from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Originality

 

 

Bergamín, José. "Los senderos trillados." Bergamín en su centenario. Revista de Occidente 166 (March 1995): 120-30.*

Boitani, Piero. Il genio di migliorare un'invenzione.

Boyd, Brian. "8. From Tradition to Innovation." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 113-26.*

Duff, William. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London, 1767.

_____. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London: Routledge, 1994.

Eliot, T. S. "Tradition and the Individual Talent." The Egoist (1919). Rpt. in The Sacred Wood. 1920. London: Methuen, 1986.

_____. "Tradition and the Individual Talent." In Eliot, Selected Essays. 1932. 3rd ed. London: Faber and Faber, 1951. 13-22.*

_____. "Tradition and the Individual Talent." In Eliot, Selected Essays. New York: Harcourt, Brace, 1950.

_____. "Tradition and the Individual Talent." In Selected Essays. New ed. New York: Harcourt, Brace & World, 1960.

_____. "Tradition and the Individual Talent." In The Modern Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 162-68.*

_____. "Tradition and the Individual Talent." In Selected Essays. London: Faber and Faber, 1963.

_____. "Tradition and the Individual Talent." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 71-77.*

_____. "Tradition and the Individual Talent." In Debating Texts. Ed. Rick Rylance. 6-11.

_____. "Tradition and the Individual Talent." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 145-51.*

_____. "Tradition and the Individual Talent." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 587-92.*

_____. "Tradition and the Individual Talent." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 27-33.*

_____. "Tradition and the Individual Talent." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 31-38.*

_____. "Tradition and the Individual Talent." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2395-2401.*

_____. "Tradition and the Individual Talent." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "Tradition and the Individual Talent / La tradición y el talento individual." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 217-40.*

Emerson, Ralph Waldo. "Cita y originalidad." 1876. In Emerson, Escritos de estética y poética. Ed. and trans. Ricardo Miguel Alfonso. Málaga: Universidad de Málaga, 2000. 133-45.*

Esposito, Elena. "Originality through Imitation: The Rationality of Fashion."  Organization Studies 32.5 (2011): 603-13.

Hazlitt, William. "On Originality." 1830.

_____. "La originalidad." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 189-98.*

Jung, Sandro. William Collins and 'The Poetical Character': Originality, Original Genius and the Poems of William Collins. Heidelberg: Carl Winter, 2000.

Kaufman, Paul. "Heralds of Original Genius." In Essays in Memory of Barrett Wendell. Cambridge (MA), 1926. 191-222.

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge (MA): MIT Press, 1985.

_____. La originalidad de la Vanguardia y otros mitos modernos. Trans. Adolfo Gómez Cedillo. Madrid: Alianza, 1996.

_____. "The Originality of the Avant-Garde: A Postmodern Repetition." In Art after Modernism. Ed. Brian Wallis. Boston: Godine, 1984.

Lowes, John Livingston. Convention and Revolt in Poetry. 1919.

Meltzer, Françoise. Hot Property: The Stakes and Claims of Literary Originality. Chicago: Chicago UP, 1994.*

Parker, Robert Dale. "Tradition, Invention, and Aesthetics." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

Penas Ibáñez, Beatriz. "A Pragma-stylistic Contribution to the Study of Narrativity: Standard and Non-Standard Narrativities." In Theorizing Narrativity. Ed. John Pier and José Ángel García Landa. (Narratologia, 12). Berlin and New York: Walter de Gruyter, 2008. 211-51.* (Hemingway, "The Snows of Kilimanjaro"; Nabokov, Speak, Memory).

Rubin, Rick. The Creative Act: A Way of Being. With Neil Strauss. (Canongate). Edinburgh: Canongate; USA: Penguin Press, 2023.*

Said, Edward W. "On Originality." The World, the Text, and the Critic. 1983. London: Vintage, 1991. 126-40.

Stacy, Robert H. Defamiliarization in Language and Literature. Syracuse: Syracuse UP, 1977.

Suk, Jeannie. "Originality." Harvard Law Review 115 (2002): 1988. 2002. Available at SSRN 25 May 2008.+

http://ssrn.com/abstract=1136322

         2014

Young, Edward. Conjectures on Original Composition in a Letter to the Author of Sir Charles Grandison. London: Printed for A. Millar and R. and J. Dodsley, 1759. (Originality; Mimesis; Classical literature; Genius; Rhyme; Addison)

_____. Conjectures on Original Composition. Ed. M. W. Steinke. Philadelphia, 1917.

_____. Conjectures on Original Composition. Ed. Edith J. Morley. Manchester: Manchester UP, 1918.

_____. "Conjectures on Original Composition." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 353-88.*

_____. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 338-347.*

 

 

 

Anthologies

 

 

Lévêque, Daniel, ed. Figures et pointes stylistiques novatrices en langue allemande, anglaise, espagnole et leur traduction française (Recueil et catégorisation typologique de 1250 citations d'auteurs: aphorismes, comparaisons, métaphores et autres formes laconiques libres our défigées) / Figuras y finuras estilísticas innovadoras en lengua alemana, inglesa, española y su traducción francesa (Recopilación y categorización tipológica de 1250 citas de autores: Aforismos, comparaciones, metáforas y otras formas lacónicas libres o desautomatizadas. (Vertere: Monográficos de la revista Hermeneus, 18). Soria: Diputación Provincial de Soria - Hermeneus, 2016.*

 

 

 

 

Films

 

 

Anders als die Andern. Dir. Richard Oswald. Germany, 1919.

 

 

 

 

Video

 

 

Pagel, Mark. "The Evolution of Creativity | Gifford Lectures 2019." (Gifford Lectures Autumn 2019: Wired for Culture: The Origins of the Human Social Mind, or Why Humans Occupied the World).  Video. YouTube (University of Glasgow) 6 Oct. 2020.*

https://youtu.be/IYpV5uj_CY4

         2021

 

 

 

 

 

See also Estrangement; Novelty; Creation/imagination.