A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Originality
Bergamín, José. "Los senderos trillados." Bergamín en su centenario. Revista de Occidente 166 (March 1995): 120-30.*
Boitani, Piero. Il genio di migliorare un'invenzione.
Boyd, Brian. "8. From Tradition to Innovation." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 113-26.*
Duff, William. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London, 1767.
_____. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London: Routledge, 1994.
Eliot, T. S. "Tradition and the Individual Talent." The Egoist (1919). Rpt. in The Sacred Wood. 1920. London: Methuen, 1986.
_____. "Tradition and the Individual Talent." In Eliot, Selected Essays. 1932. 3rd ed. London: Faber and Faber, 1951. 13-22.*
_____. "Tradition and the Individual Talent." In Eliot, Selected Essays. New York: Harcourt, Brace, 1950.
_____. "Tradition and the Individual Talent." In Selected Essays. New ed. New York: Harcourt, Brace & World, 1960.
_____. "Tradition and the Individual Talent." In The Modern Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 162-68.*
_____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1963.
_____. "Tradition and the Individual Talent." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 71-77.*
_____. "Tradition and the Individual Talent." In Debating Texts. Ed. Rick Rylance. 6-11.
_____. "Tradition and the Individual Talent." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 145-51.*
_____. "Tradition and the Individual Talent." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 587-92.*
_____. "Tradition and the Individual Talent." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 27-33.*
_____. "Tradition and the Individual Talent." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 31-38.*
_____. "Tradition and the Individual Talent." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2395-2401.*
_____. "Tradition and the Individual Talent." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. "Tradition and the Individual Talent / La tradición y el talento individual." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 217-40.*
Emerson, Ralph Waldo. "Cita y originalidad." 1876. In Emerson, Escritos de estética y poética. Ed. and trans. Ricardo Miguel Alfonso. Málaga: Universidad de Málaga, 2000. 133-45.*
Esposito, Elena. "Originality through Imitation: The Rationality of Fashion." Organization Studies 32.5 (2011): 603-13.
Hazlitt, William. "On Originality." 1830.
_____. "La originalidad." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 189-98.*
Jung, Sandro. William Collins and 'The Poetical Character': Originality, Original Genius and the Poems of William Collins. Heidelberg: Carl Winter, 2000.
Kaufman, Paul. "Heralds of Original Genius." In Essays in Memory of Barrett Wendell. Cambridge (MA), 1926. 191-222.
Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge (MA): MIT Press, 1985.
_____. La originalidad de la Vanguardia y otros mitos modernos. Trans. Adolfo Gómez Cedillo. Madrid: Alianza, 1996.
_____. "The Originality of the Avant-Garde: A Postmodern Repetition." In Art after Modernism. Ed. Brian Wallis. Boston: Godine, 1984.
Lowes, John Livingston. Convention and Revolt in Poetry. 1919.
Meltzer, Françoise. Hot Property: The Stakes and Claims of Literary Originality. Chicago: Chicago UP, 1994.*
Parker, Robert Dale. "Tradition, Invention, and Aesthetics." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
Penas Ibáñez, Beatriz. "A Pragma-stylistic Contribution to the Study of Narrativity: Standard and Non-Standard Narrativities." In Theorizing Narrativity. Ed. John Pier and José Ángel García Landa. (Narratologia, 12). Berlin and New York: Walter de Gruyter, 2008. 211-51.* (Hemingway, "The Snows of Kilimanjaro"; Nabokov, Speak, Memory).
Rubin, Rick. The Creative Act: A Way of Being. With Neil Strauss. (Canongate). Edinburgh: Canongate; USA: Penguin Press, 2023.*
Said, Edward W. "On Originality." The World, the Text, and the Critic. 1983. London: Vintage, 1991. 126-40.
Stacy, Robert H. Defamiliarization in Language and Literature. Syracuse: Syracuse UP, 1977.
Suk, Jeannie. "Originality." Harvard Law Review 115 (2002): 1988. 2002. Available at SSRN 25 May 2008.+
http://ssrn.com/abstract=1136322
2014
Young, Edward. Conjectures on Original Composition in a Letter to the Author of Sir Charles Grandison. London: Printed for A. Millar and R. and J. Dodsley, 1759. (Originality; Mimesis; Classical literature; Genius; Rhyme; Addison)
_____. Conjectures on Original Composition. Ed. M. W. Steinke. Philadelphia, 1917.
_____. Conjectures on Original Composition. Ed. Edith J. Morley. Manchester: Manchester UP, 1918.
_____. "Conjectures on Original Composition." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 353-88.*
_____. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 338-347.*
Anthologies
Lévêque, Daniel, ed. Figures et pointes stylistiques novatrices en langue allemande, anglaise, espagnole et leur traduction française (Recueil et catégorisation typologique de 1250 citations d'auteurs: aphorismes, comparaisons, métaphores et autres formes laconiques libres our défigées) / Figuras y finuras estilísticas innovadoras en lengua alemana, inglesa, española y su traducción francesa (Recopilación y categorización tipológica de 1250 citas de autores: Aforismos, comparaciones, metáforas y otras formas lacónicas libres o desautomatizadas. (Vertere: Monográficos de la revista Hermeneus, 18). Soria: Diputación Provincial de Soria - Hermeneus, 2016.*
Films
Anders als die Andern. Dir. Richard Oswald. Germany, 1919.
Video
Pagel, Mark. "The Evolution of Creativity | Gifford Lectures 2019." (Gifford Lectures Autumn 2019: Wired for Culture: The Origins of the Human Social Mind, or Why Humans Occupied the World). Video. YouTube (University of Glasgow) 6 Oct. 2020.*
2021
See also Estrangement; Novelty; Creation/imagination.
