from
A Bibliography of Literary Theory, Criticism and
Philology
http://bit.ly/abibliog
by José
Ángel García Landa
(University of Zaragoza, Spain)
Narrative
Point of View, Perspective, Focalization
Top ten
Bal, Mieke.
Narratology: Introduction to the Theory
of Narrative. Trans. Christine van Boheemen. Toronto: U of Toronto P,
1985.*
Booth,
Wayne. "Distance and Point-of-View: An Essay in Classification." In Essentials of the Theory of Fiction. Ed.
Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 170-89.*
Chatman,
Seymour. "Point of View: Character's Filter and Slant." In Chatman, Reading Narrative Fiction. New York:
Macmillan, 1993. 130-85.* (Character's Filter; The Filter-Character Is Not the
Narrator; Narrator's Slant; The Grammar of Filter; filter in Internal
Narration).
Cohn,
Dorrit. Transparent Minds: Narrative
Modes for Presenting Consciousness in Fiction. Princeton (NJ): Princeton
UP, 1978.*
Friedman,
Norman. "Point-of-View in Fiction : The Development of a Critical
Concept." PMLA 70 (1955):
1160-84.*
Genette,
Gérard. Narrative Discourse. Trans.
Jane E. Lewin. Ithaca: Cornell UP, 1980.
Hühn,
Peter, Wolf Schmid and Jörg Schönert, eds. Point
of View, Perspective, and Focalization: Modeling Mediation in Narrative.
(Narratologia, 17). Berlin and New York: Walter de Gruyter, 2009.* (I.
Re-Specifications of Perspective. II. Some Special Aspects of Mediation. III.
Transliterary Aspects of Mediation). (Most papers based on the 'Narratology'
Research Group colloquium at Hamburg U, 2006).
Peer, Willie van, and Seymour
Chatman, eds. New Perspectives on
Narrative Perspective. (SUNY series The Margins of Literature). Albany:
SUNY Press, 2001.*
Schmid,
Wolf. "III. Point of View." (1. Theories of Point of View,
Perspective and Focalization. 2. A Model of Narrative Point of View). In
Schmid, Narratology: An Introduction.
Berlin and New York: Walter de Gruyter, 2010.
89-117.*
Weimann,
Robert. "Erzählerstandpunkt und Point
of View: Zur Geschichte und Aesthetik der Perspektive im englischen
Roman." Zeitschrift für Anglistik
und Amerikanistik 10 (1962): 369-416.*
Zeman,
Sonja. "Perspectives on Narrative and Narrative Perspectivization."
Introd. to Perspectives on Narrative and
Narrative Perspectivization. Ed. Natalia Igl and Sonja Zeman. (Linguistic
Approaches to Literature, 21). Amsterdam and Philadelphia: Benjamins, 2016.
Online preprint at Academia.*
https://www.academia.edu/25129928/
2019
Zeman,
Sonja, and Natalia Igl, eds. Perspectives
on Narrativity and Narrative Perspectivization. Amsterdam: Benjamins, 2016.
https://benjamins.com/#catalog/books/lal.21/main
2016
Miscellaneous
Adamson,
Sylvia. "The Rise and Fall of Empathetic Narrative: A Historical
Perspective on Perspective." In New
Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour
Chatman. Albany: SUNY Press, 2001. 83-100.*
Altman,
Rick. "Dual-Focus Narrative." In Altman, A Theory of Narrative. New York: Columbia UP, 2008. 55-98.*
_____.
"Single-Focus Narrative." In Altman, A Theory of Narrative. New York: Columbia UP, 2008. 119-90.*
_____.
"Multiple-Focus Narrative." In Altman, A Theory of Narrative. New York: Columbia UP, 2008. 241-90.*
Anderson,
R. C., and J. W. Pichert. "Recall of Previously Unrecallable Information
Following a Shift in Perspective." Journal
of Verbal Learning and Verbal Behavior 17 (1978): 1-12.
Andersson,
Greger. "Postclassical Narratology vs. Poetics: David Herman's
'Hypothetical Focalization' as Test Case." In СЕМИОСФЕРА НАРРАТОЛОГИИ: ДИАЛОГ ЯЗЫКОВ И КУЛЬТУР / Semiosphere of Narratology: A
Dialogue of Languages and Cultures. Ed. Ludmila Tataru
and José Angel García Landa. Balashov: Nikolayev, 2013. 7-24.*
Arp, Thomas R., and Greg Johnson. "Point
of View." In Perrine's Literature:
Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle
& Heinle, 2002.*
Backus,
Joseph M. "'He Came into Her Line of Vision Walking Backward':
Nonsequential Sequence-Signals in Short Story Openings." Language Learning 15 (1965): 67-83.
Bal, Mieke.
"Narration et focalisation: pour une théorie des instances du récit."
Poétique 29 (1977): 107-27.*
_____.
"The Narrating and the Focalizing: A Theory of the Agents in
Narrative." Style 17.2 (1983):
234-69.
_____.
"Narration and Focalization." From Style 17.2 (1983): 234-69. In Structuralism:
Critical Concepts in Literary and Cultural Studies. Ed. Jonathan Culler.
London: Routledge, 2006. Vol. 2.
_____. Narratologie: Essais sur la signification
narrative dans quatre romans modernes. Paris: Klincksieck, 1977.*
_____. De theorie van vertellen en verhalen.
Muiderberg: Coutinho, 1978.
_____. Narratology: Introduction to the Theory of
Narrative. Trans. Christine van Boheemen.
Toronto: U of Toronto P, 1985. Trans. of De
theorie van vertellen en verhalen.*
_____ . Teoría de la narrativa : una introducción a la narratología. Madrid: Cátedra, 1985.*
_____.
"The Laughing Mice, or: On Focalization." Poetics Today 2.2 (1981): 202-210.*
Baquero Goyanes, Mariano. Perspectivismo y contraste: de Cadalso a
Pérez de Ayala. Madrid: Gredos, 1963.
Baroni, Raphaël. Tension narrative: Suspense, curiosité, surprise. (Poétique).
Paris, Seuil, 2007.
_____.
"Perspective narrative, focalisation et point de vue: Pour une
synthèse." Fabula LHT 25 (Jan. 2021).*
https://www.fabula.org/lht/25/baroni.html
2021
Bartolomé Gómez, Jesús. "La
narración literaria como espectáculo: El combate con espectadores." In Otivm cvm dignitate: Estudios en homenaje al
profesor José Javier Iso Echegoyen. Ed. J. A. Beltrán et al. (Monografías
de Filología Latina, 16). Zaragoza: Universidad de Zaragoza, 2013. 215-25.*
Bashic, Sonja. "From James's Figures
to Genette's Figures: Point of View
and Narratology." Revue Française
d'Etudes Américaines 8 (1983): 201-15.
Beach,
Joseph Warren. The Method of Henry James.
1918.
Berendsen,
Marjet. "The Teller and the Observer: G. Genette's and M. Bal's Theories
on Narration and Focalization Examined." Unpublished paper,
Hertoegenbosch, 1979.
_____.
"The Teller and the Observer: Narration and Focalization in Narrative
Texts." Style 18.2 (1984): 140-156.
Blanco Barros,
M. Lidia, and Pilar Rubio Montaner. "Temporalidad en el texto narrativo:
sus relaciones con el punto de vista." Tropelías 7/8 (1996/97 [Issued 1999]): 45-54.*
Blin,
Georges. "Les Restrictions de champ." In Blin, Stendhal et les problèmes du roman. Paris: Corti, 1954. 1990.
114-76.*
Bluell,
Lawrence. "Observer-Hero Narrative." Texas Studies in Literature and Language 21 (1979): 93-111.
Bogen,
Andrey. "Figur und Perspektive: Anhand von Beispielen der russischen
realistischen und modernistischen Prosa." In Hodel, Lehmann, et al., Textkohärenz und Narration: Untersuchungen
russischer Texte des Realismus und der Moderne. (Narratologia, 15). Berlin
and New York: Walter de Gruyter, 2008. 101-54.* (Tolstoy, Turgenev, Chekhov,
Pilniak, Zamiatin, Babel).
_____.
"Perspektivierung und Rekurrenz." In Hodel, Lehmann, et al., Textkohärenz und Narration: Untersuchungen
russischer Texte des Realismus und der Moderne. (Narratologia, 15). Berlin
and New York: Walter de Gruyter, 2008. 155-78.*
Booth,
Wayne. "Distance and Point-of-View: An Essay in Classification." In Essentials of the Theory of Fiction. Ed.
Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 170-89.*
_____.
"Distance and Point-of-View: An Essay in Classification." In Twentieth Century Literary Theory. Ed.
Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P,
1987. 269-84.*
_____.
"Distance et point de vue: Essai de classification." Poétique 4 (1970).
_____. "Distance et point de vue:
Essai de classification." In Barthes et al., Poétique du
récit. Paris: Seuil, 1977. 85-113.*
_____.
['Objectivity' in Fiction]. In 20th
Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman,
79.*
Brau,
J.-L., and J. Lavergne, eds. La Focalisation. (Cahiers de
Narratologie 5). Nice:
Publications de la Faculté des Lettres et Sciences Humaines, 1992.
Brinton,
Laure. "'Represented Perception': A Study in Narrative Style." Poetics 9 (1980): 363-81.
Broich,
Ulrich. "Gibt es eine 'neutrale Erzählsituation'?" Germanisch-Romanische Monatsschrift 33
(1983): 129-45.
Broman,
Eva. "Narratological Focalization Models: A Critical Survey." From Essays on Fiction and Perspective.
Frankfurt a/M, 2004. Online at Academia.*
https://www.academia.edu/1554726/
2018
Bronzwaer,
W. J. M. "Mieke Bal's Concept of Focalization." Poetics Today 2.2 (1981): 193-201.
Buell,
Lawrence. "Observer-Hero Narrative." Texas Studies in Literature and Language 21 (1979): 93-111.
Calle,
Gonzalo. Perspectiva lingüística y cognitiva del estilo de Carlos Ruiz Zafón en
La sombra del viento. Ph.D. diss., 2012.
Cassell,
Justine and David McNeill. "Gesture and the Poetics of Prose." Poetics Today 12.3 (1991): 375-404.*
_____.
"Gesture and the Poetics of Prose." In Narrative across Media: The Languages of Storytelling. Ed.
Marie-Laure Ryan. Lincoln: U of Nebraska P, 2004. 108-38.*
Caws, Mary
Ann. The Eye in the Text: Essays on
Perception, Mannerist to Modern. Princeton (NJ): Princeton UP, 1981.
Chamberlain,
Daniel Frank. Narrative Perspective in
Fiction: A Phenomenological Mediation of Reader, Text, and World. Toronto:
U of Toronto P, 1990.
Chatman,
Seymour. "Narration and Point of View in Fiction and the Cinema." Poetica 1 (1974).
_____.
"Characters and Narrators: Filter, Center, Slant, and
Interest-Focus." Poetics Today 7
(1986): 189-204.
_____.
"Ironic Perspective: Conrad's Secret
Agent." In New Perspectives on
Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany:
SUNY Press, 2001. 117-32.*
_____. "4. Narration: Narrator and
Narratee." In Chatman, Reading
Narrative Fiction. New York: Macmillan, 1993. 90-129.* (Telling: Internal
and External Narrators; Showing: Impersonal Narration; Omniscience and
Limitation; The Narratee: Elizabeth Jolley, 'Wednesdays and Fridays'; Anton
Chekhov, 'The Darling'; Sarah Orne Jewett, ' A White Heron'; Tillie Olsen, 'I
Stand Here Ironing'")
_____.
"5. Point of View: Character's Filter and Narrator's Slant." In
Chatman, Reading Narrative Fiction.
New York: Macmillan, 1993. 130-85* (Character's Filter; The Filter Character Is
Not the Narrator; narrator's Slant; The Grammar of Filter; Filter in Internal
Narration: James Joyce, 'A Little Cloud'; James Baldwin, 'The Rockpile'; Nadine
Gordimer, 'Town and Country Lovers'; V. S. Naipaul, 'The Thing Without a Name';
Mary McCarthy, "C.Y.E.")
_____.
"Narrative Limits: Experimental and Postmodern Fiction." In Chatman, Reading Narrative Fiction. New York:
Macmillan, 1993.* (Undermining Conventions; Questioning the Discourse; Attacks
on the Discourse by the Story; Filter at Odds with Itself).
Ciccoricco, David. "Focalization and Digital Fiction."
Narrative 20.3 (Oct. 2012): 255-76.*
Cohan,
Steven. "A Review Essay: Point of View in Narrative." Modern Language Studies 16.3 (1986):
345-50.
Cohn,
Dorrit. Transparent Minds: Narrative
Modes for Presenting Consciousness in Fiction. Princeton (NJ): Princeton
UP, 1978.*
_____. La Transparence intérieure. Trans.
Alain Bony. Paris: Seuil, 1981.
_____.
"Optics and Power in the Novel." New
Literary History 26.1 (1995): 3-20.*
Collier,
Gordon. "Apparent Feature-Anomalies in Subjectivized Third-Person
Narration." In Recent Trends in
Narratological Research. Ed. John Pier. (GRAAT 21). Tours: Groupes de Recherches Anglo-Américaines de l'Université
François Rabelais de Tours, 1999. 129-52.* (Patrick White).
Cordesse,
Gérard. "Narration et focalisation." Poétique 76 (1988): 487-98.
Cresswell,
M. J. "Presuppositions and Point of View." Linguistics and Philosophy 2 (1978): 1-41.
Currie,
Gregory. "5. Expression and Imitation." In Currie, Narratives and Narrators: A Philosophy of
Stories. Oxford: Oxford UP, 2010. 86-108.* (The Framing Effect of Point of
View - Conversation, Framing, and Joint Attention - Joint Attending and Guided
Attending - Imitation - Imitating the Unreal - The Standard Model - Appendix:
Expression and the Reliability of Signalling).
_____.
"7. Character-focused Narration." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford
UP, 2010. 123-47.* (Genette's Distinction - The Knowledge Criterion -
Expression - Focalization - Context Shifting - Empathy - Conclusion).
_____.
"8. A Pretended Point of View." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford
UP, 2010. 148-66.* (Ironic Situations - Representational Irony - Points of View
- Responding to Criticism - Pretence of Manner - Ironic Narration)
_____.
"9. Dis-interpretation" In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford
UP, 2010. 167-85.* (Irony in Pictures - Point of View Shots - Ironic Narration
- The Birds and the Psyche: Internal vs. External Perspective - Irony and
Horror: The Tradition - Science and the Supernatural).
Dahlgren
Thorsell, Marta. "From Narratology to Pragmatics:
Narrators, Focalizers and Reflectors in some Works by William Faulkner." Babel-afial: Aspectos de
filología inglesa y alemana 2 (1993): 89-99.*
http://dialnet.unirioja.es/servlet/articulo?codigo=3049966
2009
Dammann, Günther. "Le paramètre de
la transmission du savoir en narratologie—illustré par des exemples tirés du Tour du monde en 80 jurs de Jules
Verne." In Théorie du récit: L'apport de la recherche
allemande. Villeuneve d'Ascq: Presses Universitaires du Septentrion, 2007.
265-84.*
Dancygier,
Barbara. "Blending and Narrative Viewpoint: Jonathan Raban's Travels
through Mental Spaces." Language and
Literature 14.2 (2005): 99-127.*
Darwall,
Stephen. Second Person Standpoint.
Forthcoming 2007.
de Jong,
Irene J. F. Narrators and Focalizers: The
Presentation of the Story in the Iliad. Amsterdam:
Grüner, 1987. 2nd ed. 1989.
_____.
"3. Focalization." In de
Jong, Narratology and Classics: A
Practical Guide. Oxford: Oxford UP, 2014. 47-72.*
Deppermann,
Arnulf. "19. Positioning." In The
Handbook of Narrative Analysis. Ed. Anna De Fina and Alexandra
Georgakopoulou. Chichester: Wiley, 2015. 369-87.*
Díaz
Arenas, Angel. Las
perspectivas narrativas: Teoría y metodología. (Problemata Semiotica, 13). Kassel:
Reichenberger, 1988.*
Doiz-Bienzobas,
Aintzane. "An Analysis of English, Spanish and Basque Demonstratives in
Narrative: A Matter of Viewpoint." In Contrastive
Cognitive Linguistics. Ed. Javier Valenzuela and Ana Rojo. Monograph issue
of IJES 3.2 (2003): 63-84.* (Deixis,
Demonstratives).
Dolezel, Lubomír. "The Typology of
the Narrator: Point of View in Fiction." In To Honor Roman Jakobson. The Hague: Mouton, 1967. 1: 541-52.
Edmiston,
William F. "Focalization and the First-Person Narrator: A Revision of the
Theory." Poetics Today 10.4
(1989): 729-44.
_____.
"Introduction: Focalization and the First-Person Narrator." In
Edmiston, Hindsight and Insight:
Focalization in Four Eighteenth-Century French Novels. University Park
(Pennsylvania): Pennsylvania State UP, 1991. 1-14.*
_____.
"The Evolution of the Concept of Focalization." In Edmiston, Hindsight and Insight: Focalization in Four
Eighteenth-Century French Novels. University Park (Pennsylvania):
Pennsylvania State UP, 1991. 147-70.*
Ehrlich,
Susan. Point of View: A Linguistic
Analysis of Literary Style. London: Routledge, 1990.*
Ermath,
Elizabeth Deeds. "Realism, Perspective, and the Novel." Critical Inquiry 7 (1981): 499-520.
Fehr,
Bernard. "Substitutionary Narration and Description: A Chapter in
Stylistics." English Studies 20
(1938): 97-107.*
Ferguson,
Suzanne. "The Face in the Mirror: Authorial Presence in the Multiple
Vision of Third-Person Impressionist Narrative." Criticism 21 (1979): 230-50.
Fleischman, Suzanne. "Verb Tense and Point of
View in Narrative." In Discourse-Pragmatic
Approaches to the Verb: The Evidence from Romance. Ed. Suzanne Fleischman
and Linda R. Waugh. London: Chapman and Hall, forthcoming 1990.
Fludernik,
Monika. "Subversive Irony: Reflectorization, Trustworthy Narration and
Dead-Pan Narrative in The Mill on the
Floss." Yearbook of Resarch in English and American Literature (REAL)
8: (1992): 159-85.
_____.
"Reflectorization and Figuralization: The Malleability of Language."
In Fludernik, Towards a 'Natural'
Narratology. London: Routledge, 1996. 2001. 178-221.* (Point of view,
Lawrence, Weldon, K. Mansfield, reflectors, narrators).
_____.
"New Wine in Old Bottles? Voice, Focalization, and New Writing." New Literary History 32 (2001): 619-638.
_____.
"The Establishment of Internal Focalization in Odd Pronominal
Contexts." In New Perspectives on
Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany:
SUNY Press, 2001. 101-14.*
Fontanille, J. Les espaces subjectifs: Introduction à la sémiotique de l'observateur
(discours-peinture-cinéma). Paris: Hachette, 1989.*
Forster, E.
M. "[Flat and Round Characters and Point of View]." From Aspects of the Novel. In 20th Century Literary Criticism: A Reader.
Ed. David Lodge. London: Longman, 1972. 137-45.*
Fowler,
Roger. "How to See Through Language: Perspective in Fiction." Poetics 11 (1982): 213-35.
_____. Linguistic Criticism. Oxford: Oxford UP,
1986. 1990.*
Frank,
Armin Paul, and Ulrich Mölk, eds. Frühe
Formen mehrperspektivischen Erzählens von der Edda bis Flaubert: Ein
Problemaufriss. Berlin: Erich Schmidt, 1991.
Frank,
Joseph. "Spatial Form in Modern Literature". Sewanee Review 53 (1945): 221-40, 433-45, 643-65.
_____.
"Spatial Form in Modern Literature." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and
Patrick D. Murphy. Durham (NC): Duke UP, 1988. 85-100.*
_____.
From Spatial Form in Modern Literature. In
Theory of the Novel: A Historical
Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 784-802.*
Friedman,
Norman. "Point-of-View in Fiction : The Development of a Critical
Concept." PMLA 70 (1955):
1160-84.*
_____.
"Point-of-View in Fiction : The Development of a Critical Concept."
Rpt. in The Theory of the Novel. Ed.
P. Stevick. New York: The Free Press, 1972.
Füger, W.
"Stimmbrüche: Varianten und Spielräume narrativer Fokalisation." In Tales and 'their Telling Difference': Zur
Theorie und Geschichte der Narrativik. Festschrift für Franz K. Stanzel.
Ed. H. Foltinek, W. Riehle and W. Zacharasiewicz. Heidelberg:
Winter, 1993. 43-60.
García Landa, José Angel. "El punto
de vista en la acción." In
García Landa, Acción, Relato, Discurso:
Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de
Salamanca, 1998. 86-88.*
_____.
"Modo del Relato (Acción, Relato,
Discurso, 2.4) (Narrative Mood (Action,
Story, Discourse, 2.4)). Social Science Research Network 7 March 2014.*
http://papers.ssrn.com/abstract=2405430
2014
Cognitive Linguistics: Cognition, Language,
Gesture eJournal 7 March 2014.*
http://www.ssrn.com/link/Cognitive-Linguistics.html
2014
Cognition & the Arts eJournal 7
March 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
Literary Theory & Criticism eJournal
7 March 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
_____. "Modo del relato."
Section 2.4. of García Landa, Acción,
Relato, Discurso. Preprint at Academia
27 Jan. 2015.*
https://www.academia.edu/10353476/
2015
_____. "Modo del relato."
Section 2.4. of García Landa, Acción,
Relato, Discurso. Preprint
at ResearchGate 27 Jan. 2014.*
DOI: 10.13140/2.1.3647.0089
https://www.researchgate.net/publication/271445248
2015
_____. "Perspectiva." In García
Landa, Acción, Relato, Discurso:
Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de
Salamanca, 1998. 184-210.*
_____. "Perspectiva." In García
Landa, Acción, Relato, Discurso:
Estructura de la ficción narrativa. Online ed. 2009.
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/2.4.Relato.html
2009
_____. "La competencia modal del
narrador: Saber." In García
Landa, Acción, Relato, Discurso:
Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de
Salamanca, 1998. 296-98.*
_____. "Leyéndonos la mente: Dos
artículos sobre narratología cognitiva." In García Landa, Vanity Fea 3 Oct. 2007. (Alan Palmer, H. Porter Abbott).
http://garciala.blogia.com/2007/100301-leyendonos-la-mente-dos-articulos-sobre-narratologia-cognitiva.php
2007
_____.
"Narrative Perspective and Psychological Realism: On Henry James's Theory
of the Novel." In García Landa, Vanity
Fea 7 Dec. 2012.*
http://vanityfea.blogspot.com.es/2012/12/narrative-perspective-and-psychological.html
2012
_____. "Focalization." In
García Landa, Vanity Fea 24 June
2015.* (From Omnilexica).
http://vanityfea.blogspot.com.es/2015/06/focalization.html
2015
Gebauer,
Carolin. Making Time: World Construction
in the Present-Tense Novel. (Narratologia, 77). Boston and Berlin: De
Gruyter, 2021.* (I. Mapping the Research Field on Present-Tense narration; II.
A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses
and Functions of Present-Tense Narration in Contemporary Narrative Fiction;
Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator,
First-person narration, Figural narration, Focalization, Retrospection,
Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot,
Storyworld, Voice).
https://www.degruyter.com/document/doi/10.1515/9783110708134/html
2022
_____.
"12. Narrative of Emancipation: Character-Centered Illusion, Cognitive
Dissonance, and Narrative Unreliability in Emma Donoghue's Room (2010)." In Gebauer, Making
Time: World Construction in the Present-Tense Novel. Boston and Berlin: De Gruyter, 2021. 257-75.*
(Focalization, immersion).
https://doi.org/10.1515/9873110708134-012
2021
Genette,
Gérard. Figures III. Paris: Seuil,
1972.
_____.
"Discours du récit." In Gérard Genette, Figures III . 71-273.
_____. Narrative Discourse. Trans. Jane E.
Lewin. Ithaca: Cornell UP, 1980.
_____.
"4. Mood." In Genette, Narrative
Discourse. Ithaca (NY): Cornell UP, 1980. 1995. 161-211.*
_____. Nouveau discours du récit. Paris: Seuil,
1983.
_____. Narrative Discourse Revisited. Trans.
Jane E. Lewin. Ithaca: Cornell UP, 1988.
Gerrig,
Richard. "Perspective as Participation." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and
Seymour Chatman. New York: SUNY Press, 2001. 303-23.*
Graesser,
A. C., C. Bowers, B. Olde, K. White, and N. K. Person. "Who Knows What?
Propagation Knowledge among Agents in a Literary Storyworld." Poetics 26.3 (1999): 143-176.
Graesser,
Arthur C., Cheryl Bowers, Ute J. Bayen, and Xiangen Hu. "Who Said What?
Who Knows What? Tracking Speakers and Knowledge in Narratives." In New Perspectives on Narrative Perspective.
Ed. Willie van Peer and Seymour Chatman. Albany: SUNY Press, 2001. 255-72.*
Grishakova,
Marina. The Models of Space, Time and Vision
in V. Nabokov's Fiction: Narrative Strategies and Cultural Frames. (Tartu
Semiotics Library, 5). Tartu: Tartu UP, 2006.* (James, The Turn of the Screw; Hitchcock, Rear Window).
http://www.kriso.ee/cgi-bin/shop/9949113067.html
Guillén,
Claudio. "On the Concept and Metaphor of Perspective." In Guillén, Literature as System. Princeton: Princeton UP, 1971.
Gutiérrez, R. "La focalización:
Génesis y desarrollo de un concepto." Semiosis 17 (1986): 113-35.
Hansen,
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