sábado, 18 de noviembre de 2023

Cine, Género y Sexualidad


A Bibliography of Literary Theory, Criticism and Philology


by José Ángel García Landa

(University of Zaragoza, Spain)



Sexuality, Gender, and Film



Adair, Gilbert. "What Do Men Want?" In Adair, The Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 124-27. * (Gender in film).

Alberti, John. Masculinity in the Contemporary Romantic Comedy. Routledge, 2013.

Byars, Jackie. All that Hollywood Allows: Re-reading Gender in 1950s Melodrama. London: Routledge, 1991.

Clover, Carol J. "Her Body, Himself: Gender in the Slasher Film." In Fantasy and the Cinema. Ed. James Donald. London: BFI, 1989.

_____. "Her Body, Himself: Gender in the Slasher Film." In Gender, Language, and Myth. Ed. Glenwood Irons. Toronto: U of Toronto P, 1992. 252-302.*

Cornut-Gentille D'Arcy, Chantal. "Letting a Man Open the Door for You and Slamming It in His Face: Changing Gender Relations in British Situation Comedies of the Eighties and Nineties." In Culture and Power: Music, Media and Visual Arts. Ed. Fernando Galván, Julio Cañero and  José Santiago Fernández. Alcalá de Henares: Servicio de Publicaciones U de Alcalá, 2003. 59-73.

Cornut-Gentille D'Arcy, Chantal, and José Angel García Landa, eds. Gender, I-deology: Essays on Theory, Fiction and Film. (Postmodern Studies, 16). Amsterdam: Rodopi, 1996.*



Creed, Barbara. Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne UP, 2009.

Deleyto, Celestino. "1999, A Closet Odyssey: Sexual Discourses in Eyes Wide Shut." Atlantis 28.1 (June 2006): 29-43.*

Desai, Jigna. "Sex in the Global City: The Sexual and Gender Politics of the New Urban, Transnational, and Cosmopolitan Indian Cinema in English." In Desai, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York and London: Routledge, 2004. 193-210.*

Doane, Mary Ann. "The Female Spectator: Contexts and Directions." Camera Obscura: A Journal of Feminism and Film Theory 20/21 (May/Sept 1989): 5-27.

Fouz Hernández, Santiago. "Getting Real: A Brief History of the Representation of Homosexuality in British Cinema." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*

Fuery, Patrick. "Seduction: Gender, Genre and Power." In Fuery, New Developments in Film Theory. Houndmills: Macmillan, 2000.

García Blasco, Alberto. "Manning Up: The Representation of Masculinity in (500) Days of Summer." TFG dir. Beatriz Oria. Universidad de Zaragoza, Facultad de Filosofía y Letras, 2018.*

hooks, bell. Reel to Real: Race, Sex, and Class at the Movies. New York: Routledge, 1996.*

Kaplan, Ann. Women and Film: Both Sides of the Camera. 1983. London: Routledge, 1987.

_____, ed. Women in Film Noir. 1978. London: British Film Institute, 1989.

Lehman, Peter. "Penis-size Jokes and Their Relation to Hollywood's Unconscious." In Comedy/Cinema/Theory. Ed. Andrew Horton Berkeley (CA):  U of California P, 1991. 43-59.

Lehman, Peter. "Gender and Sexuality." In Peter Lehman and William Luhr, Thinking about Movies: Watching, Questioning, Enjoying. 2nd ed. Malden, MA and Oxford: Blackwell, 2003. 264-282.

Marín Fernández, Brais. Estereotipos de género: Los personajes en el cine de David O. Russell. TFG U de Valladolid, 2016. Online at UVaDOC.*



Mellen, Joan. Women and Their Sexuality in the New Film. New York: Horizon, 1974.

Milliken, Christie. "Unheimlich Maneuvers: The Genres and Genders of Transsexual Documentary." The Velvet Light Trap 41 (Spring 1998): 47-61.

Muldoon, David. "The Postmodern Gender Divide in the Bob Dylan Biopic I'm Not There." Miscelánea 46 (2012): 53-70.*

Mulvey, Laura. "Visual Pleasure and Narrative Cinema." 1975. many editions. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 438-48.* .

Rodowick, David N. "The Difficulty of Difference." Wide Angle 5.1 (1982): 4-15.

_____. The Difficulty of Difference: Psychoanalysis, Sexual Difference and Film Theory. New York: Routledge, 1991.

Ruiz Pardos, Manuela. "Male Images in the New Romances: Towards the Construction of a New Romantic Hero." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 563-68.*

Silverman, Kaja. Male Subjectivity at the Margins. New York: Routledge, 1992.

Suárez Sánchez, Juan A. Bike Boys, Drag Queens, and Superstars: Avant-Garde, Mass Culture and Gay Identities in the 1960s Underground Cinema. Bloomington: Indiana UP, 1996.

Tasker, Yvonne. Spectacular Bodies: Gender, Genre and the Action Cinema. London: Routledge, 1993.

Williams, Linda Ruth. Sex in the Head: Visions of Femininity and Film in D. H. Lawrence. Hemel Hempstead: Harvester Wheathsheaf, 1994.

Williams, Linda. "Film Bodies: Gender, Genre, and Excess." 1991. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 701-14.*




See also Women and Film.




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