miércoles, 15 de noviembre de 2023

Narración cinematográfica

 

   from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Narration in Film

 

 

Aumont, Jacques, A. Bergala, M. Marie and M. Vernet, eds. Esthétique du film. Paris: Nathan, 1983.

_____, eds. Estética del cine: Espacio fílmico, montaje, narración, lenguaje. Barcelona: Paidós, 1983.

Bach, Michaela. "Dead Men—Dead Narrators: Überlegungen zu Erzählern und Subjectivität im Film." In Grenzüberschreitungen: Narratologie im Kontext / Transcending Boundaries: Narratology in Context. Ed. Walter Grünzweig and Andreas Solbach. Tübingen: Narr, 1999. 231-46.*

Birr, Hannah, Maike Sarah Reinerth, Jan-Noël Thon, eds. Probleme filmischen Erzählens. Berlin: LIT, 2009.

http://www.lit-verlag.de/isbn/3-8258-1960-6

2010

Bordwell, David. Narration in the Fiction Film.  Madison: U of Wisconsin P, 1985.*

_____. "Neo-Structuralist narratology and the Functions of Filmic Storytelling." In Narrative across Media: The Languages of Storytelling. Ed. Marie-Laure Ryan. Lincoln: U of Nebraska P, 2004. 203-19.*

_____. The Way Hollywood Tells It.

Brossel, Stephan. Filmisches Erzählen: Typologie und Geschichte. (Narratologia, 40). Berlin: De Gruyter, 2014.*

Brütsch, Matthias. "From Ironic Distance to Unexpected Plot Twists: Unreliable Narration in Literature and Film." In Beyond Classical Narration: Transmedial and Unnatural Challenges. Ed. Jan Alber and Per Krogh Hansen. Berlin and Boston: De Gruyter, 2014. 56-79.*

Buckland, Warren, ed. Puzzle Films: Complex Storytelling in Contemporary Cinema. Chichester: Wiley; Malden: Blackwell, 2009.*

http://www.amazon.com/Puzzle-Films-Complex-Storytelling-Contemporary/dp/1405168625/ref=sr_1_1?s=books&ie=UTF8&qid=1281062645&sr=1-1

Burgoyne, Robert. "Enunciation and Generic Address." Quarterly Review of Film Studies 10.1 (Winter 1985).

_____. "The Cinematic Narrator: The Logic and Pragmatics of Impersonal Narration." Journal of Film and Video 42 (Spring 1990): 3-16.

Browne, Nick. The Rhetoric of Filmic Narration. Ann Arbor: UMI Research Press, 1976.

Butzel, Marcia. Motion as Narration: Theory and Practice of Cinematic Choreography. U of Illinois P, forthcoming 1991.

Cameron, Allan. Modular Narratives in Contemporary Cinema. Palgrave Macmillan, 2008.

http://www.amazon.com/Modular-Narratives-Contemporary-Cinema-Cameron/dp/0230210414/ref=sr_1_1?ie=UTF8&s=books&qid=1281062616&sr=8-1

Cameron, Allan, and Sean Cubitt. "Infernal Affairs and the Ethics of Complex Narrative." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 151-66.* (Wai Keung Lau and Alan Mak, 2002).

Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978.*

_____. Historia y discurso: La estructura narrativa en la novela y en el cine. Madrid: Taurus, 1990.

_____.  Coming to Terms: The Rhetoric of Narrative in Fiction and Film.   Ithaca (NY): Cornell UP, 1990.

_____. From Coming to Terms ("The Cinematic Narrator"). 1990. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 473-86.*

Church, David. "Remaining Men Together: Fight Club and the (Un)pleasures of Unreliable Narration." Offscreen.com http://www.offscreen.com/index.php/phile/essays/fight_club/

         2012

Currie, Gregory. "Unreliability Refigured." In The Philosophy of Film and Motion Pictures (Carroll and Choi, editors).

_____. "Unreliability Refigured: Narrative in Literature and Film." Journal of Aesthetics and Art Criticism 53.1 (1995): 19-29.

Cutting, James E. "8. Simplicity, Complexity, and Narration in Popular Movies." In Narrative Complexity: Cognition, Embodiment, Evolution. Ed. Marina Grishakova and Maria Poulaki. Lincoln: U of Nebraska P, 2019. 200-22.*

Deleyto, Celestino. "Me, Me, Me: Film Narrators and the Crisis of Identity." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 243-62.*

Derry, Charles. "Towards a Categorization of Film Narrative." Film Reader 2 (1977): 111-22.

Doane, Mary Ann. "The Voice in the Cinema: The Articulation of Body and Space." Yale French Studies 60 (1980): 33-50.

Ferenz, Volker. "Fight Clubs, American Psychos and Mementos: The Scope of Unreliable Narration in Film." New Review of Film and Television Studies 3.2 (November 2005): 133-159.

Fleishman, Avrom. Narrated Films: Storytelling Situations in Cinema History. Baltimore: Johns Hopkins UP, 1992.

García Landa, José Angel. "David Bordwell, Narration in the Fiction Film." Ms. notes, c. 1992.

_____. "Narration in the Fiction Film (Fragmentary Notes on David Bordwell's book)." In García Landa, Vanity Fea 2 Feb. 2011.*

         http://vanityfea.blogspot.com/2011/02/narration-in-fiction-film.html

         2011

_____. "Notes from David Bordwell's Narration in the Fiction Film." Net Sight de José Angel García Landa 11 Oct. 2015.*

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/Notes.Bordwell.NFF.html

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/Notes.Bordwell.NFF.pdf

         2015

_____. "Notes from David Bordwell's Narration in the Fiction Film." Academia 4 March 2017.*

         https://www.academia.edu/31700167/

         2017

_____. "Notes from David Bordwell's Narration in the Fiction Film." ResearchGate 5 March 2017.*

         https://www.researchgate.net/publication/314232239

         2017

Gaudreault, André. "Narration and Monstration in the Cinema." Journal of Film and Video 39 (Spring 1987): 29-36.

Ghislotti, Stefano. "Narrative Comprehension Made Difficult: Film Form and Mnemonic Devices in Memento." In Puzzle Films: Complex Storytelling in Contemporary Cinema. Ed. Warren Buckland. Chichester: Wiley; Malden: Blackwell, 2009. 87-106.* (Christopher Nolan).

González Requena, Jesús. "Enunciación, punto de vista, sujeto." Contracampo 42 (1987): 6-41.

Gunning, Tom. "Narrative Discourse and the Narrator System." 1991. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 461-91.*

Hansen, Per Krogh. "All Talking! All Singing! All Dancing! Prolegomena: On Film Musicals and Narrative." In Intermediality and Storytelling. Ed. Marina Grishakova and Marie-Laure Ryan. Berlin and New York: De Gruyter, 2010. 147-64.*

Hansen, Per Krogh."Unreliable Narration in Cinema: Facing the Cognitive Challenge Arising from Literary Studies." Amsterdam International Electronic Journal for Cultural Narratology (AJCN). (2009)

         http://cf.hum.uva.nl/narratology/a09_hansen.htm

Koch, J. "Unreliable and Discordant Film Narration." Journal of Literary Theory 5.1 (2011): 57-80.

Kozloff, Sarah Ruth. Invisible Storytellers: Voice-Over Narration in American Fiction Film. Berkeley: U of California P, 1988.

Kuhn, Markus. "Film Narratology: Who Tells? Who Shows? Who Focalizes? Narrative Mediation in Self- Reflexive Fiction Films." In Point of View, Perspective, and Focalization: Modeling Mediation in Narrative. Ed. Peter Hühn, Wolf Schmid and Jörg Schönert. Berlin and New York: Walter de Gruyter, 2009. 257-78.* (Almodóvar, La mala educación; Lars Kraume, Keine Lieder über Liebe).

_____. Filmnarratologie: Ein erzähltheoretisches Analysemodell. (Narratologia: Contributions to Narrative Theory, 26). Berlin and New York: De Gruyter, 2011.* (1. Methodische Grundlagen; 2. Von der sprachbasierten zur Transmedialen Narratologies; 3. Narrative Instanzen; 4. Fokalisierung und Perspektivierung; 5. Zeit; 6. Komplexe Kommunikations- und Ebenenstrukturen; 7. Schlussbetrachtung: Das Potenzial der Filmnarratologie).

Laass, E. Broken Taboos, Subjective Truths: Forms and Functions of Unreliable Narration in Contemporary American Cinema. A Contribution to Film Narratology. Trier: Wissenschaftlicher Verlag Trier, 2008.

López García, Tania. "Narrativa del cine checoslovaco de la Nueva Ola (Nová Vlna)." Ph.D. diss. U de Burgos, 2020. Online at the Internet Archive.*

         https://riubu.ubu.es/bitstream/handle/10259/5936/Lopez_Garcia.pdf%3Bjsessionid%3D88F89856928D8F2A0237FD8992621D4F?sequence=1

         2022

Lothe, Jakob. Narrative in Fiction and Film: An Introduction. Oxford: Oxford UP, 2000.*

Mendíbil Blanco, Alejandro. "Jess Franco: De los márgenes al cine de autor. Análisis del relato cinematográfico." Ph.D. diss. U Complutense de Madrid, 2019.* Online at ePrints:

https://eprints.ucm.es/51685/1/T40965.pdf

         2019

Metz, Christian. "The Impersonal Enunciation, or the Site of Film (In the Margin of Recent Works on Enunciation in Cinema)." New Literary History 22 (Summer 1991): 747-72.

Mittell, Jason. "Film and Television Narrative." In The Cambridge Companion to Narrative. Ed. D. Herman. Cambridge: Cambridge UP, 2007. 156-171.

Moreno, Julio L. "Subjective Cinema: And The Problem of Film in the First Person." Quarterly of Film, Radio and Television 7 (1952-3): 341-58.

Munganga, Bonaventure Muzigirwa. "Inference and Narrative Processing in Fiction and Film: (Where) (Does) Narrative Reading Part(s) Ways with its Viewing and Vice-Versa(?)." Cogent: Arts & Humanities 3 (2016): 1252138.*

http://dx.doi.org/10.1080/23311983.2016.1252138

Online at Academia.

https://www.academia.edu/29846747/

2021

Murphet, Julian. "6. Narrative Voice." In Helen Fulton et al., Narrative and Media. Cambridge: Cambridge UP, 2005. 73-85. (In film).

Nadel, Alan. "Second Nature, Cinematic Narrative, the Historical Subject, and Russian Ark." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 427-40.*

Narrative / Non-Narrative. Wide Angle 8 (1986).

Nowell-Smith, Geoffrey. "A Note on 'History/Discourse'." (Metz). In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 232-41.*

Olsen, Jon-Arild. "Film, fiction et narration." Poétique no. 141 (Feb. 2005).

Pinkas, Claudia. Der phantastische Film: Instabile Narrationen und die Narration der Instabilität. (Narratologia: Contributions to Narrative Theory, 25). Berlin and New York: De Gruyter, 2010.* (Perspective, narration, embedding, frame breaking).

Prósper Ribes, Josep. "La presencia del narratario en el relato audiovisual." Signa: Revista de la Asociación Española de Semiótica 24 (2015): 463-478.*

         http://e-spacio.uned.es/fez/view/bibliuned:signa-2015-24-5145

         2015

Richter, David. "Your Cheatin' Art: Double Dealing in Cinematic Narrative." Narrative 13.1 (January 2005): 11-28.

Schmidt, Johann N. "Narration in Film." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 212-27.*

Slowik, Mary. "Simultaneous Narration and Ethical Positionings in Three Short Animated Films." Narrative 21.1 (Jan. 2013): 46-64.*

Thomson-Jones, Katherine. "The Literary Origins of the Cinematic Narrator." British Journal of Aesthetics 47.1 (Jan. 2007).

Tolton, C. D. E. "Narration in Film and Prose Fiction: A mise au point." University of Toronto Quarterly 53.3 (1984): 264-82.

Tomasulo, Frank P. "Narrate and Describe? Point of View and Narrative Voice in Citizen Kane's Thatcher Sequence." Wide Angle 8 (1986): 45-52.

Verstraten, Peter. Handboek Filmnarratologie.

_____. Film Narratology: Introduction to the Theory of Narrative. Trans. Stefan van der Lecq. Toronto: U of Toronto P, 2009.*

_____.  "Introduction." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 3-11.*

_____. "1. Is Cinema Essentially Narrative?" In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 12-30.*

_____.  "2. Basic Principles of Narratology." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 31-48.*

_____.  "3. The Narrative Impact of the Mise en Scène." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 49-65.*

_____.  "4. The Narrative Impact of Cinematography." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 66-77.*

_____. "5. Story and Fabula Disconnected Through Editing." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 78-95.*

_____. "6. The Visual Narrator and Visual Focalization."  In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 96-124.*

_____. "7. Tension between the Visual and Auditive Narrators." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 125-45.*

_____.  "8. Sound as a Narrative Force." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 146-70.*

_____.  "9. The Narrative Principles of Genres." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 171-87.*

_____.  "10. Filmic Excess: When Style Drowns the Plot." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 188-204.*

_____.  "Appendix: The Virgin Suicides as a Test Case." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 205-17.* (Dir. Sofia Coppola, 1999).

_____. "Between Attraction and Story: Rethinking Narrativity in Cinema." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 154-69.*

 

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