miércoles, 1 de noviembre de 2023

Cine

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Film

 

Top Ten

History: General

Theory: General

Miscellaneous

 

 

 

Top Ten

 

Barsam, Richard, and Dave Monahan. Looking at Movies: An Introduction to Film. New York: Norton, 2010.

Bazin, André. What is Cinema? Ed. and trans. Hugh Gray. 2 vols. Berkeley: U of California P, 1967. 1972.

Bordwell, David. Poetics of Cinema. New York: Routledge, 2008.

Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 3rd ed. New York: McGraw-Hill, 1990.*

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. 5th ed. New York: Oxford UP, 1999.*

Gianetti, Louis D. Understanding Movies. 5th ed. Englewood Cliffs (NJ): Prentice Hall, 1990. 9th ed. Englewood Cliffs (NJ): Prentice Hall, 2001.

Katz, Ephraim. The Macmillan International Film Encyclopedia. Rev. Fred Klein and Ronald Dean Nolan. London: Macmillan, 1998.*

Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. Introd. Miram Bratu Hansen. Princeton (NJ): Princeton UP, 1997.*

Maltin, Leonard, et al, eds. Leonard Maltin's Movie and Video Guide: 2002 Edition. New York: Signet, 2001.* (1st pub. 1969).

Thompson, Kristin, and David Bordwell. Film History: An Introduction. New York: McGraw-Hill, 1994.

 

 

 

 

History: General

 

Allen, Robert C. Film History: Theory and Practice  1985.

Armes, Roy. Film and Reality: An Historical Survey. London, 1974.

_____. Panorama histórico del cine. Barcelona, Fundamentos, 1976. (Trans. of Film and Reality).

Bordwell, David. On the History of Film Style. Cambridge (MA): Harvard UP, 1998.

Cien años de cine. Madrid: Visor, 1999.

Cook, David. A History of Narrative Film. 1981. New York: Norton, 1990.

Giannnetti, Louis, and Asott Eyman. Flashback: A Brief History of Film. 2nd ed. Englewood Cliffs: Prentice, 1991.

Godard, Jean-Luc. Introduction to a True History of Cinema and Television. Caboose Books, 2012.

Gubern, Román. Historia del cine. Barcelona: Lumen, 1973.

_____. Historia del cine. 2 vols. Ediciones de Bolsillo.

_____. Historia del cine. 1989. Barcelona: Lumen, 2006.

_____. Historia del cine. (Grandes Obras de la Cultura). Barcelona: RBA, 2010.*

Kemp, P. Cine: Toda la historia. Barcelona: Blume, 2011.

Moix Meseguer, Ramón.  Introducción a la historia del cinema.

Palacio, M., and Julio Pérez Perucha, eds. Historia general del cine. Vol. 5. Madrid: Cátedra, 1997.

Thompson, Kristin, and David Bordwell. Film History: An Introduction. New York: McGraw-Hill, 1994.

 

 

 

Images

 

Gormley, Larry. "The History of Film." Graphic. Online at HistoryShots

         http://www.historyshots.com/film/index.cfm

         2012

 

 

 

 

 

 

 

 

Theory: General

 

Andrew, J. Dudley. The Major Film Theories: An Introduction. New York: Oxford UP, 1976.* (Introduction. I: The Fomative Tradition: Hugo Munsterberg. Rudolf Arnheim. Sergei Eisenstein. Béla Balázs and the Tradition of Formalism. II: Realist Film Theory: Siegfried Kracauer. André Bazin. III: Contemporary French Film Theory: Jean Mitry. Christian Metz and the Semiology of the Cinema. The Challenge of Phenomenology: Amédée Ayfre and Henri Agel).

_____. Concepts in Film Theory. Oxford: Oxford UP, 1984.

Arnheim, Rudolf. Film as Art. Berkeley: U of California P, 1957.

_____. (Rudolph Arnheim). Film as Art. London, 1958.

Aumont, Jacques. Análisis del film. Barcelona, Paidós, 1990.

Aumont, Jacques, A. Bergala, M. Marie and M. Vernet, eds. Esthétique du film. Paris: Nathan, 1983.

_____, eds. Estética del cine: Espacio fílmico, montaje, narración, lenguaje. Barcelona: Paidós, 1983.

Aumont, J., and M. Marie. Análisis del film. Barcelona: Paidós, 1990.

Balázs, Béla. Theory of the Film: Character and Growth of a New Art. London, 1952. 1953.

Barsam, Richard, and Dave Monahan. Looking at Movies: An Introduction to Film. New York: Norton, 2010.

Barsam, Richard. Looking at Movies: An Introduction to Film. New York and London: Norton, 2007.

Bawden, Liz Anne, ed. The Oxford Companion to Film. London, 1976.

Bazin, André. Qu'est-ce que le cinéma? 4 vols. Paris: Editions du Cerf, 1958-1965.

_____. What is Cinema? Ed. and trans. Hugh Gray. Berkeley: U of California P, 1967. 1972.

_____. ¿Qué es el cine? Madrid: Rialp, 1999.

Bordwell, David. Narration in the Fiction Film. Madison: U of Wisconsin P, 1985.*

_____. Poetics of Cinema. New York: Routledge, 2008.

Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Reading (MA), 1979.

_____. Film Art: An Introduction. 3rd ed. New York: McGraw-Hill, 1990.*

_____. El arte cinematográfico. Barcelona: Paidós, 1996.

Braudy, Leo. The World in a Frame. New York, 1976.

_____. The World in a Frame: What We See in Films. Chicago: U of Chicago P, 2002.

Buckland, Warren Film studies. (Teach Yourself). London: Hodder and Stoughton, 1998.

Burch, Noël. Theory of Film Practice. Princeton: Princeton UP, 1981.

Carroll, Noël. Philosophical Problems of Classical Film Theory 1988.

Cassetti, Francesco. Cómo analizar un film. Milán, 1990.

_____. Teorías del cine 1945-1990. 1993. Trans. Pepa Linares. Madrid: Cátedra, 1994.

Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film. Cambridge (MA): Harvard UP, 1979.

Cohen-Seat, Gilbert (a.k.a. Gilbert Cohen). Essai sur les principes d'une philosophie du cinéma: Notions fondamentales et vocabulaire de la filmologie. Paris: PUF, 1946.

Collins, Jim, Hilary Radner, and Ava Preacher Collins. Film Theory Goes to the Movies. New York: Routledge, 1993.

Cook, Pam, ed. The Cinema Book. London: BFI, 1985.

Fernández Vega, Manuel.  (R. P. Fray Mauricio de Begoña, O. F. M. Cap.) [Religious name of Manuel Fernández Vega]. Elementos de Filmología: Teoría del cine. Madrid: Publicaciones de la Dirección General de Cinematografía y Teatro 1953.*

_____. (Fray Mauricio de Begoña). Elementos de Filmología: Teoría del cine. Online at Proyecto Filosofía en Español.*

         http://www.filosofia.org/bol/bib/nb087.htm

         2018

Fuery, Patrick. New Developments in Film Theory. Houndmills: Macmillan, 2000.

Geoff, Andrew. 1001 películas que hay que ver antes de morir. 9th ed. Barcelona: Grijalbo, 2008.

Gianetti, Louis D. Understanding Movies. New Jersey, 1976.

_____. Understanding Movies. 5th ed. Englewood Cliffs (NJ): Prentice Hall, 1990. 9th ed. Englewood Cliffs (NJ): Prentice Hall, 2001.

Jacobs, Lewis, ed. Introduction to the Art of the Movies. New York, 1960.

Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. Oxford: Oxford UP, 1960.

_____. Theory of Film. New York, 1965.

_____. Theory of Film: The Redemption of Physical Reality. Introd. Miram Bratu Hansen. Princeton (NJ): Princeton UP, 1997.*

Laffay, Albert. Logique du cinéma. Paris, 1964.

Lapsley, Robert, and Michael Westlake. Film Theory: An Introduction. Manchester: Manchester UP, 1988.

Lehman, Peter, and William Luhr. Thinking about Movies: Watching, Questioning, Enjoying. 2nd ed. Malden, MA and Oxford: Blackwell, 2003.

Mast, Gerald. Film/Cinema/Movie. 1977.

McGowan, Kenneth. Behind the Screen: The History and Techniques of the Motion Picture. New York, 1965.

Miller, Toby. "Film Studies." In The Edinburgh Encyclopaedia of Modern Criticism and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP, 2002. 582-91.*

Miller, Toby, and Robert Stam, eds. A Companion to Film Theory. Oxford: Blackwell, 2003.

Mitry, Jean. Esthétique et psychologie du cinéma. Paris: Ed. Universitaires, 1965.

_____. The Aesthetics and Psychology of the Cinema. Trans. Christopher King. London: Athlone, 1998.

Monaco, James. How to Read a Film. Rev. ed. New York: Oxford UP, 1981.*

Nelmes, Jill, ed. An Introduction to Film Studies. London: Routledge, 1996.

Potter, Cherry. Image, Sound and Story: The Art of Telling in Film. London: Secker, 1990.

Stam, Robert. Film Theory: An Introduction. Oxford: Blackwell, 1999.

Stephenson, Ralph, and J. R. Debrix. The Cinema as Art. 2nd ed. London, 1976.

Tudor, Andrew. Theories of Film. London, 1971.

 

 

 

Miscellaneous

 

"Las 20 mejores películas de la historia, según Hollywood." Libertad Digital 22 May 2020.*

         https://www.libertaddigital.com/fotos/mejores-peliculas-historia-the-hollywood-reporter-cultura-1017091/

         2020

1001 películas que hay que ver antes de morir. Grijalbo, c. 2006.

Agate, James. Around Cinemas. London, 1948.

Alexander, Lily. Fictional Worlds: Traditions in Narrative and the Age of Visual Culture, Vols. I-IV (Storytelling on Screen). Charleston (SC): CreateSpace, 2013.

Almendros, Néstor. Cinemanía. Barcelona: Seix Barral, 1992?

Alpert, Hollis. The Dreams and the Dreamers. New York, 1962. (Film).

Alonso García, Luis. La oscura naturaleza del cinematógrafo. Valencia: Ed. de la Mirada, 1996.

Borges, Jorge Luis. "Cine: Conversación con Borges." Sur 334-35 (Jan.-Dec. 1974). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Monadori-DeBols!llo, 2011. 682-85.*

Bory, Jean-Louis. Des yeux pour voir. Paris: Ramsay, 1991.

Brecht, Bertolt. Sur le cinéma. 1967. Paris: L'Arche, 1970.

Brunette, Peter, and David Wills. Screen / Play: Derrida and Film Theory. Princeton (NJ): Princeton UP, 1989.

Buckland, Warren, ed. Puzzle Films: Complex Storytelling in Contemporary Cinema. Chichester: Wiley; Malden: Blackwell, 2009.*

Burch, Noël. Itinerarios. La Educación de un Soñador del Cine. Bilbao: Certamen Internacional del Cine Documental y Cortometraje. Caja de Ahorros, 1985.

_____. Life to Those Shadows. Ed. and trans. Ben Brewster. Berkeley: U of California P, 1990.

Caparrós Lera, José María. Historia del cine europeo: De Lumière a Lars von Trier. (Libros de Cine). Madrid: RIALP, 2003.

Chaume Varela, Frederic. Cine y traducción. Madrid: Cátedra, 2004.

Cinema 56

Clair, René. Cinema Yesterday and Today. New York, 1972.

Corpus Barga. "Cinematología." Revista de Occidente 146-7 (1993): 271-2.

Corrigan, Timothy. A Cinema without Walls: Movies and Culture after Vietnam. London: Routledge, 1991.

Denzin, Norman. Images of Postmodern Society: Social Theory and Contemporary Cinema. London, Sage, 1993.

Ebert, Roger. Roger Ebert's Movie Yearbook 2009.

_____. Roger Ebert's Four-Star Reviews 1967-2007.

_____. Your Movie Sucks.

_____. Awake in the Dark: The Best of Roger Ebert.

_____. The Great Movies I.

_____. The Great Movies II.

Eidsvik, Charles. Cineliteracy: The Film among the Arts. New  York, 1978.

Ellis, J. Visible Fictions: Cinema, Television, Video. London: Routledge, 1982.

Escobedo de Tapia, Carmen, Jorge Luis Bueno Alonso and José Luis Caramés Lage, eds. El cine: otra dimensión del discurso artístico. 1999.

Espina, Antonio. "Reflexiones sobre cinematografía." Revista de Occidente 146-7 (1993): 269-70.*

Font, Domenec. Paisajes de la modernidad: Cine europeo, 1960-1980. Barcelona, Paidós.

Grodal, Torbel. Embodied Visions: Evolution, Emotion, Culture, and Film. Oxford: Oxford UP, 2009.

Hauser, Arnold. "X. Bajo el signo del cine." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 483-522.*

Holland, Norman. Meeting Movies.

Jarvie, Ian. Philosophy of the Film: Epistemology, Ontology, Aesthetics. New York: Routledge, 1987.

Kael, Pauline. I Lost It at the Movies. Boston, 1965.

_____. Kiss Kiss, Bang Bang. Boston, 1968.

_____. Deeper into Movies. Boston, 1973.

Kauffmann, Stanley. Living Images. New York, 1975.

Kawin, Bruce F. "Children of the Light." In Grant 1986.

Kern, Sharon, ed. Movies about Movies: Chicago '77. Film festival catalog. Chicago: Art Institute of Chicago, 1977.

Kolker, Robert Philip. A Cinema of Loneliness. New York: Oxford UP, 1988.

Lash, Scott. Sociology of Postmodernism. (The International Library of Sociology). London: Routledge, 1990. 1992.*

_____. Sociología del posmodernismo. Buenos Aires, Amorrortu, 1990.

_____. "Cine: de la representación a la realidad." In Lash, Sociología del posmodernismo. Buenos Aires, Amorrortu, 1990. 232-241.

Lawder, S. D. "Film: Art of the Twentieth Century." Yale Alumni Magazine  (May 1968).

Mann, Thomas. "Ueber den Film." In Mann, Die Forderung des Tages. Berlin, 1930.

Marías, Javier. Donde todo ha sucedido: Al salir del cine. Foreword by Miguel Marías. Ed.  Inés Blanca and Reyes Pinzás Barcelona: Galaxia Gutemberg/ Círculo de lectores, 2005

Marsé, Juan. Momentos inolvidables del cine. Carroggio, 2004.

Martínez-Lucena, Jorge, and Juan Orellana. Celuloide Posmoderno. 2010.

McConnell, Frank D. The Spoken Screen: Film and the Romantic Imagination. Baltimore, 1975.

Mellencamp, Patricia, and Philip Rosen, eds. Cinema Stories, Cinema Practices. Frederick (MD): University Publications of America, 1984.

Monterde, José Enrique, Esteve Riambau and Casimiro Torreiro. Los 'nuevos cines' europeos, 1955 / 1970. Barcelona: Lerna, 1987.

Morin, Edgar. Le Cinéma ou l'Homme imaginaire. Paris: Minuit, 1956.

The Penguin Film Review. London, 1949.

Pérez Merinero, Carlos, and David Pérez Merinero, eds. En pos del cinema. (Cuadernos Anagrama, 74). Barcelona: Anagrama.

Peters, Jan Marie. Over beeldcultuur: Fotografie, film, televisie, video. Amsterdam: Rodopi, 1993.

Platt, Richard. Cinema. (Eyewitness Encyclopedia, 34). London: Dorling Kindersley, 1992.

_____. El cine. (Biblioteca Visual Altea). Madrid: Santillana, 1992.*

Poyatos, Fernando. Nonverbal Communication Across Disciplines. 3 vols. Vol. 1: Culture, Sensory Interaction, Speech, Conversation. Vol 2: Paralanguage, Kinesics, Silence, Personal and Environmental Interaction. Vol. 3: Narrative Literature, Theater, Cinema, Translation. Amsterdam: Benjamins, 2002.

Ray, Satyajit. Our Films, Their Films. Calcutta, 1976.

Río-Álvaro, Constanza del, and Luis Miguel García-Mainar, eds. Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. (Anglistische Forschungen, 337). Heidelberg: Winter, 2004.*

Rohmer, Eric. The Taste for Beauty. Trans. Carol Volk. Cambridge: Cambridge UP, 1989.

Ross, T. J., ed. Film and the Liberal Arts. New York, 1970.

Rossouw, Martin Paul. The Meeting of Film and Philosophy: A 'Deep Structure' Perspective. M.A. Diss. U of the Free State, 2011. Online at Academia.*

         https://www.academia.edu/7404934/

         2017

Rotha, Paul. Rotha on the Film. London, 1958.

Schatz, Thomas. From The Genius of the System ("The Whole Equation of Pictures"). 1988. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 602-6.*

Seis modos de hacer cine. Revista de Occidente 175 (1995).*

Solomon, Stanley J. The Film Idea. New York, 1972.

Torres, Augusto M. Cine mundial. Madrid: Espasa, 2006.

Tyler, Parker. From Magic and Myth of the Movies (Preface). 1947. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 795-99.*

Zizek, Slavoj. Lacrimae rerum: Ensayos sobre cine moderno y ciberespacio.

 

 

 

Anthologies

 

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. 5th ed. New York: Oxford UP, 1998.

Eagle, Herbert, ed. Russian Formalist Film Theory. U of Michigan, Michigan Slavic Publications, 1981.

Easthope, Anthony, ed. Contemporary Film Theory. (Longman Critical Readers). London: Longman, 1993.

Geduld, Harry M., ed. Authors on Film.

_____, ed. Film Makers on Film Making.

Grant, Barry Keith, ed. Film Genre Reader. Austin: U of Texas P, 1986.

Lehman, Peter, ed. Close Viewings: An Anthology of New Film Criticism. Tallahassee: Florida state UP, 1990.

Mast, Gerald, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. New York, 1974.

_____. Film Theory and Criticism: Introductory Readings. 2nd ed. New York: Oxford UP, 1979.

Mast, Gerald, Marshall Cohen, and Leo Braudy. Film Theory and Criticism: Introductory Readings.  New York: Oxford UP, 1985.

_____, eds. Film Theory and Criticism: Introductory Readings. 4th ed. Oxford: Oxford UP, 1992.

Nichols, Bill, ed. Movies and Methods. Berkeley: U of California P, 1976.

_____, ed. Movies and Methods: An Anthology, 2. Berkeley: U of California P, 1985.

Romaguera i Ramió, Joaquim, and Homero Alsina Thevenet, eds. Textos y manifiestos del cine. Madrid: Cátedra, 1989.

Rosen, Philip, ed. Narrative, Apparatus, Ideology: A Film Theory Reader. New York: Columbia UP, 1986.

Sitney, P. Adams, ed. Film Culture Reader. New York, 1970.

Stam, Robert, and Toby Miller, eds. Film Theory: An Anthology. Oxford: Blackwell, 2000.

Thornham, Sue, ed. Feminist Film Theory: A Reader. Edinburgh: Edinburgh, 1999.

Zarate, Alexander. Fantasmas y reflejos del cine del siglo XXI. Innisfree, 2015.

_____. El cerco y el infinito: Escenarios del sentimiento amoroso del cine del siglo XXI. 8mm, 2017.

 

 

 

Bibliographies

 

 

Film Literature Index (1990-)

 

García Landa, José Angel. "Film: Areas." From A Bibliography of Literary Theory, Criticism and Philology. Online at Convdocs 16 March 2013.*

         http://kk.convdocs.org/docs/index-192668.html

         2013

 

 

 

Blogs

 

 

/Film: Blogging The Reel World

         http://www.slashfilm.com/

         2010

 

39escalones: Reflexiones desde un rollo de celuloide (Alfredo Moreno, Zaragoza).

         http://39escalones.wordpress.com/

         2007

 

Beyond Hollywood

            http://www.beyondhollywood.com/

            2010

 

Blog de cine.

         http://www.blogdecine.com/

         2006-10-10

 

Le Blog du Cinéma

         http://www.leblogducinema.com/

         2010

 

Canal TCM: El cine que ya tenías que haber visto

         http://www.canaltcm.com/

         2009

 

Cine Club Cerbuna.*

         http://cineclubcerbuna.blogspot.com.es/

         2016

 

Cinemablography.

         http://www.cinemablography.org

2018

 

Cinescopia.*

         https://cinescopia.com/

         2022

 

Confesiones de un cinépata (Juan Manuel González)

         http://blogs.libertaddigital.com/confesiones-de-un-cinepata/

         2014

 

The Critical Reel.

         http://thecriticalreel.com/

         2018

 

David Bordwell's Website on Cinema

         http://www.davidbordwell.net/blog/

         2010

 

El club de los críticos muertos. Film blog. (Laura Gundesmontir).

         http://clubcriticosmuertos.blogspot.com/

         2007

 

Diario de Cine.

         http://www.diariodecine.es/

         2017

 

Enfilme.*

         http://enfilme.com/

         2016

 

The Film Experience.*

         http://thefilmexperience.net

         2017

 

The Film Sufi: Devoted to the Discussion of Film Expression.*

         http://www.filmsufi.com

         2020

 

Flick Filosopher (MaryAnn Johanson).

         http://www.flickfilosopher.com

         2013

 

Home Cinema

         http://homecinema.thedigitalfix.co.uk/

         2011

 

John's Movie Blog. (Joo-Wang John Lee)

         http://www.moviejohn.com/

         2009

 

Los tranvías de Praga: Crítica de teatro, cine, literatura (José A. Tindón).

         http://blogs.ya.com/glamorama/

         2005-08-27

 

Cinegoza: Un blog sobre la información cinematográfica en Zaragoza. (Luis Antonio Alarcón, U of Zaragoza)

         http://cinegoza.blogspot.com/

         2007

 

Cinema, Culture and Society. Website (Project dir. Celestino Deleyto)

         http://ccs.filmculture.net/index.php?option=com_frontpage&Itemid=1

         2006-09-15

 

A Clockwork Blog

         http://clockwork.labrujulaverde.net/

         2007-01-21

 

Confesiones de un cinépata. Film blog at Libertad Digital. (José Manuel González).

         http://blogs.libertaddigital.com/confesiones-de-un-cinepata/

         2011

 

El crítico abúlico.*

         https://elcriticoabulico.wordpress.com

         2020

 

Una furtiva mirada: Una bitácora sobre el cine que nos va cayendo del cielo

         http://furtivos.bloxus.com/

         2004-12-24

Mi enciclopedia de cine.*

         http://caratulan-dia.blogspot.com/

         2022

 

Micropsia

         http://micropsia.otroscines.com

         2013

 

Movies that Make You Think. Blog. (Jugu Abraham).

         http://moviessansfrontiers.blogspot.com/

         2011

 

Nether Regions. Blog at 411mania. (Chad Webb).

         http://www.411mania.com/movies/columns/144451/Nether-Regions-07.06.10:-Seconds.htm

         2014

 

Los ojos del lobo. Film blog. (César Bardés).*

         http://losojosdellobo.blogspot.com.es

         2016

 

Reel Film Reviews

         http://www.reelfilm.com/

         2011

 

Sesión continua. Blog on online film.

http://cinepd.blogspot.com/

2010-08-17

 

Sesión discontinua. Blog on film. (José Angel Garrido, Barcelona).*

         http://sesiondiscontinua.blogspot.com.es/

         2015

 

Simon's Film-Related Rants and Musings. Blog.

         http://rantsandmusings.wordpress.com

         2010

 

Soñar despierto. Film blog at El Mundo. (Alberto Luchini).

         http://www.metropoli.com/blogs/sonar-despierto/

         2012

 

A Sparrow whisperer's Musings.*

         http://sparrowhisperer.blogspot.com/

         2011

 

Urban Cinefile: The World of Film in Australia—on the Internet. (Andrew L. Urban).

         http://www.urbancinefile.com.au/

 

Vanity Fea (Cine)

         http://vanityfea.blogspot.com.es/search/label/Cine

         2013

 

 

 

 

 

 

Dictionaries and encyclopedias

 

 

Aguilar, L. Guía del vídeo-cine. Madrid: Cátedra, 1987.

Diccionario temático de Cine (Universidad de Sevilla).

         http://fama2.us.es:8080/cine/index.htm

         2008

"Film terminology and other resources." Integrative Arts 10 (U of Pennsylvania).

         http://www.psu.edu/dept/inart10_110/inart10/film.html

         2011

Gil-Delgado, Fernando. (coauth.). Cine 98.

_____. (coauth). Cinefórum 2000.

Halliwell, Leslie. Halliwell's Film Guide. 1977. London: Grafton, 1989.

Katz, Ephraim. The Film Encyclopedia. New York: Perigee, 1979.

_____. The Macmillan International Film Encyclopedia. Rev. Fred Klein and Ronald Dean Nolan. London: Macmillan, 1998.*

Kobal, John. Top 100 Movies. London: Pavilion, 1988.

_____. Las 100 mejores películas. Trans. Ricardo Artola. Madrid: Alianza, 1990.

Maltin, Leonard, et al, eds. Leonard Maltin's Movie and Video Guide: 2002 Edition. New York: Signet, 2001.* (1st pub. 1969).

Milne, Tom, ed. The Time Out Film Guide. Harmondsworth: Penguin.

Ortiz, Luz Marilyn, et al. Léxico colombiano de cine, televisión y vídeo.  Santafé de Bogotá, 2000.

Rentero, Juan Carlos, et al. Guía del espectador de videocine. Alcobendas (Madrid): Libsa, 2002.*

Roud, Richard, ed. Cinema: A Critical Dictionary—The major Film-Makers. Vol. 1: Aldrich to King. Vol. 2: Kinugasa to Zanussi. London: Secker & Warburg; New York: Viking, 1980.*

 

 

 

 

Films

 

 

Histoire(s) du Cinéma. Dir. Jean-Luc Godard. 1987-97.

 

 

 

 

 

 

Internet resources

 

 

"100 Free Online Archives for Film Students and Enthusiasts." Online Schools.*

         http://www.onlineschools.org/2009/11/08/100-free-online-archives-for-film-students-and-enthusiasts/

         32012

 

BajandoPelículas

         http://bajandopeliculas.com/

         2010

 

British Universities Film and Video Council.*

         http://bufvc.ac.uk

         2019

 

Buscacine.com

         http://www.buscacine.com/

         2008

 

La Butaca.

         http://www.labutaca.net/

         2006-11-30

 

Cine y política. Blog. (Santiago Navajas)

         http://cineypolitica.blogspot.com.es/

         2014

 

Cinema Blend

         http://www.cinemablend.com

         2006-12-19

 

Cinema-l. Film studies discussion list.

Cinema-l@auvm.auvm.edu

(Autumn 1996).

 

Cinengaños

         http://www.cinenganos.com/

         2005-08-20

 

Counting Down. Movie website / magazine.

http://www.countingdown.com/

2007

 

Criticker: Film Recommendations and Community.*

         http://www.criticker.com/

         2010

 

DeCine21.com

         http://www.decine21.com/

         2010

 

DVD Verdict

         http://www.dvdverdict.com/

         2014

 

Espacio fílmico,

         http://www.filmica.com/

         2005-08-17

 

Film (Danish Film Institute),

http://www.dfi.dk/

 

A Film Canon.*

         http://www.afilmcanon.com/

         20120

 

FilmAffinity

         http://www.filmaffinity.com/

         2011

 

Filmin

         http://www.filmin.es/

         2013

 

Filmotech:

         http://www.filmotech.com/

         2014

Foto Cinema

Vol. 20 (2021).

         https://revistas.uma.es/index.php/fotocinema/

         2021

 

 

Hispavista Cine

         http://cine.hispavista.com/

         2011

 

Hollywoood.com

         http://www.hollywood.com/

         2006

 

Home Cinema.*

         http://homecinema.thedigitalfix.co.uk/

         2011

 

IMDB: Internet Movie Database.

http://www.imdb.com

         2004-06-05

 

Mubi

         http://mubi.com/

         2010

 

Otros cines

         http://www.otroscines.com

         2007

 

Rotten Tomatoes.*

         http://www.rottentomatoes.com/

         2005-11-02

 

YouTube (FilmsPlay).*

         https://www.youtube.com/channel/UCgjBtOTQ1m2zRRsqQyLVPRg

         2019

 

 

 

 

Journals

 

 

 

ABC (Play).*

         https://www.abc.es/play/cine/

         2023

 

Action 3.5 (1968).

 

After Image 4 (1972).

 

L'Art cinématographique 2 (Paris, 1927).

 

Australian Journal of Screen Theory 7 (1980).

 

Bright Lights Film Journal 48 (May 2005)

         http://www.brightlightsfilm.com/

         2005-05-04

 

La butaca.net: Revista de cine online

         http://opinion.labutaca.net/

         2009

 

Les Cahiers de la Cinématique 20 (Summer 1976).

 

Cahiers du Cinéma 87 (1968).

 

Cahiers du Cinéma in English 6 (1966).

 

Canadian Journal of Film Studies 11.2 (2002).

 

Cine y...

Miguel A. Zárate / Rick Curry

Department of Hispanic Studies

Texas A & M University

4238 TAMU,

College Station, TX 77843-4238, U.S.A.

revistaciney@gmail.com

http://ciney.tamu.edu/Submissions.html

 

Cine para leer

         http://80.34.38.142:8080/cineparaleer/index.php

         2010

 

Cinéaste 2 (1968).

 

Cinema Journal

Editor: David Desser

The University of Texas Press

Journals Department

2100 Comah Austin

TV 78722-2550

Vol. 38.2 (Winter 1999).

 

Cinepassion

http://www.cinepassion.org/

2010

 

Contracampo 42 (Summer-Fall 1987).

 

El espectador imaginario

         http://www.elespectadorimaginario.com

         2009

 

Etudes Cinématographiques (1989).

 

Film Comment  26 (1990).

 

Film Criticism 31.1-2 (2006).

 

Film Quarterly

University of California Press

Journals Division

Berkeley, California 94720

USA

 

Films 1 (Winter 1940).

 

Films and Filming 18 Oct. 1971.

 

Films in Review 16 (1975).

 

La Gran Ilusión.

Free newsletter on film.

Coord. Enrique González Kuhn.

Spain: AltaFilms, S.A.

No. 85/86 (July-August 2004).

 

Image [&] Narrative: Online Magazine of the Visual Narrative.

http://www.imageandnarrative.be/

2008

 

Image et son 282 (March 1984).

 

Imágenes de actualidad no. 230 (Nov. 2003).*

 

Imagofagia

Revista de la Asociación Argentina de Estudios de Cine y Audiovisual

http://www.asaeca.org/imagofagia/

Vol. 16 (2017).

 

La InCINEradora: Revista de opinión cinematográfica.

Ed. Antonio Tausiet.

No. 8. Zaragoza (2006).

http://www.laincineradora.com

2006-09-02

 

Journal of Film and Video 37.1 (Winter 1985).

 

Journal of Popular Film and Television  8.2 (1980).

 

Kinema (Spring 2006).

 

Kinematograph Weekly 6 May 1948.

 

Literature / Film Quarterly

Salisbury State College

Salisbury, Maryland 21801

USA

 

Monthly Film Bulletin 38 (1971).

 

Motion Picture Herald 3 July 1948.

 

Movie 29/30 (Summer 1982).

 

New Review of Film and Television Studies.

Ed. Warren Buckland

Vol. 7.2 (June 2009).

http://www.tandf.co.uk/journals/titles/17400309.asp

 

OffScreen

Vol. 22.11 (Nov. 2018).*

https://offscreen.com/ 

2020

 

On Film [UCLA] 14 (Spring 1985).

 

Only the Cinema

         http://seul-le-cinema.blogspot.com.es/

         2014

 

Projections: The Journal of Movies and Mind.

Berghahn publishers.

http://journals.berghahnbooks.com/proj

2009

 

The Movies (July 1983).

 

Performing Arts Journal 41 (1992).

 

Postmodern Film. Screen 28.2 (1987).

 

Premiere 4 (Feb. 1991).

 

Quarterly Review of Film and Video 11.1 (1989).

 

Quarterly Review of Film Studies10.4  (1989).

 

Reelviews (2009).

http://www.reelviews.net/

2009

 

Screen.

Quarterly.

Oxford: Oxford UP.

Ed. John Caughie, Simon Frith, Annette Kuhn, Jackie Stacey and Sarah Street.

http://www.screen.oupjournals.org

2004

 

Screen Education. Ed. James Donald

 

Screen Reader 1. London: SEFT, 1980.

 

Screen Reader 2. London: SEFT, 1981.

 

Sight and Sound 35 (Autumn 1966).

 

Stills no. 25 (March 1986): 43.

 

Studies in European Cinema 2.2 (2005).

 

Tiempo de Cine.*

         https://www.tiempodecine.co/

         2022

 

Transnational Cinemas 5.1 (2014).*

http://www.tandfonline.com/

2014

 

Velvet Light Trap

University of Texas Press

2100 Comal

Austin, Texas 78722-2550

http://muse.jhu.edu/journals/the_velvet_light_trap/toc/vlt58.1.html

No. 58 (Fall 2006).

 

Visual Resources

Helene E. Roberts, Editor

Dartmouth College, New Hampshire, USA

Orders: Gordon & Breach, Publishers

c/o International Publishers Distributor Order Department

PO Box 90, Reading, RG1 8JL

 

Wide Angle 9.3 (1987).

 

The Wrap.*

http://www.thewrap.com/

2016

 

 

 

Series

 

 

(CD de cine: Bandas sonoras originales). 50 fascicles and CDs. Gen. ed. Juan María Martínez. Written by Gorka Cornejo. Madrid: Ediciones del Prado, c. 2003.*

 

(Cinema and Youth Culture). London: Routledge, 2023.

 

(Contemporary Cinema, 2). Series eds. Ernest Mathijs and Steven Jay Schneider. Amsterdam and New York: Rodopi, 2005.*

 

(Depth of Field). Series eds. Charles Affron, Mirella Jona Affron and Robert Lyons. New Brunswick (NJ): Rutgers UP, c. 2000.

 

Historia General del Cine. Madrid: Cátedra.

 

(Libros de Cine). Madrid: RIALP, c. 2003.

 

(Orígenes del cine). DVD series. Madrid: JRB, c. 2003.*

 

(Framing Film). Amsterdam: Amsterdam UP / Eye Film Institute Netherlands, c. 2012.

 

 

 

Societies and Institutions

 

 

ASAECA: Asociación Argentina de Estudios de Cine y Audiovisual

http://www.asaeca.org/  

(2017)

 

 

 

 

 

 

 

 

Study guides

 

Manchel, F. Film Studies: A Resource Guide. New Jersey, 1973.

 

 

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Ideología

      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...