A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Ideology and Film
Andrés Lacasta, José Alberto, ed. Cine y violencia contra la mujeres: Un enfoque caleidoscópico. 2020.
Baudry, Jean-Louis. "Ideological Effects of the Basic Cinematographic Apparatus." 1970. Trans. Alan Williams. In Narrative, Apparatus, Ideology: A Film Theory Reader. Ed. Philip Rosen. New York: Columbia UP, 1970.
_____. "Ideological Effects of the Basic Cinematographic Apparatus." 1970. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 345-55.* (The subject; identification).
_____. "The Apparatus." Camera obscura 1 (Fall 1976).
_____. "The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema." 1975. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 760-77.*
Bernstein, Matthew, and Gaylyn Studlar, eds. Visions of the East: Orientalism in Film. 1997.
Carroll, Noël. Mystifying Movies: Fads and Fallacies in Contemporary Film Theory. New York: Columbia UP, 1988.
_____. From Mystifying Movies ("Jean-Louis Baudry and 'The Apparatus'"). In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 778-94.*
Comolli, Jean-Louis. "Technique and Ideology: Camera, Perspective, Depth of Field." In Movies and Methods. Vol. 2. Ed. Bill Nichols. London: U of California P, 1985.
_____. "Technique et idéologie." Cahiers du Cinéma 229 (1971)-241.
_____. "Technique and Ideology: Camera, Perspective, Depth of Field." Film Reader 2 (1977): 132-8. Trans. of the first part of "Technique et idéologie."
_____. "Machines of the Visible." In The Cinematic Apparatus. Ed. Teresa de Lauretis and Stephen Heath. London: Macmillan; New York: St Martin's, 1980.
Comolli, Jean-Luc, and Jean Narboni. "Cinema / Ideology / Criticism." 1969. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 752-59.*
Cornut-Gentille d'Arcy, Chantal. "Iconography and Ideology in Twentieth Century Film Adaptations of Dickens's Novels." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 145-60.*
Curtis, Morgan. "Film as a Tool for Conflict Transformation." TFM U Jaume I, 2016. Online at Repositori Universitat Jaume I.*
http://repositori.uji.es/xmlui/bitstream/handle/10234/165865/TFM_2016_ Curtis_Morgan.pdf
2017
de Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: Indiana UP, 1984.
_____. "Through the Looking Glass." In The Cinematic Apparatus. Ed. Teresa de Lauretis and Stephen Heath. New York; St. Martin's, 1980.
de Lauretis, Teresa, and Stephen Heath, eds. The Cinematic Apparatus. London: Macmillan; New York: St Martin's, 1980.
Deleyto, Celestino. Ángeles y demonios: Representación e ideología en el cine contemporáneo de Hollywood. Barcelona: Paidós, 2003. (Co-winner of the Enrique García Díez AEDEAN research prize 2003).
Deleyto, Celestino, Chantal Cornut-Gentille D'Arcy, Luis Miguel García Mainar, Monica Stacconi, Juan A. Tarancón and María del Mar Azcona. "'Forget Your Troubles and Be Happy': Una aproximación etnográfica a la ideología del entretenimiento en el cine estadounidense contemporáneo." Atlantis 24.2 (December 2002): 59-72.*
Friedberg, Anne. "Cinema and the Postmodern Condition." In Viewing Positions. Ed. Linda Williams. New Brunswick: Rutgers UP, 1995. 59-86.*
Fuery, Patrick. "The Ideology of Love: Film and Culture." In Fuery, New Developments in Film Theory. Houndmills: Macmillan, 2000.
Galván-Álvarez, Enrique. "Epistemic Violence and Retaliation: The Issue of Knowledges in Mother India." Atlantis 32.2 (Dec. 2010): 11-26.* (Mehboob Khan, 1957).
García Landa, José Ángel. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. (Contemporary Cinema, 2). Amsterdam and New York: Rodopi, 2005. 181-99.*
http://www.rodopi.nl/functions/search.asp?BookId=COCI+2
Online PDF:
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/Adaptation.pdf
2005-12-13
Online text of the book (Google Preview Wizard):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/booksinmotion.html
2008
_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Zaguán 6 Feb. 2009.*
http://zaguan.unizar.es/record/1988
2009
_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Academia 25 April 2009.*
2009
_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Social Science Research Network 4 June 2010.*
http://ssrn.com/abstract=1620234
2010
Gidal, Peter. "Technology and Ideology in/through/and Avant-Garde Film: An Instance." In The Cinematic Apparatus. Ed.Teresa de Lauretis and Stephen Heath.
Gledhill, Christine. "Recent Developments in Feminist Criticism." Quarterly Review of Film Studies 3.4 (1978): 457-93. (Representation, realism, ideology, Barthes, Althusser, myth, psychoanalysis, Lacan).
_____. "Recent Developments in Feminist Criticism." 1978. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 251-72.
Grieveson, Lee. "Fighting Films: Race, Morality and the Governing of Cinema, 1912-1915." Cinema Journal 38.1 (Fall 1998): 40-72.
Hall, Stuart. "The Rediscovery of Ideology: The Return of the Repressed in Media Studies." In Subjectivity and Social Relations. Ed. Veronica Beechey and James Donald. Milton Keynes: Open UP, 1985.
Heath, Stephen. "Jaws, Ideology and Film Theory." Times Higher Education Supplement 26 March 1976.
Iglesias Turrión, Pablo. Maquiavelo frente a la gran pantalla: Cine y política. Madrid: Akal, 2014.*
Jameson, Fredric. Signatures of the Visible. London: Routledge, 1991. 1993.
Kinder, Marsha. Playing with Power in Movies, Television, and Video Games: From Muppet Babies to Teenage Mutant Ninja Turtles. Berkeley: U of California P, 1991.
Kracauer, S. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton UP, 1947.
_____. "Matters of Content." In Kracauer, Theory of Film. Princeton (NJ): Princeton UP, 1997. 262-82.*
Martín, Sara. "De padre a hijo: la transmisión del discurso patriarcal en el cine de Hollywood (1977-2007)." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.
Martínez Lucena, Jorge. Los antifaces de Dory: Retrato en collage del sujeto posmoderno. 2008.
Nichols, Bill. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana UP, 1985.
Oudart, Jean-Pierre. "Cinema and Suture." Screen 18.4 (1977-8): 35-47.
Pendakur, Manjunath. Indian Popular Cinema. Industry, Ideology and Consciousness. New Jersey: Hampton Press, Inc., 2003.
Rodríguez Serrano, Aarón. "La construcción cinematográfica del odio. Las películas antisemitas del régimen nazi." Revista de Occidente 373 (June 2012): 113-26.*
Rose, Jacqueline. "The Cinematic Apparatus: Problems in Current Theory." In The Cinematic Apparatus. Ed. Teresa de Lauretis and Stephen Heath. London: Macmillan; New York: St Martin's, 1980. 172-86.
Ryan, Michael. "The Politics of Film: Discourse, Psychoanalysis, Ideology." In Marxism and the Interpretation of Culture. Ed. Lawrence Grossberg and Cary Nelson. Urbana: U of Illinois P, 1988. 477-86.
Sanmartín, José J. "Raza, de la Guerra Civil a la manipulación de la Historia." In La República y la Guerra Civil Setenta años después. Ed. Alfonso Bullón de Mendoza and Luis E. Togores. Madrid: Actas, 2008. 2.938-43.* (Francisco Franco).
Smith, Robert. "Deconstruction and Film." In Deconstructions: A User's Guide. Houndmills: Palgrave, 2000. 119-36.*
Smith, Stacy L., Marc Shoueiti, and Katherine Pieper. "Race/Ethnicity in 600 Popular Films: Examining On Screen Portrayals and Behind the Camera Diversity."
2015
Stam, Robert, and Louise Spence. "Colonialism, Racism and Representation." Screen 24.2 (1983) 2-20.
_____. "Colonialism, Racism and Representation: An Introduction." 1983. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 235-250.*
Tomaselli, Keyan. The Cinema of Apartheid: Race and Class in South African Film. Smyrna Press, 1988.
_____. The Cinema of Apartheid: Race and Class in South African Film. London: Routledge, 1989.*
Wilson, George M. Narration in Light: Studies in Cinematic Point of View. Baltimore: Johns Hopkins UP, 1986.
Wood, Robin. "Ideology, Genre, Auteur." 1977. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 668-78.*
_____. "Ideology, Genre, auteur." In Film Genre Reader. Ed. Barry Keith Grant. U of Texas P, 1986.
Bibliography
García Landa, José Angel. "Ideology and film." From A Bibliography of Literary Theory, Criticism and Philology. Online at Academia (Matt Flanco). 2015.*
https://www.academia.edu/4684544/
2015
_____. "Ideology and Film." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Marc Roca Vives) 9 March 2016.*
https://es.scribd.com/doc/303346854/
2016
_____. "Bibliografía sobre cine e ideología." In García Landa, Vanity Fea 9 March 2016.*
http://vanityfea.blogspot.com.es/2016/03/bibliografia-sobre-cine-e-ideologia.html
2016
Series
(National Cinemas). Series ed. Susan Hayward. London: Routledge, c. 2007.*
Video
Iglesias Turrión, Pablo. "Maquiavelo frente a la gran pantalla." Video presenting his book. YouTube (Tuerka Guerrilla) 11 Oct. 2013.*
2014
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