viernes, 10 de noviembre de 2023

Cine experimental

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Experimental Film

 

 

Brütsch, Matthias. "Complex Narration in Film: Reflections on the Interplay of Deception, Distancing and Empuzzlement." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 135-53.*

         http://doi.org/10.1515/9783110566574-009

         2018

Buckland, Warren, ed. Puzzle Films: Complex Storytelling in Contemporary Cinema. Chichester: Wiley; Malden: Blackwell, 2009.*

http://www.amazon.com/Puzzle-Films-Complex-Storytelling-Contemporary/dp/1405168625/ref=sr_1_1?s=books&ie=UTF8&qid=1281062645&sr=1-1

_____. Hollywood Puzzle Films. New York: Routledge, 2014.

Chinita, Fátima. "Authorial Self-Personalization and Cine-Vision in the Film Jane B. par Agnès V. (1988)." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 152-68.*

         https://doi.org/10.1515/9783110722031-011

         2021

Feyersinger, Erwin. "Sensory Representation, Perceptual Spaces, and Perturbatory Distribution of Information in Shane Carruth's Upstream Color." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 121-33.*

         http://doi.org/10.1515/9783110566574-008

         2018

García Landa, José Ángel. "On Elite Taste in Film-Making." In García Landa, Vanity Fea 20 August 2012.*

         http://vanityfea.blogspot.com.es/2012/08/on-elite-taste-in-film-making.html

         2012

Heredero, Carlos F., and José Enrique Monterde, ed. En torno a la nouvelle vague: Rupturas y horizontes de la modernidad. Gijón: Festival Internacional de Cine de Gijón / Ediciones de la Filmoteca, 2003.

Hill, J. "Film and Postmodernism." In The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. 96-105.

Hven, Steffen. Cinema and Narrative Complexity: Embodying the Fabula. (Film Culture in Transition). Amsterdam: Amsterdam UP, 2017.

_____. "On the Possibility of an Embodied and Media Anthropological Narratology." Trans. of "Sulla possibilità di una narratologia incarnata e antropomediale". Fata Morgana 31. Online at Academia.*

         https://www.academia.edu/35085202/

         2019

Kracauer, Siegfried. "Experimental film." In Kracauer, Theory of Film. Princeton (NJ): Princeton UP, 1997. 175-92.*

Henderson, Brian. "Towards a Non-Bourgeois Camera Style." From Henderson, "Weekend and History." 1970. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 57-67.* (Godard).

Hill, J. "Film and Postmodernism." In The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. 96-105.

Leiendecker, Bernd. "Taking Split Personalities to the Next Level: Perturbatory Narration in Enemy." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 199-208.* (Canada, 2003)

         http://doi.org/10.1515/9783110566574-012

         2018

Limoges, Jean-Marc. "Disrupting the Illusion by Bolstering the Reality Effect in Film." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 169-89.*

         https://doi.org/10.1515/9783110722031-012

         2021

Lunenfeld, Peter. "The Myths of Interactive Cinema." In Narrative across Media: The Languages of Storytelling. Ed. Marie-Laure Ryan. Lincoln: U of Nebraska P, 2004. 377-90.*

Monterde, José Enrique; Esteve Riambau y Casimiro Torreiro: Los 'nuevos cines' europeos, 1955 - 1970. Barcelona, Lerna, 1987.

Mulvey, Laura. "Feminism, Film and the Avant-Garde." Framework 10 (1979): 3-10.

Peterson, James. "The Artful Mathematicians of the Avant-Garde." Wide Angle 7 (1985): 14-23.

Poulaki, Maria. Compact Cinematics: The Moving Image in the Age of Bit-Sized Media.

Sarkhosh, Keyvan Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: Transcript, 2014.* Online preview at Google Books:

         https://books.google.es/books?id=A_DWBQAAQBAJ

         2015

Schlickers, Sabine. "Perturbatory Narration in Mexican Film: Juegos Nocturnos / Nocturnal Games, El agujero negro del sol / The Black Hole of the Sun, and El incidente / The Incident." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 225-40.* (Julio Quezada Orozco, Isaac Ezban, Pablo Gómez Sáenz Ribot).

         http://doi.org/10.1515/9783110566574-014

         2018

Schlickers, Sabine, and Vera Toro, eds. Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. (Narratologia, 59). Berlin and Boston, 2018.* (Introd., 1-18) [Issued 2017]

         http://doi.org/10.1515/9783110566574-001

         2018

Suárez Sánchez, Juan A. "Three Regimes of Noise in the 1960s and 1970s Experimental Film." In Homenaje a Francisco Gutiérrez Díez. Ed. Rafael Monroy. Murcia: Edit.um, 2013. 297-312.*

Thoss, Jeff. "Deceptive Continuity: Classical Editing and Nonlinear Narrative in Nicolas Roeg's Bad Timing." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 179-97.*

         http://doi.org/10.1515/9783110566574-011

         2018

Türschmann, Jörg. "Perturbatory Revocation: The Substractive Cinema of Lisandro Alonso, Bruno Dumont and Béla Tarr." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 241-56.*

         http://doi.org/10.1515/9783110566574-015

         2018

Velts, Andreas. "A Tire Driving Crazy: Perturbatory Narration in Quentin Dupieux's Rubber." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 37-56.* (Film, Germany, 2010). 37-56..

         http://doi.org/10.1515/9783110566574-003

         2017

Walsh, Martin. The Brechtian Aspect of Radical Cinema. Ed. Keith M. Richard. London: BFI, 1981.

Wollen, Peter. "Counter-cinema: Vent d'est."  After Image 4 (1972).

_____. "Godard and Counter-Cinema: Vent d'est." In Wollen, Readings and Writings: Semiotic Counter-Strategies. London: Verso, 1982.

_____. "Godard and Counter Cinema: Vent d'Est." 1972. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 499-507.*

 

 

 

 

 

Literature

 

 

Gibson, William. Pattern Recognition. Novel. New York: G. P. Putnam's, 2003.

_____. Pattern Recognition. New York: Berkley Books, 2004.*

Wallace, David Foster. Infinite Jest. Novel. Boston: Little, Brown, 1996.*

_____. La broma infinita. Spain: Mondadori, 2002.

 

 

 

 

See also Avant-garde.

 

 

 

 

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      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...