Historia de la Literatura clásica

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Classical Literature

 

General

Early works

Miscellaneous

 

 

General

 

Easterling, P. E., and B. M. W. Knox, eds. The Cambridge History of Classical Literature, I: Greek Literature. Cambridge: Cambridge UP, 1985.

_____, eds. Historia de la Literatura Clásica (Cambridge University). I: Literatura Griega. Trans. Federico Zaragoza Alberich. Madrid: Gredos, 1990.*

The Cambridge History of Classical Literature. Vol. 2. Cambridge: Cambridge UP, 1982.

Hauser, Arnold. "III. Grecia y Roma." In Hauser, Historia social de la literatura y el arte. I. Desde la prehistoria hasta el barroco. Barcelona: DeBols!llo, 2004. 75-150.*

Howatson, M. C., and Ian Chilvers, eds. The Concise Oxford Companion to Classical Literature. (Oxford Paperback Reference). Oxford: Oxford UP, 1993.

Resúmenes críticos. Introd. Carlos García Gual. (Biblioteca Clásica Gredos). Madrid: Gredos, 1991. (Vols. 1-c. 150). 2nd ed.: Resúmenes críticos: volúmenes 1-300. (Biblioteca Clásica Gredos). Madrid: Gredos, 2002.*

Rutherford, Richard. Classical Literature: A Concise History. (Blackwell Introductions to the Classical World). Oxford: Blackwell, 2004.

 

 

 

 

Early works

 

Blackwall, Antony. An Introduction to the Classics. 6th ed. 1746.

Felton, Henry. Dissertation on Reading the Classics. 1713.

Schlegel, August Wilhelm von. Geschichte der klassichen Literatur. 1802.

Shelley, P. B. A Defence of Poetry. 1821, pub. 1840. In Shelley, Essays, Letters from Abroad, Translations and Fragments. London: Edward Moxon, 1840.

_____. A Defence of Poetry. (Select.). In Loci Critici. Ed. George Saintsbury. Boston: Ginn, 1903. 396-409.*

_____. A Defence of Poetry. In. English Critical Essays (Nineteenth Century). Ed. Edmund D. Jones. London: Oxford UP, 1916. 120-63.*

_____. A Defence of Poetry. In Critical Theory Since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 499-513.

_____. A Defence of Poetry and a Letter to Lord Ellenborough. Folcroft (PA): Folcroft Library, 1973.

_____. A Defence of Poetry. In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 478-508.*

_____. A Defence of Poetry. In The Selected Poetry and Prose of Shelley. Ed. Harold Bloom. New York, 1978.

_____. A Defence of Poetry. In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 216-42.*

_____. A Defense of Poetry. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 473-82.*

_____. From A Defence of Poetry. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 789-802.*

Staël, Germaine de. A Treatise on Ancient and Modern Literature. Illustrated by Striking References to the Principal Events And Characters that have Distinguished the French Revolution. London: George Cawthorn, 1803.

 

 

 

 

Miscellaneous

 

Aguiar e Silva, Vítor Manuel de. "Clasicismo y neoclasicismo." In Aguiar e Silva, Teoría de la literatura. Trans. Valentín García Yebra. Madrid: Gredos, 1972. 297-318.*

Benjamin, Andrew, ed. Post-Structuralist Classics. (Warwick Studies in Philosophy and Literature). London: Routledge, 1988.*

Bolger, Robert R. The Classical Heritage and Its Beneficiaries. London: Cambridge UP, 1954.

_____. Classical Influences on European Culture. Cambridge: Cambridge UP, 1971.

Bruggeman, Ludwig Wilhelm. A View of the English Editions, Translations, and Illustrations of the Ancient Greek and Latin Authors, with Remarks. Stettin: J. S. Leich, 1797.

Cavallo, G., ed. Libros, editores y público en el Mundo Antiguo: Guía histórica y crítica. (Alianza Universidad). Madrid: Alianza Editorial, 1995.

Escobar, Ángel. "Configuración, desarrollo y definición del tópico literario grecolatino." In Aspectos didácticos de lenguas clásicas I. By J. Mascaró, Mª L. Aguerri, et al. (Educación Abierta, 150). Zaragoza: U de Zaragoza-ICE / DGA, [c. 2000?] 65-110.

Gómez Santamaría, Mª I. "Otro comienzo por Júpiter (Plin. Paneg. 1)." In Intertextualidad en las literaturas griega y latina. Madrid and Salamanca, 2000. 283-95.

González Delgado, Ramiro. "La Bernat Mege y la traducción de clásicos grecolatinos al gallego, vasco y asturiano." Hermeneus 11 (2009): 145-60.*

Grethlein, J., and A. Rengakos, eds. Narratology and Interpretation: The Content of Narrative Form in Ancient Literature. Berlin: De Gruyter, 2009.

Hammond, Paul. "Classical Texts: Translations and Transformations." In The Cambridge Companion to English Literature 1650-1740. Ed. Steven N. Zwicker. Cambridge: Cambridge UP, 1998. 143-62.*

Highet, Gilbert. The Classical Tradition: Greek and Roman Influence on Western Literature. 1949. Oxford: Oxford UP, 1985.

_____. La tradición clásica: Influencias griegas y romanas en la literatura occidental. 1949. Mexico: FCE, 1954. 1978.

_____. La tradición clásica. México: FCE, 1954.

Johnson, W. A. "Towards a Sociology of Reading in Classical Antiquity." American Journal of Philology 121 (2000) 593-627.  http://www.jstor.org/view/00029475/ap050484/05a00080/0

Muckelbauer, J. "Imitation and Invention in Antiquity: A Historical-Theoretical Revision." Rhetorica 21 (2003): 61-88.

Norden, E. Die Antike Kunstprosa vom IV Jahrhundert vor Christ in der Zeit der Renaissance. 7th ed. Stuttgart: Teubner, 1974.

Rees, Christine. "Classical Origins and Renaissance Locations." In Rees, Utopian Imagination and Eighteenth-Century Fiction. Harlow: Addison Wesley Longman, 1996. 7-38.*

Young, Edward. Conjectures on Original Composition in a Letter to the Author of Sir Charles Grandison. London: Printed for A. Millar and R. and J. Dodsley, 1759. (Originality; Mimesis; Classical literature; Genius; Rhyme; Addison)

_____. Conjectures on Original Composition. Ed. M. W. Steinke. Philadelphia, 1917.

_____. Conjectures on Original Composition. Ed. Edith J. Morley. Manchester, 1918.

_____. "Conjectures on Original Composition." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 353-88.*

_____. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 338-347.*

 

 

 

Bibliographies

 

Gesner, Conrad. Bibliotheca Universalis 4 vols. 1545-49. (Bibliography of Hebrew, Greek, and Latin literature).

 

 

 

 

Dictionaries

 

The Oxford Companion to Classical Literature. 2nd ed.

 

Hornblower, Simon, and Antony Spawforth, The Oxford Classical Dictionary. Oxford: Oxford UP, 1996. 3rd ed.

 

 

 

 

 

Internet resources

 

 

The Ancient Library. Ed. Tim Spalding.

         http://www.ancientlibrary.com/

         2005-05-06

 

Berkeley Online Medieval and Classical Library.

         http://sunsite.berkeley.edu/OMACL

 

The Classics Pages. (Andrew Wilson).

http://www.users.globalnet.co.uk/~loxias/

 

Fondo Antiguo: Biblioteca de la Universidad de Sevilla

         http://www.fondoantiguo.us.es/

         2005-05-29

 

The Internet Classics Archive. (Daniel C. Stevenson, MIT).

         http://classics.mit.edu/

         2011

 

Perseus Collection: Greek and Roman Materials.

         http://www.perseus.tufts.edu/hopper/collection?collection=Perseus:collection:Greco-Roman

         2009

 

 

 

Journals

 

 

Ancient Greek & Roman Literature eJournal

SSRN

http://www.ssrn.com/link/Ancient-Greek-Roman-Literature.html

2013

 

The Classical Bulletin 52 (1975).

 

The Classical Journal 18.8 (1923).

 

Helios. (Journal of classical culture, literature and society).

Lubbock (TX): Texas Tech UP.

ns Vol. 7 (Winter 1980).

 

 

 

Literature

 

 

Spenser, Edmund. "October. Aegloga decima." In Spenser, The Shepheardes Calender Conteyning tvvelve Aeglogues proportionable to the twelve monethes. London: Hugh Singleton, 1579.

 

 

 

Series

 

 

(Biblioteca Clásica Gredos, 300). Series eds. Carlos García Gual (Latin); José Javier Iso and José Luis Moralejo (Greek). Madrid: Gredos, 2002.*

_____.  (Biblioteca Gredos, 25). Barcelona: RBA Coleccionables, 2007.*

 

(Bibliotheca Scriptorum Graecorum et Romanorum Mexicana).

 

(Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana). Leipzig: Teubner,  c.1985.

 

(Clásicos Linceo). Madrid: Cátedra, c. 2010.

 

(Focus Classical Library). 2003.

 

(Loeb Classical Library, 42). Cambridge (MA): Harvard UP, 1917.

____. (Loeb Classical Library, 268). Cambridge (MA): Harvard UP, 1933.

_____. Sobre la naturaleza de los dioses. Madrid: Gredos, 1999.

 

(Oxford Classical Monographs). Oxford: Clarendon Press, 1999.

 

(Trends in Classics – Supplementary Volumes, 113). Series eds. Franco Montanari and Antonios Rengakos. Berlin and Boston: De Gruyter, 2021. Online at Academia.*

         https://www.academia.edu/45278046/

         2021

 

 

 

 

 

See also Greek literature; Roman and Latin literature.

 

 

 

 

 

 

 

Clásicos y Canon Literario

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

The Literary Canon / the Classics

 

 

The literary canon

Non-canonical literature

 

 

The canon

 

Ackroyd, Peter. Rev. of The Western Canon. By Harold Bloom. The Times 26 Jan. 1995. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 269-72.*

Adams, Hazard. "Canons: Literary Criteria / Power Criteria." Critical Inquiry 14.4 (1988): 748-64.

Aliaga Lavrijsen, Jessica. Rev. of A Scottish National Canon? Process of Literary Canon Formation in Scotland. By Stefanie Preuss. Miscelánea 50 (2014): 161-66.* Online:

         http://www.miscelaneajournal.net/index.php/misc/article/view/189

         2015

Alter, R. Canon and Creativity: Modern Writing and the Authority of Scripture. New Haven (CT): Yale UP, 2000.

Altieri, Charles. "An Idea and Ideal of a Literary Canon." Critical Inquiry 10.1 (1983): 37-70.

_____. Canons and Consequences: Reflections on the Ethical Force of Imaginative Ideals. Evanston (IL): Northwest UP, 1991.

Argullol, Rafael. "Canon y caos." In Argullol, Territorio del nómada.   Barcelona: Destino, 1993. 85-99.*

Arnold, Matthew. "The Study of Poetry." 1880. In Arnold, Essays in Criticism: Second Series. 1888. London: Macmillan, 1918. 1-55.*

_____. "The Study of Poetry." In English Literature and Irish Politics. Vol 9 of The Complete Prose Works. Ed. R. H. Super. Ann Arbor, 1973.

_____. "The Study of Poetry." In Arnold, Poetry and Criticism 306-27.

_____. "The Study of Poetry." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 387-510.*

_____. From "The Study of Poetry." 1880. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1534-45.*

_____. On the Classical Tradition: The Complete Prose Works of Matthew Arnold, vol. I. Ed. R. H. Super. Ann Arbor: U of Michigan P, 1960.

Azorín. Los valores literarios. 1914.

Bak, Hans, ed. Multiculturalism and the Canon of American Literature. Amsterdam: VU UP, 1993.

Baker, Houston. "The Promised Body: Reflections on Canon in an Afro-American Context." Poetics Today 9.2 (1988): 339-356.

Bell, Ian, ed. Contests in the Canon of English Literature. (Studies in Twentieth Century Literature). Harlow: Addison Wesley Longman, 1999.

Belsey, Catherine. "Re-Reading the Great Tradition." In Re-Reading English. Ed. Peter Widdowson.  London: Methuen, 1980. 121-35.

Bloom, Harold. "An Elegy for the Canon." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 15-42.*

_____. The Western Canon: The Books and School of the Ages. New York: Harcourt, 1994.

_____. The Western Canon: The Books and School of the Ages. London: Macmillan, 1994.*

_____. El canon occidental. Trans. Damián Alou. Barcelona: Anagrama, 1995.

"Books of the Century." Daily Mail 21 July 1998: 8.

Bou, Enric. "Cànon i canó: perspectives sobre liteatura catalana." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 155-80.*

Bowlby, Rachel. "'But She Would Learn Something from Lady Chatterley': The Obscene Side of the Canon." In Decolonizing Tradition: New Views of Twentieth-Century "British" Literary Canons.  Ed. Karen R. Lawrence. Urbana: U of Illinois P, 1992. 113-35.*

Boxall, Peter, and José-Carlos Mainer. 1.001 libros que hay que leer antes de morir. Barcelona: Grijalbo, 2006.

Broch, Álex. "Cànon i literatura catalana: escriptors i crítica." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 277-84.*

Cabanilles, Antònia. "La literatura de les dones i el cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 227-50.*

Calvino, Italo. Pourquoi lire les classiques. Paris: Seuil, 1996.

_____. Por qué leer los clásicos. Trans. Aurora Bernárdez. Barcelona: Tusquets, 1992.

Campo, Soledad. "El (casi) imposible canon literario de Occidente." Heraldo de Aragón 25 June 2013.*

         http://prensa.unizar.es/noticias/1306/130625_z0_carlos.pdf

         2013

Canons.  Critical Inquiry  10 (Sept. 1983). 

Carbonell, Neus. "Cànon i valor: Dels uns als altres." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 251-56.*

Chambers, R. "Irony and the Canon." In Profession 90. MLA, 1990. 18-24.

Compagnon, Antoine.  "La valeur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 241-74.* (Valuation, canon, classics).

Culler, Jonathan. "The Authority of the Classics." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 11-28.*

Darias Beautell, Eva, and María Jesús Hernáez Lerena, eds. Canon Disorders: Gendered Perspectives on Literature and Film in Canada and the United States. Logroño: U de La Rioja / U de La Laguna, 2007.

Dibdin, T. F. The Library Companion: Or, The Young Man's Guide and the Old Man's Comfort, in the Choice of a Library. London,  1824.

Dobson, Michael. The making of the national poet: Shakespeare, adaptation and authorship, 1660-1769. Oxford: Clarendon Press, 1992.

Easthope, Antony. "The Silence of the Lambs: How the Canon Tried to Kill Popular Culture." In Anatomies of Silence. Ed. Ann R. Cacoullos and Maria Sifianou. Athens: U of Athens, 1998. 1-11.*

Engell, James. "Kinds, Canons, and Readers." In Engell, Forming the Critical Mind: Dryden to Coleridge.  Cambridge (MA): Harvard UP, 1989. 151-72.*

Ezell, Margaret J. M. "The Myth of Judith Shakespeare: Creating the Canon of Women's Literature." New Literary History 21.3 (1990): 579-92.

Felperin, Howard.The Uses of the Canon: Elizabethan Literature and Contemporary Theory. Oxford: Clarendon Press, 1992.

Fiedler, Leslie. "The Canon and the Classroom: A Caveat."  In English Inside and Out: The Places of Literary Criticism. Ed. Susan Gubar and Jonathan Kamholtz. New York: Routledge, 1993. 29-36.*

Fite, David. "Kenner/Bloom: Canonmaking and the Resources of Rhetoric." Boundary 2 15.3 (Spring/Fall 1988).

Fowler, Alastair. "Genre and the Literary Canon." New Literary History 11.1 (1979): 97-118.

Furbank, P. N., and W. R. Owens. The Canonisation of Daniel Defoe. New Haven: Yale UP, 1988.

García Berrio, Antonio. "Necesidad y jerarquía de la estética: la polémica americana sobre el canon literario." Revista de Occidente 173 (October 1995): 101-115.*

García Gual, Carlos. "Sobre el 'canon' de los clásicos antiguos." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 199-205.

García Landa, José Ángel. "Most Important Books of the 20^th Century." In García Landa, Vanity Fea 14 Dec. 2011.*

         http://vanityfea.blogspot.com/2011/12/most-important-books-of-20th-century.html

         2011

_____. "Mapa de la literatura mundial." Ibercampus (Vanity Fea) 7 Jan. 2017.*

         http://www.ibercampus.es/mapa-de-la-literatura-mundial-34247.htm

         2016

Gardiner, Judith Kegan. "The First English Novel: Aphra Behn's Love Letters, The Canon, and Women's Tastes." Tulsa Studies in Women's Literature 8.2 (1989): 201-21.

Gates, Henry Louis. "The Master's Pieces: On Canon Formation and the Afro-American Tradition." In The Bounds of Race: Perspeectives on Hegemony and Resistance. Ed. D. LaCapra. Ithaca (NY): Cornell UP, 1991.

_____. Loose Canons: Notes on the Culture Wars.

Geertsema, Johan. "Between Homage and Critique: Coetzee, Translation, and the Classic." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 110-27.*

Gentz, Joachim. Keywords Re-Oriented. (InterKultur: European-Chinese Intercultural Studies, 4). With Ella Chmiellewska, Hannah Sommerseth and Jack Burton. Göttingen: Universitätsdrucke Göttingen, 2009.* (Culture, Orientalism, Occidentalism, Postmodernism, Historiography, Literary Field, Discourse, Intertextuality, Canon, Body, Gender, Text, Art, Representation, Reality). Online at Academia.*

         https://www.academia.edu/41792098/

         2020

Gilbert, Sandra M., and Susan M. Gubar. Masterpiece Theatre: An Academic Melodrama. Satire.

González de la Aleja, M. "El problema del canon literario: Cuatro razones para leer y estudiar basura."  In Estudios de literatura en lengua inglesa del siglo XX, 3.  Ed. P. Abad, J. M. Barrio and J. M. Ruiz.  1996.

Grabes, Herbert. "The Canon Pro and Contra: 'The Canon Is Dead: Long Live Pick-and-Mix'." Miscelánea 29 (2004): 35-50.*

Guillory, John. "The Ideology of Canon-Formation: T. S. Eliot and Cleanth Brooks." Critical Inquiry 10.1 (1983): 173-98.*

_____. Cultural Capital: The Problem of Literary Canon Formation. Chicago: U of Chicago P, 1993. 

Hallberg, Robert von, ed. Canons. 1984.

Hopkins, Chris. "Registering War: Modernism, Realism, and the Can[n]on."  Focus on Robert Graves and His Contemporaries 2.2 (1994): 39-43.*

_____. Thinking about Texts. Houndmills: Macmillan, 2000. (Definition of literature, canon, authorship, genre, lit. and history, lit. and ideology).

Horno Delgado, Asunción. "Las literaturas de género y el canon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 139-55.*

Howe, Irving. "The Value of the Canon." New Republic (18 Feb. 1991): 40-47.

Hube, Christoph, Frank Fischer, et al. "World Literature According to Wikipedia." ArXiv 4 Jan. 2017.*

         https://arxiv.org/abs/1701.00991

         2017

Imbert, Patrick. "The Evolution of Canonical Circuits." Poetics Today  12.4 (1991): 697-712.*

Jay, Gregory S. American Literature and the Culture Wars. Madison: U of Wisconsin P, 1996.

_____. ¿American Literature and the Culture Wars. Ithaca (NY): Cornell UP, 1997.

Johnson, David, ed. The Popular and the Canonical: Debating Twentieth-Century Literature, 1940-2000. (Twentieth-Century Literature: Texts and Debates). London: Routledge, 2004.* (Du Maurier, Rebecca; the poetry of Ginsberg and O'Hara; Dick's Do Androids Dream of Electric Sheep?; Puig's Kiss of the Spider Woman; Beckett's Waiting for Godot; .S. Heaney; Gurna's Paradise; Barker's The Ghost Road).

Joyce, Joyce A. "The Black Canon: Reconstructing Black American Literary Criticism." New Literary History 18.2 (1987): 335-44.

Kermode, Frank. "Institutional Control of Interpretation." Salmagundi 43 (Winter 1979): 72-86. (Canons).

_____.  "The Future of the English Literary Canon." In English Studies in Transition: Papers from the ESSE Inaugural Conference. Ed. Robert Clark and Piero Boitani. London: Routledge, 1993.

Kilcup, Karen L. Soft Canons: American Women Writers & Masculine Tradition. Iowa City: U of Iowa P, 1999.

Knox, Bernard.  The Oldest Dead White European Males and Other Reflections on the Classics. New York: Norton, 1993.

Kramnick, J. B. Making the English Canon: Print-Capitalism and the Cultural Past, 1700-1770. 1999.

Landow, George P. "Hypertext, Metatext, and the Electronic Canon." In Literacy Online. Ed. Myron C. Tuman. Pittsburgh: U of Pittsburgh P, 1992. 67-94.*

Lauter, Paul. "Caste, Class, and Canon." 1981/87. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 129-50.*

_____. Canons and Contexts. New York: Oxford UP, 1991.

Lawrence, Karen, ed.  Decolonizing Tradition: New Views of Twentieth Century "British" Literary Canons.  Urbana: U of Illinois P, 1992.*

Leavis, F. R. "The 'Great Books' and a Liberal Education." Commentary 16.3 (1953). In The Critic as Anti-Philosopher. London: Chatto, 1982.156-71.

Lecercle, Jean-Jacques. "(Why) Do We Need a Canon?"  EJES  1 (April 1997).

Lefevere, André. Translation, Rewriting and the Manipulation of Literary Fame. London: Routledge, 1992.

_____. Traducción, reescritura y la manipulación del canon literario. Trans. M. Carmen África Vidal and Román Álvarez. Salamanca: Ediciones Colegio de España, 1997.

Lotman, Iuri M. "El arte canónico como paradoja informacional." In Lotman, La Semiosfera, I: Semiótica de la cultura y del texto. Madrid: Cátedra / Universitat de València, 1996. 182-89.*

Manzanas, Ana, and Jesús Benito. "El canon literario y la enseñanza de la literatura norteamericana." Atlantis 23.1 (June 2001): 91-104.

Marí, Antoni. "La tradició del cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 181-94.*

Martí-Olivella, Jaume. "Del cànon i de la crítica." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 257-64.*

Martínez Lorente, Joaquín. "Studying the Canon and Harold Bloom's The Western Canon: Differences, Contradictions, and Missing Distinctions." Proceedings of the XIXth International Conference of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo: Departamento de Filoloxía Inglesa e Alemana da Universidade de Vigo, 1996. 391-96.*

McCracken, T. "Triple-Voicing: The Multicultural Canon." Typescript. 1991.

McKay, Nellie. "Reflections on Black Women Writers: Revising the Literary Canon." 1987. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 151-63.*

Mignolo, Walter D. "Canons A(nd)Cross-Cultural Boundaries (Or, Whose Canon Are We Talking About?)." Poetics Today  12.1 (1991): 1-28.*

Miralles, Carles. "Canonitzacions, cànons i crisis." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 95-106.*

Mosas, Joaquim. "Necessitat i raons d'una proposta." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 129-38.*

Nabokov, Vladimir. Lectures on Literature. Ed. Fredson Bowers. Introd. John Updike. New York: Harcourt/Bruccoli Clark, 1980. 1982.

_____. Littératures I. Paris: Fayard, 1983.

_____. Littératures, 1. (English and French). Paris: Le Livre de Poche.

_____. Curso de literatura europea. Barcelona: Bruguera, 1983. Trans. of Lectures on Literature.*

_____. Curso de literatura europea. Trans. Francisco Torres Oliver. Barcelona: Ediciones B, 1987.

Navajas, Gonzalo  "El canon en la literatura." Tropelías 7/8 (1996/97 [Issued 1999]): 275-83.*

Nelson, Theodor Holm. "How Hypertext (Un)Does the Canon." Address to the MLA, Chicago, 28 Dec. 1990.

Nemoianu, Virgil, and Robert Royal, eds. The  Hospitable Canon: Essays on Literary Play, Scholarly Choice, and Popular Pressures. Rev. in Poetics Today 14.1 (1993): 213-216.

Ohmann, Richard.  "The Shaping of a Canon: U. S. Fiction, 1960-1975." Critical Inquiry  10.1 (1983): 199-223..

Olsen, Stein Haugom. "13. Canon and Tradition." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.

Onega, Susana, and Christian Gutleben, eds. Refracting the Canon in Contemporary Literature and Film. (Postmodern Studies Series, 35). Amsterdam: Rodopi, 2004.

Owens, W. R., and Lizbeth Goodman, eds. Shakespeare, Aphra Behn and the Canon. (Approaching Literature Series). London: Routledge / Open U, 1996. (Henry V, Othello, As You Like It, The Rover).

Paulson, William. "The Literary Canon in the Age of Its Technological Obsolescence." In Reading Matters: Narrative in the New Media Ecology. Ed. Joseph Tabbi and Michael Wutz. Ithaca (NY): Cornell UP, 1997. 227-49.*

Pérez Montaner, Jaume. "Una aproximació al cànon de Harold Bloom." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 197-204.*

Pi y Margall, Francisco. Joyas literarias. 1876.

Piera, Carlos. "Ausencias del canon." Fin de siglo y futuro de las artes. Revista de Occidente 181 (1996): 89-98.*

Pont, Jaume. "Cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 291-94.*

Pont, Jaume, and Josep M. Sala-Valldaura, eds. Cànon literari: Ordre i subversió. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998.*

Pozuelo Yvancos, J. M. "El canon en las teorías sistémicas." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 65-94.*

Preuss, Stefanie. A Scottish National Canon? Process of Literary Canon Formation in Scotland. Heidelberg: Universitätsverlag, 2012.

Richardson, Brian. "Re-Mapping the Present: The Master Narrative of Modern Literary History and the Lost Forms of Twentieth-Century Fiction." Twentieth-Century Literature 43 (1997): 291-309.

Riera, Carme. "Los clásicos del Siglo de Oro y la construcción del canon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 107-28.*

Robinson, Lillian S.  "Treason Our Text: The Feminist Challenges to the Literary Canon."  1983. In The New Feminist Criticism.  Ed. Elaine Showalter.  London: Virago, 1986.  105-21.*

_____. "Treason Our Text: Feminist Challenges to the Literary Canon." In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahassee: UPs of Florida / Florida State UP, 1986. 1990. 572-85.*

_____. "Treason Our Text: Feminist Challenges to the Literary Canon." In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 115-28.*

_____. "Canon Fathers and Myth Universe." In Decolonizing Tradition: New Views of Twentieth-Century "British" Literary Canons.  Ed. Karen R. Lawrence. Urbana: U of Illinois P, 1992. 23-36.*

Rodríguez Nuero, Salvador. "The Politics of Theory: The Aesthetic and Its Politically Incorrect Pleasures." Actas del XXI Congreso AEDEAN. Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 303-8.*

Rodríguez Palomero, Luisa Fernanda "Intertextuality and the Literary Canon in William Golding." In Intertextuality / Intertextualidad. Ed. Mercedes Bengoechea and Ricardo Sola. Alcalá de Henares: Servicio de Publicaciones Universidad de Alcalá, 1997. 185-98.*

Romero López, Dolores. "El canon en los estudios comparados."

In Liceus.com: E-Excellence

http://www.liceus.com/cgi-bin/aco/lit_comp/temas.asp

2005-05-05

Romero Tobar, Leonardo. "Las Historias de la literatura y la fabricación del canon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 47-64.*

Ross, Trevor. "The Emergence of 'Literature': Making and Reading the English Canon in the Eighteenth Century." ELH 63.2 (Summer 1996): 397-422.*

Rothstein, Edward. "Roll Over Beethoven." (Canon). New Republic (4 Feb. 1991): 29-34.

Sauerberg, Lars Ole. Versions of the Past:—Visions of the Future: The Canonical in the Criticism of T. S. Eliot, F. R. Leavis, Northrop Frye and Harold Bloom. Basingstoke: Macmillan, 1996.

Segarra, Marta "Notes entorn del cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 217-24.*

Sheffy, Rakefet. "The Concept of Canocicity in Polysystem Theory." Poetics Today  11.3 (1990): 511-522.*

Sinaiko, Herman L. Reclaiming the Canon: Essays on Philosophy, Poetry, and History. New Haven: Yale UP, 1998.*

Skelton, John. A Ryght Delectable Tratyse vpon a Goodly Garlande or Chapelet of Laurell by mayster Skelton ... Inprynted by ... Richard Fankes. London, 1523. 

Slemon, Stephen. "'Carnival' and the Canon." ARIEL: A Review of International English Literature 19.3 (1988): 59-75.

Smith, Bruce R. "Reading Lists of Plays, Early Modern, Modernist, Postmodern." Shakespeare Quarterly 42 (1991): 127-44. (Lists, popular culture).

_____. "Reading Lists of Plays, Early Modern, Modernist, Postmodern." In Postmodern Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 47-65.*

Stimpson, Catherine R. "Reading for Love: Canons, Para-Canons, and Whistling Jo March." New Literary History 21.4 (1990): 957-76.

Tragedia, comedia y canon. Special issue of Theatralia. Ed. Jesús G. Maestro. (2000).

Valente, José Ángel. "Del canon arbitrario a la incierta profecía." In Valente, La experiencia abisal. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2004. 156-59.* (Bloom).

_____. "Del canon arbitrario a la incierta profecía." From La experiencia abisal. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 716-19.* (Bloom).

_____. "Corrección política y corrección canónica." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1506-7.*

Venuti, Lawrence. "Translation, Interpretation, Canon Formation." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 27-51.*

Verhoeven, W. M., ed.  Rewriting the Dream: Reflections on the Changing American Literary Canon. Amsterdam: Rodopi, 1992.

Vilaseca, David. "La literatura de les dones i el cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 265-76.*

Webbe, William. A Discourse of English Poetrie. London: R. Walley, 1586.

Weinstein, Randy F. Lives of Works that Matter. Southfield (MA): privately printed, 1989.

Zambrano Carballo, Pablo. "El canon europeo en la teoría cultural de T. S. Eliot." In Teoría y análisis de los discursos literarios: Estudios en homenaje al profesor Ricardo Senabre Sempere. Ed. S. Crespo et al. Salamanca: U de Extremadura / Ediciones U de Salamanca, 2009. 473-79.*

Zetzel, James E. G. "Re-Creating the Canon: Augustan Poetry and the Alexandrian Past." Critical Inquiry 10.1 (1983): 83-106.

Zschirnt, Christiane. Bücher: Alles, was man lesen muss. 2002.

_____. Libros: Todo lo que hay que leer. Prólogo de Dietrich Schwanitz. Trans. Irene Pérez Michael. (Taurus Pensamiento). Madrid: Santillana-Taurus, 2004.*

 

 

 

 

Audio

 

 

Noya, Mario, et al. "LD Libros, 23/06/18." EsRadio 23 June 2018.* (Los 100 mejores libros / La Leyenda Negra).

         https://esradio.libertaddigital.com/fonoteca/2018-06-23/ld-libros-230618-125797.html

         2018

 

 

 

Internet resources

 

 

ClassicReader.com

http://www.classicreader.com/read.php/sid.6/bookid.567/

 

 

 

 

Journals

 

Critical Inquiry 10 (Sept. 1983). (On the canon).

 

 

 

Series

 

 

(Agora: Les classiques). Series ed. François Laurent. Paris: Pocket, c. 2000.

 

(Alba Clásica). Ed. Luis Magrinyà. Barcelona: Alba, c. 2006.

 

(Alba Minus, 22). Barcelona: Alba, 2012. 2^nd ed. 2012.*

 

(American Century Series). New York: Hill and Wang,  c. 1960.

 

(Antología Literaria). Barcelona: Planeta, c. 1985.*

 

(El autor y su obra). Barcelona: Barcanova, c. 1981.

 

(Biblioteca Austral). Barcelona: Espasa-Calpe / Planeta-DeAgostini, 2001.*

 

(Biblioteca Autores de Siempre). Barcelona: Vergara, c. 1969.*

 

(Biblioteca Básica Gredos, 55). Madrid: Gredos, 2000.* (Biblioteca Básica Gredos, 91). Madrid: Gredos, 2001.*

 

(Biblioteca Clásica). Series ed. Francisco Rico. Barcelona: Galaxia Gutenberg-Círculo de Lectores.

 

(Biblioteca Clásica Castalia). Madrid: Castalia, c. 2001.*

 

(Biblioteca de Autores Extranjeros, 5). Madrid: Trieste, 1988.

 

(Biblioteca de los grandes pensadores). Barcelona: RBA, c. 2004.*

 

(Biblioteca Emecé de Obras Universales). Buenos Aires: Emecé, 1945.

 

(Biblioteca Fundamental de Nuestro Tiempo; Literatura, 15). Madrid: Alianza Editorial / Club Internacional del Libro, 1984.*

 

(Biblioteca personal Jorge Luis Borges, 6). Barcelona: Hyspamérica / Orbis, 1986.*

 

(Biblioteca Universal; Maestros Modernos Europeos). Series ed. Mario Vargas Llosa. Barcelona: Círculo de Lectores, c. 2004.*

 

 (Bibliothèque Lattès). Paris: Éditions Jean-Claude Lattès, c. 1988.*

 

(Bouquins). Series ed. Guy Schoeller. Paris: Robert Laffont, c. 1989.*

 

(British Classics). Rivington, c. 1824.

 

(Bruguera Libro Clásico). Barcelona: Brugera, c. 1968.

 

(Chandos Classics). Warne, c. 1890.

 

(Clásica Mayor) Alba, c. 2019.

 

(Clásicos Afluentes). Barcelona: Ediciones B, c. 2000.*

 

(Clásicos Alfaguara). Madrid: Alfaguara, c. 1979.

 

(Clásicos de la Cultura, 34). Madrid: Trotta, 2006. 2nd ed. 2009. 2014.*

 

(Clásicos de la Literatura). Madrid: Akal, c. 2020.

 

(Clásicos de la Literatura Universal, 3). Córdoba: Servicio de Publicaciones, Universidad de Córdoba, 1993.*

 

(Clásicos Emecé). Buenos Aires: Emecé, c. 1948.

 

(Clásicos Selección). Madrid: Edimat, c. 2004.*

 

(Clásicos Universales Planeta, 72). Ed. Gabriel Oliver. Barcelona: Planeta, 1984.*

 

(Classiques Garnier). Paris: Garnier, c.1956.

 

(Les Classiques Hatier). Series ed. Georges Chappon. Paris, Hatier, c. 1957.

 

(Colección Austral, 1546). Madrid: Espasa-Calpe, 1973.*

 

(Colección Crisol, 341). Madrid: Aguilar, 1951.

 

(Colección Cultura, 108). Barcelona: Edicomunicación, 2001.*

 

(Colección Obras Maestras, Fondo Nacional de las Artes). Buenos Aires: Sudamericana, c. 1970.

 

(Colección Universal, 958-960). Madrid: Calpe, 1924.

 

(Colección Voces / Literatura, 190). Madrid: Páginas de Espuma, 2013.*

 

(Dell Contemporary Classics). New York: Dell, 1970.

 

(Ecrivains de toujours). Paris: Seuil, c. 1957.*

 

(English Men of Letters). London: Macmillan, c. 1902.

 

(Everyman's Library, 770). London: Dent; New York: Dutton, 1925.*

 

(Folio, 1331). Paris: Gallimard, 1981.*

 

(Folio Classique, 4952). Paris: Gallimard, 2009.*

 

(GF 787). Paris: Garnier-Flammarion, c. 2000.

 

(Grandes clásicos Mondadori). Barcelona: Random House Mondadori, c. 2005.*

 

(Grandes Genios de la Literatura Universal, 21). Madrid: Club Internacional del Libro, 1983.*

 

(Grandes Escritores / La Maison de l'Ecriture). Navarra: Altaya, c. 2005.*

 

(Grandes Obras de la Cultura).  Barcelona: RBA Coleccionables, c. 2009.*

 

(Grandes Obras). Barcelona: Ediciones Petronio, 1972.*

 

(Les Grands Écrivains, Hier, Aujourd'hui). Paris: Hachette, c. 1954.

 

(Les Grands Textes). Paris: PUF.

 

(Great Books of the Western World, 56). Oxford: Oxford UP, 1990.

 

 (The Harvard Classics, ed. Charles W. Eliot LL D – "Dr Eliot's Five-Foot Shelf of Books"). New York: P F Collier, c. 1909.

 

(Icon Reader's Guides). Cambridge: Icon, c. 2000.*

 

(King's Classics). De la More, c. 1905.

(King's Classics). London: Chatto, c. 1907.

 

(Könemann Classics). Köln: Könemann, c. 1998.*

 

(Landmarks of World Literature). Cambridge: Cambridge UP, c. 1989.

 

(Letras Universales, 366). Madrid: Cátedra, 2004.*

 

(Library of English Classics). Macmillan, 1908.

 

(El libro de bolsillo; Literatura, 102). Madrid: Alianza, 1967.

 

(Longman Annotated Texts). Harlow: Addison Wesley Longman, c. 1999.

 

(La Maison de l'Ecriture; Grandes Escritores). Barcelona: Altaya, c. 2006.

 

(Libro Clásico). Barcelona, Bogotá, Buenos Aires, Caracas, México, Rio de Janeiro: Bruguera, c. 1969.*

 

(Methuen's English Classics). London, Toronto, Sydney, Wellington, New York: Methuen Educational, c. 1965. 

 

(The Modern Library). New York: Random House, c. 1938.*

 

(Modern Library College Editions). New York: Modern Library, c. 1950.

 

(Nonesuch Library). London: Bodley Head, c. 1929.*

 

(Norton Critical Editions). New York: Norton, c. 1970.

 

(NRF - Bibliothèque de la Pléiade). Paris: Gallimard, c. 1970.

 

(Nuestros Clásicos, 43). Ed. Julio Rodríguez Puértolas. Tres Cantos (Madrid): Akal, 2007.

 

(Obras Maestras de la Literatura Universal). Zaragoza: Aneto, c. 2007.*

 

(Opera Mundi / Biblioteca Universal del Círculo de Lectores). Barcelona: Círculo de Lectores. (Includes as sub-series: Clásicos Griegos, Clásicos Latinos, Clásicos Franceses, Clásicos Ingleses, Clásicos Italianos, Clásicos españoles, Clásicos alemanes, Maestros Modernos Hispánicos; Maestros Modernos Anglosajones, Maestros Modernos Europeos, Literatura Juvenil, Literaturas Orientales, Poesía Universal, Teatro Universal, Filosofía, Ciencia, Ensayo Contemporáneo, Arte).

_____. (Opera Mundi / Biblioteca Universal: Maestros Modernos Europeos). Series ed. Mario Vargas Llosa. Barcelona: Círculo de Lectores, c. 2004.*

 

(Oxford Standard Authors). London: Oxford UP, c. 1974.

 

(Past Masters). Oxford: Oxford UP, c. 1980.

 

(Penguin Classics). Harmondsworth: Penguin, c. 1998.

 

(Penguin Modern Classics). Harmondsworth: Penguin,

 

(Penguin Twentieth-Century Classics). Harmondsworth: Penguin, c. 1989.*

 

(Petite Biblio Payot - Classiques). Paris: Payot & Rivages, c. 2016.*

 

(Re-Reading the Canon). University Park: Pennsylvania State UP, c. 1998.

 

(Standard Authors). Oxford UP, c. 1951.

 

(Todolibro, 1664/72). Barcelona: Bruguera, 1981.*

 

(Universo Literario Sarpe).  Series ed. Miguel A. Ballabriga. Barcelona: Onix de Comunicaciones, 1992.*

 

(World's Classics, 452). London: Oxford UP, 1938.*

 

(The World's Great Classics). Series ed. Timothy Dwight, DD. LL.D., Richard Henry Stoddard, Arthur Richmond Marsh, A.B., Paul van Dyke, D.D., Albert Ellery Bergh.  New York: The Colonial Press, c. 1899.

 

(Wordsworth Classics series). Ed. Marcus Clapham and Clive Reynard. Ware: Wordsworth, 1993-.

 

 

 

 

Video

 

 

Bloom, Harold. "Interview on The Western Canon." Video. 1994. YouTube (Manufacturing Intellect) 6 Juen 2016.*

https://youtu.be/S9ieF7LVbyI

         2019

 

"Katherine Hayles, ASC." Vimeo-National Humanities Center. 2008.*

         http://vimeo.com/2828067

         2011

 

 

 

 

 

 

See also Classicism.

 

 

 

 

 

 

Non-canonic literature

 

Deleuze, G. "What is a Minor Literature?" Out There: Marginalization and Contemporary Cultures. Ed. New Museum of Contemporary Arts.  Massachussets: MIT Press, 1990.

 

 

See also Paraliterature; Best sellers; Literature and popular culture.