Historiografía y crítica del arte

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Art criticism / Art Historiography

 

 

Abrams, M. H. "Art-as-Such: The Sociology of Modern Aesthetics." In Abrams, Doing Things with Texts: Essays in Criticism and Critical Theory. Ed. Michael Fischer. New York: Norton, 1989. 1991. 135-58.

Aladro Vico, Eva. "Los animales de las pinturas rupestres nos hablan de arte y empatía a través de los milenios." The Conversation (2022).*

         https://theconversation.com/los-animales-de-las-pinturas-rupestres-nos-hablan-de-arte-y-empatia-a-traves-de-los-milenios-162774

         2022

Azéma, Marc. La Préhistoire du cinéma: Origines paléolithiques de la narration graphique et du cinématographe. Book  + DVD. Editions Errance, 2011.*

Blunt, Anthony. Artistic Theory in Italy 1450-1600. 1940. Oxford: Oxford UP, 1962.

Boehmer, Konrad. "La miseria de la crítica musical alemana." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971. Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 103-11.

Bonafoux, Pascal. "Paradoxes de la critique d'art." Magazine littéraire 288 (1991): 59-61.

Calle, Román de la. "Las fronteras lábiles de la Estética: Estética y Crítica de arte." Analecta Malacitana 18.2 (1995): 361-80.*

Carroll, Noël. "Philosophical Resistance to Mass Art: The Majority Tradition." In Carroll, A Philosophy of Mass Art. Oxford: Clarendon, 1998. 15-109.*

______. "Philosophical Celebrations of Mass Art: The Minority Tradition." In Carroll, A Philosophy of Mass Art. Oxford: Clarendon, 1998. 110-71.* (Benjamin, McLuhan).

Carroll, David, ed. The States of "Theory": History, Art, and Critical Discourse. New York: Columbia UP, 1990.

D'Ors, Eugenio. Tres Horas en el Museo del Prado seguido de Avisos al Visitante de las Exposiciones de Pintura.

_____. Introducción a la crítica de arte.

_____. Las Ideas y las Formas.

_____. Menester del crítico de arte. Madrid: Aguilar, 1967.* (Selection from Arte de Entreguerras).

Dorfles, Gillo. Il divenire della critica. Torino: Einaudi, 1976.

______. El devenir de la crítica. Trans. Cristina Peri Rossi. Madrid: Espasa-Calpe, 1979.

Easthope, Antony. "Art History." In Easthope, British Post-Structuralism since 1968. 1988. London: Routledge, 1991. 114-23.*

Greenhalgh, Michael. "Art History." In A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth, eds. Malden (MA): Blackwell, 2004.  31-45.*

Harris, Rebecca. "Textuality, Forms of 'Reading' and the Encounter of Art." MPhil diss. Goldsmiths U of London, 2017.* (Gerhard Richter).

         https://research.gold.ac.uk/id/eprint/20628/1/ART_MPhilThesis_HarrisRM_2017.pdf

         2022

Hohendahl, Peter Uwe. "The Politicization of Aesthetic Theory: The Debate in Aesthetics since 1965." In Hohendahl, Reappraisals: Shifting Alignments in Postwar Critical Theory. Ithaca: Cornell UP, 1991. 156-97.*

Iden, Peter-Klaus. "¿Hasta cuándo? Acerca de la crítica del arte." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971.* Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 139-42.

MacLeod, Katy. "The Teaching 'Subject': Reviewing Art History within Postmodernism." In Postmodern Subjects / Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 117-26.*

Mandelbaum, Maurice. "Family Resemblances and Generalization Concerning the Arts." Rpt. in Aesthetics: A Critical Anthology. Ed. George Dickie and Richard Sclafani. New York: St Martin's, 1977.

Moreno, Braulio. "Esto explica por qué tus fotografías dicen mucho de ti." ABC (Bienestar) 7 Dec. 2019.*

https://www.abc.es/bienestar/psicologia-sexo/psicologia/abci-esto-explica-fotografias-dicen-mucho-201912070149_noticia.html

         2019

Mukulak, Bill. "Mickey Meets Mondrian: Cartoons Enter the Museum of Modern Art." Cinema Journal 36.3 (Spring 1997):  56-72.*

O'Toole, Michael. The Language of Displayed Art. London: Leicester UP, 1994.

Ohff, Heinz. "Tres tareas de la crítica del arte." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971. Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 135-8.*

Ortega y Gasset, José. "[Sobre la crítica de arte.]" In Ortega, La deshumanización del arte y otros ensayos de estética. Madrid: Espasa-Calpe, 1987. 195-201.*

Ordiñana Rodríguez, Victoria. "La cerámica medieval de Ategua (Córdoba)." In Resúmenes de Tesinas: Curso 83-84. Zaragoza: Universidad de Zaragoza, Secretariado de Publicaciones, 1986. 437-46.*

Pano Gracia, J. L. (U de Zaragoza), Mª Isabel Álvaro Zamora, and C. Lomba Serrano, eds. Estudios de Historia del Arte: Libro homenaje a Gonzalo M. Borrás Gualis. (IFC, 3221). Zaragoza: Institución Fernando el Católico, 2013.*

         https://ifc.dpz.es/publicaciones/ebooks/id/3298

         2019

Pollock, Griselda. "Beholding Art History: Vision, Place and Power." InVision and Textuality. Ed. Stephen Melville and Bill Readings. Houndmills: Macmillan, 1995. 38-66.*

Rábanos Faci, Carmen. "San Lucas de Bardallur: Un retablo aragonés de la época del Renacimiento." In Francisco Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 183-94.*

Rosenberg, Wolf. "La crítica musical acrítica." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971. Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 85-93.

Shrum, Wesley Monroe. Fringe and Fortune: The Role of Critics in High and Popular Art. Princeton (NJ): Princeton UP, 1996.

Soukopova, Jitka. Round Heads: The Earliest Rock Paintings in the Sahara. 1990s.

Trimarco, Angelo. Confluencias de arte y crítica en la postmodernidad. Madrid: Instituto de Estética y Teoría de las Artes, 1991.

Ward, J. "The Editorial Methods of Venegas de Henestrosa." Musica Disciplina 6 (1952): 105-13.

_____. "The Use of Borrowed Material in 16th-Century Instrumental Music." JAMS 5 (1952): 88-98.

_____. "The vihuela de mano and Its Music (1537-76)." Diss. New York U, 1953.

Wilde, Oscar. "The Critic as Artist." 1890.

______. "The Critic as Artist." In Wilde, Intentions. 1891.

______. "The Critic as Artist." In Complete Works of Oscar Wilde. London: Collins, 1966. 1009-59.*

______. "The Critic as Artist." In Wilde, Literary Criticism.

______. The Critic as Artist. In Wilde, Plays, Prose Writings and Poems. Introd. Isobel Murray. London: Dent; Rutland (VT): Tuttle, 1975. 1-60.*

 

 

 

Bibliography

 

 

Perrault, Anna H., and Elizabeth S. Aversa. Information Resources in the Humanities and the Arts. With Cynthia Miller and Sonia Ramirez Wolmuth. (Library and Information Science Text Series). Santa Barbara, Denver, and Oxford: ABC-Clio - Libraries Unlimited, 2013. (Named "6th ed.". Prior eds. titled Humanities: A Selective Guide to Information Sources. 1st and 2nd ed. A. Robert Rogers; 3rd-5th eds. Ron Blazek and Elizabeth Aversa). Online at Google Books:

         https://books.google.es/books?id=xZNxDwAAQBAJ

         2019

 

 

 

 

 

 

 

Internet resources

 

Kunstkritikk.no. Norwegian blog on art criticism.

         http://kunstkritikk.no/kk/weblogg.php?id=C0_63_1

         2005-06-06

 

 

 

 

 

Journals

 

 

 

Aisthesis: Pratiche, linguaggi e saperi dell'estetico

Vol. 8.1 (2015)

Firenze University Press

http://www.fupress.net/index.php/aisthesis/issue/current

2015

 

 

Art Criticism 3.3 (1987).

 

Journal of Aesthetics and Art Criticism 47.4 (Fall 1989).

 

 

 

 

See also Aesthetics.