Bibliografía sobre otras cuestiones teatrales

Retropost, 2015:

Mi lista bibliográfica de "otros temas" en drama y teatro, scribdizada y reencontrada.

z.other.topics.drama by Lavinia Adela

Renaissance English Drama

—oOo—

Teatro: Otras áreas

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Drama: Other areas

 

 

 

 

African drama

 

Anthologies

 

Jeyifo, Biodun, ed. Modern African Drama. (Norton Critical Edition). New York: Norton, 2002.

 

 

 

Journals

 

 

Nigerian Theatre Journal: A Journal of the Society of Nigeria Theatre Artists (SONTA) 19.1 (2019); ed. Barclays Foubiri Ayakoroma.

 

 

 

Societies and Institutions

 

 

Society of Nigeria Theatre Artists (SONTA)

 

 

 

American Indian drama

 

20th century

 

Taylor, Drew Hayden. "Alive and Well: Native Theatre in Canada." Journal of Canadian Studies 31.3 (Fall 1996): 28-37.*

 

 

 

 

Balinese drama

 

Geertz, Clifford. Negara: The Theater State in Nineteenth-Century Bali. Princeton: Princeton UP, 1980. 98-136.

Innes, Christopher D. "The Politics of Primitivism." (Bakunin, Bakhtin, Bali). In Innes, Avant Garde Theatre 1892-1992. London: Routledge, 1993. 6-18.*

 

 

 

 

 

Basque Drama

 

Urquizu Sarasua, Patricio. "Teatro popular suletino: las pastorales." (Basque drama). Epos 7 (1991): 639-48.

 

 

 

 

Brazilian drama

 

21st c.

 

Taylor, Diana. "Labyrinth of Things." Lecture at the Radcliffe Institute. YouTube (Harvard University) 10 April 2015.*

         https://youtu.be/8v-wAKvJOVo

         2015

 

 

 

Burmese drama

 

Becker, A. L. "Journey through the Night: Notes on Burmese Traditional Theatre." The Drama Review 15.3 (1970): 83-87.

 

 

 

 

Catalan Drama

 

Anthologies

 

George, David, and John London, eds. Contemporary Catalan Theatre. Sheffield: Anglo Catalan Society Occasional Publications, 1996.

 

 

 

 

 

 

 

 

 

Chinese Drama

 

 

 

Classical

 

Birch, Cyril. Scenes for Mandarins The Elite Theater of the Ming. New York: Columbia UP, 1996.

Brußák, Karel. "Znaky na çinském divadle." Slovo a slovesnost 5 (1939).

_____. "Signs in the Chinese Theater." trans. K. Brußak. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 59-73.*

 

 

20th century

 

Holm, David. Art and Ideology in Revolutionary China. Oxford: Oxford UP, 1991.

 

Anthologies

 

Yan, Haiping, ed. and trans. Theater and Society: An Anthology of Contemporary Chinese Drama. London: M.E. Sharpe, 1998. (1980s).

 

 

 

21st c.

 

Xie, Xinyi. "The Lifted Shadow." (Bachelor of Fine Arts Senior Papers). Washington University Open Scholarship 6 May 2016.* (Chinese puppet theatre).

         https://openscholarship.wustl.edu/bfa/4/

         2019

 

 

 

Dutch drama

 

Brandt George W., ed. German and Dutch Theatre, 1600-1848. (Theatre in Europe: a documentary history). 1993.

 

 

 

 

Filipino drama

 

Cruz, Isagani R. A Short History of Theater in the Philippines. 1971.

 

 

 

 

 

Greek drama

 

Baldry, H. C. The Greek Tragic Theatre. New York: Norton, 1973.

Barthes, Roland. "Le théâtre grec." In Histoire des spectacles. Ed. Guy Dumur. (Encyclopédie de la Pléiade). Paris: Gallimard, 1965. Rpt. in Barthes, L'obvie et l'obtus. Paris: Seuil, 1992. 63-85.

Bouvrie, Synnøve des. Women in Greek Tragedy: An Anthropological Approach. Oxford: Oxford UP-Norwegian UP, 1991.

Brioso Sánchez, Máximo. "Notas sobre los actores y la actuación en el teatro griego antiguo." In Mvnvs qvaesitvm meritis: Homenaje a Carmen Codoñer. Ed. Gregorio Hinojo Andrés and José Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 2007. 111-19.*

Burckhardt, Jacob. Historia de la cultura griega II. Trans. Antonio Tovar and Germán J. Fons. (Grandes obras de la cultura). Barcelona: RBA Coleccionables, 2005.* (Greek art: sculpture, painting, architecture, philosophy of art; poetry and music, Homer, presocratic philosophers, epigrams, elegies, lyric, tragedy, comedy, Aristophanes, oratory, sophists, Greek philosophy, science, history, Greek character and culture, agonism, politics).

Cantor, Paul A. "Aristotle and the History of Tragedy." In Theoretical Issues in Literary History. Ed. David Perkins. Cambridge (MA): Harvard UP, 1991. 60-84.*

Cornford, Francis M. The Origin of Attic Comedy. Cambridge: Cambridge UP, 1914.

Cropp, Martin, Elaine Fantham and S. E. Scully, eds. Greek Tragedy and Its Legacy: Essays Presented to D. J. Conacher. U of Calgary Press, 1986.

Detweiler, Robert. "Torn by Desire: Sparagmos in Greem Tragedy and Recent Fiction." In Postmodernism, Literature and the Future of Theology. Ed. David Jasper. London: Macmillan; New York: St Martin's, 1993. 60-77.*

Dobrov, Gregory W. (U of Michigan, Ann Arbor). Figures of Play: Greek Drama and Metafictional Poetics. New York: Oxford UP, 1999.

Edmunds, Lowell. "Tragedia, drama satírico y folklore." Mito y literatura. Revista de Occidente 158-159 (1994): 43-58.

García Gual, Carlos. "¿Mantiene hoy viva su vigencia la tragedia griega?" In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 347-48.*

Gould, John. "X. Tragedia – (2) La representación de la tragedia." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 293-313.*

Hall, Edith. The Theatrical Cast of Athens: Interactions between Ancient Greek Drama & Society. Oxford: Oxford UP, 2006.

Halliburton, David. "Concealing Revealing: A Perspective on Greek Tragedy." In Post-Structuralist Classics. Ed. Andrew Benjamin. London: Routledge, 1988. 245-67.*

Handley, E. W. "XII. Comedia – (1) Introducción. (2) Modelos estructurales en la Comedia Antigua. (3) El primer teatro cómico. (4) Epicarmo y otros. (5) Mitos y elaboración del mito. (6) La comedia política. (7) Aventura y fantasía. (8) La vida de la mente. (9) La escena social. (10) De Aristófanes a Menandro. (11) Menandro y la Comedia Nueva." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 390-464.*

Kanzer, Mark. "La 'transición del complejo de Edipo' en la tragedia griega." In Psicoanálisis y literatura. Ed. H. M. Ruitenbeek. México: FCE, 1973. 348-57.

Knox, B. M. W. "X. Tragedia – (5) Eurípides. (6) Trágicos menores." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 374-79.*

Ley, Graham. A Short Introduction to the Greek Theater. London: U of Chicago P, 1999.

Loraux, N. Maneras trágicas de matar a una mujer. (Visor, Literatura y debate crítico, 3). Madrid: Visor.

López Férez, Juan Antonio. "Tragedia griega y pensamiento." Epos 6 (1990): 13-36.

Lucas de Dios, José María."La tragedia griega perdida: Una valoración de conjunto." Epos 6 (1990): 37-50.*

_____. "Mito y Tragedia II: Las Danaides o la armonía entre los sexos." Epos 7 (1991): 47-66.*

_____. "El motivo de Putifar en la tragedia griega." Epos 8 (1992): 37-56.*

Molinari, Cesare, ed. Il teatro greco nell'eta di Pericle. Milano, 1994.

Murray, Gilbert. (On Greek tragedy). In Themis: A Study of the Social Origins of Greek Religion. Ed. Jane Harrison. Cambridge, 1912.

Nietzsche, Friedrich. Die Geburt der Tragödie. Oder: Griechentum und Pessimismus. 1872.

_____. Die Geburt der Tragödie, Oder: Griechenthum und Pessimismus: Neue Ausgabe mit dem Versuch einer Selbstkritik. Leipzig: Frizsch, 1886.

_____. Die Geburt der Tragödie. In Nietzsche, GessamleteWerke. Musarion. Vol. 3.

_____. The Birth of Tragedy. New York: Vintage, 1967.

_____. The Birth of Tragedy and The Genealogy of Morals. Trans. Francis Golffing. New York: Doubleday, 1956.

_____. El nacimiento de la tragedia: o Grecia y el pesimismo. Ed. and trans. Andrés Sánchez Pascual. 7th ed. Madrid: Alianza Editorial, 1984.

Nussbaum, Martha. The Fragility of Goodness: Luck and Ethics in Greek Tragedy. Cambridge, 1986.

Poole, Adrian. Tragedy: Shakespeare and the Greek Example. Oxford: Blackwell, 1987.*

Powys, John Cowper. "Greek Tragedy." In Powys, The Pleasures of Literature. 1938. London: Village Press, 1975. 137-69.

Ruskin, John. "The Tragedians and Homer." From Modern Painters V. 1860. In The Literary Criticism of John Ruskin. New York: Doubleday, 1965. 144-8.

Saïd, Suzanne. "Democracia y rechazo del destino." Mito y literatura. Revista de Occidente 158-159 (1994): 7-20.

Silk, Michael S. Tragedy and the Tragic: Greek Theatre and Beyond. Oxford: Clarendon Press, 1996.

Vernant, Jean-Paul, and Pierre Vidal-Naquet. Mythe et tragédie. Paris: La Découverte, 1986.

Walton, J. Michael. Found in Translation: Greek Drama in English. Cambridge: Cambridge UP, 2006.

Walton, J. Michael, and Marianne McDonald, eds. The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge UP, 2007.

Webster, T. B.L. Greek Theatre Production. London: Methuen, 1956.

White, J. W. The Verse of Greek Comedy. 1912.

Winnington-Ingram, R. P. "X. Tragedia – (1) Los orígenes de la tragedia – (3). Esquilo" In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 288-92.*

Zeitlin, F. L. "Playing the Other: Theatre, Theatricality, and the Feminine in Greek Drama." Representations 11 (1985): 63-94.

 

 

 

 

 

Anthologies

 

 

Comicorum Graecorum Fragmenta 3. Berlin: G. Reimer, 1840.

Kaibel, Georgius, ed. Comicorum Graecorum Fragmenta. Berlin, 1899.

Kock, T., ed. Comicorum Atticorum Fragmenta. Leipzig, 1884.

 

 

 

Literature

 

 

Aristophanes (Aristófanes). Las ranas. In Comedias III: Lisístrata - Las tesmoforias - Las ranas - La asamblea de las mujeres - Pluto. Ed. and trans. Luis M. Macía Aparicio. Madrid: Gredos, 1982. Rpt. (Biblioteca Gredos). Barcelona: RBA, 2015. 199-316.*

 

 

 

 

 

 

Series

 

 

 (Penn Greek Drama Series). Philadelphia, c. 1999.

 

 

 

 

 

Video

 

 

Calame, Claude. "Genres, généricité, et pragmatique discursive: La tragédie grecque et le tragique." Video lecture, 4 Feb. 2015. YoTube (CRAL) 8 April 2015.*

         https://youtu.be/WgpP7ddc5Qc

         2015

 

Critchley, Simon. "Tragedy's Philosophy." Video lecture. YouTube (BYU Humanities) 8 April 2014.*

         https://youtu.be/tv3j9U0g0qQ

         2017

 

National Theatre. "An Introduction to Greek Theatre." YouTube (National Theatre Discover) 11 Jan. 2013.*

https://youtu.be/aSRLK7SogvE

         2014

 

"An Introduction go Greek Tragedy." YouTube (National Theatre Discover) 11 Jan. 2013.*

         http://youtu.be/dSr6mP-zxUc

         2014

 

Sánchez Meca, Diego. "Nietzsche (II): Filosofía de la libertad: el legado de Nietzsche | La March." Video lecture. (Nietzsche: Su vida, su obra, su tiempo). YouTube (Fundación Juan March) 16 Sept. 2023.* (Greek tragedy; Herd spirit; moral liberation).

https://youtu.be/-ZmxxanufWA 

         2023

 

 

 

 

 

Modern Greek drama

 

Bibliography

 

Bibliography on Modern Greek Theater

         http://members.tripod.com/DemKoutsogiannis/biblio.htm

 

 

19th century

 

Georgakake, Konstantina. "E stáse tes politeías pros to Ellenikó Théatro tes período 1833-1851." Gramma 2 (1994): 21-34.*

 

 

 

 

Icelandic Drama

 

Smiley, Jane. "Shakespeare in Iceland." In Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance. Ed. Marianne Novy. 1999. Basingstoke: Palgrave, 2000. 159-80.*

 

 

 

 

 

Indian Drama

 

Medieval

 

Bharat Muni (Attr.). Natya Shastra. Ancient Sanskrit treatise on drama. (c. 200 BC-200 AD).

_____. Natya Shastra. Trans. Manomohan Ghosh. 1951. Internet Archive.

         http://archive.org/details/NatyaShastra

         2013

Paul, G. S. "Art of Theatre." Interview with K. G. Paulose. The Hindu 26 Sept. 2013.*

         http://www.thehindu.com/features/friday-review/theatre/art-of-theatre/article5170444.ece

         2013

Paulose,  K. G., ed. Vyangyavyakhya: The Aesthetics of Dhvani in Theatre. C. 2013. (Kulasekhara; Kerala theatre).

 

 

 

Japanese Drama

 

 

Miscellaneous

 

Arnal Yarza, Jenara Vicenta. Teatro y danza en el Japón. Madrid: CSIC, 1953.*

 

 

 

Films

 

Ukigusa. Dir. Yasuiiro Ozu. 1959. (Strolling players).

 

 

 

 

 

 

Primitive

 

García Landa, José Angel. "Origen chamánico del drama japonés." In García Landa, Vanity Fea 30 March 2016.*

         http://vanityfea.blogspot.com.es/2016/03/origen-chamanico-del-drama-japones.html

         2016

 

 

 

 

Classical/medieval

 

Rimer, J. Thomas, and Yamazaki Masakazu. On the Art of the Nô Drama: The Major Treatises of Zeami. Princeton: Princeton UP, 1984.

Rubio, Carlos. "I.10. La clave en escena: El dominio del simbolismo." In Rubio, Claves y textos de la literatura japonesa: Una introducción. Madrid: Cátedra, 2007.* (1. Esquema de principales géneros dramáticos. 2. La tradición teatral asiática. 3. El bugaku. 4. El noh: Orígenes y evolución; Definición y cualidades; Movimientos, máscaras y escenario; Actores; Textos; Estructura de una obra). 5. La farsa kyogen. 6. Teatro de las clases urbanas: bunraku y kabuki. 7. El nuevo teatro (shingeki) y las nuevas tendencias (angura).).

_____. "II.7. El Noh: Un teatro ritual." In Rubio, Claves y textos de la literatura japonesa: Una introducción. Madrid: Cátedra, 2007.* (1. La magia del noh. 2. Atsumori. 3. Hanjo).

_____. "II.10. La literatura de las clases urbanas (II): El dramatismo de Chikamatsu Monzaemon." In Rubio, Claves y textos de la literatura japonesa: Una introducción. Madrid: Cátedra, 2007.* (1. La originalidad de Chikamatsu. 2. Su obra. 3. Valores de los dramas costumbristas. 4. Realismo y fantasía. 5. Los suicidas de la víspera de Koskin, 1722).

 

 

 

17th-18th c.

 

Shively, Donald H. "The Social Environment of Tokugawa Kabuki." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 193-244.*

 

 

 

 

 

 

Javanese drama

 

Becker, A. L. "Text-Building, Epistemology, and Aesthetics in Javanese Shadow Theatre." In The Imagination of Reality. Ed. A. L. Becker and Arem Yengoyan. Norwood (NJ): Ablex, 1979. 211-43.

Sulystio, Edy Tri. "Reading Signs in Culture: In Depth of the Javanese Cultural Heritage."  International Journal of Innovation, Creativity and Change 14.4 (2020).* (Javanese puppet shows).

         https://www.ijicc.net/images/Vol_14/Iss_4/14446_Sulistyo_2020_E_R.pdf

         2020

 

 

 

Jewish drama

 

General

 

Teatro y cultura hebrea. Special issue of Theatralia. Ed. Jesús G. Maestro. (2005).

 

 

 

Anthologies

 

Sandrow, Nanma, ed. and trans. God, Man and Devil: Yiddish Plays in Translation. Syracuse UP, 1998.

 

 

 

19th c.

 

Díaz-Mas, Paloma. "Una fiesta teatral sefardí (Sarajevo, 1895) en la revista Alrededor del Mundo (Madrid, 1915)." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.  

 

 

 

 

20th c.

 

Bellomi, Paola. "De Sefarad a Safed: El hebraísmo en el teatro de Jacobo Kaufmann." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.  

 

 

 

 

 

 

Latin drama

 

Gratwick, A. S. "V. Drama." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 99-163. (Plautus, Statius, Terence, etc.).

López, Aurora, and Andrés Pociña. "Notas básicas para un tratamiento del mimo latino." In Mvnvs qvaesitvm meritis: Homenaje a Carmen Codoñer. Ed. Gregorio Hinojo Andrés and José Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 2007. 509-17.*

Pociña Pérez, Andrés. "El teatro latino en las Etimologías de Isidoro de Sevilla." In Mnemosymum: C. Codoñer a discipulis oblatum. Ed. Agustín Ramos Guerra. Salamanca: Universidad de Salamanca, 1991. 245-58.*

Romero Mariscal, Lucía P. "Mimo: El descaro teatral del Imperio Romano." The Conversation 28 Sept. 2021.*

         https://theconversation.com/mimo-el-descaro-teatral-del-imperio-romano-167460

         2022

Walton, J. Michael, and Marianne McDonald, eds. The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge UP, 2007.

 

 

 

See also Plautus; Terence; Seneca.

 

 

 

 

 

Russian drama

 

19th century

 

Nabokov, V. D. "Iz vospominaniy o teatre (za 35 let)." Teatr i zhizhn' 1-2 (Sept. 1921).

_____. "Moskovskie khudozhniki." Teatr i zhizhn' 5-6 (December 1921).

_____. "Iz vospominaniy o teatre: Napravik." Teatr i zhizhn 9 (April 1922).

 

20th century

 

Hesse, J. Breve historia del teatro soviético. (El Libro de Bolsillo, 299). Madrid: Alianza.

Kleberg, Lars.Theatre as Action: Soviet Russian Avant-Garde Aesthetics. (New Directions in Theatre). Basingstoke: Macmillan, 1993.

Macleod, J. The New Soviet Theatre. 1943.

Rudnitsky, Konstantin. Russia and Soviet Theatre: Tradition and the Avant-Garde. London, 1988.

Worrall, Nick. Modernism to Realism on the Soviet Stage: Tairov-Vakhtangov-Okhlopkov. 1989.

 

 

Journals

 

Teatr i zhizn'. Russian émigré semi-monthly. Berlin.

 

Drama: Periodos

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Drama: Ages

 

 

Primitive drama / proto-drama

 

Cristéa, Georges. "Elements de manifestations dramatiques au Sahara mésolithique et néolithique." Revue des Langues 9 (1990): 85-100.*

Hunningher, Benjamin. "The Primitive Phase." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 53-63.*

Lévy-Bruhl, Lucien. "IV. La puissance du mythe et ses effets." In Lévy-Bruhl, La mythologie primitive. 1935. In Lévy-Bruhl, Primitifs. Paris: Anabet, 2007. 943-74.* (Ritual, protodrama).

Rodríguez Adrados. El origen del teatro: Fiesta, comedia y tragedia.

Watts, Harold H. "Myth and Drama." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 112-36.*

 

 

 

Video

 

 

 

"History of Theatre 1: From Ritual to Theatre." YouTube (betapicts) 3 June 2010.*

         http://youtu.be/lQOPFxuiaWQ

         2013

 

See also Rites of Passage; Ritual; Carnival.

 

 

Classical

 

 

Hall, Edith. The Theatrical Cast of Athens: Interactions between Ancient Greek Drama & Society. Oxford: Oxford UP, 2006.

Nietzsche, Friedrich. Die Geburt der Tragödie. Oder: Griechentum und Pessimismus. 1872.

_____. Die Geburt der Tragödie, Oder: Griechenthum und Pessimismus: Neue Ausgabe mit dem Versuch einer Selbstkritik. Leipzig: Frizsch, 1886.

_____. Die Geburt der Tragödie. In Nietzsche, GessamleteWerke. Musarion. Vol. 3.

_____. The Birth of Tragedy Out of the Spirit of Music. Trans. Walter Kaufmann. New York: Random House-Vintage, 1967.

_____. The Birth of Tragedy and Other Writings. Ed. Raymond Geuss and Ronald Speirs. Cambridge: Cambridge UP, 1999.

_____. The Birth of Tragedy. Ed. and trans. Douglas Smith. (Oxford World's Classics). Oxford: Oxford UP, 2000.

_____. La Naissance de la tragédie.

_____. El nacimiento de la tragedia: o Grecia y el pesimismo. Ed. and trans. Andrés Sánchez Pascual. 7th ed. Madrid: Alianza Editorial, 1984.*

Pagnini, Marcelo. "Observaciones sobre el teatro clásico." In Pagnini, Estructura literaria y método crítico. Trans. Carlos Mazo del Castillo. 4th ed. Madrid: Cátedra, 1992. 112-23.* (semiotics of drama).

Righter, Anne. "The Period of Transition: Classical Comedy and the Hybrid Plays." In Righter, Shakespeare and the Idea of the Play. 1962. Harmondsworth: Penguin, 1967. 41-58.* (The Comedy of the Ancient World. The Impact of Classical Tradition. The Play as Illusion).

Walton, J. Michael, and Marianne McDonald, eds. The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge UP, 2007.

Wiles, David. The Masks of Menander Sign and Meaning in Greek and Roman Performance. 1991.

 

 

 

 

Audio

 

 

Dupont, Florence. "La tragédie dans l'espace public antique." Audio lecture. Ecole Normale Supérieure 21 Jan. 2009.*

         http://savoirs.ens.fr/expose.php?id=95

         2014

 

 

Video

 

 

Viswamohan, Aysha Iqbal. "Introduction to Drama." Video lecture at ITT Madras. YouTube 11 Jan. 2013.*

         https://youtu.be/bB2fLkVPtMs

         2015

 

 

 

 

 

See also Greek drama; Roman drama.

 

 

 

Oriental drama

 

Hylen, Torsten. Husayn, the Mediator: A structural Analysis of the Karbala Drama According to Abu Ja`far Muhammad b. Jarir al-Tabari (d. 310/923). Uppsala: University of Uppsala, 2007. [PhD dissertation] 

 

 

Medieval

 

General

 

Chambers, E. K. The Mediaeval Stage. 2 vols. 1903. London: Oxford UP, 1978.

Davidson, Clifford, ed. The Dramatic Tradition of the Middle Ages. (AMS Studies in the Middle Ages, 26). New York: AMS Press, c. 2006.

Harris, John Wesley. Medieval Theatre in Context: An Introduction.  London: Routledge, 1992.

Simon, Eckehard, ed. The Theatre of Medieval Europe: New Research in Early Drama. (Cambridge Studies in Medieval Literature, 9). 1991.

Marshall, M. H. "Theatre in the Middle Ages: Evidence from Dictionaries and Glosses." Symposium 4 (1950): 1-39, 366-89.

Righter, Anne. "Mysteries and Moralities: The Audience as Actor." In Righter, Shakespeare and the Idea of the Play. 1962. Harmondsworth: Penguin, 1967. 15-40.* (The Mystery Cycles. Morality Plays. The Tyranny of the Audience).

 

 

 

Miscellaneous

 

Tejera Llano, Dionisia. "The Matter of Israel: The Use of Little Children in the Miracles of the Holy Virgin during the Middle Ages." Selim 5 (1995): 7-17.*

 

 

Bibliographies

 

 

Stratman. Bibliography of Medieval Drama. Berkeley: U of California P, 1954.

 

 

 

Film

 

The Reckoning. Dir. Paul McGuigan. Script by Mark Mills, based on Barry Unsworth’s Morality Play. Cast: Paul Bettany, Willem Dafoe, Gina McKee, Brian Cox, Vincent Cassel. Photog. Peter Sova. UK/Spain, c. 2004. (Spanish title: El misterio de Thomas Wells).

 

 

 

Literature

 

Oates, Joyce Carol. Miracle Play. Drama. 1974.

Unsworth, Barry. Morality Play. Novel. London: Hamish Hamilton, 1995.*

_____. Morality Play. Novel. London: Penguin-Hamish Hamilton, 1995.*

 

 

 

 

 

 

See also Carnival.

 

 

 

Renaissance

 

Miscellaneous

 

Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge UP, 1986.

Billington, Sandra. Mock Kings in Medieval Society and Renaissance Drama. Oxford: Oxford UP, 1991.

Calbi, Maurizio. Approximate Bodies: Gender and Power in Early Modern Drama. London: Routledge, 2005.

Clare, Janet. Revenge Tragedies of the Renaissance. (Writers and Their Work). Tavistock (Devon): Northcote House, 2005.

Colaiacomo, Paola. "Il teatro del principe." Calibano 4 (1979): 53-98. (Drama and absolutism).

DiGangi, Mario. The Homoerotics of Early Modern Drama. Cambridge: Cambridge UP, 1997.

Findlay, Alison. A Feminist Perspective on Renaissance Drama. Oxford: Blackwell, 1999.

Heise, Ursula K. "Transvestism and the Stage Controversy in Spain and England, 1580-1680." Theatre Journal 44.3 (Oct. 1992): 357-74.

McCabe, Richard A. Incest, Drama, and Nature's Law, 1550-1700. Cambridge: Cambridge UP, 1993.

Reiss, Timothy J. Tragedy and Truth: Studies in the Development of a Renaissance and Neoclassical Discourse. New Haven: Yale UP, 1980.

Sheppard, Samuel. "The Socratick Session, Or The Arraignment and Conviction, of Julius Scaliger. By S. Sheppard." In Epigrams; Six Bookes; Also the Socratick Session or The Araignment of Julius Scaliger ... by S. Sheppard. Printed by G. D. and are to be sould by Thomas Bucknell ..., London, 1651. (Renaissance literature; Renaissance drama; Classical literature; Homer; Ovid; Spenser)

West, William N. "The Idea of a Theater: Humanist Ideology and the Imaginary Stage in Early Modern Europe." Renaissance Drama n.s. 28 (1997): 245-87.

_____. Theaters and Encyclopedias in Early Modern Europe: Circles of Learning. Cambridge Univ. Press, forthcoming 2002

Whigham, Frank. "Reading Social Conflict in the Alimentary Tract: More on the Body in Renaissance Drama." English Literary History 55 (1988): 333-50.

_____. "Reading Social Conflict in the Alimentary Tract: More on the Body in Renaissance Drama." In Postmodern Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 301-18.*

 

 

Anthologies

 

Gibson, Colin, ed. Six Renaissance Tragedies. Houndmills: Macmillan, 1997.

Stone, Donald, Jr., ed. Four Renaissance Tragedies. Cambridge (MA): Harvard UP, 1966. (La Taille, Saül le furieux, etc.)

 

 

 

Audio

 

 

Gállego, Julián. "Pintura y teatro: Renacimiento y Comedia del Arte." Lecture at Fundación Juan March 22 Sept. 1992.*

         http://www.march.es/conferencias/anteriores/voz.aspx?id=2082&l=1

         2012

 

 

 

 

 

Journals

 

Renaissance Drama

Northwestern UP

Vol. 21 (1990)

 

 

 

Series

 

(Renaissance Dramatists). Harmondsworth: Penguin, c.1998.

 

 

 

Baroque

 

Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge UP, 1986.

Cioranescu, A. El barroco o el descubrimiento del drama. La Laguna: Universidad de La Laguna, 1975.

Piazeccki, A. "Theatre, Marriage and the Bourgeoisie." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 280-83.*

 

 

 

18th Century

 

Eloesser, Arthur. Das bürgerliche Drama . . . im 18. und 19. Jahrhundert. Berlin, 1898.

Green, F. C. "Drama." In Green, Minuet: A Critical Survey of French and English Literary Ideas in the Eighteenth Century. London: Dent, 1935. 1-191.*

Hauser, Arnold. "VIII. Rococó, clasicismo y romanticismo." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 9-244.* (1. La disolución del arte cortesano. 2. El nuevo público lector. 3. El origen del drama burgués. 4. Alemania y la Ilustración. 5. Revolución y arte. 6. El romanticismo alemán y el de Europa occidental).

Lanson, Gustave. "La parodie dramatique au XVIIIe siècle." In Lanson, Hommes et livres. 1895.

Nolte, Fred O. Early Middle Class Drama, 1696-1774. Lancaster (PA), 1935.

Priestley, J. B. "The Drama." (18th cent.). In Priestley, Literature and Western Man. 1960. London: Readers Union / Heinemann, 1960. 49-64.

Riccoboni, Louis. (Historical and Critical Account of the Theatres in Europe.) France, 1741.

Senelick, Laurence, ed. National Theater in Northern and Eastern Europe, 1746-1900. (Theatre in Europe: a documentary history). 1991.

Sutherland, James R. "Shakespeare's Imitators in the Eighteenth Century." Modern Language Review 28 (1933): 21-36.

 

 

Anthologies

 

Thomas, David, ed. Six Restoration and French Neoclassic Plays. Houndmills: Macmillan, 1998.

_____, ed. Four Georgian and Pre-Revolutionary Plays. Houndmills: Macmillan, 1998.

 

 

19th Century

 

Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven: Yale UP, 1976. 1995.*

Eloesser, Arthur. Das bürgerliche Drama . . . im 18. und 19. Jahrhundert. Berlin, 1898.

Faguet, E. Drame ancien, drame moderne. 1898.

James, Henry. The Scenic Art. Ed. Allan Wade. London, 1948.

Joyce, James. "Ibsen's New Drama." The Fortnightly Review 1 April 1900.*

         https://fortnightlyreview.co.uk/2018/06/ibsens-new-drama/

         2019

McFarlane, James. "Intimate Theatre: Maeterlinck to Strindberg." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 514-26.*

Priestley, J. B. "The Dramatists." In Priestley, Literature and Western Man. 1960. London: Readers Union / Heinemann, 1960.* (19th c.).

Senelick, Laurence, ed. National Theater in Northern and Eastern Europe, 1746-1900. (Theatre in Europe: a documentary history). 1991.

Styan, J. L. Modern Drama in Theory and Practice Volume I: Realism and Naturalism. Cambridge: Cambridge UP, 1981.

Szondi, Peter. Theorie des modernen Dramas (1880-1950). Frankfurt a/M: Surhrkamp, 1965.

Valiunas, Algis. "Ibsen's Soulcraft: Considering One of Modernity's Great Dramatists." First Things (Dec. 2019).*

         https://www.firstthings.com/article/2019/12/ibsens-soulcraft

         2019

 

 

 

 

Anthologies

 

Levy, Walter, ed. Modern Drama: Selected Plays from 1879 to the Present. Prentice-Hall, 1998.

 

 

 

 

 

Audio

 

 

Rebellato, Dan. "Theatre, Sex, and Zombies: The Strange Case of the Naturalist Stage." Lecture at Royal Holloway, U of London, 4 Feb. 2014. Online at Backdoor Broadcasting Company:

         http://backdoorbroadcasting.net/2014/02/dan-rebellato-theatre-sex-and-zombies-the-strange-case-of-the-naturalist-stage/

         2014

 

 

 

 

Journals

 

Nineteenth-Century Theatre.

Semiannual.

Ed. Jacky Bratton.

Drama, Theatre and Media Arts.

Royal Holloway. U of London.

Egham, Surrey TW20 0EX.

Fax +44 1784 431018.

E-mail. j.bratton@rhbnc.ac.uk

 

 

 

20th Century

 

Ansorge, Peter. From Liverpool to Los Angeles: On Writing for Theatre, Film, and Television. London: Faber and Faber, 1997.

Barfoot, C. C., and Cobi Bordewijk, eds. Theatre Intercontinental: Forms, Functions, Correspondences.  Amsterdam: Rodopi, 1993.

Bennett, Benjamin. Theatre as Problem: Modern Drama and Its Place in Literature. London: Cornell UP, 1999.

Bentley, Eric. The Modern Theatre. Hale, 1948. (Brecht).

_____. In Search of Theatre. Dobson, 1955. (Brecht).

_____, ed. The Theory of the Modern Stage. London: Penguin, 1968.

Birringer, J. Theatre, Theory, Postmodernism. Bloomington: Indiana UP, 1991.

Blau, Herbert. "Comedy since the Absurd." Modern Drama 25.4 (December 1982).

Brater, Enoch, ed. Feminist Focus: The New Women Playwrights. Oxford UP, 1989.

Brater, Enoch, and Ruby Cohn, eds. Around the Absurd: Essays on Modern and Postmodern Drama. Ann Arbor: U of Michigan P, 1990.*

Clurman, Harold. The Naked Image: Observations on the Modern Theatre. 9th ed. New York: Macmillan, 1966.

Cornago, Óscar. "¿Qué es la teatralidad? Paradigmas estéticos de la Modernidad." Telón de fondo: Revista de Teoría y Crítica Teatral 1.1 (Aug. 2005). http://www.telondefondo.org/numeros-anteriores/numero1/articulo/2/que-es-la-teatralidad-paradigmas-esteticos-de-la-modernidad.html

Online at AVAE: Archivo Artea.*

         http://archivoartea.uclm.es/textos/que-es-la-teatralidad-paradigmas-esteticos-de-la-modernidad/

         2020

Culík, Jan. "The Theatre of the Absurd. The West and the East." Bristké lisy. 2000.

         http://blisty.cz/video/Slavonic/Absurd.htm

         2016

Domenech, Ricardo. El teatro de hoy (doce crónicas). Madrid: Cuadernos Para el Diálogo, 1966.

Durand, Régis. "Theatre/Signs/Performance: On Some Transformations of the Theatrical and the Theoretical." In Innovation/Renovation. Ed. Hassan and Hassan. Madison: U of Wisconsin P, 1983. 211-24.

Edgar, David. "Public Theatre in a Private Age." Actas del XIII Congreso Nacional de AEDEAN. Barcelona: PPU, 1991. 23-38.

Esslin, Martin. The Theatre of the Absurd. 1961. Rev. ed. Harmondsworth: Penguin, 1968.*

_____. The Theatre of the Absurd. New York: Anchor Books, 1969.

_____. "Modernist Drama: Wedekind to Brecht." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 527-60.*

Evans, Gareth Lloyd. The Language of Modern Drama. London: Dent, 1977.

Fauchette, J. Psychodrame et théâtre moderne. 1971.

Fletcher, John, and James McFarlane. "Modernist Drama: Origins and Patterns." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 499-513.*

Fuchs, Elinor. The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996.*

Gabás Ariño, Luz. "From Modernism to Postmodern Theatre: An Approach to the Present Postmodern Theatrical Situation." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 641-46.*

Gassner, John. Teatro moderno. México: Letras, 1967.*

Geissler, R. Zur Interpretation des modernen Dramas. Frankfurt: Diesterweg, 1986.

Gilbert, Helen, and Joanna Tompkins. Post-colonial Drama: Theory, Practice, Politics. London: Routledge, 1996.

Gilman, Richard. The Making of Modern Drama. New Haven: Yale UP, 2000.

Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993.

Gray: Modern Drama. (Brodie's Notes). Houndmills: Macmillan.

Grotowsky, Jerzy. Towards a Poor Theatre. London: Methuen, 1969.

_____. Towards a Poor Theatre. Ed. Eugenio Barba. 1969.

_____. Teatro de laboratorio. Barcelona: Tusquets, 1980.

Hart, Lynda, ed. Making a Spectacle: Feminist Essays on Contemporary Women´s Theatre. Ann Arbor (MI): U of Michigan P, 1989.

Innes, Christopher. Avant-Garde Theatre, 1892-1992. London: Routledge, 1993.

Kaye, Nick. Postmodernism and Performance. (New Directions in Theatre series). Basingstoke: Macmillan, 1994.

Krutch, Joseph Wood. 'Modernism' in Modern Drama: A Definition and an Estimate. Ithaca: Cornell UP, 1953.

Ley, Graham, and Jane Milling. Performance and Theory from Stanislavski to Boal. Houndmills: Macmillan, 2000.

Lucas, F. L. The Drama of Chekhov, Synge, Yeats and Pirandello. London: Cassell, 1963.

Mignon, P. L. Historia del teatro contemporáneo. Barcelona: Guadarrama.

Page, Adrian, ed. The Death of the Author? Modern Drama and Literary Theory. Basingstoke: Macmillan, 1992.

Pickering, Kenneth. How to Study Modern Drama. (How to Study series). Houndmills: Macmillan, 1988.

Pirandello, Luigi. "Teatro nuevo y teatro viejo." In Pirandello, Ensayos.  Madrid: Guadarrama, 1968. 231-54.*

Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brooks. 2nd ed. London: Routledge, 1989.

Sarrazac, Jean–Pierre. "El impersonaje. Una relectura de la crisis del personaje."  Revista de Literatura: Teoría, Historia, Crítica (Departamento de Literatura, Universidad Nacional de Colombia) 8 (2006): 353-69.

http://www.bdigital.unal.edu.co/14118/1/3-7906-PB.pdf

2016

_____. Juegos de sueño y otros rodeos: alternativas a la fábula en la dramaturgia. Trad. de Victor Viviescas. México: Conaculta, 2011.

_____. Poétique du drame moderne. De Henrik Ibsen à Bernard-Marie Koltès. Paris: Éditions du Seuil, 2012.

Shank, Theodore. "Framing Actuality: Thirty Years of Experimental Theater, 1959-89." In Around the Absurd.  Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 239-72.*

Singleton, Brian. "Interculturalist Theatre Practice and the Postmodern Debate." Gramma 3 (1995): 157-68.*

Solorzano, Carlos, ed. World Encyclopedia of Contemporary Theatre, vol. 2: The Americas. London: Routledge, 1995.

Styan, J. L. Modern Drama in Theory and Practice Volume I: Realism and Naturalism. Cambridge: Cambridge UP, 1981.

Swettenham, Neal. The Role and Status of Narrative in Contemporary Theatre. Ph.D. diss., De Montfort U, 2003. Online at

https://www.dora.dmu.ac.uk/bitstream/handle/2086/4317/271923.pdf

2013

Szondi, Peter. Theorie des modernen Dramas. 2nd ed. Frankfurt, 1959.

_____. Theorie des modernen Dramas (1880-1950). Frankfurt: Suhrkamp, 1963. 1965.

_____.Theory of Modern Drama. Ed. and trans. Michael Hays.

_____. Teoria del drama moderno. Torino: Einaudi, 1962.

Una, Roberta, ed. The Color of Theatre: Race, Culture, and Contemporary Performance. London: Continuum, 2002.

Uscatescu, G. Teatro occidental contemporáneo. Barcelona: Guadarrama.

Wandor, Michelene. Carry On, Understudies: Theater and Sexual Politics. London: Routledge, 1986.*

Weiner, Bernard. "The Absurd, To and Fro." In Around the Absurd: Essays on Modern and Postmodern Drama. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 273-78.*

Whitmore, Jon. Directing Postmodern Theater: Shaping Signification in Performance. Ann Arbor: U of Michigan P, 1994.

Williams, Raymond. Modern Tragedy. London: Chatto and Windus, 1966.

_____. Drama from Ibsen to Brecht. 1968. Harmondsworth: Penguin, 1973.

 

 

Anthologies (critical)

 

Gale, Maggie B., and John F. Deeney, eds. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. London: Routledge, 2010.

 

 

 

 

Anthologies (plays)

 

 

Brewster, Yvonne, ed. Black Plays. 3 vols. London: Methuen.

Dent, Anthony. Introd. to International Modern Plays. (Everyman's Library, 989). London: Dent; New York: Dutton. (August Strindberg, Lady Julie; Gerhard Hauptmann, Hannele. Capek brothers, The Life of the Insects; Jean Cocteau, The Infernal Machine; Luigi Chiarelli, The Mask and the Face).

Kilgore, Emile S., ed. Landmarks of Contemporary Women's Drama. London: Methuen, 1992.

Levy, Walter, ed. Modern Drama: Selected Plays from 1879 to the Present. Prentice-Hall, 1998.

 

 

 

Dictionaries and encyclopedias

 

 

Sarrazac, Jean–Pierre, ed. Léxico del drama moderno y contemporáneo. Trans. Víctor Viviescas. México, Paso de Gato, 2011.

 

 

 

 

 

Journals

 

 

Modern Drama

Editors: Dorothy Parker, Alan Thomas

Journals Dept Univesity of Toronto Press Incorporated

15201 Dufferin Street

North Youk

Ontario

Canada M3H 5T8

Vol. 35.4 (1992).*

 

 

New Theatre Magazine 11.3.

 

 

 

 

 

 

Related works

 

 

Forbes-Robertson, Johnston (Sir). A Player under Three Reigns. Memoirs. 1925. (Wilde, etc.).

 

 

Series

 

 

(Modern Dramatists Series). Series eds. Bruce King and Adele King. New York: St. Martin's, c. 1987.

 

 

 

See also Experimental drama.

 

 

 

 

 

 

 

 

21st century

 

Aragay, Mireia, Paola Botham and José Ramón Prado-Pérez, eds. World Political Theatre and Performance: Theories, Histories, Practices. (Themes in Theatre, 11). Leiden: Brill / Rodopi, 2020.

         https://brill.com/view/title/57109?language=en

         2020

Blas Brunel, Alicia, and Ana Contreras Elvira "Biografías y autoficciones en la práctica escénica contemporánea: Aproximación metodológica." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

Botham, Paola. "From Deconstruction to Reconstruction: A Habermasian Framework for Contemporary Political Theatre." Contemporary Theatre Review 18.3 (2008): 307-17.

Case, Sue-Ellen. "Performing the Cyberbody on the Transnational Stage." Gramma/Gramma 10 (2002): 41-58.*

Delgado, Maria, and Caridad  Svich, eds. Theatre in Crisis? Manchester: Manchester UP, 2002.

Lagos Gismero, Manuel. "Zarzuelas y musicales de inspiración biográfica: vidas en solfa a la escena (2000-2017)." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

Maguire, Tom. Performing Story on the Contemporary Stage. Basingstoke: Palgrave Macmillan, 2015.*

Gottlieb, Vera. "Theatre Today—The 'New Realities'." Contemporary Theatre Review 13.2 (2003): 5-14.

Redling, Ellen. Rev. of Tom Maguire, Performing Story on the Contemporary Stage. JCDE 4.2 (2018): 476-80.*

         DOI 10.1515/jcde-2016-0037

         http://archiv.ub.uni-heidelberg.de/volltextserver/25047/1/jcde-2016-0037.pdf

         2021

Rizzo, Jessica. "Flesh and Bone: Theater, Copyright, and the Ineffable (April 4, 2021). University of Pennsylvania Journal of Constitutional Law, Forthcoming 2021. SSRN 9 April 2021.*

https://ssrn.com/abstract=3822029

         2021

Wooster, Roger. Contemporary Theatre in Education. Chicago: U of Chicago P, forthcoming 2010.

 

 

Audio

 

 

Naugrette, Cathérine. "Du cathartique dans le théâtre contemporain." Savoirs en Multimédia 5 June 2010.*

         http://savoirsenmultimedia.ens.fr/expose.php?id=131

         1013

 

Romera Castillo, José. "Teatro y coronavirus." Audio interview. YouTube (UNED radio) 8 Oct. 2020.*

https://youtu.be/3X5OuxQ4Yao

         2020

 

 

 

 

Journals

 

 

Reflexión Académica en Diseño y Comunicación (VI Edición Congreso de Tendencias Escénicas / I Edición Congreso de Tendencias Audiovisuales [Presente y Futuro del Espectáculo]. Vol. 42 (2020) (Año XXI). Buenos Aires: Universidad de Palermo, 2020. Online at Academia.*

         https://www.academia.edu/42138466/

         2020