Ópera

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Opera

 

 

General

 

Batta, András, ed. Opera: Komponisten, Werke, Interpreten. Cologne: Könemann, 1999.

_____. Ópera: Compositores - Obras - Intérpretes. Trans. Cristina Ballesteros et al. Barcelona: Könemann, 2000.*

Boyden, Matthew. Opera: The Rough Guide. London: Rough Guides, 1997.

Conrad, Peter. A Song of Love and Death: The Meaning of Opera. New York: Poseidon Press, 1987.

La Gran Ópera. Instalment series with DVDs. Barcelona: Planeta De Agostini, 2004.*

Lindenberger, H. Opera: The Extravagant Art. Ithaca (NY): Cornell UP, 1984.

Martín Triana, José María. El libro de la ópera. Madrid: Alianza.

Rough Guide to Opera. 1997.

 

 

Miscellaneous

 

Blakmer, Corinne E., and Patricia Juliana Smith, eds. En Travesti: Women, Gender Subversion, Opera. New York: Columbia UP, 1996.

Burden, Michael. "14. Opera in the London Theatres." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 205-18.*

Cánovas del Castillo, Antonio. "De las circunstancias que han de concurrir en los asuntos que tratan las bellas artes, dadas suss distintas y peculiares condiciones." In Cánovas, Artes y Letras. Madrid: Imprenta de A.Pérez Dubrull, 1887. 1-107.* (Subject matter in poetry and sculpture; beauty, plastic arts, aesthetics, nudes, architecture, opera).

Catalán Marín, María Soledad. "Larra y la ópera." Cuadernos de Investigación Filológica 26 (2000): 7-15.*

Christiansen, Rupert. Prima Donna: A History.

Clément, Catherine. Opera, or the Undoing of Women. Introd. S. McClary. Trans. B. Wang. London: Virago, 1989.

Cooke, Brett. "Clichés Worth Singing: Narrative Commonplaces in Opera." The Evolutionary Review 1 (2010): 76-81.*

Dent, Edward J. Foundations of English Opera. Cambridge, 1928.

_____. Opera. 1940. London: Penguin, 1965.

Dryden, John. "Musical Drama: The Preface to Albion and Albanius, An Opera." 1685. In Dryden's Essays.  London: Dent; New York: Dutton, 1912. 175-82.*

Fricke, Harald. "Pop-Culture in History: Metalepsis and Metareference in German and Italian Music Theatre." In Metalepsis in Popular Culture. Ed. Karin Kukkonen and Sonja Klimek. Berlin and New York: Walter de Gruyter, 2011. 252-67.*

Gagey, Edmond M. Ballad Opera. 1937.

La Gran Opera. Barcelona: Planeta DeAgostini, 2004.*

Hutcheon, Linda, and Michael Hutcheon. "Otherhood Issues: Post-National Operatic Narratives." Narrative 3.1: 1-17.*

_____. Opera: Desire, Disease, and Death. Lincoln: U of Nebraska P, 1996.

_____. "Narrativizing the End: Death and Opera." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 441-50.*

Kerman, Joseph. Opera as Drama. New York: Vintage, 1952.

_____. Opera as Drama. Rev. ed. Berkeley: U of California P, 1988.

Koestenbaum, Wayne. The Queen's Throat. Forthcoming 1990. (Opera and homosexuality).

Lagos Gismero, Manuel. "Zarzuelas y musicales de inspiración biográfica: vidas en solfa a la escena (2000-2017)." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

Littlejohn, David. The Ultimate Art: Essays Around and About Opera. Berkeley: U of California P, 1992.

Marcello, Benedetto. (Anon.). Il teatro alla moda: o sia Metodo sicuro, e facile per ben comporre, ed esequire l'Opere Italiane in Musica all'uso moderno... Satire. Venice: Stampato ne'Borghi di Belisania per Aldivi. Valicante, 1720.

McClary, S. "The Undoing of Opera: Toward a Feminist Criticism of Music." Introd. to Opera, or the Undoing of Women. By Catherine Clément. Trans. B. Wang. London: Virago, 1989.

Newman, Ernest. More Stories of Famous Operas. Philadelphia: Blakiston, 1946.

Pérez López, Héctor Julio. "Cognitive Aesthetics, Neurosciences, and Filmed Opera." Aisthesis 6 (Special issue 2013): 285-301.*

         (U of Firenze)

         https://www.fupress.com/aisthesis

         https://www.academia.edu/11887027/

         2020

Riding, Alan, and Leslie Dunton-Downer. Opera: Composers, Synopses, Singers, Performances. New York: Dorling Kindersley, 2009.

Saint-Mard, Rémond de. Réflexions sur l'opéra. 1741.

Scouten, Arthur H. "Dramatic Opera." In The Revels History of Drama in English. Ed. T. W. Craik and C. Leech. 8 vols. London, 1975-83. 5.288-89.

Soriano García, María Victoria. "La biografía y la autobiografía en las óperas del siglo XXI: Ainadamar y La conquista de México en el Teatro Real." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

Tambling, Jeremy. (U of Hong Kong). Opera, Ideology and Film. 1987.

_____. Opera and the Culture of Fascism. Oxford: Clarendon Press, 1996.

Thubron, Colin. The Royal Opera House. 1982.

Titone, Antonino. "E quai nuovi rumori: Personaggi minori e comici del teatro monteverdiano." Unpublished ms., 1972; German trans. by Heinz-Klaus Metzger: "Claudio Monteverdi: Um die Geburt der Opera." Musik-Konzepte 88 (1995): 20-33.

Trainor, Charles. "Fielding and Italian Opera." Journal of English Studies 7 (2009): 83-94.*

Wagner, Richard. "Oper und Drama." In Wagner, Gessamelte Schriften und Dichtungen vol. 4.

_____. Gessamelte Schriften und Dichtungen. Leipzig, 1888.

 

 

 

Anthologies

 

Best of French Opera (Opera francesa) Prod. EMI Records / Disky Communications. CD. (Royal Opera, 11). Madrid: Emi Records / El Día del Mundo, 1996.*

Coros de ópera italiana: 19 piezas maestras Prod. EMI Records / Disky Communications. CD. (Royal Opera, 4). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Duetos de ópera italiana. Prod. EMI Records / Disky Communications. CD. (Royal Opera, 15). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Grandes tenores. Prod. EMI Records / Disky Communications. CD. (Royal Opera, 1). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Grandes sopranos. Prod. EMI Records / Disky Communications. CD. (Royal Opera, 2). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Héroes de ópera: 14 grandes arias. Prod. EMI Records / Disky Communications. CD. (Royal Opera, 13). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Heroínas del bel canto: 10 grandes arias. Prod. EMI Records / Disky Communications. CD. (Royal Opera, 14). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Oberturas de ópera italiana. Prod. EMI Records / Disky Communications. CD. (Royal Opera, 3). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Opera alemana: 14 grandes arias. Prod. EMI Records / Disky Communications. CD. (Royal Opera, 12). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Opera italiana: 15 grandes arias Prod. EMI Records / Disky Communications. CD. (Royal Opera, 5). Madrid: Emi Records / El Día del Mundo, c. 1996.*

Opera romántica italiana: 10 grandes arias y duetos. Prod. EMI Records / Disky Communications. CD. (Royal Opera, 10). Madrid: Emi Records / El Día del Mundo, c. 1996.*

 

 

 

Bibliographies

 

Hunter, David. Opera and Song Books Published in England, 1703-1726: A Descriptive Bibliography. (The Bibliographical Society). Oxford: Oxford UP, 1998.

 

 

 

 

Dictionaries and encyclopedias

 

 

Kobbé. Opera guide.

New Pocket Kobbé. Opera guide. Ebury Press, c. 2000.

 

 

 

 

 

Films

 

 

A Night at the Opera. Dir. Sam Wood. With the Marx brothers. 1935.

The Phantom of the Opera. Dir. Rupert Julian. Based on the novel by Gaston Leroux. Cast: Lon Chaney, mary Philbin, Norman Kerry, Snitz Edwards, Gibson Gowland. USA, 1925. Reissue 1929.

The Phantom of the Opera. Dir. Arthur Lubin. Based on the novel by Gaston Leroux. Cast: Claude Rains, Susanna Foster, Nelson Eddy, Edgar Barrier, Jane Farrar, Miles Mander, J. Edward Bromberg, Hume Cronyn, Fritz Leiber, Leo Carrillo, Steven Geray, Fritz Feld. Cinematography by Hal Mohr and W. Howard Greene. USA, 1943. (Oscars for cinematography and art direction).

The Phantom of the Opera. Dir. Terence Fisher. Based on the novel by Gaston Leroux. Cast: Herbert Lom, Heather Sears, Thorley Walters, Edward DeSouza, Michael Gough, Miles Malleson. UK, 1962.

The Phantom of the Opera. Dir. Robert Markowitz. TV film. Loosely based on the character created by Gaston Leroux. Cast: Maximilian Schell, Jane Seymour, Michael York, Jeremy Kemp, Diana Quick. USA, 1983.

The Phantom of the Opera. Dir. Dwight H. Little. Based on the novel by Gaston Leroux. Cast: Robert Englund, Jill Schoelen, Alex Hyde-White, Billy Nighy, Stephany Lawrence, Terence Harvey. USA, 1989.

The Phantom of the Opera. Dir. Tony Richardson. Screenplay by Arthur Kopit, based on his play. Cast: Burt Lancaster, Charles Dance, Teri Polo, Ian Richardson, Andrea Ferreol, Adam Storke, Jean-Pierre Cassel. 200'. USA/UK, 1990.

The Phantom of the Opera. Dir. Dario Argento. Based on Gaston Leroux's novel. Cast: Julian Sands, Asia Argento, Andrea di Stefano, Nadia Rinaldi, Coralina Cataldi Tassoni, Istvan Bubik. Italy, 1999.

The Phantom of the Opera. Dir. Joel Schumacher. Film version of Andrew Lloyd Webber's musical. Screenplay by J. Schumacher and A. Lloyd Webber, based on Gaston Leroux's novel. Cast: Gerard Butler, Emma Rossum, Minnnie Driver, Miranda Richardson, Clarán Hinds, Simon Callow. Photog. John Mathieson. Music by  Andrew Lloyd. Webber. USA/UK: Warner Bros / Odyssey / Really Useful Films-Scion Films, 2004. Spanish DVD: El fantasma de la ópera. Madrid: Odyssey / Aurum, 2005.*

www.thephantomofotheopera.com

Topsy-Turvy. Writer and dir. Mike Leigh. Cast: Jim Broadbent, Allan Corduner, Timothy Spall, Lesley Manville, Ron Cook, Wendy Nottingham, Kevin McKidd, Shirley Anderson, Dorothy Atkinson, Martin Savage, Eleanor David. Prod. des. Eve Stewart. Ed. Robin Sales. Thin Man Films / The Greenlight Fund / Newmarket Capital Group / Simon Channing-Williams. UK: Pathé, 1999. DVD. Twentieth Century Fox / Pathé.*

 

 

 

 

Internet resources

 

 

 

Opera on Video.*

         https://www.operaonvideo.com/

         2021

 

 

 

 

 

 

 

Journals

 

 

L'Avant-scène Opéra. Salzburg Festival (special issue no. 4).

 

Opera (Autumn 1976).

 

Opera News (New York)

(March 22, 1969); 53.2 (1988).

 

Platea Magazine

         http://www.plateamagazine.com/

         2016

 

 

 

 

 

Literature

 

Heuberger. Der Opernball. 1898.

Leroux, Gaston. El fantasma de la ópera. Ediciones de Bolsillo.

Moore, George. Evelyn Innes. Novel.

Pratchett, Terry. Maskerade. London: Gollancz, 1995.

_____. Maskerade. London: Transworld-Corgi, 1996.*

 

 

 

Music

 

Donizetti, Gaetano. Le convenienze ed inconvenienze teatrali. Comic opera in two acts. Libretto by Domenico Gilardoni. 2nd version, Naples, 1831.

_____. Le convenienze ed inconvenienze teatrali: Seconda versione, Napoli 1831. Critical ed. Roger Parker and Anders Wiklund. Bruno de Simone, Maria Costanza Nocentini, Cristina Rubin, Elisabetta Andreani, Bruno Lazzaretti, Alberto Noli, Mauro Utzeri, Andrea Concetti, Enrico Turco, Angelo Nosotti. Coro del Teatro Donizetti di Bergamo (Corrado Casati). Orchestra dei Pomeriggi Musicali / Fabrizio Maria Marminati. CD. (Opera). BMG Ricordi / Agorá, 1996.*

Fernández Caballero, Manuel. El dúo de La Africana. Zarzuela. Libretto by Miguel Echegaray. Premiere at the Teatro Apolo, Madrid, 18 May 1893.

_____. (M. Echegaray/M. Fernández Caballero). El dúo de La Africana. Ana María Iriarte, Carlos Munguia, Joaquín Roa, Rafael Maldonado. Coro Cantores de Madrid (José Perera). Orquesta de Cámara de Madrid / Ataulfo Argenta. Remastered CD. Spain: BMG Ariola, 1989.*

Strauss, Richard. Capriccio. Schwarzkopf, Fischer-Dieskau, Wächter, Gedda, Hotter, Ludwig, Moffo, Troy, Christ, Schmitt-Walter. Philharmonia Orchestra / Wolfgang Sawallisch. 1959. 2 CDs. (Great Recordings of the Century). EMI Classics, 2000.*

Valverde, Joaquín (son, "Quinito Valverde"). La obra de la temporada. Zarzuela. Libretto by Sinesio Delgado.

Wainwright, Rufus. Prima Donna. Opera. Libretto by Rufus Wainwright  and Bernadette Colomine. Janis Kelly, Kathryn Guthrie, Antonio Figueroa, Richard Morrison. BBC Symphony Orchestra / Jayce Ogren. Prod. BBC - Prima Donna. CD. Germany: BBC / Deutsche Grammophon, 2015.* Online audio at YouTube.*

         https://www.youtube.com/playlist?list=OLAK5uy_lpPhyWaxzdgZaN_ZFgl1Idq3BehJDYku8

         2021

Webber, Andrew Lloyd. The Phantom of the Opera. With Michael Crawford, Sarah Brightman, Steve Barton, with John Savident, Rosemary Ashe, David Firth, Mary Millar, John Aron. Music by Andrew Lloyd Webber. Lyrics by Charles Hart. Dir. Harold Prince. Original London cast recording, prod. Andrew Lloyd Webber. 2 CDs. London: The Really Useful Group / Polydor, 1987.*

_____. Andrew Lloyd Webbers's The Phantom of the Opera at the Royal Albert Hall: In celebration of 25 Years. 2 Cds. Ramin Karimloo, Sierra Boggess, Hayley Fraser. Prod. Carmeron Mackintosh. UK: Really Useful Group / Polydor, 2011.*

 

 

 

 

Related works

 

Peri, Jacopo. Euridice. Opera. Premiere at Florence, 1600. (Considered to be the 1st opera in history).

 

 

 

Series

 

 

(Bouquet: Grosser Opern – Querschnitt). Hamburg: Polygram Klassik – Decca.

 

(Homenaje a la Opera, 10). CD series. Madrid: Alfadelta / El Mundo, 2000.*

 

(La gran ópera). DVD series. Barcelona: Planeta DeAgostini, 2004.*

 

(La Gran Opera paso a paso). Books and CDs. Madrid: Club Internacional del Libro, c. 1999.*

 

(La mejor ópera en DVD, 10). Ed. Juan-María Martínez et al. Booklets and CDs. Madrid: Ediciones del Prado, 2003.

 

(Opera Gala). MCs. London: Decca, n.d.*

 

(The Opera Series). CD series. BMG Classics, c. 1988.*

 

(Royal Opera, 11). CD series. Emi Records / El Día del Mundo, 1996.*

 

 

 

See also Monteverdi, Rameau, Lully, Vivaldi, Gluck, Mozart, Rossini, Verdi, Bizet, Massenet, Wagner, Puccini, Britten.

 

 

 

 

 

 

Opera: Ages

 

17th century

 

Dennis, John. An Essay on the Operas. 1706.

 

 

Internet resources

 

 

Dramma per musica. YouTube channel.*

         https://www.youtube.com/channel/UCOT0FkUYkHlXCeO6L4kGh3Q

         2015

 

 

 

 

 

19th century

 

Abbate, C. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century .Princeton (NJ): Princeton UP, 1991.

Conrad, P. Romantic Opera and Literary Form. Berkeley: U of California P, 1977.

 

 

20th century

 

Lindenberger, H. "From Opera to Postmodernity: On Genre, Style, Institutions." In Postmodern Genres. Ed. M. Perloff. Norman: U of Oklahoma P, 1989.

 

 

 

 

 

 

Opera: Areas

 

English

 

Bevis, Richard W. "Scenes and Machines: Operatic Drama." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 103-6.*

_____. "Sister Arts: Operatic Drama 1689-1737." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 179-84.*

Dent, Edward J. Foundations of English Opera. Cambridge, 1928.

Kidson, Frank. The Beggar's Opera: Its Predecessors and Successors. 1922.

White, Eric W. A History of English Opera. London, 1983.

 

 

 

 

 

French

 

Delgado Cabrera, Arturo. Libretos de opera franceses del siglo XIX. Madrid: Publicaciones de la Universidad Complutense, 1987.

 

 

 

 

Spanish

 

 

Matamoro, Blas. "Cómo armar una temporada de ópera." Revista de Occidente 439 (Dec. 2017): 161-66.*

 

 

 

 

Literatura y Música

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Music and Literature

 

 

Amorós, Andrés. "El lenguaje musical (Julio Cortázar: Rayuela)." (El amor). In Amorós, Momentos mágicos de la literatura. Madrid: Castalia, 1999. 45-56.*

Arp, Thomas R., and Greg Johnson. "Musical Devices." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*

Backes, Jean-Louis. Musique et littérature: Essai de poétique comparée. Paris, 1994.

Beardsley, Monroe C. "The Meaning of Music." (18. Expression and Signification. 19. The Relation of Music to Words). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 318-66.*

Benson, Stephen. Literary Music: Writing Music in Contemporary Fiction. London: Ashgate, 2006.

Bernhart, W., S. P. Scher and W. Wolf, eds. Word and Music Studies: Defining The Field. Amsterdam: Rodopi, 1999.

Cebollada Desentre, Javier. "Musical Narrativities: Symbolising Intertextualities and the Musical Characterization of the Tragic Hero in An Equal Music by Vikram Seth." Dir. José Angel García Landa. TFG Universidad de Zaragoza, 2015. Online at Zaguán.*

         https://zaguan.unizar.es/record/47220?ln=es

         2016

Cocking, J. M. "Proust and Music." Essays in French Literature 4 (1967).

Dawson, George. "The Relations of Poets, Painters, and Musicians." In Dawson, Shakespeare and Other Lectures. Ed. George St Clair. London: Kegan Paul, 1888. 486-8.

Díaz Dueñas, Mercedes, Carmen Lara Rallo and Isabel Mª Andrés Cuevas. "Let the Novel Play: Considering the Interaction between Music and Fiction." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 93-100.* (Ondaatje, Paule Marshall).

Du Bos, Jean-Baptiste (Abbé). Réflexions critiques sur la poésie et sur la peinture. 1719. Paris, 1740. In Baldine Saint-Girons, Esthétiques du XVIIIe: Le modèle français. Paris: Philippe Sers, 1990.

_____. Critical Reflections on Poetry, Painting, and Music. Trans. Thomas Nugent. 3 vols. 1748.

Falces Sierra, Marta, et al. "Discurso literario, discurso musical: opciones interdisciplinares de la filología actual." Panel discussion summary. In Actas del 25º Congreso AEDEAN, Granada 2001. CD-ROM. Granada: U de Granada: Departamento de Filología Inglesa, 2002.*

_____. "Lengua y música en el marco de la literatura comparada: Propuestas teóricas y modelos de análisis." In Fifty Years of English Studies in Spain […] Actas del XXVI Congreso de AEDEAN, ed. Ignacio Palacios et al. Santiago de Compostela: U de Santiago de Compostela, 2003. 135-41.*

Forster, E. M. "Word-Making and Sound-Taking." 1935. In Forster, Abinger Harvest. London: Arnold, 1940. 100-103.* (Literature and Music).

Hollander, John. From "What Passions Cannot Music Raise and Quell?" from The Untuning of the Sky: Ideas of Music in English Poetry, 1500-1700. 1961. 201-6. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1298-99.*

Hooper, Emma. "Somewhere a Place for Us: How Intratextual Music-Association          Conveys Characteral Identity in The Time of Our Singing by Richard Powers." JMM: Journal of Music and Meaning 12 (2012): 1-21.

Huwiler, Elke. "A Narratology of Audio Art: Telling Stories by Sound." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 99-116.*

Jany, Christian. "Music and Musical Semiology in Marcel Proust's À la recherche du temps perdu." Narrative 23.1 (Jan. 2015): 1-26.*

Justice, Hilary K. "19. Music." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 193-204.*

Lara Rallo, Carmen. ""Ut Musica Poesis: An Approach to the Dialogue between Literature and Music." In Proceedings from the 31st AEDEAN Conference. Ed. M. J. Lorenzo Modia et al. CD-ROM: A Coruña: Universidade da Coruña, 2008. 65-74.*

Lindley, D. "Music." In Ben Jonson in Context. Ed. J. Sanders. Cambridge: Cambridge UP, 2010.

Mallarmé, Stéphane. "Symphonie littéraire." L'Artiste (1 Februrary 1865). Rpt. in Poésies 145-52.

_____. La Musique et les lettres. 1894. Paris: Perrin, 1895. Rpt. in Poésies. Anecdotes ou poèmes. Pages diverses. 237-60.

_____. Poésies. Anecdotes ou poèmes. Pages diverses. Ed. Daniel Leuwers. Paris: LGF, 1977.

Maus, Fred Everett. "Music as Narrative." Indiana Theory Review 12 (1991): 1–34.

Meelberg, Vincent. "Sounds Like a Story: Narrative Travelling from Literature to Music and Beyond." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 244-60.

Mellers, Wilfrid. "Words and Music in Elizabethan England." In The Age of Shakespeare. Vol. 2 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1982. Rev. 1993. 165-94.*

Mildorf, Jarmila, and Till Kinzel. "Audionarratology: Prolegomena to a Research Paradigm Exploring Sound and Narrative." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 1-26.*

_____, eds. Audionarratology: Interfaces of Sound and Narrative. (Narratologia, 52). Berlin and Boston: Walter de Gruyter, 2016.* (Music and Storytelling; Sound Art; Sound, Narrative and Immersion)

         http://www.degruyter.com/view/product/468357

         2016

Nietzsche, Friedrich. "On Music and Words." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 544-53.*

Pattison, Bruce. "Literature and Music." In The English Renaissance: 1510-1688. By Vivian de Sola Pinto. London: Cresset Press, 1938. 120-38.*

_____. Poetry and Music of the English Renaissance. London: Methuen, 1948.

Porto Requejo, M. Dolores. "Music in Multimodal Narratives: The Role of the Soundtrack in Digital Stories." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 29-46.*

Redling, Erik. "Blending and Jazz Narratives: Conceptual Integration of Music and Verbal Meaning in Eudora Welty's 'Powerhouse'." In Blending and the Study of Narrative: Approaches and Applications. Ed. Ralf Schneider and Marcus Hartner. Berlin and Boston: De Gruyter,  2012. 279-93.*

Said, Edward W. "Del silencio al sonido y vuelta al principio: música, literatura e historia." In Said, Reflexiones sobre el exilio: Ensayos literarios y culturales. Madrid: Debate, 2005. 457-80.*

Sampson, Fiona. Lyric Cousins: Poetry and Musical Form. Edinburgh: Edinburgh UP, 2016.

Scher, Steven P., et al. Essays In Honor of Steven Paul Scher and on Cultural Identity and the Musical Stage. Amsterdam: Rodopi, 2002.

Unger, H. H. "Die Beziehungen zwischen Musik und Rhetorik im 16-18 Jahrhundert: 'Poeterei ist eine stumme Musik, und die Musik ist eine Stumme Poeterei'." Dissertation. Berlin, Würzburg, 1941.

Wolf, Werner. "Musicalized Fiction and Intermediality." Word And Music Studies:  Defining The Field. Ed. W. Bernhart, S. P. Scher and W. Wolf. Amsterdam: Rodopi, 1999. 52.

Vélez Núñez, Rafael. "Retórica musical, afectos y melancolía en la literatura del Renacimiento." Actas del II Encuentro sobre Retórica, Texto y Comunicación. Cádiz, 1994. (forthcoming 1996).

 

 

 

Series

 

(Musique & Littérature). CD series. France: Arion.*