Retropost, 2015:
____
2025: Esto ya se borró, pero seguimos aquí:
_____. "Vanguardias / Avant-garde." A Bibliography of Literary Theory, Criticism, & Philology 11 Dec. 2024.*
https://bibliojagl.blogspot.com/2024/12/vanguardias.html
2024
Mostrando entradas con la etiqueta Vanguardia. Mostrar todas las entradas
Mostrando entradas con la etiqueta Vanguardia. Mostrar todas las entradas
martes, 4 de febrero de 2025
miércoles, 11 de diciembre de 2024
Vanguardias
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
The Avant-Garde
A los 70 años de La Deshumanización del arte: Ortega y las vanguardias. Revista de Occidente 168 (May 1995).*
Anderson, Andrew A. Ernesto Giménez Caballero: The Vanguard Years (1921-1931). Newark: Juan de la Cuesta, 2011.
Ansón, Antonio. El istmo de las luces: Poesía e imagen de la vanguardia. Madrid: Cátedra, 1995.
Bauman, Zygmunt. "Postmodern Art, or the Impossibility of the Avant-Garde." In Bauman, Postmodernism and Its Discontents. Cambridge: Polity Press, 1997. 95-102.*
Bennett, David. "Periodical Fragments and Organic Culture: Modernism, the Avant garde, and the Little Magazine." Contemporary Literature 30.4 (Winter 1989).
Blau, Herbert. "The Oversight of Ceaseless Eyes." In Around the Absurd: Essays on Modern and Postmodern Drama. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 279-92.* (Spectacles, avant-garde).
Bonita Oliva, A. "La transavanguardia." Il Verri ns 1/2 (1984): 56-79.
Borges, Jorge Luis. In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 133-39.*
Boyd, Brian. "35. Art and Evolution: The Avant-Garde as Test Case: Spiegelman in The Narrative Corpse." 2008. In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010. 433-56.*
Bradbury, Malcolm, and James McFarlane. "Movements, Magazines and Manifestos: The Succession from Naturalism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 192-205.*
Bürger, P. Theorie der Avantgarde. Frankfurt: Suhrkamp, 1974.
_____. Theory of the Avant-Garde. Trans. Michael Shaw. Foreword by Jochen Schulte-Sasse. Manchester: Manchester UP; Minneapolis: U of Minnesota P, 1984.
_____. "'Avant-Garde' and Engagement." From Theory of the Avant-Garde. Rpt. in Modernism/Postmodernism. Ed. Peter Brooker. London: Longman, 1992. 58-71.
Bürger, Peter, and Christa Bürger, eds. Postmoderne: Alltag, Allegorie und Avantgarde. Frankfurt: Suhrkamp, 1987.
Butler, Christopher. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Oxford UP, 1980.
Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham (NC): Duke UP, 1987.
Cassou, Jean. "XXVIII." L'Avant-garde russe entre 1910 et 1920." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 481-99.*
Chambers, Iain. "Contamination, Coincidence and Collusion: Pop Music, Urban Culture and the Avant-Garde." Rpt. in Modernism/Postmodernism. Ed. Peter Brooker. London: Longman, 1992. 190-96.*
Collazos, Oscar, ed. Los vanguardismos en América Latina. Barcelona: Península, 1977.*
Dickinson, Morris. "Fiction Hot and Kool: Dilemmas of the Experimental Writer." Tri Quarterly 33 (1975).
Dorfles, Gillo. Il divenire della critica. Torino: Einaudi, 1976.
_____. El devenir de la crítica. Trans. Cristina Peri Rossi. Madrid: Espasa-Calpe, 1979.
García Berrio, Antonio, and Teresa Hernández Fernández. "La revolución anticlásica en la poética de las vanguardias." In García Berrio and Hernández, La Poética: Tradición y modernidad. Madrid: Síntesis, 1992. 54-57.
Giménez Caballero, Ernesto. "Eoántropo: El hombre auroral del arte nuevo" Lecture. Revista de Occidente 58 (March 1928).
_____. "Giménez Caballero entre la vanguardia y la tradición. Su autobiografía intelectual a través de una entrevista." Anthropos 84 (May 1988).
Gómez de la Serna, R. Ismos. 1931. Rpt. Barcelona: Guadarrama.
Goriély, B. Le avanguardie letterarie in Europa. Milan: Feltrinelli, 1967.
Guy, Josephine. The British Avant-Garde: The Theory and Politics of Tradition. Hemel Hempstead: Harvester Wheatsheaf, 1991.
Hernando, Miguel Ángel. Prosa vanguardista en la generación del 27 (Gecé y La Gaceta literaria). Madrid: Prensa Española, 1975.
____. La Gaceta Literaria (1927-1932): Biografía y valoración. Valladolid: U de Valladolid, 1974.
Higgins, Dick. Horizons: the Poetics and Theory of the Intermedia. Carbondale: Southern Illinois UP, 1984.
Hobsbawm, Eric J. Behind the Times. (Modern art).
_____. A la zaga: Decadencia y fracaso de las vanguardias del siglo XX. Trans. of Behind the Times.
Hughes, Robert. The Shock of the New. London: BBC Books, 1980.
_____. The Shock of the New: Art and the Century of Change. New York: Knopf, 1981.
_____. El impacto de lo nuevo: El arte en el siglo XX. Enlarged and rev. ed. Trans. Manuel Pereira. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2000.*
Huyssen, Andreas. "1. The Hidden Dialectic: Avantgarde—Technology—Mass Culture." In Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 3-15.*
_____. "9. The Search for Tradition: Avantgarde and Postmodernism in the 1970s." In Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 160-79.*
_____. "The Search for Tradition." 1986. In Postmodernism: A Reader. Ed. Thomas Docherty. Hemel Hempstead: Harvester Wheatsheaf, 1993. 220-36.
Journadas sobre las vanguardias en América Latina. Buenos Aires: Editorial de la Universidad Católica Argentina, 1996.
Kermode, Frank. "Objects, Jokes, and Art." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 662-74.* (Avant-garde).
Klinkowitz, J. "Avant-Garde and After." In Substance 27: Current Trends in Amercian Fiction. 1980.
Kramer, Hilton. The Age of the Avant-Garde: An Art Chronicle of 1956-1972. New York: Farrar, 1973.
Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge (MA): MIT Press, 1985.
_____. La originalidad de la Vanguardia y otros mitos modernos. Trans. Adolfo Gómez Cedillo. Madrid: Alianza, 1996.
Lethen, Helmut. "Modernism Cult in Half: the Exclusion of the Avant-garde and the Debate on Postmodernism." In Approaching Postmodernism. Ed. D. W. Fokkema and Hans Bertens. Amsterdam: John Benjamins, 1986.
López Sáenz, Mª Carmen. "¿Qué es lo que hace que el post-arte sea arte? Estética e interpretación". Estudios Filosóficos 56 (2007): 493-521.
Lyotard, Jean-François. "The Sublime and the Avant-Garde." Trans. Lisa Liebman, Geoffrey Bennington, and Marian Hobson. Paragraph 6 (October 1985): 1-18.
Manifestoes and Movements. (French Literature Series). Amsterdam: Rodopi, 1980.
Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. (Avant-Garde). Cambridge (MA): Harvard UP, 1989.
_____. Rastros de carmín: Una historia secreta del siglo XX. 1989. Barcelona: Anagrama, 1993.
Marinello, Juan. "Sobre el vanguardismo en Cuba y en la América latina." In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 211-24.*
Martins, Wilson. "El vanguardismo brasileño." In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 170-90.*
Masoliver, Juan Ramón. "De aquella vanguardia, en esta modernidad." Circular del Departament d'Ensenyament, Divisió General D'Ordenació i Innovació Educativa, 1987. Trans. Jesús Alegría. In Masoliver, Perfil de sombras. Barcelona: Destino, 1994. 89-95.*
Micheli, M. de. Las vanguardias artísticas del siglo XX. 4th ed. Madrid: Alianza, 1984.
Paz, Octavio. Los hijos del limo: Del romanticismo a la vanguardia. Barcelona: Seix Barral, 1987.
Perloff, Marjorie. The Futurist Moment: Avant-Garde, Avant-Guerre and the Language of Rupture. Chicago: U of Chicago P, 1986.
Palenzuela, Nilo. "El otro lado de las vanguardias." Revista de Occidente 189 (February 1997): 107-24.*
Piippo, Laura, coed. Avantgarde Suomessa. 2021. ("Avant-garde in Finland").
Poetics of the Avant-Garde. Poetics Today 3.3 (1982).
Poggioli, Renato. Teoria dell'arte d'avanguardia. Bolonia: Il Mulino, 1962.
_____. The Theory of the Avant-Garde. Trans. G. Fitzgerald. Cambridge (MA): Belknap/Harvard UP, 1968.
_____. Teoría del arte de vanguardia. Madrid: Revista de Occidente, 1964.
Polan, Dana B. The Political Language of Film and the Avant-Garde. Ann Arbor: UMI Research Press, 1988.
"La relève des avant-gardes." Dossier Magazine littéraire 392 (Nov. 2000): 18-57.
Rochberg, G. "The Avant-Garde and the Aesthetics of Survival." New Literary History 3.1 (1971).
Ródenas de Moya, Rodrigo. Travesías vanguardistas: Ensayos sobre la prosa del Arte Nuevo. Madrid: Devenir, 2009.
Russell, Charles, ed. The Avant-Garde Today: An International Anthology. Urbana: U of Illinois P, 1981.
_____. Poets, Prophets, and Revolutionaries: The Literary Avant-Garde from Rimbaud through Postmodernism. New York: Oxford UP, 1985.
Sánchez-Pardo González, Esther, Asunción López-Varela Azcárate, Pilar Sánchez-Calle and Carmen Méndez García. "Modernismo mestizo? Expatriación, diáspora e hibridación etnorracial y genérica en la construcción de la vanguardia anglonorteamericana." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*
Sanguineti. "Pour une avant-garde révolutionnaire." Interview with Ferdinando Camon. Tel Quel 29 (1967): 76-95.
Scheunemann, Dietrich, ed. Avant-Garde/Neo-Avant-Garde. 2005.
Scobie, Stephen. Earthquakes and Explorations: Language and Painting from Cubism to Concrete Poetry. Toronto: U of Toronto P, 1997.
Sebreli, Juan José. Las aventuras de la vanguardia.
Segal, Naomi. "Sexual Politics and the Avant-Garde." In Visions and Blueprints. Ed. Timms and Collier. 1988. 235-49.
Selva Roca de Togores, Enrique. Ernesto Giménez Caballero entre la vanguardia y el fascismo. Valencia: Pre-Textos, 2000.
Shattuck, Roger. The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War One: Alfred Jarry, Henri Rousseau, Erik Satie, Guillaume Apollinaire. Rev. ed. New York: Random House, 1968.
Somville, Léon. Devanciers du surréalisme: L'Avant-garde poétique (1912-1925). Geneva: Droz, 1971.
Soria Olmedo, Andrés. Vanguardismo y crítica literaria en España (1910-1930). Madrid: Istmo, 1988.
Stimpson, Catharine. "The Power to Name: Some Reflections on the Avant-Garde." In The Prism of Sex. Ed. Sherman and Beck. Madison, 1979. 55-77.
Suárez Sánchez, Juan A. "View (1940-47), the Avant-Garde, and the Uncertain Life of Objects: Criticism as if Fragments Mattered." Miscelánea 18 (1997): 299 -326.*
Subirats, Eduardo. La crisis de las Vanguardias. 1985.
Suleiman, Susan Rubin. Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge (MA): Harvard UP, 1990.
Timms, Edward, and Peter Collier, eds. Visions and Blueprints: Avant-Garde Culture and Radical Politics in Early Twentieth-Century Europe. New York: St Martin's; Manchester: Manchester UP, 1988.
Torre, Guillermo de. Literaturas europeas de vanguardia. 1925. Ed. José Luis Calvo Carilla. 2003.
_____. From Literaturas europeas de vanguardia. 1925. ("El sentido de la nueva crítica." "La crítica constructora y creadora." "La comprensión de amor."). In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 322-28.*
_____. Ultraísmo, existencialismo... en literatura. Barcelona: Guadarrama.
_____. Historia de las literaturas de vanguardia. 2 vols. Barcelona: Guadarrama.
_____. Historia de las literaturas de vanguardia. 2nd ed. 2 vols. Madrid: Guadarrama, 1974.
Tynianov, J. Avanguardia e tradizione. Bari: Dedalo, 1968.
Vidal Calatayud, José. "'Interpretaciones': La poética postvanguardista de una generación afirmativa (o también: ¿otra vez sobre Europa y la inacabable crisis de lo moderno?)" In Hans-Georg Gadamer: Ontología estética y hermenéutica. Ed. Teresa Oñate y Zubía et al. Madrid: Dykinson, 2005. 699-702.*
Wees, William C. Vorticism and the English Avant-Garde. Toronto: U of Toronto P; Manchester: U of Manchester P, 1972.
Weightman, John. The Concept of the Avant-Garde: Explorations in Modernism. New York: Library Press; London: Alcove Press, 1973.
Bibliography
Forster, Merlin H., and K. David Jackson, comps. Vanguardism in Latin American Literature: an Annotated Bibliography. New York: Greenwood Press, 1990.
García Landa, José Angel. "The Avant-Garde." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (damnscribed) 29 Jan. 2015.*
https://es.scribd.com/doc/254049472/
2015
_____. "Bibliografía sobre la Vanguardia." In García Landa, Vanity Fea 4 Feb. 2015.*
http://vanityfea.blogspot.com.es/2015/02/bibliografia-sobre-la-vanguardia.html
2015
Video
Giunta, Andrea. "The Ferrari's Case [sic…]: Contemporary Art and Blasphemy in Bergoglio's Buenos Aires." Video lecture at the Ecole des Hautes Etudes en Sciences Sociales. YouTube (CRAL) 21 may 2014.* (León Ferrari)
2014
Hernández García, Paloma. "Corrupciones en el arte contemporáneo español. FORJA 095." Video. YouTube (Fortunata y Jacinta) 20 Dec. 2020.*
2021
See also Modernism
viernes, 10 de noviembre de 2023
Cine experimental
from
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Experimental Film
Brütsch, Matthias. "Complex Narration in Film: Reflections on the Interplay of Deception, Distancing and Empuzzlement." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 135-53.*
http://doi.org/10.1515/9783110566574-009
2018
Buckland, Warren, ed. Puzzle Films: Complex Storytelling in Contemporary Cinema. Chichester: Wiley; Malden: Blackwell, 2009.*
_____. Hollywood Puzzle Films. New York: Routledge, 2014.
Chinita, Fátima. "Authorial Self-Personalization and Cine-Vision in the Film Jane B. par Agnès V. (1988)." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 152-68.*
https://doi.org/10.1515/9783110722031-011
2021
Feyersinger, Erwin. "Sensory Representation, Perceptual Spaces, and Perturbatory Distribution of Information in Shane Carruth's Upstream Color." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 121-33.*
http://doi.org/10.1515/9783110566574-008
2018
García Landa, José Ángel. "On Elite Taste in Film-Making." In García Landa, Vanity Fea 20 August 2012.*
http://vanityfea.blogspot.com.es/2012/08/on-elite-taste-in-film-making.html
2012
Heredero, Carlos F., and José Enrique Monterde, ed. En torno a la nouvelle vague: Rupturas y horizontes de la modernidad. Gijón: Festival Internacional de Cine de Gijón / Ediciones de la Filmoteca, 2003.
Hill, J. "Film and Postmodernism." In The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. 96-105.
Hven, Steffen. Cinema and Narrative Complexity: Embodying the Fabula. (Film Culture in Transition). Amsterdam: Amsterdam UP, 2017.
_____. "On the Possibility of an Embodied and Media Anthropological Narratology." Trans. of "Sulla possibilità di una narratologia incarnata e antropomediale". Fata Morgana 31. Online at Academia.*
https://www.academia.edu/35085202/
2019
Kracauer, Siegfried. "Experimental film." In Kracauer, Theory of Film. Princeton (NJ): Princeton UP, 1997. 175-92.*
Henderson, Brian. "Towards a Non-Bourgeois Camera Style." From Henderson, "Weekend and History." 1970. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 57-67.* (Godard).
Hill, J. "Film and Postmodernism." In The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. 96-105.
Leiendecker, Bernd. "Taking Split Personalities to the Next Level: Perturbatory Narration in Enemy." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 199-208.* (Canada, 2003)
http://doi.org/10.1515/9783110566574-012
2018
Limoges, Jean-Marc. "Disrupting the Illusion by Bolstering the Reality Effect in Film." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 169-89.*
https://doi.org/10.1515/9783110722031-012
2021
Lunenfeld, Peter. "The Myths of Interactive Cinema." In Narrative across Media: The Languages of Storytelling. Ed. Marie-Laure Ryan. Lincoln: U of Nebraska P, 2004. 377-90.*
Monterde, José Enrique; Esteve Riambau y Casimiro Torreiro: Los 'nuevos cines' europeos, 1955 - 1970. Barcelona, Lerna, 1987.
Mulvey, Laura. "Feminism, Film and the Avant-Garde." Framework 10 (1979): 3-10.
Peterson, James. "The Artful Mathematicians of the Avant-Garde." Wide Angle 7 (1985): 14-23.
Poulaki, Maria. Compact Cinematics: The Moving Image in the Age of Bit-Sized Media.
Sarkhosh, Keyvan Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: Transcript, 2014.* Online preview at Google Books:
https://books.google.es/books?id=A_DWBQAAQBAJ
2015
Schlickers, Sabine. "Perturbatory Narration in Mexican Film: Juegos Nocturnos / Nocturnal Games, El agujero negro del sol / The Black Hole of the Sun, and El incidente / The Incident." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 225-40.* (Julio Quezada Orozco, Isaac Ezban, Pablo Gómez Sáenz Ribot).
http://doi.org/10.1515/9783110566574-014
2018
Schlickers, Sabine, and Vera Toro, eds. Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. (Narratologia, 59). Berlin and Boston, 2018.* (Introd., 1-18) [Issued 2017]
http://doi.org/10.1515/9783110566574-001
2018
Suárez Sánchez, Juan A. "Three Regimes of Noise in the 1960s and 1970s Experimental Film." In Homenaje a Francisco Gutiérrez Díez. Ed. Rafael Monroy. Murcia: Edit.um, 2013. 297-312.*
Thoss, Jeff. "Deceptive Continuity: Classical Editing and Nonlinear Narrative in Nicolas Roeg's Bad Timing." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 179-97.*
http://doi.org/10.1515/9783110566574-011
2018
Türschmann, Jörg. "Perturbatory Revocation: The Substractive Cinema of Lisandro Alonso, Bruno Dumont and Béla Tarr." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 241-56.*
http://doi.org/10.1515/9783110566574-015
2018
Velts, Andreas. "A Tire Driving Crazy: Perturbatory Narration in Quentin Dupieux's Rubber." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 37-56.* (Film, Germany, 2010). 37-56..
http://doi.org/10.1515/9783110566574-003
2017
Walsh, Martin. The Brechtian Aspect of Radical Cinema. Ed. Keith M. Richard. London: BFI, 1981.
Wollen, Peter. "Counter-cinema: Vent d'est." After Image 4 (1972).
_____. "Godard and Counter-Cinema: Vent d'est." In Wollen, Readings and Writings: Semiotic Counter-Strategies. London: Verso, 1982.
_____. "Godard and Counter Cinema: Vent d'Est." 1972. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 499-507.*
Literature
Gibson, William. Pattern Recognition. Novel. New York: G. P. Putnam's, 2003.
_____. Pattern Recognition. New York: Berkley Books, 2004.*
Wallace, David Foster. Infinite Jest. Novel. Boston: Little, Brown, 1996.*
_____. La broma infinita. Spain: Mondadori, 2002.
See also Avant-garde.
miércoles, 4 de octubre de 2023
Teatro experimental
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Experimental drama
Abel, Lionel. Metatheatre: A New View of Dramatic Form. New York: Hill and Wang, 1963.
Alber, Jan. Unnatural Narrative: Impossible Worlds in Fiction and Drama. Lincoln: U of Nebraska P, 2016.
Ansorge, Peter. Disrupting the Spectacle: Five Years of Experimental and Fringe Theatre. Pitman, 1975.
Artaud, Antonin. Le théatre et son double. Paris: Gallimard, 1938.
_____. The Theatre and Its Double. Trans. Mary Caroline Richards. New York: Grove, 1958.
_____. The Theatre and Its Double. London: Calder and Boyars, 1970.
_____. Artaud on Theatre. Ed. Claude Schumacher. London: Methuen, 1989.
Auslander, Philip. "Toward a Concept of the Political in Postmodern Theatre." Theatre Journal 39.1 (March 1987).
Aznar Soler, Manuel. Max Aub y la vanguardia teatral (escritos sobre teatro, 1928-1938). Valencia, 1993.
Benjamin, Walter. (What Is Epic Theater?) Mass und Wert (1939).
_____. "What is Epic Theater?" In Benjamin, Illuminations New York: Schocken, 1969. 147-54.*
Biçer, Ahmet G. "Sarah Kane's postdramatic strategies in Blasted, Cleansed and Crave." Uluslararası Sosyal Ara Tırmalar Dergisi. The Journal of International Social Research (2011): 75-80.
http://www.sosyalarastirmalar.com/cilt4/sayi17pdf/1diledebiyat/bicer_gokhan.pdf
2016
Birringer, Johannes. Theatre, Theory, Postmodernism. Bloomington: Indiana UP, 1991.
Blau, Herbert. "The Oversight of Ceaseless Eyes." In Around the Absurd: Essays on Modern and Postmodern Drama. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 279-92.* (Spectacles, avant-garde).
Borràs Castanyer, Laura, ed. Reescribir la escena. Madrid: Fundación Autor, 1998.
Brater, Enoch, and Ruby Cohn, eds. Around the Absurd: Essays on Modern and Postmodern Drama. Ann Arbor: U of Michigan P, 1990.*
Brecht, Bertold. "On the Experimental Theatre." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 270-78.*
Cameron, Alasdair. "Experimental Theatre in Scotland?" In Contemporary British Theatre. Ed. Theodore Shank. Basingstoke: Macmillan, 1994. 123-38.
Castells i Altirriba, Joan, et al., eds. "La experimentación: Els Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. Ed. Darío Villanueva et al. Vol. 9 of Historia y crítica de la literatura española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*
Causey, Matthew. "The Aesthetics of Disappearance and the Politics of Visibility in the Performance of Technology." Gramma/Gramma 10 (2002): 59-72.*
_____. "Postorganic Performance: The Appearance of Theater in Virtual Spaces." In Cyberspace Textuality: Computer Technology and Literary Theory. Ed. Marie-Laure Ryan. Bloomington: Indiana UP, 1999. 182-201.
_____. "La performance post-orgánica: la apariencia del teatro en los espacios virtuales." Trans. Óscar Jiménez. In Literatura y cibercultura. Ed. Domingo Sánchez-Mesa. Madrid: Arco/Libros, 2004. 297-325.*
Copeau, Jacques. Le Théâtre Populaire. 1941. (Pro experimental drama).
Cornago, Oscar. "Teatro postdramático: Las resistencias de la representación." In Artes de la escena y de la acción en España 1978-2002. Cuenca: Universidad de Castilla – La Mancha, 2006.
http://artesescenicas.uclm.es/archivos_subidos/textos/290/teatropostdramatico_ocornago.pdf
2016
Diamond, Elin. "Brechtian Theory/Feminist Theory." Drama Review 32 (1988): 82-94.
Esslin, Martin. The Theatre of the Absurd. 1961. Rev. ed. Harmondsworth: Penguin, 1968.*
_____. "The Theatre of the Absurd." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 18-25.*
_____. The Peopled Wound: The Plays of Harold Pinter. London: Methuen, 1970.
Fuchs, Elinor. "Postmodernism and the Scene of Theater." In Fuchs, The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996. 144-58.*
_____. "The Death of Character." (Postmodernism in drama). 1983. In Fuchs, The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996.*
Gramma/Gramma 10 (2002): "Theatres in the Age of New Technologies." Ed. Elizabeth Sakellaridou and Savas Patsalidis. Aristotle U of Thessaloniki.
Grotowsky, Jerzy. Towards a Poor Theatre. London: Methuen, 1969.
_____. Towards a Poor Theatre. Ed. Eugenio Barba. 1969.
_____. Teatro de laboratorio. Barcelona: Tusquets, 1980.
Hayman, Ronald. Samuel Beckett. 1968. 3rd ed. London: Heinemann, 1980.*
_____. Artaud and After. Oxford: Oxford UP, 1977.
Hilton, Julian, ed. New Directions in Theatre. (New Directions in Theatre series). Houndmills: Macmillan, 1993.
Hunt, Albert. Hopes for Great Happenings: Alternatives in Education and Theatre. London: Eyre Methuen, 1976.
Innes, Christopher. Avant-Garde Theatre, 1892-1992. London: Routledge, 1993.*
Kleberg, Lars. Theatre as Action: Soviet Russian Avant-Garde Aesthetics. (New Directions in Theatre). Basingstoke: Macmillan, 1993.
Klein Hagen, Hildegard. "Notes on Post-Modernism and Two Postmodern Plays." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 647-54.*
_____. "La nueva estética en la escena londinense al final del milenio: un teatro experimental y provocador." In De habitaciones propias y otros espacios conquistados: Estudios sobre mujeres y literatura en lengua inglesa en homenaje a Blanca López Román. Ed. Margarita Carretero González, Mª Elena Rodríguez Martín and Gerardo Rodríguez Salas. Granada: Servicio de Publicaciones de la Universidad de Granada, 2006.
Kubiak, Anthony. Agitated States: Performance in the American Theatre of Cruelty. Ann Arbor: Michigan UP, 2002.
Kustov, Michael. theatre@risk. London: Methuen, 2001.
Laurel, Brenda. Computers as Theatre. Reading (MA): Addison-Wesley Longman, 1991. 1993.
Ley, Graham, and Jane Milling. "Conclusion: After Modern Theory." In Ley and Milling, Performance and Theory from Stanislavski to Boal. Houndmills: Macmillan, 2000.
Macgowan, Kenneth. "The Plastic Stage." Chap. 7 of The Theatre of Tomorrow. New York: Boni, 1921. 102-09.
_____. The Theatre of Tomorrow. New York: Boni, 1921.
Marranca, Bonnie, and Gautam Dasgupta, eds. Theatre of the Ridiculous. 1979. Rev. ed. (Paj Books). Baltimore: Johns Hopkins UP, 1997. (Ronald Tavel, Charles Ludlam, Kenneth Bernard).
Nicholson, Steve. "'Irritating Tricks': Aesthetic Experimentation and Political Theatre." In Rewriting the Thirties: Modernism and After. Ed. Keith Williams and Steven Matthews. Harlow: Addison Wesley Longman, 1997. 147-62.*
Pronko, Leon Cabell. Avant-Garde: The Experimental Theatre in France. Berkeley: U of California P, 1964.
_____. Théâtre d'avant-garde. Paris: Denoël.
Rebellato, Dan, and Chris Megson. "15. 'Theatre and Anti-theatre': David Hare and Public Speaking." In The Cambridge Companion to David Hare. Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 236-49.*
Redmond, James. "Silence and Stasis in Modern Drama." In Anatomies of Silence. Ed. Ann R. Cacoullos and Maria Sifianou. Athens: U of Athens, 1998. 71-80.*
Reitz, Bernhard, and Peter Paul Schnierer, eds. Beyond the Mainstream. (German Society for Contemporary Theatre and Drama in English conference proceedings). Trier: Wissenschaftliche Verlag, 1997.
Richardson, Brian. "6. Unnatural Narration in Contemporary Drama." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 106-13.*
Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brooks. 2nd ed. London: Routledge, 1989.
Sakellaridou, Elizabeth. "Exporting an Aesthetic, Importing Another? Experimental (Ad)ventures in Contemporary British Theatre." Gramma/Gramma 10 (2002): 157-70.*
Saltz, David Z. "Performing Arts." In A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth, eds. Malden (MA): Blackwell, 2004. 121-31.*
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Schwanecke, Christine. "8. From Stories in Drama to the Drama of (Performed) Stories: Late-Twentieth and Early-Twentieth-First-Century Dissolutions of Established Generic Traditions." In Schwanecke, A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 304-57.* (Peter Shaffer, Amadeus; debbie tucker green, stoning mary; Lucy Prebble, Enron; Intermediality).
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Shank, Theodore. "Framing Actuality: Thirty Years of Experimental Theater, 1959-89." In Around the Absurd. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 239-72.*
Sobieski, Lynn. "Breaking the Boundaries: The People Show, Lumiere & Son and Hesitate and Demonstrate." In Contemporary British Theatre. Ed. T. Shank. Basingstoke: Macmillan, 1994. 89-106.
Strauss, Botho. Crítica teatral: Las nuevas fronteras. 1989.
Styan, J. L. "8. The Forms of Things Unknown: Realism and Beyond." In Styan, Drama: A Guide to the Study of Plays. New York: Peter Lang, 2000. 2003. 2004.*
Trussler, Simon. "21. Alternative Theatres 1968-1979." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 338-61.* (Theatre and the 'events' of 1968. Stirrings on the fringe. The permissive society and the abolition of censorship. The Arts Lab, new spaces, and the legacy of 'cruelty'. Collective creation and environmental theatre. Into the 'seventies: agitational and political theatre. Community groups, the arts centre movement, and theatre-in-education. New writing moves into the mainstream. Joint Stock and the Royal Court. Changes at the National and the RSC. Feminist, gay, and ethnic theatre. The Arts Council in a changing climate).
_____. "22. Theatre and the Marketplace 1979-1990." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 362-77. (Politics and economics of Thatcherism. Sponsorship and the theatre. The Arts Council in the 'eighties—and some clients. Institutional and West End theatre. The decade of the musical. The international dimension. The fringe: from counter-culture to chamber theatre. Alternative comedy. Female and male: directors, actors, dramatists. Plays for changing times. Heritage as theatre, the taste for spectacle, and the curious case of karaoke. The theatre of the streets, and a cautionary tale).
Vanden Heuvel, Michael. Performing Drama / Dramatizing Performance: Alternative Theater and the Dramatic Text. Ann Arbor: U of Michigan P, 1991.*
Weimann, Robert. "Shakespeare's Theater: Tradition and Experiment." In Shakespearean Tragedy. Ed. John Drakakis. London: Longman, 1992. 117-52.*
_____. "Shakespeare's Theater: Tradition and Experiment." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*
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Wellwarth, George E. Spanish Underground Drama. University Park: Pennsylvania State UP, 1972.*
_____. (George E. Wellworth). Spanish Underground Drama (Teatro español underground). Trans. Carmen Hierro. Introd. and notes Alberto Miralles. Madrid: Villalar, 1978.*
Whitmore, Jon. Directing Postmodern Theater: Shaping Signification in Performance. Ann Arbor: U of Michigan P, 1994.
Worth, Catharine J. Revolutions in Modern English Drama. G. Bell & Sons, 1972.
Dictionaries and encyclopedias
Sarrazac, Jean–Pierre, ed. Léxico del drama moderno y contemporáneo. Trans. Víctor Viviescas. México, Paso de Gato, 2011.
Journals
Alternatives Théâtrales
Zapiski peredvizhnogo teatra. Ed. Pavel Nikolaevich Medvedev. From 1922.
See also Avant-garde.
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