-201.

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_____. "The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 381-86.*

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_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*

_____. "Art as Technique." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 15-30.*

_____. "Art as Technique." Selection. In Debating Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 48-56.*

_____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.*

_____. "Art as Technique." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 260-72.*

_____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*

_____. "Art as Technique." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

_____. "L'art comme procédé." In Théorie de la littérature: Textes des formalistes russes.  Ed. Tzvetan Todorov. (Tel Quel). Paris: Seuil, 1965. 76-97.*

Sperber, Dan. "Anthropology and Psychology: Towards an Epidemiology of Representations." Man 20 (1985): 73–89.

_____, ed. Metarepresentations: A Multidisciplinary Perspective. Oxford, 2000.

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Stanco, Michele. "'Specchio della natura' o 'larger than life'? Verosimiglianza, catarsi e straniamento in Shakespeare." In Il personaggio: Figure della dissolvenza e della permanenza. Ed. Chiara Lombardi. Alessandria, Dell'Orso, 2008. 619-27.

Sternberg, Meir. "Mimesis and Motivation: The Two Faces of Fictional Coherence." Poetics Today 33.3 (Sept. 2012): 329-483. Online at ResearchGate.*

         https://www.researchgate.net/publication/260141693

         2017

Stonehill, Brian. "I. Imitation's Limitations; or, Why Writers Write about Writers Writing." In Stonehill, The Self-Conscious Novel: Philadelphia: U of Pennsylvania P, 1988. 1-18.*

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_____. Figural Realism: Studies in the Mimesis Effect. Baltimore: Johns Hopkins UP, 1999.*

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Audio

 

 

Cazenave, Michel. "Le désir mimétique avec René Girard."  Audio. (France Culture: Les Vivants et les Dieux). YouTube (La Lucarne et la Nuit) 10 Sept. 2015.*

         https://youtu.be/Medv6LG5Rbs

         2017

Oughourlian, Jean-Michel. "Hommage à René Girard et la révolution psychologique qui s'en est suivie." Audio lecture. YouTube (Recherchesmimetiques) 2 May 2016.*

         https://youtu.be/L7JV7qfL0IE

         2016

 

 

 

 

 

 

Journals

 

 

Representations

University of California Press Journals

2120 Berkeley Way

Berkeley

C A USA 94720

Phone: 510/642

Fax: 510/643-7127

Vol. 8 (1984); 31 (1990).

 

 

 

 

 

Video

 

 

Gendler, Tamar. "24. Censorship." (Philosophy and the Science of Human Nature, PHIL 181). YouTube (YaleCourses) 5 April 2012.*

         https://youtu.be/AOk-5OEtWSU

         2016