martes, 28 de marzo de 2023

Literatura y Música



A Bibliography of Literary Theory, Criticism and Philology

by José Ángel García Landa

(University of Zaragoza, Spain)



Music and Literature



Amorós, Andrés. "El lenguaje musical (Julio Cortázar: Rayuela)." (El amor). In Amorós, Momentos mágicos de la literatura. Madrid: Castalia, 1999. 45-56.*

Arp, Thomas R., and Greg Johnson. "Musical Devices." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*

Backes, Jean-Louis. Musique et littérature: Essai de poétique comparée. Paris, 1994.

Beardsley, Monroe C. "The Meaning of Music." (18. Expression and Signification. 19. The Relation of Music to Words). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 318-66.*

Benson, Stephen. Literary Music: Writing Music in Contemporary Fiction. London: Ashgate, 2006.

Bernhart, W., S. P. Scher and W. Wolf, eds. Word and Music Studies: Defining The Field. Amsterdam: Rodopi, 1999.

Cebollada Desentre, Javier. "Musical Narrativities: Symbolising Intertextualities and the Musical Characterization of the Tragic Hero in An Equal Music by Vikram Seth." Dir. José Angel García Landa. TFG Universidad de Zaragoza, 2015. Online at Zaguán.*


Cocking, J. M. "Proust and Music." Essays in French Literature 4 (1967).

Dawson, George. "The Relations of Poets, Painters, and Musicians." In Dawson, Shakespeare and Other Lectures. Ed. George St Clair. London: Kegan Paul, 1888. 486-8.

Díaz Dueñas, Mercedes, Carmen Lara Rallo and Isabel Mª Andrés Cuevas. "Let the Novel Play: Considering the Interaction between Music and Fiction." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 93-100.* (Ondaatje, Paule Marshall).

Du Bos, Jean-Baptiste (Abbé). Réflexions critiques sur la poésie et sur la peinture. 1719. Paris, 1740. In Baldine Saint-Girons, Esthétiques du XVIIIe: Le modèle français. Paris: Philippe Sers, 1990.

_____. Critical Reflections on Poetry, Painting, and Music. Trans. Thomas Nugent. 3 vols. 1748.

Falces Sierra, Marta, et al. "Discurso literario, discurso musical: opciones interdisciplinares de la filología actual." Panel discussion summary. In Actas del 25º Congreso AEDEAN, Granada 2001. CD-ROM. Granada: U de Granada: Departamento de Filología Inglesa, 2002.*

_____. "Lengua y música en el marco de la literatura comparada: Propuestas teóricas y modelos de análisis." In Fifty Years of English Studies in Spain […] Actas del XXVI Congreso de AEDEAN, ed. Ignacio Palacios et al. Santiago de Compostela: U de Santiago de Compostela, 2003. 135-41.*

Forster, E. M. "Word-Making and Sound-Taking." 1935. In Forster, Abinger Harvest. London: Arnold, 1940. 100-103.* (Literature and Music).

Hollander, John. From "What Passions Cannot Music Raise and Quell?" from The Untuning of the Sky: Ideas of Music in English Poetry, 1500-1700. 1961. 201-6. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1298-99.*

Hooper, Emma. "Somewhere a Place for Us: How Intratextual Music-Association          Conveys Characteral Identity in The Time of Our Singing by Richard Powers." JMM: Journal of Music and Meaning 12 (2012): 1-21.

Huwiler, Elke. "A Narratology of Audio Art: Telling Stories by Sound." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 99-116.*

Jany, Christian. "Music and Musical Semiology in Marcel Proust's À la recherche du temps perdu." Narrative 23.1 (Jan. 2015): 1-26.*

Justice, Hilary K. "19. Music." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 193-204.*

Lara Rallo, Carmen. ""Ut Musica Poesis: An Approach to the Dialogue between Literature and Music." In Proceedings from the 31st AEDEAN Conference. Ed. M. J. Lorenzo Modia et al. CD-ROM: A Coruña: Universidade da Coruña, 2008. 65-74.*

Lindley, D. "Music." In Ben Jonson in Context. Ed. J. Sanders. Cambridge: Cambridge UP, 2010.

Mallarmé, Stéphane. "Symphonie littéraire." L'Artiste (1 Februrary 1865). Rpt. in Poésies 145-52.

_____. La Musique et les lettres. 1894. Paris: Perrin, 1895. Rpt. in Poésies. Anecdotes ou poèmes. Pages diverses. 237-60.

_____. Poésies. Anecdotes ou poèmes. Pages diverses. Ed. Daniel Leuwers. Paris: LGF, 1977.

Maus, Fred Everett. "Music as Narrative." Indiana Theory Review 12 (1991): 1–34.

Meelberg, Vincent. "Sounds Like a Story: Narrative Travelling from Literature to Music and Beyond." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 244-60.

Mellers, Wilfrid. "Words and Music in Elizabethan England." In The Age of Shakespeare. Vol. 2 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1982. Rev. 1993. 165-94.*

Mildorf, Jarmila, and Till Kinzel. "Audionarratology: Prolegomena to a Research Paradigm Exploring Sound and Narrative." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 1-26.*

_____, eds. Audionarratology: Interfaces of Sound and Narrative. (Narratologia, 52). Berlin and Boston: Walter de Gruyter, 2016.* (Music and Storytelling; Sound Art; Sound, Narrative and Immersion)


Nietzsche, Friedrich. "On Music and Words." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 544-53.*

Pattison, Bruce. "Literature and Music." In The English Renaissance: 1510-1688. By Vivian de Sola Pinto. London: Cresset Press, 1938. 120-38.*

_____. Poetry and Music of the English Renaissance. London: Methuen, 1948.

Porto Requejo, M. Dolores. "Music in Multimodal Narratives: The Role of the Soundtrack in Digital Stories." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 29-46.*

Redling, Erik. "Blending and Jazz Narratives: Conceptual Integration of Music and Verbal Meaning in Eudora Welty's 'Powerhouse'." In Blending and the Study of Narrative: Approaches and Applications. Ed. Ralf Schneider and Marcus Hartner. Berlin and Boston: De Gruyter,  2012. 279-93.*

Said, Edward W. "Del silencio al sonido y vuelta al principio: música, literatura e historia." In Said, Reflexiones sobre el exilio: Ensayos literarios y culturales. Madrid: Debate, 2005. 457-80.*

Sampson, Fiona. Lyric Cousins: Poetry and Musical Form. Edinburgh: Edinburgh UP, 2016.

Scher, Steven P., et al. Essays In Honor of Steven Paul Scher and on Cultural Identity and the Musical Stage. Amsterdam: Rodopi, 2002.

Unger, H. H. "Die Beziehungen zwischen Musik und Rhetorik im 16-18 Jahrhundert: 'Poeterei ist eine stumme Musik, und die Musik ist eine Stumme Poeterei'." Dissertation. Berlin, Würzburg, 1941.

Wolf, Werner. "Musicalized Fiction and Intermediality." Word And Music Studies:  Defining The Field. Ed. W. Bernhart, S. P. Scher and W. Wolf. Amsterdam: Rodopi, 1999. 52.

Vélez Núñez, Rafael. "Retórica musical, afectos y melancolía en la literatura del Renacimiento." Actas del II Encuentro sobre Retórica, Texto y Comunicación. Cádiz, 1994. (forthcoming 1996).






(Musique & Littérature). CD series. France: Arion.*







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