A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Drama: Ages
Primitive drama / proto-drama
Cristéa, Georges. "Elements de manifestations dramatiques au Sahara mésolithique et néolithique." Revue des Langues 9 (1990): 85-100.*
Hunningher, Benjamin. "The Primitive Phase." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 53-63.*
Lévy-Bruhl, Lucien. "IV. La puissance du mythe et ses effets." In Lévy-Bruhl, La mythologie primitive. 1935. In Lévy-Bruhl, Primitifs. Paris: Anabet, 2007. 943-74.* (Ritual, protodrama).
Rodríguez Adrados. El origen del teatro: Fiesta, comedia y tragedia.
Watts, Harold H. "Myth and Drama." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 112-36.*
Video
"History of Theatre 1: From Ritual to Theatre." YouTube (betapicts) 3 June 2010.*
2013
See also Rites of Passage; Ritual; Carnival.
Classical
Hall, Edith. The Theatrical Cast of Athens: Interactions between Ancient Greek Drama & Society. Oxford: Oxford UP, 2006.
Nietzsche, Friedrich. Die Geburt der Tragödie. Oder: Griechentum und Pessimismus. 1872.
_____. Die Geburt der Tragödie, Oder: Griechenthum und Pessimismus: Neue Ausgabe mit dem Versuch einer Selbstkritik. Leipzig: Frizsch, 1886.
_____. Die Geburt der Tragödie. In Nietzsche, GessamleteWerke. Musarion. Vol. 3.
_____. The Birth of Tragedy Out of the Spirit of Music. Trans. Walter Kaufmann. New York: Random House-Vintage, 1967.
_____. The Birth of Tragedy and Other Writings. Ed. Raymond Geuss and Ronald Speirs. Cambridge: Cambridge UP, 1999.
_____. The Birth of Tragedy. Ed. and trans. Douglas Smith. (Oxford World's Classics). Oxford: Oxford UP, 2000.
_____. La Naissance de la tragédie.
_____. El nacimiento de la tragedia: o Grecia y el pesimismo. Ed. and trans. Andrés Sánchez Pascual. 7th ed. Madrid: Alianza Editorial, 1984.*
Pagnini, Marcelo. "Observaciones sobre el teatro clásico." In Pagnini, Estructura literaria y método crítico. Trans. Carlos Mazo del Castillo. 4th ed. Madrid: Cátedra, 1992. 112-23.* (semiotics of drama).
Righter, Anne. "The Period of Transition: Classical Comedy and the Hybrid Plays." In Righter, Shakespeare and the Idea of the Play. 1962. Harmondsworth: Penguin, 1967. 41-58.* (The Comedy of the Ancient World. The Impact of Classical Tradition. The Play as Illusion).
Walton, J. Michael, and Marianne McDonald, eds. The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge UP, 2007.
Wiles, David. The Masks of Menander Sign and Meaning in Greek and Roman Performance. 1991.
Audio
Dupont, Florence. "La tragédie dans l'espace public antique." Audio lecture. Ecole Normale Supérieure 21 Jan. 2009.*
http://savoirs.ens.fr/expose.php?id=95
2014
Video
Viswamohan, Aysha Iqbal. "Introduction to Drama." Video lecture at ITT Madras. YouTube 11 Jan. 2013.*
2015
See also Greek drama; Roman drama.
Oriental drama
Hylen, Torsten. Husayn, the Mediator: A structural Analysis of the Karbala Drama According to Abu Ja`far Muhammad b. Jarir al-Tabari (d. 310/923). Uppsala: University of Uppsala, 2007. [PhD dissertation]
Medieval
General
Chambers, E. K. The Mediaeval Stage. 2 vols. 1903. London: Oxford UP, 1978.
Davidson, Clifford, ed. The Dramatic Tradition of the Middle Ages. (AMS Studies in the Middle Ages, 26). New York: AMS Press, c. 2006.
Harris, John Wesley. Medieval Theatre in Context: An Introduction. London: Routledge, 1992.
Simon, Eckehard, ed. The Theatre of Medieval Europe: New Research in Early Drama. (Cambridge Studies in Medieval Literature, 9). 1991.
Marshall, M. H. "Theatre in the Middle Ages: Evidence from Dictionaries and Glosses." Symposium 4 (1950): 1-39, 366-89.
Righter, Anne. "Mysteries and Moralities: The Audience as Actor." In Righter, Shakespeare and the Idea of the Play. 1962. Harmondsworth: Penguin, 1967. 15-40.* (The Mystery Cycles. Morality Plays. The Tyranny of the Audience).
Miscellaneous
Tejera Llano, Dionisia. "The Matter of Israel: The Use of Little Children in the Miracles of the Holy Virgin during the Middle Ages." Selim 5 (1995): 7-17.*
Bibliographies
Stratman. Bibliography of Medieval Drama. Berkeley: U of California P, 1954.
Film
The Reckoning. Dir. Paul McGuigan. Script by Mark Mills, based on Barry Unsworth’s Morality Play. Cast: Paul Bettany, Willem Dafoe, Gina McKee, Brian Cox, Vincent Cassel. Photog. Peter Sova. UK/Spain, c. 2004. (Spanish title: El misterio de Thomas Wells).
Literature
Oates, Joyce Carol. Miracle Play. Drama. 1974.
Unsworth, Barry. Morality Play. Novel. London: Hamish Hamilton, 1995.*
_____. Morality Play. Novel. London: Penguin-Hamish Hamilton, 1995.*
See also Carnival.
Renaissance
Miscellaneous
Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge UP, 1986.
Billington, Sandra. Mock Kings in Medieval Society and Renaissance Drama. Oxford: Oxford UP, 1991.
Calbi, Maurizio. Approximate Bodies: Gender and Power in Early Modern Drama. London: Routledge, 2005.
Clare, Janet. Revenge Tragedies of the Renaissance. (Writers and Their Work). Tavistock (Devon): Northcote House, 2005.
Colaiacomo, Paola. "Il teatro del principe." Calibano 4 (1979): 53-98. (Drama and absolutism).
DiGangi, Mario. The Homoerotics of Early Modern Drama. Cambridge: Cambridge UP, 1997.
Findlay, Alison. A Feminist Perspective on Renaissance Drama. Oxford: Blackwell, 1999.
Heise, Ursula K. "Transvestism and the Stage Controversy in Spain and England, 1580-1680." Theatre Journal 44.3 (Oct. 1992): 357-74.
McCabe, Richard A. Incest, Drama, and Nature's Law, 1550-1700. Cambridge: Cambridge UP, 1993.
Reiss, Timothy J. Tragedy and Truth: Studies in the Development of a Renaissance and Neoclassical Discourse. New Haven: Yale UP, 1980.
Sheppard, Samuel. "The Socratick Session, Or The Arraignment and Conviction, of Julius Scaliger. By S. Sheppard." In Epigrams; Six Bookes; Also the Socratick Session or The Araignment of Julius Scaliger ... by S. Sheppard. Printed by G. D. and are to be sould by Thomas Bucknell ..., London, 1651. (Renaissance literature; Renaissance drama; Classical literature; Homer; Ovid; Spenser)
West, William N. "The Idea of a Theater: Humanist Ideology and the Imaginary Stage in Early Modern Europe." Renaissance Drama n.s. 28 (1997): 245-87.
_____. Theaters and Encyclopedias in Early Modern Europe: Circles of Learning. Cambridge Univ. Press, forthcoming 2002
Whigham, Frank. "Reading Social Conflict in the Alimentary Tract: More on the Body in Renaissance Drama." English Literary History 55 (1988): 333-50.
_____. "Reading Social Conflict in the Alimentary Tract: More on the Body in Renaissance Drama." In Postmodern Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 301-18.*
Anthologies
Gibson, Colin, ed. Six Renaissance Tragedies. Houndmills: Macmillan, 1997.
Stone, Donald, Jr., ed. Four Renaissance Tragedies. Cambridge (MA): Harvard UP, 1966. (La Taille, Saül le furieux, etc.)
Audio
Gállego, Julián. "Pintura y teatro: Renacimiento y Comedia del Arte." Lecture at Fundación Juan March 22 Sept. 1992.*
http://www.march.es/conferencias/anteriores/voz.aspx?id=2082&l=1
2012
Journals
Renaissance Drama
Northwestern UP
Vol. 21 (1990)
Series
(Renaissance Dramatists). Harmondsworth: Penguin, c.1998.
Baroque
Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge UP, 1986.
Cioranescu, A. El barroco o el descubrimiento del drama. La Laguna: Universidad de La Laguna, 1975.
Piazeccki, A. "Theatre, Marriage and the Bourgeoisie." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 280-83.*
18th Century
Eloesser, Arthur. Das bürgerliche Drama . . . im 18. und 19. Jahrhundert. Berlin, 1898.
Green, F. C. "Drama." In Green, Minuet: A Critical Survey of French and English Literary Ideas in the Eighteenth Century. London: Dent, 1935. 1-191.*
Hauser, Arnold. "VIII. Rococó, clasicismo y romanticismo." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 9-244.* (1. La disolución del arte cortesano. 2. El nuevo público lector. 3. El origen del drama burgués. 4. Alemania y la Ilustración. 5. Revolución y arte. 6. El romanticismo alemán y el de Europa occidental).
Lanson, Gustave. "La parodie dramatique au XVIIIe siècle." In Lanson, Hommes et livres. 1895.
Nolte, Fred O. Early Middle Class Drama, 1696-1774. Lancaster (PA), 1935.
Priestley, J. B. "The Drama." (18th cent.). In Priestley, Literature and Western Man. 1960. London: Readers Union / Heinemann, 1960. 49-64.
Riccoboni, Louis. (Historical and Critical Account of the Theatres in Europe.) France, 1741.
Senelick, Laurence, ed. National Theater in Northern and Eastern Europe, 1746-1900. (Theatre in Europe: a documentary history). 1991.
Sutherland, James R. "Shakespeare's Imitators in the Eighteenth Century." Modern Language Review 28 (1933): 21-36.
Anthologies
Thomas, David, ed. Six Restoration and French Neoclassic Plays. Houndmills: Macmillan, 1998.
_____, ed. Four Georgian and Pre-Revolutionary Plays. Houndmills: Macmillan, 1998.
19th Century
Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven: Yale UP, 1976. 1995.*
Eloesser, Arthur. Das bürgerliche Drama . . . im 18. und 19. Jahrhundert. Berlin, 1898.
Faguet, E. Drame ancien, drame moderne. 1898.
James, Henry. The Scenic Art. Ed. Allan Wade. London, 1948.
Joyce, James. "Ibsen's New Drama." The Fortnightly Review 1 April 1900.*
https://fortnightlyreview.co.uk/2018/06/ibsens-new-drama/
2019
McFarlane, James. "Intimate Theatre: Maeterlinck to Strindberg." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 514-26.*
Priestley, J. B. "The Dramatists." In Priestley, Literature and Western Man. 1960. London: Readers Union / Heinemann, 1960.* (19th c.).
Senelick, Laurence, ed. National Theater in Northern and Eastern Europe, 1746-1900. (Theatre in Europe: a documentary history). 1991.
Styan, J. L. Modern Drama in Theory and Practice Volume I: Realism and Naturalism. Cambridge: Cambridge UP, 1981.
Szondi, Peter. Theorie des modernen Dramas (1880-1950). Frankfurt a/M: Surhrkamp, 1965.
Valiunas, Algis. "Ibsen's Soulcraft: Considering One of Modernity's Great Dramatists." First Things (Dec. 2019).*
https://www.firstthings.com/article/2019/12/ibsens-soulcraft
2019
Anthologies
Levy, Walter, ed. Modern Drama: Selected Plays from 1879 to the Present. Prentice-Hall, 1998.
Audio
Rebellato, Dan. "Theatre, Sex, and Zombies: The Strange Case of the Naturalist Stage." Lecture at Royal Holloway, U of London, 4 Feb. 2014. Online at Backdoor Broadcasting Company:
2014
Journals
Nineteenth-Century Theatre.
Semiannual.
Ed. Jacky Bratton.
Drama, Theatre and Media Arts.
Royal Holloway. U of London.
Egham, Surrey TW20 0EX.
Fax +44 1784 431018.
E-mail. j.bratton@rhbnc.ac.uk
20th Century
Ansorge, Peter. From Liverpool to Los Angeles: On Writing for Theatre, Film, and Television. London: Faber and Faber, 1997.
Barfoot, C. C., and Cobi Bordewijk, eds. Theatre Intercontinental: Forms, Functions, Correspondences. Amsterdam: Rodopi, 1993.
Bennett, Benjamin. Theatre as Problem: Modern Drama and Its Place in Literature. London: Cornell UP, 1999.
Bentley, Eric. The Modern Theatre. Hale, 1948. (Brecht).
_____. In Search of Theatre. Dobson, 1955. (Brecht).
_____, ed. The Theory of the Modern Stage. London: Penguin, 1968.
Birringer, J. Theatre, Theory, Postmodernism. Bloomington: Indiana UP, 1991.
Blau, Herbert. "Comedy since the Absurd." Modern Drama 25.4 (December 1982).
Brater, Enoch, ed. Feminist Focus: The New Women Playwrights. Oxford UP, 1989.
Brater, Enoch, and Ruby Cohn, eds. Around the Absurd: Essays on Modern and Postmodern Drama. Ann Arbor: U of Michigan P, 1990.*
Clurman, Harold. The Naked Image: Observations on the Modern Theatre. 9th ed. New York: Macmillan, 1966.
Cornago, Óscar. "¿Qué es la teatralidad? Paradigmas estéticos de la Modernidad." Telón de fondo: Revista de Teoría y Crítica Teatral 1.1 (Aug. 2005). http://www.telondefondo.org/numeros-anteriores/numero1/articulo/2/que-es-la-teatralidad-paradigmas-esteticos-de-la-modernidad.html
Online at AVAE: Archivo Artea.*
http://archivoartea.uclm.es/textos/que-es-la-teatralidad-paradigmas-esteticos-de-la-modernidad/
2020
Culík, Jan. "The Theatre of the Absurd. The West and the East." Bristké lisy. 2000.
http://blisty.cz/video/Slavonic/Absurd.htm
2016
Domenech, Ricardo. El teatro de hoy (doce crónicas). Madrid: Cuadernos Para el Diálogo, 1966.
Durand, Régis. "Theatre/Signs/Performance: On Some Transformations of the Theatrical and the Theoretical." In Innovation/Renovation. Ed. Hassan and Hassan. Madison: U of Wisconsin P, 1983. 211-24.
Edgar, David. "Public Theatre in a Private Age." Actas del XIII Congreso Nacional de AEDEAN. Barcelona: PPU, 1991. 23-38.
Esslin, Martin. The Theatre of the Absurd. 1961. Rev. ed. Harmondsworth: Penguin, 1968.*
_____. The Theatre of the Absurd. New York: Anchor Books, 1969.
_____. "Modernist Drama: Wedekind to Brecht." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 527-60.*
Evans, Gareth Lloyd. The Language of Modern Drama. London: Dent, 1977.
Fauchette, J. Psychodrame et théâtre moderne. 1971.
Fletcher, John, and James McFarlane. "Modernist Drama: Origins and Patterns." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 499-513.*
Fuchs, Elinor. The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996.*
Gabás Ariño, Luz. "From Modernism to Postmodern Theatre: An Approach to the Present Postmodern Theatrical Situation." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 641-46.*
Gassner, John. Teatro moderno. México: Letras, 1967.*
Geissler, R. Zur Interpretation des modernen Dramas. Frankfurt: Diesterweg, 1986.
Gilbert, Helen, and Joanna Tompkins. Post-colonial Drama: Theory, Practice, Politics. London: Routledge, 1996.
Gilman, Richard. The Making of Modern Drama. New Haven: Yale UP, 2000.
Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993.
Gray: Modern Drama. (Brodie's Notes). Houndmills: Macmillan.
Grotowsky, Jerzy. Towards a Poor Theatre. London: Methuen, 1969.
_____. Towards a Poor Theatre. Ed. Eugenio Barba. 1969.
_____. Teatro de laboratorio. Barcelona: Tusquets, 1980.
Hart, Lynda, ed. Making a Spectacle: Feminist Essays on Contemporary Women´s Theatre. Ann Arbor (MI): U of Michigan P, 1989.
Innes, Christopher. Avant-Garde Theatre, 1892-1992. London: Routledge, 1993.
Kaye, Nick. Postmodernism and Performance. (New Directions in Theatre series). Basingstoke: Macmillan, 1994.
Krutch, Joseph Wood. 'Modernism' in Modern Drama: A Definition and an Estimate. Ithaca: Cornell UP, 1953.
Ley, Graham, and Jane Milling. Performance and Theory from Stanislavski to Boal. Houndmills: Macmillan, 2000.
Lucas, F. L. The Drama of Chekhov, Synge, Yeats and Pirandello. London: Cassell, 1963.
Mignon, P. L. Historia del teatro contemporáneo. Barcelona: Guadarrama.
Page, Adrian, ed. The Death of the Author? Modern Drama and Literary Theory. Basingstoke: Macmillan, 1992.
Pickering, Kenneth. How to Study Modern Drama. (How to Study series). Houndmills: Macmillan, 1988.
Pirandello, Luigi. "Teatro nuevo y teatro viejo." In Pirandello, Ensayos. Madrid: Guadarrama, 1968. 231-54.*
Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brooks. 2nd ed. London: Routledge, 1989.
Sarrazac, Jean–Pierre. "El impersonaje. Una relectura de la crisis del personaje." Revista de Literatura: Teoría, Historia, Crítica (Departamento de Literatura, Universidad Nacional de Colombia) 8 (2006): 353-69.
http://www.bdigital.unal.edu.co/14118/1/3-7906-PB.pdf
2016
_____. Juegos de sueño y otros rodeos: alternativas a la fábula en la dramaturgia. Trad. de Victor Viviescas. México: Conaculta, 2011.
_____. Poétique du drame moderne. De Henrik Ibsen à Bernard-Marie Koltès. Paris: Éditions du Seuil, 2012.
Shank, Theodore. "Framing Actuality: Thirty Years of Experimental Theater, 1959-89." In Around the Absurd. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 239-72.*
Singleton, Brian. "Interculturalist Theatre Practice and the Postmodern Debate." Gramma 3 (1995): 157-68.*
Solorzano, Carlos, ed. World Encyclopedia of Contemporary Theatre, vol. 2: The Americas. London: Routledge, 1995.
Styan, J. L. Modern Drama in Theory and Practice Volume I: Realism and Naturalism. Cambridge: Cambridge UP, 1981.
Swettenham, Neal. The Role and Status of Narrative in Contemporary Theatre. Ph.D. diss., De Montfort U, 2003. Online at
https://www.dora.dmu.ac.uk/bitstream/handle/2086/4317/271923.pdf
2013
Szondi, Peter. Theorie des modernen Dramas. 2nd ed. Frankfurt, 1959.
_____. Theorie des modernen Dramas (1880-1950). Frankfurt: Suhrkamp, 1963. 1965.
_____.Theory of Modern Drama. Ed. and trans. Michael Hays.
_____. Teoria del drama moderno. Torino: Einaudi, 1962.
Una, Roberta, ed. The Color of Theatre: Race, Culture, and Contemporary Performance. London: Continuum, 2002.
Uscatescu, G. Teatro occidental contemporáneo. Barcelona: Guadarrama.
Wandor, Michelene. Carry On, Understudies: Theater and Sexual Politics. London: Routledge, 1986.*
Weiner, Bernard. "The Absurd, To and Fro." In Around the Absurd: Essays on Modern and Postmodern Drama. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 273-78.*
Whitmore, Jon. Directing Postmodern Theater: Shaping Signification in Performance. Ann Arbor: U of Michigan P, 1994.
Williams, Raymond. Modern Tragedy. London: Chatto and Windus, 1966.
_____. Drama from Ibsen to Brecht. 1968. Harmondsworth: Penguin, 1973.
Anthologies (critical)
Gale, Maggie B., and John F. Deeney, eds. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. London: Routledge, 2010.
Anthologies (plays)
Brewster, Yvonne, ed. Black Plays. 3 vols. London: Methuen.
Dent, Anthony. Introd. to International Modern Plays. (Everyman's Library, 989). London: Dent; New York: Dutton. (August Strindberg, Lady Julie; Gerhard Hauptmann, Hannele. Capek brothers, The Life of the Insects; Jean Cocteau, The Infernal Machine; Luigi Chiarelli, The Mask and the Face).
Kilgore, Emile S., ed. Landmarks of Contemporary Women's Drama. London: Methuen, 1992.
Levy, Walter, ed. Modern Drama: Selected Plays from 1879 to the Present. Prentice-Hall, 1998.
Dictionaries and encyclopedias
Sarrazac, Jean–Pierre, ed. Léxico del drama moderno y contemporáneo. Trans. Víctor Viviescas. México, Paso de Gato, 2011.
Journals
Modern Drama
Editors: Dorothy Parker, Alan Thomas
Journals Dept Univesity of Toronto Press Incorporated
15201 Dufferin Street
North Youk
Ontario
Canada M3H 5T8
Vol. 35.4 (1992).*
New Theatre Magazine 11.3.
Related works
Forbes-Robertson, Johnston (Sir). A Player under Three Reigns. Memoirs. 1925. (Wilde, etc.).
Series
(Modern Dramatists Series). Series eds. Bruce King and Adele King. New York: St. Martin's, c. 1987.
See also Experimental drama.
21st century
Aragay, Mireia, Paola Botham and José Ramón Prado-Pérez, eds. World Political Theatre and Performance: Theories, Histories, Practices. (Themes in Theatre, 11). Leiden: Brill / Rodopi, 2020.
https://brill.com/view/title/57109?language=en
2020
Blas Brunel, Alicia, and Ana Contreras Elvira "Biografías y autoficciones en la práctica escénica contemporánea: Aproximación metodológica." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.
Botham, Paola. "From Deconstruction to Reconstruction: A Habermasian Framework for Contemporary Political Theatre." Contemporary Theatre Review 18.3 (2008): 307-17.
Case, Sue-Ellen. "Performing the Cyberbody on the Transnational Stage." Gramma/Gramma 10 (2002): 41-58.*
Delgado, Maria, and Caridad Svich, eds. Theatre in Crisis? Manchester: Manchester UP, 2002.
Lagos Gismero, Manuel. "Zarzuelas y musicales de inspiración biográfica: vidas en solfa a la escena (2000-2017)." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.
Maguire, Tom. Performing Story on the Contemporary Stage. Basingstoke: Palgrave Macmillan, 2015.*
Gottlieb, Vera. "Theatre Today—The 'New Realities'." Contemporary Theatre Review 13.2 (2003): 5-14.
Redling, Ellen. Rev. of Tom Maguire, Performing Story on the Contemporary Stage. JCDE 4.2 (2018): 476-80.*
DOI 10.1515/jcde-2016-0037
http://archiv.ub.uni-heidelberg.de/volltextserver/25047/1/jcde-2016-0037.pdf
2021
Rizzo, Jessica. "Flesh and Bone: Theater, Copyright, and the Ineffable (April 4, 2021). University of Pennsylvania Journal of Constitutional Law, Forthcoming 2021. SSRN 9 April 2021.*
https://ssrn.com/abstract=3822029
2021
Wooster, Roger. Contemporary Theatre in Education. Chicago: U of Chicago P, forthcoming 2010.
Audio
Naugrette, Cathérine. "Du cathartique dans le théâtre contemporain." Savoirs en Multimédia 5 June 2010.*
http://savoirsenmultimedia.ens.fr/expose.php?id=131
1013
Romera Castillo, José. "Teatro y coronavirus." Audio interview. YouTube (UNED radio) 8 Oct. 2020.*
2020
Journals
Reflexión Académica en Diseño y Comunicación (VI Edición Congreso de Tendencias Escénicas / I Edición Congreso de Tendencias Audiovisuales [Presente y Futuro del Espectáculo]. Vol. 42 (2020) (Año XXI). Buenos Aires: Universidad de Palermo, 2020. Online at Academia.*
https://www.academia.edu/42138466/
2020
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