from
A Bibliography of Literary Theory, Criticism and Philology
http://bit.ly/abibliog
by José Ángel García Landa
(University
of Zaragoza, Spain)
Aesthetics
General
Early works
Miscellaneous
General
Adorno,
Theodor. W. Aesthetische Theorie.
Frankfurt, 1973.
_____. Aesthetische Theorie. Frankfurt a/M:
Suhrkamp, 1970.
_____. Aesthetic Theory. Trans. Christian
Lenhardt. Ed. G. Adorno and R. Tiedmann. London: Routledge, 1984.
_____. Aesthetic Theory. Trans. Robert
Hullot-Kentor. Minneapolis: U of Minnesota P, 1997.
_____. Teoría estética.
Madrid: Taurus, 1980.
_____. Teoría estética. Barcelona: Orbis, 1984.
_____. From
Aesthetic Theory. In Critical Theory since 1965. Ed.. Hazard
Adams and Leroy Searle. Tallahasse: UPs of Florida / Florida State UP, 1986.
1990. 232-38.*
Alain. Système des beaux-arts. 1920. Paris: Gallimard, 1926.*
Babbitt,
Irving. The New Laokoon. 1910.
Banfi, A. Filosofía del arte. Barcelona: Península, 1987.
Batteux (Abbé). Traité des beaux-arts réduits à un même principe. 1746.
Bayer, R. Historia de la estética. México: F.C.E., 1975.
Beardsley,
Monroe C. Aesthetics: Problems in the
Philosophy of Criticism. New York: Harcourt, Brace, 1958.
_____. Aesthetics: Problems in the
Philosophy of Criticism. 2nd ed. Indianapolis and Cambridge: Hackett,
1981.*
_____. Aesthetics from Classical Greece to the
Present. New York: Macmillan, 1966.
Beardsley,
Monroe C., and John Hospers. Estética : Historia y Fundamentos.
Madrid: Cátedra, 1984.*
Bell,
Clive. Art. 1913. New York:
Capricorn, 1958.
Bergson, Henri. La Pensée et le Mouvant. 1934.
_____. La pensée et le mouvant. 31st ed. (Bibliothèque de Philosophie Contemporaine). Paris: PUF.
_____. La Pensée et le mouvant. Paris: PUF,
1946. (Introduction (Première partie), section "Mouvement rétrograde du
vrai : mirage du présent dans le passé").
Carritt, E.
F. Philosophies of Beauty from Socrates
to Robert Bridges. Oxford, 1931.
Collingwood,
R. G. The Principles of Art. 1938.
Croce,
Benedetto. "Fundamental Theses of an Aesthetic as Science of Expression
and General Linguistic" (in Italian). Acts of the Academia Pontatiana 30
(Naples, 1900). Rev. version in the first part of Aesthetic.
_____. Aesthetic as Science of Expression and
General Linguistic. Trans. Douglas Ainslie. London: Macmillan, 1909. 2nd
ed., rev., 1922.
_____. Aesthetic as Science of Expression and
General Linguistic. Trans. Douglas Ainslie. Rev. ed. London: Vision Press /
Peter Owen, 1953. New ed. 1967.*
_____. Aesthetic as Science of Expression and
General Linguistic. Trans. Douglas Ainslie. New York: Farrar, 1972.
_____.
"Aesthetic". In Adams 727-735. Trans. from Estetica come scienza dell' espressione e linguistica. 1902.
_____. Estetica como ciencia
de la expresión y lingüística general. Buenos Aires: Nueva Visión, 1969.
_____. Problemi di estetica. Bari, 1910. (Problems of Aesthetic and Contributions to
the History of Aesthetic in Italy ).
_____. Breviario di Estetica. Bari: Laterza, 1913.
_____. Bréviaire d'Esthétique. Trans. Georges
Bourgin. Paris, 1923.
_____. Breviario de Estética. Madrid : Espasa-Calpe, 1979.
_____.
"Aesthetics". Trans. R. G. Collingwood. Encyclopaedia Britannica. 14th ed. New York, 1929.
Dufrenne, Mikel. Phénoménologie de l'expérience esthétique. Paris: PUF, 1953.
_____. The Phenomenology of Aesthetic Experience.
Trans. Edward S. Casey et al. Evanston: Northwestern
UP, 1973.
_____. Fenomenología de la experiencia estética. Valencia: Fernando
Torres, 1982. Trans. of
Phénoménologie de l'expérience
esthétique.
Dutton,
Denis. The Art Instinct: Beauty,
Pleasure, and Human Evolution. Bloomsbury, 2009;
Oxford: Oxford UP, 2009.
Eco,
Umberto. La definición de arte. Barcelona: M. Roca, 1970.
Eyot, Y. Génesis de los fenómenos estéticos. Barcelona: Blume, 1980.
Farré, Luis. Categorías estéticas. Madrid: Aguilar, 1967.
Ferry, Luc. Homo Aestheticus. Paris: Le Livre de Poche.
Fischer, Ernst. La necesidad del arte. Barcelona: Península, 1967.
Gabás, Raúl. Estética: El Arte como fundamento de la sociedad. Barcelona:
Humanitas, 1984.
Gadamer, Hans-Georg. La actualidad de lo bello. El arte como juego, símbolo y fiesta.
Trans. Antonio Gómez Ramos. Barcelona: Paidós, 1991.
_____. Estética y hermenéutica. Introd. Angel Gabilondo. Trans. Antonio
Gómez Ramos. Madrid: Tecnos, 1996.
Genette, Gérard. L'Œuvre de l'art, I: Immanence et Transcendance. (Poétique). Paris:
Seuil, 1996.
_____. La obra del arte: Inmanencia y trascendencia.
Trans. Carlos Manzano. (Palabra Crítica 23). Barcelona: Lumen, 1997.*
_____. L'Œuvre de l'art, II: La relation esthétique. (Poétique). Paris: Seuil, 1997.* (1. L'attention
esthétique. 2. L'appréciation esthétique. 3. La fonction artistique).
Gilbert, K.
E., and Helmut Kuhn. A History of
Esthetics. Bloomington, 1953.
Gombrich,
E. H. Meditations on a Hobby Horse and
Other Essays on the Theory of Art. London: Phaidon, 1963.
_____. Art and Illusion. London: Phaidon, 1968.
_____. The Story of Art. Oxford: Phaidon, 1988.
Goodman,
Nelson. The Languages of Art: An Approach
to a Theory of Symbols. Indianapolis: Hackett,
1968. 2nd ed. 1978.
_____. Los lenguajes del arte. 1968. Barcelona: Seix-Barral, 1976.
_____. Langages de l'art. Paris: Jacqueline
Chambon, 1990.
_____.
"Quand y a-t-il art?" In Philosophe
analytique et esthétique. Ed. E. Lories. Paris: Méridiens-Klincksieck,
1988.
Hamann, R. Aesthetik. 2nd. ed. 1921.
Jauss, H.
R. Aesthetische Erfahrung und
Literarische Hermeneutik. Frankfurt: Suhrkamp, 1982.
_____. Aesthetic Experience and Literary
Hermeneutics. Minneapolis: U of Minnesota P, 1982.
Kaufmann,
Fritz. Das Reich des Schönen: Bausteine
zu einer Philosophie der Kunst. Ed. H. G. Gadamer. Stuttgart: Kohlhammer,
1960.
Langer,
Susanne K. Philosophy in a New Key: A
Study of the Symbolism of Reason, Myth, and Art. Cambridge: Harvard UP,
1942. 3rd. ed. 1957.*
_____. Philosophy in a New Key.
New York, 1948.
_____. Philosophy in a New Key. Cambridge (MA),
1980.
_____. Feeling and Form: A Theory of Art. New York: Scribner's, 1953.
_____. Feeling and Form: A Theory of Art.
London, 1953..
_____. Problems of Art: Ten Philosophical Lectures.
London: Routledge and Kegan Paul, 1957.*
Lukács,
Georg. Die Seele und die Formen.
Berlin: Fleischel, 1911.
_____. Soul and Form. London: Merlin Press,
1974.
_____. Die Eigenart des Ästhetischen. In Werke. Neuwied, 1963. Vols. 11 and 12.
_____. Aesthetics. 1963.
_____. Estética. 4 vols. Barcelona: Grijalbo, 1966-72.
_____. Aportaciones a la historia de la estética. México: Grijalbo, 1966.
_____. Prolegómenos a una estética marxista. Barcelona: Grijalbo, 1969.
_____. Marxism and Art: Writings in Aesthetics and Criticism.
New York: McKay, 1972.
Marawski,
Stefan. Inquiries into the Fundamentals
of Aesthetics. Cambridge (MA): MIT Press, 1974.
McKeon,
Richard. "The Philosophical Bases of Art and Criticism." Moden Philology (Nov. 1943 and Feb.
1944).
_____.
"The Philosophical Bases of Art and Criticism." In Critics and Criticism. Ed. R. S. Crane.
Chicago: U of Chicago P, 1952. 463-545. Abridged ed. 1957. 191-273.*
Muka®ovskÿ, Jan. Aesthetic Function, Norm and Value as Social
Facts. 1936. Trans. M. E. Suino. Ann
Arbor: U of Michigan P, 1970. 1976. 1979.
_____.
"Aesthetic Function, Norm, and Value as Social Facts." Select. in Twentieth-Century Literary Theory. Ed.
K. M. Newton. London: Macmillan, 1988. 35-8.
Nedoncelle,
M. Introduction à l'esthétique.
Paris: PUF, 1956.
Osborne,
H., ed. Aesthetics.
Oxford, 1972.
_____. Estética. México: F.C.E., 1976.
Pepper,
Stephen C. The Basis of Criticism in the
Arts. Cambrige: Harvard UP, 1956.
Philipson,
Morris, ed. Aesthetics Today. New
York: Meridian, 1961.
Plazaola, J. Introducción a la estética. Madrid: B.A.C., 1973.
Santayana,
George. The Sense of Beauty. 1896.
New York: Dover, 1955. 1970.
_____. Reason in Art. 1905.
_____. La razón en el arte y otros escritos de estética. Ed. Ricardo
Miguel. Epilogue by Fernando Savater. (Verbum Mayor). Madrid: Verbum, 2008.*
_____. "¿Qué es estética?" In
Santayana, La razón en el arte y otros
escritos de estética. Ed. Ricardo Miguel. Epilogue by Fernando Savater.
(Verbum Mayor). Madrid: Verbum, 2008. 149-56.*
Valéry,
Paul. Aesthetics. New York: Pantheon
Books, Bollingen Series, 1964.
Valverde,
José María. Breve
historia y antología de la estética. Barcelona:
Ariel, 2011.
_____. Breve historia y antología de la estética. (Grandes pensadores
españoles). Barcelona:
Planeta-DeAgostini, 2011.
Vivas, Eliseo.
"The Esthetic Judgment." Journal
of Philosophy 33 (1936): 57-69.
_____. The Artistic Transaction. Columbus: Ohio
State UP, 1963.
Volkelt, Johannes. System der
Ästhetik. 1925.
Witasek,
Stephan. Grundzüge der allgemeinen
Ästhetik. Leipzig, 1904.
Wölfflin,
Heinrich. Kunstgeschichtiche
Grundbegriffe. 1915.
_____. Principes fondamentaux de l'Histoire de l'Art. Trans. Marcel Raymond and Claire
Raymond. Paris: Plon, 1953.
_____. Principios fundamentales de la historia del arte. 3rd ed. Madrid: Espasa-Calpe, 1952.
Early works
Batteux
(Abbé). Traité des beaux-arts réduits à
un même principe. Paris, 1747.
Bosanquet,
Bernard. A History of Aesthetics. New
York, 1892.
Burke,
Edmund. A Philosophical Inquiry into the
Origin of Our Ideas of the Sublime and Beautiful. In Burke, Works. London: 1899. Vol. 1.
_____. A Philosophical Enquiry into the Origin of
our Ideas of the Sublime and Beautiful. Ed. Adam Phillips. (World's
Classics). Oxford: Oxford UP, 1990.*
_____. De lo sublime y de lo bello. Ed. and
trans. Menene Gras Balaguer. With Juan Antonio López
Férez. Madrid: Tecnos, 1987.
_____. De lo sublime y de lo bello. Ed. and trans. Menene Gras Balaguer. With Juan Antonio López Férez. Barcelona: Altaya, 1995.*
Casamada, Manuel. Lo bello y lo sublime.
Du Bos, Jean-Baptiste (Abbé). Les intérests de l'Angleterre malentendus
dans la présente guerre. 1703.
_____. Réflexions critiques sur la poésie et sur la peinture. 1719, 1733.
_____. Réflexions critiques sur la poésie et sur la peinture. 3 vols. Paris: Pierre-Jean Mariette,
1740.
_____. Réflexions critiques sur la poésie et sur la peinture. In Baldine Saint-Girons, Esthétiques du XVIIIe: Le modèle français.
Paris: Philippe Sers, 1990.
_____. Critical Reflections on Poetry, Painting,
and Music. Trans. Thomas Nugent. 3 vols. 1748.
Emerson,
Ralph Waldo. "Art." 1841. In Emerson, Essays. London: Dent; New York: Dutton, 1906. 192-203.*
_____. "El arte." In Emerson, Escritos de estética y poética. Ed. and
trans. Ricardo Miguel Alfonso. Málaga: Universidad de Málaga, 2000. 65-72.*
_____. "El arte." In Emerson, Ensayos. Ed. and trans. Ricardo Miguel Alfonso. Madrid: Espasa-Calpe, 2001. 262-74.*
_____. Escritos de estética y poética. Ed. and trans. Ricardo Miguel
Alfonso (Analecta Malacitana; Anejos, 30). Málaga: Universidad de Málaga, 2000.*
Goethe, J.
W. Goethes Werke. Ed. Erich Trunz.
Vol. 12, Schriften zur Kunst, Schriften
zur Literatur, Maximen und Reflexionen. Hamburg: Wegner, 1969.
_____. Essays on Art and Literature. Ed. John
Gearey. Trans. Ellen von Nardroff and Ernest H. von Nardroff. Vol. 3 of Collected Works. New York: Suhrkamp,
1986. 192-94.
Hazlitt, William. Ensayos sobre el arte y la literatura.
Introd., select. and trans. Ricardo Miguel Alfonso. (Espasa
Órbitas). Madrid: Espasa-Calpe, 2004.*
Hegel, G. W. F. Vorlesungen über die Aesthetik. 1835.
_____. Ästhetik. Berlin, 1965.
_____. Vorlesungen über die
Aesthetik. 1835. In Hegel, Werke in
zwanzig Bänden. Ed. E. Moldenhauer and K. M. Michel. Frankfurt a/M, 1970.
Vol. 13.
_____. The Introduction to Hegel's Philosophy of
Fine Art. Trans. Bernard Bosanquet. London, 1886.
_____. The Philosophy of Fine Art.
Trans. F. P. B. Osmaston. London: G. Bell and Sons, 1920.
_____. Esthetics. Trans. T. M. Knox. Oxford:
Clarendon, 1975.
_____. Aesthetics: Lectures on Fine Art. 2
vols. Trans. T. M. Knox. Oxford: Clarendon Press, 1998.
_____. Aesthetics: Lectures on Fine Art. Trans. T. M. Knox. New
York, 1975.
_____. From
Lectures on Fine Art. In The Norton Anthology of Theory and
Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. Esthétique. Trans. S. Jankélévitch.
Paris: Aubier, 1954.
_____. Estética. 1835. Buenos Aires: El Ateneo, 1954.
_____. Introducción a la estética. Trans. Ricardo Mazo. Barcelona:
Península, 1985.
_____. Introducción a la estética. Ediciones de Bolsillo.
_____. De lo bello y sus formas. Buenos Aires: Espasa-Calpe, 1958.
_____. Filosofía del arte o Estética [verano de
1826]. Apuntes de Friedrich Carl Hermann
Victor von Kehler. Ed. Annemarie Gethmann-Siefert
and Bernadette Collenberg-Plotnikov. With Francesca Ianelli and Karsten Berr.
Trans. Domingo Hernández Sánchez. (Lecturas de Filosofía). Madrid: Abada / UAM,
2006.* (Aesthetics, Beauty, Function of art, Symbols, Classicism, Romanticism,
Ideal, Unity, Subjectivity, Art and spirituality, Architecture, Sculpture,
Painting, Music, Poetry).
Holz, Arno.
Die Kunst: Ihr Wesen und ihre Gesetze.
Berlin, 1891.
Hugo,
Victor. Preface to Cromwell. 1827.
(Selection). In The Great Critics. Ed.
J. H. Smith and E. W. Parks. New York: Norton, 1932. 541-45.*
Hutcheson,
Francis. An Inquiry into the Original of
Our Ideas of Beauty and Virtue. New York: AMS
Press, 1978.
Kant, Immanuel. Observaciones acerca del sentimiento de lo bello y lo sublime. Madrid:
Alianza, 1990. Trans. of Beobachtungen
über das Gefühl des Schönen und Erhabenen. Königsberg: Kanter, 1764.
_____. Kritik der Urteilskraft. 1790. (Beauty, Taste, Perfection, Emotion, Agreeable, Pleasure, Judgment,
Universality, Sublimity, Satisfaction, Nature, Aesthetics, Objectivity,
Sensations, Common sense, Art, Genius, Teleology, Antinomies, Understanding,
Universe; Theology, God)
_____. Kritik der Urtheilskraft. In Kantswerke,
Akademie-Textausgabe, V.
_____. Kritik der Urteilskraft. Stuttgart,
1924.
_____. Kritik der Urteilskraft. Hamburg: Felix
Meiner, 1974.
_____. Kritik der Urteilskraft. In Werkausgabe
vol. 10. Ed. Wilhelm Weischedel. Frankfurt a/M, 1979.
_____. Critique of Judgment. Trans. J. H.
Bernard. 2nd. ed. London, 1914. 1931.
_____. Critique of Judgment. Trans. J. H.
Bernard. New York: Hafner, 1951. 1966.
_____. Critique of Judgment. Trans. Werner S.
Pluhar. Indianapolis: Hackett, 1987.
_____. Critique of Judgment. Excerpt. In Deconstruction in Context. Ed. Mark C.
Taylor. Chicago: U of Chicago P,
1986. 35-66.*
_____. The Critique of Judgement. Trans. James
Creed Meredith. Oxford: Clarendon, 1988.
_____. Critique
of the Power of Judgment. Trans. and ed. Paul Guyer and Eric Matthews. Cambridge, UK and New York: Cambridge UP, 2000.
_____. Crítica del Juicio. Madrid: Espasa-Calpe, 1984.*
Ker, W. P.
"On the Philosophy of Art." 1883. In Ker, Collected Essays. London: Macmillan, 1925. 2.234-71.*
Lessing, G.
E. Laokoon oder über die Grenzen der Malerei
und Poesie. 1766. In Lessings Werke.
Ed. R. Riemann. Leipzig: Reclam, n. d. 4.7-171.
_____. Laokoon. Ed. W. G. Howard. New York,
1910.
_____. Laocoon. Trans. Sir Robert Phillimore.
Selection. In The Great Critics. Ed.
J. H. Smith and E. W. Parks. New York: Norton, 1932. 420-26.*
_____. Laocoön: An Essay on the Limits of Poetry
and Painting. Trans. Edward Allen McCormick. Baltimore: Johns Hopkins UP,
1984.
_____. Laocoonte, o sobre los límites de la poesía y la pintura. Trans.
Enrique Palau. Barcelona: Orbis, 1985.*
_____. Laocoonte. Trans. E. Barjau. Madrid: Editora Nacional, 1984.
Lévêque, Charles. Estética o ciencia de lo bello. Trans. Santos Santamaría del Pino.
Valladolid: Hijos de Rodríguez, 1878.
Llanas Aguilaniedo, José María. Alma contemporánea: Estudio de estética.
1899. Ed. Justo Broto Salanova. Huesca: Instituto de Estudios Altoaragoneses,
1991.*
López Sáenz, Carmen. "Razones
estéticas: Zambrano y Merleau-Ponty." V
Boletín de Estudios de Filosofía y Cultura Manuel Mindán. Online at Academia
https://www.academia.edu/8182392/Razones_est%C3%A9ticas_Zambrano_y_Merleau-Ponty
2015
Menéndez y Pelayo, Marcelino. Historia de las ideas estéticas en España.
1883-91. 2 vols. Madrid: C.S.I.C., 1974.
_____. Historia de las ideas estéticas en España: Las ideas estéticas entre
los antiguos griegos y latinos. Desarrollo de las ideas estéticas hasta fines
del siglo XVII. ("Sepan cuantos...", 475). México: Porrúa, 1985.*
Milá y
Fontanals, Manuel. Estética y teoría literaria. 1857, 1868. Ed. Pedro
Aullón de Haro. Madrid: Verbum, 2002.
Moritz, Karl Philipp. (Essai de réunion de tous les beaux-arts et
sciences sous la notion d'accomplissement en soi. In German). 1785.
The Polite Arts. Anonymous essay. 1749.
Quinet, Edgar. Considérations
philosophiques sur l’art, thèse de philosophie. Strasbourg: F.-G. Levrault,
1839.
Richter,
Jean Paul. Vorschule der Ästhetik.
Hamburg, 1804. Ed. Norbert Miller. Munich, 1963.
_____. Introducción a la estética. 1804. Ed. Pedro Aullón de Haro and
Francisco Serra. Trans.
Julián de Vargas. Madrid: Verbum, 1991.
Schiller,
Johann Cristoph Friedrich von. Über die
ästhetische Erziehung des Menschen. 1795. In Schiller, Gedichte und Prosa: Über den Grund des Vergnügens. Über die tragische
Kunst. Vom Erhabenen. Über das pathetische. Über Anmut und Würde. Über die
ästhetische Erziehung des Menschen. Über naive und sentimentalische Dichtung.
Ed. Emil Staiger. Zürich: Manesse Verlag, 1984.*
_____. On the Aesthetic Education of Man.
Bilingual ed. Ed. and trans. E. M. Wilkinson and L. A. Willoughby. Oxford:
Oxford UP, 1983.
_____. From
On the Aesthetic Education of Man
(Letters 2, 6, 9). In The Norton
Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York:
Norton, 2001.*
Schlegel,
August Wilhelm. Vorlesungen über schöne
Literatur und Kunst. Heilbronn, 1884.
Schopenhauer,
Arthur. "On the Inner Nature of Art." In Schopenhauer, The World as Will and Representation.
New York: Dover, 1969. 406-11.*
_____. Die Welt als Wille und Vorstellung. 1819.
(Existence, World, Plato, Kant, Upanishads, Knowledge, Idealism, Causality,
Brain, Metaphysics, Will, Perception, Consciousness, Body, Freedom, Life,
Strife, Aesthetics, Beauty, Ethics).
_____. The World as Will and Representation.
Trans. E. F. J. Payne. 2 vols. New York: Dover, 1969.
_____. El mundo como voluntad y representación. Introd. E. Friedrich Sauer. Trans. E. Ovejero y Maury. México: Porrúa, 1987.
_____. El mundo como voluntad y representación. Introd. Ignasi Roviró
Alemany. Barcelona: RBA, 2004.
_____. El mundo como voluntad y representación (volumen primero). Trans.
Rafael-José Díaz Fernández and Mª Montserrat Armas Concepción. Introd. Luis
Fernando Moreno Claros. (Grandes Pensadores Gredos). Madrid: Gredos, 2010. Rpt.
Barcelona: RBA, 2014.*
_____. "19. Sobre la metafísica de
lo bello y la estética." In Schopenhauer, Parerga y Paralipómena II. Madrid: Trotta, 2009. 429-64.*
Shaftesbury (Anthony Ashley Cooper, 3rd Earl
of). "Treatise V. viz. The Moralists, A Philosophical Rhapsody."
1709. In Shaftesbury, Characteristicks of
Men, Manners, Opinions, Times. In Three Volumes. 1711.
_____. Soliloquy, or Advice to an Author.
London: John Morphew, 1710. (Aesthetics;
Morality; Introspection; Dialogue; Criticism; Taste)
_____.
"Treatise III. viz. Soliloquy: or Advice to an Author." In
Shaftesbury, Characteristicks of Men,
Manners, Opinions, Times, In Three Volumes. London, 1711.
_____. From
"Soliloquy, or, Advice to an Author." (On Milton and Heroic Poetry).
From Characteristicks, 1727. From "Soliloquy, or, Advice to an
Author," from Characteristicks, In
Milton: The Critical Heritage. Ed.
John T. Shawcross. London: Routledge, 1970. 145.*
_____.
"Treatise VI. viz. Miscellaneous Reflections, &c." In Shaftesbury, Characteristicks of Men, Manners,
Opinions, Times. In Three Volumes. London, 1711.
Shaw,
Bernard. The Sanity of Art. 1895. In
Shaw, Major Critical Essays. London:
Constable, 1932. 281-332.
Shklovsky. Bowstring. Dalkey Archive Press.
Smith,
Adam. "Of the Nature of that Imitation Which Takes Place in What Are
Called the Imitative Arts." In Smith, Essays
Philosophical and Literary. London, n.d.
Solger,
Friedrich. Erwin: Vier Gespräche über das
Schöne und die Kunst. Leipzig, 1829.
Spence,
Joseph. Polymetis. (Aesthetics,
poetry and sculpture). 1747.
_____. Crito. Aesthetics. 1752. London:
Dodsley, 1761.
Taine,
Hippolite. Lectures on Art. Trans.
John Durand. New York, 1877.
_____. Filosofía del arte. 2 vols. Valencia: F. Sempere [1915?].
_____. Filosofía del arte. Buenos Aires: Espasa-Calpe, 1944.
Tieck,
Ludwig, ed. Phantasien über die Kunst fur
Freunde der Kunst. Hamburg: Perthes, 1799.
Ussher, James. Clio: Or a Discourse on Taste. London: Davies, 1767. Online at Google Books
http://books.google.co.uk/books?id=gYFKAAAAcAAJ
2014
_____. Clio: or, A Discourse on Taste. Addressed to
a Young Lady. By I. Usher. The Second Edition, with Large Additions.
London: Printed for T. Davies, 1769. (Taste; Aesthetics; Sublime; Conversation;
The arts; Enthusiasm)
Veron,
Eugène. L'Esthétique. Paris:
Reinwald, 1890.
Vischer,
Friedrich Theodor. Ästhetik. Stuttgart, 1846-1857.
Vives, Juan Luis. De discipliniis. 1531. (Disciplines, Arts, Letters, Grammar, Dialectic, Rhetoric, Natural
philosophy, Medicine, Mathematics, Moral Philosophy, Civil Law, Metaphysics,
Probability, Truth, Argumentation, Logic).
_____. Las disciplinas. Trans. Lorenzo Riber (Real Academia Española).
Introd. Francisco José Fortuny. Madrid: Aguilar, 1948.
_____. Las disciplinas. Trans. Lorenzo Riber. Introd. Francisco José Fortuny. 2 vols. (Historia del Pensamiento, 83,
84). Barcelona: Orbis, 1985.*
Wackenroder,
Wilhelm Heinrich, and Ludwig Tieck. Phantasien
über die Kunst. 1799. Ed. Wolfgang Nehring. Stuttgart: Philipp Reklam, n.
d.
Wolf, F. A.
Darstellung der Altertumwissenschaft nach
Begriff, Umfang, Zweck und Wert. Vol. 1 of Museum der Altertumswissenschaft. Ed. F. A. Wolf and Philip
Buttman. Berlin, 1807.
Miscellaneous
Adler,
Mortimer J. Art and Prudence. New
York, 1937.
Aesthetics: Proceedings of the 8th
International Wittgenstein Symposium, Kirchberg. Part I. Vienna: Holder-Pichler-Tempsky, 1984.
Altieri,
Charles. "The Values of Articulation: Aesthetics after the Aesthetic
Ideology." In Beyond Representation:
Philosophy and Poetic Imagination. Cambridge: Cambridge UP, 1996. 66-89.
Baader,
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