lunes, 29 de enero de 2024

Persona narrativa

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Narrative Person

 

Narrative person: General

First-person narrative

Second-person narrative

Third-person narrative

Multiple narration

Omniscient narration

We-narratives

Witness narrators

 

 

Narrative person: General

 

 

Bal, Mieke. "First Person, Second Person, Same Person: Narrative as Epistemology." New Literary History 24.2 (Spring 1993): 293-320. Online at Scribd

         http://www.scribd.com/doc/25394510/bal-mieke-first-person-second-person-same-person-narrative-as-epistemology

         2009

Cohn, Dorrit. Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton: Princeton UP, 1978.*

_____. Transparent Mind. In Google Books:

         http://books.google.es/books?id=dmIQoPdb1SgC&printsec=frontcover&dq=Transparent+Minds&ei=Y27qS87qHoquygTIxPzuBw&cd=1#v=onepage&q&f=false

         2010

_____. La Transparence intérieure. Trans. Alain Bony. Paris: Seuil, 1981.

Fludernik, Monika. "Erzähltexte mit unüblichem Personalpronominagebrauch: engl. one und it, frz. on, dt. man." In Erlebte Rede und impressionistischer Stil. Europäische Erzählprosa im Vergleich mit ihren deutschen Übersetzungen. Ed. Dorothea Kullmann. Göttingen: Wallstein, 1995. 283-307.

_____. "Pronouns of Address and 'Odd' Third Person Forms: The Mechanics of Involvement in Narrative." In New Essays on Deixis. Ed. Keith Green. Amsterdam: Rodopi, 1995.

_____. "Virgin Territories: The Strategic Expansion of Deictic Options." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 222-68.* (Pronouns, person, narr. Tense).

_____. "The Category of 'Person' in Fiction: You and We Narrative—Multiplicity and Indeterminacy of Reference." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.*

_____, ed. Second-Person Narrative. Special issue of Style 28.3 (1994).

García Landa, José Angel. "Entrando en la Trilogía: La narración en Molloy (Samuel Beckett y la narración reflexiva, 2) (Entering the Trilogy: Narration in Molloy (Samuel Beckett and Reflexive Narrative, 2)). Social Science Research Network 10 Oct. 2014.*

         http://papers.ssrn.com/abstract=2506925

         2014

Linguistic Anthropology eJournal 10 Oct. 2014.*

         http://www.ssrn.com/link/Linguistic-Anthropology.html

         2014

English and Commonwealth Literature eJournal 10 Oct. 2014.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2014

         Continental Philosophy eJournal 10 Oct. 2014.*

         http://www.ssrn.com/link/Continental-Philosophy.html

         2014

_____. "Entrando en la Trilogía: La narración en Molloy (Samuel Beckett y la narración reflexiva, 2)." Academia 13 March 2015.*

         https://www.academia.edu/11402845/

         2015

_____. "Entrando en la Trilogía: La narración en Molloy (Samuel Beckett y la narración reflexiva, 2)." ResearchGate 25 July 2015.*

         https://www.researchgate.net/publication/280384897

         2015

_____. "Entrando en la Trilogía: La narración en Molloy." In García Landa, Vanity Fea 13 March 2015.*

         http://vanityfea.blogspot.com.es/2015/03/entrando-en-la-trilogia-la-narracion-en.html

         2015

_____. "El narrador autorial y las otras voces narrativas (Samuel Beckett y la narración reflexiva, 5) (The Authorial Narrator and the Other Narrative Voices (Samuel Beckett and Reflexive Narrative, 5)." Social Science Research Network 21 Oct. 2014.*

         http://papers.ssrn.com/abstract=2511946

         2014

         English & Commonwealth Literature eJournal 21 Oct. 2014.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2014

_____. "El narrador autorial y las demás voces narrativas." In García Landa, Vanity Fea 9 Nov. 2014.*

         http://vanityfea.blogspot.com.es/2014/11/el-narrador-autorial-y-las-otras-voces.html

         2014

_____. "Sobre la competencia del narrador en la ficción." Atlantis 19.2 (December 1997 [issued December 1998]): 77-102.* New Online edition (2004):

http://www.atlantisjournal.org/HTML%20Files/Tables%20of%20contents/19.2%20(1997).htm

2004-11-15

_____. "Sobre la competencia del narrador en la ficción." PDF in Dialnet

         http://dialnet.unirioja.es/servlet/oaiart?codigo=637961

         2008

_____. "Sobre la competencia del narrador en la ficción." PDF in Zaguán 24 Jan. 2009.

         http://zaguan.unizar.es/record/1974

         2009

_____. "Persona." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 309-14.*

_____. "El narrador-autor." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 319-21.*

_____. "El autor-narrador." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 321-22.*

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Miscelánea 17 (1996): 91-121.*

         http://www.miscelaneajournal.net/images/stories/articulos/vol17/GarciaLanda17.pdf

         2013 DISCONTINUED 2020

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Online at Net Sight de José Angel García Landa (2004):

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/nivel.html

2015 DISCONTINUED 2020 – Online at the Internet Archive:

https://web.archive.org/web/20150921151540/http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/nivel.html

2020

https://personal.unizar.es/garciala/publicaciones/nivel.html

2020

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Online PDF in Zaguán 18 Nov. 2009.*

         http://zaguan.unizar.es/record/4326

         2009

_____. "Nivel narrativo, status, persona, y tipología de las narraciones." iPaper at Academia.edu 9 Feb. 2011.*

         https://www.academia.edu/435296/

         2014

_____. "Narrative Level, Status, Person, and the Typology of Narratives  / Nivel narrativo, status, persona, y tipología de las narraciones." Online PDF at Social Science Research Network 9 Feb. 2011.*

          http://ssrn.com/abstract=1758659

         2011

_____. "Persona." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 309-15.*

_____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7). ResearchGate 7 Aug. 2015.*

         https://www.researchgate.net/publication/280737526

         2015

Gasparini, Philippe. Est-Il Je ? Roman Autobiographique et Autofiction. Paris: Seuil, 2004.

_____. Autofiction, Une Aventure du Langage. Paris: Seuil, 2008.

Genette, Gérard. Narrative Discourse: an Essay in Method. Translated by Jane E. Lewis. Ithaca: Cornell Univ. Press, 1980.

_____. Narrative Discourse Revisited. Translated by Jane E. Lewis. Ithaca: Cornell Univ. Press, 1988.

Korte, Barbara. "Spielarten der Distanzierung: Zum Personenwechsel im Erzählwerk." Literatur in Wissenschaft und Unterricht 22.2 (1989): 158-71.

Margolin, Uri. "Telling Our Story: on 'We' Literary Narratives." Language and Literature 5.2 (1996).*

Meindl, Dieter. "A Model of Narrative Discourse Along Pronominal Lines." In Recent Trends in Narratological Research. Ed. John Pier. (GRAAT 21). Tours: Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours, 1999. 11-30.*

Ryan, M. L.  "The Pragmatics of Personal and Impersonal Fiction".  Poetics  10 (1981): 517-39.

Tamir, Nomi.  "Personal Narrative and Its Linguistic Foundations."  PTL  1 (1976): 403-29.

 

 

 

 

Bibliography

 

 

García Landa, José Angel. "Narrative Person." From A Bibliography of Literary Theory, Criticism and Philology. Online at Docin 3 April 2012.*

         http://www.docin.com/p-375967402.html

         2016

 

 

Literature

 

Barthelme, Donald. "Daumier." Story. In Barthelme, Sadness. New York: Farrar, Straus and Giroux, 1972. (Narrative person).

_____. "Daumier." In Barthelme, Sixty Stories. New York: Penguin, 1993. 214-30.*

Shields, Carol. The Stone Diaries. Novel. London: Fourth Estate, 1993.*

_____. The Stone Diaries. Novel. Harmondsworth: Penguin, 1994.

 

 

 

First-Person Narrative

 

Abbott, H. Porter. Diary Fiction: Writing as Action. Ithaca (NY) and London: Cornell UP, 1984.

Adams, Timothy Dow. "The Contemporary American Mock Autobiography." Clio 8.3 (Spring 1979).

Alber, Jan. "The Social Minds in Factual and Fictional We-Narratives of the Twentieth Century." Narrative 23.2 (May 2015): 213-25.*

Arroyo Redondo, Susana. La autoficción: Entre la autobiografía y el ensayo biográfico. Límites del género. Ph.D. diss. U de Alcalá de Henares, 2011.* (Martín Gaite, El Cuarto de atrás; Torrente Ballester, Dafne y ensueños; Carlos Barral, Penúltimos castigos; Luis Goytisolo, Estatua con palomas; Julio Llamazares, Escenas de cine mudo; Javier Marías, Negra espalda del tiempo; Antonio Muñoz Molina, Sefarad; Javier Cercas, Soldados de Salamina; Enrique Vila-Matas, París no se acaba nunca; Rosa Montero, La loca de la casa; Paloma Díaz-Mas, Como un libro cerrado; Marcos Giralt Torrente, Tiempo de vida).

         https://es.scribd.com/doc/266601851/

         2015

Avni, Ora. The Resistance of Reference: Linguistics, Philosophy, and the Literary Text.  Baltimore: Johns Hopkins UP, 1990.*

Bal, Mieke. "First Person, Second Person, Same Person: Narrative as Epistemology." New Literary History 24.2 (Spring 1993): 293-320. Online at Scribd

         http://www.scribd.com/doc/25394510/bal-mieke-first-person-second-person-same-person-narrative-as-epistemology

         2009

Beck, Hamilton H. H. The Elusive 'I' in the Novel: Hippel, Sterne, Diderot, Kant. (American University Studies in Germanic Languages and Literature 46). New York: Peter Lant, 1987.

Bekhta, Natalya. "Emerging Narrative Situations: A Definition of We-Narratives Proper." In Emerging Vectors of Narratology. Ed. Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid. Berlin and Boston: de Gruyter, 2017. 101-26.*

Bennett, Alice. Afterlife and Narrative in Contemporary Fiction. London: Palgrave Macmillan, 2012. Online at Google Books

         https://books.google.co.uk/books?id=TvI6TzHRZogC

         2015

Bernaerts, Lars, Marco Caracciolo, Luc Herman and Bart Verbaeck. "The Storied Lives of Non-Human Narrators." Narrative 22.1 (2014): 68-93.*

Brooks, Peter. "Confessional Narrative." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 82-83.*

Caporale Bizzini, Silvia. "Recollecting Memories, Reconstructing Identities: Narrators as Storytellers in Kazuo Ishiguro's When We Were Orphans and Never Let Me Go." Atlantis 35.2 (Dec. 2013): 65-80.*

Carlisle, Janice. "The Face in the Mirror: Villette and the Conventions of Autobiography." In Critical Essays on Charlotte Brontë. Ed. Barbara Timm Gates. Boston: G. K. Hall, 1990.

Carter, Stephen J. "The Narratable I in Mieke Bal and Jean Baudrillard." Critical Survey  7.3 (1995).*

Ciplijauskaité, Biruté. La novela femenina contemporánea (1970-1985): Hacia una tipología de la narración en primera persona. Barcelona: Anthropos, 1988.*

Couturier, Maurice. "I, X Does Not Equal Nabokov." Online at Zembla. Official Site of the International Vladimir Nabokov Society. Pennsylvania State U Libraries. 1995.

         http://www.libraries.psu.edu/nabokov/coutnar.htm

         2013

D'hoker, Elke, and Gunther Martens, eds. Narrative Unreliability in the Twentieth-Century First-Person Novel. (Narratologia, 14). Berlin and New York: Walter de Gruyter, 2008.* (Introd., 1-6).

Demoris, René. Le Roman à la première personne. Paris: Colin, 1975.

Edmiston, William F. "Focalization and the First-Person Narrator: A Revision of the Theory." Poetics Today 10.4 (1989): 729-44.

_____. "Introduction: Focalization and the First-Person Narrator." In Edmiston, Hindsight and Insight: Focalization in Four Eighteenth-Century French Novels. University Park (Pennsylvania): Pennsylvania State UP, 1991. 1-14.*

Eikhenbaum,  Boris M. "Illiuziia skaza." Skvoz' literaturu. Leningrad, 1924.

_____. "The Illusion of 'Skaz'." Russian Literature Triquartelry  12 (1975): 233-36.

_____. "Die Illusion des skaz." 1918. In Russischer Formalismus: Texte zur allemeinen Literaturtheorie und zur Theorie der Prosa. Ed. J. Striedter. 1969. Munich: Fink, 1971.161-67.

Farrant Bevilacqua, Winifred. "'…in ecstatic cahoots': Nick's Authoring of Gatsby."  Atlantis 32.1 (June 2010): 45-56.*

Field, Trevor. Form and Function of the Diary Novel. London: Macmillan, 1989.*

Fludernik, Monika. "The Category of 'Person' in Fiction: You and We Narrative—Multiplicity and Indeterminacy of Reference." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.*

Frank, Arthur W. "Reclaiming an Orphan Genre: The First-person Narrative of Illness." Literature and Medicine 13.1 (1994): 1-21.

_____. The Wounded Storyteller: Body, Illness, and Ethics. Chicago: U of Chicago P, 1995.

García Landa, José Angel. "Personne: Aventuras de 'yo' en la trilogía de Beckett." In Stvdia Patriciae Shaw oblata. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 1.230-42.*

_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Online. Net Sight de José Angel García Landa (2007):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/personne.html

         2007 DISCONTINUED 2020 – Online at the Internet Archive.*

https://web.archive.org/web/20120217182901/http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/personne.html

         2020

         https://personal.unizar.es/garciala/publicaciones/personne.html

         2020

_____. "'Personne': Aventuras de 'yo' en la trilogía de Beckett." Zaguán 13 Jan. 2011.*

         http://zaguan.unizar.es/record/5526

         2011

_____. "Entrando en la Trilogía: La narración en Molloy (Samuel Beckett y la narración reflexiva, 2) (Entering the Trilogy: Narration in Molloy (Samuel Beckett and Reflexive Narrative, 2)). Social Science Research Network 10 Oct. 2014.*

         http://papers.ssrn.com/abstract=2506925

         2014

Linguistic Anthropology eJournal 10 Oct. 2014.*

         http://www.ssrn.com/link/Linguistic-Anthropology.html

         2014

English and Commonwealth Literature eJournal 10 Oct. 2014.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2014

         Continental Philosophy eJournal 10 Oct. 2014.*

         http://www.ssrn.com/link/Continental-Philosophy.html

         2014

_____. "Narración autodiegética (Samuel Beckett y la narración reflexiva, 6) (Autodiegetic Narration (Samuel Beckett and Reflexive Narrative, 6)." Social Science Research Network 26 Oct. 2014.*

         http://papers.ssrn.com/abstract=2514510

         2014

         English & Commonwealth Literature eJournal 26 Oct. 2014.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2014

_____. "Narración autodiegética." In García Landa, Vanity Fea 12 Nov. 2014.*

         http://vanityfea.blogspot.com.es/2014/11/narracion-autodiegetica.html

         2014

_____. "Narración autodiegética (Samuel Beckett y la narración reflexiva, 6). Academia 14 May 2015.*

         https://www.academia.edu/12375042/

         2015

_____. "Narración autodiegética (Samuel Beckett y la narración reflexiva, 6). ResearchGate 31 July 2015.*

         https://www.researchgate.net/publication/280574690

         2015

_____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7)." Social Science Research Network 5 Nov. 2014.*

         http://papers.ssrn.com/abstract=2518914

            2014

         Cognition & the Arts eJournal 5 Nov. 2014.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2014

         English & Commonwealth Literature eJournal 5 Nov. 2014.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2014

_____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7)." Academia 19 July 2015.*

         https://www.academia.edu/14184820/

         2015

_____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7). ResearchGate 7 Aug. 2015.*

         https://www.researchgate.net/publication/280737526

         2015

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Miscelánea 17 (1996): 91-121.*

         http://www.miscelaneajournal.net/images/stories/articulos/vol17/GarciaLanda17.pdf

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Html edition (2004):

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/nivel.html

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Online PDF in Zaguán 18 Nov. 2009.*

         http://zaguan.unizar.es/record/4326

         2009

_____. "Nivel narrativo, status, persona, y tipología de las narraciones." iPaper at Academia.edu 9 Feb. 2011.*

         http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/417585/Nivel_narrativo_status_persona_y_tipologia_de_las_narraciones

         2011

_____. "Narrative Level, Status, Person, and the Typology of Narratives  / Nivel narrativo, status, persona, y tipología de las narraciones." Online PDF at Social Science Research Network 9 Feb. 2011.*

          http://ssrn.com/abstract=1758659

         2011

_____. "Nivel narrativo, status, persona, y tipología de las narraciones." ResearchGate 23 Nov. 2011.*

         http://www.researchgate.net/publication/39711150_Nivel_narrativo_status_persona_y_tipologa_de_las_narraciones

         2011

_____. "El narrador autodiegético." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 315-18.*

_____. "El narrador testigo.." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 318-19.*

Gebauer, Carolin. Making Time: World Construction in the Present-Tense Novel. (Narratologia, 77). Boston and Berlin: De Gruyter, 2021.* (I. Mapping the Research Field on Present-Tense narration; II. A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses and Functions of Present-Tense Narration in Contemporary Narrative Fiction; Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator, First-person narration, Figural narration, Focalization, Retrospection, Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot, Storyworld, Voice).

         https://www.degruyter.com/document/doi/10.1515/9783110708134/html

         2022

_____. "13. Narrative of Life: Orality, Narrative Authority and the (Broken) Illusion of Immediacy in Irvine Welsh's Skagboys (2012) and Dead Men's Trousers (2018)." In Gebauer, Making Time: World Construction in the Present-Tense Novel.  Boston and Berlin: De Gruyter, 2021. 276-300.*

         https://doi.org/10.1515/9873110708134-013

         2021

Genette, Gérard. "On the First-Person Novel." New Literary History 9.1 (Fall 1977).

Glowinksy, Michall. "On the First-Person Novel." New Literary History 9 (1977): 103-14.

Goldknopf, David. "The Confessional Increment: A New Look at the I-Narrator." Journal of Aesthetics and Art Criticism  28 (1969): 13-21.

Gómez Trueba, Teresa. "'Esa bestia omnívora que es el yo': el uso de la autoficción en la obra narrativa de Javier Cercas." Bulletin of Spanish Studies 86.1 (2009).* Online at Taylor and Francis 3 Feb. 2009.*

         https://doi.org/10.1080/14753820802696782

         https://www.tandfonline.com/doi/abs/10.1080/14753820802696782?journalCode=cbhs20

         2019

         Online at Academia (Teresa Gómez Trueba).*

         https://www.academia.edu/38133093/

         2019

Gülich, Elisabeth. "Medizin: Zur narrativen Rekonstruktion von Krankheitserfahrungen in Arzt-Patient-Gesprächen." In Gülich, Mündliches Erzählen: Verfahren narrativer Rekonstruktion im Gespräch. Berlin and Boston: De Gruyter, 2020. 97-112.*

Hamburger, Käte. "La narración en primera persona." In Hamburger, La lógica de la literatura. (2nd ed., 1977). Madrid: Visor, 1995. 208-13.*

Hansen, Per Krogh. "First Person, Present Tense, Authorial Presence and Unreliable Narration in Simultaneous Narration." In Narrative Unreliability in the Twentieth-Century First-Person Novel. Ed. Elke D'hoker and Gunther Martens. Berlin and New York: Walter de Gruyter, 2008. 317-37.*

_____. "Autofiction and Authorial Unreliable Narration." In Emerging Vectors of Narratology. Ed. Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid. Berlin and Boston: de Gruyter, 2017. 47-59.*

Heinze, Ruediger. "Violations of Mimetic Epistemology in First-Person Narrative Fiction." Narrative 16.3 (Oct. 2008): 279-97.*

Herman, David, et al., eds. "First-person Narration." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 173.*

_____, eds. "Homodiegetic Narration." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 223.*

Jongeneel, Els. "The Deconstruction of the First-Person Narrator in the French New Novel." In Narrative Unreliability in the Twentieth-Century First-Person Novel. Ed. Elke D'hoker and Gunther Martens. Berlin and New York: Walter de Gruyter, 2008. 303-16.*

Kahn, Madeleine. Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel. (Reading Women Writing). Ithaca (NY): Cornell UP, 1991.*

Kauer, Ute. "Narration and Gender: The Role of the First-Person Narrator in Jeanette Winterson's Written on the Body." In 'I'm Telling You Stories': Jeanette Winterson and the Politics of Reading. Ed. Helena Grice and Tim Woods. Amsterdam: Rodopi, 1998. 41-51.*

Kittel, Harald. "Revolutionäre Formen perspektivischen Erzählens in einem quasi-autobiographischen Ich-Roman: William Godwins Caleb Williams." In Frühe Formen mehrperspektivischen Erzählens von der Edda bis Flaubert: Ein Problemaufriss. Ed. Armin Paul Frank and Ulrich Mölk. Berlin: Erich Schmidt, 1991. 34-53.

Lynn, David H. The Hero's Tale: Narrators in the Early Modern Novel. Hong Kong: Macmillan, 1989.

Major, John C. The Role of Personal Memoirs in English Biography and Novel. Philadelphia, 1935.

Margolin, Uri. "Telling Our Story: on 'We' Literary Narratives." Language and Literature 5.2 (1996).*

_____. "Collective Perspective, Individual Perspective, and the Speaker In Between: On 'We' Literary Narratives." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany: SUNY Press, 2001. 241-54.*

Martínez Falquina, Silvia. "Entries into the Autobiographical I, or the Ethics of Native American Storytelling." In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*

Matthews, W., and R. Rader, eds. Autobiography, Biography, and the Novel. Los Angeles: William Andrews Clark Memorial Library, UCLA, 1973.

McDonald, Keith. "Days of Past Futures: Kazuo Ishiguroʻs Never Let Me Go as ʻSpeculative Memoir.ʻ" Biography 30.1 (Winter 2007).

Miller, J. Hillis.  "Three Problems of Fictional Form: First-Person Narration in David Copperfield   and Huckleberry Finn."  In  Experience in the Novel: Selected Papers from the English Institute.  Ed. Roy Harvey Peace.  New York: Columbia UP, 1968.

Monterrey, Tomás. "El narrador homodiegético de la metaficción británica: tendencias en la transmisión de la interioridad." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994).  Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 483-88.*

Morris, Adalaide. "First Persons Plural in Contemporary Feminist Fiction." Tulsa Studies in Women's Literature  11 (1992): 11-29.

Nielsen, Henrik Skov. "The Impersonal Voice in First-Person Narrative Fiction" Narrative 12 (2004); 133-50.

Nischik, Reingard M. "'Où maintenant? Quand maintenant? Qui maintenant?' Die namenlose Ich-Erzählfigur im Roman." Poetica 23.1-2 (1991): 257-75.

Onega, Susana. "The Passion: Jeanette Winterson's Uncanny Mirror of Ink." Miscelánea 14 (1993): 113-30.*

         http://www.miscelaneajournal.net/images/stories/articulos/vol14/onega14.pdf

         2014

Phelan, James. Living to Tell about It: A Rhetoric and Ethics of Character Narration. Ithaca: Cornell UP, 2005.

Picazo González, María Dolores. "Las marcas enunciativas del yo en el texto." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 165-77.*

Pier, John. "L'Instance narrative du récit à la prémière personne. Ph.D. diss. New York U, 1983.

Raoul, Valerie. The French Fictional Journal: Fictional Narcissism. Toronto, 1980.

Richardson, Brian. "I etcetera: On the Poetics and Ideology of Multipersoned Narratives." Style 28.3 (1994): 312-28.

_____. "4. I, etcetera: Multiperson Narration and the Range of Contemporary Narrators." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 61-78.*

_____. "3. Class and Consciousness: 'We' Narration from Conrad to Postcolonial Fiction." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 37-60.*

Pedri, Nancy. "Graphic Memoir: Neither Fact Nor Fiction." In From Comic Strips to Graphic Novels. Ed. Daniel Stein and Jan-Noël Thon. Berlin and Boston: Walter de Gruyter, 2013. 127-53.*

Richardson, Brian. "Representing Social Minds: 'We' and 'They' Narratives, Natural and Unnatural." Narrative 23.2 (May 2015): 200-12.*

Riggan, William. Picaros, Madmen, Naifs, and Clowns: The Unreliable First Person Narrator. Norman: Oklahoma UP, 1981.

Rimmon-Kenan, Shlomith. "The Story of ‘I’: Illness and Narrative Identity." Narrative 10.1 (2002): 9-27.

Romberg, Bertil.  Studies in the Narrative Technique of the First-Person Novel.  Stockholm: Almquist and Wiksell, 1962.

Rousse, J.  "La prima persona nel romanzo.  Abozzo di una tipologia." Strumenti critici 6.19 (1972): 259-74.

Schmid, Wolf. "16. Diegetic Narrator: Fëdor Dostoevkij's Adolescent." In Schmid, The Nonnarrated. Berlin and Boston: De Gruyter, 2023. 108-13.*

         https://doi.org/10.1515/9783111242637-016

         2023

Smith, Sidonie, and Julia Watson. "The Trouble with Autobiography: Cautionary Notes for Narrative Theorists." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 356-71.*

_____. "Witness or False Witness: Metrics of Authenticity, Collective I-Formations, and Ethic of Verification in First-Person Testimony." Biography 35.4 (Fall 2012).

Spinner, Kaspar H. Die Struktur des lyrischen Ichs. Frankfurt a/M: Akad. Verlagsgesellschaft, 1975.

Sternberg, Meir. "Self-Consciousness as a Narrative Feature and Force: Tellers vs. Informants in Generic Design." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 232-52.*

Tallis, Raymond. I Am: A Philosophical Inquiry into First-Person Being. Edinburgh: Edinburgh UP,  2004.

Tamir, Nomi. "Personal Narrative and Its Linguistic Foundations." PTL 1.3 (1976): 403-30.

Tarancón, Juan A. "'I Am Still Here to Tell About It': The Construction of the Subject in Fictional Autobiography." Actas del XXI Congreso Internacional AEDEAN. .

Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 297-301.*

Toth, Josh. "'A Constantly Renewed Obligation to Remake the Self': Ernest Hemingway, A Moveable Feast, and Autonarration." . North Dakota Quarterly 73.1-2 (Winter / Spring 2006): 182-96.*

Walzel, Oskar. "Schicksale des lyrischen Ichs." 1916. In Walzel, Das Wortkunstwerk: Mittel seiner Erforschung. Leipzig: Quelle & Meyer, 1926. Rpt. Darmstadt, 1973. 260-77.

Welge, Jobst. "Historical Reference and (Auto)Fiction in the Recent Latin American Novel." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 138-51.*

         https://doi.org/10.1515/9783110722031-010

         2021

Werner, Lukas. "Zeit im Text—Möglichkeiten der formalen Historisierung. Zur Relation von Zeit und Ich-Erzähler in Grummelshausens Simplicissimus und Schnabels Insel Felsenburg." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 79-104.*

Wildman, Nathan. "A Puzzle about Fictional 'I's." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 26-39.*

         https://doi.org/10.1515/9783110722031-003

         2021

Zimmermann, Silke Cathrin. Das Ich und sein Gegenüber: Spielarten des Anderen im monologischen Erzählen: Dargestellt an ausgewählten Beispielen der eruopäischen Erzählkunst des 20. Jahrhunderts. Trier: Wissenschaftlicher Verlag Trier, 1995.

Zipfel, Frank. "Autofiction." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 36-37.*

 

 

 

Bibliography

 

Richardson, Brian. "Appendix: Bibliography of 'We' Narratives." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 141-42.*

 

 

Literature

 

Beckett, Samuel. The Unnamable. many editions

 

 

 

 

See also Autobiography.

 

 

 

 

Second-person narrative

 

Bal, Mieke. "First Person, Second Person, Same Person: Narrative as Epistemology." New Literary History 24.2 (Spring 1993): 293-320. Online at Scribd

         http://www.scribd.com/doc/25394510/bal-mieke-first-person-second-person-same-person-narrative-as-epistemology

         2009

Bonheim, Helmut. "Narration in the Second Person." In La Nouvelle canadienne anglophone: Recherches Anglaises et Américaines 16 (1983): 69-80.*

Ensslin, Astrid, and Alice Bell. "'I Know What It Was. You Know What It Was': Second-person Narration in Hypertext Fiction." Narrative 19.3 (Oct. 2011): 311-29.*

Fludernik, Monika. "Second Person Fiction: Narrative YOU as Addressee and/or Protagonist. Typological and Functional Notes on an Increasingly Popular Genre." Arbeiten aus Anglistik und Amerikanistik (AAA) 18.2 (1993): 217-47.

_____. "Second-Person Narrative as a Test Case for Narratology: The Limits of Realism." Style 28.3 (1994): 445-79.

_____. "The Category of 'Person' in Fiction: You and We Narrative—Multiplicity and Indeterminacy of Reference." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.*

_____, ed. Second-Person Narrative. Special issue of Style 28.3 (1994).

Gnutzmann, Rita. "La novela hispanoamericana en segunda persona." Iberoromania n. s. 17 (1983): 100-120.

Kuhn, Roman. "Zweite Person Singular Präsens. Überlegungen zu Ein Mann der schläft von Georges Perec." In Der Präsensroman. Ed. Armen Avanessian and Anke Hennig. Berlin and Boston: de Gruyter, 2013. 210-23.*

Margolin, Uri. "Narrative 'You' Revisited." Language and Style 23.4 (1994 for 1990): 1-21.

_____. (On 1st p. plural narratives). In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001.

Morrissette, Bruce. "Narrative 'You' in Contemporary Literature." Comparative Literature Studies 2 (1965): 1-24. Rev. version in Novel and Film: Essays in Two Genres.  Chicago: U of Chicago P, 1985. 108-40.

Olivares Mauricio, Lady Noelia. (U de Piura). "La segunda persona en la configuración del narrador en dos de los cuentos de Rivera Martínez: 'Leda en el desierto' y 'Ese joven que te habita'." In Lingüística y Poética. Ed. Eliana Gonzales Cruz and Renato Guizado Yampi. Miraflores and Lima: Universidad de Piura / Academia Peruana de la Lengua, 2018. 195-207.* (Eduardo Rivera Martínez, Jauja (Junín), Perú, 1933). Online at ResearchGate.*

         https://www.researchgate.net/publication/341774570

         2020

Parker, Joshua. Écrire son lecteur: L'évolution du narrateur américain et l'emploi de la deuxième personne, 1750-2000. Ph.D. U of Paris VII – Denis Diderot, 2005. Online at Academia.*

         https://www.academia.edu/9560760/

         2020

Phelan, James. "Narratee, Narrative Audience, and Second-Person Narration: How I—and You?—Read Lorrie Moore's 'How'." In Phelan, Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996. 135-53.*

Reitan, Rolf. "Theorizing Second-Person Narratives: A Backwater Project?" In Strange Voices in Narrative Fiction. Ed. Per Krogh Hansen et al. Berlin and New York: De Gruyter, 2011. 147-74.*

Richardson, Brian. "The Poetics and Politics of Second Person Narrative." Genre 24 (1991): 309-30.

_____. "2. 'At First You Feel a Bit Lost': The Varieties of Second Person Narration." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 27-36.*

 

 

Bibliography

 

Fludernik, Monika. "Second-Person Narrative: A Bibliography." Style 28.4 (1994): 525-48.

 

 

 

 

Third-person narrative

 

Behrendt, Poul, and Per Krogh Hansen. "The Fifth Mode of Representation: Ambiguous Voices in Unreliable Third-Person Narrator." In Strange Voices in Narrative Fiction. Ed. Per Krogh Hansen et al. Berlin and New York: De Gruyter, 2011. 219-51.*

Bronzwaer, W. "Implied Author, Extradiegetic Narrator and Public Reader. Gérard Genette’s Narratological Model and The Reading Version of Great Expectations." Neophilologus 62 (1978): 1-18.

Cohn, Dorrit. "K. Enters The Castle: On the Change of Person in Kafka's Manuscript." Euphorion 62 (1968).

Ferguson, Suzanne.  "The Face in the Mirror: Authorial Presence in the Multiple Vision of Third-Person Impressionist Narrative."  Criticism  21 (1979): 230-50.

Gebauer, Carolin. Making Time: World Construction in the Present-Tense Novel. (Narratologia, 77). Boston and Berlin: De Gruyter, 2021.* (I. Mapping the Research Field on Present-Tense narration; II. A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses and Functions of Present-Tense Narration in Contemporary Narrative Fiction; Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator, First-person narration, Figural narration, Focalization, Retrospection, Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot, Storyworld, Voice).

         https://www.degruyter.com/document/doi/10.1515/9783110708134/html

         2022

Hamburger, Käte. "Ficción épica (narración en tercera persona)." In Hamburger, La lógica de la literatura. (2nd ed., 1977). Madrid: Visor, 1995.*

Herman, David, et al., eds. "Figural Narration." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 168.*

Lord, Albert B. The Singer of Tales. Cambridge (MA): Harvard UP, 1960.

Matthews, W., and R. Rader, eds. Autobiography, Biography, and the Novel. Los Angeles: William Andrews Clark Memorial Library, UCLA, 1973.

Murphy, Terence. "Unreliable Third Person Narration? The Case of Katherine Mansfield" Journal of Literary Semantics 46.1 (April 2017).*

         https://www.researchgate.net/publication/315883792

         2017

Patrick, Terence. "'Getting Rid of That Standard Third Party Narrative Voice': The Development of James Kelman's Early Authorial Style." Language and Literature 15.2 (2006): 183-99.*

Richardson, Brian. "Representing Social Minds: 'We' and 'They' Narratives, Natural and Unnatural." Narrative 23.2 (May 2015): 200-12.*

Rubio Montaner, Pilar.  "La tercera persona desde la focalización interna: su equivalencia con la narración en primera persona." Epos 7 (1991): 235-58.

 

 

 

Literature

 

Angot, Christine. Sujet Angot. (3rd person autobiographical novel).

 

 

See also Biography; History; Fiction.

 

 

 

Related works

 

"Pasea en tercera persona." In No puedo creer ue lo hayan inventado.

         http://www.nopuedocreer.com/quelohayaninventado/516/pasea-en-tercera-persona/

         2008

 

 

 

 

 

 

Multiple narration

 

Aronsson, Karin, and Ann-Christin Cederborg. "Conarration and Voice in Family Therapy: Voicing, Devoicing and Orchestration." Text 14.3 (1994): 345-70.

Fludernik, Monika. "The Category of 'Person' in Fiction: You and We Narrative—Multiplicity and Indeterminacy of Reference." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.*

García Landa, José Angel. "Personne: Aventuras de 'yo' en la trilogía de Beckett." In Stvdia Patriciae Shaw oblata. Ed. Santiago González y Fernández-Corugedo et al. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 1.230-42.*

         http://books.google.es/books?id=qB52DT3dA6sC&lpg=PP1&dq=Studia%20Patriciae%20Shaw%20oblata&lr=&pg=PR4#v=onepage&q=&f=false

         2010

_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Online. Net Sight de José Angel García Landa (2007):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/personne.html

         2007 DISCONTINUED 2020 – Online at the Internet Archive.*

https://web.archive.org/web/20120217182901/http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/personne.html

         2020

         https://personal.unizar.es/garciala/publicaciones/personne.html

         2020

_____. "'Personne': Aventuras de 'yo' en la trilogía de Beckett." iPaper at Academia.edu 23 May 2010.*

         https://www.academia.edu/238606/

         2014

_____. ""'Personne': Aventuras de 'yo' en la trilogía de Beckett." Online PDF at Social Science Research Network 23 May 2010.*

         http://ssrn.com/abstract=1614085

         2010

_____. "'Personne': Aventuras de 'yo' en la trilogía de Beckett." Zaguán 13 Jan. 2011.*

         http://zaguan.unizar.es/record/5526

         2011

_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Humanities Commons 7 Aug. 2018.*

         https://hcommons.org/deposits/item/hc:20277/

         http://dx.doi.org/10.17613/M68911Q5B

         2018

_____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7)." Social Science Research Network 5 Nov. 2014.*

         http://papers.ssrn.com/abstract=2518914

            2014

         Cognition & the Arts eJournal 5 Nov. 2014.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2014

         English & Commonwealth Literature eJournal 5 Nov. 2014.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2014

_____. "El narrador impersonal." In García Landa, Vanity Fea 16 Nov. 2014.*

         http://vanityfea.blogspot.com.es/2014/11/el-narrador-impersonal_16.html

         2014

_____. "Saliendo de la trilogía: El final de The Unnamable." Social Science Research Network 21 Nov. 2014.* (Samuel Beckett y la narración reflexiva, 8).*

         http://papers.ssrn.com/abstract=2527915

         2014

         Cognition & the Arts eJournal 21 Nov. 2014.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2014

         English & Commonwealth Literature eJournal 21 Nov. 2014.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2014

         Aesthetics & Philosophy of Art eJournal 21 Nov. 2014.*

         http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html

         2014

         Continental Philosophy eJournal 21 Nov. 2014.*

         http://www.ssrn.com/link/Continental-Philosophy.html

         2014

_____. "Saliendo de la trilogía: El final de The Unnamable." In García Landa, Vanity Fea 5 Dec. 2014.*

         http://vanityfea.blogspot.com.es/2014/12/saliendo-de-la-trilogia-el-final-de.html

         2014

_____. "Avatares de un pronombre." In García Landa, Vanity Fea  17 Feb. 2010.*

         http://vanityfea.blogspot.com/2010/02/avatares-de-un-pronombre.html

         2010

_____. "Je est a third person." In García Landa, Vanity Fea 4 August 2007.

         http://garciala.blogia.com/2007/080401-je-est-a-third-person.php

         2007

Peel, Ellen. "Subject, Object, and the Alternation of First- and Third- Person Narration in Novels by Alther, Atwood, and Drabble: Toward a Theory of Feminist Aesthetics." Critique 30.2 (1989): 107-22.

Renner, Charlotte. "The Self-Multiplying Narrators of Molloy, Malone Dies and The Unnamable". Journal of Narrative Technique 11.1 (1981): 12-32.*

Richardson, Brian. "I etcetera: On the Poetics and Ideology of Multipersoned Narratives." Style 28.3 (1994): 312-28.

_____. "4. I, etcetera: Multiperson Narration and the Range of Contemporary Narrators." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 61-78.*

_____. "Plural Focalization, Singular Voices: Wandering Perspectives in 'We'-Narration." In Point of View, Perspective, and Focalization: Modeling Mediation in Narrative. Ed. Peter Hühn, Wolf Schmid and Jörg Schönert. Berlin and New York: Walter de Gruyter, 2009. 143-59.*

Roggenbuck, Stefanie. "Zeit und Polyphonie. Zum Verhältnis von verdoppelter Zeit und verdoppelter 'Stimmen' in Erzähltexten von Leo Perutz und Ambrose Bierce." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 407-29.*

Schube-Coquereau, Phillip. "Scénographies énonciatives et 'dialogues'. Une mise à l'épreuve de l'effet monologique du roman choral chez Régis Jauffret." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011.*

Young, Katharine Galloway. "Joint Storytelling: The Interplay of Discourse and Interaction." In Young, Taleworlds and Storyrealms: The Phenomenology of Narrative.  Dordrecht: Martinus Nijhoff, 1987. 157-85.*

 

 

 

Omniscient narration

 

Chatman, Seymour. "Narration: Narrator and Narratee." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 90-129.* (Telling: Internal and External Narratees; Showing: Impersonal Narration; Omniscience and Limitation; The Narratee).

Culler, Jonathan. "Omniscience." Narrative 12.1 (January 2004): 22-34.

Dawson, Paul. "The Return of Omniscience in Contemporary Fiction." Narrative 17.2 (May 2009): 143-61.*

_____. The Return of the Omniscient Narrator: Authorship and Autonomy in Twenty-First Century Fiction. (Theory and Interpretation of Narrative). Columbus (OH): Ohio UP,  c. 2014.*

Ebine, Hiroshi.  "The Duality of Omniscient Narration." Studies in English Literature  50 (1974): 245-57.

Füger, Wilhelm. "Das Nichtwissen des Erzählers in Fieldings Joseph Andrews: Baustein zu einer Theorie negierten Wissens in der Fiction." Poetica  10 (1978): 188-216.

_____. "Limits of the Narrator's Knowledge in Fielding's Joseph Andrews." Style 38.3 (Fall 2004): 278-289.

García Landa, José Angel. "El narrador-autor. El autor-narrador." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 319-22.*

Gevirtz, Karen Bloom. Women, the Novel, and Natural Philosophy, 1660-1727. Houndmills: Palgrave Macmillan, 2014.

         http://www.palgrave.com/products/title.aspx?pid=715647

         2014

Harvey, W. J. "George Eliot and the Omniscient Author Convention."  Nineteenth-Century Fiction  13 (1958): 81-108. 

Jaffe, Audrey. "Omniscience in Our Mutual Friend.: On Taking the Reader by Surprise." The Journal of Narrative Technique 17.1 (1987): 83-90.*

"Omnisciente." Educalingo.*

         https://educalingo.com/es/dic-es/omnisciente

         2018

Prince, Gerald. "The Disnarrated," in Style 22 (1988): 1–8.

Sternberg, Meir. "Omniscience in Narrative Construction: Old Challenges and New." Poetics Today 28.4 (Winter 2007): 683-794.*

DOI: 10.1215/03335372-2007-012

         https://www.academia.edu/34624022/

         2019

Wolff, Cynthia G. "Who is the Narrator of Vanity Fair and Where is he Standing?" College Literature 1 (1974): 190-203.

 

 

We-narratives

 

Alber, Jan. "The Social Minds in Factual and Fictional We-Narratives of the Twentieth Century." Narrative 23.2 (May 2015): 213-25.*

Bekhta, Natalya. "Emerging Narrative Situations: A Definition of We-Narratives Proper." In Emerging Vectors of Narratology. Ed. Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid. Berlin and Boston: de Gruyter, 2017. 101-26.*

Fludernik, Monika. "The Category of 'Person' in Fiction: You and We Narrative—Multiplicity and Indeterminacy of Reference." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.*

Morris, Adalaide. "First Persons Plural in Contemporary Feminist Fiction." Tulsa Studies in Women's Literature 11 (1992): 11-29.

 

 

 

 

Witness narrators

 

Bayley, John "Night Train." New York Review of Books 40.12 (24 June 1993): 20-22.  (Witness narratives).

Kawin, Bruce F. The Mind of the Novel: Reflexive Fiction and the Ineffable. Princeton (NJ): Princeton UP, 1982.*

Paris, Bernard. Conrad's Charlie Marlow. Palgrave, 2006.

 

See also First-person narrative; Unreliable narrative.

 

 

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Postmodernidad y Postmodernismo

      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...