jueves, 2 de noviembre de 2023

Estética y estilo en el cine

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Aesthetics and style in film

 

 

Arnheim, Rudolf. Film als Kunst. Berlin, 1932.

_____. Film as Art. Berkeley: U of California P, 1957.

_____. (Rudolph Arnheim). Film as Art. London, 1958.

_____. From Film as Art. ("The Complete Film"). 1933. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 212-15.*

_____. From Film as Art ("Film and Reality"). 1933. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 312-21. (Film and perception).

Balázs, Béla. Theory of the Film: Character and Growth of a New Art. London, 1952. 1953.

_____. From Theory of Film ("The Close-up"). 1945. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 304-11. (Face, perception, lyricism, gesture).

Bazin. From What Is Cinema? ("The Evolution of the Language of Cinema"). 1950-55. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 43-56.*

Bordwell, David. Narration in the Fiction Film. Madison: U of Wisconsin P, 1985.*

_____. "34. Convention, Construction, and Cinematic Vision." 1996, 2008. In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010. 416-32.*

_____. "Classical Hollywood Cinema: Narrational Principles and Procedures." In Narrative, Apparatus, Ideology. Ed. Philip Rosen. New York: Columbia UP, 1986.

_____. "El estilo clásico de Hollywood, 1917-1960." In El cine clásico de Hollywood: Estilo cinematográfico y modo de producción hasta 1960.  By David Bordwell, Janet Staiger and Kristin Thompson. Barcelona: Paidós, 1997. 3-96.

_____. On the History of Film Style. Cambridge (MA): Harvard UP, 1997. 1998.

_____. "From Stylistic History to Thematic Criticism." In Bordwell, On the History of Film Style. Cambridge: Cambridge UP, 1997. 75-82.

_____. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: U of California P, 2006.

_____. Poetics of Cinema. New York: Routledge, 2008.

Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Reading (MA), 1979.

_____. Film Art: An Introduction. 3rd ed. New York: McGraw-Hill, 1990.*

Bordwell, David, and Janet Steiger. "Implicaciones históricas del cine clásico de Hollywood." In El cine clásico de Hollywood: Estilo cinematográfico y modo de producción hasta 1960.  By David Bordwell, Janet Steiger and Kristin Thompson. Barcelona: Paidós, 1997. 411-32.

Casebier, Allan. Film and Phenomenology: Toward a Realist Theory of Cinematic Representation. Cambridge: Cambridge UP, 1991.

Deren, Maya. "Cinematography: The Creative Discourse of Reality." 1960. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 216-27.*

Echevarría, Julia. "Liquid Cinematography..." Academia (March 2016).*

         https://www.academia.edu/23643060/

         2016

Eisenstein, Sergei. Film Form. Ed. and trans. Jay Leyda. New York: Harcourt, 1949. 1977.

_____. The Film Sense. 1942. London, 1943.

_____. The Film Sense. Trans. Jay Leyda. New York: Harcourt, 1947. 1975.

Gance, Abel. "Le Temps de l'image est venu." L'Art cinématographique 2 (Paris, 1927).

García Landa, José Angel. "El momento fílmico (de Hamlet a Saraband)." In García Landa, Vanity Fea 20 Feb. 2012.*

         http://vanityfea.blogspot.com/2012/02/el-momento-filmico-de-hamlet-saraband.html

         2012

_____. "El momento fílmico." Ibercampus (Vanity Fea) 28 Feb. 2012.*

         http://www.ibercampus.es/articulos.asp?idarticulo=15235

         2012

_____. "El momento fílmico (de Hamlet a Saraband)." In García Landa, Vanity Fea 20 Feb. 2012.*

         http://vanityfea.blogspot.com/2012/02/el-momento-filmico-de-hamlet-saraband.html

         2012

_____. "El momento fílmico: de Hamlet a Saraband." Social Science Research Network 7 June 2015.*

         http://ssrn.com/abstract=2602490

         2015

         Cognition & the Arts eJournal 7 June 2015.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2015

         Literary Theory & Criticism eJournal 7 June 2015.*

         http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2015

         Aesthetics & Philosophy of Art eJournal 7 June 2015.*

         http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html

         2015

_____. "El momento fílmico: de Hamlet a Saraband." Academia 19 July 2015.*

         https://www.academia.edu/14107431/

         2015

_____. "El momento fílmico: De Hamlet a Saraband." In García Landa, Vanity Fea 16 July 2015.*

         http://vanityfea.blogspot.com.es/2015/07/el-momento-filmico-de-hamlet-saraband.html

         2015

Hill, J. "Film and Postmodernism." In The Oxford Guide to Film Studies. Oxford: Oxford UP, 1998. 96-105.

Hollows, Joanna, and Mark Jancovich, eds. Approaches to Popular Film. Manchester: Manchester UP, 1995.

Huerga, Pablo. La ventana indiscreta: La poética materialista del cine. Ed. Rema y vive, 2015.*

Lukács, Georg. "Gedanken zu einer Ästhetik des Kinos." 1913. In Schriften zur Literatursoziologie. Ed. P. Lutz. 2nd ed. Neuwied, 1963.

Lawson, John Howard. Film: The Creative Process. 2nd ed. New York, 1967.

Münsterberg, Hugo. The Film: A Psychological Study: The Silent Photoplay in 1916. New York: Dover, 1970.

_____. From The Film: A Psychological Study. ("The Means of the Photoplay").. In Film Theory and Criticism. Ed. Gerald Mast and Marshal Cohen. New York: Oxford UP, 1979. 239-48.

_____. From The Film: A Psychological Study ("The Means of the Photoplay"). 1916. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 401-7.*

Murray, Edward. The Cinematic Imagination. New York, 1972.

Panofsky, Erwin. "Style and Medium in the Motion Pictures." 1934, rev. 1947. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 279-292.*

_____. "El cine como estilo y como medio." 1934. Trans. in Cuadernos de la Gaya Ciencia 3 (1976): 73-98.*

Perkins, Victor. Film as Film. London, 1972.

Pinkas, Claudia. Der phantastische Film: Instabile Narrationen und die Narration der Instabilität. (Narratologia: Contributions to Narrative Theory, 25). Berlin and New York: De Gruyter, 2010.* (Perspective, narration, embedding, frame breaking).

Pudovkin, Vsevolod I. Film Technique. 1926.

_____. Filmregie und Filmmanuskript. Berlin, 1928.

_____. Film Technique and Film Acting. London, 1974.

_____. Film Technique and Film Acting. Trans. I. Montagu. 1954.

_____. Film Technique and Film Acting. London, 1974.

Salt, Barry. Film Style and Technology: History and Analysis. London: Starword, 1983.

Sparshott, F. E. "Basic Film Aesthetics." In Film Theory and Criticism. Ed. Gerald Mast and Marshall Cohen. New York, 1974. 209-32.

Stephenson, Ralph, and Jean R. Debrix. The Cinema as Art. 2nd ed. Baltimore (MD): Penguin, 1976.

Tarkovsky, Andrei. Sculpting in Time. (Essay on film). 1986.

Torre, Guillermo de. "Cinema." Revista de Occidente 146-7 (1993): 265-8.

Walker, George Graham. "Film as Fine Art." Sight and Sound 17 (Winter 1948): 173-4.

Whittock, Trevor. Metaphor and Film. Cambridge: Cambridge UP, 1990.

Wood, Robin. Personal View: Explorations in Film. London: Gordon Fraser, 1976.

Zavala, Lauro. "Cine clásico, moderno y posmoderno." Razón y Palabra

         http://www.razonypalabra.org.mx/anteriores/n46/lzavala.html

         2015

 

 

 

 

Video

 

 

Godard, Jean-Luc, and Fritz Lang. Le dinosaure et le bébé: Dialogue en huit parties entre Fritz Lang et Jean-Luc Godard / El dinosaurio y el bebé: Conversación entre Jean-Luc Godard y Fritz Lang. YouTube (Paco Titorelli) 8 Oct. 2012.*

         https://youtu.be/XcAZu3GkBwI

         2018

 

Huerga, Pablo, and Gustavo Bueno. "Poética materialista del cine." 25 May 2015. YouTube (fgbuenotv)

         https://youtu.be/hlDZJ2Bfrj0

         2015

 

 

 

 

 

See also Form in film; Genres; Semiotics of film.

 

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      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...