martes, 14 de noviembre de 2023

Cine e ideología

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Ideology and Film

 

 

Andrés Lacasta, José Alberto, ed. Cine y violencia contra la mujeres: Un enfoque caleidoscópico. 2020.

Baudry, Jean-Louis. "Ideological Effects of the Basic Cinematographic Apparatus." 1970. Trans. Alan Williams. In Narrative, Apparatus, Ideology: A Film Theory Reader. Ed. Philip Rosen. New York: Columbia UP, 1970.

_____. "Ideological Effects of the Basic Cinematographic Apparatus." 1970. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 345-55.* (The subject; identification).

_____. "The Apparatus." Camera obscura 1 (Fall 1976).

_____. "The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema." 1975. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 760-77.*

Bernstein, Matthew, and Gaylyn Studlar, eds. Visions of the East: Orientalism in Film. 1997.

Carroll, Noël. Mystifying Movies: Fads and Fallacies in Contemporary Film Theory. New York: Columbia UP, 1988.

_____. From Mystifying Movies ("Jean-Louis Baudry and 'The Apparatus'"). In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 778-94.*

Comolli, Jean-Louis. "Technique and Ideology: Camera, Perspective, Depth of Field." In Movies and Methods. Vol. 2. Ed. Bill Nichols. London: U of California P, 1985.

_____. "Technique et idéologie." Cahiers du Cinéma 229 (1971)-241.

_____. "Technique and Ideology: Camera, Perspective, Depth of Field." Film Reader 2 (1977): 132-8. Trans. of the first part of "Technique et idéologie."

_____. "Machines of the Visible." In The Cinematic Apparatus. Ed. Teresa de Lauretis and Stephen Heath. London: Macmillan; New York: St Martin's, 1980.

Comolli, Jean-Luc, and Jean Narboni. "Cinema / Ideology / Criticism." 1969. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 752-59.*

Cornut-Gentille d'Arcy, Chantal. "Iconography and Ideology in Twentieth Century Film Adaptations of Dickens's Novels." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 145-60.*

Curtis, Morgan. "Film as a Tool for Conflict Transformation." TFM U Jaume I, 2016. Online at Repositori Universitat Jaume I.*

         http://repositori.uji.es/xmlui/bitstream/handle/10234/165865/TFM_2016_ Curtis_Morgan.pdf

         2017

de Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: Indiana UP, 1984.

_____. "Through the Looking Glass." In The Cinematic Apparatus. Ed. Teresa de Lauretis and Stephen Heath. New York; St. Martin's, 1980.

de Lauretis, Teresa, and Stephen Heath, eds. The Cinematic Apparatus. London: Macmillan; New York: St Martin's, 1980.

Deleyto, Celestino. Ángeles y demonios: Representación e ideología en el cine contemporáneo de Hollywood. Barcelona: Paidós, 2003. (Co-winner of the Enrique García Díez AEDEAN research prize 2003).

Deleyto, Celestino, Chantal Cornut-Gentille D'Arcy, Luis Miguel García Mainar, Monica Stacconi, Juan A. Tarancón and María del Mar Azcona. "'Forget Your Troubles and Be Happy': Una aproximación etnográfica a la ideología del entretenimiento en el cine estadounidense contemporáneo." Atlantis 24.2 (December 2002): 59-72.*

Friedberg, Anne. "Cinema and the Postmodern Condition." In Viewing Positions. Ed. Linda Williams. New Brunswick: Rutgers UP, 1995. 59-86.*

Fuery, Patrick. "The Ideology of Love: Film and Culture." In Fuery, New Developments in Film Theory. Houndmills: Macmillan, 2000.

Galván-Álvarez, Enrique. "Epistemic Violence and Retaliation: The Issue of Knowledges in Mother India." Atlantis 32.2 (Dec. 2010): 11-26.* (Mehboob Khan, 1957).

García Landa, José Ángel. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. (Contemporary Cinema, 2). Amsterdam and New York: Rodopi, 2005. 181-99.*

http://www.rodopi.nl/functions/search.asp?BookId=COCI+2

Online PDF:

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/Adaptation.pdf

2005-12-13

Online text of the book (Google Preview Wizard):

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/booksinmotion.html

2008

_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Zaguán 6 Feb. 2009.*

http://zaguan.unizar.es/record/1988

2009

_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Academia 25 April 2009.*

http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/93073/Adaptation--Appropriation--Retroaction--Symbolic-interaction-with-HENRY-V

2009

_____. "Adaptation, Appropriation, Retroaction: Symbolic Interaction with Henry V." Online PDF at Social Science Research Network 4 June 2010.*

         http://ssrn.com/abstract=1620234

         2010

Gidal, Peter. "Technology and Ideology in/through/and Avant-Garde Film: An Instance." In The Cinematic Apparatus. Ed.Teresa de Lauretis and Stephen Heath.

Gledhill, Christine. "Recent Developments in Feminist Criticism." Quarterly Review of Film Studies 3.4 (1978): 457-93. (Representation, realism, ideology, Barthes, Althusser, myth, psychoanalysis, Lacan).

_____. "Recent Developments in Feminist Criticism." 1978. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 251-72.

Grieveson, Lee. "Fighting Films: Race, Morality and the Governing of Cinema, 1912-1915." Cinema Journal 38.1 (Fall 1998): 40-72.

Hall, Stuart. "The Rediscovery of Ideology: The Return of the Repressed in Media Studies." In Subjectivity and Social Relations. Ed. Veronica Beechey and James Donald. Milton Keynes: Open UP, 1985.

Heath, Stephen. "Jaws, Ideology and Film Theory." Times Higher Education Supplement 26 March 1976.

Iglesias Turrión, Pablo. Maquiavelo frente a la gran pantalla: Cine y política. Madrid: Akal, 2014.*

Jameson, Fredric. Signatures of the Visible. London: Routledge, 1991. 1993.

Kinder, Marsha. Playing with Power in Movies, Television, and Video Games: From Muppet Babies to Teenage Mutant Ninja Turtles. Berkeley: U of California P, 1991.

Kracauer, S. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton UP, 1947.

_____. "Matters of Content." In Kracauer, Theory of Film. Princeton (NJ): Princeton UP, 1997. 262-82.*

Martín, Sara. "De padre a hijo: la transmisión del discurso patriarcal en el cine de Hollywood (1977-2007)." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.

Martínez Lucena, Jorge. Los antifaces de Dory: Retrato en collage del sujeto posmoderno. 2008.

Nichols, Bill. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana UP, 1985.

Oudart, Jean-Pierre. "Cinema and Suture." Screen 18.4 (1977-8): 35-47.

Pendakur, Manjunath. Indian Popular Cinema. Industry, Ideology and Consciousness. New Jersey: Hampton Press, Inc., 2003.

Rodríguez Serrano, Aarón. "La construcción cinematográfica del odio. Las películas antisemitas del régimen nazi." Revista de Occidente 373 (June 2012): 113-26.*

Rose, Jacqueline. "The Cinematic Apparatus: Problems in Current Theory." In The Cinematic Apparatus. Ed. Teresa de Lauretis and Stephen Heath. London: Macmillan; New York: St Martin's, 1980. 172-86.

Ryan, Michael. "The Politics of Film: Discourse, Psychoanalysis, Ideology." In Marxism and the Interpretation of Culture. Ed. Lawrence Grossberg and Cary Nelson. Urbana: U of Illinois P, 1988. 477-86.

Sanmartín, José J. "Raza, de la Guerra Civil a la manipulación de la Historia." In La República y la Guerra Civil Setenta años después. Ed. Alfonso Bullón de Mendoza and Luis E. Togores. Madrid: Actas, 2008. 2.938-43.* (Francisco Franco).

Smith, Robert. "Deconstruction and Film." In Deconstructions: A User's Guide. Houndmills: Palgrave, 2000. 119-36.*

Smith, Stacy L., Marc Shoueiti, and Katherine Pieper. "Race/Ethnicity in 600 Popular Films: Examining On Screen Portrayals and Behind the Camera Diversity."

         http://annenberg.usc.edu/pages/~/media/MDSCI/Racial%20Inequality%20in%20Film%202007-2013%20Final.ashx

         2015

Stam, Robert, and Louise Spence. "Colonialism, Racism and Representation." Screen 24.2 (1983) 2-20.

_____. "Colonialism, Racism and Representation: An Introduction." 1983. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 235-250.*

Tomaselli, Keyan. The Cinema of Apartheid: Race and Class in South African Film. Smyrna Press, 1988.

_____. The Cinema of Apartheid: Race and Class in South African Film. London: Routledge, 1989.*

Wilson, George M. Narration in Light: Studies in Cinematic Point of View. Baltimore: Johns Hopkins UP, 1986.

Wood, Robin. "Ideology, Genre, Auteur." 1977. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 668-78.*

_____. "Ideology, Genre, auteur." In Film Genre Reader. Ed. Barry Keith Grant. U of Texas P, 1986.

 

 

 

 

 

Bibliography

 

 

García Landa, José Angel. "Ideology and film." From A Bibliography of Literary Theory, Criticism and Philology. Online at Academia (Matt Flanco). 2015.*

         https://www.academia.edu/4684544/

         2015

_____. "Ideology and Film." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Marc Roca Vives) 9 March 2016.*

         https://es.scribd.com/doc/303346854/

         2016

_____. "Bibliografía sobre cine e ideología." In García Landa, Vanity Fea 9 March 2016.*

         http://vanityfea.blogspot.com.es/2016/03/bibliografia-sobre-cine-e-ideologia.html

         2016

 

 

 

 

 

 

 

 

Series

 

 

(National Cinemas). Series ed. Susan Hayward. London: Routledge, c. 2007.*

 

 

 

 

Video

 

 

Iglesias Turrión, Pablo. "Maquiavelo frente a la gran pantalla." Video presenting his book. YouTube (Tuerka Guerrilla) 11 Oct. 2013.*

         http://youtu.be/l4su5ykhhIU

         2014

 

 

 

 

 

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Ideología

      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...