martes, 14 de noviembre de 2023

Cine y Literatura

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Literature and Film

 

Literature and film: general

Early works (to 1960)

Miscellaneous

Adaptation

Drama and film

Novel and film

Poetry and film

 

 

Literature and Film: General

 

 

Badelli, P. El cine y la obra literaria. Buenos Aires: Galerna, 1970.

Beja, Morris. Film and Literature: An Introduction. New York: Longman, 1979. (Shakespeare, etc.).

Bluestone, George. Novels into Films: The Metamorphoses of Fiction into Cinema. Berkeley: U of California P, 1957.   1973.

Company, J. M. El trazo de la letra en la imagen: Texto literario y texto fílmico. Madrid: Cátedra, 1987.

Reynolds, Peter. Novel Images: Literature in Performance. London: Routledge, 1993.

Stam, Robert. Literature Through Film: Realism, Magic, and the Art of Adaptation. Oxford: Blackwell, 2004.

Stam, Robert, and Alessandra Raengo. A Companion to Literature and Film. (Blackwell Companions in Cultural Studies). Oxford: Blackwell, 2004.

Urrutia, J. Imago litterae: Cine, literatura. Sevilla: Alfar, 1984.

Utrera, R. Literatura cinematográfica: cinematografía literaria. Sevilla: Alfar, 1987.

 

 

Early works

 

Bazin, André. Qu'est-ce que le cinéma? 4 vols. Paris: Editions du Cerf, 1958-65.

_____. From What Is Cinema? ("Theater and Cinema"). 1951. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 408-18.*

_____. "Adaptation, or the Cinema as Digest." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 19-27.*

Benedek, Laszlo. "Play into Picture." Sight and Sound 22 (Autumn 1952): 82-4, 96.

Bluestone, George. Novels into Films: The Metamorphoses of Fiction into Cinema. Berkeley: U of California P, 1957.   1973.

Eichenbaum, Boris. "Literature and Cinema." Trans. T. L. Aman. Twentieth Century Studies 8 (1972).

Eisenstein, S. M. "Dickens, Griffith, and the Film Today." In Eisenstein, Film Form: Essays in Film Theory. Trans. Jay Leyda. New York: Harcourt, 1949.

Knight, Arthur. "Three Problems in Film Adaptation." Saturday Review 18 Dec. 1954.

Magny, Claude-Edmonde. L'Age du roman américain. Paris: Seuil, 1948. 1968.

_____. The Age of the American Novel: The Film Aesthetic of Fiction Between the Two Wars. Trans. Eleanor Hochman. New York: Ungar, 1972.

Nicol, Allardyce. Film and Theatre. London, 1936.

_____. Film and Theatre. Arno Press, 1972.

Shklovski, Viktor. "Literatur und Kinematograph." 1923. In Formalismus, Strukturalismus und Geschichte. Kronberg: Scriptor, 1974. 22-41.

Shelley, Frank. Stage and Screen. (Film Quarterly Series). London, 1946.

Sternberg, Joseph von. "Acting in Film and Theatre." In Focus on Film and Theatre. Ed. James Hurt. New Jersey, 1974. 80-98.

Vardac, Nicholas. Stage to Screen. New York, 1968.

Vardac, A. N. Stage to Screen. Cambridge (MA), 1949.

Williams, W. E. "Film and Literature." Sight and Sound 4 (Winter 1935): 164-5.

 

 

 

Miscellaneous

 

Alvar, Carlos. "Cardenio y Luscinda en el cine mudo: Algunas reflexiones a partir del Quijote (I, XXIII-XXVII)." In Cartografía literaria: En homenaje al profesor José Romera Castillo. Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018. 1.1031-52. Online at Academia.*

         https://www.academia.edu/41019749/

         2019

Bienstock, Beverly Gray. "Focus Pocus: Film Imagery in Bend Sinister." In Nabokov's Fifth Arc: Nabokov and Others on His Life's Work. Ed. J. E. Rivers and Charles Nicol. Austin: U of Texas P, 1982. 125-38.*

Bravo, J. M. "La importancia de la literatura como punto de partida del arte cinematográfico." In La Literatura en lengua inglesa y el Cine. Ed. J. M. Bravo. Valladolid: ICE Universidad de Valladolid, 1993. 11-28.

_____, ed. La Literatura en lengua inglesa y el Cine. Valladolid: ICE Universidad de Valladolid, 1993.

Cartmell, Deborah, I. Q. Hunter, Heidi Kaye and Imelda Wheelan, eds. Pulping Fictions: Consuming Culture across the Literature/Media Divide. London: Pluto Press, 1996.

Cattrysse, P. "Film (Adaptation) as Translation: Some Methodological Proposals." Target 4.1 (1992): 53-70.

_____. "The Study of Film Adaptation: A State of the Art and Some New Functional Proposals." In Transvases culturales: Literatura, cine, traducción. Ed. F. Eguíluz et al. Vitoria: U del País Vasco, 1994. 37-51.

Denisoff, Dennis. Sexual Visuality from Literature to Film 1850-1950. (Palgrave Studies in Nineteenth-Century Writing and Culture). Oxford: Oxford UP, 2004.

Eidsvik, Charles. "Soft Edges: The Art of Literature and the Medium of Film." Literature Film Quarterly 2.1 (1974): 16-21.

Los escritores frente al cine. Madrid: Fundamentos, 1981.

Gómez López, Encarnación. "Cine y literatura: interrelaciones y nuevas perspectivas." Actas de la IX Semana de Estudios Germánicos. Madrid: Ediciones Clásicas, 1999.

Hostkotte, Silke. "Seeing or Speaking: Visual Narratology and Focalization, Literature to Film." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 170-92.* (Kafka, Haneke, Walser, Stephen and Timothy Quay, Institute Benjamenta or This Dream People Call Human Life).

Khouri-Saliba, May. "Texte et cinéma: un croisement interactif." In Le Texte Cendrarsien: Actes du Colloque International de Grenoble. Grenoble: Centre de création littéraire de Grenoble / CCL Éditions, 1988. 247-52.*

Martín, Sara. "Writers on the Screen: The Literary Oscars." In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 293-96.*

_____, ed. Word and Screen. Special issue of Links and Letters 6 (April 1999).

Paz Gago, José María. "Cine y literatura en el ámbito comparativo." In Liceus.com: E-Excellence

http://www.liceus.com/cgi-bin/aco/lit_comp/temas.asp

2005-05-05

Peña Ardid, Carmen. "Estudio de las relaciones entre cine y literatura: la influencia cinematográfica en la novela española de postguerra." Ph.D. diss. Universidad de Zaragoza, 1990.

_____. Literatura y cine: Una aproximación comparativa. Madrid: Cátedra, 1992.

Perez, Gilberto. "Landscape and Fiction: A Day in the Country." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 129-53.* (Renoir).

Ray, Robert B. "The Field of 'Literature and Film'." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 38-53.*

Ross, T. J., ed. Film and the Liberal Arts. New York, 1970.

Ruhe, Edward . "Film: The Literary Approach." Literature/Film Quarterly 1.1 (1973): 76-83.

Saalbach, M. "La literatura en versión cinematográfica: posibilidades y límites de la transposición." In Transvases culturales: Literatura, cine, traducción. Ed. F. Eguíluz et al. Vitoria: U del País Vasco, 1994. 417-23.

Santamaría, José Miguel, et al., eds. Transvases culturales: Literatura, cine y traducción. Vitoria: U del País Vasco, 1997.

Urrutia, Jorge. La literatura española en el cine: Bases para un estudio. 1972.

Vondrak, Amy. "'The Sequence of Motion and Fact': Cubist Collage and Filmic Montage in Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY): Boydell & Brewer-Camden House, 2004. 257-79.*

Warhol, Robyn R. "Neonarrative; or, How to Render the Unnarratable in Realist Fiction and Contemporary Film." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 220-31.*

 

 

 

Anthologies

 

Stam, Robert, and Alessandra Raengo, eds. Literature and Film: A Reader. Oxford: Blackwell, 2004.

 

 

 

 

 

Blogs

 

Cine y literatura

         http://cine-y-literatur.blogspot.com/

         2011

 

 

Journals

 

 

Fotocinema: Revista científica de cine y literatura 16 (2018). Universidad de Málaga-UMA Editorial, 2018.*

         http://www.revistas.uma.es/index.php/fotocinema/article/view/4093/3808

         2018

 

Literature / Film Quarterly

Salisbury State College

Salisbury, Maryland 21801

USA

Vol. 24.3 (1996).*

 

 

 

 

 

Video

 

 

Gutiérrez Aragón, Manuel. "En busca de la escritura fílmica." (Ingreso Manuel Gutiérrez Aragón). YouTube (RAEInforma) 27 Jan. 2016.*

         https://youtu.be/yf_cbF1khwA

         2016

Villanueva, Darío. "El Quijote antes del cinema." Inaugural discourse at the Real Academia Española, 8 June 2008. YouTube (RAEinforma) 28 April 2013.*

         https://youtu.be/unK4TG1ieW4

         2015

 

 

 

 

 

Adaptation

 

Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge UP, 2002.* (Intermedia adaptation).

Andrew, Dudley. From Concepts in Film Theory ("Adaptation"). 1984. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 452-60.*

_____. "Adaptation." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 28-37.*

Aragay, Mireia. "Reflection to Refraction: Adaptation Studies Then and Now." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 11-34.*

_____, ed. Books in Motion: Adaptation, Intertextuality, Authorship. (Contemporary Cinema, 2). Amsterdam and New York: Rodopi, 2005.*

http://www.rodopi.nl/functions/search.asp?BookId=COCI+2

2005-12-13

_____, ed. Books in Motion. Online texts at Net Sight de José Angel García Landa (Google Preview Wizard). 2008.*

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/booksinmotion.html

2008

http://personal.unizar.es/garciala/publicaciones/booksinmotion.html

2019

Aragay, Mireia, and Gemma López. "Inf(l)ecting Pride and Prejudice: Dialogism, Intertextuality, and Adaptation." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 201-19.*

Bacchilega, Cristina. Fairy Tales Transformed? Twenty-First-Century Adaptations and the Politics of Wonder. Michigan: Wayne State UP, 2013.

Bazin, André. "Adaptation, or the Cinema as Digest." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 19-27.*

Bernstein, Matthew. "High and Low: Art Cinema and Pulp Fiction in Yokohama." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 172-89.* (Kurosawa, 1963).

Berthelot, Francis. "Narratologie thématique et narratologie discursive: le cas des transfictions." In Narratologies contemporaines: Nouveaux paradigmes pour la théorie et l'analyse du récit. Ed. John Pier and Francis Berthelot. Paris: Editions des Archives Contemporaines, 2010.  75-90.

Bluestone, George. Novels into Films: The Metamorphoses of Fiction into Cinema. Berkeley: U of California P, 1957.   1971. 1973.

Brown, Lathleen L. Teaching Literary Theory Using Film Adaptations. 2009.

Cañuelo Sarrión, Susana "Adaptación cinematográfica y traducción: En busca de normas de transferencia en el ámbito hispano-alemán." In Trasvases culturales: Literatura – Cine – Traducción. Ed. Raquel Merino, J. M. Santamaría, and Eterio Pajares. Bilbao: Servicio editorial de la Universidad del País Vasco, 2005. 39-54.*

Cartmell, Deborah. "Introduction" (to Part II, "From Screen to Text and Multiple Adaptations"). In Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999. 143-45.*

_____. "Introduction." (to Part II, "From Text to Screen"). In Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999. 23-28.*

Cartmell, Deborah, and Imelda Whelehan. "Harry Potter and the Fidelity Debate." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 37-49.*

_____, eds. Adaptations: From Text to Screen, Screen to Text. London: Routledge, 1999.*

Conditto, Kerry L. Problèmes de l'adaptation filmique d'un texte littéraire: Études comparées de Madame Bovary de Gustave Flaubert et du Colonel Chabert d'Honoré de Balzac. MA diss. U of North Texas, 1998. Online at UNT Digital Library.*

         https://digital.library.unt.edu/ark:/67531/metadc279118/m1/1/

         2017

DeBona, Guerric, O.S.B. "Dickens, the Depression, and MGM's David Copperfield. In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 106-28.*

Diehl, Karen. "Once upon an Adaptation: Traces of the Authorial on Film." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 89-106.*

Elleström, Lars. "Adaptation and Intermediality." From The Oxford Handbook of Adaptation Studies. Oxford: Oxford UP. Online at Academia. 2017.*

         https://www.academia.edu/31802295/Adaptation_and_Intermediality

         2017

Elliott, Kamilla. "Literary Film Adaptation and the Form/Content Dilemma." In Narrative across Media: The Languages of Storytelling. Ed. Marie-Laure Ryan. Lincoln: U of Nebraska P, 2004. 220-43.*

Fernández Nistal, P. "Tipología de las adaptaciones cinematográficas de obras literarias inglesas." In La Literatura en lengua inglesa y el Cine. Ed. J. M. Bravo. Valladolid: ICE Universidad de Valladolid, 1993. 29-40.

García Landa, José Ángel. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. (Contemporary Cinema, 2). Amsterdam and New York: Rodopi, 2005. 181-99.*

http://www.rodopi.nl/functions/search.asp?BookId=COCI+2

Online PDF:

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/Adaptation.pdf

2005

http://personal.unizar.es/garciala/publicaciones/Adaptation.pdf

2019

_____. "Adaptation, Appropriation, Retroaction." Online text of Books in Motion (Google Preview Wizard):

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/booksinmotion.html

2008

_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Zaguán 6 Feb. 2009.*

http://zaguan.unizar.es/record/1988

2009

_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Academia 25 April 2009.*

https://www.academia.edu/178881/

2014

https://www.academia.edu/104883550/

2023

_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Social Science Research Network 4 June 2010.*

         http://ssrn.com/abstract=1620234

         2010

         Cognition & the Arts eJournal 5 June 2010.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2013

         Cognition & Culture: Culture, Communication, Design, Ethics, Morality, Religion, Rheotirc & Semiotics eJournal 5 June 2010.*

         http://www.ssrn.com/link/Cognition-Culture.html

         2013

         Literary Theory and Criticism eJournal 5 June 2010.*

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalBrowse&journal_id=949618

         2012

English & Commonwealth Literature eJournal 5 June 2010.*

http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?npage=1&form_name=journalBrowse&journal_id=949552

2012

Film eJournal 5 June 2010.*

http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalBrowse&journal_id=950802

2013

_____. "Adaptation, Appropriation, Retroaction" PDF Search Pro.*

         http://pdfsearchpro.com/adaptation-appropriation-retroaction-symbolic-interaction-with-pdf.html

         2011

_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." ResearchGate 29 Sept. 2012.*

         https://www.researchgate.net/publication/33419606

         2012

_____. "Film Adaptation, ed. James Naremore." In García Landa, Vanity Fea 22 Oct. 2006.

http://garciala.blogia.com/2006/102201-film-adaptation-ed.-james-naremore-.php

         2006-11-01

Geraghty, Christine. Now a Major Motion Picture: Film Adaptations of Literature and Drama. 2007.

Hutcheon, Linda. "Metamorphing: Intertextuality, Adaptation, and Cultural Types." In  Symbolism Vol. 5 (2005) – ("Special Focus: Intertextuality"). Brooklyn (NY): AMS Press, 2005. 61-75.*

_____. A Theory of Adaptation. Abingdon: Routledge, 2006.

Jividen, Jill. "8. Cinema and Adaptations." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 76-85.*

Kidnie, Margaret Jane. Shakespeare and the Problem of Adaptation: Forms of Possibility. Abingdon: Routledge, 2009.

Knight, Arthur. "Three Problems in Film Adaptation." Saturday Review 18 Dec. 1954.

Leitch, Thomas. "Twelve Fallacies in Adaptation Theory." Criticism 45.2 (2003): 149-171. (Vs. Chatman).

_____. "The Adapter as Auteur: Hitchcock, Kubrick, Disney." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 107-24.*

Lothe, Jakob. "James Joyce's 'The Dead' and John Huston's The Dead." In Lothe, Narrative in Fiction and Film: An Introduction. Oxford: Oxford UP, 2000. 127-56.*

_____. "Joseph Conrad's Heart of Darkness and Francis Ford Coppola's Apocalypse Now." In Lothe, Narrative in Fiction and Film: An Introduction. Oxford: Oxford UP, 2000. 157-96.*

Maltby, Richard. "'To Prevent the Prevalent Type of Book': Censorship and Adaptation in Hollywood, 1924-1934." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 79-105.*

Martín Alegre, Sara, María Elena Rodríguez Martín and Gerardo Rodríguez Salas. "El relato corto en inglés y en el cine." In AEDEAN XXX: Proceedings of the 30th International AEDEAN Conference. [Huelva, 2006]. Ed. María Losada Friend et al. Huelva: U de Huelva, 2007.*

McCarthy, Margaret. "Adaptation and Autobiographical Auteurism: A Look at Filmmaker/Writer Doris Dörrie." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 125-42.*

McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon, 1996.*

Milton, John. "Between the Cat and the Devil: Adaptation Studies and Translation Studies." Journal of Adaptation in Film and Performance 2.1 (2009): 47-64.

Naremore, James, "Introduction: Film and the Reign of Adaptation." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 1-16.*

_____, ed. Film Adaptation. (Rutgers Dept of Field Series). New Brunswick (NJ): Rutgers UP,  2000.*

_____, ed. Film Adaptation. London: The Athlone Press, 2000.

Nicol, Allardyce. Film and Theatre. London, 1936.

_____. Film and Theatre. Arno Press, 1972.

Nowaira, Amira. "Text and Pretext: Reading Cultural and Ideological Paradigms in the Hollywood and Egyptian Movie Adaptations of Tolstoy's Anna Karenina." In Semiotic Encounters: Text, Image and Trans-Nation. Ed. Sarah Säckel et al. Amsterdam and New York: Rodopi, 2009. 239-46.*

Ortega, Dolors. "Deterritorialising Patriarchal Binary Oppositions: Deleuze & Guattari, Virginia Woolf, Masculinities and Film Adaptations." Ph.D. diss. U de Barcelona, 2012. Online at Dipòsit Digital Universitat de Barcelona.*

http://diposit.ub.edu/dspace/bitstream/2445/53193/5/DOA_PhD_THESIS.pdf

2022

Pardo García, Pedro Javier. "Beyond Adaptation: Frankenstein's Postmodern Progeny." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 223-42.*

Paul, Joanna. "Homer and Cinema: Translation and Adaptation in Le Mépris." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 148-66.*

Redondo Sánchez, Carlos. "Expiación, de la novela al film." 1616: Anuario de Literatura Comparada 1 (2011): 307-24. (Ed. U de Salamanca; Ian McEwan, Joe Wright). Online at Internet Archive.*

https://web.archive.org/web/20200710102829/https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/download/8350/9840

         2022

Richardson, Robert. Literature into Film. Bloomington, 1973.

Rosenbaum, Jonathan. "Two Forms of Adaptation: Housekeeping and Naked Lunch." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 206-20.* (Marilynne Robinson, Housekeeping, Bill Forsyth's Housekeeping; W. Burroughs, Cronenberg).

Sadlier, Darlene J. "The Politics of Adaptation: How Tasty Was My Little Frenchman." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 190-205.* (Pereira dos Santos).

Sadoff, Dianne F. Victorian Vogue: British Novels on Screen. 2010.

Sáenz Romo, Silvia. "Dos adaptaciones cinematográficas de Solaris de Stanislaw Lem." MA diss. U de La Rioja, 2015.

         https://investigacion.unirioja.es/documentos/5e4a8526299952031e843490/f/5e4a8526299952031e84348f.pdf

         2022

Sanders, Julie. Adaptation and Appropriation. Abingdon: Routledge, 2006.

_____. Adaptation and Appropriation. 2nd ed. (The New Critical Idiom). London: Routledge, 2016.

Sheen, Erica. "Introduction". In The Classic Novel: From Page to Screen. Eds. R. Giddings and E. Sheen. Manchester: Manchester UP, 2000.

Sinyard, Neil. Filming Literature: The Art of Screen Adaptation. London: Croom Helm, 1996. (Shakespeare, etc.).

Skoller, Donald. "Problems of Transformation in the Adaptation of Shakespeare's Tragedies from Play-Script to Cinema." Ph.D. diss. New York U, 1968.

Stam, Robert. "Beyond Fidelity: The Dialogics of Adaptation." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 54-76.*

_____. Literature Through Film: Realism, Magic, and the Art of Adaptation. Oxford: Blackwell, 2004.

Stern, Lesley. "Emma in Los Angeles: Remaking the Book and the Film." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 221-38.*

Trivedi, Harish. "Anglophone Transnation, Postcolonial Translation: The Book and the Film as Namesakes." In Semiotic Encounters: Text, Image and Trans-Nation. Ed. Sarah Säckel et al. Amsterdam and New York: Rodopi, 2009. 31-50.*

Sun, Weiwei. "Narrativa literaria y narrativa cinematográfica: Sorgo Rojo de Mo Yan y de Zhang Yimou." MA diss. U de La Rioja, 2013. Online at Portal de la Investigación – Universidad de La Rioja.*

         https://investigacion.unirioja.es/documentos/5e4a84372999527f5489dc6f/f/5e4a84372999527f5489dc6e.pdf

         2022

Wallhead, Celia. "Vision and Feeling: Novel versus Film in John Fowles' Daniel Martin." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*

Vidal, Belén. "Playing in a Minor Key: The Literary Past through the Feminist Imagination." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 263-85.*

Wells, Paul. "'Thou Art Translated': Analysing Animated Adaptation." In Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999. 199-213.*

Whelehan, Imelda. "Adaptations: The Contemporary Dilemma." In Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999. 3-18.*

Zatlin, Phyllis. Theatrical Transition and Film Adaptation: A Practitioner's View. Clevedon: Multilingual Matters, 2005.

 

 

 

Films

 

Adaptation (The Orchid Thief). Dir. Spike Jonze. Written by Charlie Kaufman and Donald Kaufman. Story by Charlie Kaufman (partly based on the book The Orchid Thief, by Susan Orlean). Cast: Nicolas Cage, Meryl Streep, Chris Cooper. DVD. Spain: Lauren Films / Intermedia, 2003.*

 

 

 

 

 

Journals

 

 

Journal of Adaptation in Film and Performance

Vol. 5.1 (2012).

 

 

 

 

See also Drama and Film; Literature and Film; Novel and film; Shakespeare and film; Intertextuality (Other intertextual modes. Adaptation).

 

 

 

 

 

Drama and Film

 

Alpert, Hollis. "Movies Are Better than the Stage." Saturday Review 23 July 1955: 5-6, 31-32.

Anderegg, Michael. "Welles/Shakespeare/Film: An Overview." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 154-71.*

Bazin, André. Qu'est-ce que le cinéma? 4 vols. Paris: Editions du Cerf, 1958-65.

_____. From What Is Cinema? ("Theater and Cinema"). 1951. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 408-18.*

Benedek, Laszlo. "Play into Picture." Sight and Sound 22 (Autumn 1952): 82-4, 96.

Brandt, George. "Cinematic Structure in the Work of Tennessee Williams." In American Theatre. Ed. John Russell Brown and Bernard Harris. (Stratford-upon-Avon Studies 10). London: Edward Arnold, 1967. 163-87.

Brewster, Benjamin, and Lea Jacobs. Theatre to Cinema: Stage Pictorialism and the Early Feature Film. Oxford: Clarendon Press, 1997.

Brown, John Russell, ed. Drama and the Theatre, with Radio, Film and Television. London, 1968.

Davies, Anthony.  Filming Shakespeare's Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa.  Cambridge: Cambridge UP, 1988.*

Davies, Anthony, and Stanley Wells, eds. Shakespeare and the Moving Image: The Plays on Film and Television. Cambridge: Cambridge UP, 1994.

Gerdes, Peter R. "Film and/or Theatre: Some Introductory Comments." Australian Journal of Screen Theory 7 (1980): 4-17.

Godfrey, Lionel. "It Wasn't Like That in the Play." Films and Filming (August 1967): 4-8.

Henderson, Diana E. Uneasy Collaborations: Rewriting Early Modern Drama across Time and Media. Forthcoming 1999.

Holderness, Graham. "Radical Potentiality and Institutional Closure: Shakespeare in Film and Television." In Political Shakespeare. Ed. Jonathan Dollimore and Alan Sinfield. Manchester, 1985.

Hurt, James, ed. Focus on Film and Theatre. New Jersey, 1974.

Jackson, Russell. "From Play-Script to Screenplay." In The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge UP, 2000. 2004. 15-34.*

Kauffmann, Stanley. "Notes on Theatre and Film." In Focus on Film and Theatre. Ed. James Hurt. New Jersey, 1974. 67-77.

Kracauer, Siegfried. "The Theatrical Story." In Kracauer, Theory of Film. Princeton (NJ): Princeton UP, 1997. 215-31.*

Manvell, Roger. Theater and Film. London, 1979.

McCready, Marsha. "Henry V on Stage and Film." Literature/Film Quarterly 5 (1977).

Nicol, Allardyce. Film and Theatre. London, 1936.

_____. Film and Theatre. Arno Press, 1972.

_____. "Film Reality: The Cinema and the Theatre." In Focus on Film and Theatre. Ed. James Hurt. Englewood Cliffs (NJ): Prentice Hall, 1974. 29-50.

Ornstein, Robert. "Interpreting Shakespeare: The Dramatic Text and the Film." University of Daytona Review 14 (1979): 55-61.

Potter, Henry C., George Roy Hill and Gene Saks. "Stage to Film." Action 3.5 (1968): 12-14.

Reddington, John. "Film, Play and Idea." Literature/Film Quarterly 1.4 (1973): 367-71.

Shelley, Frank. Stage and Screen. (Film Quarterly Series). London, 1946.

Skoller, Donald. "Problems of Transformation in the Adaptation of Shakespeare's Tragedies from Play-Script to Cinema." Ph.D. diss. New York U, 1968.

Sontag, Susan. "Film and Theatre." In Film Theory and Criticism. Ed. Gerald Mast and Marshall Cohen. New York, 1974. 209-32.

Sternberg, Joseph von. "Acting in Film and Theatre." In Focus on Film and Theatre. Ed. James Hurt. New Jersey, 1974. 80-98.

Styan, J. L. "Sight and Space: The Perception of Shakespeare on Stage and Screen." In Shakespeare: Pattern of Excelling Nature. Ed. D. Bevington and J. L. Halio. Newark, 1978. 198-209.

Vardac, Nicholas. Stage to Screen. New York, 1968.

Vardac, A. N. Stage to Screen. Cambridge (MA), 1949.

 

 

 

 

 

 

Novel and Film

 

Bazin, André. "In Defense of Mixed Cinema." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 719-32.*

Bluestone, George. Novels into Films: The Metamorphoses of Fiction into Cinema. Berkeley: U of California P, 1957.   1973.

Cabrera Infante, G. "Scenario o de la novela al cine sin pasar por la pantalla". Revista de Occidente (1984).

Calvino, Italo. "Cinema and the Novel: Problems of Narrative." In Calvino, The Literature Machine. Trans. Patrick Creagh. London: Pan/Secker & Warburg, 1987. 74-80.*

Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978.*

_____. "What Novels Can Do That Films Can't (and Vice Versa)." In On Narrative . Ed. W. J. T. Mitchell. Chicago: U of Chicago P, 1981.*

Cohen, Keith. Film and Fiction: The Dynamics of Exchange. New Haven: Yale UP, 1979.

_____. From Film and Fiction: The Dynamics of Exchange. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 696-718.*

Cornut-Gentille d'Arcy, Chantal. "Iconography and Ideology in Twentieth Century Film Adaptations of Dickens's Novels." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 145-60.*

Eisenstein, S. M. "Dickens, Griffith, and the Film Today." In Eisenstein, Film Form: Essays in Film Theory. Trans. Jay Leyda. New York: Harcourt, 1949.

Elliott, Kamilla. Rethinking the Novel/Film Debate. 2009.

Fell, J. J. El filme y la tradición narrativa. Buenos Aires: Tres tiempos, 1977.

Fulton, Helen. "8. Novel to Film." In Helen Fulton et al., Narrative and Media. Cambridge: Cambridge UP, 2005. 96-107.*

Giddings, Robert, Keith Selby and Chris Wensley. Screening the Novel: the Theory and Practice of Literary Dramatization. London: Macmillan, 1990.

Giddings, R., and Erica Sheen, eds. The Classic Novel: From Page to Screen. Manchester: Manchester UP, 2000.

Hurt, James, ed. Focus on Films and Theatre. New Jersey, 1974.

Jay, H. "Hollywood and American Literature: The American Novel on the Screen." English Journal (Jan. 1977): 82-86.

Kracauer, Siegfried. "Interlude: Film and Novel." In Kracauer, Theory of Film. Princeton (NJ): Princeton UP, 1997. 232-44.*

Magny, Claude-Edmonde. L'Age du roman américain. Paris: Seuil, 1948. 1968.

_____. The Age of the American Novel: The Film Aesthetic of Fiction Between the Two Wars. Trans. Eleanor Hochman. New York: Ungar, 1972.

Martín Alegre, Sara. Siete relatos góticos: Del papel a la pantalla. Madrid: La Barca de Caronte - Jaguar, 2006.

McFarlane, Brian. Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon, 1996.*

Morrissette, Bruce. Novel and Film: Essays in Two Genres. Chicago: U of Chicago P, 1985.

Mínguez Arranz, Norberto. La novela y el cine: Análisis comparado de dos discursos narrativos. Valencia: Ediciones de la Mirada, 1998.

Reynolds, Peter, ed. Novel Images: Literature in Performance. London: Routledge, 1993.

Sheen, Erica. "Introduction". In The Classic Novel: From Page to Screen. Eds. R. Giddings and E. Sheen. Manchester: Manchester UP, 2000.

Shinn, Thelma J. "Gender Images and Patterns from Novel to Film." In Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 451-59.*

Sontag, Susan. "A Note on Novels and Films." In Sontag, Against Interpretation. London: Deutsch, 1987. 242-7.

Vayone, F. Récit écrit. Récit filmique. Paris: Nathan, 1991.

Wagner, G. A. The Novel and the Cinema. New Jersey: Farleigh Dickinson UP, 1975.

 

 

Journals

 

Cartmell, Deborah, coed. Film/Fiction. Annual. 1996-.

 

 

See also Literature and Film; Adaptation.

 

 

 

 

 

Poetry and film

 

Deren, Maya. "Poetry and the Film: A Symposium." In Film Culture Reader. Ed. P. Adams Sitney. New York, 1970.

Gubern, Román. Proyector de luna: La Generación del 27 y el cine. Barcelona: Anagrama, 1999.

Pasolini, P. P. "The Cinema of Poetry." Cahiers du Cinéma in English 6 (1966): 34-43.

Paul, Joanna. Film and the Classical Epic Tradition. Ph.D. U of Bristol, forthcoming Oxford UP 2008.

 

 

 

 

 

 

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      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...