A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Narration in Film
Aumont, Jacques, A. Bergala, M. Marie and M. Vernet, eds. Esthétique du film. Paris: Nathan, 1983.
_____, eds. Estética del cine: Espacio fílmico, montaje, narración, lenguaje. Barcelona: Paidós, 1983.
Bach, Michaela. "Dead Men—Dead Narrators: Überlegungen zu Erzählern und Subjectivität im Film." In Grenzüberschreitungen: Narratologie im Kontext / Transcending Boundaries: Narratology in Context. Ed. Walter Grünzweig and Andreas Solbach. Tübingen: Narr, 1999. 231-46.*
Birr, Hannah, Maike Sarah Reinerth, Jan-Noël Thon, eds. Probleme filmischen Erzählens. Berlin: LIT, 2009.
http://www.lit-verlag.de/isbn/3-8258-1960-6
2010
Bordwell, David. Narration in the Fiction Film. Madison: U of Wisconsin P, 1985.*
_____. "Neo-Structuralist narratology and the Functions of Filmic Storytelling." In Narrative across Media: The Languages of Storytelling. Ed. Marie-Laure Ryan. Lincoln: U of Nebraska P, 2004. 203-19.*
_____. The Way Hollywood Tells It.
Brossel, Stephan. Filmisches Erzählen: Typologie und Geschichte. (Narratologia, 40). Berlin: De Gruyter, 2014.*
Brütsch, Matthias. "From Ironic Distance to Unexpected Plot Twists: Unreliable Narration in Literature and Film." In Beyond Classical Narration: Transmedial and Unnatural Challenges. Ed. Jan Alber and Per Krogh Hansen. Berlin and Boston: De Gruyter, 2014. 56-79.*
Buckland, Warren, ed. Puzzle Films: Complex Storytelling in Contemporary Cinema. Chichester: Wiley; Malden: Blackwell, 2009.*
Burgoyne, Robert. "Enunciation and Generic Address." Quarterly Review of Film Studies 10.1 (Winter 1985).
_____. "The Cinematic Narrator: The Logic and Pragmatics of Impersonal Narration." Journal of Film and Video 42 (Spring 1990): 3-16.
Browne, Nick. The Rhetoric of Filmic Narration. Ann Arbor: UMI Research Press, 1976.
Butzel, Marcia. Motion as Narration: Theory and Practice of Cinematic Choreography. U of Illinois P, forthcoming 1991.
Cameron, Allan. Modular Narratives in Contemporary Cinema. Palgrave Macmillan, 2008.
Cameron, Allan, and Sean Cubitt. "Infernal Affairs and the Ethics of Complex Narrative." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 151-66.* (Wai Keung Lau and Alan Mak, 2002).
Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978.*
_____. Historia y discurso: La estructura narrativa en la novela y en el cine. Madrid: Taurus, 1990.
_____. Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca (NY): Cornell UP, 1990.
_____. From Coming to Terms ("The Cinematic Narrator"). 1990. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 473-86.*
Church, David. "Remaining Men Together: Fight Club and the (Un)pleasures of Unreliable Narration." Offscreen.com http://www.offscreen.com/index.php/phile/essays/fight_club/
2012
Currie, Gregory. "Unreliability Refigured." In The Philosophy of Film and Motion Pictures (Carroll and Choi, editors).
_____. "Unreliability Refigured: Narrative in Literature and Film." Journal of Aesthetics and Art Criticism 53.1 (1995): 19-29.
Cutting, James E. "8. Simplicity, Complexity, and Narration in Popular Movies." In Narrative Complexity: Cognition, Embodiment, Evolution. Ed. Marina Grishakova and Maria Poulaki. Lincoln: U of Nebraska P, 2019. 200-22.*
Deleyto, Celestino. "Me, Me, Me: Film Narrators and the Crisis of Identity." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 243-62.*
Derry, Charles. "Towards a Categorization of Film Narrative." Film Reader 2 (1977): 111-22.
Doane, Mary Ann. "The Voice in the Cinema: The Articulation of Body and Space." Yale French Studies 60 (1980): 33-50.
Ferenz, Volker. "Fight Clubs, American Psychos and Mementos: The Scope of Unreliable Narration in Film." New Review of Film and Television Studies 3.2 (November 2005): 133-159.
Fleishman, Avrom. Narrated Films: Storytelling Situations in Cinema History. Baltimore: Johns Hopkins UP, 1992.
García Landa, José Angel. "David Bordwell, Narration in the Fiction Film." Ms. notes, c. 1992.
_____. "Narration in the Fiction Film (Fragmentary Notes on David Bordwell's book)." In García Landa, Vanity Fea 2 Feb. 2011.*
http://vanityfea.blogspot.com/2011/02/narration-in-fiction-film.html
2011
_____. "Notes from David Bordwell's Narration in the Fiction Film." Net Sight de José Angel García Landa 11 Oct. 2015.*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/Notes.Bordwell.NFF.html
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/Notes.Bordwell.NFF.pdf
2015
_____. "Notes from David Bordwell's Narration in the Fiction Film." Academia 4 March 2017.*
https://www.academia.edu/31700167/
2017
_____. "Notes from David Bordwell's Narration in the Fiction Film." ResearchGate 5 March 2017.*
https://www.researchgate.net/publication/314232239
2017
Gaudreault, André. "Narration and Monstration in the Cinema." Journal of Film and Video 39 (Spring 1987): 29-36.
Ghislotti, Stefano. "Narrative Comprehension Made Difficult: Film Form and Mnemonic Devices in Memento." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 87-106.* (Christopher Nolan).
González Requena, Jesús. "Enunciación, punto de vista, sujeto." Contracampo 42 (1987): 6-41.
Gunning, Tom. "Narrative Discourse and the Narrator System." 1991. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 461-91.*
Hansen, Per Krogh. "All Talking! All Singing! All Dancing! Prolegomena: On Film Musicals and Narrative." In Intermediality and Storytelling. Ed. Marina Grishakova and Marie-Laure Ryan. Berlin and New York: De Gruyter, 2010. 147-64.*
http://cf.hum.uva.nl/narratology/a09_hansen.htm
Koch, J. "Unreliable and Discordant Film Narration." Journal of Literary Theory 5.1 (2011): 57-80.
Kozloff, Sarah Ruth. Invisible Storytellers: Voice-Over Narration in American Fiction Film. Berkeley: U of California P, 1988.
Kuhn, Markus. "Film Narratology: Who Tells? Who Shows? Who Focalizes? Narrative Mediation in Self- Reflexive Fiction Films." In Point of View, Perspective, and Focalization: Modeling Mediation in Narrative. Ed. Peter Hühn, Wolf Schmid and Jörg Schönert. Berlin and New York: Walter de Gruyter, 2009. 257-78.* (Almodóvar, La mala educación; Lars Kraume, Keine Lieder über Liebe).
_____. Filmnarratologie: Ein erzähltheoretisches Analysemodell. (Narratologia: Contributions to Narrative Theory, 26). Berlin and New York: De Gruyter, 2011.* (1. Methodische Grundlagen; 2. Von der sprachbasierten zur Transmedialen Narratologies; 3. Narrative Instanzen; 4. Fokalisierung und Perspektivierung; 5. Zeit; 6. Komplexe Kommunikations- und Ebenenstrukturen; 7. Schlussbetrachtung: Das Potenzial der Filmnarratologie).
López García, Tania. "Narrativa del cine checoslovaco de la Nueva Ola (Nová Vlna)." Ph.D. diss. U de Burgos, 2020. Online at the Internet Archive.*
2022
Lothe, Jakob. Narrative in Fiction and Film: An Introduction. Oxford: Oxford UP, 2000.*
Mendíbil Blanco, Alejandro. "Jess Franco: De los márgenes al cine de autor. Análisis del relato cinematográfico." Ph.D. diss. U Complutense de Madrid, 2019.* Online at ePrints:
https://eprints.ucm.es/51685/1/T40965.pdf
2019
Metz, Christian. "The Impersonal Enunciation, or the Site of Film (In the Margin of Recent Works on Enunciation in Cinema)." New Literary History 22 (Summer 1991): 747-72.
Mittell, Jason. "Film and Television Narrative." In The Cambridge Companion to Narrative. Ed. D. Herman. Cambridge: Cambridge UP, 2007. 156-171.
Moreno, Julio L. "Subjective Cinema: And The Problem of Film in the First Person." Quarterly of Film, Radio and Television 7 (1952-3): 341-58.
Munganga, Bonaventure Muzigirwa. "Inference and Narrative Processing in Fiction and Film: (Where) (Does) Narrative Reading Part(s) Ways with its Viewing and Vice-Versa(?)." Cogent: Arts & Humanities 3 (2016): 1252138.*
http://dx.doi.org/10.1080/23311983.2016.1252138
Online at Academia.
https://www.academia.edu/29846747/
2021
Murphet, Julian. "6. Narrative Voice." In Helen Fulton et al., Narrative and Media. Cambridge: Cambridge UP, 2005. 73-85. (In film).
Nadel, Alan. "Second Nature, Cinematic Narrative, the Historical Subject, and Russian Ark." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 427-40.*
Narrative / Non-Narrative. Wide Angle 8 (1986).
Nowell-Smith, Geoffrey. "A Note on 'History/Discourse'." (Metz). In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 232-41.*
Olsen, Jon-Arild. "Film, fiction et narration." Poétique no. 141 (Feb. 2005).
Pinkas, Claudia. Der phantastische Film: Instabile Narrationen und die Narration der Instabilität. (Narratologia: Contributions to Narrative Theory, 25). Berlin and New York: De Gruyter, 2010.* (Perspective, narration, embedding, frame breaking).
Prósper Ribes, Josep. "La presencia del narratario en el relato audiovisual." Signa: Revista de la Asociación Española de Semiótica 24 (2015): 463-478.*
http://e-spacio.uned.es/fez/view/bibliuned:signa-2015-24-5145
2015
Richter, David. "Your Cheatin' Art: Double Dealing in Cinematic Narrative." Narrative 13.1 (January 2005): 11-28.
Schmidt, Johann N. "Narration in Film." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 212-27.*
Slowik, Mary. "Simultaneous Narration and Ethical Positionings in Three Short Animated Films." Narrative 21.1 (Jan. 2013): 46-64.*
Thomson-Jones, Katherine. "The Literary Origins of the Cinematic Narrator." British Journal of Aesthetics 47.1 (Jan. 2007).
Tolton, C. D. E. "Narration in Film and Prose Fiction: A mise au point." University of Toronto Quarterly 53.3 (1984): 264-82.
Tomasulo, Frank P. "Narrate and Describe? Point of View and Narrative Voice in Citizen Kane's Thatcher Sequence." Wide Angle 8 (1986): 45-52.
Verstraten, Peter. Handboek Filmnarratologie.
_____. Film Narratology: Introduction to the Theory of Narrative. Trans. Stefan van der Lecq. Toronto: U of Toronto P, 2009.*
_____. "Introduction." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 3-11.*
_____. "1. Is Cinema Essentially Narrative?" In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 12-30.*
_____. "2. Basic Principles of Narratology." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 31-48.*
_____. "3. The Narrative Impact of the Mise en Scène." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 49-65.*
_____. "4. The Narrative Impact of Cinematography." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 66-77.*
_____. "5. Story and Fabula Disconnected Through Editing." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 78-95.*
_____. "6. The Visual Narrator and Visual Focalization." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 96-124.*
_____. "7. Tension between the Visual and Auditive Narrators." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 125-45.*
_____. "8. Sound as a Narrative Force." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 146-70.*
_____. "9. The Narrative Principles of Genres." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 171-87.*
_____. "10. Filmic Excess: When Style Drowns the Plot." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 188-204.*
_____. "Appendix: The Virgin Suicides as a Test Case." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 205-17.* (Dir. Sofia Coppola, 1999).
_____. "Between Attraction and Story: Rethinking Narrativity in Cinema." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 154-69.*
No hay comentarios:
Publicar un comentario