Forma y estructura en poesía

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Form and structure in poetry

 

 

Alonso, Amado. Materia y forma en poesía. Madrid: Gredos, 1977.

Alter, Robert. "Structures of Intensification." In Alter, The Art of Biblical Poetry. 1985. Edinburgh: T&T Clark, 1990. 2000. 62-84.*

Aquin, Hubert. "La disparition élocutoire du poète. In Aquin, Blocs erratiques: textes (1948-1977). Montréal: Edition Quinze, 1977.

Ariza, Manuel. "Algunas estructuras complejas en los sonetos de Quevedo." In Estudios sobre el Siglo de Oro: Homenaje al profesor Francisco Ynduráin. Madrid: Editora Nacional, 1984. 31-44.*

Arp, Thomas R., and Greg Johnson. "Pattern." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*

Bloom, Harold. "The Map of Misprision." (Poetic structure). In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 83-105.*

Bradford, Richard. The Look of It: A History of Visual Form in English Poetry. 1993.

Brooks, Cleanth. "The Poem as Organism: Modern Critical Procedure." In English Institute Annual, 1940. 1941.

_____. The Well-Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, Brace, 1947.

_____. The Well-Wrought Urn. New York: Reynal and Hitchcock, 1947.

_____. The Well Wrought Urn. Rev. ed. London: Dobson, 1968.

_____. The Well-Wrought Urn: Studies in the Structure of Poetry. London: Methuen, 1968.*

_____. The Well-Wrought Urn (Expanded ed.). New York: Harcourt, 1975.

_____. "Irony as a Principle of Structure." In Literary Opinion in America: Essays Illustrating the Status, Methods, and Problems of Criticism in the United States in the Twentieth Century. Ed. Morton D. Zabel. Rev. ed. New York: Harper, 1951.

_____. "Irony as a Principle of Structure." Rpt. in Debating Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 37-47.*

_____. "Implications of an Organic Theory of Poetry." In Literature and Belief: English Institute Essays, 1957. Ed. M. H. Abrams. 1958.

Cunningham, J. V. "Logic and Lyric." Modern Philology 51.1 (August 1953).

_____. "Logic and Lyric: 'To His Coy Mistress'." 1953. In Andrew Marvell: Poems. Ed. Arthur Pollard. (Casebooks series). Houndmills: Macmillan, 1980. 167-75.*

Eagleton, Terry. "In Pursuit of Form." In Eagleton, How to Read a Poem. Malden (MA) and Oxford: Blackwell, 2007. 65-101.*

Forrest-Thompson, V. "Necessary Artifice." Language and Style 6.1 (1973).

_____. Poetic Artifice: A Theory of Twentieth Century Poetry. Manchester, 1978.

Freeman, Margaret. "The Body in the Word: A Cognitive Approach to the Shape of a Poetic Text." In Cognitive Stylistics. Ed. Elena Semino and Jonathan Culpeper. Amsterdam: Benjamins, 2002. 23-48.*

Frost, Robert. "The Figure a Poem Makes." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000.  44-46.*

Fussell, Paul. Poetic Meter and Poetic Form. Rev. ed. New York: Random House, 1979.

Hill, Archibald A. Constituent and Pattern in Poetry. Austin: U of Texas P, 1976.

Hiraga, Masako K., and Joanna Radwanska Williams, eds. Literary Pragmatics: Cognitive Metaphor and the Structure of the Poetic Text. Special issue of Journal of Pragmatics (December 1995).

Hollander, John. Vision and Resonance: Two Senses of Poetic Form.  New York: Oxford UP, 1975. (Struct.).

Hühn, Peter, and Roy Sommer. "Narration in Poetry and Drama." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 228-41.*

Levin, Samuel R. Linguistic Structures in Poetry. The Hague: Mouton, 1962.

Lowes, John Livingston. Convention and Revolt in Poetry.

Pfeiffer, Johannes. "Captación: Configuración verbal de la poesía." In Pfeiffer, La Poesía: Hacia la comprensión de lo poético. Trans. Margit Frenk Alatorre. 3ª ed. México: FCE, 1959. 15-52.

Price, Martin. To the Palace of Wisdom: Studies in Order and Energy from Dryden to Blake. Garden City, NY: Doubleday. 1964.

Read, Herbert. "The Form of Modern Poetry." Symposium 1.3.

_____. Form in Modern Poetry. 1932. Folcroft (PA): Folcroft Library, 1976.

Richards, I. A. Principles of Literary Criticism.  1924. London: Routledge, 1967.

Richthofen, Erich von. "Algunas observaciones fundamentales de Valéry sobre el problema de la forma, contenidas en sus Cahiers." In von Richthofen, Límites de la crítica literaria y Analectas de filología comparada. Barcelona: Planeta, 1976.297-302.

Riffaterre, Michael. "Describing Poetic Structures: Two Approaches to Baudelaire's 'Les Chats'." Yale French Studies 36-37 (1966): 200-42,

Simpson, Paul. "From Shapes to Words : Exploring Graphology and Morphology in Poetry." In Simpson, Language through Literature: An Introduction. (Interface). London: Routledge, 1997. 23-58.*

Smith, Barbara Herrnstein. Poetic Closure: A Study of how Poems End. Chicago: U of Chicago P, 1968.

Tate, Allen. "Tension in Poetry". In Collected Essays. Rpt. in The Modern Critical Spectrum. Ed. G. J. Goldberg and N. M. Goldberg. Englewood Cliffs (NJ): Prentice, 1962. 83-92. Untermeyer, Louis. The Forms of Poetry.

Winters, Yvor. "The Experimental School in American Poetry: An Analytical Survey of Its Structural Methods, Exclusive of Meter." In Winters, Primitivism and Decadence. 1937. Rpt. in In Defense of Reason. 1947. Athens (OH): Ohio UP-Swallow Press, 1987. 30-74.*

Zambrano, María. "Poema y sistema." In Zambrano, Hacia un saber sobre el alma. Barcelona: Planeta DeAgostini, 2011. 43-48.*

 

 

 

 

Literature

 

García Landa, José Ángel. "El poema del día." In García Landa, Vanity Fea 6 May 2006.

         http://garciala.blogia.com/2006/050601-el-poema-del-dia.php

         2006-05-31