from
A Bibliography of Literary Theory, Criticism and
Philology
http://bit.ly/abibliog
by José
Ángel García Landa
(University of Zaragoza, Spain)
Other movements and styles
(Literature, Art and Aesthetics)
Arts and Crafts
Automatic art
Conceptism
Conceptual art
Constructivism
Cubism
Dada
Decadentism
Existentialism
Expressionism
Fauvism
Futurism
Gothic (gothicism; gothic in plastic arts)
Imagism. See
Pound, Ezra; See also Ultraism.
Impressionism
Manierism
Medieval aesthetics. See Medieval criticism.
Naïf
Naturalism
Neo—
Neobaroque
Neoclassicism. See Classicism.
Pop Art
Pre-Raphaelites
Punk
Psychedelic art
Retro
Romanic art
Sensualism
Situationism
Socialist realism
Steampunk
Symbolism (Plastic arts)
Ultraism, Vorticism, Imagism, Creationism, etc.
Underground culture and art
Arts and Crafts
Kinsella,
Karl. "'A Preference for Round Windows': Hobbits and the Arts and Crafts
Movement." In J.R.R. Tolkien: the
Forest and the City. Ed. Helen Conrad-O'Briain and Gerard Hynes. Dublin:
Four Courts Press, 2013. 87-97.*
Internet
resources
"Arts and Crafts." Wikipedia: The Free Encyclopedia.*
https://es.wikipedia.org/wiki/Arts_and_Crafts
2015
Automatic art
Nalbantian, Suzanne. "6.
Apollinaire, Breton and the Surrealists: Automatism and Aleatory Memory."
In Nalbantian, Memory in Literature: From
Rousseau to Neuroscience. Houndmills: Palgrave Macmillan, 2003. 100-16.*
Peters, John. Artificial
Versifying: A New Way to Make Latin Verses.
1678.
Conceptism
Blanco,
M. Les rhétoriques de la pointe: Baltasar Gracián et le conceptisme en
Europe. Champions: París-Ginebra,
1992.
See also
Metaphysical poetry.
Conceptual Art
Baltcock, Gregory, ed. La idea como arte: Documentos sobre el arte
conceptual. (Colección Punto y
Línea).
Cantillo, Jorge. "Un artista vendió una escultura invisible por 18.300
dólares." Infobae 28 May 2021.* (Salvatore Garau).
https://www.infobae.com/america/mundo/2021/05/28/un-artista-vendio-una-escultura-invisible-por-18300-dolares/
2021
Combalía Dexeus,
Victoria. La
poética de lo neutro: análisis y crítica del arte conceptual. (Cuadernos Anagrama, 93). Barcelona: Anagrama.
Kosuth, Joseph. "Sobre el arte
conceptual." Revista de
Occidente 165 (1995): 55-68.*
LeWitt, Sol. "Paragraphs on Conceptual Art." In On Art: Artists' Writings on the Changed
Notion of Art After 1965. Ed.
Gerd de Vries. Köln, 1974.
Video
Hernández
García, Paloma. "Idea de arte conceptual desde el materialismo filosófico."
Lecture, XVII Curso de Filosofía de Santo Domingo de la Calzada. YouTube
(fgbuenotv) 22 July 2021.*
https://youtu.be/Fw7mclPyJe8
2024
Constructivism
Lodder,
Christina. Russian Constructivism.
New Haven: Yale UP, 1983.
Cubism
Apollinaire. Les Peintres cubistes. 1913.
Cassou,
Jean. "XII. Philosophie du cubisme." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960.
171-85.*
_____.
"XIII. Les Cubistes: Survage, Gleizes, Lhote, Gris, Marcoussis,
Delaunay." In Cassou, Panorama des
Arts Plastiques Contemporains. Paris: Gallimard, 1960. 186-220.*
Cooper,
Douglas. The Cubist Epoch. London:
Phaidon, 1971.
Gleizes,
A., and J. Metzinger. Sobre
el cubismo. Trans. Francisco
Torres. Arquilectura 21 (Murcia, 1987).
Golding,
John. Cubism: A History and Analysis,
1907-1914. London: Faber, 1968.
Lyotard,
Jean-François. "Being Done with Narrative by Cubism and André
Malraux." In Centuries' Ends,
Narrative Means. Ed. Robert Newman. Stanford (CA): Stanford UP, 1996.
79-88.*
Reverdy, Pierre. "Sur le cubisme." Essay. Nord-Sud (1917).
Vondrak,
Amy. "'The Sequence of Motion and Fact': Cubist Collage and Filmic Montage
in Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY):
Boydell & Brewer-Camden House, 2004. 257-79.*
Weixler,
Antonius. "Zeit in der Malerei. 'Ein Pferd hat zwanzig Beine'—über
Simultaneität in Futurismus und Kubismus." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler
and Lukas Werner. Berlin and Boston: De Gruyter,
2015. 205-30.*
Dada
Ball, Hugo. Dios tras Dadá. Essays. Trans. Fernando González Viñas. Berenice.
Barr,
Alfred H., Jr., ed. Fantastic Art, Dada,
Surrealism. New York: Museum of Modern Art, 1936. 3rd ed., rev., 1947.
Breton, André. Los pasos perdidos. Madrid: Alianza, 1972. 55-8; 63-70.
Cassou, Jean. "XXIII. Dada et le
surréalisme: Duchamp, Picabia, Chirico, Dalí, Miró, Ernst, Tanguy,
Masson." In Cassou, Panorama des
Arts Plastiques Contemporains. Paris: Gallimard, 1960. 550-605.*
Codrescu, A. The Postmodern Dada Guide.
Dada
- Surrealismo: Precursores, marginales y heterodoxos. Cadiz symposium 1985. Servicio de Publicaciones de la Universidad
de Cádiz, 1986.
Fijalkowski,
Krzysztof. "Dada and the Machine." Journal of European Studies 17.4 (December 1987).
Hugnet,
Georges. L'Aventure Dada, 1916-1922.
Introd. Tristan Tzara. Paris: Seghers,
1971.
Short,
Robert. "Dada and Surrealism." In Modernism.
Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991.
292-310.*
Tzara,
Tristan. Seven Dada Manifestos and
Lampisteries. Trans. Barbara Wright. London: Calder, 1977.
_____. From "Memoirs of Dadaism." In A Critical and Cultural Theory Reader.
Ed. Antony Easthope and Kate McGowan. Buckingham: Open UP, 1992. 233-36.*
Wellek,
René. "Dada and Surrealism." In Wellek, A History of Modern Criticism: 1750-1950. Volume 8: French, Italian,
and Spanish Criticism, 1900-1950. New Haven: Yale UP, 1992. 91-93.*
Young,
Alan. Dada and After. Manchester:
Manchester UP, 1983.
Decadentism
Calinescu,
Matei. Five Faces of Modernity:
Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham (NC): Duke
UP, 1987.
Collins,
Richard. "&c... Reticence in the Decadence." BAS (1997): 9-19.*
Darío, Rubén. Los raros. 1896, 2nd ed. 1905.
_____. Los raros. Prologue by Juan Ramón
Jiménez. Zaragoza: Libros del Innombrable, 1998.
Dowling, Linda. "The Decadent and the New Woman in the
1890s." Nineteenth-Century Fiction
33 (1979).
_____. "The Decadent and the New Woman in
the 1890s." In Reading Fin de Siècle
Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York:
Longman, 1996.
_____. Language
and Decadence in the Victorian Fin de Siècle. Princeton (NJ): Princeton UP,
1986.
_____. Hellenism and Homosexuality in Victorian
Oxford. Ithaca: Cornell UP, 1994.
Fernbach,
Amanda. Fantasies of Fetishism: From
Decadence to the Post-Human. Edinburgh: Edinburgh UP, 2002.
Fletcher, Ian, ed. Decadence and the 1890s. New York: Holmes and Meier, 1980.
Gelpi,
Barbara Charlesworth. (Stanford U). Dark
Passages: The Decadent Consciousness in Victorian Literature. 1965.
Nalbantian, Suzanne. Seeds of Decadence in the Late
Nineteenth-Century Novel.
Paglia,
Camille. Sexual Personae: Art and
Decadence from Nefertiti to Emily Dickinson. New Haven: Yale UP, 1990.
_____. Sexual Personae: Art and Decadence from
Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale
UP, 2001.*
_____.
"19 Apollo Daemonized: Decadent Art." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson.
(Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____.
"20. The Beautiful Boy as Destroyer: Wilde's The Picture of Dorian Gray." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson.
(Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____.
"21. The English Epicene: Wilde's The
Importance of Being Earnest." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson.
(Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____.
"22. American Decadents: Poe, Hawthorne, Melville." In Paglia, Sexual Personae: Art and Decadence from
Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale
UP, 2001.*
_____.
"23. American Decadents: Emerson, Whitman, James." In Paglia, Sexual Personae: Art and Decadence from
Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale
UP, 2001.*
_____.
"24. Amherst's Madame de Sade: Emily Dickinson." In Paglia, Sexual Personae: Art and Decadence from
Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale
UP, 2001.*
Pierrot, J.
L' Imaginaire décadent. Paris: PUF, 1963.
Sánchez
Espinosa, Adelina. "Los dioses en el exilio de
Heinrich Heine como subtexto de los Retratos
imaginarios de Walter Pater. ¿Retrato del artista decadente?" In El cuento en red: Revista electrónica de teoría de la ficción breve
10 (Fall 2004): El cuento en lengua
inglesa.
http://www.cuentoenred.org/cer/numeros/no_10/no10_index.html
Sanguily, Manuel. "Literatura de
decadencia (notas sobre el último libro de Max Nordau)." In Sanguily, Literatura universal: Páginas de crítica. Madrid: América, n. d. 171-208.*
Scott,
Clive. "Symbolism, Decadence and Impressionism." In Modernism. Ed. Malcolm Bradbury and
James McFarlane. 1976. Harmondsworth: Penguin, 1991.
206-27.*
Stead, Evanghélia. Le Monstre, le singe et le fœtus: Tératogonie et Décadence dans
l’Europe fin-de-siècle. Geneva: Droz, 2004.
Swinburne,
Algernon Charles. Notes on Poems and
Reviews. London: John Camden Hotten, 1866. (Poetry and morality; Decadence;
Aestheticism; PreRaphaelites)
Symons,
Arthur. "The Decadent Movement in Literature." 1893.
Villena, Luis Antonio de. "Alvaro
Retama, en el abanico de la 'Novela Galante-Decadente'." Epos 8
(1992): 317-28.*
Winters,
Yvor. "Primitivism and Decadence." In Winters, Primitivism and Decadence. 1937. Rpt. in In Defense of Reason. 1947. Athens (OH): Ohio UP-Swallow Press,
1987. 90-102.*
Literature
Huysmans,
Joris-Karl. A Rebours. Novel. Paris:
Charpentier, 1884.
_____. A Rebours. 1884. Paris: UGE, 1975.
_____. A Rebours. Ed. Marc Fumaroli. Paris: Gallimard, 1977.
_____. Against the Grain (A Rebours). New York:
Dover.
_____. Against Nature (A Rebours).
Trans. Margaret Mauldon. Ed. Nicholas White. (World's Classics). Oxford: Oxford
UP, 1998.*
_____. A contrapelo. Ed. Juan Herrero. Madrid: Cátedra.
James,
Henry. "The Author of Beltraffio." Story. English Illustrated Magazine (June/July 1884).
_____.
"The Author of Beltraffio." New York ed. . Rpt. in The Figure in the Carpet and Other Stories. Ed.
Frank Kermode. Harmondsworth: Penguin, 1986. 57-112.*
_____.
"The Author of 'Beltraffio'." In James, Complete Stories (II) 1874-1884. (The Library of America). New
York: Literary Classics of the United States, c. 1999.
Pérez de Ayala,
Ramón. Troteras y danzaderas. Roman à clef. 1913.
Villiers de
L'Isle-Adam. Axel. 1885.
See also
Fin de siècle.
Existentialism
Nadeau, Maurice. "L'existentialisme
et ses à-côtés." In Nadeau, Le roman
français depuis la guerre. Paris: Gallimard, 1963. 113-24.
Torre, Guillermo de. Ultraísmo, existencialismo... en literatura. Barcelona: Guadarrama.
See also
Motifs. E motifs. Existentialism.
Expressionism
Borges,
Jorge Luis. "Acerca del expresionismo." In
Borges, Inquisiciones. Barcelona:
Seix Barral, 1994. 155-62.*
Cassou, Jean. "XXIII.
L'Expressionisme allemand: La Brücke,
Le Blaue Reiter." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960.
411-22.*
Corrigan,
Mary Ann. "Beyond Verisimilitude: Echoes of Expressionism in Williams'
Plays." In Tennessee Williams: A
Tribute. Ed. Jac Tharpe. Jackson: University Press of Mississippi, 1977.
375-412.
Furness, R.
S. Expressionism. (The Critical
Idiom, 29). London, 1973.
Gassin,
Alexia. "L'Œuvre de Vladimir Nabokov dans le
contexte de la culture et de l'art allemands à l'époque de
l'expressionisme." Ph.D.
U of Paris-Sorbonne.
Innes,
Christopher D. "Therapy and Subliminal Theatre." (Expressionism,
psychodrama). In Innes, Avant Garde
Theatre 1892-1992. London: Routledge, 1993.
36-58.*
Muschg, W. Expresionismo, literatura y panfleto. Barcelona: Guadarrama.
Nelken, Margarita. El expresionismo en la Plástica Mexicana de hoy. Mexico: Inba, 1964.
Sheppard,
Richard. "German Expressionism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976.
Harmondsworth: Penguin, 1991. 274-91.*
Willett,
John. Expressionism. London, 1968.
Anthologies
Talens, Jeanro, and E. E. Keil, ed.
and trans. (Spanish anthology of German expressionism). 1972.
Fauvism
Cassou,
Jean. "VIII. Le Fauvisme." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960.
111-14.*
Futurism
Cassou,
Jean. "XXVI. Le Futurisme italien." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960.
455-63.*
Hyde, G. M.
"Russian Futurism." In Modernism.
Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991.
259-73.*
Ilnytzkyj,
Oleh S. Ukrainian Futurism, 1914-1930: A
Historical and Critical Study. Cambridge (MA): Harvard UP, 1995.
Jakobson,
Roman. ("Futurism.") Iskusstvo
(Moscow) 2 August 1919.
Marinetti,
Filippo Tommaso. "The Founding and Manifesto of Futurism." In From Modernism to Postmodernism: An
Anthology. Ed. Lawrence E. Cahoone. Oxford: Blackwell, 1996. 185-90.*
Nicholls,
Peter. "Futurism, Gender, and Theories of Postmodernity." Textual Practice 3.2 (1989): 202-21.
Perloff,
Marjorie. The Futurist Moment:
Avant-Garde, Avant-Guerre and the Language of Rupture. Chicago: U of
Chicago P, 1986.
Rawson,
Judy. "Italian Futurism." In Modernism.
Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991.
243-58.*
Weixler,
Antonius. "Zeit in der Malerei. 'Ein Pferd hat zwanzig Beine'—über
Simultaneität in Futurismus und Kubismus." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler
and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 205-30.*
Wellek,
René. "Futurism." (Russian). In Wellek, A History of Modern Criticism, 1750-1950. Vol. 7: German, Russian and
East European Criticism, 1900-1950. New Haven: Yale UP, 1991. 261-64.*
White, John
J. Literary Futurism: Aspects of the
First Avant-Garde. Oxford: Clarendon, 1990.
Anthologies
Pike,
Christopher, ed. The Futurists, the
Formalists, and the Marxist Critique. London: Ink Links, 1979. 1989.
(Anthology).
Gothic (Plastic arts and architecture, medieval
and neo-Gothic)
Brough,
Sonja. The Goths and the Concept of
Gothic in Germany, 1500-1750. Basel: Lang, 1985.
Hurd,
Richard. Letters on Chivalry and Romance.
1763.
_____. Letters on Chivalry and Romance: With the
Third Elizabethan Dialogue. Ed. Edith J. Morley.
London: Frowde, 1911.
Liaño Martínez, Emma. "Las iglesias
góticas con cubierta de madera en la provincia de Zaragoza." In Francisco Abbad Ríos: A su memoria.
Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras,
Universidad de Zaragoza, 1973. 141-44.*
Mañas Ballestín, Fabién. "Un taller
de orfebrería gótico-renacentista." In Francisco
Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte,
Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 145-54.*
Ruskin,
John. The Stones of Venice. 3 vols.
1851-3.
_____.
"The Nature of Gothic." In Ruskin, The Stones of Venice.
_____. "Characteristics of Gothic Architecture."
In The Portable Victorian Reader. Ed.
Gordon Haight. New York: Penguin USA, 1981. 586-595.
_____. [The Savageness of Gothic Architecture].
From The Stones of Venice. 1851-53.
In The Norton Anthology of English
Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New
York: Norton, 1999. 2.1432-42.*
_____. The Stones of Venice. Volume II. 1853.
Selection in The Victorian Age: An
Anthology of Sources and Documents. Ed. Josephine
Guy. London: Routledge, 1998. Pbk. 2002. 325-50.*
González-Rivas Fernández, Ana. (U
Complutense de Madrid, anagonfer27@telefonica.net).
"Lo clásico y lo gótico: Origen estético y conceptual de una tensión
literaria." In A View from the South: Contemporary English
and American Studies. (34th AEDEAN International
Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez.
CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación,
2011. 54-60.*
Warton,
Thomas (Jr.). Observations on the Fairy
Queen of Spenser. 1754.
_____. Observations on the Fairy Queen of Spenser:
The Second Edition: Corrected and Enlarged. 2 vols. London and Oxford: R.
& J. Dodsley and J. Fletcher, 1762.
Impressionism
Armstrong,
Nancy. "Character, Closure, and Impressionist Fiction." Criticism 19.4 (Fall 1977).
Baroja, Pío. "Filosofía impresionista." In Pío Baroja: Obras Completas XVI: Obra
dispersa y epistolario: Textos dispersos - Páginas de autocrítica - Prólogo a
textos ajenos - Artículos - Epistolario selecto. Ed. José-Carlos Mainer.
Rev. Juan Carlos Ara Torralba.
Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2000. 1451-54.
Busch,
Frieder. "Katherine Mansfield and Literary Impressionism in France and
Germany." Arcadia 4 (1970):
58-76.
Cutting,
James. Impressionism and Its Canon.
2006.
Gunsteren,
Julia van. Katherine Mansfield and
Literary Impressionism. Amsterdam: Rodopi, 1990.
Hamann,
Richard. Der Impressionismus in Leben und
Kunst. Köln, 1907.
Hauser, Arnold. "IX. Naturalismo e
impresionismo." In Hauser, Historia
social de la literatura y el arte. II:
Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004.
247-482.* (1. La generación de 1830. 2. El Segundo Imperio. 3. La novela social
en Inglaterra y Rusia. 4.
El impresionismo).
Kullmann,
Dorothea, ed. Erlebte Rede und
impressionistischer Stil. Europäische Erzählprosa im Vergleich mit ihren
deutschen Übersetzungen. Göttingen: Wallstein, 1995.
Spengler, Oswald. "IV. Música y plástica." In Spengler, La Decadencia de Occidente. Madrid:
Espasa Calpe, 2002. 391-514.* (I. Las artes plásticas; II. El desnudo y el
retrato; Aesthetics; Painting, Leonardo, Raphael, Michelangelo; Wagner,
Impressionism, music).
Manierism
Edgerton, Samuel Y., Jr. "Maniera
and the Mannaia: Decorum and
Decapitation in the Sixteenth Century." In The Meaning of Mannerism. Ed. Franklin W. Robinson and Stephen G.
Nichols, Jr. Hanover (NH): UP of New England, 1972. 67-103. (Executions).
Hauser,
Arnold. "VI. El manierismo." In Hauser, Historia social de la literatura y el arte.
I. Desde la prehistoria hasta el barroco.
Barcelona: DeBols!llo, 2004.
415-93.*
_____. El manierismo. 1965.
_____. Origen de la literatura y el arte modernos. 3 vols: I. Literatura y manierismo. II. El
manierismo, crisis del Renacimiento. III. Pintura y manierismo. Barcelona:
Guadarrama.
Hocke, G. R. El mundo como laberinto: El manierismo en el arte. Madrid:
Guadarrama, 1961.
Lange, K. P. Theoretiker der literarischen Manierismus. Munich: Fink, 1968.
Macrí, O. Manierismo, Barocco e Rococó: concetti e termini. Roma: Academia
Naz dei Lincei.
Marquelot,
Jean-Pierre. Shakespeare and the
Mannerist Tradition: a Reading of Five Problem Plays. Rev. by Rowland Wymer
in British Journal of Aesthetics 37.1
(January 1997):100-102.*
Orozco Díaz, Emilio. Manierismo y barroco. 2nd ed. (Crítica y Estudios Literarios). Madrid: Cátedra.
Robinson,
Franklin W., and Stephen G. Nichols, Jr., eds. The Meaning of Mannerism. Hanover (NH): UP of New England, 1972.
Weise, G. Il manierismo: Bilancio critico del problema stilistico e culturale.
Florence: Olschki,
1978.
Minimalism
Beckett, Samuel. "Three
Dialogues." Transition (December
1949).
_____. "Three Dialogues."
In Martin Esslin, ed., Samuel Beckett 16-22.
_____. "Three Dialogues."
In Beckett, Proust and Three Dialogues
with Georges Duthuit.
_____. "Three Dialogues."
In Beckett, Disjecta 138-145.
_____. "Three Dialogues." In Bram van Velde. By Samuel Beckett,
Georges Duthuit, J. Putman. (Le musée de poche).
Paris, 1958.
_____.
"Three Dialogues." In Bram van
Velde. English
trans. by O. Classe and Samuel Beckett. (Evergreen Gallery Book, 5). New York,
1960.
_____. "Tres conversaciones con Georges
Duthuit." Spanish trans. by Jenaro Talens. In Detritus 87-103.
_____. "Bram Van Velde." Select. and
trans. of "Three Dialogues." Trans. Ana
Torrent. El Urogallo 47 (April 1990):
29-30.*
García Landa, José Ángel.
"'Unnullable Least': La metaficción y el vacío en el Beckett de los
ochenta." Paper
presented at the 10th AEDEAN Conference (Zaragoza, 1986). Online edition
(2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/unnullable.html
2015
_____. "'Unnullable Least': Vacío y
metaficción en el Beckett de los ochenta." In Actas del X Congreso Nacional A.E.D.E.A.N.: Zaragoza, 16-19 de
diciembre de 1986: Conmemorativo de su fundación. Zaragoza: A.E.D.E.A.N.
(Asociación Española de Estudios Anglo-Norteamericanos), 1988: 321-330.*
_____. "'Unnullable Least': Vacío y metaficción en
el Beckett de los ochenta." iPaper at Academia.edu
2 May 2010.*
https://www.academia.edu/232873/
2014
_____.
"'Unnullable Least': Beckett's Minimalism and Metafiction in the 80s /
'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta."
Online PDF at Social Science Research
Network 2 May 2010.*
http://ssrn.com/abstract=1599243
2010
_____.
"'Unnullable Least': Vacío y metaficción en el Beckett de los
ochenta." Online PDF at Zaguán 3
May 2010.*
http://zaguan.unizar.es/record/4575
2010
_____. "'Unnullable Least': Vacío y
metaficción en el Beckett de los ochenta." ResearchGate 2 July 2013.*
https://www.researchgate.net/publication/243972217
2013
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los
ochenta." Humanities Commons 28
Dec. 2017.*
https://hcommons.org/deposits/item/hc:17189/
2017
_____. "'Unnullable Least': Vacío y
metaficción en el Beckett de los ochenta." In García Landa, Vanity Fea 28 Dec. 2017.*
https://vanityfea.blogspot.com.es/2017/12/unnullable-least-vacio-y-metaficcion-en.html
2018
Rojas C.,
Sergio. "La escritura del detritus en Samuel Beckett: Al final no se habrá
dicho nada, aún." Revista Chilena de
Literatura 95 (April 2017): 177-202.*
https://scielo.conicyt.cl/pdf/rchilite/n95/0718-2295-rchilite-95-00177.pdf
2021
Valente, José Ángel. "Sobre la
unidad simple." From Elogio del
calígrafo. In Valente, Obras
completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg,
cop. 2008. 498-502.* (Cristina Iglesias, sculptor; minimalism).
Anthologies
Battcock,
Gregory, ed. Minimal Art: A Critical Anthology. New York, 1968.
Nabis
Cassou,
Jean. "IV. Les Nabis: Vuillard et Bonnard, Maurice Denis et l'art
sacré." In Cassou, Panorama des Arts
Plastiques Contemporains. Paris: Gallimard, 1960. 53-69.*
Naïf
Cassou,
Jean. "XXIV. Les Naïfs." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960.
606-19.*
Schiller,
Johann Cristoph Friedrich von. Über naive
und sentimentalische dichtung. In Werke.
Leipzig, 1910.
Naturalism
Barker, Howard. "On
Naturalism and Its Pretensions." Studies
in Theatre and Performance 27.3 (2007): 289-93.
Brunetière, Ferdinand. Le Roman naturaliste. 1883. 2nd ed.
Paris, 1892.
Cabezas Coca, Francisco. "La visita
indeseable: Bosquejo histórico-literario de la llegada del naturalismo a los
Estados Unidos." Atlantis 3.1 (Dec. 1981): 37-43.*
Campbell, Donna M. "Naturalism in American
Literature." Washington State
University (Donna M. Campbell) 3 Aug. 2017.*
https://public.wsu.edu/~campbelld/amlit/natural.htm
2018
Cowley,
Malcolm. "A Natural History of American Naturalism." 1947, rev. 1970.
Excerpts. In The Portable Malcolm Cowley.
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Eby, Clare.
"Domesticating Naturalism: The Example of The Pit." (Norris). Studies
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García Landa, José Angel. "Criticism after
Romanticism: 6. Realism and Naturalism." 1987. Social Science Research Network 30 June 2016.*
http://ssrn.com/abstract=2802060
http://dx.doi.org/10.2139/ssrn.2802060
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Cultural Anthropology eJournal 30 June
2016.*
http://www.ssrn.com/link/Cultural-Anthropology.html
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Literary Theory & Criticism eJournal
30 June 2016.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2016
Continental Philosophy eJournal 30 June
2016.*
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_____.
"Criticism after Romanticism, 6: Realism and Naturalism." In García
Landa, Vanity Fea 20 July 2016.*
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_____.
"Criticism after Romanticism: (6) Realism and Naturalism." Academia 30 Aug. 2017.*
https://www.academia.edu/34408460/
2017
_____.
"Criticism after Romanticism: (6) Realism and Naturalism." ResearchGate 24 Jan. 2018.*
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2018
_____.
"Criticism after Romanticism: (6) Realism and Naturalism." Humanities Commons 24 Jan. 2018.*
https://hcommons.org/deposits/item/hc:17937/
http://dx.doi.org/10.17613/M6655M
2018
Hauser, Arnold. "IX. Naturalismo e
impresionismo." In Hauser, Historia
social de la literatura y el arte. II:
Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004.
247-482.* (1. La generación de 1830. 2. El Segundo Imperio. 3. La novela social
en Inglaterra y Rusia. 4.
El impresionismo).
Kazin,
Alfred. On Native Grounds: An
Interpretation of Modern American Prose Literature. Garden City (NY):
Doubleday, 1942.
_____. On
Native Grounds. New York: Harcourt Brace, 1982.
_____. En tierra nativa: Interpretación de medio
siglo de literatura norteamericana. Trans. Juan José Utrilla. (Lengua y
Estudios Literarios). Mexico: FCE, 1993.*
Leander,
Folke. Humanism and Naturalism: A
Comparative Study of Ernest Seillière, Irving Babbitt and Paul Elmer More.
1937.
Miterrand, H. Le regard et le signe: Poétique du roman réaliste et naturaliste. 1987.
Pizer,
Donald, ed. The Cambridge Companion to
American Realism and Naturalism: Howells to London. Cambridge: Cambridge
UP, 1995.*
Styan, J. L. Modern Drama in Theory and Practice Volume
I: Realism and Naturalism. Cambridge:
Cambridge UP, 1981.
Urrutia, Jorge. La pasión del desánimo: La renovación narrativa de 1902. 2002.
Valentin,
Veit. Der Naturalismus und seine Stellung
in der Kunstentwicklung. Kiel, 1891.
Young,
Thomas Daniel. Jack London and the Era of
Social Protest. Nashville: Joint University Libraries, 1950.
Zola,
Emile. Le roman expérimental. 1880.
Paris: Garnier, 1971.
_____.
"The Experimental Novel." 1880. In Critical Theory Since Plato. Ed. Hazard Adams. 647-659. Select. and
trans. of Le Roman expérimental.
_____. The Experimental Novel and Other Essays.
Trans. Bella M. Sherman. New York, 1893.
_____. El naturalismo. Ediciones de Bolsillo.
Audio
Rebellato,
Dan. "Theatre, Sex, and Zombies: The Strange Case of the Naturalist
Stage." Lecture at Royal Holloway, U of London, 4 Feb. 2014. Online at Backdoor Broadcasting Company:
http://backdoorbroadcasting.net/2014/02/dan-rebellato-theatre-sex-and-zombies-the-strange-case-of-the-naturalist-stage/
2014
See also
Realism and naturalism (critical schools); Zola, Emile, Maupassant, Guy de;
Bennett, Arnold; Dreiser, Thomas; Crane, Stephen; Sinclair, Upton; London,
Jack.
Neo-
Baroja, Pío. "Los neos." In Pío Baroja: Obras Completas XVI: Obra dispersa y epistolario: Textos
dispersos - Páginas de autocrítica - Prólogo a textos ajenos - Artículos -
Epistolario selecto. Ed. José-Carlos Mainer. Rev. Juan Carlos Ara
Torralba. Barcelona: Galaxia Gutenberg /
Círculo de Lectores, 2000. 929-31.
Neobaroque
Degli-Esposti,
Cristina. "Sally Potter's Orlando
and the Neo-Baroque Scopic Regime." Cinema
Journal 36.1 (Fall 1996): 75-93.*
See also
Postmodernism.
New Age
Gardner,
Martin. La
Nueva Era: Notas de un observador de lo marginal. Madrid: Alianza.
Gil, Juan Carlos, and José Angel Nistal. 'New Age', una religiosidad desconcertante.
Barcelona: Herder,
1995.
Windrath,
Helen, ed. The Women's Press Book of New
Myth and Magic. London: Women's Press, 1994.
Pop art
Barthes, Roland. "Cette vieille
chose, l'art..." In Pop art.
(Exhibition catalogue, Venice: Electa, 1980). In Barthes, L'Obvie et l'obtus. Paris: Seuil, 1992. 181-8.*
Bracewell,
Michael. England Is Mine: Pop Life in Albion
from Wilde to Goldie. London: HarperCollins, 1997.
Cagle, Van M. Reconstructing Pop/Subculture. London: Sage, 1995.
Cawelti,
John G. Why Pop?
Frith,
Simon. "Art Ideology and Pop Practice." In Marxism and the Interpretation of Culture. Ed. Lawrence Grossberg
and Cary Nelson. Urbana: U of Illinois P, 1988. 461-76.
Huyssen, Andreas. "8. The
Cultural Politics of Pop." In Huyssen, After
the Great Divide: Modernism, Mass Culture, Postmodernism. London:
Macmillan, 1986. 141-59.*
Suárez, Juan A. Pop
Modernism: Noise and the Reinvention of the Everyday. U of Illinois P,
2007.
Blogs
Thaeger. Pop art
blog.
http://blog.thaeger.com/
2011
See also
Avant-Garde.
Pre-Raphaelites
Ruskin,
John. Pre-Raphaelitism. 1851.
Psychedelic art
Haining, Peter, ed. The Walls of
Illusion: A Psychedelic Retro. London: Souvenir, 1998.
Punk
Literature
Stephens, Simon. Punk
Rock. Drama. 2009.
Retro
Ortega y Gasset, José. "Nuevas casas
antiguas." From El Espectador,
vol. 6. 1927. In El Espectador: Tomo V y
VI. (El Arquero): Madrid: Revista de Occidente, 1961. 217-23.*
Music
García Landa, José Ángel. "El rey
del glam." In García Landa, Vanity
Fea 14 May 2010.* (Song by Alaska).
http://vanityfea.blogspot.com/2010/05/el-rey-del-glam.html
2010
Romanic
art
Falcón Pérez, María Isabel. "El
actual despoblado de Aruej (Huesca) y su iglesia románica." In Francisco Abbad Ríos: A su memoria.
Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras,
Universidad de Zaragoza, 1973. 63-76.*
Gómez de Valenzuela, Manuel. "Tres
ermitas románicas pirenaicas." In Suma
de Estudios en homenaje al Ilustrísimo Doctor Ángel Canellas López.
Zaragoza: Facultad de Filosofía y Letras, Universidad de Zaragoza, 1969.
553-62.*
_____. "Las iglesias románicas de
Montañana, en Ribagorza." In Francisco
Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte,
Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 105-18.*
Sensualism
Hernández Guerrero, José Antonio.
"Estética, retórica y poética." In Teoría y análisis de los discursos literarios: Estudios en homenaje al
profesor Ricardo Senabre Sempere. Ed. S. Crespo et al. Salamanca: U de
Extremadura / Ediciones U de Salamanca, 2009. 197-202.* (Sensualism).
Situationism
Internet resources
"Escándalo de Notre Dame." Wikipedia: La Enciclopedia Libre.* (Michel Mourre, Serge Berna,
Letrists).
https://es.wikipedia.org/wiki/Esc%C3%A1ndalo_de_Notre-Dame
2016
"Situacionismo." Wikipedia: La Enciclopedia Libre.*
https://es.wikipedia.org/wiki/Situacionismo
2016
Socialist
realism
Aragon, Louis. Pour un réalisme socialiste. 1935.
Gold, Mike.
"Proletarian Realism." 1930. In American
Literature, American Culture. Ed. Gordon Hutner. New York: Oxford UP, 1999.
239-42.*
Gorky,
Maksim. (On socialist realism). Lecture
at the First All-Union Congress of Soviet Writers (Aug.-Sept. 1934).
Lukács,
Georg. Realism in Our Time: Literature
and the Class Struggle. 1956. Trans. John and Necke Mander. New York:
Harper.
_____.
From Realism in Our Time: Literature and
the Class Struggle. In Theory of the
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UP, 2000. 759-83.* (The Ideology of Modernism. Franz Kafka or Thomas Mann?
Critical Realism and Socialist Realism).
Marks,
Peter. "Illusion and Reality: The Spectre of Socialist Realism in the
Thirties Literature." In Rewriting
the Thirties: Modernism and After. Ed. Keith Williams and Steven Matthews. Harlow: Addison Wesley Longman, 1997. 23-36.*
Posada, F. Lukács,
Brecht, y la situación actual del realismo socialista. Buenos Aires: Galerna, 1969.
Tertz,
Abram [Andrei Sinyavsky]. "On Socialist Realism." Trans. George
Dennis. In The Trial Begins and On Socialist Realism. Berkeley: U of
California P, 1982.
Steampunk
Internet resources
"Steampunk." Wikipedia: La enciclopedia libre.*
http://es.wikipedia.org/wiki/Steampunk
2013
Video
"Steampunk: Anacronías en la
literatura del siglo XIX." YouTube
(Filosofía y Letras Zaragoza) 16 April 2015.*
https://youtu.be/ty6UcwL0r60
2015
Symbolism
Aurier,
G.-Albert. Le
Symbolisme en peinture. Paris: L'Echoppe, 1991.
Balakian, H. El movimiento simbolista. Barcelona: Guadarrama.
Scott,
Clive. "Symbolism, Decadence and Impressionism." In Modernism. Ed. Malcolm Bradbury and
James McFarlane. 1976. Harmondsworth: Penguin, 1991. 206-27.*
Wilson,
Edmund. "Symbolism." In Wilson, Axel's
Castle.. 1931. London: Fontana, 1984. 9-27.
Ultraism, Vorticism, Imagism, Creationism, etc.
Beckett, Samuel, et al. "Poetry
Is Vertical." transition 21
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_____. "Poetry Is
Vertical." In Thomas McGreevy, Collected
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73-74.
Borges, Jorge Luis.
"Ultraísmo." In Los
vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península,
1977. 133-39.*
Cassou, Jean. "XXX. Le
Vorticisme." In
Cassou, Panorama des Arts Plastiques
Contemporains. Paris: Gallimard, 1960. 520-23.*
Crisp,
Peter. "Imagism's Metaphors — a Test Case." Language and Literature 5.2 (1996): 79-92.*
Fernández Moreno, César. "El
ultraísmo." In Los vanguardismos en América Latina. Ed.
Oscar Collazos. Barcelona: Península, 1977. 21-40.*
Huidobro, Vicente. "El
creacionismo." In Los
vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península,
1977. 125-32.*
Leal, Luis. "El movimiento
estridentista." In Los vanguardismos
en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 105-16.*
Monsivais, Carlos. "Los
estridentistas y los agoristas." In Los
vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 117-24.*
Sinclair,
May. "Two Notes: 1. On H. D. II. On Imagism." The Egoist 1 June 1915: 88-89.
Stapledon,
Olaf. Beyond the "Isms." (Searchlight Books, 16). London: Secker and
Warburg, 1942.
Penas-Ibáñez,
Beatriz. "Imaginación haikai y haiku japonés:
Su presencia en las formulaciones literarias del imaginismo
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Occidente: Estudios comparados. Ed. Carmen Tirado Robles. Zaragoza: Prensas Universitarias de
Zaragoza, 2014. 173-87.*
Pondrom,
Cyrena. "Hulme's 'A Lecture on
Modern Poetry' and the Birth of Imagism."
Papers on Language and Literature 5 (1969): 465-70.
Power,
Kevin. "The Relationship of Ultraism and Vorticism with Futurist Practice
and Theory." ES 3 (1973): 217-73.*
Torre, Guillermo de. Ultraísmo, existencialismo... en literatura. Barcelona: Guadarrama.
Wees,
William C. Vorticism and the English
Avant-Garde. Toronto: U of Toronto P; Manchester: U of Manchester P, 1972.
Zach,
Nathan. "Imagism and Vorticism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 228-42.*
Zamorano,
Ana. "Ecos sáficos en la poesía norteamericana: Amy Lowell y la
feminización del movimiento Imaginista." In Poetas estadounidenses y canadienses s. XX. Ed. Nieves Pascual and
Eulalia Piñero. Asparkía, Investigació Feminista 18
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Anthologies
Pound, Ezra, ed. Des Imagistes: An
Anthology. 1914.
Internet
resources
"A
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https://www.poets.org/poetsorg/text/brief-guide-imagism
2018
Video
Hammer,
Langdon. "8. Imagism." Video lecture. (Modern Poetry, ENGL 310, 8). YouTube (Yale Courses) 6 Dec. 2012.*
https://youtu.be/2gU4F6ePhcM
2019
Underground culture and art
Maffi, Mario. La cultura underground. 2 vols.
(Ediciones de Bolsillo). Ba4celona:
Anagrama, 1975.
Marcus,
Greil. Lipstick Traces: A Secret History
of the Twentieth Century. Cambridge (MA): Harvard
UP, 1989.
_____. Rastros de carmín: Una historia secreta del
siglo XX. 1989. Barcelona: Anagrama, 1993.
Racionero, Luis. Filosofías
del underground. 1977. Barcelona: Anagrama, 1977. 1984. (Compactos Anagrama) 1992.
Suárez Sánchez, Juan A. Bike Boys,
Drag Queens, and Superstars: Avant-Garde, Mass Culture and Gay Identities in
the 1960s Underground Cinema. Bloomington: Indiana UP, 1996?
Music
Monk,
Thelonious. Underground. Album. 1968.
Online at YouTube (Jazz Time with Jarvis
X) 12 May 2018.*
https://youtu.be/b_Fp4znXvOg
2022
