A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Experimental fiction/
Postmodern fiction
Aarseth, Espen. "Ergodic Literature." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 141-42.*
Acheson, James, ed. The Contemporary British Novel since 2000. Edinburgh: Edinburgh UP, 2017. (I. Four Voices in the New Millennium; II. Realism and Beyond; III. Postmodernism, Globalisation and Beyond; IV. Realism, Postmodernism and Beyond: Historical Fiction; V. Postcolonialism and Beyond).
Alber, Jan. "Impossible Storyworlds — and what to Do with Them." Storyworlds: A Journal of Narrative Studies 1.1 (2009): 79-96. Online at JSTOR.*
https://www.jstor.org/stable/pdf/25663009.pdf
2019
_____. "Postmodernist Impossibilities, the Creation of New Cognitive Frames, and Attempts at Interpretation." In Beyond Classical Narration: Transmedial and Unnatural Challenges. Ed. Jan Alber and Per Krogh Hansen. Berlin and Boston: De Gruyter, 2014. 261-80.*
_____. Unnatural Narrative: Impossible Worlds in Fiction and Drama. Lincoln: U of Nebraska P, 2016.
_____. "Unnatürliche erzählte Welten." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 155-76.*
https://doi.org/10.1515/9783110626117-008
2019
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. "Unnatural Narratives, Unnatural Narratology: Beyond Mimetic Models." Narrative 18.2 (May 2010): 113-36.*
Alber, Jan, and Rüdiger Heinze. Unnatural Narratives – Unnatural Narratology. Berlin, 2011.
Alber, Jan, Henrik Skov Nielsen and Brian Richardson, eds. A Poetics of Unnatural Narrative. 2013.
Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975.
Алтыбаева, Сауле (Алматы, Казахстан). "Экспериментальная эстетика жанра романа в эпоху постмодерна." In «Меры не знал я, смертных любя»: к 90-летию российского филолога Владимира Серафимовича Вахрушева (1932—2011). Редакторы-составители Людмила Комуцци и Павел Глушаков. Санкт-Петербург: Росток, 2022. 167-74.* ("Experimental Aesthetics of the Novel Genre in the Postmodern Era.")
Avanessian, Armen, and Anke Hennig, eds. Der Präsensroman. (Narratologia, 36). Berlin and Boston: de Gruyter, 2013. (Introd., 1-24; Zusammenfassung, 269-81.).*
Baetens, Jan. "Critical Fictions: Experiments in Writing from Le Nouveau Roman to the Oulipo." In The Edinburgh Encyclopaedia of Modern Criticism and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP, 2002. 404-10.*
Bartsch, Christoph, and Frauke Bode, eds. Welt(en) erzählen: Paradigmen und Perspektiven. (Narratologia, 65). Berlin and Boston: De Gruyter, 2019.* (Erzählte Welte: Theoretische und (inter-)disziplingäre Zugriffe; Paradigma I: Faktual und fictional erzählte Welten; Paradigma II: Unnnatürliche erzählte Welten; Paradigma III: Raum und erzählte Welten).
Bessière, Jean, ed. Hybrides romanesques: fiction (1960-1985). Paris: PUF, 1988.
Bozzetto, Roger. "Métafiction et science-fiction: James Ballard." In Historicité et métafiction dans le roman contemporain des Iles Britanniques. Ed. Max Duperray. Aix-en-Provence: Publications de l'Université de Provence, 1994. 231-42.*
Bareis, J. Alexander, and Frank Thomas Grub. Metafiktion: Analysen zur deutschsprachigen Gegenwartsliteratur. Berlin, 2010.
Barr, Marleen S. Feminist Fabulation: Space / Postmodern Fiction.
Barth, John. "The Literature of Exhaustion." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 19-34.*
_____. "The Literature of Exhaustion." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 161-71.*
_____. "The Literature of Replenishment." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 419-33.*
Bell, Alice. The Possible Worlds of Hypertext Fiction. Palgrave Macmillan, 2010.
Berlatsky, Eric L. The Real, The True and the Told: Postmodern Historical Narrative and the Ethics of Representation. Ohio State UP, 2011.
Blanco Aguinaga, Carlos. "Unamuno's Niebla: Existence and the Game of Fiction." Modern Language Notes 79.2 (1964): 188-205.
"Blogonovela" Wikipedia
http://es.wikipedia.org/wiki/Blogonovela
2005-09-15
Boardman, Michael M. Narrative Innovation and Incoherence. Durham (NC): Duke UP, 1992.
Bory, Jean-François. "Notes." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 287-89.*
Bouju, Emmanuel. "Pour une histoire secrète du roman contemporain. 2666 de Roberto Bolaño." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011. 297-312.*
Butor, Michel. "Le roman comme recherche." 1960. In Butor, Essais sur le roman. Paris: Gallimard, 1992. 7-14.*
_____. "The Novel as Research." 1970. In The Novel Today; Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. 1977. New ed. London: Fontana, 1990. 45-52.*
Canon-Roger, Françoise. "De la grande syntaxe au lieu commun: histoire et métafiction dans Doctor Copernicus et Kepler de John Banville." In Historicité et métafiction dans le roman contemporain des Iles Britanniques. Ed. Max Duperray. Aix-en-Provence: Publications de l'Université de Provence, 1994. 167-82.*
Caracciolo, Marco. Strange Narrators in Contemporary Fiction. 2016.
Cazzato, Luigi. "Hard Metafiction and the Return of the Author Subject: The Decline of Postmodernism?" In Postmodern Subjects / Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 25-41.*
Champagne, Roland A. "Semiotic Directions for Modern Fiction." Dispositio 3.7-8 (Spring Summer 1978).
Chatman, Seymour. "9. Narrative Limits: Experimental and Postmodern Fiction." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 304-47.* (Undermining Conventions; Questioning the Discourse; Attacks on the Discourse by the Story: Julio Cortázar, 'Continuity of Parks'; Filter at Odds with Itself: Jorge Luis Borges, 'The Garden of Forking Paths'; John Barth, 'Lost in the Funhouse'; Julio Cortázar, 'The Idol of the Cyclades').
Ciccoricco, David. "Focalization and Digital Fiction." Narrative 20.3 (Oct. 2012): 255-76.*
Collado Rodríguez, Francisco. "The Experimental Novel in the New Universe of Force: Time, Trauma, and Terror in Foer's and Pynchon's Latest Fiction." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*
Coy, Javier, and Enrique García Díez. La novela postmodernista norteamericana: nuevas tendencias narrativas. Alcobendas: SGEL, 1986.*
Cropley-Gonzalez, Madelena. "The Birth of Revolt Through Historiographic Metafiction in Salman Rushdie's Midnight's Children and The Satanic Verses." In Historicité et métafiction hdans le roman contemporain des Iles Britanniques. Ed. Max Duperray. Aix-en-Provence: Publications de l'Université de Provence, 1994. 197-206.
D'haen, Theo. "Postmodernism in American Fiction and Art." In Approaching Postmodernism. Ed. Douwe Fokkema and Hans Bertens. Amsterdam: Benjamins, 1986.
_____. "Postmodern Fiction: Form and Function." Neophilologus 71 (1987): 144-153.
D'haen, Theo, and Hans Bertens, eds. British Postmodern Fiction. (Postmodern studies). Amsterdam: Rodopi, 1993.* Online texts:
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/britishpostmodern.html
2008
Darias Beautell, Eva. "Intertextuality and Postmodern Fiction." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 415-20.*
Cortázar, Julio. Teoría del túnel. 1947. In Cortázar, Obra crítica I. Ed. Saúl Yurkievich. Madrid: Alfaguara, 1994.
Couturier, Maurice, ed. Representation and Performace in Postmodern Fiction. Montpellier: Delta, 1983.
Crews, Brian. "Anti-Style and the Postmodernist Novel." Revista Alicantina de Estudios Ingleses 9 (November 1996): 41-52.*
Culler, Jonathan. "Towards a Theory of Non-Genre Literature." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 255-62.*
D'haen, Theo. "European Postmodernism: The Cosmodern Turn." In Postmodernist Fiction: East and West. Ed. Wang Ning and Brian McHale. Special issue of Narrative 21.3 (Oct. 2013): 271-83.*
D'haen, Theo, and Hans Bertens, eds. Postmodern Fiction in Canada. Amsterdam: Rodopi, 1992.
_____, eds. British Postmodern Fiction. Amsterdam: Rodopi, 1993.
Dehennin, Elsa. "Subversión de la doxa narrativa en La ciudad ausente (1992) de Ricardo Piglia." In La narración paradójica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 221-35.*
Dickinson, Morris. "Fiction Hot and Kool: Dilemmas of the Experimental Writer." Tri Quarterly 33 (1975).
Dipple, Elizabeth. "A Novel Which Is a Machine for Generating Interpretations." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 221-45.*
Ditsky, John. "The Man on the Quaker Oats Box: Characteristics of Recent Experimental Fiction." Georgia Review 26 (1972): 297-313.
Dotras, Ana M. La novela española de metaficción. Madrid: Júcar, 1994.
DuPlessis, Rachel Blau. "Breaking the Sentence, Breaking the Sequence." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 472-92.*
Eco, Umberto. Opera aperta: forma e indeterminazione nelle poetiche contemporanee. Milano: Bompiani, 1962. 2nd ed. 1967.
_____. The Open Work. New York: Hutchinson, 1989.
_____. The Open Work. Trans. Anna Cangogni. Cambridge (MA): Harvard UP, 1989.
_____. L'Œuvre ouverte. Paris: Seuil, 1965. (Rpt. Seuil-Points).
_____. Obra abierta. Barcelona: Ariel, 1979. 1990.
_____. Obra abierta. Barcelona: Planeta, 1984.*
Elias, Amy J. "Defining Spatial History in Postmodernist Historical Novels." In Narrative Turns and Minor Genres in Postmodernism. Ed. Theo D'haen and Hans Bertens. (Postmodern Studies 11). Amsterdam: Rodopi, 1995. 105-14.*
Enkvist, Inger. "El posmodernismo en Juan Goytisolo estudiado a través de Todorov y otros críticos." In Contra los mitos y sofismas de las 'teorías literarias' posmodernas. Ed. Jesús G. Maestro and Inger Enkvist. Vigo: Editorial Academia del Hispanismo, 2010. 299-16.
Episcopo, Giuseppe, ed. Metahistorical Narratives and Scientific Metafictions: A Critical Insight into the Twentieth-century Poetics. Naples: Cronopio, 2015.
Faris, Wendy B. "Sheherazade's Children: Magical Realism and Postmodern Fiction." In Magical Realism. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham: Duke UP, 1995. 163-90.*
Faye, Adam. Posmodernidad discreta: Un acercamiento a la narrativa de Darío Jaramillo Agudelo (La muerte de Alec, Cartas cruzadas y La voz interior). PhD. Diss. U de Salamanca, Departamento de Literatura Española e Hispanoamericana, 2013.* Online at Scribd:
https://es.scribd.com/doc/244778258/
2014
Federman, Raymond. "Surfiction: Four propositions in Form of an Introduction." In Federman, Surfiction 5-15.
_____. "What are Experimental Novels and Why Are There so Many Left Unread?" In Studies in American Literature: Essays in Honor of Enrique García Díez. Ed. Antonia Sánchez Macarro. Valencia: Universitat de València, Facultat de Filologia, 1991. 323-30.
_____, ed. Surfiction: Fiction Now and Tomorrow. Chicago: Swallow, 1975.
Fletcher, John, and Malcolm Bradbury. "The Introverted Novel." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 394-415.*
Fludernik, Monika. "Games with Tellers, Telling and Told." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 269-310.* (Telling and showing, experimental narrative).
_____. "New Wine in Old Bottles? Voice, Focalization, and New Writing." New Literary History 32 (2001): 619-638.
Fogel, Stanley. "And all the Little Typtopies: Notes on Language Theory in Contemporary Experimental Novel." Modern Fiction Studies 20.2 (Fall 1974): 28-36.
Fortier, Frances, and Andrée Mercier. "La narration impossible. Conventions réalistes, catégories narratologiques et enjeux esthétiques." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011. 333-56.*
Freiburg, Rudolf, and Jan Schnitker, eds. "Do You Consider Yourself a Postmodern Author?": Interviews with Contemporary English Writers. Münster: Lit Verlag, 1999.*
Friedman, Ellen G., and Miriam Fuchs, eds. Breaking the Sequence: Women's Experimental Fiction. Princeton: Princeton UP, 1989.
Galván, Fernando. "Entre el realismo y la experimentación: la obra creativa de David Lodge." Revista Canaria de Estudios Ingleses 16 (April 1988): 51-84.
_____. "Textos y códigos de la metaficción británica." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 39-55.*
_____. "Postmodernismo: las formas de la heterogeneidad." La página 2 (1992): 33-48.*
_____. "Postmodernismo: Las formas de la heterogeneidad." In Ensayos sobre la metaficción inglesa. By F. Galván et al. La Laguna: Universidad de La Laguna, 1994.*
_____. "De la segunda guerra mundial al presente, 1945-1995: Entre el realismo y la metaficción." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 255-308.*
García Díez, Enrique. "La modalidad digresiva en la novela actual." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 231-41.* (US postmodernist fiction).
García Díez, Enrique, y Javier Coy. La novela post-modernista. Madrid: Sociedad General Española de Librería, 1986.*
García Landa, José Ángel. "Notes on Metafiction." 1991. Social Science Research Network 16 April 2014.*
http://ssrn.com/abstract=2425095
2014
Literary Theory & Criticism eJournal 16 April 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
_____. "Notes on Metafiction." In García Landa, Vanity Fea 19 April 2014.*
http://papers.ssrn.com/abstract=2425095
2014
_____. "Notes on Metafiction." Academia 23 Nov. 2014.*
https://www.academia.edu/9448503/
2014
_____. "Notes on Metafiction." Scribd (incorretus) 23 Dec. 2014.*
https://es.scribd.com/doc/250877866/
2015 DISCONTINUED 2018
_____. "Notes on Metafiction." ResearchGate 10 Oct. 2017.*
https://www.researchgate.net/publication/268617277
2014
_____. "Notes on Metafiction." Semantic Scholar.*
2020
_____. "El centro ausente: El Innombrable de Beckett." Atlantis 12.2 (1991): 45-64.* Online ed. (2004):
http://www.atlantisjournal.org/HTML%20Files/Tables%20of%20contents/12.2%20(1991).htm
2004 DISCONTINUED 2020
https://www.atlantisjournal.org/index.php?journal=atlantis&page=issue&op=archive&issue=12-2
https://www.atlantisjournal.org/old/Papers/v12%20n2/v12%20n2-4.pdf
2020
_____. "El centro ausente: El Innombrable de Beckett." Online PDF at Dialnet.
http://dialnet.unirioja.es/servlet/fichero_articulo?codigo=637002&orden=60077
2008
_____. "El centro ausente: El Innombrable de Beckett." Online PDF in Zaguán 15 Jan. 2009.
http://zaguan.unizar.es/record/1940/
2009
_____. "The Absent Centre: Beckett's The Unnamable / El centro ausente: El Innombrable de Beckett." Online PDF at Social Science Research Network 24 March 2012.*
http://ssrn.com/abstract=2027901
2012
English & Commonwealth Literature eJournal 24 March 2012.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2012
_____. "El centro ausente: El Innombrable de Beckett." ResearchGate 14 July 2012.*
https://www.researchgate.net/publication/28049726
2012
_____. "El centro ausente: El Innombrable de Beckett." Academia.edu 31 Aug. 2013.*
http://www.academia.edu/4371949/
2013
_____. "El centro ausente: El Innombrable de Beckett." Humanities Commons 15 Sept. 2018.*
https://hcommons.org/deposits/item/hc:20869/
http://dx.doi.org/10.17613/M6Z02Z82Q
2018
_____. "El centro ausente: El Innombrable de Beckett." In García Landa, Vanity Fea 15 Sept. 2018.*
http://vanityfea.blogspot.com/2018/09/el-centro-ausente-el-innombrable-de.html
2018
_____. "El centro ausente: El Innombrable de Beckett." Semantic Scholar.*
2020
_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." In Stvdia Patriciae Shaw oblata. Ed. Santiago González y Fernández-Corugedo et al. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 1.230-42.*
http://books.google.es/books?id=qB52DT3dA6sC
2010
_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Online. Net Sight de José Angel García Landa (2007):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/personne.html
2007 DISCONTINUED 2020 – Online at the Internet Archive.*
2020
https://personal.unizar.es/garciala/publicaciones/personne.html
2020
_____. "'Personne': Aventuras de 'yo' en la trilogía de Beckett." iPaper at Academia.edu 23 May 2010.*
https://www.academia.edu/238606/
2014
_____. "'Personne': The Adventures of 'I' in Beckett's Trilogy / 'Personne': Aventuras de 'yo' en la trilogía de Beckett." Online PDF at Social Science Research Network 23 May 2010.*
http://ssrn.com/abstract=1614085
2010
Cognitive Linguistics: Cognition, Language, Gesture eJournal 23 May 2010.*
http://www.ssrn.com/link/Cognitive-Linguistics.html
2013
Cognition & the Arts eJournal 23 May 2010.*
http://www.ssrn.com/link/Cognition-Arts.html
2013
English & Commonwealth Literature eJournal 23 May 2010.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2012
_____. "'Personne': Aventuras de 'yo' en la trilogía de Beckett." Online PDF at Zaguán 22 Dec. 2010.*
http://zaguan.unizar.es/record/5521
2011
_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." ResearchGate 30 Sept. 2011.*
http://www.researchgate.net/publication/49241565
2011
_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Humanities Commons 7 Aug. 2018.*
https://hcommons.org/deposits/item/hc:20277/
http://dx.doi.org/10.17613/M68911Q5B
2018
_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Vanity Fea 7 Aug. 2018.*
https://vanityfea.blogspot.com/2018/08/personne-aventuras-de-yo-en-la-trilogia.html
2018
_____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Semantic Scholar.*
2020
_____. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett." Revista Alicantina de Estudios Ingleses 5 (1992): 57-82.* Online in RUA: Repositorio Digital de la Universidad de Alicante
http://hdl.handle.net/10045/5448
2010
Dialnet
http://dialnet.unirioja.es/servlet/articulo?codigo=2792246
2014
_____. "'It's Stories Still: La reflexividad en las narraciones de Samuel Beckett." iPaper at Academia.edu 29 April 2010.*
https://www.academia.edu/232268/
2015
_____. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett / 'It's Stories Still': Reflexivity in Samuel Beckett's Narrative." Online PDF at Social Science Research Netork 29 April 2010.*
http://ssrn.com/abstract=1597752
2010
English & Commonwealth Literature eJournal 29 April 2010.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2012
_____. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett." Online PDF at Zaguán 2 April 2011.*
http://zaguan.unizar.es/record/5723/
2011
_____. "'It's Stories Still: La reflexividad en las narraciones de Samuel Beckett." ResearchGate 30 July 2012.*
https://www.researchgate.net/publication/39438801
2012
_____. "Algunos elementos metaficcionales." Manuscript, 1991. Internet edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/elementos.html
_____. "Algunos elementos metaficcionales (Some Elements of Metafiction). Social Science Research Network 1 julio 2012.
http://ssrn.com/abstract=2097333
2012
_____. "'Theory of Reflexive Fiction." Paper presented at the University of Zaragoza, February 1992. Online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/reflexive.html
2012
_____. "Theory of Reflexive Fiction." In García Landa, Vanity Fea 24 June 2012.*
http://vanityfea.blogspot.com.es/2012/06/theory-of-reflexive-fiction.html
2012
_____. "Theory of Reflexive Fiction." Social Science Research Network 25 June 2012.*
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2090254
2012
_____. "Theory of Reflexive Fiction." Academia.edu 26 June 2012.*
https://www.academia.edu/1256939/
2015
_____. Samuel Beckett y la narración reflexiva. Zaragoza: Prensas Universitarias de Zaragoza, 1992.*
_____. Samuel Beckett y la narración reflexiva. Online at ResearchGate/SSRN 22 Dec. 2014.*
DOI: 10.13140/2.1.2047.9041
https://www.researchgate.net/publication/269874776
2014
_____. Samuel Beckett y la narración reflexiva. In García Landa, Vanity Fea 22 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/samuel-beckett-y-la-narracion-reflexiva.html
2014
_____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7)." Social Science Research Network 5 Nov. 2014.*
http://papers.ssrn.com/abstract=2518914
2014
Cognition & the Arts eJournal 5 Nov. 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
English & Commonwealth Literature eJournal 5 Nov. 2014.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2014
_____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7). ResearchGate 7 Aug. 2015.*
https://www.researchgate.net/publication/280737526
2015
_____. "Saliendo de la trilogía: El final de The Unnamable." Social Science Research Network 21 Nov. 2014. (Samuel Beckett y la narración reflexiva, 8).*
http://papers.ssrn.com/abstract=2527915
2014
Cognition & the Arts eJournal 21 Nov. 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
English & Commonwealth Literature eJournal 21 Nov. 2014.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2014
Aesthetics & Philosophy of Art eJournal 21 Nov. 2014.*
http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html
2014
Continental Philosophy eJournal 21 Nov. 2014.*
http://www.ssrn.com/link/Continental-Philosophy.html
2014
_____. "Saliendo de la trilogía: El final de The Unnamable." In García Landa, Vanity Fea 5 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/saliendo-de-la-trilogia-el-final-de.html
2014
_____. "Saliendo de la trilogía: El final de The Unnamable (Samuel Beckett y la narración reflexiva, 8)." Academia 20 Aug. 2015.*
https://www.academia.edu/15053757/
2015
_____. "Saliendo de la trilogía: El final de The Unnamable (Samuel Beckett y la narración reflexiva, 8)." ResearchGate 20 Aug. 2015.*
https://www.researchgate.net/publication/281106984
2015
_____. "La escritura como trabajo sobre los códigos semióticos (Samuel Beckett y la narración reflexiva, 10) (Writing as Work on Semiotic Codes (Samuel Beckett and Reflexive Narrative, 10)). Social Science Research Network 21 Dec. 2014.*
http://ssrn.com/abstract=2541031
2015
Cognition & the Arts Journal 21 dic. 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
http://www.ssrn.com/link/Cognition-Arts.html
2014
English & Commonwealth Literature eJournal 21 Dec. 2014.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2014
Literary Theory & Criticism eJournal 21 Dec. 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
_____. "La escritura como trabajo sobre los códigos semióticos (Samuel Beckett y la narración reflexiva, 10)." In García Landa, Vanity Fea 20 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/la-escritura-como-trabajo-sobre-los.html
2014
_____. "La escritura como trabajo sobre los códigos semióticos (Samuel Beckett y la narración reflexiva, 10)." Academia 27 Aug. 2015.*
https://www.academia.edu/15230055/
2015
_____. "La escritura como trabajo sobre los códigos semióticos (Samuel Beckett y la narración reflexiva, 10)." ResearchGate 3 Oct. 2015.*
https://www.researchgate.net/publication/282442586
2015
_____. "Novelas e-pistolares." In García Landa, Vanity Fea 31 Jan. 2007. (Hannu Luntiala).
http://garciala.blogia.com/2007/013102-novelas-e-pistolares.php
2007-01-31
Gascueña Gahete, Javier, and Paula Martín Salván, eds. Figures of Belatedness: Postmodernist Fiction in English. Córdoba: Servicio de Publicaciones de la Universidad de Córdoba, 2006.
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_____. "5. Three Extreme Forms of Narration and a Note on Postmodern Unreliability." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 79-105.*
_____. "8. Conclusion: Voicing the Unspeakable." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 134-40.*
_____. Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006.*
_____. "Unnatural Voices in Ulysses: Joyce's Postmodern Modes of Narration." In Strange Voices in Narrative Fiction. Ed. Per Krogh Hansen et al. Berlin and New York: De Gruyter, 2011. 253-63.*
_____. "What Really Is Unnatural Narratology?" StoryWorlds: A Journal of Narrative Studies 5 (2013): 101-118.
_____. "Representing Social Minds: 'We' and 'They' Narratives, Natural and Unnatural." Narrative 23.2 (May 2015): 200-12.*
_____. "Unnatural Narrative Theory: A Paradoxical Paradigm." In Emerging Vectors of Narratology. Ed. Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid. Berlin and Boston: de Gruyter, 2017. 193-205.*
_____. A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives. (Theory and Interpretation of Narrative). Columbus (OH): Ohio State UP, 2019. Online at Oapen.*
https://library.oapen.org/bitstream/handle/20.500.12657/22468/1/1007715.pdf
2022
_____. A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives. 2019.
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2020
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2020
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2014
Vauthier, Bénédicte. "Del inagotable ingenio combinatorio de Don Fulgencio al ímpetu confusionista e 'indefinicionista' de Miguel de Unamuno: de paradojas … y paradojas." In La narración paradójica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 93-104.*
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2005-02-18
_____. "Fiction and Interaction: How Clicking a Mouse Can Make You Part of a Fictional World." Dr.Art. thesis, Dpt. of Humanistic Informatics, U of Bergen, 2003.
_____. "How I Was Played by Online Caroline." In First Person: New Media as Story, Performance, and Game. Ed. N. Wardrip-Fruin and P. Harrigan. Cambridge (MA): MIT Press.
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Wardrip-Fruin, N., and P. Harrigan, eds. First Person: New Media as Story, Performance, and Game. Cambridge (MA): MIT Press.
Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge, 1984.*
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Ziegfeld, Richard. "Interactive Fiction: A New Literary Genre?" New Literary History 20 (1989): 340-73.
Anthologies: Criticism
Currie, Mark, ed. Metafiction. London: Longman, 1995.*
Nicol, Bran, ed. Postmodernism and the Contemporary Novel: A Reader Edinburgh. Edinburgh UP, 2002.
Anthologies: Fiction
Kostelanetz, Richard, ed. Breakthrough Fictioneers: An Anthology. West Glover (VT): Something Else Press, 1973.*
McCaffery, Larry, ed. Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Fiction. Durham (NC): Duke UP, 1991. 1994.*
McPherson, Bruce R., ed. Likely Stories: A Collection of Untraditional Fiction. New Paltz (NJ): Treacle Press, 1981.
Sterling, Bruce, ed. Mirrorshades: The Cyberpunk Anthology.
Stevick, Philip, ed. Anti-Story: An Anthology of Experimental Fiction. New York: Free Press, 1971.
Bibliographies
García Landa, José Angel. "Experimental Fiction." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Dante Simer) 10 Jan. 2014.*
http://es.scribd.com/doc/198472723/Experimental-fiction
2014
_____. "Experimental and Postmodern Fiction." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Biljana And) 14 March 2015.*
https://es.scribd.com/doc/258674151/
2015
_____. "On Experimental and Postmodern Fiction." In García Landa, Vanity Fea 12 June 2014.*
http://vanityfea.blogspot.com.es/2014/06/on-experimental-and-postmodern-fiction.html
2014
_____. "Bibliografía sobre ficción narrativa experimental y postmoderna." In García Landa, Vanity Fea 14 March 2015.*
http://vanityfea.blogspot.com.es/2015/03/bibliografia-sobre-ficcion-narrativa.html
2015
Jerz, Dennis J. Interactive Fiction Annotated Bibliography. 2001.
http://jerz.setonhill.edu/if/bibliography/all.htm
2006-06-04
Wright, Tim. "Blog Fiction." trAce 16 Jan. 2004.
http://trace.ntu.ac.uk/Process/index.cfm?article=91
2005
Blogs
Relatos interactivos (dhan, Madrid).
2008
Internet resources
Center for Digital Storytelling
2008
Orihuela, José Luis. "Recursos sobre hipertextos narrativos y escritura no lineal." In Orihuela, eCuaderno.
http://www.ecuaderno.com/hipertexto
2007-05-07
We Tell Stories project
2008
Journals
Interzone. British SF magazine (metafiction).
Literature
Stephenson, Neal. The Diamond Age. SF novel. (On interactive books).
_____. La Era del Diamante: Manual ilustrado para jovencitas. Trans. Pedro Jorge Romero. Barcelona, Byblos, 2004.
Societies and institutions
"Unnatural Narratology" research group at the Nordisk Institut. (Brian Richardson, Brian McHale, James Phelan, Jakob Lothe, Monika Fludernik, Jan Alber, Rüdiger Heinze, Maria Mäkelä, Pekka Tammi, Rolf Reitan, Henrik Skov Nielsen, Stefan Iversen, Stefan Kjerkegaard, Louise Brix Jacobsen and Rikke Andersen Kraglund).
http://nordisk.au.dk/forskning/forskningscentre/nrl/unnatural/
2010
See also Reflexivity in fiction; Reflexive narrative; Originality.
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