A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
The "Holocaust" / The Shoah / Nazi Genocide
Abramski, C., ed. The Jews in Poland. Oxford, 1986.
Adamczyk-Garbowska, Monika. "A New Generation of Voices in Polish Holocaust Literature." Prooftexts 9.3 (1989).
Adler, Jeremy. "The One Who Got Away." TLS 4 Oct. 1996: 18. (On his father H. G. Adler, poet interned in the Nazi concentration camps).
Adorno, Theodor W. "Lettre ouverte à Rolf Hochhuth." In Adorno, Notes sur la littérature. Trans. Sibylle Muller. Paris: Flammarion, 1984. 421-8.*
Ainsztein, R. Jewish Resistance in Nazi-occupied Eastern Europe. New York, 1974.
Albiac, Gabriel. Prologue to Para entender el Holocausto. By Fernández Vítores, José Sánchez Tortosa et al. Confluencias, c. 2017.
Alter, Robert. "Deformations of the Holocaust." Commentary (Feb. 1981).
Amat Piniella, Joaquim. K. L. Reich. Barcelona: Edicions 62, 2001.
Améry, Jean. At the Mind's Limits: Contemplations by a Survivor on Auschwitz and Its Realities. Trans. Sidney and Stella Rosenfeld. New York, 1986. (Pro ressentiment).
Amidst a Nightmare of Crime: Notes of Prisoners of Sonderkommando Found in Auschwitz. Auschwitz State Museum Publications.
Amishai-Maisels, Ziva. Depiction and Interpretation: The Influence of the Holocaust on the Visual Arts. New York: Pergamon, 1993.
Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. 1963. New York: Viking, 1964.
_____. Eichmann in Jerusalem: A Report on the Banality of Evil. Harmondsworth: Penguin, 1965.
_____. Eichmann en Jerusalén. Ediciones de Bolsillo.
_____. Eichmann en Jerusalén. Barcelona: Lumen, 1999.
_____. Essays und Kommentare. Vol. 1, Nach Auschwitz. Vol. 2, Die Krise des Zionismus. Ed. Eike Geisel and Klaus Bittermann. Berlin: Edition Tiamat, 1989.
Arias Doblas, Rosario. "Representación del trauma del Holocausto en narrativas de supervivientes escritas por mujeres." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 162-67.*
Arias, Rosario, Pilar Hidalgo Andreu and Carmen Lara. "La novela del Holocausto en Inglaterra: Historia, trauma, representación." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*
Avisar, Ilan. "Holocaust Movies and the Politics of Collective Memory." In Thinking About the Holocaust: After Half a Century. Ed. Alvin H. Rosenfeld. Bloomington: Indiana UP, 1997.
Avni, Ora. "Narrative Subject, Historic Subject: Shoah and La Place de L'Etoile." Poetics Today 12.3 (1991): 495-516.*
, A. El testimonio audiovisual: Imagen y memoria del Holocausto. Madrid: Siglo XXI de España, 2005.
Baldwin, Peter, ed. Reworking the Past: Hitler, the Holocaust, and the Historians' Debate. Boston, 1990.
Bassa, David. Memoria del infierno. Photog. By Jordi Ribó. 2002.
Bauman, Zygmunt. Modernity and the Holocaust. Cambridge: Polity Press, 1989.
_____. Modernidad y holocausto. Madrid: Sequitur, 1997.
_____. Modernity and Ambivalence. Cambridge: Polity Press, 1991.
_____. "¿Puede haber otro Holocausto?" Revista de Occidente 176 (Enero 1996): 112-29.*
BBC. "French Holocaust Denier who Fled to Scotland Jailed." BBC 20 March 2025.* (Vincent Reynouard).
https://www.bbc.com/news/articles/cd65exzqyn3o
2025
Bentley, Eric. The Storm Over the Deputy: Essays and Articles about Hochhuth's Explosive Drama. New York: Grove Press, 1964.
Berger, Alan. Crisis and Covenant: The Holocaust in American Jewish Fiction. Albany: SUNY Press, 1985.
Bernstein, Michael André. Foregone Conclusions: Against Apocalyptic History. (Contraversions: Critical Studies in Jewish Literature, Culture, and Society, 4. A Centennial Book). Berkeley: U of California P, 1994.*
_____. "Against Comfort." TLS 5 May 1995: 9-10. (Holocaust).
_____. "Unrepresentable Identities: The Jew in Postwar European Literature." In Thinking about the Holocaust: After Half a Century. Ed. Alvin Rosenfeld. Bloomington (IN), 1997. 18-37. (Finkelgruen, etc.).
_____. "Homage to the Extreme: The Shoah and the Rhetoric of Catastrophe." TLS 6 March 1998: 6-8.
_____. "Victims-in-Waiting: Backshadowing and the Representation of European Jewry." New Literary History 29 (1998): 625-51.*
Boase-Beier, Jean. "Knowing and Not Knowing: Style, Intention, and the Translation of a Holocaust Poem." Language and Literature 13.1 (2004): 25-35.* (Special issue on "Translation and Style") (Völker von Thorne).
Borowski, Tadeusz. This Way for the Gas, Ladies and Gentlemen. 1959. Trans. Barbara Vedder. New York: Penguin, 1976.
Bourguignon, E. "Memory in an Amnesic World: Holocaust, Exile and the Return of the Suppressed." Anthropological Quarterly (2005): 63-88.
Bradshaw, Peter. "Son of Saul Review: A Stunning, Excoriating Holocaust Drama." The Guardian 28 April 2016.*
http://www.theguardian.com/film/2016/apr/28/son-of-saul-review-auschwitz-holocaust
2016
Braham, R. The Politics of Genocide. The Holocaust in Hungary. 2 vols. New York, 1981.
Braiterman, Zachary. (God) After Auschwitz. Princeton (NJ): Princeton UP, 1998.
Brecher, Elinor. Schindler's Legacy: True Stories of the List Survivors. London: Hodder and Stoughton, 1994.
Brossat, Alain. L'écriture du désastre. Paris: Albin Michel, 1993.
Browning, Christopher. "One Day in Józefów: Initiation to Mass Murder." In Browning, The Path to Genocide: Essays on Launching the Final Solution. Cambridge: Cambridge UP, 1992.
_____. Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland. New York: HarperCollins, 1992.
_____. The Path to Genocide: Essays on Launching the Final Solution. Cambridge: Cambridge UP, 1992.
Bustelo, Gabriela. "La violación de la mente." Cuarto poder 28 Oct. 2017.*
2017
Carmona Rodríguez, Pedro. "Like an 'Objet Trouvé': Holocaust, Trauma and Impossible Autobiographies in Anne Michaels's Fugitive Pieces." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*
Choumoff, Pierre-Serge. Les Echos de la mémoire: Tabous et enseignement de la Seconde Guerre Mondiale. Ed. Georges Kantin and Gilles Manceron. Paris, 1991. (Holocaust).
Clare, George. Das waren die Klaars. Berlin: Verlag Ullstein, 1980.
_____. Last Waltz in Vienna: The Destruction of a Family, 1842-1942. London: Macmillan, 1981. (Trans. of Das waren die Klaars).
Cohen, Arthur A. An Arthur A. Cohen Reader: Selected Writings and Fiction on Judaism, Theology, Literature, and Culture. Ed. David Stern and Paul Mendes-Flohr. Wayne State UP, 1998.
Cohn, Norman. Warrant for Genocide: The Myth of the Jewish World-Conspiracy and the Protocols of the Elder of Zion. New York: Harper and Row, 1967.
_____. El mito de la conspiración judía mundial. Trans. F. Santos Fontenla. Madrid: Alianza, 1983.
Colás, Xavier. "Babi Yar, la trastienda del holocausto." El Mundo 23 Sept. 2016.*
http://www.elmundo.es/la-aventura-de-la-historia/2016/09/23/57e3f646268e3ead288b46b3.html
2016
Confino, Alon. Foundational Pasts: The Holocaust as Historical Understanding.
Constante, Mariano. Republicanos aragoneses en los campos nazis. Huesca: Pirineo, 2000.
Conquest, Robert. The Great Terror: A Reassessment. New York: Oxford UP, 1990.
"El 'contable' de Auschwitz admite que desde el principio supo que gaseaban a los judíos." El Mundo 21 April 2015.*
3015
Dawidowicz, Lucy S. "Lies about the Holocaust." Commentary 70.6 (December 1980): 31-37.
_____. The Holocaust and the Historians. Cambridge (MA), 1981.
Delbo, C. Auschwitz and After. New Haven: Yale UP, 1995.
Devant l'Histoire: Les documents de la controverse sur la singularité de l'extermination del Juifs par le régime nazi. Paris, 1988.
Díaz Bild, Aída. "The Zone of Interest: Honouring the Holocaust Victims." Journal of English Studies 16 (2018): 47-68.* (Martin Amis).
Didi-Huberman, Georges. Images malgré tout. (Paradoxe). Paris: Minuit.
Imágenes pese a todo: Memoria visual del Holocausto. Barcelona: Paidós, 2004.
Doménech Rico, Fernando. "Retorno a Mauthausen (Estrategias para representar lo irrepresentable)." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.
https://dialnet.unirioja.es/servlet/articulo?codigo=6853193
2020
Dorfman, Ariel. "Not Only Beckett's Birthday." Guardian Unlimited 14 April 2006.
http://commentisfree.guardian.co.uk/ariel_dorfman/2006/04/not_only_becketts_birthday.html
2006-04-14
, D., and R. J. . Auschwitz: Revised and Updated. New York: W. W. Norton, 2008.
Eshel, Amir. Futurity: Contemporary Literature and the Quest for the Past. Chicago: U of Chicago P, 2013. (W.G. Sebald, etc.).
Espada, Arcadi. En nombre de Franco. Madrid: Espasa, 2012.
Etorky, Gertrude. "Hannah Arendt Against the Facts." New Politics (Fall 1963): 53-73. (On Judenräte and the Holocaust).
Ezrahi, Sidra DeKoven. "Considering the Apocalypse: Is the Writing on the Wall Only Graffiti?" In Writing and the Holocaust. Ed. Berel Lang. New York: Holmes and Meier, 1988. 137-53.
_____. "Revisioning the Past: The Changing Legacy of the Holocaust in Hebrew Literature." Salmagundi 68-69 (Fall 1985-Winter 1986): 245-70.
Fackenheim, Emil. "The 614th Commandment." Judaism 16.3 (Summer 1967): 269-73.
_____. "The 614th Commandment." In Fackenheim, The Jewish Return into History: Reflections in the Age of Auschwitz and a New Judaism. New York: Schocken, 1978. 19-24.
_____. The Jewish Return into History: Reflections in the Age of Auschwitz and a New Jerusalem. New York: Schocken, 1978.
_____. To Mend the World. New York: Schocken, 1982. (Holocaust).
_____. The Human Condition after Auschwitz.
Fein, H. Accounting for Genocide. New York, 1979.
Feinberg, Anat. Wiedergutmachung im Programm: Jüdisches Schicksal im deutschen Nachkriegsdrama. Cologne, 1988.
Feldman, Yahel S. "Whose Story Is It, Anyway: Ideology and Psychology in the Representation of the Shoah in Israeli Literature." In Probing the Limits of Representation: Nazism and the 'Final Solution'. Ed Saul Friedlander. Cambridge (MA): Harvard UP, 1992.
Fensch, Thomas, ed. Oskar Schindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors. Forest Dale (VT): Paul S. Eriksson, 1995.
Fernández Barbadillo, Pedro. "Los educados compinches de Auschwitz." Libertad Digital 26 Jan. 2020.*
2020
Fernández Gil, Mª Jesús. "Memory in Cynthia Ozick's 'Rosa'." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*
_____. "Trapped in the Vortex of Holocaust Commemoration." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*
_____. "The Holocaust-Memoir Culture in the United States: A Necessary Work of Reparative Justice." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 427-34.*
_____. "The Cannibal Galaxy: An Initiative Journey into How to Work through Holocaust Trauma." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 88-93.* (Cynthia Ozick).
http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AEDEAN35_portada.pdf
2012
_____. El papel (est)ético de la literatura en la conmemoración del Holocausto. Dykinson, 2013.
_____. Traducir el horror: La intersección de la ética, la ideología y el poder en la memoria del Holocausto. Frankfurt am Main: Peter Lang, 2013.
Fiedler, Leslie. "Styron's Choice: A Novel about Auschwitz." Psychology Today 13 (July 1979): 102-7.
Fine, Ellen S. "The Absent Memory: The Act of Writing in Post-Holocaust French Literature." In Writing and the Holocaust. Ed. Berel Lang. New York: Holmes and Meier, 1988. 41-57.
Finkelstein, Norman G. (DePaul U). La industria del Holocausto. Madrid: Siglo XXI.
Fleming, G. Hitler and the Final Solution. London, 1985.
Foley, Barbara. "Fact, Fiction, Fascism: Testimony and Mimesis in Holocaust Narratives." Comparative Literature 34.4 (1982): 330-60.
Friedlander, Saul. "Die Shoah als Element in der Konstruktion israelischer Erinnerung." Babylon 2 (1987): 10-22.
_____. "The 'Final Solution': On the Unease in Historical Interpretation." In Lessons and Legacies: The Meaning of the Holocaust in a Changing World. Ed. Peter Hayes. Evanston (IL), 1991.
_____. Memory, History, and the Extermination of the Jews of Europe. Bloomington (IN), 1993.
_____, ed. Probing the Limits of Representation: Nazism and the 'Final Solution'. Cambridge (MA): Harvard UP, 1992.
Funkenstein, Amos. "Theological Responses to the Holocaust." In Funkenstein, Perceptions of Jewish History. Berkeley: U of California P, 1993. 306-37.
García Landa, José Angel. "Cada cual su Holocausto." In García Landa, Vanity Fea 31 May 2013.*
http://vanityfea.blogspot.com.es/2013/05/cada-cual-su-holocausto.html
2013
_____. "Cada cual su Holocausto: La 'Metáfora del Holocausto'." Ibercampus (Vanity Fea) 19 July 2020.*
https://www.ibercampus.es/cada-cual-su-holocausto-39881.htm
2020
_____. "Cada cual su Holocausto: La 'Metáfora del Holocausto'." Academia 25 July 2020.*
https://www.academia.edu/43711574
2020
_____. "Cada cual su Holocausto: La 'Metáfora del Holocausto'." ResearchGate 5 Aug. 2020.*
https://www.researchgate.net/publication/343442205
2020
_____. "Cada cual su Holocausto: La 'Metáfora del Holocausto'." Humanities Commons 12 Aug. 2020.*
https://hcommons.org/deposits/item/hc:32269/
2020
_____. "Each One Their Own Holocaust: The 'Holocaust Metaphor' (Cada cual su Holocausto: La 'Metáfora del Holocausto')." SSRN 1 Sept. 2020.*
https://ssrn.com/abstract=3658899
Cultural Anthropology eJournal 1 Sept. 2020.*
https://www.ssrn.com/link/Cultural-Anthropology.html
2023
Anthropology of Peace and Violence eJournal 1 Sept. 2020.*
https://www.ssrn.com/link/Anthropology-Peace-Violence.html
2023
Post-Colonial Studies in Literature & Culture eJournal 1 Sept. 2020.*
https://www.ssrn.com/link/English-Post-Colonial-Studies.html
2023
Other English & American Literature Research eJournal 1 Sept. 2020.*
https://www.ssrn.com/link/Other-English-American-Lit-Research.html
2023
Historical Memory, Family, Community & Public History eJournal 1 Sept. 2020.*
https://www.ssrn.com/link/Memoriae-Historical-Memory-Public-Hist.html
2023
Conflict Studies: Effects of Conflict eJournal 1 Sept. 2020.*
https://www.ssrn.com/link/Conflict-Studies-Effects-Conflict.html
2023
Race & Social Inequity eJournal 1 Sept. 2023.*
https://www.ssrn.com/link/Race-Social-Inequity.html
2023
_____. "Cada cual su Holocausto: La 'metáfora del Holocausto'." In García Landa, Vanity Fea 8 Aug. 2023.*
https://vanityfea.blogspot.com/2023/08/cada-cual-su-holocausto-la-metafora-del.html
2023
_____. "El Holocausto de nuestros días." In García Landa, Vanity Fea 27 Jan. 2019.*
https://vanityfea.blogspot.com/2019/01/el-holocausto-de-nuestros-dias.html
2019
_____. "El Holocausto de nuestros días." Ibercampus (Vanity Fea) 27 Jan. 2019.*
https://www.ibercampus.es/el-holocausto-de-nuestros-dias-37813.htm
2019
Gilbert, Martin. The Holocaust: The Jewish tragedy. London: Collins, 1986.
_____. The Boys. London: Weidenfeld and Nicolson, 1996.
Gill, Anton. The Journey Back from Hell.
Goldhagen, Daniel Jonah. Hitler's Willing Executioners. Boston: Little, Brown, 1996.
_____. Hitler's Willing Executioners: Ordinary Germans and the Holocaust. New York, 1996.
_____. Hitler's Willing Executioners: Ordinary Germans and the Holocaust. Abacus, 1997.
Grossman, Vassili. "L’enfer de Treblinka." In Années de guerre. Paris: Autrement, 1992.
Haidu, Peter. "The Dialectics of Unspeakability: Language, Silence, and the Narratives of Desubjectification." In Probing the Limits of Representation: Nazism and the "Final Solution". Ed. Saul Friedlander. Cambridge (MA): Harvard UP, 1992. 277-99. (On Himmler).
Hansen, Miriam Bratu. "Schindler's List Is Not Shoah: Second Commandment, Popular Modernism, and Public Memory." In Spielberg's Holocaust. Ed. Lohsitzky.
Hartman, Geoffrey. The Longest Shadow: In the Aftermath of the Holocaust. Bloomington, 1996.
_____, ed. Bitburg in Moral and Political Perspective. Bloomington: Indiana UP, 1986.
_____, ed. Holocaust Remembrance: The Shapes of Memory. (MA), 1994.
Hawthorn, Jeremy. "Telling the Holocaust: Questions and Connections." Interdisciplinary Communications (2007). Online PDF
http://www.cas.uio.no/Publications/Seminar/Consilience_Hawthorn.pdf
2015
Hayes, Peter, ed. Lessons and Legacies: The Meaning of the Holocaust in a Changing World. Evanston (IL), 1991.
Helm, Sarah. Ravensbruck: Life and Death in Hitler's Concentration Camps for Women. Nan A. Talese, 2015.
Hernández de Miguel, Carlos. Los últimos españoles de Mauthausen. 2015.
Hilberg, R. The Destruction of the European Jews. 3 vols. New ed. New York, 1985.
Perpetrators, Victims, Bystanders: The Jewish Catastrophe, 1933-1945. Nueva York: Harper Collins, 1992.
Hirsch, David H. The Deconstruction of Literature: Criticism after Auschwitz. Hanover: UP of New England-Brown UP, 1991.*
Hirsch, Marianne. "Surviving Images: Holocaust Photographs and the Work of Postmemory". The Yale Journal of Criticism (2001): 5-37.
_____. "The Generation of Postmemory." Poetics Today 29 (2008): 103-128.
Hirschfeld, G. The Policies of Genocide. London, 1986.
Hoffman, Eva. After Such Knowledge: History, Memory, and the Legacy of the Holocaust. New York: Perseus Books, 2004.
Hollande, François. "The 'Crime Committed in France, by France'." New York Review of Books 27 Sept. 2012.*
http://www.nybooks.com/articles/2012/09/27/crime-committed-france-france/
2017
Horowitz, Sara. "But Is It good for the Jews? Spielberg's Schindler and the Aesthetics of Atrocity." In Spielberg's Holocaust: Critical Perspectives on Schindler's List. Ed. Yosefa Loshitzky. Bloomington: Indiana UP, 1997.
_____. "Auto/Biography and Fiction after Auschwitz: Probing the Boundaries of Second-Generation Aesthetics." In Breaking the Crystal: Writing and Memory after Auschwitz. Ed. Efraim Sicher. Urbana: U of Illinois P, 1998.
Horwitz, Gordon J. Mauthausen, ville d’Autriche, 1938-1945. Paris: Seuil, 1992.
Höss, Rudof. Commandant of Auschwitz. Extract in KL Auschwitz Seen by the SS. Foreword by Jerzy Rawicz. Notes by Jadwiga Bezwinska and Danuta Czech. Appendix by Stanislaw Dubiel. Oswiecim: The Auschwitz-Birkeau State Museum, 1970. 1994.
_____. Le Commandant d’Auschwitz parle. Paris: François Maspero, 1979.
_____. Yo, comandante de Auschwitz. Arzalia, 2022.
Howe, Irving. "Writing after the Holocaust." In Writing and the Holocaust. Ed. Berel Lang. New York: Holmes and Meier, 1988.
Huggan, Graham. "IV. Shakespeare poscolonial y la novela contemporánea sobre el holocausto." In Shakespeare en la imaginación contemporánea: Revisiones y reescrituras de su obra. Ed. Ángeles de la Concha. Madrid: UNED, 2004. 89-102.*
Huyssen, Andreas. "6. The Politics of Identification: 'Holocaust' and West German Drama." In Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 94-114.*
, S. "Hitchcock, The Holocaust and the Long Take: Memory of the camps." Arcadia 45 (2011): 265-76.
http://dx.doi.org/10.1515/arca.2010.015
2016
Jacobus, Mary. Psychoanalysis and the Scene of Reading. (Clarendon Lectures in English, 1997). Oxford: Oxford UP, 1999. (Woolf, Austen, Rousseau, Romantic women, Slavery in fiction, Holocaust memoirs).
Johnson, Eric A. Nazi Terror: The Gestapo, Jews, and Ordinary Germans.
Jurgenson, Luba "La représentation de la limite dans quelques récits des camps." In Vox Poetica 1 Dec. 2006.
http://www.vox-poetica.com/t/rl/jurgensonRL.html
2007-06-07
Kappeler, Susanne. The Pornography of Representation. Cambridge: Polity Press, 1986.
Katz, Jacob. "Was the Holocaust Predictable?" Commentary 59.5 (May 1975).
Klemperer, Victor. Quiero dar testimonio hasta el final.
_____. LTI: Notizbuch eines Philologen. 1947.
_____. The Language of the Third Reich: A Philologist's Notebook. London: Athlone, 1999.
_____. LTI: La lengua del Tercer Reich: Apuntes de un filólogo. Trans. Adan Kovacsics. Editorial Minúscula, 2001.
_____. LTI: La lengua del Tercer Reich: Apuntes de un filólogo. Trans. Adan Kovacsics. Barcelona: Círculo de Lectores, 2005.*
Kogon, Eugen. The Theory and Practice of Hell. (Holocaust).
LaCapra, Dominick. Representing the Holocaust: History, Theory, Trauma. Ithaca (NY), 1994.
_____. "Lanzmann's Shoah: 'Here There Is No Why'." Critical Inquiry 23 (Winter 1997): 231-69. Rpt. in LaCapra, History and Memory After Auschwitz. Chap. 4.
_____. History and Memory after Auschwitz. Ithaca (NY), 1998.
Lake, Anthony. "'But What's One More Murder?' Confronting the Holocaust in Philip Kerr's Bernie Gunther Novels." Atlantis 38.1 (June 2016): 89-107.*
Lang, Berel. Act and Idea in the Nazi Genocide. Chicago: U of Chicago P, 1990.
Langer, Lawrence L. Holocaust Testimonies: The Ruins of Memory. New Haven: Yale UP, 1991.
Lanzmann, Claude. Shoah. Paris, Fayard, 1985.
_____. "Why Spielberg Has Distorted the Truth." Guardian Weekly 3 April 1994.
Lapide, Pinchas. Tres papas y los judíos.
Laqueur, W. The Terrible Secret. London, 1980.
Leak, Andy, and George Paizis, eds. The Holocaust and Literature: Speaking the Unspeakable. Houndmills: Macmillan, 1999.
Lewin, Eyal, Slawomir Jacek Zurek and Nitza Davidovitch. "Bridging the Gaps between Holocaust Accounts: Fieldwork Evidence for Compromising Forms of Narrative." Cogent Social Sciences 9.2 (Oct. 2023).
https://www.tandfonline.com/doi/full/10.1080/23311886.2023.2269707
https://doi.org/10.1080/23311886.2023.2269707
Online info at ResearchGate.*
https://www.researchgate.net/publication/375070438
2023
Loshitzky, Yosefa. "Holocaust Others: Spielberg's Schindler's List versus Lanzmann's Shoah." In Spielberg's Holocaust: Critical Perspectives on Schindler's List. Ed. Yosefa Loshitzky. Bloomington: Indiana UP, 1997.
_____, ed. Spielberg's Holocaust: Critical Perspectives on 'Schindler's List'. Bloomington: Indiana UP, 1997.
Louvish, Simon. "Is Spielberg's Schindler's List More than a Ride in a Holocaust Theme Park? And How Has the Film Imagined the Unimaginable?" In Oskar Schindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors. Ed. Thomas Fensch. Forest Dale (VT): Paul S. Eriksson, 1995.
, A. "Nuit et Brouillard (1955): De la Historia a la Memoria." In La memoria de los campos: El cine y los campos de concentración nazis. Ed. A. Lozano Aguilar. Valencia: Ediciones de la mirada, 1999. 69-92.
La memoria de los campos: El cine y los campos de concentración nazis. Valencia: Ediciones de la mirada, 1999.
Maier, C. "A Surfeit of Memory? Reflections on History, Melancholy and Denial." History and Memory 5 (1993): 136-152.
Mann, Thomas. "The German Guilt." C. 1945. (Later retitled "The Camps").
Marrus, Michael R. "The Use and Misuse of the Holocaust." In Lessons and Legacies: The Meaning of the Holocaust in a Changing World. Evanston (IL): Northwestern UP, 1991.
Marrus, Michaël R., and Robert O Paxton. Vichy France and the Jews. London, 1981.
_____. Vichy et les Juifs. Paris: Le Livre de Poche.
Martínez Alfaro, Mª Jesús. "Horrors Tamed by Metaphors: Holocaust Traumas." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*
Matthaus, Juergen, Jochen Boehler, and Klaus-Michael Mallmann. War, Pacification and Mass Murder, 1939: The Einsatzgruppen in Poland. Rowman and Littlefield, 2015.
Meyer, Ernie. "'Saving Jewish Lives Was a Moral Obligation'." Jerusalem Post 29 Oct. 1974.
Michaelis, Andree. "Authentisches Erzählen nach der Shoah: Imre Kertész' Liquidation und Jean Améry." In Authentisches Erzählen: Produktion, Narration, Rezeption. Ed. Antonius Weixler. Berlin and Boston: De Gruyter, 2012. 35-53.*
Michaels, Walter Benn. "'You who never was there'; Slavery and the New Historicism, Deconstruction and the Holocaust." Narrative 4.1 (January 1996): 1-16.*
Micheels, Louis. Doctor 117641. Memoir.
Milchman, Alan, and Alan Rosenberg, eds. Postmodernism and the Holocaust. Amsterdam: Rodopi, 1998.
Miller, J. Hillis. The Conflagration of Community: Fiction Before and After Auschwitz. Chicago: U of Chicago P, 2011. (Kafka, Keneally, Spiegelman, McEwan, Kertész).
Mintz, Alan. Hurban: Responses to Catastrophe in Hebrew Literature. New York: Columbia UP, 1984.
Moa, Pío. "La historia basura de Martínez-Reverte." Libertad Digital 21 June 2010.*
http://www.libertaddigital.com/opinion/pio-moa/la-historia-basura-de-martinez-reverte-55323/
2010
Navajas, Santiago. "Heidegger y Auschwitz." Libertad Digital 20 Feb. 2015.*
2015
Nyszli, Miklós. Fui asistente del Doctor Mengele.
Oliver, Mark. "Freedom on Trial." Guardian Newsblog 21 Feb. 2006. (David Irving trial).
http://blogs.guardian.co.uk/news/archives/2006/02/21/freedom_on_trial.html
2006-02-21
Ozick, Cynthia. "A Liberal's Auschwitz." Confrontation 10 (Spring 1975): 125-29.
Pacy, James S., and Alan P. Wertheimer, eds. Perspectives on the Holocaust: Essays in Honor of Raul Hilberg. Boulder, 1995.
Pedregal Casanova, Ramón. "El negocio del Holocausto." Rev. of El negocio del Holocausto. By Norman Finkelstein. Rebelión 28 Sept. 2008.*
http://www.rebelion.org/noticia.php?id=73412
2019
Pellicer Ortín, Silvia. Rev. of Traducir el horror: La intersección de la ética, la ideología y el poder en la memoria del Holocausto, by María Jesús Fernández Gil. Atlantis 38.1 (June 2016): 251-56.*
Pilecki, Witold. The Auschwitz Volunteer: Beyond Bravery.
Pividori, Cristina. "Out of the Dark Room: Photography and Memory in Rachel Seiffert's Holocaust Tales." Atlantis 30.2 (Dec. 2008): 79-94.*
Pons Prades, Eduardo, and Mariano Constante. Los cerdos del comandante. 1978.
Pontón, Gonzalo. "El motivo de la mirada en la literatura del Holocausto." In Teoría y análisis de los discursos literarios: Estudios en homenaje al profesor Ricardo Senabre Sempere. Ed. S. Crespo et al. Salamanca: U de Extremadura / Ediciones U de Salamanca, 2009. 295-301.*
Raczymow, Henri. Un Cri sans voix. Paris: Gallimard, 1985.
_____. "La mémoire trouée." Pardès 3 (1986). (Holocaust).
_____. "Memory Shot Through with Holes." Yale French Studies 85 (1994): 98-105.
Ravvin, Norman. "Have You Reread Levinas Lately? Transformations of the Face in Post-Holocaust Fiction." In The Ethics in Literature. Ed. Andrew Hadfield, Dominic Rainsford and Tim Woods. Houndmills: Macmillan; New York: St. Martin's, 1999. 52-69.*
Rawlinson, Mark. "The Other War: British Culture and the Holocaust." The Cambridge Quaterly 25.1 (1996): 1-25.*
Rawson, Claude. God, Gulliver, and Genocide: Barbarism and the European Imagination, 1492-1945. Oxford: Oxford UP, 2002. (American colonization, Holocaust, Montaigne, Swift, Shaw).
Red Cross. (Comité Central de la Croix Rouge – Agence Centrale des Prisonniers de Guerre). Letter to Roswell McClelland on Auschwitz, 22 Nov. 1944. Online facsimile of p. 1 at X.* (Denies evidence of extermination).
https://x.com/DrEliDavid/status/1797604955509215299/photo/1
2024
Rees, Laurence. Auschwitz.
_____. Auschwitz: Los nazis y la "solución final". Barcelona: Crítica, 1995.
Reitlinger, G. The Final Solution. London, 1953.
Revista de Historia y Pensamientos Contemporáneos XIX y veinte no. 5 (2011). (Issue on Holocaust and crimes against mankind). Ed. Herminio Lafoz.
Riccardi, Andrea. "El amargo silencio de Pío XII." El Mundo (Corriere della Sera) 13 May 2020: 34.*
http://prensa.unizar.es/noticias/2005/200513_z0_mundo34.pdf
2020
Ringelblum, Emmanuel. Crónica del gueto de Varsovia. Barcelona: Alba Editorial, 2000.
Robinson, Jacob. (Y lo torcido se enderezará). 1965. (On Hannah Arendt).
, A. "Verdad e imagen: la edición en las representaciones fílmicas del Holocausto." Ámbitos 26 (2014): 31-40.
"Educar Mediante las Imágenes de la Barbarie: La Problemática de los Textos Audiovisuales del Holocausto como Herramientas Docentes." UT: Revista de Ciències de l'Educació 2 (2014): 75-92.
_____. "La narrativa audiovisual en la liberación de los campos de exterminio: el caso de Night Will Fall (André Singer, 2014)." Análisi: Quaderns de Comunicació i Cultura 53 (2015): 65-78.
https://www.analisi.cat/index.php/analisi/article/view/n53-rodriguez
DOI: http://dx.doi.org/10.7238/a.v0i53.2539
http://in3wps.uoc.edu/index.php/analisi/article/view/n53-rodriguez/2887
Online at DDD.*
https://ddd.uab.cat/pub/analisi/analisi_a2015m12n53/analisi_a2015m12n53p65.pdf
2024
Online at Academia
https://www.academia.edu/36849350/
2018
https://www.academia.edu/113730003/
2024
Roig, Montserrat. Els catalans als camps nazis. Barcelona: Edicions 62, 2001.
Rosen, Norma. "The Second Life of Holocaust Imagery? Midstream 33.4 (April 1987).
Rosenfeld, Alvin H. "The Holocaust According to William Styron." Midstream 25.10 (1979): 43-49. Rpt. as part of the chapter "Exploiting Atrocity" in Rosenfeld, A Double Dying: Reflections on Holocaust Literature. Bloomington: Indiana UP, 1980.
_____. "Exploiting Atrocity." In Rosenfeld, A Double Dying: Reflections on Holocaust Literature. Bloomington: Indiana UP, 1980.
_____. A Double Dying: Reflections on Holocaust Literature. Bloomington: Indiana UP, 1980.
_____. "Primo Levi: The Survivor as Victim." In Perspectives on the Holocaust: Essays in Honor of Raul Hilberg. Ed. James S. Pacy and Alan P. Wertheimer. Boulder, 1995. 123-44.
_____. "The Americanization of the Holocaust." In Thinking About the Holocaust: After Half a Century. Ed. Alvin H. Rosenfeld. Bloomington: Indiana UP, 1997.
_____, ed. Thinking about the Holocaust: After Half a Century. Bloomington: Indiana UP, 1997.
Rothberg, Michael. Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization.
Rother, Bernd. Spanien und der Holocaust. Tübingen: Niemeyer, 2001.
_____. Franco y el Holocausto. Marcial Pons, 2005.
Rousset, David. The Other Kingdom. Trans. Ramon Guthrie. New York: Reynal and Hitchcock, 1947.
Rowland, Anthony. "Silence and Awkwardness in Representations of the Jewish Holocaust, The Bombing of Hiroshima and Nagasaki, and a Projected Nuclear Holocaust." In Impossibility Fiction. Ed. Derek Littlewood and Peter Stockwell. Amsterdam: Rodopi, 1996. 75-86.*
Rubenstein. The Cunning of History: The Holocaust and the American Future. Foreword by William Styron.
Rutherford, Ward. Genocidio. (Historia del siglo de la violencia - Conflicto humano). Madrid: San Martín.
Schwarz, Daniel R. "The Ethics of Imagining the Holocaust: Representation, Responsibility, and Reading." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 1-42.*
_____. "The Ethics of Reading Elie Wiesel's Night." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 45-74.*
_____. "Painful Memories: The Agony of Primo Levi." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 75-100.*
_____. "World into Words: The Diary of Anne Frank and Sophie Goetzel-Leviathan's The War from Within." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 101-28.*
_____. "Haunted by History: Tadeusz Borowski's This Way for the Gas, Ladies and Gentlemen." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 129-43.*
_____. "John Hersey's The Wall: Fiction as History in the First Generation of Holocaust Narrative." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 143-60.*
_____. "Popular Fiction: Gerald Green's Holocaust: A Novel of Survival and Triumph." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 161-72.*
_____. "Beyond the Camps: Kosinski's The Painted Bird." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 173-94.8
_____. "The Ontological Problem of Docufiction: William Styron's Sophie's Choice." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 195-208.*
_____. "Keneally's and Spielberg's Schindler's List: Realistic Novel into Epic Film." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 209-36.*
_____. "Schwarz-Bart's Mythopoeic and Historical Humanism: The Last of the Just." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 239-48.*
_____. "Aharon Appelfeld's Parables." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 249-70.*
_____. "Illuminating Distortion and Historical Cartoon: Leslie Epstein's King of the Jews." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 271-84.*
_____. "The Comic Grotesque of Spiegelman's Maus." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 287-302.*
_____. "Cynthia Ozick's Fables: 'The Shawl' and 'Rosa'." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 303-16.*
_____. "Bruno Schulz's Nightmare in The Street of Crocodiles and Sanitarium under the Sign of the Hourglass and Cynthia Ozick's Response in The Messiah of Stockholm." In Schwarz, Imagining the Holocaust. Houndmills: Palgrave, 1999. 2000. 317-38.*
_____. "Holocaust Narrative." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 221-23.*
Sebald, W. G. The Emigrants. London: Harvill, 1996. (From Nazism).
_____. Austerlitz. (Holocaust).
Segev, Tom. The Seventh Million: The Israelis and the Holocaust. Trans. Haim Watzman. New York: Hill and Wang, 1993.
Sela, Luz. "El historiador Fernando Paz renuncia como candidato de Vox tras la polémica por sus declaraciones." OK Diario 21 March 2019.*
https://okdiario.com/espana/fernando-paz-renuncia-como-candidato-vox-polemica-3878917
2019
Shandley, Robert R., ed. Unwilling Germans? The Goldhagen Debate. Minneapolis, 1998.
Shangri-La no 7: Memoria/s de Auschwitz.
http://shangrilatextosaparte.blogspot.com/2008/12/shangri-la-n-7-septiembre-diciembre.html
2008
Shermer, Michael, and Alex Grobman. Denying History: Who Says The Holocaust Never Happened and Why Do They Say It? Berkeley: University of California Press, 2002.
Sicher, Efraim, ed. Breaking the Crystal: Writing and Memory after Auschwitz. Urbana: U of Illinois P, 1998.
Silver, Eric. The Book of the Just: Unsung Heroes Who Rescued Jews from Hitler. London: Weidenfeld and Nicolson, 1992.
Smith, Joan. "Holocaust Girls." In Smith, Misogynies. London: Faber, 1990.
Sontag, Susan. "Reflections on The Deputy." (Rolf Hochhuth). In Sontag, Against Interpretation. London: Deutsch, 1987. 124-31.*
Spitzer, Leo. "Andean Waltz." In Holocaust Remembrance: The Shapes of Memory. Ed. Geoffrey Hartman. Cambridge (MA), 1994. 161-74. (Bolivian exile).
Stasinski, Maciej. "Mi padre, el número 20716." Claves de Razón Práctica 263 (March-April 2019): 60-69.* (Holocaust survivor)
Strangeways, Al. "'The Boot in the Face': The Problem of the Holocaust in the Poetry of Sylvia Plath." Contemporary Literature 37.3: 370-90.*
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Styron, William. "The Message of Auschwitz." In Critical Essays on William Styron. Ed. A. D. Casciato and J. L. W. West, III. Boston: G. K. Hall, 1982.
Tal, Uriel. "Excursus on the Term Shoah." Shoah: A Review of Holocaust Studies and Commemorations 1.4 (1979): 10-11.
Taubman, Robert. "Holocaust Art." London Review of Books 20 Jan.-3 Feb. 1983: 23.
Thomson, Helen. "Study of Holocaust Survivors Finds Trauma Passed on to Children's Genes." The Guardian 21 Aug. 2015.*
2016
Traverso, Enzo. La Violence nazie. La Fabrique, 2002.
_____. Á feu et à sang: La guerre civile européenne 1914-1945. Stock, 2007.
_____. Les Juifs et l'Allemagne. La Découverte, 1992.
_____. Le Passé: Modes d'emploi: Histoire, mémoire, politique. La Fabrique, 2005.
_____. El pasado, instrucciones de uso: Historia, memoria, política. Madrid, 2007.
_____. L'Histoire comme champ de bataille: Interpréter les violences du XXe siècle. La Découverte, c 2011.
United States Holocaust Memorial Museum. "Book Burning." In Holocaust Encyclopedia.
http://www.ushmm.org/wlc/en/article.php?ModuleId=10005852
2010
Vergo, Peter. "Se ruega no molestar a los vivos. El recinto conmemorativo de Dachau o sobre cómo no mostrar un campo de concentración." El museo: Historia, memoria, olvido. Revista de Occidente 177 (Febrero 1996): 35-46.*
Vice, Sue. Holocaust Fiction. London: Routledge, 2000.* (Amis, Time's Arrow; Thomas, The White Hotel; Kosinski, The Painted Bird; Keneally, Schindler's List; Styron, Sophie's Choice; Helen Darville, The Hand that Signed the Paper; Jim Allen, Perdition; Binjamin Wilkomirski, Fragments).
Vidal, César. El Holocausto. Madrid: Alianza, 1995.
Villatoro, Manuel P. "Las tristes confesiones antes de morir ahorcado del mayor genocida nazi." ABC 13 Aug. 2022.* (Rudolf Höss).
2022
Wardi, Ch. "Entraves à la réception et usages des témoignages sur la Shoah." In Réception et usages des témoignages. Ed. F. Ch. Gaudard and M. Suarez. Toulouse. Editions universitaires du Sud, 2007.
Wasserstein, B. Britain and the Jews of Europe. Oxford, 1979.
Watson, James R. Between Auschwitz and Tradition: Postmodern Reflections on the Task of Thinking. (Holocaust and Genocide Studies, Value Inquiry Book Series 6). Amsterdam: Rodopi.
Weale, Adrian. The SS: A New History.
Weissberg, Liliane. "The Tale of a Good German: Reflections on the German Reception of Schindler's List." In Spielberg's Holocaust. Ed. Loshitzky.
Whipple, Tom. "Richard Dawkins: 'When I See Cattle Lorries, I Think of the Railway Wagons to Auschwitz'." The Times 13 May 2017.*
2017
Wiesel, Elie. "Does the Holocaust Lie Beyond the Reach of Art?" New York Times.
_____. "The Holocaust as Literary Inspiration." In Dimensions of the Holocaust. By Elie Wiesel, Lucy S. Dawidowicz, Dorothy Rabinowicz and Robert McAfee Brown. Evanston: Northwestern UP, 1977.
Wiesel, Elie, Lucy S. Dawidowicz, Dorothy Rabinowicz and Robert McAfee Brown. Dimensions of the Holocaust. Evanston: Northwestern UP, 1977.
Wiesenthal, Simon. The Murderers Are Among Us. Ed. Joseph Wechsberg. New York: McGraw-Hill, 1967.
Wundheiler, Luitgard. "Oskar Schindler's Moral Development During the Holocaust." Humboldt Journal of Social Relations 13.1-2 (1985-86): 333-56.
Wyman, David S. The Abandonment of the Jews: America and the Holocaust, 1941-1945. New York: Pantheon, 1984.
Yerushalmi, Yosef Hayim. Zakhor: Jewish History and Jewish Memory. Seattle: U of Washington P, 1982.
Young, James E. "Holocaust Documentary Fiction: The Novelist as Eyewitness." In Writing the Holocaust. Ed. Berel Lang. New York: Holmes and Meier, 1988.
_____. Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation. Bloomington: Indiana UP, 1990.
Zeitlin, F. I. "The Vicarious Witness: Belated Memory and Authorial Presence in Recent Holocaust Literature." History and Memory 10 (1998): 5-42.
Zuccotti, S. The Italians and the Holocaust. London, 1987.
Anthologies
Gigliotti, Simone, and Berel Lang, eds. The Blackwell Holocaust Reader. Oxford: Blackwell, 2004.
Dawidowicz, Lucy S., ed. A Holocaust Reader. New York: Behrman House, 1976.
Lang, Berel, ed. Writing and the Holocaust. New York: Holmes and Meier, 1988.
Audio
Academia. "The Holocaust – The Shoah – Nazi Genocide." AI podcast on José Angel García Landa's bibliography from A Bibliography of Literary Theory, Criticism and Philology. Online audio. Academia 21 Feb. 2026.*
https://www.academia.edu/336344/
2026
Matthaus, Juergen. "War, Pacification and Mass Murder, 1939: The Einsatzgruppen in Poland." Inverview by Kelly McFall. Audio. New Book in History 18 May 2015.*
2015
Moa, Pío. "011. ¿Conviene a los intereses de España permanecer en la OTAN? / Sanz Briz, salvamento de los judíos por orden de Franco." YouTube (Una Hora con la Historia) 11 Feb. 2018.
2018
_____. "210 - Franco salva judíos. Los comunistas preparan nueva guerra civil | Peleas en el PP." Audio. YouTube (Una hora con la historia) 28 Dec. 2021.*
2024
Moa, Pío, and Javier García Isac. "169 - Franco escribe a Churchill y salva judíos | Gibraltar, la clave." Video. YouTube (Una Hora con la Historia) 23 Jan. 2021.*
2021
Vidal, César. "El día del Holocausto." La Voz 27 Jan. 2017.*
http://www.cesarvidal.com/index.php/Podcast/escuchar-podcast/programa_completo_27_01_17
2017
_____. "Las mujeres trabajadoras olvidadas." La Voz 8 March 2018.* (Holocaust in Poland).
https://soundcloud.com/cesarvidal/programa-completo-080318
2018
_____. "Raíces históricas del Holocausto." La Voz 13 April 2018.*
http://www.cesarvidal.com/index.php/Podcast/escuchar-podcast/programa_completo_13_04_18
2018
_____. "Editorial: Las lecciones indispensables del Holocausto." Audio. Ivoox (La Voz de César Vidal) 27 Jan. 2022.*
2022
Bibliography
"Bibliografía: El Holocausto." Marcial Pons PDF:
www.marcialpons.es/catalogos/biblio_holocausto.pdf
2007
García Landa, José Ángel. "The Holocaust – The Shoah – Nazi Genocide." From A Bibliography of Literary Theory, Criticism, and Philology. iPaper at Academia.edu (October 2010).*
2010
_____. "The Holocaust – The Shoah – Nazi Genocide." In García Landa, Vanity Fea 21 Feb. 2026.*
https://blogdenotasvanityfea.blogspot.com/2026/02/the-holocaust-shoah-nazi-genocide.html
2026
Documents (Nazi)
Himmler, Heinrich. Speech on the Jewish genocide. Printed as "Document 1919-PS" in The Trial of the Major War Criminals Before the International Military Tribunal: Nuremberg, 14 November 1945-1 October 1946. New York: AMS Press, 1948. 19.110-73.
_____. Speech on the Jewish genocide (selection). In A Holocaust Reader. New York: Behrman House, 1976, 130-40.
Höss, Rudof. Commandant of Auschwitz. Extract in KL Auschwitz Seen by the SS. Foreword by Jerzy Rawicz. Notes by Jadwiga Bezwinska and Danuta Czech. Appendix by Stanislaw Dubiel. Oswiecim: The Auschwitz-Birkeau State Museum, 1970. 1994.
_____. Le Commandant d’Auschwitz parle. Paris: François Maspero, 1979.
KL Auschwitz Seen by the SS: Rudolf Höss, Pery Broad, Johann Paul Kremer. Notes by Jadwiga Bezwinska and Danuta Czech. Appendix by Stanislaw Dubiel. Oswiecim: The Auschwitz-Birkeau State Museum, 1970. 1994.
Films
The Boy in the Striped Pyjamas. Written and dir. Mark Herman, based on John Boyne's novel. Cast: Asa Butterfield, Vera Farmiga, David Thewlis, Jack Scanlon. UK/USA: Miramax/BBC/Heyday, 2008. Spanish title: El niño con el pijama de rayas.*
http://www.imdb.com/title/tt0914798/
Conspiracy.With Kenneth Branagh. (Wannsee conference).
Elle s'appelait Sarah (La llave de Sarah). Dir. Gilles Paquet-Brenner. Screenplay by Gilles Paquet-Brenner and Serge Joncour, based on Tatiana de Rosnay's novel Elle s'appelait Sarah. Cast: Kristin Scott Thomas (Julia Armond), Mélusine Mayance (Sarah Starzynki), Niels Arestrup (Jules Dufaure), Frédéric Pierrot (Bertrand Tezac), Michel Duchaussoy (Édouard Tezac), Dominique Frot (Geneviève Dufaure), Gisèle Casadesus (Mamé), Aidan Quinn (William Rainsferd), Natasha Mashkevich (Mme. Starzinski), Arben Bajraktaraj (M. Starzinski), Sarah Ber (Rachel), Karina Hin (Zoe Tezac), James Gerard (Mike Bambers), Charlotte Poutrel (Sarah jeune femme). Music by Max Richter. Cinemat. Pascal Ridao. Ed. Hervé Schneid. Prod. des. Françoise Dupertuis. Exec. Prod. Gaetan Rousseau. Prod. Stéphane Marsil. France: Hugo Productions – Studio 37 – TF1- France 2 (…), 2010.*
God on Trial. TV play. Dir. Andy de Emmony. Script by Frank Cottrell Boyce, based on Elie Wiesel's book The Trial of God. Cast: Antony Sher, Rupert Graves, Jack Shepherd. BBC Scotland / Hat Trick Productions / WGBH Boston TV. Prod. Mark Redhead. 2008. Online at YouTube.
2014
Online at Plex.*
https://watch.plex.tv/es/movie/god-on-trial
2023
Holocaust. TV series. USA, c. 1979.
Llegaron los turistas. Dir. Robert Thalheim. Germany, 2007. (Auschwitz heritage).
Memory of the Camps. Alfred Hitchcock et al. 1985. Online at YouTube (Edwina Good) 15 Dec. 2017.*
2020
Mr. Klein. Dir. Joseph Losey. Written by Fernando Morandi, with Franco Solinas and Costa-Gavras. Cast: Alain Delon, Jeanne Moreau, Francine Bergé, Juliet Berto, Jean Buise, Suzanne Flone, Massimo Girotti, Michael Lonsdale, Michel Aumont. France / Italy, 1976.* DVD Home Vision Entertainment, 2004.*
El noveno día. Dir. Volker Schlöndorff. 2005. DVD. León Cinema / Karma Films.
The Pianist. Dir. Roman Polanski. Screenplay by Ronald Harwood, based on the book by Wladyslaw Szpilman. Cast: Adrien Brody, Thomas Kretschmann, Frank Finlay, Mauren Lipman, Emilia Fox, EdStoppard, Julia Rayner, Jessica Kate Meyer. Music by Wojciech Kilar. Prod. des. Alan Starski. Photog. Pawel Edelman. Ed. Herve de Luze. Coprod. Gene Gutowski. Assoc. Prod. Rainer Schaper. Exec. prod. Lew Rywin, Henning Molfenter, Timothy Burrill. Prod. Roman Polanski, Robert Benmoussa, and Alain Sarde. R. P. Productions / Heritage Films / Sutido Babelsberg Runteam (etc.). 2002.* (Oscars for best actor, best director and best adapted screenplay, Palme d'Or at Cannes 2002, Goya to the best European film).
_____. El pianista. Spanish DVD. Barcelona: DeAPlaneta / SAV, 2008.*
Saul Fia (The Son of Saul). Dir. László Nemes. Written by László Nemes and Clara Royer. Cast: Geza Röhrig, Levente Molnár, Urls Rechn. Hungary, 2015.*
http://www.imdb.com/title/tt3808342/
2016Shoah. Dir. Claude Lanzmann.
Schindler's List. Dir. Steven Spielberg. Screenplay by Steven Zaillian, based on the novel by Thomas Keneally. Cast: Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Jonathan Sagalle, Embeth Davidtz, Malgoscha Gebel, Shmulik Levy, Mark Ivanir, Beatrice Macola. Cinematography by Janusz Kaminski. Music by John Willliams. USA, 1993. (7 oscars: Best Picture, Director, Adapted Screenplay, Art Direction, Cinematography, Editing, Original score).
The Zone of Interest. Writer and dir. Jonathan Glazer. Based in part on the novel by Martin Amis. Cast: Christian Friedel, Sandra Hüller. UK/USA/Poland, 2023. Online at DailyMotion (PicturePerfectChannel) 2024.*
https://www.dailymotion.com/video/x8wc830
2024
Images
"20 Photos That change the Holocaust Narrative." PopChassid 7 April 2013.*
http://popchassid.com/photos-holocaust-narrative/
2013
Alonso Rincón, David. "Auschwitz-Birkenau, la huella de la industria de la muerte." Libertad Digital 26 Jan. 2020.*
https://www.libertaddigital.com/fotos/auschwitz-birkenau-polonia-75-aniversario-cultura-1016823/
2021
Internet resources
Holocaust Encyclopedia.
http://www.ushmm.org/wlc/en/article.php?ModuleId=10005852
2010
Voices of the Holocaust (Illinois Institute of Technology)
2008
Journals
Rendezvous. Journal of criticism. Special issue on Imagining the Holocaust. Ed. Felix W. Tweraser. Dpt. of Foreign Languages, Idaho State U, Box 8390, Pocatello 83209-8390. twerfeli@isu.edu
Shoah: A Review of Holocaust Studies and Commemorations 1.4 (1979).
Literature
Amis, Martin. Time's Arrow. Novel. London: Jonathan Cape, 1991.
_____. Time's Arrow: Or, The Nature of the Offence. Harmondsworth: Penguin, 1992.*
_____. Time's Arrow. New York: New York: Random House-Vintage International.
_____. The Zone of Interest. Novel. London: Cape, 2014.* (Nazi death camps).
Appelfeld, Aharon. Badenhaym 'Ir Nofesh. Novel (in Hebrew).
_____. Badenheim 1939. Trans. Dalya Bilu. Boston, 1980. (Trans. of Badenhaym 'Ir Nofesh).
_____. "1946." Story. Trans. Dalya Bilu. Jerusalem Quarterly 7 (Spring 1978).
_____. Michvat Ha'or [Searing Light]. Novel. 1980.
Bernhard, Thomas. Heldenplatz. Drama. Frankfurt: Suhrkamp, 1989.
Bond, Edward. At the Inland Sea. (Theatre in Education play). Prod. by Big Brum, 1995. (Auschwitz).
_____. At the Inland Sea. Notes and commentary by Tony Coult. London: Methuen, 1997.
Borowski, Tadeusz. This Way for the Gas, Ladies and Gentlemen
_____. Le Monde de pierre.
Boyne, John. The Boy in the Striped Pyjamas. Novel. 2006. UK: Black Swan, 2007.
Buber-Neumann, Margarete. Déportée à Ravensbrück. Paris: Seuil, 1988.
Darville, Helen. The Hand that Signed the Paper. (holocaust).
Defonseca, Misha. Misha: recuerdos de los años del Holocausto. 2007. (Fake Holocaust memoirs).
Epstein, Leslie. King of the Jews.
Finkelgruen, Peter. Haus Deutschland: oder Die Geschichte eines ungesühnten Mordes. Berlin, 1992.
Foer, Jonathan Safran. Everything Is Illuminated. New York: Houghton Mifflin, 2002.
_____. Everything Is Illuminated. HarperPerennial, 2003.
Frank, Anne. The Diary of Anne Frank. 1942-1944.
_____. The Diary of a Young Girl: The Definitive Edition. Ed. Otto H. Frank and Mirjam Pressler. New York: Viking, 1997.
_____. Diario. Barcelona: Plaza y Janés, 2001.
Goetzel-Leviathan, Sophie. The War from Within.
Green, Gerald. Holocaust: A Novel of Survival and Triumph. London: Corgi, 1978.
Hartnett, David. Black Milk. London: Jonathan Cape, 1994. (Holocaust).
Hersey, John. The Wall. New York: Knopf, 1950. (Holocaust).
Heyen, William. "Who Killed the Jews?" Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 1059-60.*
Hochhuth, Rolf .The Deputy. (Holocaust).
Iturbe, Antonio G. La bibliotecaria de Auschwitz. Novel. Barcelona: Planeta, 2012.*
Katzenelson, Y. Song of the Murdered Jewish People. Trans. Noah H. Rosenbloom. Tel Aviv, 1980.
Kelly, Martha Hall. Lilac Girls. Novel. 2016. (Second World War; Ravensbrück, Caroline Ferriday, actress and philanthropist; NYT bestseller).
_____. Las mujeres de la casa de las lilas. Trans. Mª del Puerto Barruetabeña Díez. Madrid: Maeva, 2018.*
Keneally, Thomas. Schindler's Ark. (Classified as "Fiction.") London. Hodder and Stoughton, 1982. (Nonfiction novel, Booker prize 1982 UK edition with "Author's note" explaining factual basis. Based on Oskar Schindler's "Report").
_____. Schindler's List. New York: Simon and Schuster, 1982. (US title of Schindler's Ark; classified as "Nonfiction".).
Kertész, Imre. Etre sans destin. Arles: Actes Sud, 1998.
_____. Sin destino. Fiction. Barcelona: Plaza y Janés, 1996.
_____. Sin destino. Barcelona: El acantilado, 2004.
_____. Fatelessness.
_____. Liquidación. Trans. Adan Kovacsics. México: Alfaguara, 2004.
Klüger, Ruth. Weiter leben: Eine Jugend. Göttingen, 1992.
Kosinski, Jerzy. The Painted Bird. (Holocaust novel, fake memoir).
_____. El pájaro pintado. Trans. Eduardo Goligorski. Editorial Pomaire, 1977.
_____. El pájaro pintado. Trans. Eduardo Goligorski. Barcelona: Círculo de Lectores, 1979.*
Laks, Simon. Mélodies d’Auschwitz. Paris: Le Cerf, 1991.
Lengyel, Olga. Five Chimneys. London: Mayflower, 1972.
Levi, Primo. Se questo è un uomo. Memoir. 1947. (Holocaust)
_____. Se questo è un uomo. In Levi, Opere 1. Turin: Einaudi, 1987.
_____. If This is a Man. London, 1960.
_____. Survival in Auschwitz. Trans. Stuart Woolf. New York: Macmillan, 1961. (Trans. of Se questo è un uomo).
_____. Si c’est un homme. Paris: Julliard, 1987.
_____. The Periodic Table. Trans. Raymond Rosenthal. New York: Schocken, 1984.
_____. I sommersi e i salvati (The Drowned and the Saved). Turin, 1986.
_____. The Drowned and the Saved. 1986. Trans. Raymond Rosenthal. New York: Summit Books, 1988.
_____. The Drowned and the Saved. (Vintage International). New York: Random House-Vintage, c. 1989.
_____. Les naufragés et les rescapés: Quarante ans après Auschwitz. (Arcades). Paris: Gallimard, 1986.
_____. The Truce.
_____. The Complete Works of Primo Levi. Ed. Anne Goldstein. 3 vols. New York: Liveright, 2015.
Lewis, Helen. A Time to Speak. Memoir. Foreword by Jennifer Johnston. Belfast: Blackstaff, 1992.
Littell, Jonathan. Les Bienveillantes. Novel. Paris: Gallimard, 2006.* (Prix Goncourt 2006). (On Nazi holocaust).
_____. Las Benévolas. Trans. Mª Teresa Gallego Urrutia. Barcelona: RBA, 2007. Rpt. Círculo de Lectores, 2007.*
Miller, A. Playing for Time. TV play. 1980 (Jewish orchestra in Auschwitz).
Muller, Peter. Gloomy Sunday. Drama. Prod. London; Jermyn Street Theatre, autumn 1998. (On Rezso Seress's song).
Michaels, Anne. Fugitive Pieces. 1996. New York: Vintage Books, 1998.
Némirovsky, Irène. Suite française. Novel. Preface by Myriam Anissimov. Paris: Denoël, 2004. (Prix Renaudot 2004).
_____. Suite française. Pbk. (Folio, 4346). Paris: Denoël, 2006.
Ozick, Cynthia. "The Shawl." Short story. 1980. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 675-80.*
_____. The Shawl. London: Cape, 1991. (Holocaust).
_____. The Shawl. New York: Random House-Vintage International.
_____. Rosa.
_____. The Messiah of Stockholm.
Pellicer-Ortín, Silvia. "'In My Beginning Is My End': Multidirectional Memory and the (Im)Possibility of Escaping the Holocaust in Anita Desai's Baumgartner's Bombay." Atlantis 39.2 (Dec. 2017): 69-88.*
Perec, Georges. W our le souvenir d'enfance. Paris, 1975.
_____. W or the Memory of Childhood.
Porter, Peter. "Annotations of Auschwitz." Poem. In The Penguin Book of Poetry from Britain and Ireland since 1945. Ed. Simon Armitage and Robert Crawford. Harmondsworth: Penguin, c. 1998.
Ripoll, Laila, and Mariano Llorente. El triángulo azul. Drama.
Rosenblat, Herman. El ángel en la valla. (Fake Holocaust memoirs). 2008.
Rymkiewicz, Jaroslaw M. The Final Station: Umschlagsplatz. Novel. 1988. Trans. Nina Taylor. New York, 1994.
Safier, David. 28 Tage lang. Novel. Reinbek bei Hamburg: Rowohlt, 2014. (Warsaw ghetto uprising).
_____. 28 días. Trans. María José Díez Pérez. (Biblioteca Formentor). Barcelona: Planeta - Seix Barral, 2014.*
Schulz, Bruno. The Street of Crocodiles.
_____. Sanitarium under the Sign of the Hourglass.
Schwarz-Bart, André. The Last of the Just. New York: Atheneum, 1960.
Sebald, W. G. Austerlitz. Fiction. English trans. 2002.
Seiffert, Rachel. Dark Room. Short fiction.
Semprún, Jorge. El largo viaje (Andanzas). Barcelona: Tusquets.
Sobol, Yehoshua. Schöner Toni. Drama. Based on Peter Finkelgruen's Haus Deutschland. Premiere in Düsseldorf, June 1994.
Styron, William. Sophie's Choice. Novel. New York: Random House-Vintage International.
Spiegelman, Art. Maus: A Survivor's Tale. Serialized in Raw (1980-1991).
_____. Maus: A Survivor's Tale, I: My Father Bleeds History. New York: Pantheon, 1986.
_____. Maus: A Survivor's Tale, II: And Here My Troubles Began. New York: Pantheon, 1991.
_____. Maus: A Survivor's Tale. (I & II). (Pulitzer Prize 1992).
_____. Maus: Relato de un superviviente. (I. Mi padre sangra historia. II. Y aquí comenzaron mis problemas). Trans. Cruz Rodríguez Juiz. Barcelona: Penguin Random House-Reservoir Books, 2012. 2014.*
_____. MetaMaus. Rev. ed. of Maus.
Styron, William. Sophie's Choice. Novel. 1979. (American Book Award for Fiction 1980).
_____. Sophie's Choice. Novel. New York: Random House-Vintage International.
Sylvanus, Erwin. Dr. Korczak und die Kinder. Drama. Hamburg, 1957. (Holocaust).
_____. Dr. Korczak and the Children. Trans. George E. Wellwarth. In Postwar German Theatre: An Anthology of Plays. Ed. Michael Benedikt and George E. Wellwarth. New York, 1967.
Syszkowitz, Gerald. Puntigam, oder Die Kunst des Vergessens. Novel. Vienna, 1988. (Holocaust).
_____. Puntigam, or, The Art of Forgetting. Riverside (CA), 1990.
Thomas, D. M. The White Hotel. Novel. London: Gollancz, 1981. Harmondsworth: Penguin, 1981.
Tertsch, Hermann. "Grass y Mitscherlich." ABC 14 April 2015.*
http://www.abc.es/historico-opinion/index.asp?ff=20150414&idn=162778328063
2015
Vidal, César. La escalera de Jacob. Novel. (Warsaw ghetto).
Vrba, Rudolf. I Escaped from Auschwitz.
Weiss, Peter. The Investigation. Drama. 1965. (1963 Frankfurt Auschwitz trials).
Wilkomirski, Binjamin. Fragments. Memoir. New York: Schocken, 1997.
_____. Fragmentos de una infancia en tiempos de guerra. (Fake Holocaust memoirs).
Wiesel, Elie. Night. 1958. Introd. François Mauriac. London: Fontana, 1972.
_____. Todos los torrentes van a la mar: Autobiografía. Anaya- Muchnik, 1996.
_____. The Trial of God.
"Writing the Unwritable: A Debate on Holocaust Fiction. Martin Amis, Bryan Cheyette, Lucy Ellmann, Joseph Skibell." Jewish Quarterly 170 (Summer 1998): 12-15.
Music
Ghetto Tango: Wartime Yiddish Theater. Adrienne Cooper, voice. Zalmen Mlotek, piano. Prod. Harold G. Hagopian. Greeley Squaree Station (NY): Traditional Crossroads, 2000.*
Nono, Luigi. Ricorda cosa ti hanno fatto in Auschwitz. 1965.
Schönberg, Arnold. A Survivor from Warsaw, op. 31. Samuel Barber, Adagio for Strings. [With] Aaron Copland, Quiet City; Benjamin Britten, Serenade for Tenor, Horn & Strings, op. 31; Arnold Schoenberg, A Survivor from Warsaw, op. 46, Richard Strauss, Vier letzte Lieder. CD. (Historia Deutsche Grammophon de la música). Madrid: Polygram / Club Internacional del Libro, 1997.*
Pictures
Nussbaum, Felix. Self-Portrait with Jewish passport. 1943. Kulturgschichtliches Museum, Osnabrück.
Video
Sáenz del Castillo, Javier. "La verdad sobre el Holocausto." Interview. YouTube (Intereconomiatube) 26 March 2019.* (On Fernando Paz).
2019
Szlamowicz, Zvi. "Zvi Szlamowicz, superviviente del Holocausto." Video lecture. YouTube (Filosofía y Letras Zaragoza) 27 Jan. 2021.*
2021
Vidal, César. "Corría el año: El Holocausto." Libertad Digital TV / YouTube
http://www.youtube.com/user/libertaddigitaltv#play/search/7/hZRooAj5V6A
2009 DISCONTINUED 2016
_____. "Corría el año… La rebelión de Varsovia." Libertad Digital Televisión 9 May 2007. Online at DailyMotion 27 March 2012.*
http://www.dailymotion.com/video/xppt8c_corria-el-ano-la-rebelion-de-varsovia_news
2016
See also Jews; Antisemitism; Nazism; Genocide; Second World War.
