Imitación

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Imitation (in art and literature)

 

 

Ben-Porat, Z. "Represented Reality and Literary Models." Poetics Today 7.1 (1986): 29-58.

Braga Riera, Jorge. Classical Spanish Drama in Restoration English (1660-1700). Amsterdam and Philadelphia: John Benjamins, 2009.

Brooks, Harold F. "The 'Imitation' in English Poetry, Especially in Formal Satire, before the Age of Pope." Review of English Studies 25 (1949): 124-40.

Camarero Arribas, Jesús. "Tradición y poligénesis. Influencia, imitación y paralelismos. La intertextualidad." In Liceus.com: E-Excellence

http://www.liceus.com/cgi-bin/aco/lit_comp/temas.asp

2005-05-05

Cowl, R. P. "Imitation." In Cowl, The Theory of Poetry in England. London: Macmillan, 1914. 127-43.

Dionysius of Halicarnassus. La imitación. In Dionysius, Tres ensayos de crítica literaria. Ed. and trans. Vicente Bécares Botas. Madrid: Alianza, 1992. 217-32.

D'Israeli, I. "Imitators." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.97-101.*

Esposito, Elena. "Originality through Imitation: The Rationality of Fashion."  Organization Studies 32.5 (2011): 603-13.

Fisk, George C. Lucilius and Horace: A Study. Madison, 1920.

_____. Lucilius and Horace: A Study of the Classical Theory of Imitation. 1966.

Genette, Gérard. Palimpsestes: la littérature au second degré. Paris: Seuil, 1982.*

_____. Palimpsestos: La literatura en segundo grado. Trans. Celia Fernández Prieto. Madrid: Taurus, 1989.*

Gordon, G. S. English Literature and the Classics. Oxford, 1912.

Goyet, Francis. "Imitatio et intertextualité (Riffaterre revisited)." Poétique 71 (1987): 313-20.

Hazlitt, William. "On Imitation." 1817.

_____."On Imitation." In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 92-96.*

_____. "Sobre la imitación." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004.47-54.*

Horace. Epistola ad Pisones. Barcelona: Bosch, 1966.

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Gilbert 128-43.

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 77-96.

_____. (Quintus Horatius Flaccus). "Imitating in Your Own Words." From Ars Poetica (20 B.C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Hurd, Richard. Dissertation on Poetical Imitation. Added to Epistle to Augustus. By Horace. 1751.

_____. On the Marks of Imitation. Dissertation. 1757.

Marías Martínez, Clara. "Translation and Imitation in Renaissance Spanish Poetry: A Case Study of Petrarch's Sonnet, 'S'amor non è'." In The Limits of Literary Translation: Expanding Frontiers in Iberian Languages. Ed. Javier Muñoz-Basols et al. Kassel: Edition Reichenberger, 2012. 124-64.*

McLaughlin, Martin L. Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in Italy from Dante to Bembo. Oxford: Clarendon Press, 1996.

Moss, Ann. "Literary Imitation in the Sixteenth Century: Writers and Readers, Latin and French." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 107-18.*

Muckelbauer, J. "Imitation and Invention in Antiquity: A Historical-Theoretical Revision." Rhetorica 21 (2003): 61-88.

Ogilvie, John. Philosophical and Critical Observations on the Nature, Characters, and Various Species of Composition. London, 1774.

Partenio, B. Della imitatione poetica. 1560.

Pliny the Younger (Gaius Plinius Caecilius Secundus). "Imitation of the Best Models." Letter to Fuscus Salinator (85 C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Quin, D., M. M. Ferguson, G. W. Pigman III and W. A. Rebhorn, eds. Creative Imitation: New Essays on Renaissance Literature in Honor of Thomas M. Greene. (Medieval and Renaissance Texts and Studies, 95). Binghampton (NY): SUNY Press, 1992.

Rigoliosi, Mariangela. "Nihil crescit sola imitatione. Il rapporto di Lorenzo Valla con la tradizione." In Mvnvs qvaesitvm meritis: Homenaje a Carmen Codoñer. Ed. Gregorio Hinojo Andrés and José Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 2007. 765-73.*

Sassone, Felipe. "Alacranismo teatral. Plagios, imitaciones y préstamos." ABC 27 March 1930: 11. Rpt in Teoría y práctica de la traducción en la prensa periódica española (1900-1965). By Antonio Raúl de Toro Santos and Pablo Cancelo López. (Vertere: Monográficos de la revista Hermeneus, 10). Soria: Hermeneus / Diputación Provincial de Soria, 2008.*

Simpson, Richard. "Secondary Art." 1867. In Richard Simpson as Critic. Ed. David Carroll. London: Routledge, 1977. 342-8. (Myth, imitation).

Stack, Frank. Pope and Horace: Studies in Imitation. 1985.

Sturm, J. De imitatione. 1574.

Valente, José Ángel. "La formación del escritor como profesional." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1036-48.* (I. La educación humanística y el sentido de la tradición. II. Tradición e imitación).

Victorinus. Variae lectiones. 1553.

Waugh, Linda R. "Against Arbitrariness: Imitation and Motivation Revived." Diacritics 23.2 (193): 71-87.

Weinbrot, Howard D. The Formal Strain: Studies in Augustan Imitation and Satire. Chicago: U of Chicago P, 1969.

Weinsheimer, Joel. Imitation. London: Routledge, 1984.

Wittkower, R. "Imitation, Electicism, and Genius." In Aspects of the Eighteenth Century. Ed. Earl R. Wasserman. Baltimore, 1965.