lunes, 11 de noviembre de 2024

Mímesis y Representación

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Representation, Mimesis

 

Early works

Miscellaneous

 

 

 

 

Early works

 

Aristotle. Poetics. many editions

Arteaga, Esteban de. Investigaciones filosóficas sobre la belleza ideal considerada como objeto de todas las artes de imitación. Madrid: Antonio de Sancha, 1789. In Obra completa castellana: La belleza Ideal. Escritos Menores. Ed. Miguel Battlori. 3rd ed. Madrid: Espasa-Calpe, 1972. 3-156.*

Batteux (Abbé). Traité des beaux-arts réduits à un même principe. Paris, 1747.

Jones, William (Sir). "Essay on the Arts Commonly Called Imitative." In Jones, Poems Consisting Chiefly of Translations from the Asiatick Languages. London, 1772.

Lessing, Gotthold Ephraim. Laokoon. 1766. In Lessing, Schriften über antike Kunst. Vol. 4 of Lessings Werke. 6 vols. Ed. R. Riemann. Leipzig: Philipp Reklam [n.d.]. 7-161.

_____. Laokoon. Ed. W. G. Howard. New York, 1910.

_____. Laocoon. Trans. Sir Robert Phillimore. Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 420-26.*

_____. Laocoön: An Essay on the Limits of Poetry and Painting. Trans. Edward Allen McCormick. Baltimore: Johns Hopkins UP, 1984.

_____. From Laocoön (From Preface; Chs. 1-3, 9, 10, 12, 15, 16-18, 21). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Laocoonte, o sobre los límites de la poesía y la pintura. Trans. Enrique Palau. Barcelona: Orbis, 1985.*

_____. Laocoonte. Trans. E. Barjau. Madrid: Editora Nacional, 1984.

Plato. Ion. Ed. and trans. Monique Canto. Paris: Flammarion, 1989.

_____. From Republic. Trans. B. Jowett. Selection from books II, III and X. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 19-41.*

_____. The Republic. Selection from Book II.9. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 44-59.*

_____. From Republic. (From Books II, III, VII; Book X). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Shelley, Percy Bysshe. "Preface" In Prometheus Unbound. London: C. and J. Ollier, 1820.

Smith, Adam. "Of the Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts." Lecture, 1772. Pub. with an appendix on the affinity between music, dance and poetry, in Essays on Philosophical Subjects. With a Life by Dugald Stewart. 1795.

_____. "Of the Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts." In Smith, Essays Philosophical and Literary. London, n.d.

_____. "De la naturaleza de la imitación que tiene lugar en las llamadas artes imitativas." In Smith, Ensayos filosóficos. Madrid: Pirámide, 1998. 173-212.*

_____. Essays on Philosophical Subjects. With a Life by Dugald Stewart. 1795.

_____. Essays: On Moral Sentiments, Astronomical Inquiries, Formation of Languages, Ancient Physics and Logic, Imitative Arts, etc. Murray, 1872.

Twardowski, Kasimir. Zur Lehre vom Inhalt und Gegenstand der Vorstellungen: Eine Psychologische Untersuchungen. 1894. Munich and Vienna: Philosophia Verlag, 1977.

_____. On the Content and Object of Presentations. Trans. R. Grossmann. The Hague: Martinus Nijhoff, 1977.

Twining, Thomas. Aristotle's Treatise on Poetry. Two Dissertations on Poetic and Numerical Imitation. London, 1789.

Wilde, Oscar. "The Decay of Lying." The Nineteenth Century (January 1889). (Aestheticism; Decadence; Mimesis; Nature; Realism; Imagination and fancy)

_____. "The Decay of Lying." In Wilde, Intentions. London: James R. Osgood McIlvaine & Co, London, 1891.

_____. "The Decay of Lying." In The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948. 970-1016.

_____. "The Decay of Lying." In Complete Works of Oscar Wilde. London: Collins, 1966. 970-92.*

_____. "The Decay of Lying." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 673-686.*

_____. "The Decay of Lying." In Wilde, De Profundis and Other Writings. Harmondsworth: Penguin, 1986. 55-88.*

_____. "The Decay of Lying: A Dialogue." 1889. Selection in The Victorian Age: An Anthology of Sources and Documents. Ed. Josephine Guy. London: Routledge, 1998. Pbk. 2002. 390-409.*

_____. "La decadencia de la mentira." In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 967-90.*

_____. "La decadencia de la mentira." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 407-44.*

Young, Edward. Conjectures on Original Composition in a Letter to the Author of Sir Charles Grandison. London: Printed for A. Millar and R. and J. Dodsley, 1759. (Originality; Mimesis; Classical literature; Genius; Rhyme; Addison)

_____. Conjectures on Original Composition. Ed. M. W. Steinke. Philadelphia, 1917.

_____. Conjectures on Original Composition. Ed. Edith J. Morley. Manchester, 1918.

_____. "Conjectures on Original Composition." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 353-88.*

_____. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 338-347.*

 

 

 

 

Miscellaneous

 

Affergan, F., S. Borutti, C. Calame, U. Fabietti, M.Kilani, F. Remotti.  Figures de l’humain: Les représentations de l’anthropologie. Paris: EHESS, 2003.

Alter, Robert. "Mimesis and the Motive for Fiction." Tri Quarterly 42 (Spring 1978).

Auerbach, Erich. Mimesis. Bern: Francke, 1946.

_____. Mimesis: The Representation of Reality in Western Literature. Trans. Willard Trask. Garden City (NY): Doubleday-Anchor, 1957.*

_____. Mimesis. Princeton: Princeton UP, 1991.

_____. Mímesis: La representación de la realidad en la literatura occidental. México: FCE, 1979.

Baudrillard, Jean. Simulations. Trans. Paul Foss, Paul Patton and Philip Beitchman. New York: Semiotext(e), 1983.

Barthes, Roland. "L'effet de réel." 1968. Communications 11 (1968): 84-9. Rpt. in Barthes, Le Bruissement de la langue. Paris: Seuil, 1984. 167-74.

_____. "The Reality Effect." In French Literary Theory Today: A Reader. Ed. Tzvetan Todorov. Trans. R. Carter. Cambridge: Cambridge UP, 1982. 1-17.

_____. ""The Realistic Effect." Trans. Gerald Mead. Film Reader 3 (1978): 131-5.

_____. "The Reality Effect." In The Rustle of Language. Trans. Richard Howard. New York: Hill and Wang, 1986.

_____. "El efecto de lo real." In Polémica sobre realismo . Ed. Ricardo Piglia. 139-155. Barcelona: Buenos Aires.

_____. Littérature et réalité. Paris: Seuil, 1982.

Beardsley, Monroe C. "Representation." In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. Xxxvi-xl.*

_____. "Representation in the Visual Arts." (16. Representation and Abstraction. 17. The Relation of Design to Subject). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 267-317.*

Ben-Porat, Z. "Represented Reality and Literary Models." Poetics Today 7.1 (1986): 29-58.

Berlatsky, Eric L. The Real, The True and the Told: Postmodern Historical Narrative and the Ethics of Representation. Ohio State UP, 2011.

Bersani, Leo. "Representation and Its Discontents." In Allegory and Representation. Ed. Stephen Greenblatt. Baltimore: Johns Hopkins UP, 1981. 145-62.

Bessiere, Jean. "Dire la Mimesis aujourd'hui." Neohelicon 13.2 (1986).

Blumenberg, Hans. "Nachahmung der Natur! Zur vorgeschichte der schöpferischer Menschen." Studium Generale 10 (1957): 266-83.

Bobes Naves, Carmen, et al. "Poética clasicista en Italia." In Bobes, et al.  Historia de la Teoría Literaria, II: Transmisores. Edad Media. Poéticas clasicistas. Madrid: Gredos, 1998. (III.I). (Humanism, mimesis, Aristotle, genres, novella, comedy, lyric, dramatic unities).

Bobrow, Daniel G., and Alan M. Collins. Representation and Understanding: Studies in Cognitive Science. New York: Academic Press, 1975.

Bolter, Jay David, and Richard Grusin. "Immediacy, Hypermediacy, and Remediation." In Bolter and Grusin, Remediation: Understanding New Media. Cambridge (MA): MIT Press, 1999. 2000. 20-51.*

Boyd, Brian. "The Evolution of Stories: From Mimesis to Language, from Fact to Fiction." Wiley Interdisciplinary Reviews - Cognitive Science 9.1 (May 2017).  DOI: 10.1002/wcs.1444

         Online at ResearchGate.*

https://www.researchgate.net/publication/317190091_The_evolution_of_stories_From_mimesis_to_language_from_fact_to_fiction

         2019

Boyd, John D.. The Function of Mimesis and its Decline. London: Oxford Up, 1968.

Boyd, Michael. "The Mimetic Fallacy." In Boyd, The Reflexive Novel. London: Associated UPs, 1983. 168-78.*

Bozal, V. Mímesis: Las imágenes y las cosas. Madrid: Visor, 1987.

Bruck, J. "From Aristotelian Mimesis to 'Bourgeois' Realism." Poetics 11.3 (1982): 189-202.

Bruns, Gerald L. "A Question of the Truth of Mimesis." Renascence 37.3 (Spring 1985).

Burnyeat, M. F. "Art and Mimesis in Plato's Republic." London Review of Books 21 May 1998: 3-9.*

Calinescu, Matei. "Postmodernism, the Mimetic and Theatrical Fallacies." In Exploring Post-modernism. Ed. Matei Calinescu and Douwe Fokkema. Amsterdam: Benjamins, 1987.

Caner, Robert. "El decir griego y el sentido de la mímesis según Martínez Marzoa." Lecture at the Seminario de Investigaciones Culturales "Tropelías" (SIC), Facultad de Filosofía y Letras, Universidad de Zaragoza, 30 Oct. 2013.

Carey, Benedict. "Can One Suicide Lead to Others?" New York Times 8 June 2018.*

         https://www.nytimes.com/2018/06/08/health/suicide-bourdain-spade.html

         2018

Carroll, David. "Mimesis Reconsidered: Literature, History, Ideology." Diacritics 5 (1975): 5-12.

_____, ed. The Aims of Representation. New York: Columbia UP, 1987.

Cohen, Tom. (U of North Carolina at Chapel Hill). "Othello, Bakthtin and the Death(s) of Dialogue." In Cohen, Anti-Mimesis from Plato to Hitchcock. Cambridge: Cambridge UP, 1994. 11-44.*

_____. Anti-Mimesis from Plato to Hitchcock. Cambridge: Cambridge UP, 1994.*

Compagnon, Antoine. "Le monde." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 101-46.* (Mimesis, fictionality)

Cosmides, Leda, and John Tooby. "Consider the Source: The Evolution of Adaptations for Decoupling and Metarepresentation." In Metarepresentations: A Multidisciplinary Perspective. Ed. Dan Sperber. Oxford, 2000. 53-115.

Cottom, Daniel. "Frankenstein and the Monster of Representation." Sub-stance 28 (1980): 60-71.

Cowl, R. P. The Theory of Poetry in England. London: Macmillan, 1914.

Currie, Gregory. "5. Expression and Imitation." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford UP, 2010. 86-108.* (The Framing Effect of Point of View - Conversation, Framing, and Joint Attention - Joint Attending and Guided Attending - Imitation - Imitating the Unreal - The Standard Model - Appendix: Expression and the Reliability of Signalling).

Docherty, Thomas. "The Modern Thing: Metaphor and the Event of Representation." In Docherty, Alterities. Oxford: Clarendon Press, 1996. 19-35.*

Dollimore, Jonathan. "4. Renaissance Literary Theory: Two Concepts of Mimesis." In Dollimore, Radical Tragedy. 3rd ed. Houndmills: Palgrave, 2004. 70-82.*

During, Simon. Foucault and Literature: Towards a Genealogy of Writing.  London: Routledge, 1992.*

Escobar, José. "La mímesis costumbrista." Romance Quarterly 35.3 (August 1988).

Even-Zohar, Itamar. "'Reality' and Realemes in Narrative." Poetics Today 11.1 (1990): 207-218.*

Fairclough, Norman. Analysing Discourse: Textual Analysis for Social Research. Abingdon and New York: Routledge, 2003.* 2004. 2005.* (I. Social analysis, discourse analysis, text analysis; II. Genres and action; III. Discourses and representations; IV. Styles and identities).

Field, T. M., et al. "Discrimination and Imitation of Facial Expressions in Neonates." Science 218 (1982): 179-81.

Galewicz, Wladzimierz, Elisabeth Ströker, and Wladislwa Strozewski, eds. Art and Reality: Phenomenological and Ontological Approaches. Amsterdam: Rodopi, 1993.

Galván, Fernando, Julio Cañero Serrano, and José Santiago Fernández Vázquez, eds. (Mis)representations: Intersections of Culture and Power. Bern: Peter Lang, 2003.

García Landa, José Ángel. "El realismo como idolatría." In García Landa, Vanity Fea 16 March 2010.*

         http://vanityfea.blogspot.com/2010/03/el-realismo-como-idolatria.html

         2010

_____. "El decir griego." In García Landa, Vanity Fea 31 Oct. 2013.* (Martínez Marzoa).

         http://vanityfea.blogspot.com.es/2013/10/el-decir-griego.html

         2013

Gebauer, Gunther, and Christoph Wulf. Mimesis: Culture-Art-Society. Berkeley: U of California P, 1996.

Genette, Gérard. Mimologiques: voyage en Cratylie. (Poétique). Paris: Seuil, 1976.*

_____. Mimologiques: Voyage en Cratylie. (Points; Essais, 386). Paris: Seuil, 1999.

_____. Mimologics Trans. Thaïs Morgan. Foreword by Gerald Prince. U of Nebraska P, 1995.*

Girard, René. Des choses cachées depuis la fondation du monde. With Jean-Michel Oughourlian and Guy Lefort. Paris: Grasset-Fasquelle, 1978. 1991.*

_____. "8. Love by Another's Eye: Mimetic Punning in A Midsummer Night's Dream." In Girard, A Theatre of Envy: William Shakespeare. 1991. 2nd ed. (Odéon). Leominster and New Malden: Gracewing / Inigo, 2000. 72-79.*

_____. "10. Do You Love Him Because I Do? The Pastoral Genre in As You Like It." In Girard, A Theatre of Envy: William Shakespeare. 1991. 2nd ed. (Odéon). Leominster and New Malden: Gracewing / Inigo, 2000. 92-99.*

_____. "21. O Conspiracy! Mimetic Seduction in Julius Caesar." In Girard, A Theatre of Envy: William Shakespeare. 1991. 2nd ed. (Odéon). Leominster and New Malden: Gracewing / Inigo, 2000. 185-92.*

_____. Les origines de la culture. 2004.

_____. Celui par qui le scandale arrive.

Gledhill, Christine. "Recent Developments in Feminist Criticism." Quarterly Review of Film Studies 3.4 (1978): 457-93. (Representation, realism, ideology, Barthes, Althusser, myth, psychoanalysis, Lacan).

_____. "Recent Developments in Feminist Criticism." 1978. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 251-72.

Goldstein, H. D. "Mimesis and Catharsis Reexamined." Journal of Aesthetics and Art Criticism 24 (1966): 567-77.

Gombrich, E. H. Art and Illusion. London: Phaidon, 1968.

_____. "Representation and Misrepresentation." Critical Inquiry 11 (1984): 195-201.

González Valerio, María Antonia. "Mímesis: Gadamer y la estética." In Hans-Georg Gadamer: Ontología estética y hermenéutica. Ed. Teresa Oñate y Zubía et al. Madrid: Dykinson, 2005. 527-42.*

Goody, Jack. La peur des représentations: L'ambivalence à l'égard des images, du théâtre, de la fiction, des reliques et de la sexualité. Trans. Pierre-Emmanuel Dauzat. (La Découverte Poche). Paris: La Découverte, c. 2010.

Goulimari, Pelagia. "1. Mimesis: Plato and the Poet." In Goulimari, Literary Criticism and Theory: From Plato to Postcolonialism. London and New York: Routledge, 2015. 2-24.*

Greenblatt, Stephen J., ed. Allegory and Representation. Baltimore: Johns Hopkins UP, 1982.

Guerard, Albert J. "Notes on the Rhetoric of Anti-Realist Fiction." Tri Quarterly 30 (1974).

Hall, Stuart. "Signification, Representation and Ideology: Althusser and the Post-Structuralist Debates." Critical Essays in Mass Communication 2.2 (1985).

_____. "The Work of Representation." In Representation: Cultural Representations and Signifying Practices. Ed. Stuart Hall. London: Sage / Open U, 1997. 1999. 13-74.*

_____. Representation: Cultural Representations and Signifying Practices. London: Sage, 1997.

Halliwell, Stephen. The Aesthetics of Mimesis: Ancient Texts and Modern Problems. 2002.

_____.  Between Ecstasy and Truth: Interpretations of Greek Poetics from Homer to Longinus. Oxford: Oxford UP, 2012.

Hamon, Philippe. "Un discours contraint." Poètique 16 (1973): 411-45.

Hebdige, Dick. Hiding in the Light: On Images and Things. London: Methuen, 1988. Rpt. Routledge / Comedia.

Heinze, Ruediger. "Violations of Mimetic Epistemology in First-Person Narrative Fiction." Narrative 16.3 (Oct. 2008): 279-97.*

Hough, Graham. "Mimesis." In Hough, An Essay on Criticism. London: Duckworth, 1966. 42-9.

Hume, Katryn. Fantasy and Mimesis: Responses to Reality in Western Literature. London: Routledge, 1984.

L'Interdit de la représentation. Paris; Seuil, 1984

Iser, Wolfgang. "Representation: A Performative Act." In Iser, Prospecting: From Reader Response to Literary Anthropology. Baltimore: Johns Hopkins UP, 1989. Pbk. 1993. 236-48.*

Jauss, Hans-Robert, ed. Nachahmung und Illusion. (Poetik und Hermeneutik 1). Munich, 1964.

Jenny, Laurent. "Poétique et représentation." Poétique 58 (1984): 171-95.

Jonas, Hans. "Image-Making and the Freedom of Man." In The Phenomenon of Life: Toward a Philosophical Biology. 1966. Westport (CT): Greenwood Press, 1969. 157-81.

Jones, Robert B. "Mimesis and Metafiction in Hemingway's The Garden of Eden." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 77-93.*

Kafalenos, E. "The Power of Double Coding to Represent New Forms of Representation: The Truman Show, Dorian Gray, 'Blow Up' and Whistler's Caprice in Purple and Gold." Poetics Today 24.1 (2003): 1-33.

Kappeler, Susanne. The Pornography of Representation. Cambridge: Polity Press, 1986.

Kress, Gunther. "Representational Resources and the Production of Subjectivity: Questions for the Theoretical Development of Critical Discourse Analysis in a Multicultural Society." In Texts and Practices: Readings in Critical Discourse Analysis. Ed. Carmen Rosa Caldas-Coulthard and Malcolm Coulthard. London: Routledge, 1996. 15-31.*

Krieger, Murray, ed. The Aims of Representation: Subject/Text/History. New York: Columbia UP, 1987.

Lacan, Jacques. "Le stade du miroir comme formateur de la fonction du Je." 1949. In Lacan, Ecrits I. (Points). Paris: Seuil, 1970. 89-99.*

_____. "The Mirror Stage as Formative of the I as Revealed in Psychoanalytic Experience." In Ecrits: A Selection. Trans. Alan Sheridan. New York: Norton, 1977.

_____. "The Mirror Stage." In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahassee: UPs of Florida / Florida State UP, 1986. 1990. 734-38.*

_____. "The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 126-30.*

_____. "The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 381-86.*

_____. "The Mirror Stage", from Ecrits. In A Critical and Cultural Theory Reader. Ed. Antony Easthope and Kate McGowan. Buckingham: Open UP, 1992. 71-76.*

_____. "The Mirror Stage as Formative of the Function of the I." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

Lacey, Nick. Image and Representation: Key concepts in Media Studies. Houndmills: Macmillan, 1998.

Lacoue-Labarthe, P. "Mimesis and Truth." Diacritics (Spring 1978).

Levin, David Michael. "The Novelhood of the Novel: The Limits of Representation and the Modernist Discovery of Presence." Chicago Review 28.4 (1977): 87-108.

Levine, George. "Realism Reconsidered." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 336-48.*

_____, ed. Realism and Representation: Essays on the Problem of Realism in Relation to Science, Literature, and Culture. Madison: U of Wisconsin P, 1993.

Lévy-Bruhl, Lucien. "V. La participation-imitation dans les mythes." In Lévy-Bruhl, La mythologie primitive. 1935. In Lévy-Bruhl, Primitifs. Paris: Anabet, 2007. 943-74.* (Ceremonies, Supernatural, Sorcerers, Mimesis).

Linhares-Dias, Rui. How to Show Things with Words: A Study on Logic, Language and Literature. Berlin and New York: Mouton de Gruyter, 2006.

         http://www.sa.uac.pt/rdias/index.pdf

Littérature et Réalité. Paris: Seuil (Points).

Lodge, David. "Mimesis and Diegesis in Modern Fiction.' In Contemporary Approaches to Narrative. Ed. Andrew Mortimer. (Swiss Papers in English Language and Literature, 1). Tübingen: Narr, 1984. 89-108.

Lomba Fuentes, Joaquín. "Physis y mímesis en la filosofía del arte griego." In Estudios en Homenaje al Dr. Antonio Beltrán Martínez. Zaragoza: Facultad de Filosofía y Letras, Universidad de Zaragoza, 1986. 873-87.* 

Lowenthal, Leo. Literature and the Image of Man. Boston: Beacon, 1957.

Lukács, Georg. "Art and Objective Truth." Writer and Critic. London: Merlin, 1978. 25-60.

_____. "Marxist Aesthetics and Literary Realism." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 203-17.*

Macherey, P. "The Problem of Reflection." Sub-stance 15 (1976): 6-20.

_____. "Problems of Reflection." In Barker et al., Literature, Society and the Sociology of Literature 41-54.

Marchi, Neil de. "5. Smith on Ingenuity, Pleasure, and the Imitative Arts." In The Cambridge Companion to Adam Smith. Ed. Knud Haakonssen. Cambridge: Cambridge UP, 2006. 146-57.*

Margolis, Joseph, ed. Philosophy Looks at the Arts. Philadelphia: Temple UP, 1978.

Martin, Timothy P. "Henry James and Percy Lubbock: From Mimesis to Formalism." Novel 14 (1980): 20-29.

Martínez Gázquez, José Miguel. "Cognición social (2): Oda al aburrimiento." Der Golem 23 Jan. 2020.* (Dance, mimesis).

         https://dergolem.blog/2019/01/23/cognicion-social-2/

         2020

McKeon, Richard. "Literary Criticism and the Concept of Imitation in Antiquity." In Critics and Criticism: Essays in Method. Ed. R. S. Crane. Chicago: U of Chicago P, 1952. 147-49. Abridged ed.: Chicago: U of Chicago P, 1957. 117-45.*

_____. "El concepto de imitación en la Antigüedad." In  Neoaristotélicos de Chicago. Ed. Javier García Rodríguez. Madrid: Arco/Libros, 2000. 67-110.*

Meltzoff, Andrew N., and M. Keith Moore. "Imitation of Facial and Manual Gestures by Human Neonates." Science 19 (1977): 75-78.

Miner, Earl. "The Grounds of Mimetic and Nonmimetic Art: The Western Sister Arts in a Japanese Mirror." In Articulate Images. Ed. Richard Wendorf. Minneapolis: U of Minnesota P, 1983. 70-97.

Morawski, Stefan. "Mimesis." Semiotica 2 (1970): 35-58.

Morse, Ruth.Truth and Convention in the Middle Ages: Rhetoric, Representation and Reality. 1991.

Mukarovsky, Jan. The World and Verbal Art. New Haven: Yale UP, 1977.

Nichols, Bill. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana UP, 1985.

Nuttall, A. D. A New Mimesis: Shakespeare and the Representation of Reality. London: Methuen, 1983.

_____. The Representation of Reality. New Haven: Yale UP.

Olsen, Stein Haugom. "The Concept of Literary Realism." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 15-40.*

Ong, W. J., SJ. "From Mimesis to Irony: The Distancing of Voice." In The Horizon of Literature. Ed. Paul Hernadi. Lincoln: U of Nebraska P, 1982.

Oughourlian, Jean-Michel. Un mime nommé désir. Paris: Grasset, 1982.

_____. Genèse du désir. Paris: Carnets Nord, 2007.

_____. The Genesis of Desire. Trans. Eugene Webb. Michigan State UP, 2010.

_____. Psychopolitique: Entretiens avec Trevor Cribben Merrill. Preface by René Girard. Paris: Xavier de Guibert, 2010.

_____. Notre Troisième Cerveau: La nouvelle révolution psychologique. Paris: Albin Michel, 2013.

Owens, Craig. "Representation, Appropriation and Power." Art in America. 70.5 (1982): 9-21.

Penas Ibáñez, Beatriz. "Mímesis y realismos: una discusión relevante para la caracterización del modernismo y postmodernismo." Cuadernos de Investigación Filológica 18 (1992): 109-28.*

         http://unizar.academia.edu/BeatrizPenasIbáñez

2013

Perez Carreño, F. Los placeres del parecido: Icono y representación. Madrid: Visor, 1988.

Pettersson, Bo. "2. The Imaginative Uses of Mimesis." In Pettersson, How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination. Berlin and Boston: Walter de Gruyter, 2016. 41-77.* (Mimesis, Fantasy, Realism, Genre).

Piaget, Jean. Play, Dreams and Imitation in Childhood. New York: Norton, 1951.

_____. Play, Dreams and Imitation in Childhood. London, 1951.

_____. Play, Dreams, and Imitation in Childhood. Oxford: Routledge, 2000.

Pier, John, and Jean-Marie Schaeffer, eds. Métalepses: Entorses au pacte de la représentation. (Recherches d'Histoire et de sciences sociales / Studies in History and the Social Sciences, 108). Éditions de l'École des Hautes Études en Sciences Sociales, 2005.*

Prendergast, Christopher. The Order of Mimesis. Cambridge: Cambridge UP, 1986. (Ricoeur).

Richetti, John. "4. Mimesis / mimesis and the Eighteenth-Century British Novel: Representation and Knowledge." In Defoe's Footprints: Essays in Honour of Maximillian E. Nowak. Ed. R. M. Maniquis and Carl Fisher. Toronto, 2009. 71-97.* Online at Google Books:

         https://books.google.es/books?id=q-WK2qGTxb4C

         2016

Ricœur, Paul. "Mimesis and Representation." Annals of Scholarship 11.3 (1981): 15-32.

_____. "Temps et récit: La triple mimèsis." In Temps et récit Tome I: L'intrigue et le récit historique. Paris: Seuil, 1983. Rpt. (Points) 2001. 105-62.*

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_____. Resisting Representation. New York: Oxford UP, 1994. 1995.*

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_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*

_____. "Art as Technique." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 15-30.*

_____. "Art as Technique." Selection. In Debating Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 48-56.*

_____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.*

_____. "Art as Technique." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 260-72.*

_____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*

_____. "Art as Technique." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

_____. "L'art comme procédé." In Théorie de la littérature: Textes des formalistes russes.  Ed. Tzvetan Todorov. (Tel Quel). Paris: Seuil, 1965. 76-97.*

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_____, ed. Metarepresentations: A Multidisciplinary Perspective. Oxford, 2000.

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Stonehill, Brian. "I. Imitation's Limitations; or, Why Writers Write about Writers Writing." In Stonehill, The Self-Conscious Novel: Philadelphia: U of Pennsylvania P, 1988. 1-18.*

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_____. Figural Realism: Studies in the Mimesis Effect. Baltimore: Johns Hopkins UP, 1999.*

Wilson, Tony. "Viewing and the Veridical Effect." In Wilson,Watching Television: Hermeneutics, Reception and Popular Culture. Cambridge: Polity Press, 1993. 104-25.*

 

 

 

Audio

 

 

Cazenave, Michel. "Le désir mimétique avec René Girard."  Audio. (France Culture: Les Vivants et les Dieux). YouTube (La Lucarne et la Nuit) 10 Sept. 2015.*

         https://youtu.be/Medv6LG5Rbs

         2017

Oughourlian, Jean-Michel. "Hommage à René Girard et la révolution psychologique qui s'en est suivie." Audio lecture. YouTube (Recherchesmimetiques) 2 May 2016.*

         https://youtu.be/L7JV7qfL0IE

         2016

 

 

 

 

 

 

Journals

 

 

Representations

University of California Press Journals

2120 Berkeley Way

Berkeley

C A USA 94720

Phone: 510/642

Fax: 510/643-7127

Vol. 8 (1984); 31 (1990).

 

 

 

 

 

Video

 

 

Gendler, Tamar. "24. Censorship." (Philosophy and the Science of Human Nature, PHIL 181). YouTube (YaleCourses) 5 April 2012.*

         https://youtu.be/AOk-5OEtWSU

         2016

 

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