sábado, 18 de noviembre de 2023

Cine, Género y Sexualidad

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Sexuality, Gender, and Film

 

 

Adair, Gilbert. "What Do Men Want?" In Adair, The Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 124-27. * (Gender in film).

Alberti, John. Masculinity in the Contemporary Romantic Comedy. Routledge, 2013.

Byars, Jackie. All that Hollywood Allows: Re-reading Gender in 1950s Melodrama. London: Routledge, 1991.

Clover, Carol J. "Her Body, Himself: Gender in the Slasher Film." In Fantasy and the Cinema. Ed. James Donald. London: BFI, 1989.

_____. "Her Body, Himself: Gender in the Slasher Film." In Gender, Language, and Myth. Ed. Glenwood Irons. Toronto: U of Toronto P, 1992. 252-302.*

Cornut-Gentille D'Arcy, Chantal. "Letting a Man Open the Door for You and Slamming It in His Face: Changing Gender Relations in British Situation Comedies of the Eighties and Nineties." In Culture and Power: Music, Media and Visual Arts. Ed. Fernando Galván, Julio Cañero and  José Santiago Fernández. Alcalá de Henares: Servicio de Publicaciones U de Alcalá, 2003. 59-73.

Cornut-Gentille D'Arcy, Chantal, and José Angel García Landa, eds. Gender, I-deology: Essays on Theory, Fiction and Film. (Postmodern Studies, 16). Amsterdam: Rodopi, 1996.*

http://www.rodopi.nl/senj.asp?BookId=PMS+16

2004-11-20

Creed, Barbara. Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne UP, 2009.

Deleyto, Celestino. "1999, A Closet Odyssey: Sexual Discourses in Eyes Wide Shut." Atlantis 28.1 (June 2006): 29-43.*

Desai, Jigna. "Sex in the Global City: The Sexual and Gender Politics of the New Urban, Transnational, and Cosmopolitan Indian Cinema in English." In Desai, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York and London: Routledge, 2004. 193-210.*

Doane, Mary Ann. "The Female Spectator: Contexts and Directions." Camera Obscura: A Journal of Feminism and Film Theory 20/21 (May/Sept 1989): 5-27.

Fouz Hernández, Santiago. "Getting Real: A Brief History of the Representation of Homosexuality in British Cinema." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*

Fuery, Patrick. "Seduction: Gender, Genre and Power." In Fuery, New Developments in Film Theory. Houndmills: Macmillan, 2000.

García Blasco, Alberto. "Manning Up: The Representation of Masculinity in (500) Days of Summer." TFG dir. Beatriz Oria. Universidad de Zaragoza, Facultad de Filosofía y Letras, 2018.*

hooks, bell. Reel to Real: Race, Sex, and Class at the Movies. New York: Routledge, 1996.*

Kaplan, Ann. Women and Film: Both Sides of the Camera. 1983. London: Routledge, 1987.

_____, ed. Women in Film Noir. 1978. London: British Film Institute, 1989.

Lehman, Peter. "Penis-size Jokes and Their Relation to Hollywood's Unconscious." In Comedy/Cinema/Theory. Ed. Andrew Horton Berkeley (CA):  U of California P, 1991. 43-59.

Lehman, Peter. "Gender and Sexuality." In Peter Lehman and William Luhr, Thinking about Movies: Watching, Questioning, Enjoying. 2nd ed. Malden, MA and Oxford: Blackwell, 2003. 264-282.

Marín Fernández, Brais. Estereotipos de género: Los personajes en el cine de David O. Russell. TFG U de Valladolid, 2016. Online at UVaDOC.*

         https://uvadoc.uva.es/handle/10324/22398

         2017

Mellen, Joan. Women and Their Sexuality in the New Film. New York: Horizon, 1974.

Milliken, Christie. "Unheimlich Maneuvers: The Genres and Genders of Transsexual Documentary." The Velvet Light Trap 41 (Spring 1998): 47-61.

Muldoon, David. "The Postmodern Gender Divide in the Bob Dylan Biopic I'm Not There." Miscelánea 46 (2012): 53-70.*

Mulvey, Laura. "Visual Pleasure and Narrative Cinema." 1975. many editions. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 438-48.* .

Rodowick, David N. "The Difficulty of Difference." Wide Angle 5.1 (1982): 4-15.

_____. The Difficulty of Difference: Psychoanalysis, Sexual Difference and Film Theory. New York: Routledge, 1991.

Ruiz Pardos, Manuela. "Male Images in the New Romances: Towards the Construction of a New Romantic Hero." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 563-68.*

Silverman, Kaja. Male Subjectivity at the Margins. New York: Routledge, 1992.

Suárez Sánchez, Juan A. Bike Boys, Drag Queens, and Superstars: Avant-Garde, Mass Culture and Gay Identities in the 1960s Underground Cinema. Bloomington: Indiana UP, 1996.

Tasker, Yvonne. Spectacular Bodies: Gender, Genre and the Action Cinema. London: Routledge, 1993.

Williams, Linda Ruth. Sex in the Head: Visions of Femininity and Film in D. H. Lawrence. Hemel Hempstead: Harvester Wheathsheaf, 1994.

Williams, Linda. "Film Bodies: Gender, Genre, and Excess." 1991. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 701-14.*

 

 

 

See also Women and Film.

 

 

 

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      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...