A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Creation, Imagination
General
Early works
Creativity
Creativity (in art)
Creativity (in language). Linguistics. Other linguistic categories.
Miscellaneous
General
Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. 1953. Oxford: Oxford UP, 1971.*
Aladro Vico, Eva. (Chair of Information Theory, U Complutense, Madrid). "¿Qué hacen los artistas cuando crean?" The Conversation 27 Sept. 2022.*
https://theconversation.com/que-hacen-los-artistas-cuando-crean-190676
2022
Alter, Robert. "A Readiness to Be Surprised: The Recovery of Open-Mindedness and the Revival of the Literary Imagination." Presidential Address to the Association of Literary Scholars and Critics, November 1997. TLS 23 Jan. 1998: 15-16.*
Aparicio Maydeu, Javier. La imaginación es una jaula: Razones y estrategias de la creación coartada. Madrid: Cátedra. (El Artista en sus Laberintos).
_____. El artista en sus laberintos: Una tetralogía de la creación contemporánea.
Arieti, Silvano. Creativity: The Magic Synthesis.
Attridge, Derek. The Singularity of Literature. London: Routledge, 2004.
Barth, Robert. The Symbolic Imagination. Princeton: Princeton UP, 1977.
Beaugrande, Robert de. "Toward a General Theory of Creativity." Poetics 8 (1979): 269-306.
Beltrán Almería, Luis. "Ontología, teoría de la imaginación e historia literaria." Rilce 31.2 (Jul.-Dec. 2015).*
2015
Benet, J. La inspiración y el estilo. Barcelona: Seix Barral, 1973.
Biedma, José. El poder de la imaginación y la fecundidad del entendimiento en el Examen de Ingenios para las ciencias de Juan Huarte de San Juan (Sobre el origen hispano de la filosofía moderna). Online ed. in Biedma, Renacimiento Español.
http://cibernous.com/autores/biedma/teoria/filrenac/huarte.htm2017
2017
Carey, J. (On Marvell's imagination). In Approaches to Marvell: The York Tercentenary Lectures. Ed. C. A. Patrides. London, 1978.
Casey, Edward S. Imagining: A Phenomenological Study. Bloomington: Indiana UP, 1976. 2000.*
Castoriadis, Cornelius. "The Discovery of the Imagination." In Castoriadis, World in Fragments: Writings on Politics, Society, Psychoanalysis, and the Imagination. Introd. and trans. David Ames Curtis. (Meridian: Crossing Aesthetics). Stanford, CA: Stanford University Press, 1997. 213-45.
_____. (On Kant on imagination). In Castoriadis, Philosophy, Politics, Autonomy: Essays in Political Philosophy. Trans. and Ed. David Ames Curtis. Oxford: Oxford UP, 1991. 81-123.
Collingwood, R. G. El arte y la imaginación. Ed. and trans. Ricardo Miguel Alfonso. Madrid: Casimiro Libros, 2016.*
Craig, Cairns. "Doubtful Imaginings." In Craig, The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh UP, 1999. 200-35.*
Carter, Ronald. Language and Creativity: The Art of Common Talk. London: Routledge, 2004.*
Casey, Edward S. Imagining: A Phenomenological Study. Bloomington: Indiana UP.
Cocking, J. M. Imagination: A Study in the History of Ideas. Ed. Penelope Murray. London: Routledge, 1992.
Currie, Gregory, and Ian Ravenscroft. Recreative Minds: Imagination in Philosophy and Psychology. Oxford: Oxford UP, 2002.
Davenport, Edward A. "Literature as Thought Experiment (On Aiding and Abetting the Muse)." Philosophy of the Social Sciences 13.3 (September 1983).
Donner, Christophe. Contra la imaginación. (Espasa Hoy). Madrid: Espasa, c. 2000.
Easthope, Antony. Poetry and Phantasy. Cambridge and New York, 1989.
Engell, James. The Creative Imagination: Enlightenment to Romanticism. Cambridge (MA): Harvard UP, 1981.
Fauconnier, Gilles, and Mark Turner. The Way We Think: Conceptual Blending and the Mind's Hidden Complexities. New York: Perseus Books-Basic Books, 2002.* (Imagination, causality, Relations, Analogy, Origin of Language, Fiction, Fantasy, Meaning, experience, events, proto-narrative, attention, memory, children's narrative, narrative competence, narrative interviews, life stories, cultural identity, personal identity, citizenship).
http://markturner.org/wwt.html).
Gardner, Howard. Creating Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993.
Gómez de Liaño, Ignacio. El idioma de la imaginación. Essay. Madrid: Taurus, 1983.
Grant, Johnson. "Reverie; considered as connected with Literature." Nicholson's Journal of Natural Philosophy, Chemistry, and the Arts 15 (October 1806): 108-26.
Gregoire, Carolyn. "18 Things Highly Creative People Do Differently." Huffington Post (The Third Metric) 4 March 2014.*
http://www.huffingtonpost.com/2014/03/04/creativity-habits_n_4859769.html
2014
Gubar, Susan. "'The Blank Page' and the Issues of Female Creativity." Critical Inquiry 8 (Winter 1981): 243-63.
_____. "'The Blank Page' and the Issues of Female Creativity." In The New Feminist Criticism. Ed. Elaine Showalter. London: Virago, 1986. 292-313.*
Harari, Yuval Noah. "Why Fiction Trumps Truth." New York Times 24 May 2019.*
https://www.nytimes.com/2019/05/24/opinion/why-fiction-trumps-truth.html
2019
Heinich, Nathalie, and Jean-Marie Schaeffer. Art, Création, Fiction. Éditions Jacqueline Chambon, 2004.
Iser, Wolfgang. "The Imaginary." In Iser, The Fictive and the Imaginary. Baltimore: Johns Hopkins UP, 1993. 171-246.*
_____. Das Fiktive und das Imaginäre: Perspektiven literarischer Anthropologie. Frankfurt a/M: Suhrkamp, 1991.
_____. The Fictive and the Imaginary: Charting Literary Anthropology. Baltimore: Johns Hopkins UP, 1993.
Langer, Susanne K. "Poetic Creation." In Langer, Problems of Art: Ten Philosophical Lectures. London: Routledge and Kegan Paul, 1957. 140-62.*
Lepore, Ernest, and Matthew Stone. "28. The Poetic Imagination." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.
Levi, Albert William. Literature, Philosophy, and the Imagination. Bloomington: Indiana UP, 1962.
López Quintás, Alfonso. Estética de la creatividad. Madrid: Cátedra, 1978.
Marina, José Antonio. Teoría de la inteligencia creadora.
New, Christopher. "Imagination." In New, Philosophy of Literature: An Introduction. London: Routledge, 1999. 69-80.*
Ovejero, Félix. El compromiso del creador.
Parker, Robert Dale. "Tradition, Invention, and Aesthetics." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
Raphael, D. D. "2. Sympathy and Imagination." In Raphael, The Impartial Spectator: Adam Smith's Moral Philosophy. Oxford: Clarendon Press, 2007. 12-20.*
Richards, I. A. "The Imagination." In Richards, Principles of Literary Criticism. 1924. London: Routledge, 1967. 188-99.*
Ruitenbeek, H. M., ed. Creative Imagination. Chicago: Quadrangle, 1965.
Ryle, Gilbert. "Imagination." In Ryle, The Concept of Mind. 1949. Harmondsworth: Penguin, 1963. 232-63.
Sallis, John. Force of Imagination. Bloomington: Indiana UP, 2000.
Sarbin, T. R. "The Quixotic Principle: A Belletristic Approach to the Psychological Study of Meanings and Imaginings." In The Social Context of Conduct: Psychological Writings of Theodore Sarbin. Ed. V. L. Allen and K. E. Scheibe. New York: Praeger, 1982.
Sartre, Jean-Paul. The Psychology of Imagination. Philosophical Library, Inc., 1948.
_____. Psychology of Imagination. New York: Citadel, 1961.
_____. Imagination. Trans. Forrest Williams. Ann Arbor: U of Michigan P, 1962.
_____. The Psychology of Imagination. Trans. Bernard Frechtman. New York: Washington Square Press, 1966.*
_____. La imaginación. Buenos Aires: Sudamericana, 1970.
Turner, Mark. Introduction to The Origin of Ideas at http://markturner.org
_____. "The Origin of Ideas." Lecture at Case Western Reserve University. YouTube (case) 10 May 2013.*
2013
_____. The Origin of Ideas: Blending, Creativity, & the Human Spark. Oxford: Oxford UP, 2014.
_____, ed. The Artful Mind. New York: Oxford UP, 2006.
http://theartfulmind.stanford.edu
Védrine, Hélène. Les Grandes Conceptions de l'Imaginaire. Paris: Le Livre de Poche.
Early works
Addison, Joseph. "On the Pleasures of Imagination." The Spectator 411, 416, 418 (1712). Rpt. in Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 288-294.
_____. "Pleasures of the Imagination." (Spectator 412, 416, 418). In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989.*
_____. Los Placeres de la Imaginación y otros ensayos de The Spectator. Ed. and trans. Tonia Raquejo. Madrid: Visor, 1991.*
_____. "True and False Wit." In Addison, Critical Essays from the Spectator: With Four Essays by Richard Steele. Ed. Donald F. Bond. Oxford: Oxford UP, 1970. 1-25.
_____. "True and False Wit." (Spectator 62). In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 341-44.*
_____. (On imagination and Paradise Lost.). From Spectator 417 28 June 1712. In Milton: The Critical Heritage. Ed. John T. Shawcross. London: Routledge, 1970. 221.*
Akenside, Mark. The Pleasures of the Imagination: Poem in Three Books. London: Dodsley 1744.
_____. The Pleasures of the Imagination. Rpt. in Dodsley's Collection.
_____. The Pleasures of the Imagination and other Poems. Dodsley, 1788.
_____. "The Pleasures of Imagination." (Book One). In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015. 395-411.*
Cicero, Marcus Tullius. De inventione. Bilingual ed., trans. H. M. Hubbell. Cambridge (MA): Harvard UP, 1976.
Coleridge, Samuel Taylor. Biographia Literaria : Or Biographical Sketches of My Literary Life and Opinions. 1817.
_____. Biographia Literaria. Ed. John Shawcross. 2 vols. London: Oxford UP, 1907. 1968.
_____. Biographia Literaria. Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 458-74.*
_____. Biographia Literaria : Or Biographical Sketches of My Literary Life and Opinions. Ed. George Watson. London: Dent, 1975.
_____. Biographia Literaria. Ed. James Engell and W. Jackson Bate. Vol. 7 of The Collected Works of Samuel Taylor Coleridge. Princeton: Princeton UP-Bollingen, 1983.
_____. Biographia Literaria. Selection from Chapters IV and V. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 446-57.*
_____. Biographia Literaria. Ed. Nigel Leask. London: Everyman, 1997.
_____. From Biographia Literaria. (From Chapters 1, 4, 13, 14, 17). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 467-86.* (Bowles, Wordsworth, imagination).
_____. "Fantasía e imaginación." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 135-36.*
_____. "The Specific Symptoms of Poetic Power Elucidated in a Critical Analysis of Shakspeare's 'Venus and Adonis', and 'Lucrece'." Ch. XV of Biographia Literaria. 1817.
_____. "The Specific Symptoms of the Poetic Power Elucidated in a Critical Analysis of Shakespeare's Venus and Adonis and Lucrece." Ch. XV of Coleridge, Biographia Literaria: Or Biographical Sketches of My Literary Life and Opinions. Ed. George Watson. London: Dent, 1975.*
_____. "The Specific Symptoms of Poetic Power Elucidated in a Critical Analysis of Shakspeare's 'Venus and Adonis', and 'Lucrece'." In Shakespeare Criticism: A Selection 1623-1840. Ed. David Nichol Smith. London: Oxford UP, 1946. 213-20.*
_____. From Biographia Literaria (From I.1, I.4, I.13 and II.14). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. "Los síntomas específicos de la aptitud poética, dilucidados en un análisis crítico de las obras 'Venus y Adonis' y 'El rapto de Lucrecia', de Shakespeare." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 142-50.*
Dryden, John. "The Proper Wit of Poetry: An Account of the Ensuing Poem, Annus Mirabilis: The Year of Wonders, 1666, in a Letter to the Honourable Sir Robert Howard." In Dryden's Essays. London: Dent; New York: Dutton, 1912. 189-96.*
Duff, William. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London, 1767.
_____. An Essay on Original Genius, and Its Various Modes of Exertion in Philosophy, and the Fine Arts, particularly in Poetry. London: Routledge, 1994.
Emerson, Ralph Waldo. "The Poet." In Emerson, Essays. London: Dent; New York: Dutton, 1906. 204-27.*
Fienum, Tho. De viribus imaginationis.
Hartley, David. Observations on Man, His Frame, His Duty and His Expectations. 2 vols. London: Leake & Frederick, 1749.
Hobbes, Thomas. "Of Imagination." In Hobbes, Leviathan. London: Dent; New York: Dutton (Everyman), 1914. 4-7.*
_____ "2. De la imaginación." In Hobbes, Leviatán. Madrid: Gredos, 2012. Rpt. Barcelona: RBA Coleccionables, 2015. 14-20.*
_____. "Of the Consequences or Train of Imaginations." In Hobbes, Leviathan. London: Dent; New York: Dutton (Everyman), 1914. 8-12.*
Hunt, Leigh. "On the Realities of the Imagination." In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 136-41.
_____. "On the Realities of Imagination." In Hunt, Essays. London: Walter Scott, n. d. 67-73.
_____. Imagination and Fancy. 1844. New York: AMS Press, 1977.
Keats, John. Letters. (To Benjamin Bailey, on imagination, 1817; To George and Thomas Keats, on negative capability, 1817). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999.*
Lionardi, A. Dialogi della Inventione Poetica. 1554.
Liu, Alan. "The History in 'Imagination'." 1989. In Romanticism: A Critical Reader. Ed. Duncan Wu. Oxford: Blackwell, 1995. 84-120. (Wordsworth).
Liu Hsieh. "The Literary Mind and Its Carving of Dragons." c. 502. Appended to Lu Chi's "Wen Fu", A. D. 302: A Translation and Comparative Study. By E. R. Hughes. New York: Bollingen Foundation / Pantheon Books, 1951.*
_____. "La mentalidad literaria." In Textos de estética taoísta. Ed. Luis Racionero. Madrid: Alianza. 218-21.*
Longinus. Pery hypsous / On the sublime. 80 A. D.? Bilingual edition. Ed. and trans. W. Hamilton Fyfe. In Aristotle, The poetics. 'Longinus'. On the Sublime. Demetrius. On Style. 119-254.
_____. Peri hypsous / Sobre lo sublime. Bilingual edition. InAnónimo, Sobre lo sublime. Aristóteles Poética. Barcelona: Bosch, 1977.
_____. On Literary Excellence. In Gilbert 146-98. Trans. of Peri hypsous.
_____. On the Sublime. Trans. T. S. Dorsch. In Classical Literary Criticism. 97-158.
Mildorf, Jarmila. "Pictures into Sound: Aural World-Making in Art Gallery Audio Guides." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 239-56.*
Montaigne, Michel de. "I.xxi. De la fuerza de la imaginación." In Montaigne, Ensayos completos. Madrid: Cátedra, 2003. 2010. 139-47.*
Philostratus. "On Imagination." In Saintsbury, Loci Critici. 39.
Poe, Edgar Allan. "The Philosophy of Composition." 1846. In The American Tradition in Literature, ed. Sculley Bradley, Richmond Croom Beatty, E. Hudson Long. New York: Norton, 1962. 871-881.*
_____. "Fancy and Imagination." In Poe, Poems and Essays. London: Dent, 1987. 280-90.*
_____. "On Imagination." In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 497.*
_____. "Imagination." In Poe, Poems and Essays. London: Dent, 1987. 316-7.*
Richter, Jean Paul. "Gradación de las facultades poéticas." (Creativity, Imagination). In Richter, Introducción a la estética. 1804. Madrid: Verbum, 1991.
_____. "Sur le trait d'esprit (Witz)." Trans. J.-L. Nancy. Poétique 15 (1973).
Ruskin, John. Modern Painters II. In The Literary Criticism of John Ruskin. New York: Doubleday, 1965. 3-35. (Imagination).
_____. "Invention." From Modern Painters V. 1860. In The Literary Criticism of John Ruskin 143.
Shelley, Percy Bysshe. A Defence of Poetry. 1821, pub. 1840. In Shelley, Essays, Letters from Abroad, Translations and Fragments. London: Edward Moxon, 1840. (Romanticism; Nature of poetry; Poet; Classical literature; Imagination and fancy; Morality)
_____. A Defence of Poetry. (Select.). In Loci Critici. Ed. George Saintsbury. Boston: Ginn, 1903. 396-409.*
_____. A Defence of Poetry. In. English Critical Essays (Nineteenth Century). Ed. Edmund D. Jones. London: Oxford UP, 1916. 120-63.*
_____. A Defence of Poetry. In Critical Theory Since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 499-513.
_____. A Defence of Poetry and a Letter to Lord Ellenborough. Folcroft (PA): Folcroft Library, 1973.
_____. A Defence of Poetry. In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 478-508.*
_____. A Defence of Poetry. In The Selected Poetry and Prose of Shelley. Ed. Harold Bloom. New York, 1978.
_____. A Defence of Poetry. In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 216-42.*
_____. A Defense of Poetry. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 473-82.*
_____. From A Defence of Poetry. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 789-802.*
_____. "On Life." In Shelley, Essays, Letters from Abroad, Translations and Fragments. London Edward Moxon, 1840.
_____. "On Life." In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 474-7.*
Stewart, Dugald. Elements of the Philosophy of the Human Mind. 1792. Edinburgh: Constable, 1853. Vol. 2 part 1 of Collected Works. 11 vols. 1854-60.
Vico, Giambattista. Ciencia nueva. Ed. Rocío de la Villa. (Colección Metrópolis). Madrid: Tecnos, 1995.*
Wilde, Oscar. "The Decay of Lying." The Nineteenth Century (January 1889). (Aestheticism; Decadence; Mimesis; Nature; Realism; Imagination and fancy)
_____. "The Decay of Lying." In Wilde, Intentions. London: James R. Osgood McIlvaine & Co, London, 1891.
_____. "The Decay of Lying: An Observation." In The Works of Oscar Wilde. Ed. G. F. Maine. London and Glasgow: Collins, 1938. 1957. 909-31.*
_____. "The Decay of Lying." In The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948. 970-1016.
_____. "The Decay of Lying." In Complete Works of Oscar Wilde. London: Collins, 1966. 970-92.*
_____. "The Decay of Lying." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 673-686.*
_____. "The Decay of Lying." In Wilde, De Profundis and Other Writings. Harmondsworth: Penguin, 1986. 55-88.*
_____. "The Decay of Lying: A Dialogue." 1889. Selection in The Victorian Age: An Anthology of Sources and Documents. Ed. Josephine Guy. London: Routledge, 1998. Pbk. 2002. 390-409.*
_____. "Le Déclin du mensonge." In Wilde, Œuvres. La Pochotèque, 2003.
_____. "La decadencia de la mentira." In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 967-90.* Rpt.. Santillana-Aguilar, 2003. 1.653-78.*
_____. "La decadencia de la mentira." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 407-44.*
_____. "La decadencia de la mentira." In Ensayos. Artículos. Trans. Julio Gómez de la Serna. (Jorge Luis Borges: Biblioteca Personal, 3). Barcelona: Orbis, 1986. 101-42.*
_____. "The Critic as Artist." (I and II). The Nineteenth Century (July and September 1890). (Criticism; Artist; Aestheticism; Decadence; Realism; Creativity)
_____. "The Critic as Artist." In Wilde, Intentions. London: James R. Osgood Mc Ilvaine & Co., London, 1891.
_____. "The Critic as Artist." In The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948.1016-60.
_____. "The Critic as Artist." In Complete Works of Oscar Wilde. London: Collins, 1966. 1009-59.*
_____. "The Critic as Artist." In Wilde, Literary Criticism.
_____. "The Critic as Artist." In The Works of Oscar Wilde (Golden Heritage series) 948-99.
_____. "The Critic as Artist." In Wilde, Plays, Prose Writings and Poems. 1-60.*
_____. "El crítico artista." In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 913-66.*
_____. "El crítico como artista (con algunas observaciones sobre la importancia de estar ocioso)." In Wilde, El crítico como artista: Ensayos. (Colección Austral). Madrid: Espasa-Calpe, 1968. 9-52.*
_____. "El crítico como artista (con algunas observaciones sobre la importancia de discutirlo todo)." In Wilde, El crítico como artista: Ensayos. (Colección Austral). Madrid: Espasa-Calpe, 1968. 53-102.*
Wollstonecraft, Mary. "To the Editor of the Monthly Magazine." The Monthly Magazine and British Register (1797). London: Printed for R. Phillips and sold by J. Johnson, London, 1797.
Wordsworth, William. Preface to the Edition of 1815. In The Prose Works of William Wordsworth. Vol. 3. Oxford: Clarendon Press, 1974.
Young, Edward. Conjectures on Original Composition. 1759. Ed. M. W. Steinke. Philadelphia, 1917.
_____. Conjectures on Original Composition. Ed. Edith J. Morley. Manchester, 1918.
_____. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." 1759. In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 338-347.
Creativity
Barcelona Sánchez, Antonio. "Metonymy-guided Inferences in Creative Thinking (Humour, Theology, Art)." In Homenaje a Francisco Gutiérrez Díez. Ed. Rafael Monroy. Murcia: Edit.um, 2013. 39-58.*
Beauvoir, Simone de. "7. Women and Creativity." Introd. Ursula Tidd (149-54). In Beauvoir, Feminist Writings. Urbana, Chicago, and Springfield: U of Illinois P, 2015. 155-70.*
Collingwood, Jane. "The Link Between Bipolar Disorder and Creativity." Psych Central 17 May 2016.
https://psychcentral.com/lib/the-link-between-bipolar-disorder-and-creativity
2018
Gabora, L. "Honing Theory: A Complex Systems Framework for Creativity." Nonlinear Dynamics, Psychology, and Life Sciences 21.1 (2017): 35-88.
Gabora, L., and S. Tseng. "The Social Benefits of Balancing Creativity and Imitation: Evidence from an Agent-based Model." Psychology of Aesthetics, Creativity, and the Arts 11.4 (2017): 457-73.
Joas, H. "Institutionalization as a Creative Process: The Sociological Importance of Cornelius Castoriadis's Political Philosophy." In Pragmatism and Social Theory. Trans. Raymond Meyer. Chicago and London: U of Chicago P, 1993. 154-171.
Kieran, Mathew. "14. Creativity." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.
Schank, Roger C. Explanation Patterns: Understanding Mechanically and Creatively. Hillsdale (NJ): Lawrence Erlbaum, 1986.
Velikovsky, J. T. "On Consilience and Creativity." Storyality 71 (23 Aug. 2013).*
https://storyality.wordpress.com/2013/08/23/storyality-71-consilience-is-coming-read-all-about-it/
2015
_____. "Storyality #141: The Robo-Raconteur A Storyality Theory Artificial Writer." Storyality 26 May 2017.*
2017
Wagner, Andreas. Life Finds a Way: What Evolution Teaches Us about Creativity. New York: Basic Books, 2019.
Wilson, E. O. The Origins of Creativity. New York: W. W. Norton - Liveright, 2017.* (Creativity, Humanities, Language, Innovation, Aesthetics, Genetics, Human Nature, Metaphors, Archetypes, Irony, Enlightenment).
Films
Amélie. Dir. Jean-Pierre Jeunet. With Audrey Tatou. 2001.
Journals
International Journal of Innovation, Creativity and Change
Vol. 14.4 (2020).*
2020
Video
García Landa, José Ángel. "El sistema educativo contra la creatividad." In García Landa, Vanity Fea Sept. 2010.* (Video lecture by Sir Ken Robinson).
http://vanityfea.blogspot.com/2010/09/el-sistema-educativo-contra-la.html
2010
Harari, Yuval Noah. "RSA Replay: A Brief History of Humankind." YouTube (The RSA) 9 Sept. 2014.* (Cooperation, Mankind, Communication, Culture, Creativity).
2015
Johnson, Steven Berlin. "Where Good Ideas Come From." Video talk at TED (July-Sept. 2010).*
http://www.ted.com/talks/steven_johnson_where_good_ideas_come_from.html
2010
Jung, Rex. "Creativity and the Everyday Brain with Rex Jung." On Being with Krista Tippett 2 May 2013.*
http://www.onbeing.org/program/creativity-and-everyday-brain/1879
2013
Merino, José María. "La ficción inventó al ser humano." Video. Lecture at Fundación Juan March 2 March 2019.*
2019
Sawyer, R. Keith. Explaining Creativity: The Science of Human Innovation. 2nd ed. Oxford: Oxford UP, 2012.
Creativity (in art)
Boyd, Brian. "8. From Tradition to Innovation." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 113-26.*
Brzezinski, Jerzy, et al., eds. Creativity and Consciousness. Amsterdam: Rodopi, 1999.
Gachev, Georgy. Zhizn' khudozhestvennogo soznaniia: Ocherki po istoriii obraza. (The Life of the Artistic Consciousness: Observations on the History of the Image). Moskva: Iskusstvo, 1981.
Goulimari, Pelagia. "4. The Enlightenment and Romanticism: Reason and Imagination." In Goulimari, Literary Criticism and Theory: From Plato to Postcolonialism. London and New York: Routledge, 2015. 76-101.*
Heidegger, Martin. "Der Ursprung des Kunstwerkes." In Heidegger, Holzwege. Frankfurt, 1972.
_____. "The Origin of the Work of Art." Trans. A. Hofstadter. In Heidegger, Poetry, Language, Thought. New York, 1971. 15-87.
_____. "The Origin of the Work of Art." In Deconstruction in Context. Ed. Mark C. Taylor. Chicago: U of Chicago P, 1986. 256-79.*
_____. "L'origine de l'œuvre d'art." 1935, 1956. In Heidegger, Chemins qui ne mènent nulle part 13-98.*
_____. El origen de la obra de arte. Buenos Aires: Losada, 1960.
Kavaler-Adler, Susan. The Compulsion to Create: A Psychoanalytical Study of Women Artists. London: Routledge, 1994.
Langer, Susanne K. "Creation." In Langer, Problems of Art: Ten Philosophical Lectures. London: Routledge and Kegan Paul, 1957. 27-43.*
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_____. "7. How Literary Worlds Shape Us." In Pettersson, How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination. Berlin and Boston: Walter de Gruyter, 2016. 208-34.* (Imagined selves, Communities, Heroes, Chesney's The Battle of Dorking; Lu Xun (1881-1936)).
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_____. Das Erlebnis und die Dichtung. 1906. 13th. ed. Stuttgart: Teubner, 1957.
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_____. On Creativity and the Unconscious. New York: Harper, 1958.
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_____. "Gimme the Initial Spark—And the Noise of Connections." In García Landa, Vanity Fea 22 Dec. 2011.*
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_____. "El animal que hace historias." SSRN 7 May 2019.*
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_____. "El animal que hace historias." Academia 25 Sept. 2022.*
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Martín Jiménez, Alfonso. Tiempo e imaginación en el texto narrativo. Universidad de Valladolid, 1993.*
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_____. Le Signifiant imaginaire. Paris: UGE, 1977.
_____. The Imaginary Signifier: Psychoanalysis and the Cinema. Trans. Celia Britton, Anwyl Williams and Alfred Guzzett. Bloomington: Indiana UP, 1977.
_____. Psicoanálisis y cine: El significante imaginario. Trans. Josep Elías. Barcelona: G. Gili, 1979.
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_____. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.*
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_____. Imagination from Fantasy to Delusion. Routledge, 2012.
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2016
_____. "4. The Shaping of Literary Worlds." In Pettersson, How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination. Berlin and Boston: Walter de Gruyter, 2016. 110-49.* (World-making, Imagination, Modes, Themes).
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Quiñones Aguilar, Ana Cielo, ed. Mundos de creación de los pueblos indígenas de América Latina. (Acer-vos, 10). Bogotá: U Pablo de Olavide / Pontificia U Javieriana, 2020.
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Online at Academia.*
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2021
Rank, Otto. Art and Artist: Creative Urge and Personality Development. New York, 1932.
"Recursive language and Modern Imagination Were Acquired Simultaneously 70,000 Years Ago." Phys.org 5 Aug. 2019.* (Andrey Vyshedskiy).
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2019
Redondo Olmedilla, José Carlos. "Creative Writing and Inspiration Mapping: Martin Amis and Kazuo Ishiguro Compared." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 73-77.*
Reed, Jeremy. Madness: The Price of Poetry. 1989
Reiss, Timothy J. Knowledge, Discovery and Imagination in Early Modern Europe: The Rise of Aesthetic Rationalism. Cambridge UP, 1997.
Richards, I. A. Coleridge on Imagination. 1934. Rev. ed. New York: Harcourt, 1962.
Ricœur, Paul. "L'imagination dans le discours et l'action." In Savoir, Faire, Espérer: Les limites de la raison. Brussels: Publications des Facultés Universitaires Saint-Louis, 1976. 1.207-28.
_____. "L'imagination dans le discours et dans l'action." In Ricœur, Du texte à l'action. Paris: Seuil, 1986. Rpt. (Points). 1998. 237-62.*
Rivera Arrizabalaga, Ángel. "Creatividad humana." Psicobiología del género Homo 17 June 2016.*
https://psicobiologiadelgenerohomo.blogspot.com/2016/06/creatividad-humana.html
2020
Rodríguez Guerrero-Strachan, Santiago. "Ambitos extremos para una experiencia radical: simbología toponímica en la poesía de T. S. Eliot y J. A. Valente." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 623-28.*
Root-Bernstein, Robert. "The Sciences and Arts Share a Common Creative Aesthetic." In The Elusive Synthesis: Aesthetics and Science. Ed. Alfred Tauber. Dordrecht: Kluwer, 1996.
Rose, Jacqueline. States of Fantasy. (Clarendon Lectures in English). Oxford: Oxford UP, 1996. 1998.*
Rosset, Clément. Le réel et son double: Essai sur l'illusion. 1976. Rev. ed. Paris: Gallimard, 1984.
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_____. El escritor y sus fantasmas. Barcelona: Seix Barral, 1979.
Sarbin, Theodore R. "The Poetic Construction of Reality and Other Explanatory Categories." In Believed-In Imaginings: The Narrative Construction of Reality. Ed. Joseph de Rivera and Theodore R. Sarbin. Washington (DC): American Psychological Association, 2002. 297-307.*
Sastre, Alfonso. Crítica de la imaginación. Madrid: Grijalbo, 1978.
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Schmid, Marion. Processes of Literary Creation: Flaubert and Proust. Oxford: Legenda, 1998.
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Smith, S. M., T. B. Ward, and R. A. Finke. The Creative Cognition Approach. Cambridge, MA: MIT Press, 1995.
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Stacy, Robert H. Defamiliarization in Language and Literature. Syracuse: Syracuse UP, 1977.
Starobinski, Jean. La Relation critique. Paris: Gallimard, 1970.*
_____. "Vide et création." Magazine littéraire 280 (september 1990): 41-42.*
Steiner, George. Grammars of Creation. (Gifford Lectures at Glasgow U, 1990).
_____. Gramáticas de la creación. Madrid: Siruela.
Stevens, Wallace. "Notes toward a Supreme Fiction." 1942. In Stevens, The Palm at the End of the Mind. New York: Vintage, 1972.
_____. Notes Toward a Supreme Fiction. In Horace for Students of Literature: The "Ars Poetica" and Its Tradition. By O. B. Hardison, Jr., and Leon Golden. Gainesville: Florida UP, 1995. 337-55.*
_____. Notas para una ficción suprema. Ed. and trans. Javier Marías. Valencia: Pre-textos, 1996.*
_____. "The Noble Rider and the Sound of Words." 1942. In Stevens, The Necessary Angel. London: Faber and Faber, 1960. (Language of poetry; Imagination and fancy; Poet; Denotation / Connotation; Nature of poetry)
_____. "Imagination as Value." English Institute lecture. 1948. (Imagination and fancy; Reason; Cultural theory; The arts)
_____. "Imagination as Value." 1948. In Stevens, The Necessary Angel. London: Faber and Faber, 1960.
_____. "Imagination as Value." In Symbolism: An Anthology. Ed. T. G. West. London: Methuen, 1980. 100-119.*
_____. The Necessary Angel: Essays on Reality and the Imagination. New York, 1951.
_____. El ángel necesario: Ensayos sobre la realidad y la imaginación. Trans. E. J. Desmonts. Madrid: Visor, 1994.
Stevenson, Anne. The Fiction-Makers. Oxford: Oxford UP, 1985.
Stewart, Dugald. Elements of the Philosophy of the Human Mind. 1792. (Imagination).
Stockwell, Peter. Cognitive Poetics. London: Routledge, 2002.
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Suleiman, Susan. Exile and Creativity: Signposts, Travellers, Outsiders, Backward Glances. Durham (NC): Duke UP, 1998.
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_____. Historia de seis ideas: Arte, belleza, forma, creatividad, mímesis, experiencia estética. Trans. Francisco Rodríguez Marín. Madrid: Tecnos, 1987.* Trans. of Dzieje szesciu pojec.
Tate, Allen. "The Angelic Imagination." 1951.
_____. "The Symbolic Imagination." 1951.
Torre, S. de la. Dialogando con la creatividad: De la identificación a la creatividad práctica. Barcelona: Octaedro, 2003.
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Tschumi, Raymond. Genése de l'expression littéraire et artistique. Paris, 1993.
Turner, Mark B. "As Imagination Bodies Forth The Forms of Things Unknown." Review of The Poetics of Mind, by Raymond W. Gibbs. Pragmatics and Cognition 3.1 (1995): 179-185. Online at SSRN:
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2012
_____. "The Way We Imagine." In Theory of Mind and Literature. Ed. Paula Leverage et al. Purdue UP, 2011. 41-62.
_____, ed. The Artful Mind: Cognitive Science and the Riddle of Human Creativity. Oxford UP, 2006.
Tuveson, Ernest. The Imagination as a Means of Grace: Locke and the aesthetics of Romanticism. Berkeley: U of California P, 1960.
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Vargas Llosa, Mario. "Elogio de la lectura y la ficción." (Nobel Prize discourse, Dec. 2010). Yahoo noticias 7 Dec. 2010.*
http://es.noticias.yahoo.com/9/20101207/ten-discurso-completo-del-ganador-del-pr-83fc80c.html
2010
Vinden, Penelope G. "Imagination and True Belief: A Cross-Cultural Perspective." In Believed-In Imaginings: The Narrative Construction of Reality. Ed. Joseph de Rivera and Theodore R. Sarbin. Washington (DC): American Psychological Association, 2002. 73-85.*
Vivas, Eliseo. Creation and Discovery: Essays in Criticism and Aesthetics. 1955. New York: Arno, 1972.
Vyshedskiy, Andrey. "Language Evolution to Revolution: the Leap from Rich-vocabulary Non-recursive Communication system to Recursive Language 70,000 Years ago Was Associated with Acquisition of a Novel Component of Imagination, called Prefrontal Synthesis, Enabled by a Mutation that Slowed down the Prefrontal Cortex Maturation Simultaneously in Two or More Children – the Romulus and Remus Hypothesis." Research Ideas and Outcomes (2019).
2019
Watkins, Walter B. C. "Dangerous Prevalence of the Imagination." In Watkins, Perilous Balance. Princeton, 1939. 71-98.
_____. "Dr. Johnson on the Imagination: A Note." Review of English Studies 22 (1946): 131-34.
Watson, Peter. "19. La explosión de la imaginación." In Watson, Ideas: Historia intelectual de la Humanidad. Barcelona: Crítica, 2006. 641-68.* (Renaissance art and culture).
Weinstein, Mark A. "The Creative Imagination in Fiction and History." Genre 9 (1976): 263-77.
Weston, Carol. "Finding Your Voice." In Con/Texts of Persuasion. Ed. Beatriz Penas et al. Kassel: Edition Reichenberger, 2011. 1-14.*
Whalley, George. Poetic Process. New York: Hillary, 1953.
Wheeler, Kathleen M. The Creative Mind in Coleridge's Poetry. London: Heinemann, 1981.*
_____. "'Kubla Khan' and the Art of Thingifying." 1981. In Romanticism: A Critical Reader. Ed. Duncan Wu. Oxford: Blackwell, 1995. 123-50.*
Wimsatt, W. K. "Imagination: Wordsworth and Coleridge." In Wimsatt and Brooks, Literary Criticism: A Short History. New York: Knopf, 1957. 412-31.*
Woodhouse, Arthur S. P. "Collins and the Creative Imagination: A Study in the Critical Background of his Odes." In Studies in English by Members of University College, Toronto. Toronto, 1931. 59-130.
Young, Richard E., and Yameng Liu, eds. Landmark Essays on Rhetorical Invention in Writing. (Landmark Essays Series 8). London: Erlbaum-Hermagoras Press, 1994.
Yukawa, Hideki. Creativity and Intuition: A Phsysicist Looks East and West. Trans. John Bester. Tokyo: Kodansha Interantional, dist. New York: Harper & Row, 1973.
Zambrano, María. El sueño creador. Madrid: Turner, 1986.
Audio
Matute, Ana María. "Discurso de aceptación del Premio Cervantes de Ana María Matute." RTVE (Asunto del día en R5) 27 April 2011.* (Creation, imagination).
2021
Puértolas, Soledad. "El fuego sagrado de la fabulación." Lecture at Fundación Juan March 3 May 2011.*
http://www.march.es/conferencias/anteriores/voz.asp?id=2741
2011
Savater, Fernando. "L'étique de la création intellectuelle." Lecture at the Ecole Normale Supérieure. Savoirs ENS 11 Feb. 2013.*
http://savoirs.ens.fr/expose.php?id=1151
2014
Films
The Imaginarium of Dr Parnassus. Dir. Terry Gilliam. Written by Terry Gilliam and Charles McKeown. Cast: Johnny Depp, Heath Ledger, Colin Farrell, Christopher Plummer, Jude Law, Lily Cole, Tom Waits, Andrew Garfield, Quinn Lord, Verne Troyer, Paloma Faith, Michael Eklund. Music by Jeff Danna and Mychael Danna. Cinematogr. Nicola Pecorini. Ed. Mick Audsley. Prod des. Anastasia Masaro. Art dir. Dan Hermansen and Denis Schnegg. Set decor. Carolin Smith, Shane Vieau. Costume des. Monique Prudhomme. Prod. Amy Gilliam, Terry Gilliam, Samuel Hadida. 2009.*
Internet resources
Philoctetes Center: The Multidisciplinary Study of Imagination / YouTube
http://www.youtube.com/user/philoctetesctr
2011
Journals
L'Esprit Créateur 17.4 (1977).
Studies in the Literary Imagination 24.1 (1991).
Literature
Appleman, Philip. "Creation." From New and Selected Poems, 1956-1996. U of Arkansas P, 1996. In Darwin: Texts. Commentary. Ed. Philip Appleman. 3rd ed. New York: Norton, 2001. 526.* (Paleolithic art).
Barthelme, Donald. "The Glass Mountain." Story. In Barthelme, City Life. New York: Farrar, Straus and Giroux, 1970. (Creation, imagination).
_____. "The Glass Mountain." In Barthelme, Sixty Stories. New York: Penguin, 1993. 178-82.*
_____. "I Bought a Little City." Story. In Barthelme, Amateurs. New York: Farrar, Straus and Giroux, 1976. (Imagination).
_____. "I Bought a Little City." In Barthelme, Sixty Stories. New York: Penguin, 1993. 295-301.*
Borges, Jorge Luis. El hacedor. Buenos Aires: Emecé, 1960.
_____. El hacedor. In Borges, Obras completas. Barcelona: Círculo de Lectores. Vol. 2.
_____. El hacedor. Madrid: Alianza, 1972.
_____. El hacedor. In Borges, Obras Completas I. Barcelona: RBA / Instituto Cervantes, 2005.*
Coleridge, Samuel Taylor. "The Eolian Harp." Poem. 1795, pub. 1796. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 419-20.*
Highsmith, Patricia. "The Man Who Wrote Books in His Head." From Slowly, Slowly in the Wind. In The Selected Stories of Patricia Highsmith. New York and London: W. W. Norton, 2001. 223-28.*
Montero, Rosa. La loca de la casa. Madrid: Alfaguara, 2003.
Nabokov, Vladimir. Dar. [= The Gift]. Novel. 1936. Pub. serially. Sovremennye Zapiski 1937-38.
_____. Dar. New York: Chekhov, 1952.
_____. The Gift. Trans. Michael Scammell and Dmitri Nabokov with Vladimir Nabokov. New York: Putnam's, 1963.
_____. The Gift. Popular Library, 1963.
_____. The Gift. 1938. Harmondsworth: Penguin, 1981.
_____. The Gift. London: Granada.
_____. The Gift. New York: Random House-Vintage International [c. 1990?].
_____. Le Don. Paris: Gallimard, 1967.
Stevens, Wallace. "Notes toward a Supreme Fiction." 1942.
Music
Pérez Cruz, Silvia, and Javier Colina Trio. En la imaginación. CD. Madrid: Contrabaix, 2011.*
Related Works
Hart, Ray L. "Imagination and the Scale of Mental Acts." Continuum 3 (1965): 3-21.
_____. Unfinished Man and the Imagination. New York: Herder and Herder, 1968.
McKellar, Peter. Imagination and Thinking: A Psychological Analysis. New York: Basic Books, 1957.
Rugg, Harold. Imagination. New York: Harper, 1963.
Video
Johnson, Steven. "Where Good Ideas Come From." Animated video lecture. YouTube-Riverheadbooks 17 Sept. 2010.*
http://www.youtube.com/watch?v=NugRZGDbPFU&NR=1&feature=endscreen
2012
"Mark Turner at ASC." Vimeo-National Humanities Center. 2008.
2011
Pagel, Mark. "The Evolution of Creativity | Gifford Lectures 2019." (Gifford Lectures Autumn 2019: Wired for Culture: The Origins of the Human Social Mind, or Why Humans Occupied the World). Video. YouTube (University of Glasgow) 6 Oct. 2020.*
2021
See also Fantasy.
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