A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Narrators / Narration
Narrator and narration: general
First-person, second-person narration. See Person (narrative)
Omniscient narration. See Narrative theory. Text/Voice. Person. Omniscient narration.
Storytellers, Storytelling
Unreliable narrator/narration – Narrative Reliability
Witness narrators. See Person (narrative).
Narrator and narration
Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge UP, 2002.* (Narration).
Abel, Julia. "Konstruktionen 'authentischer' Stimmen. Zum Verhältnis von 'Stimme' und Identität in Feridun Zaimoglus Kanak Sprak." In Stimme(n) im Text: Narratologische Positionsbestimmungen. Ed. Andreas Blödorn, Daniela Langer and Michael Scheffel. Berlin and New York: Walter de Gruyter, 2006. 297-320.*
Adorno, T. W. "La situation du narrateur dans le roman contemporain." In Adorno, Notes sur la littérature. 1958. Trans. Sybille Muller. Paris: Flammarion, 1984. 37-45.*
Alber, Jan, and Monika Fludernik. "Mediacy and Narrative Mediation." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 174-89.*
Allen, Walter. "Narrative Distance, Tone and Character." In Halperin 323-37.
Andersson, Greger. "Narrating Selves and the Literary in the Bible." Partial Answers: Journal of Literature and the History of Ideas 17.1 (2019): 87-105.*
Online at Project Muse: https://muse.jhu.edu/article/714513
http://oru.diva-portal.org/smash/record.jsf?pid=diva2%3A1285817&dswid=2380
2019
Arias-García, Elisa. "La figura del narrador en la ficción radiofónica seriada: El caso de Taxi Key." Index Comunicación 9.2 (2019): 101-34.*
https://www.academia.edu/39735875/
2019
Online at Academia.*
https://www.academia.edu/68069712/
2022
Audet, René. "Le récit en régime de diffraction. Dispersion discursive et autorité." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011. 49-62.*
Baker, Sheridan. "Narration: The Writer's Essential Mimesis." Journal of Narrative Technique 11.3 (1981): 155-65.
Bal, Mieke. "Narration et focalisation: pour une théorie des instances du récit." Poétique 29 (1977): 107-27.*
_____. "The Narrating and the Focalizing: A Theory of the Agents in Narrative." Style 17.2 (1983): 234-69.
_____. "Narration and Focalization." From Style 17.2 (1983): 234-69. In Structuralism: Critical Concepts in Literary and Cultural Studies. Ed. Jonathan Culler. London: Routledge, 2006. Vol. 2.
_____. "3. Text: Words." In Bal, Narratology. Toronto: U of Toronto P, 1985. 119-153.* (The Narrator, Non-narrative comments, Description, Levels of narration).
Balkin, Sarah. "Strindberg's Vampiric Narrators." Genre 46.1 (Spring 2013): 1-31.*
https://www.academia.edu/2174671/
2019
Banfield, Ann. Unspeakable Sentences: Narration and Representation in the Language of Fiction. Boston: Routledge, 1982.
_____. "No-Narrator Theory." Routledge Encyclopedia of Narrative Theory. Ed by David Herman, Manfred Jahn and Marie-Laure Ryan. New York: Routledge, 2005. 396-397.
Beck, Hamilton H. H. The Elusive 'I' in the Novel: Hippel, Sterne, Diderot, Kant. (American University Studies in Germanic Languages and Literature 46). New York: Peter Lant, 1987.
Benjamin, Walter. "The Storyteller." In Benjamin, Illuminations. Trans. Harry Zohn. New York: Schocken Books, 1969. 83-110.*
Berendsen, Marjet. "The Teller and the Observer: G. Genette's and M. Bal's Theories on Narration and Focalization Examined." Preprint. Hertoegenbosch, 1979.
_____. "The Teller and the Observer: Narration and Focalization in Narrative Texts." Style 18.2 (1984): 140-156.
Bermúdez, Steven. "La enunciación narrativa en la cuentística venezolana: La mutación del narrador." Jitanjáfora 1 (2002). http://www.temple.edu/spanpor/jitanjafora/primero/bermudez.html
Bernaerts, Lars, Marco Caracciolo, Luc Herman and Bart Verbaeck. "The Storied Lives of Non-Human Narrators." Narrative 22.1 (2014): 68-93.*
Bewernick, Hanne. The Storyteller's Memory Palace: A Method of Interpretation Based on the Function of Memory Systems in Literature: Geoffey Chaucer, William Langland, Salman Rushdie, Angela Carter, Thomas Pynchon and Paul Auster. (European University Studies; Series XIV: Anglo-Saxon Language and Literature, 485). Berlin: Peter Lang, 2008.*
Booth, Wayne C. La retórica de la ficción. Ed. and trans. Santiago Gubern Garriga-Nogues. Barcelona: Bosch, 1978.*
_____. "Types of Narration." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 145-54.*
_____. "The Struggle to Tell the Story of the Struggle to Get the Story Told." Narrative 5.1 (1997): 50-59.
Brenkman, John. "On Voice." Novel 33.3 (Summer 2000): 281-306.
_____. "On Voice." In Literature Online.*
5/7/04
Broich, Ulrich. "Gibt es eine 'neutrale Erzählsituation'?" Germanisch-Romanische Monatsschrift 33 (1983): 129-45.
Bronzwaer, W. J. M. "Implied Author, Extradiegetic Narrator and Public Reader...". Neophilologus 62 (1978): 1-18.
Byram, Katra. Ethics and the Dynamic Observer Narrator: Reckoning with Past and Present in German Literature. Columbus: The Ohio State UP, 2015.
Caracciolo, Marco. Strange Narrators in Contemporary Fiction. 2016.
Case, Alison. "Tasting the Original Apple: Gender and the Struggle for Narrative Authority in Dracula." Narrative 1.3 (1993): 223-243.*
Cederborg, Ann-Christin, and Karin Aronson. "Conarration and Voice in Family Therapy: Voicing, Devoicing and Orchestration." Text 14 (1994): 345-70.
Chambers, Ross. "Narratorial Authority and 'The Purloined Letter'." In The Purloined Poe: Lacan, Derrida, and Psychoanalytic Reading. Ed. John P. Muller and William J. Richardson. Baltimore: Johns Hopkins UP, 1988. 285-306.*
Chatman, Seymour. "Narration and Point of View in Fiction and the Cinema." Poetica 1 (1974).
_____. "Characters and Narrators: Filter, Center, Slant, and Interest-Focus." Poetics Today 7 (1986): 189-204.
_____. "Discourse: Nonnarrated Stories." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 366-79.*
_____. "Discourse: Covert versus Overt Narrators." From Story and Discourse. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 219-28.*
_____. "How Loose Can Narrators Get? (And How Vulnerable Can Narratees Be?)." Narrative 3.3: 303-306.*
_____. "4. Narration: Narrator and Narratee." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 90-129.* (Telling: Internal and External Narrators; Showing: Impersonal Narration; Omniscience and Limitation; The Narratee: Elizaberth Jolley, 'Wednesdays and Fridays'; Anton Chekhov, 'The Darling'; Sarah Orne Jewett, ' A White Heron'; Tillie Olsen, 'I Stand Here Ironing'")
_____. "5. Point of View: Character's Filter and Narrator's Slant." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 130-85* (Character's Filter; The Filter Character Is Not the Narrator; narrator's Slant; The Grammar of Filter; Filter in Internal Narration: James Joyce, 'A Little Cloud'; James Baldwin, 'The Rockpile'; Nadine Gordimer, 'Town and Country Lovers'; V. S. Naipaul, 'The Thing Without a Name'; Mary McCarthy, "C.Y.E.")
_____. "Narrative Irony." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 186-239.* (Definitions of Situational and Verbal Irony; Situational and Verbal Irony in Narrative Fiction; Fallible Filters; Unreliable Narration).
Coste, Didier. "Who's Who and Who Does What in the Tale Told." Coste, Narrative as Communication. Minneapolis: U of Minnesota P, 1989. 134-63.*
Creese, Richard. "Abstracting and Recording Narration in The Good Soldier and The End of the Affair." Journal of Narrative Technique 16.1 (Winter 1986): 1-14.
Currie, Gregory. Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford UP, 2010.*
_____. "4. Authors and Narrators." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford UP, 2010. 65-85.* (A Distinction without a Difference? - Implied and Second Authors - A Concession - A Note on Non-Fiction - Should there be a Presumption in Favour of the Internal Narrator?)
de Jong, Irene J. F. "2 Narrators and Narratees." In de Jong, Narratology and Classics: A Practical Guide. Oxford: Oxford UP, 2014. 17-46.*
Delazari, Ivan. "Voicing the Split Narrator: Readers' Chores in Toni Morrison's 'Recitatif'." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 199-216.*
Delasanta, Rodney. The Epic Voice. The Hague: Mouton, 1967.
Díaz Arenas, Angel. Las perspectivas narrativas: Teoría y metodología. Kassel: Reichenberger, 1988.*
Diengott, Nilly. "The Mimetic Language Game and Two Typologies of Narrators." Modern Fiction Studies 33.3 (1987): 523-34.
Dolezel, Lubomir. "The Typology of the Narrator: Point of View in Fiction." In To Honor Roman Jakobson. The Hague: Mouton, 1967. 1.541-52.
du Plessis, Rachel Blau. Writing Beyond the Ending: Narrative Strategies of Twentieth Century Women Writers. Bloomington (IN): Indiana UP, 1985.
Duce García, Jesús. "La búsqueda del lector competente: Sobre la voz narrativa y el autor ficticio en el Quijote de 1615." In Cervantes en el espejo del tiempo. Ed. Mª Carmen Marín Pina. Zaragoza: Prensas Universitarias de Zaragoza, 2010. 135-46.*
Eikhenbaum, Boris M. "Die Illusion des skaz." 1918. In Russischer Formalismus: Texte zur allemeinen Literaturtheorie und zur Theorie der Prosa. Ed. J. Striedter. 1969. Munich: Fink, 1971. 161-67.
El Saffar, Ruth Snodgrass. "The function of the Fictional Narrator in Don Quixote." Modern Language Notes 83 (1968): 164-77.
_____. "La función del narrador ficticio en Don Quijote." In El Quijote de Cervantes. Ed. George Haley. Madrid: Taurus, 1984. 288-300.*
Ewen, Joseph. "Writer, Narrator and Implied Author." Ha-Sifrut 18-19 (1974): 137-73.
Fleischman, Suzanne. "Evaluation in Narrative: The Present Tense in Medieval Performed Stories." Yale French Studies 70 (1986): 199-251.
Fludernik, Monika. "Subversive Irony: Reflectorization, Trustworthy Narration and Dead-Pan Narrative in The Mill on the Floss." Yearbook of Research in English and American Literature (REAL) 8: (1992): 159-85.
_____. "Reflectorization and Figuralization: The Malleability of Language." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 178-221.* (Point of view, Lawrence, Weldon, K. Mansfield, reflectors, narrators).
_____. "The Genderization of Narrative." In Recent Trends in Narratological Research. Ed. John Pier. (GRAAT 21). Tours: Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours, 1999. 153-76.*
Foster, Dennis A. Confession and Complicity in Narrative. Cambridge: Cambridge UP, 1987.*
Fowler, Roger. "The Referential Code and Narrative Authority." Language and Style 10 (Summer 1977): 129-61.
_____. "The Referential code and narrative authority." In Fowler, Literature as Social Discourse: The Practice of Linguistic Criticism. Bloomington: Indiana UP, 1981. 96-128.*
_____. "The Referential Code and Narrative Authority." In Critical Discourse Analysis: Critical Concepts in Linguistics. Ed. Michael Toolan. London: Routledge, 2002. 1.202-37.*
Friedemann, Käte. Die Rolle des Erzählers in der Epik. Leipzig: Haessel, 1910.
_____. Die Rolle des Erzählers in der Epik. Berlin, 1910. Rpt. Darmstadt: Wissenschaftliche Buchgesellschaft, 1965.
Futre Pinheiro, Marília P. "Thoughts on diegema (narratio) in Ancient Rhetoric and in Modern Critical Theory." In Literary Currents and Romantic Forms: Essays in Memory of Bryan Reardon. Ed. Kathryn Chew, J. R. Morgan and Stephen R. Trzaskoma. (Ancient Narrative, Supplement 26). Groningen: Barkhuis / Groningen U Library, 2018. 19-32.*
https://www.academia.edu/42321012/
2020
Galván, Luis. "Acción y narración: Problemas y orientaciones para la fundamentación de la narratología." From Teoría y comparatismo: Tradición y nuevos espacios. (Actas del I Congreso Internacional de ASETEL). Ed. Domingo Sánchez-Mesa, José Manuel Ruiz Martínez, and Azucena González Blanco. Granada: Universidad de Granada, 2014. Online at Academia.*
https://www.academia.edu/12138505/
2017
García Landa, José Angel. "El narrador autorial y las otras voces narrativas (Samuel Beckett y la narración reflexiva, 5)." ResearchGate 30 July 2015.*
https://www.researchgate.net/publication/280564927
2015
_____. "Narrative Discourse: Narrators and Narrative Positions." In García Landa, Narrative Theory. 1990. Internet edition (2005):
2005-04-16
_____. "Narrative Discourse: Narrators and Narrative Positions (Narrative Theory, 6)." Social Science Research Network 25 Feb. 2016.*
http://ssrn.com/abstract=2737052
2016
Cognition & the Arts eJournal 25 Feb. 2016.*
http://www.ssrn.com/link/Cognition-Arts.html
2016
Literary Theory & Criticism eJournal 25 Feb. 2016.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2016
_____. "Narrative Discourse: Narrators and Narrative Positions." In García Landa, Vanity Fea 2 March 2016.*
http://vanityfea.blogspot.com.es/2016/03/narrative-discourse-narrators-and.html
2016
_____. "Narrative Discourse: Narrators and Narrative Positions (Narrative Theory, 6)." Academia 4 July 2017.*
https://www.academia.edu/33763269/
2017
_____. "Narrative Discourse: Narrators and Narrative Positions (Narrative Theory, 6)." ResearchGate 5 July 2017.*
https://www.researchgate.net/publication/318216458
2017
_____. "Enunciación, ficción y niveles semióticos en el texto narrativo." Miscelánea 15 (1994): 263-300.*
http://155.210.60.15/MISCELANEA/MISCELANEA.HTML New Internet edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/niveles.htm
_____. "Nivel narrativo, status, persona y tipología de las narraciones." Miscelánea 17 (1996): 91-121.*
http://155.210.60.15/MISCELANEA/MISCELANEA.HTML
Discontinued. New Internet edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/nivel.html
_____. "Sobre la competencia del narrador en la ficción." Atlantis 19.2 (December 1997 [issued December 1998]): 77-102.* New Online edition (2004):
http://www.atlantisjournal.org/HTML%20Files/Tables%20of%20contents/19.2%20(1997).htm
2004-11-15
_____. "Sobre la competencia del narrador en la ficción." PDF in Dialnet
http://dialnet.unirioja.es/servlet/oaiart?codigo=637961
2008
_____. "Sobre la competencia del narrador en la ficción." PDF in Zaguán 24 Jan. 2009.
http://zaguan.unizar.es/record/1974
2009
_____. "Sobre la competencia del narrador en la ficción." From Atlantis. Online PDF in Google Docs. 2010.*
2010
_____. "Sobre la competencia del narrador en la ficción." ResearchGate 22 June 2012.*
http://www.researchgate.net/publication/28049884_Sobre_la_competencia_del_narrador_en_la_ficcin
2012
_____. "Sobre la competencia del narrador en la ficción." Academia 26 Sept. 2013.*
http://www.academia.edu/176322/
2013
_____. "Pragmática y narración." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 257-64.* (La narratología. El narrar como acto de habla. La narración natural. Narración y ficción [status narrativo]).
_____. "Narrador, narración y narratario." Section 3.2. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 279-390.*
_____. "Narrador, narración y narratario." Section 3.2. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/3.2.Discurso.html
2009
_____. "Narrador, Narración y Narratario (Acción, Relato, Discurso, 3.2) (Narrator, Narration, and Narratee (Action, Story, Discourse, 3.2)" Social Science Research Network 13 March 2014.*
http://papers.ssrn.com/abstract=2407894
2014
Cognition & the Arts eJournal 13 March 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
Literary Theory & Criticism eJournal 13 March 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
Continental Philosophy eJournal 13 March 2014.*
http://www.ssrn.com/link/Continental-Philosophy.html
2014
_____. "Narrador, Narración y Narratario (Acción, Relato, Discurso, 3.2)." Academia 9 April 2015.*
https://www.academia.edu/11860455/
2015
_____. "Narrador, Narración y Narratario (Acción, Relato, Discurso, 3.2)." ResearchGate 5 Sept. 2015.*
https://www.researchgate.net/publication/281490383
2015
_____. "El narrador." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 279-321.* (Historia del concepto. La autonomía del nivel de la narración. La competencia modal del narrador [Deber, Poder, Saber, Querer, Hacer, Ser]. Niveles narrativos. Los relatos intradiegéticos. Rupturas de marco. Persona. El narrador autodiegético. El narrador testigo. El narrador-autor. El autor-narrador).
_____. "El narrador." "Narración." Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 279-321, 322-385.*
_____. "La motivación realista de la narración literaria." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998.
_____. "El autor textual." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 392-405.* (Autor textual y autor real. ¿Es necesario el autor textual? Autor textual y narrador).
Gargano, James W. "The Question of Poe's Narrators." From College English 25 (Dec. 1963): 177-81. In Poe: A Collection of Critical Essays. Ed. Robert Regan. Englewood Cliffs (NJ): Prentice-Hall, 1967. 164-71.*
Garrido Domínguez, Antonio. "El narrador." In Garrido, El texto narrativo. Madrid: Síntesis, 1993. 105-56.*
Gebauer, Carolin. Making Time: World Construction in the Present-Tense Novel. (Narratologia, 77). Boston and Berlin: De Gruyter, 2021.* (I. Mapping the Research Field on Present-Tense narration; II. A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses and Functions of Present-Tense Narration in Contemporary Narrative Fiction; Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator, First-person narration, Figural narration, Focalization, Retrospection, Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot, Storyworld, Voice).
https://www.degruyter.com/document/doi/10.1515/9783110708134/html
2022
_____. "5. The Functional Dimension of Fictional Present-Tense Usage: Uses and Functions of Present-Tense Narration." In Gebauer, Making Time: World Construction in the Present-Tense Novel. Boston and Berlin: De Gruyter, 2021. 81-139.*
https://doi.org/10.1515/9873110708134-005
2021
_____. "14. Concluding Remarks, or: The Future of Research on Present-Tense Narration." In Gebauer, Making Time: World Construction in the Present-Tense Novel. Boston and Berlin: De Gruyter, 2021. 301-18.*
https://doi.org/10.1515/9873110708134-014
2021
Genette, Gérard. "Discours du récit." In Gérard Genette, Figures III . Paris: Seuil, 1972. 71-273.*
_____. Narrative Discourse. Trans. Jane E. Lewin. Ithaca: Cornell UP, 1980.*
_____. "5. Voice." In Genette, Narrative Discourse. Ithaca (NY): Cornell UP, 1980. 1995. 212-62.*
_____. "Voice." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 172-89.*
_____. Nouveau discours du récit. Paris: Seuil, 1983.*
_____. Narrative Discourse Revisited. Trans. Jane E. Lewin. Ithaca: Cornell UP, 1988.*
Gonçalves Rodrigues, Antonio J. "Reflections on Faulkner's Narrative Techniques." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 21-35.*
González Requena, Jesús. "Enunciación, punto de vista, sujeto." Contracampo 42 (1987): 6-41.
Graesser, Arthur C., Cheryl Bowers, Ute J. Bayen, and Xiangen Hu. "Who Said What? Who Knows What? Tracking Speakers and Knowledge in Narratives." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany: SUNY Press, 2001. 255-72.*
Granados Garnica, Víctor Manuel. (Facultad de Estudios Superiores Acatlán). "La frontera del narrador." Fronteras de Tinta
http://fronterasdetinta.acatlan.unam.mx/wp-content/uploads/2012/08/La_frontera_del_narrador.pdf
2013
Gruzdev, Il'ja. "Über die Maske als literarisches Verfahren." Ed. and trans. Christine Gölz. In Russische Proto-Narratologie: Texte in kommentierten Übersetzungen. Ed. Wolf Schmid. Berlin and New York: Walter de Gruyter, 2009. 179-93.*
Gullón, Germán. El narrador en la novela del siglo XIX. Madrid: Taurus, 1976.
Haley, George. "The Narrator in Don Quijote: Maese Pedro's Puppet Show." Modern Language Notes 80 (1965): 145-65.
_____. "El narrador en Don Quijote: el retablo de Maese Pedro." In El Quijote de Cervantes. Ed. George Haley. Madrid: Taurus, 1984. 269-87.*
Hardy, Donald E. Narrating Knowledge in Flannery O'Connor's Fiction. Columbia (SC): U of South Carolina P, 2003.
Harris, Ray. "The Narrative Technique in the Novels of Anthony Powell." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 71-81.*
Harweg, Roland. "Präsuppositionen und Rekonstruktion. Zur Erzählsituation in Thomas Manns Tristan aus textlinguistischer Sicht." In Textgrammatik. Ed. Schecker and Wunderli. Tübingen, 1965. 166-185.
Hennaut, Benoît. "4. Narrator on Stage: Not a Condition but a Component for a Postdramatic Narrative Discourse." In Contemporary French and Francophone Narratology. Ed. John Pier. Columbus: Ohio State UP, 2020. 70-91.*
Herman, David, et al., eds. "Homodiegetic Narration." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 223.*
_____, et al., eds. "Intradiegetic Narration." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 261.*
Herrera Damas, Susana. "The Role of the Narrator in Radio Features." Recherches en Communication 37 (Dec. 2013).
https://doi.org/10.14428/rec.v37i37.50573
https://ojs.uclouvain.be/index.php/rec/article/view/50573
https://www.researchgate.net/publication/339402852
2023
Hily-Mane, Geneviève. "Qui parle? Techniques de distanciation." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 225-45.*
Hogan, Patrick Colm. Narrative Discourse: Authors and Narrators in Literature, Film, and Art. Forthcoming 2012.
Hutchison, Chris. "The Act of Narration: A Critical Survey of Some Speech-Act Theories of Narrative Discourse." Journal of Literary Semantics 13 (1984): 3-35.
Kayser, Wolfgang. Die Vortragsreise. Bern: Francke Verlag, 1958.
_____. "Qui raconte le roman?"Poétique 4 (1970). Select. and trans. from Die Vortragsreise. Bern: Francke Verlag, 1958.
_____. "Qui raconte le roman?" In Barthes et al., Poétique du récit. Paris: Seuil, 1977. 59-84.*
Keen, Suzanne. "3. Narrative Situation: Who's Who and What's Its Function." In Keen, Narrative Form. Houndmills and New York: Palgrave Macmillan, 2003. 30-54.*
Köppe, Tilmann and Jan Stühring. "Against Pan-Narrator Theories." Journal of Literary Semantics 40 (2011): 59–80.
Kozloff, Sarah. "Voice-Over Narration." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon: Routledge, 2005. 636-7.*
Krysinski, Wladimir. "The Narrator as a Sayer of the Author: Narrative Voices and Symbolic Structures." Strumenti Critici 2 (1977): 44-89.
Lämmert, Eberhard. "The Time References of Narration." In Time: From Concept to Narrative Construct: A Reader. Ed. Jan Christoph Meister and Wilhelm Schernus. Berlin and New York: De Gruyter, 2011. 101-108.*
Lanser, Susan Sniader. "Toward a Feminist Poetics of Narrative Voice." In Lanser, Fictions of Authority: Women Writers and Narrative Voice. Ithaca (NY): Cornell UP, 1992. 3-24.*
_____. "Sexing the Narrative: Propriety, Desire, and the Engendering of Narratology." Narrative 3.1 (1995): 85-94.
Lawton, David. Chaucer's Narrators. Boydell and Brewer, 1985.
Le Guin, Ursula K. "It Was a Dark and Stormy Night; or, Why Are We Huddling about the Campfire?" Critical Inquiry 7.1 (1980): 191-9.
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2019
See also Enunciation; Discourse.
Storytellers and Storytelling
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Botero Camacho, Manuel and Miguel Rodríguez Pérez. "The Storyteller's Nostos: Recreating Scheherazade and Odysseus in Kazuo Ishiguro's Never Let Me Go." Atlantis 40.1 (June 2018): 97-115.*
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2018
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_____. "Narrating Narrating." PDF en red en Social Science Reearch Network 18 junio 2010.*
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2008
_____. "Narrating Narrating: Twisting the Twice-Told Tale." iPaper at Academia.edu 9 June 2011.*
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Plato. Ion. Dialogue. 388 BC?
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2022
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2008
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2018
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2011
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2011
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2013
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2013
_____. "El autor implícito y el narrador no fiable—según nuestro punto de vista." Scribd (ElNegroLiterario) 3 Sept. 2014.*
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2014
_____. "El autor implícito y el narrador no fiable—desde nuestro punto de vista." Scribd (martinadan) 12 Oct. 2014.*
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2014
_____. "El autor implícito y el narrador no fiable—desde nuestro punto de vista." In García Landa, Vanity Fea 10 Sept. 2014.*
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2014
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2014
_____ "El autor implícito y el narrador no fiable—desde nuestro punto de vista." Net Sight de José Angel García Landa 4 Jan. 2023.*
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2023
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2022
Van den Bossche, Bart. "Unreliability in Italian Modernist Fiction: The Cases of Italo Svevo and Luigi Pirandello." In Narrative Unreliability in the Twentieth-Century First-Person Novel. Ed. Elke D'hoker and Gunther Martens. Berlin and New York: Walter de Gruyter, 2008. 247-58.*
Vogt, Robert. Theorie und Typologie narrativer unzuverlässigkeit am Beispiel englischsprächiger Erzählliteratur. (Narratologia, 63). Berlin and Boston: de Gruyter, 2018.* (Possible worlds theory, metacognition, David Copperfield, The Good Soldier, Palahniuk's Fight Club, Bierce, Easton Ellis' American Psycho, McEwan's Atonement).
Wall, Kathleen. "The Remains of the Day And Its Challenges to Theories of Unreliable Narration." Journal of Narrative Technique 24.1 (1994): 18-42.*
Wright, M. J. "What They Said to Margery Kempe: Narrative Reliability in Her Book." Neophilologus 79.3 (1995): 497-508.
Yacobi, Tamar. "Fictional Reliability as a Communicative Problem." Poetics Today 2 (1981): 113-26.
_____. "Package Deals in Fictional Narrative: The Case of the Narrator's (Un)Reliability." Narrative 9 (2001): 223-29.
_____. "Authorial Rhetoric, Narratorial (Un)Reliability, Divergent Readings: Tolstoy's Kreutzer Sonata." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 108-23.*
Zerweck, Bruno. "'Boy, am I a reliable narrator': Eine kulturwissenschaftlich-narratologische Analyse des unzuverlässigen Erzählens in Martin Amis' Money: A Suicide Note." In "Unreliable Narration": Studien zur Theorie und Praxis unglaubwürdigen Erzählens in der englischsprachigen Erzählliteratur. Ed. Ansgar Nünning. Trier: Wissenschaftlicher Verlag Trier, 1998. 227-56.*
_____. "Historicizing Unreliable Narration: Unreliability and Cultural Discourse in Narrative Fiction." Style 35.1 (Spring 2001): 151-78. Electronic ed. in Literature Online. http://lion.chadwyck.co.uk 9/7/04*
_____, ed. Unreliable Narration. Trier: Wissenschaftlicher Verlag, 2000.
Anthologies
Patron, Sylvie. "Annexe 2. Choix de textes sur le narrateur." In Patron, Le narrateur: Introduction à la théorie narrative. Paris: Armand Colin, 2009. 285-302.*
Bibliography
García Landa, José Ángel, et al. "Reliability." Project Narrative Bibliographical Wiki (2008).*
http://pnbibliography.wikispaces.com/Reliability
2010
_____, et al. "Narrative Reliability." Bibliography. International Society for the Study of Narrative (2010).*
http://narrative.georgetown.edu/wiki/index.php/Narrative_Reliability
2010
Journals
Style. Special issue on Women as Narrators (Summer 2001). Ed. Virginia Wright Wexman, dpt. of English, Mail Code 162, U of Illinois, 601 South Morgan St., Chicago 60607-7120. vwexman@uic.edu
Literature
Flynn, Gillian. Gone Girl.
Nabokov, Vladimir. Lolita.
Pinborough, Sarah. Behind Her Eyes. Novel. London: HarperCollins, 2017.
Poe, Edgar Allan. "The Tell-Tale Heart."
See also Narration; Irony; Omniscient narration; Disinformation.
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