Parodia

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Parody

 

 

Abastado, Claude. "Situation de la parodie." Cahiers du XXe siècle (1976).

Adair, Gilbert. "Lookalikes." In Adair, The Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 91-94.* (Parody).

Axelrod, Max. "The Poetics of (P)ostmode(r)n(e) Parody in Austen's Northanger Abbey." In Axelrod, The Poetics of Novels: Fiction and Its Execution.  Houndmills: Macmillan, 1999. Rpt. Palgrave, c. 2001. 28-54.*

Ballesteros González, Antonio. "Digression and Intertextual Parody in Nashe, Sterne and Joyce." In Laurence Sterne in Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd. Amsterdam: Rodopi, 1996. 55-64.*

Behrens, R. R. "Making History: The Art of Mock-Documentation." North American Review (March 1982): 37-40.

Ben Porat, Z. "Method in Madness: Notes on the Structure of Parody, Based on Mad TV Satires." Poetics Today 1 (1979): 1-2: 245-72.

Bennett, David. "Parody, Postmodernism, and the Politics of Reading." Critical Quarterly 27.4 (Winter 1985): 27-43.

Bonheim, Helmut. Literary Systematics. Cambridge: Brewer, 1990.*

Broich, Ulrich. The Eighteenth-Century Mock-Heroic Poem. Trans. David Henry Wilson. (European Studies in English Literature). 1990.

Browne, Thomas (Sir). "Upon Reading Hudibras." In The Works of Sir Thomas Browne. Ed. Charles Sayle. Edinburgh: John Grant, 1927. 3.438.*

Crespo Matellán, Salvador. "De Juan José a Pepito: Parodia, Metateatro e Intertextualidad." In Teoría y análisis de los discursos literarios: Estudios en homenaje al profesor Ricardo Senabre Sempere. Ed. S. Crespo et al. Salamanca: U de Extremadura / Ediciones U de Salamanca, 2009. 85-93.* (Joaquín Dicenta; Celso Lucio and Antonio Palomero).

Culler, Jonathan. "On Parody." 1975. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 75-77.*

Delapierre, Octave. Essai sur la parodie chez les Grecs, les Romains et les modernes. Londres, 1870.

Deleyto, Celestino. "'It's a Strange World': The Use of Parody in Blue Velvet." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 445-53.*

Dentith, Simon. Parody. (The New Critical Idiom). London: Routledge, 2000.*

Díaz Bild, Aída. "Intertextualidad y parodia en Nice Work, de David Lodge." Atlantis 13 (1991): 143-58.

Duisit, L. Satire, Parodie, Calembour. Stanford UP, 1978.

Ermath, Elizabeth Deeds. "Parody as a Practice for Postmodernity." In Recent Trends in Narratological Research. Ed. John Pier. (GRAAT 21). Tours: Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours, 1999. 177-90.*

Fernández Delgado, José Antonio, and Francisca Pordomingo. "La párodos de Nubes: ¿Lírica seria, lírica hueca o parodia lírica?" In Mvnvs qvaesitvm meritis: Homenaje a Carmen Codoñer. Ed. Gregorio Hinojo Andrés and José Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 2007. 321-35.*

Fineman, Daniel D. "The Parodic and Production: Criticism and Labor." Minnesota Review 18 (Spring 1982).

Frosch, Thomas R. "Parody and Authenticity in Lolita." In Nabokov's Fifth Arc: Nabokov and Others on His Life's Work. Ed. J. E. Rivers and Charles Nicol. Austin: U of Texas P, 1982. 171-87.*

Galván, Fernando, Aída Díaz Bild, Tomás Monterrey and Manuel Brito. Ensayos sobre metaficción inglesa. Universidad de La Laguna: Secretariado de Publicaciones, 1994.

Gates, Henry Louis, Jr. "The 'Blackness of Blackness': A Critique of the Sign and the Signifying Monkey." Critical Inquiry 9 (June 1983): 685-723.

_____. "The Blackness of Blackness: A Critique of the Sign and the Signifying Monkey." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

_____. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford UP, 1990.*

Genette, Gérard. Palimpsestes: la littérature au second degré. Paris: Seuil, 1982.

_____. Palimpsestos: La literatura en segundo grado. Trans. Celia Fernández Prieto. Madrid: Taurus, 1989.

_____. Palimpsests: Literature in the Second Degree. Trans. Channa Newman and Claude Doubinsky. Nebraska UP, 1997.

Goulimari, Pelagia. "12. Poststructuralist Deviations: Mimicry, Resignification, Contrapuntal Reading, the Subaltern, Signifyin(g), Hybridity."  In Goulimari, Literary Criticism and Theory: From Plato to Postcolonialism. London and New York: Routledge, 2015. 310-39.*

Hempel, Wido. "Parodie, Travesti, und Pastiche." Germanische Romanische Monatschrift (1965).

Hutcheon, Linda. "Ironie et parodie: stratégie et structure." Poétique 36 (1978): 467-77.

_____. "Parody without Ridicule: Observations on Modern Literary Parody." Canadian Review of Contemporary Literature 5.2 (1978): 201-11.

_____. "Ironie, satire, parodie: une approche pragmatique de l'ironie." Poétique 46 (1981): 140-55.

_____.  A Theory of Parody: The Teachings of 20th-Century Art Forms. London: Routledge, 1985.

_____. Uma teoria da parodia. Lisbon: Ediçoes, 1990.

_____. "The Politics of Postmodern Parody." In Intertextuality. Ed. Heinrich F. Plett. Berlin: de Gruyter, 1991. 225-36.*

Idt, G. "La parodie: rhétorique ou lecture?" In Idt, Le Discours et le Sujet. Nanterre, 1972-3.

Kiremidjian, G. D. "The Aesthetics of Parody." Journal of Aesthetics and Art Criticism 18 (1969).

Kohler, Herman. "Die Parodie." Glotta 35 (1956).

Kuester, Martin. Framing Truths: Parodic Structures in Contemporary English-Canadian Historical Novels. Toronto: U of Toronto P, 1992.*

L'immagine riflessiva. Special issue on parody, 1992.

Lyons, Beauvais. "The Art of the Trickster." Archaeology 47.2 (1994): 72. (Parody, hoax).

Markiewicz, H. "On the Definition of Literary Parody." In To Honor R. Jakobson.  The Hague: Mouton, 1967.

Mitchell-Kernan, C. "Signifying." In Mother Wit from the Laughing Barrell: Readings in the Interpretation of Afro-American Folklore. Englewood Hills (NJ): Prentice-Hall, 1973.

Novak, Maximillian E. "Defoe's Shortest Way with the Dissenters: Hoax, Parody, Paradox, Fiction, Irony, and Satire." Modern Language Quarterly 27 (1966): 402-17.

Petr, Pavel, David Roberts and Philip Thomson, eds. Comic Relations: Studies in the Comic, Satire and Parody. (ASPACLS Conference Nov. 26-28, "Satire and Modes of the Comic") Frankfurt a/M: Peter Lang, 1985.*

Petrina, Alessandra, and Mario Melchionda, eds. Moderni: L'eroe tra apoteosi e parodia. Padova: Unipress, 2002.

Poirier, Richard. "The Politics of Self-Parody." In Critical Essays on Jorge Luis Borges. Ed. Jaime Alazraki. Boston: G. K. Hall, 1987.

Postmodern Parody. EJES 3.2 (1999).

Pottle, Russ. "The Monkey Before The Whale: 'Signifyin(g)' and Melville's Mardi." Journal of Narrative Technique 23.3 (1993): 136-153.**

Ramos Ramos, Mª del Rocío. "La parodia romántica: parodiando a los románticos o los románticos parodian." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*

Rose, Margaret A. Parody / Meta-Fiction: An Analysis of Parody as a Critical Mirror to the Writing and Reception of Fiction. London: Croom Helm, 1979.*

_____. Parody: Ancient, Modern, and Post-Modern. Cambridge: Cambridge UP, 1993.*

Sánchez Salor, Eustaquio. "Parodia gramatical en la poesía de goliardos del siglo XII." In Otivm cvm dignitate: Estudios en homenaje al profesor José Javier Iso Echegoyen. Ed. J. A. Beltrán et al. (Monografías de Filología Latina, 16). Zaragoza: Universidad de Zaragoza, 2013. 597-608.* (Peter of Blois, Walter de Châtillon).

Stuart, Dabney. Nabokov: The Dimensions of Parody. Baton Rouge: Louisiana State UP, 1978.

Tutt, Ralph. "Stingo's Complaint: Styron and the Politics of Self-Parody." Modern Fiction Studies 34.4 (Winter 1988): 575-86.

Tynianov, Iuri. "Destruction, parodie." 1919. Change 2 (1969).

_____. "Tesis sobre la parodia." In Antología del formalismo ruso y el grupo de Bajtin. Ed. Emil Volek. Madrid: Fundamentos, 1992. 169-70.*

_____. Dostoevskii i Gogol': k teorii parodii. Petrograd, 1921.

_____. "Dostoevskij und Gogol (Zur Theorie der Parodie)." In Russischer Formalismus. Ed. and trans. Jurij Striedter. Munich: Fink, 1971. 301-71.

Walsh, John K. "Juan Ruiz and the Mester de Clerezía: Lost Context and Lost Parody in the Libro de Buen Amor." Romance Philology 33 (1979-80): 62-86.

_____. "Juan Ruiz y el 'Mester de Clerezía'." From Walsh, "Juan Ruiz and the Mester de Clerezía: Lost Context and Lost Parody in the Libro de Buen Amor," Romance Philology 33 (1979-80): 62-86. In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 198-203.*

Waugh, Patricia. "Literary Evolution: The Place of Parody." In Waugh, Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge, 1984. 63-86.*

White, Edmund. "Nabokov: Beyond Parody." In The Achievements of Vladimir Nabokov: Essays, Studies, Reminiscences and Stories. Ed. George Gibian and Stephen Jan Parker. Ithaca: Cornell University Center for International Studies, 1984. 5-28.*

 

 

 

Bibliography

 

 

García Landa, José Angel. "Parody." From A Bibliography of Literary Theory, Criticism and Philology. Online at eBookBrowse 11 Dec 2010.*

         http://ebookbrowsee.net/parody-doc-d24078167

         2014