jueves, 29 de febrero de 2024

Novelistas - Autores de ficción narrativa

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Authorship in fiction

Novelists and fiction writers

 

 

Agnes, Gerebn. "The Writer's 'Ego' in the Composition of Cycles of Short Stories" Essays in Poetics 9 (1986).

Aguilar Osuna, Juan Jesús. "The Making of the Woman Novelist in the British Post-War Novel Written by Women: Jean Rhys, Penelope Lively and A. S. Byatt." In AEDEAN: Proceedings of the 23rd International Conference (León, 16-18 de diciembre, 1999). CD-ROM. León: AEDEAN, 2003.*

Allott, Miriam, ed. Novelists on the Novel. New York: Columbia UP, 1959.

_____, ed. Novelists on the Novel. London: Routledge, 1968.

_____, ed. Los novelistas y la novela.  Barcelona: Seix-Barral, 1965.

Alonso, Pilar. "A Cognitive Approach to Short Story Writing." In Short Story Theories: A Twenty-First-Century Perspective. Ed. Viorica Patea. Amsterdam and New York: Rodopi, 2012.

Barthes, Roland. "Writing and the Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 143-51.*

Eberle-Sinatra, Michael. "Gender, Authorship and Male Domination: Mary Shelley's Limited Freedom in Frankenstein and The Last Man." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 95-108.*

Eco, Umberto. Confesiones de un joven novelista.

Franco, Jean. "Narrador, autor, superestrella: la narrativa latinoamericana en  la epoca de cultura de masas." Trans. John Beverley and Eliseo Colon. Revista Iberoamericana 47.114-115 (January-June 1981).

García Landa, José Ángel. "El mapa y el territorio." In García Landa, Vanity Fea 17 Jan. 2011.* (Rev. of Michel Houellebecq's La Carte et le territoire).

         http://vanityfea.blogspot.com/2011/01/el-mapa-y-el-territorio.html

         2011

_____. "El mapa y el territorio." Ibercampus (Vanity Fea) 18 Jan. 2011.*

         http://www.ibercampus.es/articulos.asp?idarticulo=14517

         2013

_____. "El mapa y el territorio: Espectáculo de autor." Academia 14 Feb. 2021.*

         https://www.academia.edu/45118374/

         2021

_____. "El mapa y el territorio: Espectáculo de autor." SSRN 14 March 2021.*

         https://papers.ssrn.com/abstract=3772201

         2021

         Cultural Anthropology eJournal 14 March 2021.*

         https://www.ssrn.com/link/Cultural-Anthropology.html

         2021

         Literary Theory eJournal 14 March 2021.*

         https://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2021

         Film, Media & TV Studies eJournal 14 March 2021.
        
https://www.ssrn.com/link/Film-Media-TV-Studies.html

         2021

_____. "El Mapa y el Territorio: Espectáculo de autor." In García Landa, Vanity Fea 19 April 2021.*

         https://vanityfea.blogspot.com/2021/04/el-mapa-y-el-territorio-espectaculo-de.html

         2021

Haffenden, John. Novelists in Interview. London: Methuen, 1985.*

         http://books.google.es/books?id=_18OAAAAQAAJ

         2010

James, Edward, coed. The Profession of Science Fiction. 1992.

Jannidis, Fotis. "Author." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 33-34.*

King, Stephen. On Writing (A Memoir of the Craft). London: Hodder and Stoughton.

Leavis, Q. D. "Author and Reader." In Leavis, Fiction and the Reading Public. 1932. London: Bellew, 1990. 33-81.*

Mann, Thomas. The Story of a Novel: The Genesis of Doktor Faustus. Trans. Richard and Clara Winston. New York: Knopf, 1961.

Noguez, Dominique. Houellebecq, en fait. Paris: Fayard, 2003.

Parks, Tim. "Leave Novelists Out of Fiction." New York Review of Books 22 Oct. 2017.* (Rev. of Jo Baker's A Country Road, A Tree).

         http://www.nybooks.com/daily/2017/10/21/leave-novelists-out-of-fiction/

         2017

Pérez Martín, Mª Jesús. "La novela y el novelista." ES 13 (1983): 7-34.*

Scott, Walter. "Authorship [Introduction to Chronicles of the Canongate." 1827. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 409-27.

Vargas Llosa, Mario. Historia secreta de una novela. 1971.

_____. Cartas a un joven novelista. 1997. (Biblioteca Vargas Llosa). Madrid: Alfaguara, 2012.*

Thibadeau, Jean. "Le roman comme autobiographie." In Tel Quel: Théorie d'ensemble.  Paris: Seuil, 1968. 212-20.*

Torrente Ballester, Gonzalo. "Acerca del novelista y su arte." In Torrente, Ensayos críticos. Barcelona: Destino, 1982. 116-42.*

 

 

 

 

 

Films

 

El Autor. Dir. Manuel Martín Cuenca. Based on a story by Javier Cercas. Cast: Javier Gutiérrez, María León, Antonio de la Torre, Adriana Paz, Tenoch Huerta, Adelfa Calvo, Rafael Téllez, Craig Stevenson, Miguel Ángel Luque, Carmelo Muñoz Adame, Domi del Postigo. Spain, 2017.*

D'Après une histoire vraie. Dir. Roman Polanski. Written by Olivier Assayas and Roman Polanski, based on the novel by Delphine de Vigan. Cast: Emmanuelle Seigner, Eva Green, Vincent Perez. Music by Alexandre Desplat. Cinemat. Pawel Edelman. Ed. Margot Meiner. 2017. Online at Netflix.*

Swimming Pool. Dir. François Ozon. 2003.

 

 

 

 

Literature

 

 

Amis, Martin. The Information. Novel. London: HarperCollins-Flamingo, 1995.*

_____. La información. Trans. Benito Gómez Ibáñez. (Panorama de narrativas, 350). Barcelona: Anagrama, 1996.

Dickens, Charles. David Copperfield (La Historia personal de David Copperfield). Trans. Marta Salís. Illus. H. K. Browne, 'Phiz'. (Alba Minus, 22). Barcelona: Alba, 2012. 2nd ed. 2012.*

Gide, André. Les Faux-monnayeurs. Novel. Paris: Gallimard, 1925. 1969.

_____. Les Faux-monnayeurs. (Folio). Paris: Gallimard, 1972. 1984.*

_____. The Counterfeiters. Trans. Dorothy Bussy. New York: Knopf. (1920s).

_____. The Counterfeiters. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. Los monederos falsos. Barcelona: Seix Barral, 1984.

_____. Journal des Faux-monnayeurs. Paris: Eos, 1926.

_____. Journal des Faux-Monnayeurs. Paris: Gallimard, 1927. 1971.*

Gómez de la Serna, Ramón. El novelista. 1923.

Greer, Andrew Sean. Less. 2017. (Pulitzer Prize 2018)

_____. Less. Trans. Miguel Marqués. (ADN – Alianza de Novelas) Madrid: Alianza Editorial, 2019.*

Highsmith, Patricia. "The Female Novelist." From Little Tales of Misogyny. In The Selected Stories of Patricia Highsmith. New York and London: W. W. Norton, 2001. 167-68.*

James, Henry. "The Middle Years." Story. Scribner's (May 1893).

_____. "The Middle Years." In James, Terminations. 1895.

_____. "The Middle Years." In James, New York Edition (1909). Online at The Henry James Scholar Guide to Web Sites.*

         https://www2.newpaltz.edu/~hathawar/middleyears.html

         2021

_____. "The Middle Years." New York ed. Rpt. in The Figure in the Carpet and Other Stories. Ed. Frank Kermode. Harmondsworth: Penguin, 1986. 233-58.*

_____. "The Middle Years." In James, Complete Stories (IV) 1892-1898. (The Library of America). New York: Literary Classics of the United States, c. 1999.

_____. "The Middle Years." Online at Story of the Week.*

         https://storyoftheweek.loa.org/2014/07/the-middle-years.html

         2021

_____. Los papeles de Aspern y otros relatos sobre escritores. Ed. and trans. Juan Antonio Molina Foix. (Letras Universales). Madrid: Cátedra, 2017. ("The Aspern Papers"; "The Lesson of the Master"; "The Private Life"; "The Abasement of the Northmores"; The Birthplace").

King, Stephen. Misery.

_____. Lisey's Story: A Novel. New York: Scribner, 2006.

_____. La historia de Lisey. Trans. Bettina Blanch Tyroller. (BestSeller). Barcelona: Random House Mondadori – DeBols!llo, 2008.*

Michener, James A.  The Novel.  Novel.  London: Secker, 1991.

_____.  The Novel.  London: Mandarin, 1992.*

Wells, H. G. (Ps. "Reginald Bliss"). Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump. Being a First Selection from the Literary Remains of George Boon, Appropriate to the Times. Prepared for Publication by Reginald Bliss, Author of  'The Cousins of Charlotte Brontë', 'A Child's History of the Crystal Palace', 'Firelight Rambles', 'Edible Fungi', 'Whales in Captivity' and Other Works. With an Ambiguous Introduction by H. G. Wells. London: Unwin,  1915. (Novel on novelists, caricature of Henry James).

Woolf, Virginia. "An Unwritten Novel." Short story. 1920. In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 27-40.*

 

 

 

 

 

Video

 

 

Montero, Rosa. "Contra la muerte." Spinoza lecture at Amsterdam, 2013. Video: YouTube (Producciones Media Naranja) 18 Oct. 2013.*

         https://youtu.be/Bk2nU0jpUFo

         2016

 

Rushdie, Salman. "On Storytelling." Interview with Steve Paikin. Video. YouTube (The Agenda with Steve Paikin) 2011.*

         https://youtu.be/ud5Wu_D2kVE

         2022

 

Vargas Llosa, Mario. "The Time of the Hero." Video. (Berlin Family Lectures, U of Chicago). YouTube (UChicago Division of the Humanities) 27 April 2017.*

         https://youtu.be/jNEg19C9lMY

         2017

 

 

 

 

See also Authorship, Writing.

 

 

 

miércoles, 28 de febrero de 2024

Novela y Narrativa de Ficción

 

       from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Fiction and the novel: General

 

History: General

Theory: General

Classical treatises to 1900

Miscellaneous

 

 

History: General

 

Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford UP, 1987. 1990.

Baumgarten, Murray. "From Realism to Expressionism: Toward a History of the Novel." New Literary History 6.2 (Winter 1975): 415-27.

Boxall, Peter. 1.001 libros que hay que leer antes de morir. Barcelona: Grijalbo, 2006.

Brink, André. Reading the Novel: Narrative Language from Cervantes to the Postmodern. Basingstoke: Macmillan, 1997.*

Doody, Margaret Anne. The True Story of the Novel. New Brunswick, NJ: Rutgers UP, 1996.

_____. The True History of the Novel. London: HarperCollins, 1997.*

Dunlop, John C. History of Prose Fiction. 3 vols. Edinburgh, 1814.

_____. History of Prose Fiction. 2 vols. 1907.

Moretti, Franco. Atlas of the European Novel. c. 1998.

Phelps, Gilbert. A Short Guide to the World Novel: From Myth to Modernism. London: Routledge, 1988.*

Reed, Walter L. An Exemplary History of the Novel: The Quixotic Versus the Picaresque. Chicago: U of Chicago P, 1981.

Schmidt, Michael. The Novel: A Biography. Cambridge (MA): Harvard UP, 2014.*

 

 

 

 

Video

 

 

Pavel, Thomas. "The History of the Novel." Lecture at the University of Chicago (Humanities Day 2013). Video. YouTube (UChicago Division of the Humanities) 3 Feb. 2014.*

         https://youtu.be/xEiHOhEhvMo

         2016

 

 

 

 

 

Theory: General

 

Aguiar e Silva, Vítor Manuel de. "La novela." In Aguiar e Silva, Teoría de la literatura. 1968. Trans. Valentín García Yebra. Madrid: Gredos, 1972. 197-243.*

Albaladejo, T. Semántica de la narración: la ficción realista. Madrid: Taurus, 1992.

Bakhtin, Mikhail. "Slovo v romane." ("Discourse in the Novel"). 1934-35. Extract from "Iz predystorii romannogo slova." Voprosy Literatury 8 (1965): 84-95.

_____. "The Word in the Novel." Trans. of "Slovo v romane." Comparative Criticism Yearbook 2 (1980): 213-20.

_____. "Discourse in the Novel." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 259-422.*

_____. From "Discourse in the Novel." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 230-38.*

_____. "Heteroglossia in the Novel." In Bakhtinian Thought: An Introductory Reader. Ed. Simon Dentith. London: Routledge, 1995. 1996. 195-224.*

_____. "L'énoncé dans le roman." Trans. of "Slovo v romane." Langages  12 (1968): 126-32.

_____. "Du discours romanesque." In Bakhtin, Esthétique et théorie du roman. Paris Gallimard, 1978. 83-234.*

_____. "Epic and Novel." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 3-40.*

_____. "Epic and Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 48-69.*

_____. Voprosy literatury i estetiki. Moscow: Khudozhestvennaia literatura, 1975.

_____. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1981.* (4 essays from Voprosy literatury i estetiki).

_____. From The Dialogic Imagination. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 321-53.* (Epic and Novel. From the Prehistory of Novelistic Discourse. Discourse in the Novel)

_____. Esthétique et théorie du roman. Introd. Michel Aucouturier. Trans. Daria Oliver. Paris: Gallimard, 1978. (Col. Tel, 1987).* Trans. of Voprosy literatury i estetiki

_____. Teoría y estética de la novela. Trans. Helena Kriukova and Vicente Cazcarra. Madrid: Taurus, 1989.

_____. "Towards a Methodology for the Study of the Novel." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 262-68.*

Baquero Goyanes, Mariano. Qué es la novela. Buenos Aires, 1961.

_____. Qué es la novela. 3rd ed. Buenos Aires: Columba, 1975.

_____. ¿Qué es la novela? ¿Qué es el cuento? (1961, 1967). Introd. Francisco Javier Díez de Revenga. Murcia: Universidad de Murcia, 1993.*

_____. Estructuras de la novela actual. (Ensayos / Planeta de lingüística y crítica literaria). Barcelona: Planeta, 1970.*

Barilli, Renato. "Le strutture del romanzo." In Gruppo 63. Milano: Feltrinelli, 1964.

Bateson, F. W. "The Novel's Original Sin: A Lecture." In Bateson, Essays in Critical Dissent. London: Longman, 1972. 242-53.*

Bennett, Tony. "Theories of the Novel." In Bennett, Outside Literature. London: Routledge, 1990. 86-98.*

Bernstein, J. M. The Philosophy of the Novel: Lukács, Marxism and the Dialectics of Form. Brighton: Harvester, 1984.

Bobes Naves, M. C. La novela. (Teoría de la Literatura y Literatura Comparada, 16). Madrid: Síntesis, 1993.*

Bode, Christoph. Der Roman. 2nd ed. Tübingen: Francke, 2011.*

         Online at Google Boois:

         http://books.google.es/books?hl=en&lr=&id=szZzV5Q_AFoC

         2014

Booth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.*

_____. The Rhetoric of Fiction. 2nd. ed. 1983. Harmondsworth: Penguin, 1987.*

_____. La retórica de la ficción. Trans. Santiago Gubern. Barcelona: Bosch, 1974.*

_____. "The Rhetoric of Fiction and the Poetics of Fiction." Novel 1 (Winter 1968): 105-17. Rpt. in Booth, Now Don't Try to Reason with Me: Essays and Ironies for a Credulous Age. Chicago: U of Chicago P, 1970.

Bourneuf, Roland, and Réal Ouellet. L'Univers du roman. Paris: PUF, 1972.

_____. La novela. Trans. Enric Sullà. 5th ed. Barcelona: Ariel, 1989.*

Bovet, E. Roman et poésie: Essai sur l'esthétique des genres. Paris: Nizet, 1951.

Chatman, Seymour. "What Is Narrative? Some Basic Terms." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 7-19.* (The Text-Types; Getting the Point; The Meaning of 'Fiction'; Story and Discourse).

Chodat, Robert. "7. The Novel." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.

Clark, Katherina, and Michael Holquist. "The Theory of the Novel." In Clark and Holquist, Mikhail Bakhtin. Cambridge (MA): Harvard UP-Belknap Press, 1984.

Cook, Albert. The Meaning of Fiction. Detroit: Wayne State UP, 1960.

Cornils, Anja, and Wilhelm Schernus. "On the Relationship between the Theory of the Novel, Narrative Theory, and Narratology." In What Is Narratology? Questions and Answers Regarding the Status of a Theory. Ed. Tom Kindt and Hans-Harald Müller. (Narratologia, 1). Berlin and New York: De Gruyter, 2003. 137-74.*

_____. "Le rapport entre théorie du roman, théorie narrative et narratologie." In Théorie du récit: L'apport de la recherche allemande. Villeuneve d'Ascq: Presses Universitaires du Septentrion, 2007. 17-58.*

Díaz-Migoyo, Gonzalo. La diferencia novelesca: Lectura irónica de la ficción. (Visor, Literatura y debate crítico, 6). Madrid: Visor.

Domínguez Caparrós, José. "Capítulo XI. La novela. Otros géneros." In Domínguez Caparrós, Teoría de la Literatura. Madrid: Centro de Estudios Ramón Areces, 2002. 161-82.*

Doody, Terrence. Among Other Things: A Description of the Novel. LSU Press, 1998.

Eagleton, Terry. "What Is a Novel?" In Eagleton, The English Novel. Oxford: Blackwell, 2005. 1-21.*

Forster, E. M. Aspects of the Novel. London: Arnold, 1927.

_____. Aspectos de la novela. Madrid: Debate, 1985. 2nd ed. 1986.

Friedman, Norman. Form and Meaning in Fiction. Athens: U of Georgia P, 1975.

Fowler, Roger. Linguistics and the Novel. 1977. London: Methuen, 1985.*

García Landa, José Ángel. Acción, Relato, Discurso: Estructura de la ficción narrativa. (Acta Salmanticensia, Estudios Filológicos, 269). Salamanca: Ediciones Universidad de Salamanca, 1998.*

http://www.eusal.es/index.php?page=shop.product_details&flypage=shop.flypage&product_id=14773&category_id=204&manufacturer_id=0&option=com_virtuemart&Itemid=56

2008

_____. Acción, Relato, Discurso: Estructura de la ficción narrativa. Online edition at the author's website, U of Zaragoza.

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/

         2009

Genette, Gérard. Figures I. Paris: Seuil, 1966.

_____. Figures II. Paris: Seuil, 1969.

_____. Figures III. Paris: Seuil, 1972.

Gibson, Andrew. Reading Narrative Discourse: Studies in the Novel from Cervantes to Beckett. Houndmills: Macmillan, 1989. 1990.

Gullón, Agnes, y Germán Gullón, eds. Teoría de la novela. Madrid: Taurus, 1974.*

Hale, Dorothy J. Social Formalism: The Novel in Theory from Henry James to the Present. 1998.

Hamburger, Käte. Die Logik der Dichtung. 1957. Stuttgart: Klett, 1977.

Hamilton, Clayton. Materials and Methods of Fiction. New York: Baker and Taylor, 1908.

Hardy, Barbara. Narrators and Novelists. Hemel Hempstead: Harvester Wheatsheaf, 1987.

Halperin, John, ed. The Theory of the Novel: New Essays. New York: Oxford UP, 1974.

Herman, Luc. "Encyclopedic Novel." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 137-38.*

Hillebrand, Bruno, ed. Zur Struktur des Romans. Darmstadt: Wissenschaftliche Buchgesellschaft, 1978.

Ihwe, J., and H. Rieser. "Normative and Descriptive Theory of Fiction: Some Contemporary Issues." Poetics 8.1-2 (1979): 63-84.

James, Henry. Preface to The Golden Bowl. In The Novels and Tales of Henry James. Reprint of the "New York Edition." vol. 23. New York, 1971.

_____. From the preface to The Golden Bowl. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 665-72.*

_____. El futuro de la novela. Ed. and trans. Roberto Yahni. Madrid: Taurus, 1975.*

Jean, G. Le Roman. Paris: Seuil.

Kahler, Erich. "Die Verinnerung des Erzählens." In Kahler, Untergang und Übergang. Munich: Deutscher Taschenbuch Verlag, 1970.

_____. The Inward Turn of Narrative. Trans. Richard Winston and Clara Winston. With a Foreword by Joseph Frank. Princeton (NJ): Princeton UP, 1973. Trans. of "Die Verinnerung des Erzählens."

Keiter, H., and F. Kellen. Der Roman. Essen, 1908.

Kennedy, X. J., and Dana Gioia. Literature: An Introduction to Fiction, Poetry and Drama. 7th ed. New York: Addison Wesley Longman, 1998.

_____. An Introduction to Fiction. 7th ed. New York: Addison Wesley Longman, 1999.

Kermode, Frank. "Novel, History and Type." Novel 1 (1967): 231-8.

_____. "Novel and Narrative." In The Theory of the Novel. Ed. John Halperin. New York: Oxford UP, 1974.

Klotz, Volker, ed. Zur Poetik des Romans. Darmstadt, 1965.

Knight, Everett. A Theory of the Classical Novel. London: Routledge, 1969.

Kristeva, Julia. "Bakthin, le mot, le dialogue et le roman." Critique 239 (1967): 438-65.

_____. "Word, Dialogue, and Novel." Trans. Alice Jardine et al. In Desire in Language.

_____. "The Novel as Polylogue." In Desire in Language. New York, 1980. ch. 7.

_____. Le texte du roman. The Hague: Mouton, 1970.

_____. El texto de la novela. Trans. Jordi Lloret. Barcelona: Lumen, 1974.*

Kundera, Milan. L'Art du roman. Paris: Gallimard, 1986.*

_____. The Art of the Novel. Trans. Linda Asher. New York: Grove Press, 1986.

_____. The Art of the Novel. London: Faber, 1990.

_____. El arte de la novela. Trans. Fernando de Valenzuela and María Victoria Villaverde. (Marginales, 99). Barcelona: Tusquets, 1987.*

_____. El arte de la novela. Trans. Fernando Valenzuela and María Victoria Villaverde. (Marginales 99). Barcelona: Tusquets, 1987.

_____. El arte de la novela. (Fábula, 143). Barcelona: Tusquets, 2000.

_____. El arte de la novela. Barcelona: Círculo de Lectores, 1996.

_____. L'Art de la novel.la. Trans. Joan Tarrida. (L'àncora, 9). Barcelona: Destino, 1987.

Lawrence, D. H. "The Novel." 1925.

_____. "Why the Novel Matters." In Phoenix: The Posthumous Papers of D. H. Lawrence. 1936.

_____. "Why the Novel Matters." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 131-35.*

_____. "Why the Novel Matters." In D. H. Lawrence: Selected Literary Criticism. Ed. Anthony Beale. New York: Viking, 1966.

_____. "Why the Novel Matters." Essay. 1936. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2341-45.*

Liddell, Robert. A Treatise on the Novel. London: Cape, 1947.*

_____. Robert Liddell on the Novel. 1947. Chicago: U of Chicago P, 1969.

Lodge, David. The Art of Fiction. London: Secker, 1992.*

Lothe, Jakob. Narrative in Fiction and Film: An Introduction. Oxford: Oxford UP, 2000.

Lubbock, Percy. The Craft of Fiction. London: Jonathan Cape, 1921. New ed. 1923. 1926.*

_____. The Craft of Fiction. New York, 1947.

_____. The Craft of Fiction. New York: Viking-Compass, 1957.

Lukács, Georg. "Die Theorie des Romans". Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 11 (1916):: 226 ff.

_____. The Theory of the Novel. Trans. A. Bostock. London: Merlin Press, 1971.

_____. The Theory of the Novel. Trans. Anna Bostock. Cambridge: MIT Press, 1971. 1983.

_____. La Théorie du roman. Trans. Jean Clairevoye. Paris: Gonthier, 1963.

_____. La Théorie du roman. Trans. Jean Clairevoye. Paris: Denoël, 1968.

_____. Teoría de la novela. Buenos Aires: Siglo XXI, 1966.

_____. Teoría de la novela. Trans. Juan José Sebreli. (Ediciones de Bolsillo, 67). Barcelona: Edhasa, 1971.

_____. Teoría de la novela. Trans. Juan José Sebreli. Buenos Aires: Siglo XX, 1974.

_____. La teoría de la novela. Barcelona: Grijalbo, 1975.

_____. Teoría de la novela. Trans. Manuel Sacristán.  Introd. Manuel Vázquez Montalbán. (Biblioteca Universal, Ensayo Contemporáneo). Barcelona: Círculo de Lectores, 1999.*

_____. La teoria de la novel-la. Trans. Michael Faber-Kaiser. (A l'Abast, 32). Barcelona: Ediciones 62, 1965.

_____.  From  The Theory of the Novel. In  Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 185-218.*

_____.  From   The Theory of the Novel. In  Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 185-218.*

Madden, David. A Primer of the novel: For Readers and Writers. Metuchen: Scarecrow Press, 1980.

Maíllo Salgado, Felipe. "Algunas reflexiones sobre la lengua española, la novela y la tarea de novelar." In Palabras, Norma, Discurso: En memoria de Fernando Lázaro Carreter. Ed. Luis Santos Río et al. Salamanca: Ediciones U de Salamanca, 2005. 747-53.*

Mainer, José Carlos. La escritura desatada: el mundo de las novelas. (Tanto por saber). Madrid: Temas de Hoy, 2000.

Martin, Harold C., ed. Style in Prose Fiction. New York: Columbia UP, 1959.

Mauriac, François. Le Roman. 1928.

Medina, Angel. Reflection, Time, and the Novel: Toward a Communicative Theory of Literature. London: Routledge, 1979.

Miller, D. A.  Narrative and Its Discontents:  Problems of Closure in the Traditional Novel.  Princeton:  Princeton University Press, 1981.

Mitterrand, Henri. Le Discours du roman. Paris: PUF, 1980.

Mosley, Nicholas. "What Are Novels For?" TLS 17 Jan. 1992: 5-6.

Muir, Edwin. The Structure of the Novel. London: Hogarth Press, 1928.*

Neumann, Birgit, and Ansgar Nünning. An Introduction to the Study of Narrative Fiction. Stuttgart: Klett, 2008.

Ortega y Gasset, J. Meditaciones del Quijote. Ideas sobre la novela. Madrid: Espasa-Calpe, 1985.

_____. From Meditations on Quixote.  In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 271-93.*

_____. "Ideas sobre la novela." In Ortega, Obras completas. Madrid: Revista de Occidente, 1957. 3: 387-410.

_____. From Notes on the Novel. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 294-316.*

_____. The Dehumanization of Art and Notes on the Novel. Trans. H. Weyl. Princeton, 1948.

Overton, Grant. The Philosophy of Fiction.

Paris, Bernard J. A Psychological Approach to Fiction. Bloomington: Indiana UP, 1974.

Perry, Bliss. A Study of Prose Fiction. 1902. Cambridge (MA): Houghton, 1920.*

Polo García, V., ed. La novela. 1987.

Pozuelo Yvancos, José María. Poética de la ficción. Madrid: Síntesis, 1993.*

Prado Biezma, F. J. del. Cómo se analiza una novela. Madrid: Alhambra, 1984.*

_____. "Naturaleza y organización de una novela (La novela: un intento de definición; La novela y su narrador)." In del Prado, Análisis e interpretación de la novela: Cinco modos de leer un texto narrativo. Madrid: Síntesis, 1999. 29-118.*

Prieto, A. Morfología de la novela. Barcelona: Planeta, 1975.

Raimond, Michel. Le Roman. Paris: Armand Colin, 1988.*

Rossum-Guyon, Françoise van. Critique du roman. Paris: Gallimard, 1970.

Sanz, S., and C. J. Barbachano. Teoría de la novela. Madrid: Sociedad General Española de Librería, 1976.

Schlegel, Friedrich. "Brief über den Roman." In Schlegel, Kritische Ausgabe. Ed. Hans Eichner. 1967.

_____. "Carta sobre la novela." In Schlegel, "Diálogo sobre la poesía." 1800. In Schlegel, Poesía y filosofía. Madrid: Alianza, 1994. 129-38.*

Scholes, Robert. Elements of Fiction. New York, 1968.

_____, ed. Approaches to the Novel. San Francisco: Chandler, 1961.

Scholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966.*

Shklovski, Viktor. "La construction de la nouvelle et du roman." Todorov, Théorie de la littérature 170-196. Trans. from O teorii prozy.

_____. O teorii prozy. 1925. 2nd. ed. Moscow: Federatsia,1927.

_____. Sobre la prosa literaria. Barcelona: Planeta, 1971.

Spencer, Sharon. Space, Time, and Structure in the Modern Novel. New York: New York UP, 1971.

Spilka, Mark, ed. Towards a Poetics of Fiction. Bloomington: Indiana UP, 1977.

Stanzel, Franz K. Die Typischen Erzählsituationen im Roman. Vienna: Braumüller, 1955.

_____. Narrative Situations in the Novel. Trans. James P. Pusack. Bloomington: Indiana UP, 1971.

_____. Typische Formen des Romans.  Göttingen: Vandenhoeck & Ruprecht, 1964. 2nd. ed. 1965. (Kleine Vandenhoeck-Reihe, 1187). 12th ed. Göttingen: Vandenhoeck & Ruprecht, 1993.

Sukenick, Ronald. In Form: Digressions on the Art of Fiction. Carbondale: Southern Illinois UP, 1985.

Tacca, Oscar. Las voces de la novela. Madrid: Gredos, 1973. 3rd ed., 1985.*

Thibaudet, Albert. Refléxions sur le roman. Paris: Gallimard, 1938.

Undurraga, Antonio. Autopsia de la novela: Teoría y práctica de los narradores. Mexico: B. Costa-Amic, 1967.

Villanueva, Darío. "Lectura crítica de la novela." Diss. U of Leiden, 1982.

_____. El comentario de textos narrativos: La novela. Gijón: Júcar; Valladolid: Aceña, 1989.*

Warren, Austin. "The Nature and Modes of Narrative Fiction." In Perspectives on Fiction. Ed. J. L. Calderwood and Harold Toliver. New York: Oxford UP, 1968.

Watson, George. The Story of the Novel. London: Macmillan, 1979.*

Weber, Jean-Jacques. Critical Analysis of Fiction. Amsterdam: Rodopi, 1992.*

Wilson, Colin. The Craft of the Novel. London: Victor Gollancz, 1975.

Wimsatt, W. K., and Cleanth Brooks. "Fiction and Drama: The Gross Structure." In Wimsatt and Brooks, Literary Criticism: A Short History. New York: Knopf, 1957. 681-98.*

Wood, James. How Fiction Works. New York: Farrar, Straus, and Giroux, 2008.

_____. Los mecanismos de la ficción: Cómo se construye una novela. Madrid: Gredos, 2009.

 

 

 

 

 

Anthologies

 

 

Allott, Miriam, ed. Novelists on the Novel. New York: Columbia UP, 1959.

_____, ed. Novelists on the Novel. London: Routledge, 1968.

_____, ed. Los novelistas y la novela. Barcelona: Seix-Barral, 1965.

Davis, Robert Murray, ed. The Novel: Modern Essays in Criticism. Englewood Cliffs (NJ): Prentice-Hall, 1969.*

Hale, Dorothy J., ed. The Novel: An Anthology of Criticism and Theory 1900-2000. Blackwell, 2006 [issued 2005]. (General introd.; & introds. to Part I, Form and Function; Part II, The Chicago School; Part III, Structuralism, Narratology, Deconstruction; Part IV, Psychoanalytic Approaches; Part V, Marxist Approaches; Part VI, The Novel as Social Discourse; Part VII, Gender, Sexuality, and the Novel; Part VIII, Post-Colonialism and the Novel).

Hoffman, Michael J., and Patrick D. Murphy, eds. Essentials of the Theory of Fiction. Durham (NC): Duke UP, 1988.*

McKeon, Michael, ed. Theory of the Novel: A Historical Approach. Baltimore: Johns Hopkins UP, 2000.*

Stevick, Philip, ed. The Theory of the Novel. New York: Free Press, 1967.

Sullà, Enric, ed. Teoría de la novela: Antología de textos del siglo XX. Barcelona: Crítica, 1996.

 

 

 

 

Classical treatises to 1900

 

Besant, Walter. The Art of Fiction. Henry James. The Art of Fiction. Boston: Cupples, Upham, and Co., 1885.*

Blankenburg. Versuch über den Roman. Leipzig, 1774.

Bulwer-Lytton, Edward. "On Art in Fiction." 1838. Extract. In Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985.  22-38.*

Eliot, George. "Story-Telling." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 247-51.*

Giraldi, Giambattista. Discorso intorno al comporre de romanzi. 1554. In Giraldi, Scritti Estetici: De' Romanzi, delle Comedie e delle Tragedie. Ed. Giulio Antimaco. 1864.

_____. On Romances: Being a Translation of the Discorso intorno al comporre dei romanzi.  Trans. Henry L. Snuggs. Lexington: U of Kentucky P, 1968.

_____. "On the Composition of Romances." 1549. Select. and trans. Allan H. Gilbert. In Literary Criticism from Plato to Dryden. Ed. A. H. Gilbert. Detroit: Wayne State UP, 1962.262-73. 

_____. From Discourse on the Composition of Romances. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Howells, William Dean. Criticism and Fiction. 1891. In Howells, Criticism and Fiction and Other Essays. Ed. Clara M. Kirk and Rudolf Kirk. 1959. Newport (CT): Greenwood, 1977.

_____. From Criticism and Fiction. (Chs. XXIII, XXIV). 1891. In American Literature, American Culture. Ed. Gordon Hutner. New York: Oxford UP, 1999. 143-48.*

Huet, J. B. Traité de l'origine des romans. 1670.

Jacquin, Armand-Pierre. (Abbé). Entretiens sur les romans. 1755.

James, Henry. "The Art of Fiction." Longman's Magazine 4 (1884): 502-21.

_____. "The Art of Fiction." In Walter Besant, The Art of Fiction. Henry James. The Art of Fiction. Boston: Cupples, Upham, and Co., 1885. 49-85.

_____. "The Art of Fiction." Rev. ed. in James, Partial Portraits. 1888.

_____. "The Art of Fiction." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 210-31.*

_____. "The Art of Fiction." In The Art of Fiction and Other Essays. Ed. Morris Roberts. New York: Oxford UP, 1948.

_____. "The Art of Fiction." Rpt. in Selected Literary Criticism. Ed. Morris Shapira. Cambridge: Cambridge UP.

_____. "The Art of Fiction." In James, Selected Literary Criticism. Ed. Morris Shapira. Harmondsworth: Penguin, 1963.

_____. "The Art of Fiction." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 661-670.*

_____. "The Art of Fiction." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 14-23.*

_____. "El arte de la ficción." In Stevenson, and James, Crónica de una amistad. Trans. María Cóndor. In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.375-408.* (Includes James's "El arte de la ficción", Stevenson's "Una humilde reconvención", letters by James and Stevenson, poems by Stevenson, and Henry James's "Robert Luis Stevenson").

_____. "El arte de la ficción." In James, El futuro de la novela. Ed. and trans. Roberto Yahni. Madrid: Taurus, 1975. 15-38.*

_____. "Prólogos." [Selections]. In James, El futuro de la novela. Ed. and trans. Roberto Yahni. Madrid: Taurus, 1975. 55-80.*

_____. Notes on Novelists. New York, 1914.

_____. The Future of the Novel: Essays on the Art of Fiction. Ed. Leon Edel. New York: Vintage, 1956.

_____. The Art of the Novel. Ed. R. P. Blackmur. 1934. Boston: Northeastern UP, 1984.

_____.The Art of the Novel: Critical Prefaces by Henry James. Ed. R. P. Blackmur. New York: Scribner's, 1934. 1962.

_____. The Art of Criticism: Henry James on the Theory and the Practice of Fiction. Ed. William Veeder and Susan M. Griffin. Chicago: U of Chicago P, 1986.

Johnson, Samuel. "On Fiction." The Rambler 4 (March 31, 1750).

_____. Rambler No. 4 (1750). In  The Works of Samuel Johnson. Ed. Arthur Murphy. London, 1824. Vol. 4.

_____. "On Fiction." (Rambler No. 4). In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 325-327.*

_____. Rambler 4. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Hodder Headline-Arnold, 1997. 640-43.*

_____. Rambler 4 [On Fiction] In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2712-15.*

_____. The Rambler 4 (On Fiction). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Lee, Vernon (Violet Paget). "A Dialogue on Novels." Contemporary Review 48 (1885): 378-401.

_____. "A Dialogue on Novels." 1885. Extract in Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985. 223-37.*

_____. "On Novels." In Lee, Baldwin: Being Dialogues on Views and Aspirations. 1886. 187-245.

Lenglet-Dufresnoy, Nicolas (Abbé). De l'usage des romans, où l'on fait voir leur utilité et leurs différents caractères. 1734.

Menéndez Pelayo, Marcelino. Orígenes de la novela. 4 vols. Madrid: C.S.I.C., 1943.

Maupassant, Guy de. "The Novel." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 193-209.*

Ordine, Nuccio. Teoria della novella e teoria del riso nel Cinquecento. (Critica e letteratura, 3). Napoli: Liguori, 1996.

Pigna, Giovambattista. I romanzi. 1554.

"The Progress of Fiction as an Art." Westminster Review 4 ns. (1853): 342-74.

Sade, Donatien Alphonse (marquis de). "Idée sur les romans." In Sade, Les Crimes de l'amour. Paris: Massé, 1800.

_____. Idea sobre las novelas. (Cuadernos Anagrama 20). Barcelona: Anagrama.

Scott, Walter. "Methods of Construction." Introd. to The Monastery. 1830. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 439-46.*

_____. "The Most Legitimate Plan." Introd. to St. Ronan's Well, 1832. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 428-30.*

Spielhagen, Friedrich. "Zur Technik des Romans." Westermanns Monatshefte 46 (1879).

_____. Beiträge zur Theorie und Technik des Romans. Leipzig: Staackmann, 1883.*

Staël, Anne Louise Germaine de. (Mme de). Essai sur les fictions. 1795.

_____. From Essay on Fictions. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Stevenson, Robert Louis. "A Humble Remonstrance." Longman's Magazine (December 1884). (Novel; Henry James; Characterisation; Emotion; Mimesis; Artifice)

_____. "A Humble Remonstrance." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 232-46.

_____. "Una humilde reconvención." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.326-34.*

_____. "Una humilde reconvención." In Stevenson and James. Crónica de una amistad. Trans. María Cóndor. In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.375-408.* (Includes James's "El arte de la ficción", Stevenson's "Una humilde reconvención", letters by James and Stevenson, poems by Stevenson, and Henry James's "Robert Luis Stevenson").

_____. "Charla sobre la novela." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.316-25.*

_____. Essais sur l'art de la fiction. Ed. Michel Le Bris. Paris: La Table Ronde, 1988.

Valera, Juan. Apuntes sobre el nuevo arte de escribir novelas. Madrid, 1934.

Wilson, William. A Little Earnest Book upon a Great Old Subject. Darton and co., 1851. (Fiction).

Zola, Emile. Le roman expérimental. 1880. Paris: Garnier, 1971.

_____. "The Experimental Novel." 1880. In Critical Theory Since Plato. Ed. Hazard Adams. 647-659.* Select. and trans. of Le Roman expérimental.

_____. The Experimental Novel and Other Essays. Trans. Bella M. Sherman. New York, 1893.

 

 

Anthologies

 

Barnett, George L., ed. Nineteenth Century British Novelists on the Novel. New York, 1971.

Dowling, David, ed. Novelists on Novelists. London: Macmillan.

Eigner, Edwin M., and George J. Worth, eds. Victorian Criticism of the Novel. Cambridge: Cambridge UP, 1985.*

Olmstead, John Charles, ed. A Victorian Art of Fiction: Essays on the Novel in British Periodicals. 3 vols. New York, 1979.

 

 

 

Miscellaneous

 

Acín, Ramón. Narrativa o consumo literario. Zaragoza: Prensas Universitarias de Zaragoza, 1990.

Adams, Percy. Travel Literature and the Evolution of the Novel. Lexington: U of Kentucky P, 1983.

Alas, Leopoldo ("Clarín"). "El teatro y la novela." In Alas, Mezclilla. 1889. Barcelona: Lumen, 1987. 285-90.

Albaladejo, Tomás. Semántica de la ficción literaria: La ficción realista. Typescript. Universidad de Valladolid, 1986.

Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975.

Aucutourier, Michel. "The Theory of the Novel in Russia in the 1930s: Lukács and Bakhtin." In The Russian Novel from Pushkin to Pasternak. Ed. John Garrard. New Haven: Yale UP, 1983. 227-40.

Axelrod, Max. The Poetics of Novels: Fiction and Its Execution. Houndmills: Macmillan, 1999. (Austen, Beckett, C. Bronte, Cervantes, Flaubert, Hamsun, Hardy, Lispector, Smart By Grand Central).

_____. The Poetics of Novels: Fiction and Its Execution.  Houndmills: Macmillan, 1999. Rpt. Palgrave, n.d. [defective copyright page].*

Azim, Firdous. The Colonial Rise of the Novel. London: Routledge, 1993.

Azúa, Félix de. "El género neutro". In Los cuadernos de la gaya ciencia, II: arte y verdad. Barcelona: La Gaya Ciencia, 1975. 21-44.*

Baetens, Jan. "Novelization, a Contaminated Genre?" Critical Inquiry 32.1 (Autumn 2005): 43-60.*

Bakhtin, Mikhail. Problems of Dostoevski's Poetics. Minneapolis: U of Minnesota P, 1984. Trans. of Problemy Poetiki Dostoevskogo. 1963.

_____. Problemas de la poética de Dostoievski. México: FCE, 1986.

_____. "From the Prehistory of Novelistic Discourse." In M. Bakhtin, The Dialogic Imagination. Ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1981.

_____. "Discourse in the Novel." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 259-422.*

_____. From Discourse in the Novel. In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahassee: UPs of Florida / Florida State UP, 1986. 1990. 665-79.*

_____. From "Discourse in the Novel." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 230-38.*

_____. From "Discourse in the Novel." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "Discourse in the Novel." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

_____. From "Discourse in the Novel." In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 481-510.*

_____. "L'énoncé dans le roman." Trans. of "Slovo v romane." Langages  12 (1968): 126-32.

_____. "Du discours romanesque." In Bakhtin, Esthétique et théorie du roman. Paris Gallimard, 1978. 83-234.

Baroja, Pío. "Prólogo casi doctrinal sobre la novela." In Baroja, Memorias de un hombre de acción. Vol. 2. Ed. José-Carlos Mainer. Text rev. Juan Carlos Ara Torralba. (Pío Baroja: Obras Completas, IV). Barcelona: Círculo de Lectores-Galaxia Gutenberg, 1997. 1139-70.

_____. "Novelerías." In Pío Baroja: Obras Completas XVI: Obra dispersa y epistolario: Textos dispersos - Páginas de autocrítica - Prólogo a textos ajenos - Artículos - Epistolario selecto. Ed. José-Carlos Mainer. Rev. Juan Carlos Ara Torralba.  Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2000. 648-49.

Barth. "The Ocean of Story." In Directions in Literary Criticism. Ed. Weintraub and Young. University Park (PA): Pennsylvania State UP, 1973.

Belleau, André. Le Romancier fictif. Québec: Presses de l'Université du Québec, 1980.

Benjamin, Walter. "The Storyteller: Reflections on the Work of Nikolai Leskov."1936. In Benjamin, Illuminations. New York: Schocken Books, 1969.  83-109.*

_____. "The Storyteller." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 77-93.*

_____. "El narrador." In Benjamin, Para una crítica de la violencia y otros ensayos. 1991.

Bennington, Geoffrey. Sententiousness and the Novel.

Bergamín, José. From "Laberinto de la novela y monstruo de la novelería." 1935. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 464-69.*

Blackmur, R. P. Eleven Essays on the European Novel. 1964.

Bobes, María del Carmen. Teoría general de la novela. Madrid: Gredos, 1985.

_____. La novela. Madrid: Síntesis, 1993.*

Bonnet, Henri. Roman et poésie. Paris, 1951.

Booth, Wayne C. The Rhetoric of Fiction. 1961. Chicago: U of Chicago P, 1968.

Boileve-Guerlet, Annick. Le Genre romanesque: Des théories de la renaissance Italienne aux reflexions du XVII siècle français. Santiago de Compostela, 1993.

Borges, Jorge Luis. "De las alegorías a las novelas." 1949. In Borges, Nueva antología personal. Barcelona: Bruguera, 1982. 265-9.*

_____. "De las alegorías a las novelas." In Borges, Otras inquisiciones. 1960. Madrid: Alianza, 1985. 153-7.*

Braudy, Leo. Narrative Form in History and Fiction: Hume, Fielding, Gibbon. Princeton: Princeton UP, 1970.

Brenkman, John. "On Voice." Novel 33.3 (Summer 2000): 281-306. In Literature Online.* http://lion.chadwyck.co.uk

         5/7/04

Brink, André. The Novel: Language and Narrative from Cervantes to Calvino. Basingstoke: Macmillan, 1998.*

Brooks, Cleanth, and Robert Penn Warren. Understanding Fiction. 1943. Englewood Cliffs: Prentice, 1959.

Brooks, Peter. "In the Laboratory of the Novel." Dædalus (Spring 1963).

_____. "Invasions of Privacy: The Body in the Novel." In Brooks, Body Work. Cambridge (MA): Harvard UP, 1993. 28-53.*

_____, ed. Man and His Fictions. New York: Harcourt, 1973.

Brown, Marshall. "Theory of the Novel." In Romanticism. Ed. Marshall Brown. Vol. 5 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 2000.*

Burden, Robert. "The Novel Interrogates Itself." In Bradbury and Palmer, The Contemporary English Novel.

Burgum, E. B. The Novel and the World's Dilemma. New York: Oxford UP, 1947.

Butor, Michel. "Le roman comme recherche." 1960. In Butor, Essais sur le roman. 7-14.

_____. "The Novel as Research." 1970. In The Novel Today; Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. 1977. New ed. London: Fontana, 1990. 45-52.

_____. "Intervention à Royaumont." 1960. In Butor, Essais sur le roman. 15-20.

_____. "Le roman et la poésie." 1964. In Butor, Essais sur le roman. 21-47.

_____. "L'espace du roman." 1964. In Butor, Essais sur le roman. 48-58.

_____. "'Philosophie de l'ameublement." 1964. In Butor, Essais sur le roman. 59-72.

_____. "L'usage des pronoms personnels dans le roman." 1964. In Butor, Essais sur le roman. 73-88.

_____. "Individu et groupe dans le roman." 1964. In Butor, Essais sur le roman. 89-108.

_____. "Recherches sur la technique du roman." 1964. In Butor, Essais sur le roman. 109-24.

_____. "Recherches sur la technique du roman." "L'usage des pronoms personnels dans le roman." In Butor, Répertoire II. Paris: Minuit, 1964.

_____. Essais sur le roman. 1970. Paris: Gallimard, 1992.

Caillois, Roger. "Puissances du roman." 1951. In Caillois, Approches de l'imaginaire. Paris: Gallimard, 1974. 149-244.

Caïra, Olivier. Définir la fiction: Du roman au jeu d'échecs. Paris: Éditions de l'école des hautes études en sciences sociales, 2011.

Calderwood, James, and Harold Toliver, eds. Perspectives on Fiction. New York: Oxford UP, 1968.

Calvino, Italo. "The Novel as Spectacle." In Calvino, The Literature Machine. Trans. Patrick Creagh. London: Pan/Secker & Warburg, 1987. 190-95.*

Carroll, David. The Subject in Question: The Languages of Theory and the Strategies of Fiction. Chicago: U of Chicago P, 1982.

Caute, David. The Illusion: An Essay on Politics, Theatre, and the Novel. New York: Harper, 1971.

Chevrel, Yves. "Le roman naturaliste: un défi à la littérature populaire?" In Richesses du roman populaire. (Colloque de Ponte à Mousson, oct. 1983). Ed. R. Guise and H. J. Neuschäfer. (Publications du Centre de Recherches sur le roman populaire de l'université Nancy II et du Romanistisches Institut de l'université de Sarrebruck). 1986.

Cohn, Dorrit. The Distinction of Fiction. Baltimore: Johns Hopkins UP, 1999.*

Conrad, Joseph. Preface to The Nigger of the Narcissus. 1897. In Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985. 238-42.*

_____. "The Aim of Fictional Art." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 251-7.*

_____. Joseph Conrad on Fiction. Ed. Walter F. Wright. Lincoln: U of Nebraska P, 1964.

Cook, Albert. The Meaning of Fiction. Detroit: Wayne State UP, 1960.

Couturier, Maurice. Textual Communication: A Print-Based Theory of the Novel. London: Routledge, 1991.*

Culler, Jonathan. "The Perfect Crime: The Novel." From Culler, Flaubert: The Uses of Uncertainty. Ithaca: Cornell UP, 1974. 75-109. 240-45. In Structuralism: Critical Concepts in Literary and Cultural Studies. Ed. Jonathan Culler. London: Routledge, 2006. Vol. 2.

_____. "Problems in the Theory of Fiction." Diacritics 14 (1984): 2-11.

Davis, Lennard J. Resisting Novels: Ideology and Fiction. New York: Methuen, 1987.*

Day, Geoffrey. From Fiction to the Novel. London: Routledge, 1987.

Daylight, Tegan Bennett. "Michael Schmidt' biography of the Novel Defends the Form." The Australian 6 Sept. 2014.*

         http://www.theaustralian.com.au/arts/review/michael-schmidts-biography-of-the-novel-defends-the-form/story-fn9n8gph-1227048818001?nk=726d68a021e1c171defa1735c915af76

         2014

Dentith, Simon. "Bakhtin on the Novel." In Bakhtinian Thought: An Introductory Reader. Ed. Simon Dentith. London: Routledge, 1995. 1996. 41-64.*

Derrick, Christopher. Reader's Report on the Writing of Novels. London: Gollancz.

Devaney, M. J. "Paradox, Undecidability, and the Novel." In Devaney, 'Since at least Plato...' and other Postmodernist Myths. London: Macmillan, 1997. 46-63.*

Dickstein, Morris. "Popular Fiction and Critical Values: The Novel as a Challenge to Literary History." In Reconstructing American Literary History. Ed. Sacvan Bercovitch. Cambridge (MA): Harvard UP, 1986. 29-66.

Díez-Canedo, Enrique. "De la novela." Audio. Podcasts de Literatura 7 April 2012.*

         http://www.ivoox.com/de-novela-audios-mp3_rf_1152690_1.html?autoplay=1

         2013

Eco, Umberto. Six Walks in the Fictional Woods. (Harvard University Norton Lectures, 1992-1993). Cambridge (MA): Harvard UP, 1994.* (On fictionality; embedding; Nerval; the Protocols of Sion, Racovsky).

_____. Six Promenades dans les bois du roman et d'ailleurs. Paris: Grasset, 1996.

_____. Seis paseos por los bosques narrativos: Harvard University, Norton Lectures 1992-1993. Trans. Helena Lozano Miralles. (Palabra en el Tiempo, 241). Barcelona: Lumen, 1996.*

Edgar, Pelham. The Art of the Novel. 1923.

Ellis, John. Visible Fictions. London: Routledge, 1982.

Field, Trevor. Form and Function of the Diary Novel. London: Macmillan, 1989.*

Fisch, Harold. New Stories for Old: Biblical Patterns in the Novel. (Cross-Currents in Religion and Culture). Houndmills: Macmillan, 1998.

Fludernik, Monika. "Composite Novel." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 78.*

_____. "Experientiality." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 155.*

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_____. "On Writing a Novel." Cornhill Magazine 1060 (summer 1969).

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Friedman, Alan. The Turn of the Novel. New York: Oxford UP, 1966.

Frye, Northop. From Anatomy of Criticism. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 5-13.* (Genre).

_____. From Anatomy of Criticism. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 122-30.*

_____. The Secular Scripture: A Study of Romance. Cambridge (MA): Harvard UP, 1976.

_____. From The Secular Scripture. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 139-43.*

_____.From Fables of Identity. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 131-38.*

Fuhrmann, Manfred. Ereignis und Erzählung. (Poetik und Hermeneutik 5). München, 1973.

Furbank, P. N. "From A Theory of the Novel: What a Narrative Is." Triquarterly (Northestern U, Evanston, IL) 106 (Fall 1999): 131-41. In Literature Online.* http://lion.chadwyck.co.uk

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Gac, Roberto. "Bakhtine, le roman et l'intertexte." Sens public (2012): 1-34.*

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García Landa, José Angel. "Annotations on Georg Lukács's Theory of the Novel." (Typescript, Brown University, 1988). En red en Net Sight de José Angel García Landa (2004).*

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_____. "Annotations on Georg Lukács's Theory of the Novel." Academia.edu 28 mayo 2014.*

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_____. "Poética del relato en La Historia de Genji." In García Landa, Vanity Fea 30 March 2016.*

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_____. "Defensa de la novela en La Historia de Genji." In García Landa, Vanity Fea 24 May 2020.*

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Gardner, John. The Forms of Fiction. New York, 1962.

Gass, William H. Fiction and the Figures of Life. Boston: Godine, 1979.*

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_____. Deceit, Desire & the Novel: Self and Other in Literary Structure. Trans. Yvonne Freccero. Baltimore: Johns Hopkins UP, 1966. Rpt. 1969. Pbk. 1976. 1980. 1984. 1988.* (Trans. of Mensonge romantique et vérité romanesque).

Goldenstein, J.-P. Pour lire le roman. Paris: De Boeck-Duculot, 1986.

Goldknopf, David. The Life of the Novel. Chicago: U of Chicago P, 1972.

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Grossvogel, David I. Limits of the Novel: Evolution of a Form from Chaucer to Robbe-Grillet. Ithaca: Cornell UP, 1968. 1971.

Guerard, Albert J. The Triumph of the Novel: Dickens, Dostoievsky, Faulkner. New York: Oxford UP, 1976.

_____.  The Triumph of the Novel. Chicago (IL): Chicago UP, 1976.

Guise, R., and H. J. Neuschäfer. Richesses du roman populaire. (Colloque de Ponte à Mousson, oct. 1983). (Publications du Centre de Recherches sur le roman populaire de l'université Nancy II et du Romanistisches Institut de l'université de Sarrebruck). 1986.

Gunn, Daniel. Psychoanalysis and Fiction: An Exploration of Literary and Psychoanalytic Borders. Cambridge: Cambridge UP, 1988.

Hanne, Michael. The Power of the Story: Fiction and Political Change. Berghahn, 1995.

Harvey, W. J. Character and the Novel. Ithaca (NY): Cornell UP, 1965. 1968. *

Holquist, Michael. "Novelness as Dialogue: The Novel of Education and the Education of the Novel." In Holquist, Dialogism: Bakhtin and His World. London: Routledge, 1990. 67-106.*

Hunt, Celia. "Therapeutic Effects of Writing Fictional Autobiography." Life Writing 7.3 (2010): 231-44.

Jameson, Fredric. From The Political Unconscious. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 400-13.*

Kacandes, Irene.  Talk Fiction. Lincoln: U Nebraska P, 2001.

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Kahler, Erich. "Die Verinnerung des Erzählens." In Kahler, Untergang und Übergang. Munich: Deutscher Taschenbuch Verlag, 1970.

_____. The Inward Turn of Narrative. Trans. Richard and Clara Winston. Foreword by Joseph Frank. (Bollingen Series LXXXIIII). Princeton (NJ): Princeton UP, 1973.*

Kempf, Roger. Sur le corps romanesque. Paris: Seuil, 1968.

Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. New York: Oxford UP, 1967. Pbk. 1968.*

_____. The Sense of an Ending Oxford and New York: Oxford UP, 2000.

_____. "Novels: Recognition and Deception." Critical Inquiry 1 (1974): 103-21.

_____. The Art of Telling: Essays on Fiction. Cambridge (MA): Harvard UP, 1983.

_____. Essays on Fiction 1971-1982. London, 1983.

Kern, Edith. "The Romance of the Novel / Novella." In Demetz, The Disciplines of Criticism 511-30.

Kestner, Joseph. "Secondary Illusion: The Novel and the Spatial Arts." In Spatial Form in Narrative. Ed. Jeffrey R. Smitten and Ann Daghistany. Ithaca (NY): Cornell UP, 1981.

Klinkowitz, J. The Life of Fiction. Urbana: U of Illinois P, 1975.

Krutch, Joseph Wood. Five Masters: A Study in the Mutations of the Novel. New York: Cape and Smith, 1930.

Kumar, Shiv, and Keith McKean, eds. Critical Approaches to Fiction. New York: McGraw-Hill, 1965.

Kyndrup, Morten. Framing and Fiction: Studies in the Rhetoric of Novel, Interpretation, and History. A Composition. Aarhus: Aarhus UP, 1992.*

Lanson, Gustave. L'Art de la prose. 1908.

Laurent, Jacques. Roman du roman. Paris: Gallimard, 1977.

Leavis, Q. D. The American Novel and Reflections on the European Novel. Vol. 2 of Collected Essays. Ed. G. Singh. Cambridge: Cambridge UP, 1985.

Lessing, Doris. "The Small Personal Voice." 1957. Rpt. in A Small Personal Voice: Essays, Reviews, Interviews. Ed. Paul Schlueter. New York: Knopf, 1974. 3-21.

Lévi-Strauss, Claude. From The Savage Mind. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 94-99. (Structuralism).

_____. From The Origin of Table Manners. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 100-103.*

_____. "How Myths Die." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 104-12.*

_____. From The Naked Man. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 113-21.*

Levin, David Michael. "The Novelhood of the Novel: The Limits of Representation and the Modernist Discovery of Presence." Chicago Review 28.4 (1977): 87-108.

Levine, George. Darwin and the Novelists. Cambridge: Harvard UP, 1988.*

Levin, Harry. The Gates of Horn. New York: Oxford UP, 1963.

Lodge, David. The Art of Fiction. London: Secker & Warburg, 1992.*

_____. Consciousness and the Novel. London: Secker & Warburg, 2002.

_____. Consciousness and the Novel. London: Penguin, 2003.*

Lotringer, S. "La structuration romanesque." Critique 26 (1970).

Lubbock, Percy. The Craft of Fiction. London: Cape, 1921. 1926.*

_____. The Craft of Fiction. New York: Viking, 1957.

Lugowski, Clemens. Die Form der Individualität im Roman. Berlin: Junker and Dünnhaupt, 1932. Rev. ed. Frankfurt: Suhrkamp, 1976.

 _____. Form, Indivituality, and the Novel. Trans. John Dixon Halliday. Cambridge: Polity Press/Blackwell, 1990.*

Lukács, Georg. Essays on Realism. London, 1980. Trans of Werke, vol., 4: Essays über Realismus. Neuwied, 1971.

Lytton, Edward Bulwer. "On the Different Kinds of Prose Fiction with Some Apology for the Fiction of the Author." In Lytton, The Disowned. Novel. 1835.

Mainer, José-Carlos. "Las novelas y la vida." In Mainer, La escritura desatada: El mundo de las novelas. Madrid: Temas de Hoy, 2000. 2001. 43-84.*

_____. "Hacia una definición de la novela." In Mainer, La escritura desatada: El mundo de las novelas. Madrid: Temas de Hoy, 2000. 2001. 85-116.*

Marcus, Steven. "The Novel Again". In Davis, The Novel: Modern Essays in Criticism.

Marías, Javier. "The Art of Fiction." Interview. The Paris Review 179 (Winter 2006).

Matthews, W., and R. Rader, eds. Autobiography, Biography, and the Novel. Los Angeles: William Andrews Clark Memorial Library, UCLA, 1973.

Mauriac, François. Le Romancier et ses personnages. 1933. Introd. Danièle Sallenave. Paris: Presses Pocket, 1990.

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Mengham, Rod, ed. An Introduction to Contemporary Fiction: International Writing in English since 1970. Cambridge: Polity; Malden (MA): Blackwell, 1999.*

Meyer, Herman. The Poetics of Quotation in the European Novel. Trans. Theodore and Yetta Ziolkowski. Princeton: Princeton UP,  1968.

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_____. The Novel and the Police. Berkeley: U of California P, 1988.

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_____. Responsibilities of a Novelist. 1903.

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_____. "Ambigüedad de la novela." In Paz, El arco y la lira. Barcelona: Círculo de Lectores, 1999. 255-68.*

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Weinstein, Mark A. "The Creative Imagination in Fiction and History." Genre 9 (1976): 263-77.

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Welty, Eudora. The Eye of the Story. London: Virago, 1987.

Wharton, Edith. The Writing of Fiction.

Wicker, Brian. The Story-Shaped World. London, 1975.

Woolf, Virginia. "The Art of Fiction." Review of E. M. Forster's Aspects of the Novel. Nation and Athenaeum 12 Nov. 1927. Rpt. in Woolf, A Woman's Essays. London: Penguin, 1992. 121-5.

_____. "L'Art du roman." Le Figaro Littéraire (November 1962).

Zunshine, Lisa. Why We Read Fiction: Theory of Mind and the Novel. (Theory and Interpretation of Narrative Series). Columbus: Ohio State UP, 2006.

 

 

 

 

Anthologies

 

 

Gwynn, R. S., ed. Fiction: A Pocket Anthology. (Penguin Academics). Penguin.

 

 

 

Audio

 

 

Cercas, Javier. "Novela y ficción." Online audio. Lecture at Fundación Juan March 22 Oct. 2013.*

         http://www.march.es/conferencias/anteriores/voz.aspx?p1=22968

         2017

 

 

 

 

 

Bibliographies

 

 

Booth, Bradford. "The Novel." In Contemporary Literary Scholarship. Ed. Lewis Leary. New York: Appleton, 1958. 259-88.

Friedman, Norman. "Anglo-American Fiction Theory 1947-1972." Studies in the Novel 8 (1976): 199-209.

García Landa, José Ángel, et al. "The Novel." Bibliography. International Society for the Study of Narrative 22 Oct. 2010.*

         http://narrative.georgetown.edu/wiki/index.php/The_Novel

         2010

 

 

 

 

Blogs

 

English 350: Narrative Theory / Novel Theory (Jay Clayton, Vanderbilt U)

         http://narrativetheory.wordpress.com/

         2008

 

On Fiction: An Online Magazine on the Psychology of Fiction.

         http://www.onfiction.ca/

         2010

 

 

 

Dictionaries and encyclopedias

 

 

Schellinger, Paul, gen. ed. Encyclopedia of the Novel. Asst. eds. Christopher Hudson and Marijke Rijsberman. Chicago and London: Fitzroy Dearborn, 1998. In Literature Online.* http://lion.chadwyck.co.uk

 

 

 

Internet resources

 

Poemas y relatos

         http://www.poemasyrelatos.net

         2005-12-27

 

 

 

 

 

Journals

 

 

Fabula 4 (1984).

 

International Fiction Review 11.2 (Fredericton, New Brunswick, Summer 1984).

 

 

Novel: A Forum on Fiction

Box 1984

Brown University

Providence, Rhode Island 02912

Estados Unidos

 

Studies in the Novel

English Department,

U of North Texas, Denton

Vol. 2 (1970); vol. 26.4 (Winter 1994).

In Literature Online.*

http://lion.chadwyck.co.uk

5/7/04

 

 

 

 

 

Prizes. See Literary Prizes.

 

 

 

 

 

 

 

 

Series: Criticism

 

 

(Reading the Novel). Series ed. Daniel R. Schwarz. Oxford: Blackwell, 2004-

 

(Narratologia, 70). Berlin and Boston: Walter de Gruyter, 2020.*

 

 

 

 

 

Series: Novels

 

 

(Alfaguara Literaturas). Madrid: Altea, Taurus, Alfaguara, c. 1990.*

 

(Biblioteca de Grandes Novelas, 5). Buenos Aires: Editorial Claridad, 1944.

 

(The Harvard Classics Shelf of Fiction). 1917.

 

(Letras Populares). Madrid: Cátedra, c. 2013.

 

(Narradores del Mundo). Barcelona: Círculo de Lectores, c. 1990.

 

(Narrativa del Acantilado, 317). Barcelona: Acantilado, 2019.*

 

(Narrativa Salamandra). Barcelona: Salamandra, c. 2005.*

 

(Novelas inmortales, 3). Madrid: SARPE, 1984.*

 

(Panorama de narrativas, 317). Barcelona: Anagrama, c. 1995.

 

(Sial Narrativa, 14). Madrid: SIAL, 2004.*

 

 

 

 

 

 

Video

 

 

Cercas, Javier. "Poética y narrativa de Javier Cercas." YouTube (Fundación Juan March) 23 Dec. 2013.*

         http://youtu.be/_IIIA5rKsQs

         2014

 

Pacheco, Jose Emilio. "La novela y el cuento como formas de conocimiento humano." Lecture at "Ciencia y Cultura para Juzgadores", Suprema Corte, México, 6 Sept. 2013. YouTube (José Ramón Cossío Díaz) 14 Jan. 2014.*

         http://youtu.be/ASxY6Mbz6rM

         2014

 

Rushdie, Salman. "My Great Books." Lecture at Emory U, 18 Feb. 2015. Video. YouTube (Emory University) 2015.*

https://youtu.be/hgT1A5KqCik

         2022

 

Waugh, Patricia. "Fiction as Therapy: Towards a Neo-Phenomenological Theory of the Novel." (British Academy lecture, 15 May 2014). YouTube 18 May 2014.*

         https://youtu.be/9Kjs2KGuMG0

         2016

 

Bibliografía de Teoría Literaria, Crítica y Filología

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